There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart.
He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind.
Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole.
Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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𝗠𝗮𝗻𝘆 𝗼𝗳 𝗚𝗮𝗹𝗲'𝘀 𝘃𝘂𝗹𝗻𝗲𝗿𝗮𝗯𝗶𝗹𝗶𝘁𝗲𝘀 𝘄𝗲𝗿𝗲 𝗮𝗴𝗴𝗿𝗮𝘃𝗮𝘁𝗲𝗱 𝘁𝗼 𝗯𝘂𝘁 𝗱𝗲𝘃𝗲𝗹𝗼𝗽 𝗶𝗻𝘁𝗼 𝘁𝗿𝗮𝘂𝗺𝗮 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀, 𝗿𝗲𝘀𝗽𝗼𝗻𝘀𝗲𝘀 𝘁𝗵𝗮𝘁 𝗠𝘆𝘀𝘁𝗿𝗮 𝗮𝗰𝗰𝗲𝗽𝘁𝘀 𝗹𝗶𝘁𝘁𝗹𝗲 𝗰𝘂𝗹𝗽𝗮𝗯𝗶𝗹𝗶𝘁𝘆 𝗳𝗼𝗿. This lengthy headcanon will refer to canon dialogue from mostly Gale, sometimes others. Reader's discretion is very much advised. There will be in depth explorations into grooming, emotional abuse, heavy manipulation, and suicide.
First, let it be said that Gale, a mortal man, will always be the powerless one in his dynamic with Mystra. Of course, nearing forty years of age, he remains entirely responsible for his own actions, his own foul blunders and every hurt he'll cause, but it's important to remember who formed much of who he is: his goddess, his deity, and egregiously, his lover.
Mystra is power. Mystra is possibility. She knows what sway she holds over her Ioyal, vulnerable, and entirely mortal followers. In all ways that matter, they are but lambs she can steer and herd as she sees fit. She knows they can't deny her, and knows they'll never want to. Gale's sheer servitude and complete devotion; to the very quick of his bones, she lapped them up.
Gale: I was just... practising an incantation.
Player Character: No, there's more to it than that. I know devotion when I see it.
Gale: What can I say? She's—she's Mystra. I can't describe it, the need I sometimes feel to see her - to draw the filaments of fantasy into existence... Mystra is all magic. And as far as I'm concerned, she is all creation.
Player Character: I didn't realize the depth of your devotion.
Gale: Magic is... my life. I've been touched with the Weave for as long as I can remember. There's nothing like it.
Gale, orb in his chest, doomed to be eaten by the very thing he loves the most, still speaks so reverently of the goddess, of his lover that has left him to die. He conjures images of her memory—and she is all the while forgetting about his.
Minsc: Gale reminds me of vremyonni of my homeland. The man-mages of Rasheman. While the girl-folk go on to rule as wychlaran, Weave-touched boys were hidden away. Trained to work their craft in silence and secrecy. It is an old custom, not well-observed. In truth, I thought it born of caution after some catastrophe of wizardly men-folk of old. Now, I wonder if it was not done to hide them from Mystra, and the snares she sets for young and prideful boys, hm?
Tales of Mystra's treachery spreads far, leaving those familiar waters surrounding Gale's tower in Waterdeep. They whisper her name, afraid to utter it one time too many, suspecting, perhaps, that she'll show in their mirror like some Faerûnian Bloody Mary.
Talent rouses Mystra. She can see who uses the gift of the Weave and feel them, sampling whatever delight sings their veins as they pull from her domain. Not unlike a spider, she'll follows every tremor that strikes her as just a sliver more profound; and Gale, a prodigy, plucked the Weave's web to so garner her focus. And like some black widow scurrying, she surged down that ripple to prey on a boy. There, Gale, so impressionable, was just a mite older than twelve whole summers. He sat so stunned, beholding Mystra as she lured him into the cradle of her Astral domain. Bathed in her magic, pleasantly coddled within that glittering cosmos, Gale felt blessed in a way he'll struggle always to recount, no word, no language, fit to describe it. He felt chosen. He felt seen. And potently, to a child, he felt loved. Now, imagine a child experiencing something like that. Imagine what they'd think, how brilliant they must be when stood beside the rest. She told him he was gifted, made his heart swell not unlike a child's appetite for praise. She knew what she was doing by offering these morsels, by preying on a child's most delicate mind, and Gale, child prodigy, was already so awash in the idea that his value was in magic. Unfortunately, Gale, susceptible, had no way of squirming out of his goddess' grasp.
