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#I love love love this plot of the episode
essektheylyss · 1 day
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for the ask game: 🧡🖤💚
🧡: What is a popular (serious) theory you disagree with?
Until I see definitive proof that Ludinus is in fact as old as he wants people to believe he is, I will not believe it. I don't even really have an opinion on how old he is; I just don't think he's as old as he tries to suggest. And lest it be said that I am playing favorites, the thing about Ludinus is that he talks the way Essek talks in 91—and there are a lot of things Essek says at that dinner that I take with a good heaping of salt. It's this sense that they're talking around things that they would rather people not question; they're both very skilled at talking around things in a way where they aren't outright lying, but they'd rather you not think too hard about it because there's shit they're not saying. To be clear I also won't be mad if there does turn out to be some evidence in canon that he is that old, but thus far, there is nothing definitive, and I do not take the word of unreliable NPCs at face value.
🖤: Which character is not as morally good as everyone else seems to think?
I don't think this is really an unpopular opinion at this point, but Jester. Nice =/= good. I don't think she's evil, by any means! But her morality is a lot more complex than it's given credit for and I think it's one of the things that is most interesting about her. I'd actually consider her largely amoral; it's just not really an axis of consideration that she worries about. She doesn't want people to hurt her or her friends and she doesn't want something to destroy the world, but otherwise she doesn't really care much about what someone's morality is. "Just don't be evil to me" is an incredible sentiment for a reason. She cares more that Essek said they were his friends than the fact that he's the traitor they've been looking for. Ludinus is so insignificant to her despite his literally world-spanning evil plots that she has basically forgotten him six years later, even though two members of her friend group have spent the last six years trying to pin him down. Jester is hilariously amoral and I love that for her.
💚: What does everyone else get wrong about your favorite character?
[cracks knuckles] OKAY, this is where I've got receipts, because hooo boy do I have an opinion and I will be proving it.
Essek does not have an opinion on the Prime Deities. He does not really have much of an opinion on religion. He actually does not by the end of the campaign have any real issue with the Luxon, and frankly he primarily expressed issue with the Dynasty's worship because, until he got to Aeor, he wasn't certain that the Luxon was a real entity at all—which he contrasts against the Prime Deities, in fact!—and he seems to believe there is compelling evidence in Aeor that categorically disproves his hypothesis that the beacons are simply constructed Age of Arcanum devices.
Originally he is mostly concerned that the Luxon religion is used as a "crutch" which is "distracting them from what other good things they could do with the time and focus". He does specify that any religion can be used as such, but he only remarks upon the one he knows. His theory about the beacons, as of episode 91, is that they may be "artifacts designed in the Age of Arcanum that have been misread" that could be put to even further use.
He also does parrot the Dynasty party line in their first meeting about the Luxon being "the basis of how we've been able to free ourselves from the binds of the lineage the Betrayer Gods left for us", and while I do not take him at face value here (see the above commentary about unreliable NPCs), I doubt the truth of this statement is lost on him, considering his familial connections to Bazzoxan, which I can only imagine would not exactly endear one to the Betrayers, though this is only conjecture. If we do care to take him at his word here, it's not unreasonable, since he obviously has a lot more interest in the power offered by the beacons than anything else.
With all that being said, his tune on the Luxon itself has at least changed by the time they get to Aeor. He discusses iconography found in Aeor and when prompted by the Nein about whether the beacons were created by mortals, says, "I do not believe that they are made by anyone but the Luxon. They are of the Luxon. But they've been around since the Luxon's been in Exandria, which is the beginning."
So we started with him largely apathetic to religion, uncertain if this god was real, and by the time we circle back to him, he has now sided fairly definitively with the fact that the Luxon is an entity that has been around since at least the Founding. (For those keeping track at home, this is longer than Predathos has been around. In the Dynasty's creation myth, it may also have been around before the Prime Deities arrived, which is technically not incompatible with the creation myth of Exandria at large, but I digress.) Like most of Exandria, and as is perfectly reasonable for both his culture and his region, he probably doesn't have any love for the Betrayer Gods, but doesn't express much opinion if any on the Prime Deities. He has no time for religion, but frankly, he doesn't have time for much except for his own research, so it's hard to really ascribe any noted contempt to that.
Like, look, I've written plenty of religious trauma Essek fic, and I don't doubt that that element of it exists, but overall, in terms of canonical statements, it's pretty tame.
With that being said, I do want to fast forward a bit to draw attention to something else. Because I actually do think he ends the campaign with some measure of respect for, at the very least, the Wildmother.
In 140 after the Raise Dead fails, he talks briefly with Fjord about the unfairness of it. Fjord passively directs him to "if you were to ask my wise friend Caduceus..." Immediately after this exchange, Essek challenges Caleb to not accept defeat, and admits he wishes there was more that he or any of them could do, but concedes that, "Unfortunately, this type of magic is beyond my purview."
Immediately after this exchange, Caduceus asks for divine intervention.
Of course, he then spends several weeks gardening in a temple to the Wildmother, and seems to find some genuine clarity and perspective there, but I think this alone is enough to argue that, for a person as driven by empirical evidence as Essek, this sequence of events in 140 would be plenty to earn a wizard's respect.
So my formal belief is that Essek is not in fact anti-god or anti-religion, let alone against the Prime Deities. My opinion is that it's very easy to imagine him on his post-campaign travels leaving a small offering at any shrine of Melora he might pass, not out of actual worship but as a sign of respect.
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yangsejongs · 2 days
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because i can't let things go i'm thinking about the qot finale and it's still frustrating to me. baekhong spent 14 episodes falling apart and getting back together and lost all that progress to her surgery and subsequent amnesia...what was the point of all that relationship development if they were just going to have a blank slate to start over? was the relationship development just for hyunwoo's benefit, since he is the one that kept his memories intact? (and i understand why it is relevant for his character since, at the beginning of the drama, he hated his life and hated being married to haein and changed on those points.) but if haein was going to get this life-saving surgery, survive, and forget everything, why not have this happen in an earlier episode so she and hyunwoo get a chance to rebuild and we get to see them deal with the mistakes of the past as they work towards their chance at rekindling their love? idk
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txttletale · 1 day
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(Other than the really weird bit about "Male presenting Doctor") what were your thoughts about the specials?
pretty mixed bag, pretty messy, but good overall. i think they were very obviously a nostalgia trip for people around my age lol and it worked! i loved seeing tennant and tate back onscreen together, their chemistry hasn't aged a bit, and honestly just watching doctor who that wasn't written by chris chibnall was a breath of fresh air. they weren't boring, like seasons 11 and 12 were, and they didn't go too far off the other end into nonsense like flux did. characters want things again! the show can let itself just be silly! i was literally cheering out loud when donna and the doctor were just saying random scifi gobbledegook at each other for like a solid several minutes during the star beast.
the structure of the specials kind of baffles me. i love wild blue yonder--i think it's definitively the best of the specials as a standalone, it's absolutely fantastic, creepy and atmospheric and bringing things around to RTD's strength, which is well-written characters interacting with each other and letting good actors just act. but at the same time i dont understand why it exists? it feels like...idk. imagine if you watched the star wars original trilogy but instead of the empire strikes back the middle film was just a feature length film about luke and han surviving on an ice planet with no reference to anything that happens in the last film except the two characters' relationship. and then the next film was still return of the jedi, unchanged. it felt like that
i liked all the weird campy silliness of the star beast and the giggle, and they were both very fun! neil patrick harris gave a fantastic performance, there are a lot of very memorable sequences from the giggle, but it's very very all over the place. so many threads get kind of picked up and go nowhere. the toymaker's haunted house dimension goes nowhere. RTD's eyerolling social media commetnary goes nowhere (thank god tbh but yknow im illustrating something here). even the toymaker kind of goes nowhere, after ncuti gatwa shows up he's bascially an afterthought who loses by dropping a ball. obvious parallels to david tennant's first episode with that ball scene could be made, but just... aren't. it feels like load-bearing sectikons of the plot and themes were cut out to make room for a backdoor pilot for the stupid fucking UNIT spinoff
oh and it goes without saying i fucking hate all the UNIT wank in the star beast and the giggle. i hope space nine eleven 2 happens to their stupid fucking avengers tower i cannot stand kate stewart who is constantly a murderous bonehead (in the giggle alone she gets two pepole killed by not listening to the doctor and assuming that this teleporting godlike entity could be restrainted by Two Guys) who is both in and out of universe just a boring nepo baby with no merit of her own
um. i still dont know what happened with the regeneration. i think the implication is that when david tennant dies hell time travel back to become ncuti gatwa inside himself--at least the rehab dialogue seems to make that implication. but it's not really explained or explored? baffling. i do think that fourteen getting to settle down and live a peaceful life with his friends is cute.
oh yeah and the ask said other than that but goddd there was some good stuff in the star beast and honestly with the state of the UK media i will take any perspective on trans people that includes baseline human erespect but some of those lines made me cringe so bad. anyway overall i am cautiously optimistic for the future of the show--oh ncuti was fucking great did i mention that i instantly bnought him as the doctor he owned the scene, the moment he was there it was clear he was the protagonist, and i liked the church on ruby road well enough too--i am cautiously optimistic but i worry that a big UNIT-shaped tumor will devour huge chunks of it and it'll be annoying. also russel t davies is like 60 and i just dont want to hear what he has to say about twitter so im not looking forward to dot and bubble
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kinardscoffee · 2 days
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Do you think Tommy is here to stay for a while? How do you think is going to evolve his relationship with Buck? Will we get another kiss next episode?
