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#I've been on this site for over a decade and this is the first time I've had anons off
blakbonnet · 3 months
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so I'm seeing a lot of vitriol rn but mostly I'm also seeing a lot of followers and friends being unable to cope with the death threats and the anon hate so I'd just like to remind you that it's okay to turn off anons. Do it! It's quiet and peaceful on the other side and sure you lose those happy anons too but it's worth it, trust me. Another thing is if reading about other people getting hate or seeing people answer/reply to hateful shit stirrers is affecting you, unfollow! It's okay if it's a long time mutual, they'll understand. If you're friends, you'll still be friends. Or if the idea of unfollowing makes you sad, just put them in the filtered content list. It's inbuilt into tumblr (under the general settings tab) and you just take their url and copy paste it in there, and all their posts would be filtered until you're feeling open to seeing their stuff again. there is no shame in doing this honestly, it doesn't make you a shitty friend or a mutual or a blog, and I'd recommend this to big and small blogs who are finding it hard to not feel anxious anytime they visit their dash
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milksockets · 6 months
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why scan?
scanning is something i've done for probably about 12 years now (i'm ancient, for this site), with varying degrees of regularity, intensity, etc. it has ratcheted up since the dawn of 2023, though, which begs the question: why? why put so much time into what could not-wrongly be considered a passive activity, hunched over a piece of clunky machinery with the express purpose of preserving others' creations? the answers are several, and fascinating (not really).
i am a [sober] drug addict. anything i pursue, consume, create--more often than not--ends up taking on addictive qualities. i'll eat the same specific food item for a month, then never want to see, let alone taste it, again. i'll listen to one song on repeat for days until i'd rather hear nails on a chalkboard than have it shuffle on and assault my ears. one of the reasons that my scanning has increased in volume recently is that i acquired library cards to the 3 nyc library systems: nypl, brooklyn, and queens. as soon as i was able to, i pillaged + plundered those fine centers of learning, leaving any given library with as many hefty scan-worthy books as i could [barely] carry. here, finally, was a *free* way of obtaining more + more + more visual media to consume.
2023 saw me get my first legal, full-time job. as such, my adjusting to that hellish reality resulted in a steep decline in my own personal creative output. collaging, writing, and rapping all fell to the wayside as i slowly acclimated to a life of work that almost everyone else my age has known for over a decade is generally unbearable + detrimental to the maintenance of outside pursuits. in times of famine within my own artistic harvest, scanning, archiving, and sharing others' work is a means of feeling as though i am still contributing to the global oeuvre.
there’s an element of losing my mental self in a series of physical motions that becomes almost automatic after some time. “zoning out” is not something endemic to my daily life; if anything, i’m almost always too zoned in. relief is necessary.  especially considering the shitshow this past year has been in terms of my personal life.
i am a product of capitalism’s cultivating a craving for constant consumption. 
it seems that visual content is only going to continue to get more + more uninspired. has everything been done? did social media ruin it all? in any case, i feel a need to document the past. to a degree, it’s my version of doomsday prepping. (god forbid books go extinct altogether.) 
i have always gravitated towards solitary activities. this topic could be a thesis in its own right.
i thrive on external validation. this reliance is something i’ve improved upon over the past several years, but it hasn’t been altogether extinguished. even though the materials i scan are not of my own creation, i nevertheless feel a vague pride in showcasing them. occasional appreciation thereof satisfies this fixation on others’ attention, albeit in a diluted form. 
i am fortunate to live in a city bursting to the gills with cultural institutions. i am also lucky enough to have some disposable income that can be directed toward fulfilling my ravenous desire for visual media. 
((i keep getting messages about the specifics of my scanner + "process":
i have a cheap ass hp envy 6055e and i just use the software it comes with.
there's nothing special or fancy happening here, and i could definitely invest in a better and/or a large format scanner, etc. but i really just don't care enough and it's not like i'm getting paid for this lmao))
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thebibliosphere · 8 months
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I saw your post about ingram, and out of curiosity, is there some advantage to going through the whole self-publishing thing with retailers when you're just starting out? like I mean the way that fandom zines work is that they don't even bother going through ingram or amazon or whatever. they just set up a social media site (usually twitter) to gain followers, open preorders (usually 1-2 months in length) to generate the costs of printing upfront, and then sell anywhere from a few dozen to several hundred copies of their books (usually artbooks, but anthologies exist too). I've seen some zines generate over a thousand orders. they're kind of like pop-up shops, except for books. maybe the sales numbers aren't so impressive to a real author, but the profit generated is typically waaaay more than the $75+ apparently needed for Ingram Spark, so I still feel like new authors could benefit from this method too, especially if they just need some start-up cash to eventually move to ingram if they want to for subsequent runs of their book. I think authors would also have to set aside some of the pre-order money to buy an ISBN number to have printed on their book, and I'm not really sure what other differences there are, but I just wanted to ask about it in case there's some huge disadvantage I'm missing!