Reality: She's laid down the seeds to creep into his heart. When he's just old enough—seventeen's sufficient, she thinks—she stakes her claim and makes him hers.
Gale: My virtuosic talent once caught the eye of the goddess of magic herself, Mystra, who named me her chosen and her lover.
Gale is stunned when she takes him to bed the first time. (Is this really happening?) Mystra claims his mouth in a kiss, taking everything she knows he offers so willingly. Mystra, of course, is not so stunned.
Dream Visitor: An elder brain... one of the cruelest and most powerful creatures in existence, enslaved by mere mortals.
Gale, tasked with Mystra's missive to sacrifice himself: This is it... I must do as Mystra commands.
Gale has worryingly low self-esteem beyond his magic. As already explored, his entire worth as a man hinged on and was built entirely off his talent as a wizard. He fought tooth and nail for any crumb of affection Mystra would offer his way, something she only gave him at all seeing his gift as a child. He wants her forgiveness. He desires it genuinely. He believes so firmly that he has wronged his goddess, buying into the idea that sacrificing himself will right his wrong. She holds such dominion over him, making him reduce his confidence in himself into a mere, trifling pittance; after all, she wasn't just his lover, but the patron deity he prays to. And regardless, Gale is a people pleaser, his initial acceptance of her missive coming as no surprise.
After all, Gale, at times, goes to incredible lengths to appease his audience. This habit, compulsion, impulse, whatever you want to call it, is a quality that was relentlessly exacerbated in his relationship with his immortal paramour. He wanted to content her, felt all he did was never enough, for as a matter of principle, he was oceans, leagues, and entire galaxies beneath her. Gale figures: well, how can a short-lived dalliance satisfy a god? He had to make her happy. Indeed, he'd done everything she'd ask. He'd bedded her how she liked, kissed her how she wanted, and of course, even said those words she'd said tasted best. She was his lover, a lover that never tended to his own needs and pleasures, and he fooled himself into thinking that's enough. He won't bend backwards for everyone, mind you, but if you're of the ones he would, he would stop at nothing to make you happy. After all, people pleasing is a way to keep oneself safe, a trauma response to sidestep discomfort, and though it achieves only a direly tentative peace, when that is all you've been fed, you will pursue it.
Gale did not want to lose Mystra; he couldn't bare the sting of it. And so, when Elminster visited him, Mystra's call for his death offered oh so callously, Gale, heartbroken, felt that part of him kick up. He couldn't endure the guilt, was so hungry for a chance to let his weighty heart breathe, even if it meant dying in the process.
At least this way, he'll finally do something right. At least this way, Mystra will forgive him, and all his friends will survive.
Gale: After I was afflicted with my condition, I locked myself in my tower for an entire year. I was inconsolable, wallowing in my self-inflicted tragedy. I'd given up on myself.
As a byproduct of people pleasing, Gale, too, is all too quick to accept all guilt. He self-deprecates, gaslights himself to a venomous degree, and twists his reality in so cruel a way as to make him the villain Mystra'd led him to believe. He self-flagellates himself, the first one in the world who will throw Gale of Waterdeep a mental punishment. Mystra's a goddess, after all, seen as utterly faultless, and twined so tightly with a being so mighty in esteem, Gale slipped into the role of the guilty often. When tied with anyone with grandeur like this, so immeasurable in their own self worth, it's important to keep in mind this: you are nothing but a prop in which to fulfill their ego. Gale was not Mystra's, not by a long shot. Rather, Gale was a tool, simply her mortal extension.