I would love for him to stay forever!! Love him!!
Hey, Anon! Thanks for stopping by! I love talking about anything related to bucktommy, so you've basically made my day with your ask!
This turned into a long ass post, so I'm putting the rest under the cut.
Yes, I really do think Tommy is here to stay for a while because, honestly, he's the perfect LI to become Buck's endgame.
And I know that that thought is the biggest issue with certain stans right now, but like, he can easily have little storylines weaved throughout the series with the main and guest stars. And, if you actually read the interviews that the actors and Tim are doing, it's clear that's the goal. In fact, I was actually going to make a post for that idea, but I'll just add it here:
Hen, Chim, Bobby
Tommy clearly has a connection to Hen, Chim, and Bobby from his days at the 118. We've seen it in S2, so it's a canon fact. Chim saved his life, so that's a strong fucking bond right there. Not to mention they clearly enjoy quoting movies and probably discussing the plot of movies together. (Thank you, Bobby begins for the bar scene) Tommy was there when Kevin died, too, so he understands the loss that Chim has experienced through the job. And let's not forget that he had the opportunity to watch Chim become an amazing paramedic.
When it comes to Hen, he helped get rid of Captian Gerrard when Hen was being put through hell. (And yes, I do believe he said something to the higher ups. He is a military guy, and following the chain of command is very important to them, so I'm not surprised he never voiced his opinions outloud. Add that with the idea that he was very deep in the closet, he was probably terrified of that man.) And he knows that when it comes to Hen, she will never give up to do what's right and I like to think Tommy took a page from her book and applied that to his life on his journey to accept himself.
Then Bobby. Probably the first man in a leadership position that treated him with kindness and respect. When Bobby comes to the 118, there's some resistance, mostly from Sal, but even through all that, Tommy sees that Bobby is fair (transferring Sal to another station instead of fully firing him) and welcoming (by incorporating family dinners).
Athena
I was struggling with how he'd be connected to Athena, but then I remembered: trivia night!
Athena and Bobby used to have game night with Michael and David. Can you IMAGINE Bobby and Athena inviting Buck and Tommy over for dinner and game night??? I can. And I am so here for it!
Teams would absolutely be: Bobby and Buck. Athena and Tommy.
And let's face it. Athena sees Buck as Bobby's un-adopted son, so if Tommy makes Buck happy, Athena is good.
Karen
This one is interesting and maybe a tiny bit of a stretch, but I really believe that Tommy and Karen could connect through their interest for aviation/aerospace. She's a rocket scientist for crying out loud. He'd be like a little kid at the place where she works.
I also like to think that maybe, due to his childhood and being constantly between homes, he can help discuss the trauma that Mara might feel.
Maddie
I mean, the most important thing to her is that Tommy obviously makes her little brother happy and giddy. She wants to meet him, which is something I can't recall Buck or Maddie ever saying before about one of Buck's LI. Maybe Abby, but Buck was living in her apartment soooo... yeah.
I know Lou has revealed the backstory he has set up in his mind for Tommy and after saying his father was an alcoholic, I can't stop thinking that maybe little Tommy unfortunately experienced abuse from his father or witnessed it happening to his mom. Tommy, having a childhood connected to domestic violence, while not in the exact same way that Maddie experienced it, gives them something in common on a deeper level. An understanding of how important it is to accept love and open yourself up to the possibility.
Eddie
Eddie's friendship with Tommy is actually so interesting to me too because I have this crazy "invisible string" theory that includes him.(Platonically) But, moving on...
Clearly, they share a love of the same things. Muay Thai, watching fights, cars, Buck, basketball, the military.
For me, the military is their real connection because of Eddie's breakdown. No one else in Eddie's life can really understand what he's gone through and how it feels to maybe be the only one of your unit to survive. I'm pretty sure Tommy has already gone through therapy, and since Eddie had no one to reach out to with shared trauma like Frank suggested, he found that second chance in Tommy.
Buck
I mean... they connected lips and soon hearts. 🥺 Sooo....
Next question...
I really hope their relationship evolves in the cutest, sweetest, sometimes naughty, way!
I want to see nervousness. I want to see them learning things about each other. I want them to cuddle and laugh and go on double dates.
I want them to worry about the other one during a dangerous call or rush to each other at a moments notice.
I want to see them fall so in love with each other that I can sue ABC for giving me cavities from all the sweetness.
Having said that... I also want to see disagreements. Arguments and vulnerability and then the process of apologizing and making up.
So, basically, I want them to evolve into a healthy, stable, loving relationship.
And hell yeah! There will be a kiss on Thursday. I'd like to believe we'll see more than one just because of Oliver's interview, but for sure, we're getting one initiated by Buck and honestly I cannot fucking wait!!!!
I want him to stay forever, too. You're not alone 🩵
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dandylovesturtles · 5 hours
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Hello, I'm back again with another fic. This one is set right after the Hidden City episodes.
I got inspired by this pic of Leo, because I thought it was funny that they included the little hairs sticking out even while he's in the jail cell:
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Splinter's light is on. Which is odd, because he's certain he didn't leave it that way.
He'd fallen asleep in front of the big projector, and woke up to the sound of his sons playing one of those racing games they love. He'd told them not to stay up too late (something he was sure would be ignored) and then made his way back to the atrium to fall asleep in his room in front of his tube TV.
But light spilling out from under the door. When he gets closer, he can hear the sound of someone rummaging around inside.
Immediately, the worst case scenarios flood his head. One of their enemies has found them and is just inside, plotting some kind of attack against his life, or the lives of his children. They are just feet away, their shouts echoing down the corridor and into the atrium. Should he run and warn them? Or should he fight off the intruder?
In the end, he decides to go forward rather than back, creeping closer to the door. Silently he slides it open, just enough that he can look inside.
And there... is Blue, rummaging with intent through his nightstand drawer.
(Now that he thinks about it, there had been only three turtles in the TV room when he left. He'd just assumed Blue was in the bathroom, or getting a snack.)
He opens the door the rest of the way with much more sound, causing his son to jump a solid two feet in the air. "Blue! What are you doing?"
"GAH!" Blue whirls around, his hand held tight against his chest. "Holy crap, Dad! You gave me a heart attack!"
"Ninja should be more aware of their surroundings! Were you even watching the door?"
"I didn't think I would have to in my own house!"
"Well, let that be a lesson to you." Splinter folds his arms. "What are you looking for?"
Blue lowers his hands and shuffles back a step, grinning. "Looking for something? Whaaat makes you think I was looking for something?"
Splinter looks at the drawer Blue had been digging in when he arrived, its contents a mess. Blue glances at it as well, then back at Splinter.
"It was like that when I got here."
Splinter is not impressed. "Mm-hm."
"Heh, well... okay, I was looking for something, but I don't see it so I guess you don't have it." Blue eyes the atrium beyond Splinter, clearly trying to figure out how to slip past him. "Sooo I'll just be going now, haha!"
He tries to make his escape, but Splinter is quicker - he leaps up in the air, suspending himself in the doorframe, so that he is eye level with Blue just as he approaches.
"Blue. Tell me what you were looking for."
"Nothing important, seriously-"
"Leonardo-"
"A razor," he says quickly. "I was looking for a razor."
That... was not an answer he would have expected. Splinter can't keep the bafflement off his face. "A razor?"
"To shave with," Leo elaborates.
Splinter can't help but laugh at that, squinting at his son's smooth and hairless face. "Don't you feel like that is some wishful thinking, Blue?"
"Ugh!" Blue scowls at that, folding his arms. "I'm serious! Here, look at my head."
He bends his neck, and Splinter now sees what he's talking about: blonde hairs, scraggly and uneven, that dot his sons scalp in no discernable pattern. Splinter hadn't noticed it earlier, but his eyesight isn't what it used to be.
"What- where did those come from!?"
Blue straightens his head back up, looking both irritated and embarrassed. He doesn't seem eager to answer, but now that Splinter is thinking about it, this feels familiar...
Right! Yesterday, in the Hidden City! He'd gone to find Blue to borrow his odachi, and when he'd gotten there, Blue had a full head of blonde hair...
Ah.
Splinter lets himself drop to the ground. "Your hair yesterday... it was not a wig?"
Blue chews his lip for a moment before finally admitting, "It was some kind of... living hair yokai."
"Oh no... you let one of those on your head!? They are very dangerous! They sap your energy for themselves and take control of your sleeping body!"
"Yeah, that would have been great information to have a day ago." Blue rubs the top of his head self-consciously, then scowls. "Some of the hair stuck around, and... It just looks stupid, and it's kinda itchy, so..."
"Ah. Well, if I remember correctly, it will fall out on its own in a few days."
"Oh." Blue hesitates, then starts out the door again. "Okay. Well, uh... I'll get out of your hair, then."
He grins awkwardly as he slides past, and Splinter realizes just in time that he has not handled this correctly.
"Blue, wait," he says, and his son freezes just outside, glancing back over his shoulder. Splinter leaves him standing there, and goes to his dresser, pulling a thin black box out of one of the top drawers. There's an old shaving kit inside, complete with a razor that is still sharp. Splinter's not sure why he's kept it around, since he doesn't shave since becoming a rat (unless he's sick with the Rat Flu, of course, but for that he uses the electric trimmer), but he supposes it will come in handy tonight.
He walks back to Blue, holding the razor above his head. "Aha! Here we go."
"Oh! Thanks, daddio," Blue says with a grin, reaching out to take it - but Splinter does not hand it to him.
"Absolutely not. If you try to shave your own head you'll just carve yourself like a turkey." He lowers the razor and steps past Blue, into the atrium. "Grab a stool and meet me in the bathroom. I'll do it for you."
He doesn't hear Blue's footsteps moving. "Seriously? Come on, I can do it myself."
"No complaints!" He beckons Blue on with his tail. "Come on! I know exactly what I'm doing!"
"...Ough boy," Blue mutters, but he moves to do as Splinter's told him, and that's enough.
-----
They reconvene in the bathroom, as he instructed. He has Leo sit on the stool in front of the sink - it just works out that he can lean his neck against the basin, while Splinter perches in the sink itself for a good view.
"Now, I think we might have... Aha, here we go!"
He pulls shaving cream out of the medicine cabinet; again, he's not sure why they have this, since none of them shave, but he wouldn't be surprised if the boys use it to pull pranks on each other. Besides, it just feels like a normal thing to have in a home full of men, even if they don't strictly need it.
He squirts some into his hand, then layers it across Blue's scalp. Blue giggles like he's ticklish, and Splinter shooshes him, even though he can't keep a little grin off his face at that.
Then he carefully starts to shave across Blue's scalp, starting in the middle and working his way out. The hairs are pretty sparse, but some of them are too fine for him to see, so it's better to just do the whole scalp and be sure to catch them all.
"Why is it that you let the yokai on your head in the first place?" he asks a few strokes in. He's curious about it, after all.
"I didn't let it," Leo argues. "I got tricked. The guy who gave it to me told me it was just a potion to grow hair."
"Aaaah... And it was a scam. I'm guessing that's how you came to be in jail when we got there?"
"Yeah."
"Well, that's alright." Splinter pats his shoulder. "Live and learn!"
Though, that didn't answer the question Splinter had actually been getting at. Blue says nothing else, so he tries again.
"But... why did you want to grow hair?" When Blue doesn't answer right away, he adds, "Do you wish you had hair?"
"No," says Blue. "...Yes. ...Maybe?"
Splinter has to bite back a chuckle. "I see."
Blue sighs, wringing his hands in his lap. "I mean, I guess I never really thought about it too much? It's fun to wear wigs sometimes, but I never really cared about being bald, before..."
He trails off. "Before?" Splinter prompts.
Blue is chewing on his lip again. "Have you ever heard of Hirsute? The fancy beach club?"
"Oh, of course!" Splinter grins at the recognizable name. Now that he remembers, wasn't that where he'd found Blue? "They have veeery strict requirements for membership, but of course I was always allowed in because Lou Jitsu had such perfect-"
He cuts himself off, looking down at Blue, the peeks of his bald scalp through the shaving cream. Finally, he has all the pieces.
"...They wouldn't let you in, would they?" he asks, hands stilling in their task.
Blue chuckles dryly. "Even better. I got in but they threw me out."
"...Hmph." Splinter gives his foot a stomp against the porcelain. "Well, who needs their resort, anyway? Honestly, their drinks were overpriced and their steaks were always too dry."
"I already saw how nice it was, Dad, but thanks for trying to help."
"Mm, well, we will find an even nicer one! One that does not discriminate."
"Yeah, sure," says Blue, but he sounds downcast. And really, Splinter doesn't know what to tell him. He doesn't know how they would find this mythical tolerant beach club.
"You've... always told us to be careful, with humans," says Blue after a few moments of silence. His eyes are locked on the ceiling, hands still held tight in his lap. "About not letting them see us, and all that."
"...Yes," says Splinter sadly. He wishes it wasn't so, but it was for their safety. "I was worried... about how they would treat you boys."
"I know," says Blue. "And I get it. I know not everyone is April."
"Unfortunately not," Splinter agrees.
"But even most of the humans who've actually met us... They were cool with it, or at least, if they hate us, it's for non-turtle reasons. So it was like, I knew that there were humans who would be scared, or who might even try to hurt us, but they were always... You know." Blue waves his hand in the air. "Like... a concept, or whatever."
"Hmmm... Abstract?" Splinter suggests, and Blue snaps his fingers.
"Yeah! Abstract. I didn't have a face or a voice, just a vague idea that someone could be a jerk to me. And..." He lowers his hand and rubs it up and down his arm. "I thought since I knew that, I wouldn't be surprised when it finally happened? But... then an actual person was looking at me, a real person, and telling me that I wasn't good enough. Telling me that I wasn't allowed in just because of something I can't even help, just... the way my head is, and... and I don't know. It was just way worse than I thought it was going to be."
Splinter's hands still again, his heart clenching in his chest. Oh, his son. His sweet Baby Blue...
"And," Blue continues quickly, "I know it's dumb, it's just a snooty beach club, and it's just hair, and I just need to get over it-"
"Blue," Splinter cuts him off urgently. He nudges his shoulders, trying to get the boy to sit up. "Leo. Please look at me."
Blue sits up, slowly turning on the stool to face the sink. His eyes are suspiciously red-rimmed, and Splinter feels a rush of emotions so strong they nearly sweep him off his feet. Hurt, for his son who was made to feel bad over something so trivial, and fury, for the people who caused the injury.
He reaches out and cups his son's face, rubbing the pad of his thumb over his cheeks. His sons are more muscular than other children their age, but Blue still has baby fat on his cheeks. Splinter resists the urge to squish them.
"I wish they could all see what I see," he says softly. "A young man who is so handsome, strong, and clever."
Blue's lip trembles slightly. "But they won't."
"Some will," he promises. "Not everyone is April... but she is not the only one, either."
"Just wish I knew who was an April and who wasn't," Blue says. "Before I get kicked out on my butt."
"Mm. It is hard. Some people make it obvious, and so many more do not." Splinter sighs. "When I came to America, I was already a celebrity. And still, there were many who did not accept me, or who did not think they needed to listen to me, or who were cruel. And it was the same, when I was taken to the Hidden City."
Blue gives him a sad, crooked smile. "You felt like an outsider, too, huh?"
"Very much, yes. Human and yokai... there are prejudices everywhere."
"So how do you deal with it?"
"Mm... there is no easy answer." Splinter guides Blue to turn around and lean against the sink again, before rest of the shaving cream drips. "I wish I could tell you that this is the worst you will ever face, but I can't promise you that. But I do not wish for you boys to hide from the world forever, either. Even if it is only among the yokai... I want what all parents want for their children."
"For them to have grandchildren?" Blue asks.
"Yes!" Splinter chuckles. "Cute babies to play with and then give back." He finishes shaving the last of Blue's head, then grabs a wash cloth to wipe him clean. "But no. I meant that, for all the people who may be cruel to you... I want there to be many more who are kind. And who love you as I do."
Blue's voice is soft as he mutters, "Oh."
"And I also want you to remember," Splinter leans forward, and kisses Blue on his forehead "that you are accepted here no matter what." He snorts. "Even if you want to make that hairstyle permanent."
"Oh, come on!" Blue huffs and gets up from the stool, his deeper green blush visible even though he is trying to look annoyed. "It wasn't that bad!"
"I'm just saying, I think you can do better!"
"What do you know, old man?" Blue scowls, but it's playful.
"Old man!? Hmph, the disrespect..." He folds his arms, then nods at the door. "We're done, so I'm going to bed. Your brothers are having some kind of go-karting tournament in the TV room."
"Oh shoot, I'm missing it!" Blue turns to run out, then skids to a stop and spins on his heel, running back and scooping Splinter out of the sink and into a hug.
"Thanks, Dad," he says, and Splinter can't help but chuckle, giving his shell a pat.
"Of course, Blue."
Blue sets him down, then turns and runs off again. Splinter can hear him yell, "Dibs on next race!" from down the corridor.
Splinter rinses the razor clean, then puts it back in his box. He considers taking it back to his room, but in the end he changes his mind, slotting it into the medicine cabinet.
Who knows? Maybe someone will need it again, one day.
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@gehayi said: can you please tell us more about Israel Rank?
POV: We are at a slumber party and I am kicking my feet and giggling and telling you about the boy I like.
"Oh my god, his name is Israel Rank, and he's from a book called Israel Rank: Autobiography of a Criminal, and he is so hot! The musical A Gentleman's Guide to Love and Murder, and the movie Kind Hearts and Coronets were both based on the book, but they made him other things besides Jewish, which is so bogus. Roger Ebert said it made the story more 'universal', which I guess means half-Italian is more universal than half-Jewish, which, what the fuck?
Anyway, he's the worst person in the world and I love him. He's like Heathcliff plus Steerpike plus Edmund the Bastard. He's the really distant relative of and earl, and his mother was disinherited for marrying a Jewish man. Israel isn't technically Jewish, he was baptized and raised Anglican, but he looks Jewish- and also really hot, and he says that combination upsets people! Kind of an Adrian Brody thing? I would have cast Ezra Miller before they turned out to be a shitshow of a person. And his name is Israel, kind of as a fuck you to mom's family. So he decides if people are going to give him shit about it anyway, he's going to embrace it.