And he took every blow meant for her... a common and terrible habit for many people in imbalanced, ego-fueled relationships.
Gale's life beyond her wasn't something that interested her. She took most of Gale's devotion, manipulated his life to be her sole mantle of attention, for Mystra is not a goddess that shares very happily.
Indeed, long before his self-imposed isolation, this jealous deity did well at keeping him isolated.
Player Character: Picture kissing him. With tenderness. Then, with passion.
Gale: I... I didn't think—
Narrator: You perceive quick-fire embarrassment, trepidation, and finally... elation.
And so, cheated out of love, so reduced in his value as a man and lover both, suffice to say, Gale's slow to believe he can ever be loved. That's what happens when you're with someone so cold, consistent only in their infinite lack of respect. Gale looks at fondness, and he feels—confounded, to be sure. He thinks, is this truly mine to have? He doesn't know what to do, is nearly forty in game, and despite having lived decades devoted to one relationship, he feels, at the same time, entirely out of depth. To be frank, he greets it with embarrassment, like he's been caught red handed with something not his at all. He's like a child caught rummaging with his hand in a cookie jar, all this isn't mine to enjoy, not mine to indulge in, but he thinks, startled, but god, do I want. He wars with disbelief, uncertainty, and need, and in so many ways feeling utterly starved, with just a glimmer of affection, he falls fast into love.
Scenario: (And if properly romanced, it changes his world.)
Gale: In her (Mystra's) likeness, I used to read a thousand stories. She was beauty, wisdom, elegance, power... she contained universes. But now... it is hard to see any redeeming qualities in a lover who condemned you to death. I'd much rather gaze into your eyes than hers. Yours are capable of tenderness and feeling... No god could ever compare.
He says it with sincerity. There is such wonder, such love, and such awe in his eyes. He makes the act of kissing him feel like you've just reached into the trenches to but pluck him soundly from his ruin and despair. You think, Gale Dekarios, how unloved have you been all this time?
Gale: To know you love me for the man I am, and not the magic I command… none have loved me so purely before.
The answer is: entirely.
For so long, Gale thought love was simply being chosen. He knew nothing of being favored for the quality of his character, to be cherished and accepted even in those ways he fumbles and lacks. Again, his needs were seldom met, often treated with utter indifference by Mystra herself, and to meet someone so eager to treasure him, dote on him in a way his heart, his body is somberly new to, raptures his spirit and captures his soul. He's seen for who he is. He's... loved, desired for his silly quips, his easy smiles, and his growing affections. He bares himself to them, and in turn, they cradle his heart like something entirely precious. Gale thinks this has to be dream. He says, at times, you are more than I deserve.
Scenario: (But sometimes, he hopes too strongly and loves too greatly. As it always does, then, like he's once more wanted too much, he watches something beautiful slip right through his fingers. Of course, Gale Dekarios. Of course it does.)
Player Character: I didn't know you felt so strongly, Gale.
Gale: Perhaps I should have done more. Been more charming, more flattering, harder to reach... but I was only myself, and sometimes that isn't enough.
They don't love him anymore. It breaks his heart. He hurts so much, so profoundly and deeply, and he doesn't realize that he breaks their heart in turn.
Unable to ever voice his feelings with Mystra in any way that amounted to much, Gale's a tendency to wallow, expressions coming off as potentially 'guilt-tripping' and even, on occasion, passive aggressive. Firstly: Gale NEVER means to manipulate emotions, and he's no intention of twisting anyone's arm, either. Fact is, Gale, never taken seriously when he'd bared his vulnerabilities to the Mother of the Weave, can end up saying just a little too much. He feels very deeply, and for most his life, seldom had an outlet for these weeping sentiments. He sometimes lets slip raw words and oftentimes heart-wrenching expressions; all the same, it's not so pitiful as to shepherd an outcome, but rather, is a gesture taken by a man so desperate to be heard. It may feel like scheming, but the truth is far, far greyer: feeling as though he's no right to share the depth of his heart, Gale simply lets it geyser out in a way he can't cork up. In ways he doesn't realize, he's adapted to this ache, passively reacting so his feelings can at least be seen and recognized—no matter how pitifully unwhole. With someone who values so little his thoughts... well, when he slips into these moods, one can hardly feign shock.
Situation: (And if no one shows him trust and tenderness, any true care in his character or worth, Gale gets swallowed up by how wronged he was.
He thinks: Let me be a god. Let no one hurt like me anymore.)
Gale: They only want us to serve them, pray to them...and ultimately, to die for them. But what if we didn't need them? What if we wielded their power instead and helped ourselves in all the ways they refuse to? I could make that happen.
Gale is not above anger, and as stated, he is not above pettiness; however, more than that, he is not above righting himself whatever wound he was struck. Gale, if not offered much by ways of affection, understanding, is made to believe that one idea that's lived growing in his mind: Gale Dekarios is far from sufficient; he has to be more. He has to be better. Gale, in such an unkind ending for himself, sips too desperately—and perhaps greedily, too, but desperately serves as a far better word—at that idea that he needs power. And so, wresting the Crown of Karsus for himself, he spites Mystra in his own way, becoming a god he feels is leagues better than she will ever be. Damn her thoroughly. Damn her ego, her power, and her endless indifference. He will serve the people, protect them, and in ways Mystra never could, better the world.
Situation: But as a god, he loses all sense of his kindness. Humanity. All who loved him leave him, and even Tara spurns the image he's become. With power, he's gained the respect he thought he always wanted... but in turn, he lost in even greater measure all the love he's known.
Endnote: But healing, knowing to forgive himself and knowing he's deserving of care simply for being Gale Dekarios will remain, always, the best path for him.
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the single best thing the show could do for the polycule is a very simple change: make it happen on purpose. make all four members work together from the beginning to set up a poly relationship intentionally, rather than stumbling into one due to a mix of miscommunication and Fate Said So.
in the books, rand thinks he's having a series of unconnected romantic encounters with three different women and has no idea a polycule is developing until the women come to him to propose the final product. it is documented that the reason rj wrote it this way is because it's inspired by a similar situation he was once in, so i can't exactly blame him for writing based off personal experience, but it does cause several problems in the story.
Problems:
a) rand has little to no input on his own relationship(s) and spends the whole series being extremely passive in his love life. this makes him come across as at best a victim to the whims of his partners who is not allowed to express what HE wants out of the relationship, and at worst an asshole who doesn't really care about any of them as people and doesn't care what arrangements the three of them work out so long as he gets to fuck SOMEONE. it also means that the romances don't have as much of an emotional impact on him/his character development as they should (and as they do on the women) because he's just kinda floating along going "oh whatever you guys want, makes no difference to me."
b) elayne and aviendha get a bad fandom rap as being bad partners to rand because they confuse him on purpose and play games with him. like most of elayne's (in particular) bad fandom raps, this is an unfair exaggeration, but it's rooted in the fact that rj wanted rand to wind up in a polycule by accident rather than helping arrange a polycule on purpose, which means that rand has to hook up with 3 different women in a row without realizing that a polycule is brewing, without having discussed the idea of additional partner(s) with his prior partner(s) and gotten their permission to hook up with other people, AND without coming across as a cheater. which means that rand has to believe himself sufficiently broken up with the prior woman before he can hook up with the next one, which means that elayne has to send him conflicting letters so that he can get away with hooking up with aviendha and aviendha has to freeze him out so that he can get away with hooking up with min.