He's in love with this girl Sibella, who won't marry him because he's both half-Jewish and poor, so starting as a hypothetical lark he wonders if he could just murder every single family member between him and an earldom. And then he does it! After sexual fantasies about Lucrezia Borgia encouraging him to! What an absolute freak.
So he starts killing, and his narration is so dry and funny about it. He tells the reader that in his experience, Jews aren't all that violent- he speculates that Shylock would have walked back the pound of flesh if he'd had time to calm down- but he has the blood of evil rapacious noblemen on his non-Jewish side which are to blame. He kills most of his family, except for the cousin-in-law whom he marries. He also still love Sibella. And his wife! He just can't stop fucking, he's so awful! (And I think he's bisexual. At least, I don't know how else I'm supposed to interpret the part where he's in school and "the boy I loved chose me as his Jonathan.")
And he gets away with it! He's super popular at his trial because he's so handsome and charming and the same society that scorned him, now that he's an earl, gossips that his Jewish ancestry must be very slight and distant. And there's a twist that gets him off the hook which is actually a real bummer of a plot point, even he's bummed out by it, but it's such a perfect capper to a life of cruelty.
Honestly, I do get why none of the adaptations keep the half-Jewish thing, they're probably afraid it would seem antisemitic, but in my opinion it's a real shame because it's so central to his character and I think I do want a sexy Jewish Byronic antihero. He's the worst. I love him. I would marry him. I would immediately divorce him. His favorite book is Emma!"
For a more academic discussion, I did a podcast episode on him way back when!
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ssaalexblake · 3 hours
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the thing about tpotd is that, frankly, the idea of a 13/dhawan!master body swap was quite literally my golden goose of media. You have No idea what I'd do for a two parter in that show where this happened. It is literally at No.1 in my fictional plot pipe dream folder.
But... If we'd gotten that in tpotd then the entire era's thesis statement would not have been wrapped up. The whole point was the doctor's out of commission, Yaz has to do it because the doctor Isn't out of commission, the Doctor is Yaz because The Doctor is an ideal, not a person, you can do it if you try.
If they'd swapped, the doctor would have very literally been there and Yaz's arc is trashed because Yaz needed the metaphorical doctor training wheels removed and to manage to do it solo, not without help, because the point is also that the doctor has loved ones helping, but solo as in without the doctor there.
And so it Pains me deeply to say, but i am So gad they didn't do a body swap (literally, I hate writing this). Yaz's arc is more important. Yaz's arc solidifies 13's arc. It solidifies the story of the doctor in general even aside from one regeneration. It solidifies the master's arc. Yaz is the keystone here, to both the overarching themes of the story plots And of the character plots.
So am I sad i got so close yet So far from my ultimate wish? Yeah, but... They shouldn't have done it. If they wanted that it needed being done in another episode (I am choosing to blame the reduced ep count because of the plague, just because I can).
Jodie whittaker as the master and sacha dhawan as the doctor would have slapped so hard but what Actually mattered to wrap up 3 seasons of TV with an important message was Mandip Gill as the Doctor, and Sacha Dhawan Still as the Master even while he was walking around in what was technically the doctor's body.
Yaz my love you are treated so badly by fandom but I love you and I see your beautiful arc and I'm so glad that it wrapped up properly even while i lost out on my golden goose.
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noona-is-afk · 7 hours
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I feel like Lovely Runner might ruin me for all other rom com dramas
Like the acting? Phenomenal. Everyone cast is giving their best performance of their careers. I already love Byeon Woo Seok and Kim Hye Yoon in all their other dramas. But they are somehow outdoing themselves again?!
The directing? Insane. Giving me heart palpitations with all the slow mo and symmetry to past scenes. The blue and yellow colours throughout are so gorgeous. Some of these shots will live in my head rent free forever.
The writing? Making me unwell. Truly. The parallels in every scene. The deep, sincerity in talking about mental health. The fact that I’m invested in the murder plot? Truly a feat unmatched. The pacing is so good too, every episode makes me excited for the next.
I’m just enjoying my time so very much. I’m so glad we’re only half way through, I need moreeee. But how the hell am I supposed to cope once this over?!
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10underoot2 · 2 days
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I don't have all my thoughts in order rn but I still need to put this out there.
Episode 16 was okay. Really slow at times, hardly bearable at others but it was good. I think I would have immensely enjoyed the show more if we took out Amnesia and Yoon Eun Sungs idiocracy of the last two episodes.
See for me, as beautiful as the ending sequence was I missed BaekHong even before the show ended. We don't know their new dynamic by the time the show ends. It is so unformed and raw that I physically missed the couple that graced my screen at the start - the one I fell in love with. Who grew from 'I can't love you' to 'I can't live without loving you'. The ending sequence of them was beautiful, the scenes were good but nothing stuck for me. Was it because I was incredibly aware that Haein doesn't remember what I'm remembering. Was it because they never showed me both of them back at the dynamic they used to have?
I loved Baekhong so the end was weird for me. I surprisingly liked it but I'm also pained by what I've lost due to some of the writing choices. I enjoyed the thought of them having a child sometime earlier, more than I saw it here. Because I felt like I don't know this dynamic too much anymore. Hae-in's personality is still a mystery to me. Hyunwoo's dynamic with her as well. We've always seen the hard parts of their marriage and the honeymoon phases. We've witnessed nothing in between. So I guess a more linear passing of time would've been more interesting. It warmed my heart seeing that child in the frame but I squealed more in the post credit scenes where Hyunwoo and Haein are just enjoying themselves in the field (because it reminded me of their original dynamic).
They also could've given me Haein and Hyunwoo dealing with baby 1031 for a whole episode and I would've taken it. That scene explaining what happened and them somewhat talking about it was appreciated but it was a little too late. I felt like the writer suddenly remembered in the last episode oh yeah right the story started cause these two married lovers fell apart. Gotta make them talk about it before the end credits roll. I would've enjoyed them dealing with their past problems more if it was like 5-6 plot twists earlier.
I appreciate the ending I really do. It was warm, beautiful, and nice. It gave closure. But it was a little too late for me. Some of the plot points served no purpose on this show so I wish we didn't have them. But Baekhong from episode 1-14 will live rent free in my brain forever.
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tempkiriri · 2 days
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HeroTV Database: Grand Opening
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Warning: Default White with black text colouring (we couldn't prepare custom colours before launch) might be hard on the eyes. Please switch to dark mode which reverses these colours if the harsh white makes your eyes hurt, though it will also invert most colours of most templates and also desaturate some brighter images. We will be working on a proper theme and custom dark mode going forward, including exempting the templates to a colour change. You can opt into the cosmos skin in your user settings, which uses the new red & gold colourscheme and is easier on the eyes + overall design looks similar to fandom, but it's dark mode is brighter so don't use dark mode on it. Also, link colour only works if you haven't clicked on it if using vector skin. Yes, we are scrambling for a fix as I type.
But anyway, please start going here. All the information on the old wiki is on this one as well + new info will be added. If you wish to contribute, you will need a miraheze account. We still need plots for the S1 episodes and character pages have chunks missing, we can't do this alone. We would love your help!
https://herotvdatabase.miraheze.org/wiki/Tiger_%26_Bunny_Wiki
And Happy Birthday, Pao-lin!
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Sometimes, the silliest, most lore-irrelevant episodes are the best episodes of TSAMS. The ones that give nothing to the plot but give everything to showcasing the family dynamics at work. The ones where they’re all just siblings being siblings or friends being friends. Where, even if something devastating just happened, they get to forget about their problems for just a moment and breathe. Lore videos are interesting but the other videos are happy. I’ve rewatched all the lore episodes at least once, but there are certain gaming or silly VRChat episodes that have turned into comfort media. The Villain gaming episode, Afterlife Uno, a lot of the Lethal Company and Game of Life 2 episodes, silly VRChat episodes like the Goose Dimension or Sun and Earth teaching Dazzle what pronouns are (incorrectly lmao). I actually love when nothing is wrong and there is no plot to follow. It means everyone is safe and happy.
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ranbling · 2 days
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I'm gonna make one last post about this topic to get out everything from my system:
Tommy fans seem all to eager to bury his past and talk about his growth when this curtesy is never extended to female love interests (and Ana, Ali, Natalia and Marisol never acted anywhere close to how he did in the begins episodes). He was absolutely terrible to Chimney and then only stopped pretending he's not invisible when Chimney saved his life. Even then he gave no apology, just a thank you and decided to move on as if his past behaviour haven't happened. And then he acted the same with Hen - pretending she's invisible and making little side comments (I'm not saying only he did that, the everyone in the old 118 is guilty of this) and he and Sal only decided to respect her and actually aknowledge her when she saved made a choice and saved someone's life, who would have been dead thanks to the old captain. And there was no apology to Hen either. The old 118 was a backwards and regressive place, but this an explanation to his behaviour not an excuse.
People can argue how not everything needs to be shown, but I feel like it's hard to make amends when the other party is not even owning up his own behaviour enough to even apologise to the people he hurt with his behaviour.