("they're just greedy/indecisive/cheaters" is probably the biggest harmful stereotype against poly people, and the above approach from the books flirts with that far too much, so the show definitely needs to change that. the majority of people have a very very difficult time understanding polyamory (just look at tumblr, where even the ~wokest~ WOT fans are saying the polycule should be split up into 2 monogamous pairings bc they think the poly aspect is "weird" and they insist that elayne Actually loves aviendha the most or rand Actually loves min the most and that they can't possibly REALLY mean it when they say they love multiple people equally), which is why it's especially important that the show portray it in a way where it's abundantly clear that it's not cheating or rand being greedy/indecisive/stringing a bunch of women along.)
c) the problem for the other 3's approach to the polycule is miscommunication. the problem for min's is Fate Said So. she is rammed into the polycule by prophecy rather than by spending enough time with the other parties to come to want it on her own, and so she coasts along on "you have to let me join your relationship because it's fated to happen no matter what" rather than needing to put in the same work elayne and aviendha do of bonding with each other, making an effort to learn about aiel polyamory practices (in elayne's case), and growing to genuinely want to share their partner with each other and to genuinely enjoy seeing the other happy with him.
the result is min feeling out of place in the relationship: elayne constantly thinks about how she loves rand and aviendha equally, then sometimes hastily adds min as an afterthought; aviendha is very firm that she can't share rand with elayne until they're first-sisters, but shrugs and makes an exception for min for no reason (but then proceeds to think how she wishes she didn't have to share her partner with a near-stranger); min barely cares about the other two and frequently thinks how she wishes she could just have rand to herself and it's unfair that she has to share him. it's a very glaring contrast how elayne and aviendha come to feel genuine joy and compersion at rand's love for the other, while the most positive thought min ever has is "if i HAVE to share (which i'd rather not), then elayne isn't the worst option for a co-partner."
on this last point, monogamous people forcing themselves to try out polyamory for their poly partner's sake (which is absolutely how book!min comes across) is something that happens and gets people hurt irl, and contributes to the societal misconception that polyamory never works out long term and that a choice will inevitably have to be made (again, see tumblr deciding that the endgame will have to be elayne & aviendha happily monogamous in caemlyn and reddit that it will have to be rand & min happily monogamous traveling the world). so if the show is going to portray polyamory, imo it has a responsibility to show that it is a viable long-term relationship type that people can be genuinely happy in. thus, all 4 parties need to choose this type of relationship because they want it, not because fate said they had to, and especially min since she's the one who is the most explicitly in the "only doing this bc fate" camp in the books (whereas rand, elayne, and aviendha all come across as genuinely polyamorous people who likely would have settled on this arrangement even without prophecy foreknowledge).
Solutions:
i made a post recently-ish with a hypothetical timeline for 8 seasons of the show, so if i make any unexplained assumptions in this section about what seasons various characters will be spending time together during, that's where they came from.
i feel pretty confident that rand/aviendha will be the first romance we see in the show, since he's still getting over his much-more-serious-than-the-book-version relationship with egwene and it would make sense to give him season 2 to finish that up and to hold off on new romance for him until season 3. i'm predicting he and aviendha will also meet elayne at falme in 2x08, but i also expect the characters will set off on their TSR roadtrips by the end of 3x01 at the latest, which gives rand and elayne no more than 1-2 episodes together - enough to establish Crush Vibes, but not enough to actually have anything happen between them. so, the show will go out of order and start with rand/aviendha.
which is a perfect way of changing the polycule from accidental to intentional! having rand's first romance be with the partner who is from a poly-aware culture means that the entire set of relationships is now being built off a poly-aware base. from the get-go, aviendha can explain the concept of polyamory to rand and make it clear to him that she is comfortable with that sort of relationship, which means that they can get together and stay together rather than needing to backslide so that rand has an excuse to go off and fuck other people. he doesn't need excuses if he instead has permission! also, rand/elayne not having happened yet would mean aviendha has no reason to feel guilty and pull away from rand after sleeping with him.
so, rand and aviendha are solidly together and poly-curious by the time they reunite with elayne in s4. aviendha can see that rand and elayne like each other, so she encourages them to get together, and rand/elayne can indeed get together without rand/aviendha needing to be tanked first since rand and aviendha are both on the same pro-poly page. elayne knows a little about polyamory from meeting bain and chiad at falme (and maybe from meeting alanna or other greens at the tower), and she has feelings for rand but also likes aviendha and doesn't want to interfere with their relationship, so she is happy to agree to the arrangement. but she still has plenty to learn about aiel ways and about aviendha, and aviendha wants to become first-sisters as is proper, so even without aviendha having toh to elayne for banging rand, the two of them still have a reason to want to bond and grow closer (and for the show, this arc will result in them falling in love instead of or in addition to becoming first-sisters).