The date with Buck was also not a great first queer experience. Having your date tell you how he understands working in a macho line of work and not being out to calm your anxiety, than make little side comments when you're not ready to come out to your best friend who just showed up by coincidence is not cool. (As a queer person, I don't think Buck put Tommy back into the closet, it wasn't like Eddie knew they were on a date or Tommy is gay and yeah maybe the finding hot chick comment was unnecessary, but Buck was anxious long before Eddie showed up). Also I get why Tommy wanted to leave, but not telling until the Uber pulls up is also a shitty thing to do. Natalia also leaves Buck and people seem to hate her for it, but she comes back.
Also the Evan thing and calling Buck kid. I hate both things. Calling your date kid is weird and just why would you do that? And I know that Tommy calling Buck "Evan" is supposed to be cute, or special, but it just gives me the ick. It's not his prefered name
Also telling Buck how he's jelaous of the family dynamic of the 118 and then going for a kiss is certainly a choice on the part of the writers.
Tommy is character who had little to no development during the show - yeah they seem friendly in the Bobby begins episode, but do you want to be unfriendly to the guy who works with you and finally decided to not be a dick? and we're just supposed to believe he was always a good guy, who only acted the way he did because the old 118 was old school and he was figuring out his sexual identity?
He's not a character with good development or layers, he's a character who was a plot device to show how horrible work places that are considered macho to poc and women, and now they decided to bring him back for some reason as a first queer experience to Buck and act like him being gay excuses how he acted in the past
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essektheylyss · 2 days
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Spice! 💖 & 💀
💖: What is your biggest unpopular opinion about the series?
UNEDITED LONG-FORM ACTUAL PLAY IS GREAT. I don't think this is actually that unpopular of an opinion but every time I hear people going "well, Critical Role would be better if it was edited down" all I can hear is "we don't need filler episodes, toss 'em!" Sure, it would be better for some people, but it would be worse for others. There are soooo many really crisply edited actual play shows, and I really enjoy some of them! I love an economical story! But what I really want most is variety, and if you try to shove every single instance of a particular genre into one format, you completely lose the variety that different formats bring to storytelling. This is a major problem with TV right now, and frankly it's a problem across most industries given the late-capitalist hellscape of gotta-go-fast (for as low a cost as possible), and having a show that does take five hundred hours to tell a full story is, like, actually miraculous and so very dear to me and anytime someone suggests that that be eliminated I start mentally sharpening knives.
💀: If you had to choose one major character to die, who would you choose?
Okay honestly, I would be fascinated to see what happens if Imogen dies at this point in the story. I think that would be wild. I am very excited to see how they approach a PC death this late in the plot as is, but also Imogen dying at this junction feels like it would cause a massive plot vacuum and given the medium I would love to know how they would handle that.
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ordinaryschmuck · 3 days
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What I Thought About The Owl House Pilot
Huh. Never thought I’d get to do this again, but oh well.
Salutations, random people on the internet! I’m an Ordinary Schmuck! I write stories and reviews and draw comics and cartoons.
And, above all else, I LOVE talking about The Owl House. I have an entire masterpost dedicated to talking about every single episode of the show and I’m halfway through a six-part review discussing everything that I love about it (Part Four's coming when it’s done. Let’s say…late June. Early July at the latest). I figured that after I’d finished that whole deal, I wouldn’t have anything left to talk about when it came to this series. Then, out of nowhere, the show’s original pilot leaked online…Sort of. It’s just an animatic with the show’s original voice cast voicing MOST of the lines, but it’s very much the pilot episode. It’s just not a finished product and I won’t share a link because I don’t think it’s exactly…legal. BUT I will at least share my thoughts about it because, well…Look at my blog. The Owl House has become the BIG THING that I obsess over for a reason and I love that I got to see what’s basically an alternate version of the show that I love. What do I mean?
Well, a pilot is MUCH different from a first episode. Where the first episode is meant to sell the show to the audience, a pilot is meant to sell it to a STUDIO. It can happen at any point of the story or act as the show’s first episode. Just as long as it shows off the characters, concepts, and tone, a studio can look at it, greenlight it, and allow the show to continue, BUT with some extra notes. Sometimes, those notes can change the rest of the series where others can keep the pilot good enough to stay canon. Some best examples off the top of my head are the pilots for Regular Show and Rick and Morty. You can tell that not much changed from the pilots of those shows and what was initially pitched, but there are clear changes in tone, animation, and even personality. Skips sounds a little more illiterate and Benson being more informed of the consequences of something as simple as rock, paper, scissors in the Regular Show pilot and Rick is noticeably more reckless and unprepared for situations in the Rick and Morty pilot. Nothing is set in stone with a pilot episode, even the ones that are canon. For the case of The Owl House, it’s pilot is no exception. A lot of it is just the same as “A Lying Witch and A Warden” at least in terms of plot and themes, but there are so many changes that show off what the series COULD HAVE been instead of what it was. How different? Well, let’s go through it all.
But real quick, I’m not going to do the “Like/Dislike” format I’ve done for previous reviews. Instead, I’m going to look through this pilot, note the changes it has, and share my thoughts on them. There’s also going to be a few spoilers to what happens in this pilot, so if you haven’t checked it out then I suggest giving it a watch wherever you can find it. It really is interesting to get a peak into what’s basically an alternate version of my favorite show.
With that said, let’s get into it.
Some Things Stayed the Same: Like I said, it’s basically an altered version of “A Lying Witch and A Warden.” The plot is that Eda uses Luz to get King back his “crown of power,” with some bits and pieces carrying over. Certain jokes that must have been too funny to get rid of, specific lines of dialogue that hit just the right notes, and some aspects of the characters’ personalities being just the same, proving that they're already perfect the way they are. It’s the changes, however, that makes for something more interesting. For one…
There’s More of an Emphasis on Comedy: As much as I love The Owl House, I’ll always admit that humor isn't its strong suit. It CAN be funny, really funny. But the jokes don’t land as well as something as Gravity Falls or Amphibia. I can say that a part of that could be because Dana Terrace wanted a more serious show, and we definitely get a sense of how serious it could be later in the series. Here, in the pilot, it definitely seems like there was more of an attempt to make the show comedic. King’s crown isn’t in a warden’s cell held within a magical barrier that only a human can get through. It’s in a Principal’s high school, locked in a human locker that Eda and King treat as something devious. Amity’s friends aren’t preppy mean girls who seem like they could cause conflict to Luz and her friends. They’re characters used for jokes who are amazed by Luz standing up to Lilith. There’s less of an edge and more of a lean towards cutesy fun, waiting until the very end to reveal something heavy. To me, it makes the pilot feel MORE like a Gravity Falls clone than the final product. Because while Gravity Falls has its serious moments, it makes it clear that it was a comedy first, both in the pilot and final product. Any moment of heart or drama was overshadowed by one hilarious joke after the other. Now, “A Lying Witch and A Warden” had a lot of jokes too, but there were also these moments that hinted at something more. You have the oppressive looking prison, the grand beam of light hiding human collectibles, a crazy chase from a threatening looking warden. And yes, the reveal that Warden Wrath was trying to go out with Eda was hilarious, but a warden who tortures a prisoner for speaking her truth gives a hint of how dark this world can be. Meanwhile, a principal sending a student to demon detention feels more like a joke, exaggerating how strict some principals can be.
And keep in mind, I’m not complaining about the pilot leaning more towards comedy. I actually laughed a lot more with it than I did with “A Lying Witch and A Warden.” I’m just trying to explain how the tone is definitely going for something different than the full series. It might have that darker twist in the end, but even that is nothing more than a surprise. I'll get into why later, but while it has darker implications, it doesn't detract from the fun times to be had. Not by much. From what I can gather from the pilot, it’s definitely going for a series with goofy, fun adventures with a bit of heart to it. It’s just missing that personal touch that’s in The Owl House. One good example of how?
There’s Not Even a MENTION of Camila: Before you say anything, this has nothing to do with me being Camila’s number one fan, to the point where I almost made a side-blog dedicated to her (I really should get on that, though…)
I bring up this change because Camila grounds the story in “A Lying Witch and A Warden.” She draws Luz close to reality and is the first thing that comes to Luz’s mind when in real danger, saying, “If I die, my mom will kill me!” More than that, though, Camila is the one real connection Luz has to the human realm. She has no friends nor adventures, but Luz always has Camila, with even the first episode hinting that. So when Luz starts getting herself into trouble or choosing to lie and stay in the Boiling Isles, it lets the audience get ready for the inevitable drama that could unfold when Luz finally tells Camila everything. By removing Camila, though, the anticipation of Luz telling her mom goes away with her. At least, it tells ME that there’s less of a worry about Luz basically running away from home. Either this version of the show is holding off from that for a future episode or that Luz and Camila’s relationship isn’t close enough where it matters. This is speculation, of course, but I still stand by that a sense of something personal with Luz is lost for the sake of having fun and epic fantasy adventures with entertaining characters. It’s still good and entertaining, and the pilot does offer something else that’s personal, but it’s not the same as The Owl House we all fell in love with. Though, it’s notable that our main cast stayed the same.
Luz, Eda, and King: Overall, I’d say that these three, personality wise, didn’t change much. King’s probably the least altered, being the exact same character he was in Season One aside from MAYBE having a design change (It’s hard to tell through storyboards). As for Luz and Eda, they’re more or less the same. There’s a BIG change with Eda (That I’ll get to later), but her devil-may-care attitude is very much the same, as well as her snark and soft nature towards Luz and King. It’s her magic that gets the real boost, being able to do more like teleport across the Isles and turn into a…softer version of the Owl Beast at will. It’s pretty cool to see the power that this alternate Owl Lady has. And then there’s Luz, who’s still the lovable weirdo we all know. Though, this version seems a lot more dim and I’m not really a fan. How does she mistakenly give a book report in geometry class? How did it take seeing Amity’s witch ears to realize that she belonged in the demon realm? Luz had her dumb moments in the show too, but not to this extent. There was still a sense of maturity and cognitive understanding that made Luz feel like someone that seemed weird but intelligent enough to think herself out of a situation. This Luz seems more weird and focused on using brute force on a problem. In a way, it makes Pilot!Luz more of an…emotionally driven Star Butterfly. A fun and capable character, but not the same kind I had made several posts and reviews talking about how much I love/personally connected to her. But, comparatively, I guess it IS the most minor change that could be done to this character. Now let’s move onto BIGGER changes.
The Boiling Isles: The look and feel of the Isles remains the same, but the fact that it’s more connected to the Human Realm is intriguing. From what I can tell, the Demon Realm treats traveling to the Human Realm like it’s going to a new country. You visit, make some memories, and, for some, send your children over to be a foreign exchange student of sorts. Except that racism seems to be encouraged in this regard as the demons and witches don’t see humans worth breathing the same air as them. And some think it’s more than okay to hunt down and kill if one human trespasses into their realm. And the reason for THAT is implied to be Belos’ doing. Er, I mean–*Checks the leaked pitch bible*--Emperor Pupa? Uh…I’ll just stick with Belos. 
And that’s extra fascinating to me because Belos being a witch hunter was a major twist that spoke VOLUMES of the kind of people he represents. To find out that this version is more anti-human makes me curious of what kind of angle the show would have taken. Would Belos have been your bare-bones fantasy villain or would the writers find a different way to tackle his symbolism? And is the reason why the Demon Realm is more open up to the Human Realm because he hopes witches and demons can report about their enemies for a possible invasion? There’s no way to know for sure because that version of the story will never come to be, but it’s interesting to think of all the things we COULD have gotten. The same goes for other characters.
Amity: To think, Amity was considered important enough to be included in the original pitch pilot alongside our main trio. It makes sense. Dana Terrace has gone on record in saying that Luz and Amity’s relationship was something she wanted from the get go, so it’s smart to establish it as quickly as possible. Though the route they take is definitely different. Instead of being enemies to lovers, Lumity, in the original pitch, went for the friends to lovers trope…kind of.
Luz, in this version, is someone so desperate for positive attention and respect that she latches onto the first person in school that was nice to her. Except that Amity was looking for some quiet and just so happened to look like she was supporting Luz when telling everyone to leave her alone. It was an act of kindness, but not one done in generosity. It still meant the world to Luz, though, making her go ALL IN with friendship. Only to be a little too forward and creeped Amity out to the point where she was polite enough to say “Thank you,” but you could see the desperation in her eyes to be anywhere but next to Luz. Yet Luz doesn’t see that. She’s still too focused that someone was actually nice to her that she blindly follows Amity into a new world just to return a weird looking passport. Because Amity’s Luz’s friend now and friends do nice things to each other. Only for Amity to accidentally reveal that she couldn’t care less for Luz and shatter her hopes and dreams in one fell swoop.
In a weird way, I’d say Luz and Amity are off on a better first impression here than in the original series. There’s no attempted dissections or witch’s duels. Just…Amity trying to be polite in Luz’s presence only to act like your typical mean girl when she THINKS Luz isn’t around. Tossing away the drawing is harsh for sure, but here’s the interesting thing: Amity didn’t know she was talking to Luz at that moment. She didn’t even get rid of the drawing until someone drew (haha) attention to it. If anything, it’s worth noting that Amity still kept the drawing on her. Almost like, despite being weirded out by Luz, Amity felt as though the drawing WAS cute and only got rid of it when she thought someone would question her for having it. Can’t have that Little Miss Perfect status shatter over something some human gave her.
Am I reaching as a Lumity shipper? Oh, most certainly yes. But we all know the inevitable conclusion between these two. We know where they’re headed. Dana has been pretty adamant about wanting it from the start and this pilot sets the groundwork well. Knowing where these two will end up, it’s easy to make connections and hypothesize what means what. Plus, look at the face of shock and amazement on Amity’s face when she sees Luz standing up to Lilith. That looks like a girl who’s…feeling things for this human weirdo. They’re not off to a ROARING start, but I can see how things could improve between Luz and Amity. And who knows, maybe this version of these two might end up dating sooner with how quickly they seem interested in each other. Again, am I reaching? Most definitely, but I went without any new Lumity content for over a year so LET ME REACH!
The point I’m trying to make is that this version of Amity definitely seems a lot more chill and polite at the start, even though it’s likely she still has issues of even being FRIENDS with a human. But not everyone starts off polite.
Lilith: Crazy to think that Lilith started out as…basically a one-off villain like Warden Wrath. At least, that’s what I gathered from the pilot. The pitch bible hints that there COULD be more to her, but at the same time she gets sent to a fire dimension and loses a hand. That’s one-off villain energy if I’ve ever seen it. But if she is meant to be something more, I would love to see what differences could come of her being the headmaster of Hexside instead of Bump and how she could either develop into someone better through Luz’s influence as a student or regress into someone worse as she makes Luz’s school life a living hell. Whatever could come from her, it was kind of fun seeing Lilith act as more of a threat with her…out of nowhere ability to turn into a bat monster. It’s a pretty cool design and I love that it was brought out due to Eda’s constant pestering, proving that Lilith is still the same insecure nut that I love. And it is pretty great that this pilot confirmed that Lilith really did dye her hair to look more serious. You CAN’T tell me that’s not why the Lilith we know ditched the curly red hair.
But that’s about it when it comes to changes towards characters and locations. Let’s talk about the potential differences in the ongoing story.
Luz Stays Trapped Instead of Choosing to Stay: I mean, technically she chose to stay by breaking that key for no reason, but that’s more of a consequence of not thinking things through. She didn’t NEED to break the key, Luz could have just as easily pulled it out. Instead, she kicked the dang thing, leaving herself trapped in this new world. And it’s here that I would like to once again point out how this makes Pilot!Luz different and what’s lost by not including Camila. The Luz WE know would have been more careful. She always felt like someone who fought smarter, not harder, even in that first episode. Luz didn’t fight Wrath head on, she rallied a prison riot that distracted him long enough for her to hit a firework ball into his mouth. She’s intelligent and resourceful, where this one…kind of is? It was smart to send Lilith to the fire dimension, but again, not a great plan to break the key. Plus, without Camila, this doesn’t feel like as big of a deal as it could have been. Camila was the first person in Luz’s mind as she destroyed the portal door in the Season One finale. In the pilot, with no Camila, it feels like a non-sacrifice or even that big of a deal. She’s stuck, sure, but Luz doesn’t really seem to care that much. She feels happy being with Eda and King and doesn’t seem to be in that big of a rush to get home. Plus, it’s not exactly complicated to get back. There was a whole line of portal doors in the beginning that Luz could potentially sneak through and there’s not yet an established cannon that makes it seem like getting a new key would be difficult or even complicated. Once more, it gives the impression that this version of The Owl House would be focused less on personal stakes and more like giving Luz that fantasy adventure she’s always been craving for. It would make for a fun show, but not the SAME show. However, it is worth noting that there could be some potential drama. Especially for one twist that was a JOLT to my system.
EDA WORKS FOR THE EMPEROR?!: WHAT?!
I’ll admit, I feel like the reason why this is so shocking is because of the Eda I know and the Emperor I learned to fear. I mean, Eda, the woman who would sooner eat her own fist before even CONSIDERING helping Belos, even before the witch hunter business, was originally meant to HELP him. Of all the changes that the series could have made, this was by far the biggest. Everything that I thought to be constant turned out to be a lie and I was NOT prepared for it!
But again, the reason why I got that big of a reaction is because it goes against everything I knew about Eda. If this was my first introduction to her, it’d be less of a shocking twist and more of a…hook. Like how Invincible’s first episode (Don’t watch if you’re a baby) ends with a character you THOUGHT you could trust doing this intensely dark thing. The rest of the season is leading you to figure out WHY this was done and how the other characters would react, making you want to see more as the show inevitably leads up to this big conclusion that changes everything you once knew. The same applies here, with the reveal making me wonder why Eda would do this, how long she’s been doing it, how it will affect her relationship with Luz, and whether or not it’d be an easy fix. And much like the ending of Invincible’s first episode (Seriously, NOT meant for babies), this hook makes me interested in wanting to see what comes next. Except I never will know because that came from a version of The Owl House that will never exist.
The pilot is interesting because it shows me what The Owl House COULD have been. I wouldn’t say that it’s better than what we got or even that it’s a better first impression than “A Lying Witch and A Warden.” It’s definitely FUNNIER, I’ll give it that, but it doesn’t make the original pitch better, it makes it different. Everything looks the same and sounds the same, but the overall feel of this pilot makes it something that would have had a different story, tone, and ideas on how to develop these characters. Would I have liked it? Absolutely. It seems like a fun time. But that doesn’t mean I like the show we got any less. This was more like…getting a peek into an alternate universe where a show I already love would have been vastly different. And after over a year without any new Owl House content aside from stuff that fans have made, this was a very pleasant surprise that leaves me excited for the NEW fan content that springs from all this.