so we've fixed the narrative relying on miscommunication to get rand, elayne, and aviendha into the polycule. now to fix the reliance on Fate Said So for min. we can safely say that she's already had her 3-women viewing judging by that line in s1, so she already knows the polycule is fated. this in itself is fine - wrestling with knowing you're fated to love someone is an interesting character arc if done well and done sparingly [sideeyes rj on both counts]. what needs to be changed is how min USES this foreknowledge.
don't have her share it with elayne, aviendha, or rand until after the four of them have gotten together naturally. have her discuss the viewing with her aunts in s2 (or, hell, even with mat, could be a good way to contribute to the friendship they're supposed to have at the end of the series) instead of with elayne, and have her say she knows who 2/3 of the other people are but would never want to tell them about this viewing because it sucks to know you're fated to love someone before it's happened and she'd hate to burden anyone else with that knowledge. have her keep the viewing to herself because she wants rand and elayne (and aviendha, tho min doesn't yet know who she is) to have the freedom to fall in love by choice, even though she herself can't have that freedom. (shit, now that i write it out i actually LOVE the idea of mat being the one she's having this convo with since he too will soon be struggling with a Fated Romance.)
in the books, by telling elayne soon after meeting her that she'll have to share her boyfriend with 2 others and then in salidar going "one of them is me btw so you'd better give me permission to fuck your boyfriend when i see him soon," it feels like min is using her viewing to bully elayne (and later aviendha) into letting her join the relationship. min telling rand in eotw that he shouldn't bother with egwene because they won't end up together also contributes to this vibe, and the show has thankfully already cut out that moment, so i have high hopes that they're attempting to make min more..........empathetic, i guess, in terms of how she uses her viewings. book!min is understandably afraid of being left out in the cold since she doesn't know which if any of them rand will love back, so she uses her viewings to prime the other parties to be willing to Let Her In when the time comes, basically, but it's still kind of a shitty thing to do. however, so far, due to being older and much more mature and much more reluctant to share viewings, show!min gives me the vibes that she would rather quietly resign herself to unrequited love than have to burden other people with the knowledge that their love is Foretold (particularly once she comes to view elayne as a friend in s2).
so, if min doesn't share the viewing with elayne and aviendha in advance, then she will have to join the relationship naturally, by spending time with and getting to know all 3 parties, rather than by telling them they have to let her in because Fate Said So. i see space for all 4 of them to be in the same place together during season 4, while avirandlayne is brewing but min is still just a friend, so that would be a great time for min to bond with them all prior to getting with rand (and maybe as a result, rand develops a crush on her and confesses it to elayne and aviendha, who are happy to give him permission because they already know and like min; alternately, rand has an obvious crush on min but is totally oblivious about it, so elayne and aviendha tease him like "if there is...............anyone else you're interested in.............maybe a certain bartender............you can totally go for it" and rand is adorably baffled as to why they believe he has a crush on min, and then in season 5 he finally Realizes).
and like, wouldn't it be so cute if after the four of them are in a committed polycule, min finally says "hey, i actually had a viewing ages ago that this would happen, but i didn't want to tell you guys and make you feel pressured to love each other" and they all have a good laugh about it together? that would be SO cute!
so, overall, the seeds of a wonderful polycule are there in the books, and the show doesn't have to make a TON of tweaks to help it live up to its best potential! i'm really excited to see what they do with it because it's such a unique romance storyline and one of my favorite aspects of the series, it just needs the Updating For 2020s touch (and the Updating To Reflect The Way Real Human Adults Behave And Communicate With Each Other touch) that the show has so far excelled at applying.
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