But that’s enough talking about a show that could have been made. Time to get back to a series that came into existence and I still love so much. See you all then as you all milk this gift that the internet has given you.
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rainbowonice · 13 hours
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I'm barely hanging by a thread with this show.
The amount of PR that Oliver has done about Bucks storyline and Buddie has been overkill. To the point, where of Buddie doesn't happen after talking about it so much that headlines and clickbait have been created, they're going to look like they've just been shipbaiting to pull in the viewers!
Tommy and the homophobe/transphobe need to go. Lou's weird "thriving" video gives me the impression they're deffo not thriving! And the other one needs to go for obvious fucking reasons!
The whole Bi storyline would've been better coming from Eddie. They could've had Buck single and Eddie discovering himself like it was originally going to be. It would've been so much more interesting to watch!
But I do think the fact that the season only has 10 episodes has put a damper on things, too!
oh i agree with everything!!! it's definitely giving shipbait (for now) i feel like Oliver is saying unhinged Buddie stuff because, in his prospective, they can't really call him out for queerbaiting anymore, since Buck is canon bi now. But I really hope I'm wrong and that he actually knows that Buddie is endgame or something!
I'm still conflicted about Lou video to be honest, I'd rather if he wasn't there at all lmao but if he's there just to make things awkward and they are really NOT thriving then i Could be ok with it. for the Edy situation... idk how she even got in s7 to begin with, i know it's because Natalia actress wasn't available and Tim didn't want both of them to start off as single but they could have just went with a replacement and no one would have noticed 💀 big hope is that she will be bones before the season finale tho! No one likes her and the foreshadowing about them breaking up has been crazy (never date someone you met on a call, bobby convo etc)
Anon you have no idea I've been terrorizing my bestie about EddieTommy for WEEKS i still wouldn't like Tommy as a character but it would have made so much more sense and it would have been way more groundbreaking than BuckTommy! if episode 100 have zero haters I'm dead I REALLY HATE the whole execution and how they switched characters and keep making Buck and Eddie interchangeable cuz that will never be right and it will never sit well with me for various reasons (racism is the racism). And I've been wanting Buck to be single for the longest time let the man be alone and get to know himself for the love of God!
This season worst problem is that they are writing it as they go and they are really rushing things and you can really tell that they have no idea where the plot is going and the season being only 10 episodes make it so much worse :( hope season 8 will save us from this hell but if the last 5 episodes of the season don't get any better idk if i will survive to watch season 8 they are really making it hard for me and I've been watching the show since 2019!
Also i want to thank you for sending me your thoughts! I got so excited when i saw an ask in my inbox 🥰 this is a safe space for hating! I'm a yapper and a hater!!
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destinygoldenstar · 21 hours
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Ninjago Dragons Rising Season 2 - Is It Good Or Nah?
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So, I'm late to the party, aren't I?
Well I've had so much work that I think I'm having an existential crisis. So I had to wait till I had a free day to watch this season because I wanted to watch it with my GF.
We got to Episode 6, and then what did my boss do?
Slap me in the face with long work hours several days of the week.
I feel like I'm in a spiral of work after work after work with no purpose to life besides failure cause I can't trust myself to be capable at anything-
ANYWAY. We finished it now.
You know what the insane part about the season is? That it got the show trending on Tumblr.
That's an INSANE level of hype right there.
So I seriously had to ask myself "What the actual f**k happened in the show that caused THIS much hype?!"
So... here are my thoughts on the season.
SPOILER WARNING
Okay, so this may be a factor of my judgement, but due to my schedule, I was forced to watch only 6 Episodes one day, and then the last 4 Episodes today. Keep that in mind.
When it came to the first half of the season, was it good?
Yes. Obviously.
Was it living up to the insane level of hype?
Uh... not really for me??
Now, don't take that as a negative. This season is still REALLY good.
After the first season took awhile to get started as it needed to set up its characters and this new world, it makes sense for this season to throw the punches immediately.
The season gets started with its main plot right away with Ras immediately putting his plan into action, and by Episode 2, it's very clear the threat level he opposes and it's believable that we should be intimidated by what he wants.
Even though in Episode 2's fight, while AMAZINGLY choreographed, I was just screaming at the screen "HIT THE PERSON HOLDING THE GONG."
Like seriously, more than one of the characters in this fight can use projectiles with their powers AND they have a blaster in the Bounty, and the show never says that Ras has some sort of armor defense preventing him from getting blasted. He's literally standing out in the open. And the gong is clearly what's giving Cinder power. So HIT THE PERSON WITH THE GONG.
GOSH.
Anyway, that's not important. What's important is that this season's fight choreo is genuinely AMAZING. I am obsessed with the way the camera moves with the characters in these fights you have no idea. I was genuinely blown away by the last episode's fight in particular. But more on the ending later.
What also shocked me was how BRUTAL some of the stuff that happens here is, which caught me off guard.
I mean, Episode 2 has Euphrasia getting ambushed and crashed off the Cloud Kingdom with clear injuries, and Wyldfyre getting her leg SHATTERED. Like, WHAT?! HOW OFTEN DOES THAT HAPPEN?!! (Even though the latter's healing was unrealistic. Like, it would realistically take months for an injury like that to heal. Not a critique, just saying.)
Ras body slams Jordanna at one point. He puts Arin in a CHOKEHOLD. And also beats him up so brutally... like OMG this guy does not mess around.
The Fear Cave Trial also REALLY got me tripping. Not only was it such a visually appealing moment, but it also, as the same suggests, showed several character psyches that were insane.
Except Kai for some reason. That's gonna drive me NUTS until I get an answer. WHAT DID HE SEE-?!
Then we get to the dragon mentors, and...
Yeah the season kinda loses me in the middle.
Don't get me wrong, I love the character bits here as much as anyone. But with how dyer they made the threat of Ras before, Ras and his forces take a backseat in the middle portion of the season and we're mostly just sitting at these training grounds talking. And for four episodes of it? It's a little grating, even if it is important.
The middle is mostly where most of my issues with the season stand. And here's where I get all my negatives out of the way:
Like I said, because this season is so long, there's an awkward pause in the conflict on the dragons plotline to learn this Rising Dragon Technique. Which I wouldn't mind if it wasn't FOUR EPISODES of it.
With the exception of the attack at the Land of Lost Things ONCE, Ras's army doesn't go after the ninja at all. I can kinda get the dragons group since they didn't have Bonzle, but he has to know that they ARE a threat, right? They're obviously trying to figure out how to stop you.
And even with the group that has Bonzle, what they NEED, the forces that go after that group is the Administration and the one off magician man villain, the former really didn't need to be in this season even if it was for a compelling Jay cameo, and the latter has overstayed his welcome at this point and I just rolled my eyes when he showed up on screen.
I'm all for Cole being a badass as much as the next guy, but WHY this magician man, who at this point, is so disconnected with the main antagonistic forces that he serves no purpose?
Why not, I don't know, use this screen time instead to explain what in the world happened with Cole when he left?
Seriously, the first season had this huge cliffhanger with Cole's character and him going after Wu's ghost. I wonder what's gonna happen to him and what he's gonna find out-
Oh. He's just back.
That to me is a huge disappointment. What was the point of him leaving the Lost Family in the first place if this journey was basically nothing? He doesn't even talk about it! COME ON NOW.
Also I think Zane should get slay pass on the Administration guy that called him equipment. What do y'all think?
I don't like Egot. Or whatever his name was. He's very condescending and cryptic and talks down to his only hope of the world being saved. But I think I'm supposed to dislike him for it, and there's gonna be more of his characterization revealed later, so don't take this one as a critique. The female one is great though.
The sorceress lady was... a choice in the narrative. My one critique for the ending was the potion shenanigans. Not because they were bad, but because they just felt so out of place among everything else. Like, "Oh, this finale is too dark and intense! We need to occasionally cut to wacky shenanigans with this sorceress's magic to prevent kids from feeling too much dread!"
I don't know, for me, I would've placed this stuff with the Administration instead, and instead have the group fight Jordanna, lose, and have her get away and flow that to Arin getting to her. Especially since the Administration posed such little threat to them and they even say such.
(I also have a theory that this sorceress is Wyldfyre's birth mom. I have no evidence to back this up besides "They both have red hair and similar facial structure")
With Cloud Kingdom getting taken over and Euphrasia captured, I thought she would have more of a role to play in this since this is, you know, her HOME and she's their guardian.
But nope. She does next to nothing up until the very end and plays prisoner and waits for the ninja to save her.
For gosh sake girl, you're the master of wind. FLY.
And finally, my last critique, Cinder.
Yeah I'm sorry, I'm not buying this character so far. Not that I don't think he'll have anything to do in the second part, but for how threatening he was in Episode 2, that threat level kinda vanishes in the middle and only comes back at the end. He does next to nothing and we learn nothing about him other than "He likes power". Jordanna is probably more unlikeable, but at least she has conflict going on with Ras and her magic, and she still serves more of a role in the plan besides being a foot soldier.
And... yep. That's all my critiques for this season. Which all seem pretty minor.
You know what this season is real good at? Characters.
As though that wasn't obvious already.
I did NOT expect Bonzle to play any major role at all, I thought she was just gonna be the dry and cynical side character. But no. She has a history. She has a life. She has emotions. All of which REALLY shine through at the end when you hear her voice have more range in it. The VA killed it. I ended up feeling so bad for her.
Especially considering what happens to her.
They're also not even hiding it anymore with Geo x Cole. They're just NOT. I love them and I hope we see more of their relationship in the future.
I genuinely don't understand the critique of "Geo is so selfish referring to him as Cole's family when it's obvious Cole has other people in his life."
Well no shit, you ever heard of a character flaw?
But it's also a completely understandable flaw. You guys aren't forgetting the part where Geo was abandoned for being a mixed race, right? Of course he's gonna cling to someone as compassionate and encouraging as Cole.
The Jay cameo was nice. I expect him to play no role in this season, but it's really compelling what they showed and I was satisfied with it.
Lloyd's conflict was handled very well in my opinion.
What's it called when it's PTSD, but it's about future events rather than past events? Foresight Traumatic Stress Disorder? FTSD? Yeah let's go with that.
For a kids show that glosses over trauma, (That's not a Ninjago problem, that's a kids show problem), it was really refreshing for them to not do that for once. It's actually explored and talked about and Lloyd is given advice on how to cope with it, and he freezes up in panic attacks when these visions happen and-THANK YOU. THANK YOU FOR NOT IGNORING HOW HARD SOMETHING LIKE THIS IS.
Seriously, as someone who is going through stuff like this, minus the magic element, it spoke to me a lot. It really shows that this show grew up with me, and I both love and hate that.
I do think this sort of arc is going to hit hard for adults much more than kids.
Are kids constantly terrified of the future and getting paralyzed with these fears and finding it difficult to cope with the traumas that is time and human life?
No?
Kai is also a standout in this, especially towards the end. This is by far the best Kai has been in a long time in terms of quality. I love how one of his most significant flaws gets addressed here, that being his overreliance on himself and his own abilities over the others, who he feels responsible to protect.
And the way he grasps with that and learns to let loose like he did as a child back in the old days through what he loves the most, that being his family. And the flashbacks with him and his sister. And the whole sequence of him learning Rising Dragon - AUGH ITS SO GOOD.
How poetic is it that the character most devoted to family since childhood is only cocky and angry because of his own desire to be the one with power to keep them safe, gets power by letting that go, being a kid again, and joining the same roots as his own family?
AND THEN HE GIVES UP HIS LIFE FOR THEM-
And finally, Arin.
Oh you poor sweet, sweet child.
First of all, yes, I am completely subscribed to the theory that the show is building up Arin turning on the ninja and becoming a villain. It's all there. It all fits. The amount of times they say how sweet he is as though that's gonna get lost. The dragons, the creators of the world, the gods basically, telling him he's not good enough. Ras confronting him. Sora's stunt even after she's been the most encouraging of him, like the BETRAYAL there. It's all there. And I will be posting my theory scenario on this don't you worry.
BUT, I don't think that's the route they're gonna go. Kids show and all of that. They wouldn't do that to one of their main characters. Unless you're Star Wars. At most I think Arin will be tempted by Ras's master's power in an episode and even do it, but then with the power of love and friendship, it'll get fixed.
So instead I'd rather say that Arin, by far, has the BEST power crisis arc of the entire show so far.
I LOVE that he doesn't get powers. That's something the original show would've done. I LOVE that he doesn't figure anything out in the end and his inner doubts get proven correct. That's something the original show would not have the guts to do.
I liked Arin in the first season, but he didn't interest me too much. Mostly because Sora had the lion share of focus in the first season. Here though? He might just take the crown for THE most relatable character. And I both love and hate it so much.
Like, seeing everyone else succeed in mastery while you can't even figure out your own thing. You get told you have a natural talent and a lot of potential and that you're good at a lot of things, only for that to be put to the test in the real world and you end up letting everyone down. Even when your loved ones encourage you that you are good enough and you're special in your own way, you can't get those voices out of your head and you mess up again and again and again to try and meet the world's expectations. Then those in charge tell you you're not good enough and wasted potential. Then you try everything out in the real world anyway and you FAIL, and those that doubt you and your own insecurities get proven correct as you're left a broken mess of a young child who doesn't know what the hell they're doing-
I'M IN THIS SHOW AND I DON'T LIKE IT.
I probably love Sora more as a character, but I will admit I grasp towards Arin more right now. Sora's a great trans allegory in a world that hates trans people. But I'm not trans so I relate to it a bit less. Arin's a great autistic allegory in a world that doesn't know how to help autistic people. And I am autistic so I relate to it more. That's just a me situation.
I am so invested in where Arin's story goes from here. Evil or not.
So yeah, the season was good, but didn't completely live up to the insane hype, which, to be fair, is a high bar.
UNTIL THE LAST FOUR EPISODES.
And then all of a sudden, I AM SHOCKED AND SHAKEN TO MY CORE.
These last four episodes are an absolute emotional roller coaster that left me shaking and screaming the whole time.
I actually SCREAMED at multiple occasions.
I actually screamed so many times watching this that I am now HOARSE.
THAT'S how hard it hit me.
The story goes from 0 to 100 the moment the Blood Moon shows up. Which was what the whole season was building up to. And it did NOT disappoint.
The race to try and protect Bonzle. The intense visions and paralysis Lloyd suffers from. Ras and the army coming back to the plot to be absolute powerhouses. The last episode of DREAD the entire time to desperately try to stop this ritual.
HUMAN SACRIFICES?! AM I WATCHING A KIDS SHOW RIGHT NOW?!?!
I was begging for Arin to succeed at getting Bonzle to safety, even though I knew he stood no chance against Ras. "Come on Arin! You got this!! YOU GOT THIS, SWEETIE!!"
And then Ras just goes to TOWN on the poor boy and taunts his utter failure, which HURTS SO BAD MAN.
The entire fight with the army, Cinder, and Ras. The destruction of the mechs which knocks them unconscious for a bit. Kai figuring out Rising Dragon again when his family gets put in danger. The way Nya avenges her brother afterwards.
When Bonzle was getting morphed back into spell form, BEGGING, I was begging too.
But they still do it!
And KAI?!?!
I couldn't even process what happened other than me screaming. From the moment Ras alluded to sacrificing Kai against his consent, I was screaming "NO. DON'T DO IT."
AND THEN THEY SACRIFICE HIM.
LIKE HOLY GOSH THIS FINALE DID NOT MESS AROUND.
I predicted a while back, in the first season actually, that Kai was gonna get sacrificed at some point. Who's laughing now? I DID NOT WANT TO BE RIGHT.
Like, usually in Ninjago the character would be willing to sacrifice themselves for the others. But here? This is without Kai's consent at all. Ras might as well have killed him right here.
It definitely felt that way with the way the others react and BEG for his safety. The way Nya avenges him.
And Kai giving up his shot at escape for the sake of his family? BRO. WHYYYYYYYYYYYYYYYY
It hurts even more when you realize that when the Merge happened, Lloyd was ALONE thinking only he survived. He only gained hope again because of his reunion with Kai. His beloved surrogate brother!
AND NOW HE'S GONE.
NYA AND LLOYD LOST THEIR BROTHER.
WYLDFYRE LOST HER SURROGATE FATHER.
THEY THINK HE'S BASICALLY DEAD.
BRO. THAT'S SOUL CRUSHING.
And then Sora?! Why you gotta betray Arin like that?!
The most encouraging friend towards Arin, the person who held onto hope and praises for him the most, betrays that hope and doesn't trust him enough to get the winning blow himself. Then LIES about it.
GIRL. WHAT ARE YOU DOING?!
That's going to be SO compelling once that gets outed. Like, morally, that was messed up and she was definitely in the wrong, BUT it led to the best possible outcome for them at the moment. They WON because she did NOT believe in Arin's abilities. Which only proves that the doubts about Arin's said abilities are correct.
And I have a gut feeling she's gonna learn Spinjitsu on top of that. And once that happens... double ouch.
Again, Evil Arin Theory.
I really hate to say it, but this reminds way too much of Arcane. If you know what I'm talking about.
I am totally imagining a situation similar to that in my head, that being a rescue mission for Kai, they decide to leave Arin out of it because of the lack of faith in him, he tags along anyway and he ruins their plan and Kai stays trapped there, Lloyd and Sora lash out on him for it, and before they can apologize they get thrusted back by something and Ras and Ras's master find Arin and take him in-
Again, I'll make a post about that.
The finale was by far the best part of this season. It has been a long time since Ninjago has made me HOARSE from being too invested.
That has not happened to me since Sons of Garmadon.
Because, yeah, I actually have NO IDEA where any of this is headed. How are they gonna save Kai and Bonzle? Why did some of Lloyd's visions not come true? What in the world is going on with Ras? Will the Administration help with that? Will the source dragons help with that?
What I probably do know is that Part 2 of this season is going to turn this into the best Ninjago Product since Tournament of Elements. Maybe even top it depending on my rewatches if my problems are still problems.
So... yeah. Good or Nah? Good. Obviously.
The hype is a little overblown to me, but it still deserves the hype.
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