So, popup zines work well for some people, and I know some authors who kickstart their work successfully. But for a lot, it's just not feasible as a long-term stratedy. Or even as a means to get off the ground.
Fanzines succeed primarily because an existing fanbase is willing and ready to throw money at something they love. They’ve got a favorite writer or artist they want to support. Supporting all the others is just a happy by-product. They also take a HUGE amount of short-term but intense planning that just doesn’t always jive with how some of us work.
I, for one, would never offer to organize a fanzine. I’ll take part in them as a creator, but I’d rather throw myself off a cliff than subject myself to wrangling that many people and dealing with the legal logistics.
When it comes to authors doing anthologies, it'svery much the same. The success of the funding often hinges on having other big-name authors involved whose existing fans will prop up the project. Or having a huge marketing budget.
Most self-pub authors have zero marketing budget. I’m one of them, and I’m under no illusions that my work would not be as popular and self-sustaining as it is if I didn’t have a large Tumblr blog.
When I thank Tumblr in my forewards, I am utterly sincere. Tumblr brought fandom levels of enthusiasm to an unknown work and broke the Amazon algorithm so hard, that Amazon thought I was bot sniping my way to multiple #1 spots and froze my sales rankings.
That’s not the norm. And while I could probably kickstart my own work as an indie creator, that’s because I’ve put literal decades into building up a readership. I’ve been doing this since I was 16 and realized people thought I was funny. I didn’t know what to do with it or if I’d ever actually write anything, but it meant the groundwork was already there (thank you, past-me). I basically fell upward into my success by virtue of never being able to shut the fuck up and wanting to make people laugh. Clown instincts too strong.
New or first-time authors trying to sell their work without that will find it infinitely harder.
All of that aside, even if an unknown author somehow gets lucky and manages to fund their work, there’s still the question of shipping and distribution logistics. Are you shipping everything yourself? Better hope you’re able-bodied and have the time for it. (for reference, it took me months to ship out 300 patreon hardbacks because of my disabilites. It damaged my back and hands. I couldn’t type for several weeks after I was done.)
Are you going to sell primarily at conventions? Better hope you’re able-bodied, have the time and don’t have cripling anxiety about being in large groups...
Also, will selling a dozen to a few thousand copies in one burst be sustainable in the long run as a career? Not for me. Doing things via Ingram and Amazon means I earn a steady trickle of sales for the rest of my life provided the platforms remain and so long as I keep working and can generate interest in the series, not just when I have funds to pay for physical copies to sell. The one-time (in theory) cost of $75 to distribute through Ingram gets paid off pretty quick that way. And it doesn't require the same logistics as doing the popup/crowdfund.
Ultimately, it comes down to what you are capable of but also the type of work you’re doing. If you’ve got an extended network of fellow creatives who will back you or you’ve got a large following elsewhere, doing it like a popup might work for you.
If you’re an exhausted burnout who can’t fathom the short but intense amount of organization that sort of thing requires, not to mention doing it over and over and over... Ehhhhh. No thank you.
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burtoo · 2 months
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Today I learned of Tumblr's plan to begin (or continue) selling user content to OpenAI and Midjourney, which is the last straw for me and my presence on the site. Regardless of their claims that users can opt out of this, I frankly just don't believe them.
I've used Tumblr since 2010 when I started photography, and this blog is the largest existing archive of my work on the internet. It's a liability for me to continue to allow it to be hosted on a site that is now actively contributing to the theft of art, directly from artists. I know my photos have already been stolen, repurposed and claimed countless times over the years from Tumblr and other sites, but I have to draw a line here. I will unfortunately be removing all my past work from this blog, perhaps something I should have done when the suspicions first arose about Automattic's greed.
Many aspects of my creative career have been negatively impacted by AI already, I just see this as one less path in which to be exploited.
That being said I want to thank all of you for the support over the decade plus I've been active on here, I stuck around much longer than most because of my appreciation for a website that was a huge influence to my early creativity as a kid. I still think it was the best format for social media, and I really am going to miss Tumblr and the creative community it used to be.
I will still do my best to utilize this blog as a place to make announcements about any new projects, such as my upcoming book I aim to release at the end of the year.
You can still find me and my (Glaze/Nightshade protected) work elsewhere on the internet at Instagram, Twitter, and my website.
So long,
Brendon
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piosplayhouse · 1 month
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Shi Qingxuan had a pair of blinged out designer cat ears and a slinky dress because they're a really supportive friend but didn't totally follow Xie Lian's explanation that a furry convention was slightly different from a themed costume party.
You're 1000000% correct and please forgive me for springboarding off of this to peddle some hyperspecific bad furry au headcanons:
Sqx: as you said, doesn't really understand what a furry is or what they do. Despite that, has a toyhouse account with thousands of followers on it that her brother made for her. He only has one oc on it, which is an extremely expensive Dainty that his brother bought for him. Otherwise uses the site forums like a social media platform, but doesn't know how to navigate any other part of it (this is understandable if you're familiar with toyhouse). Somehow gained tons of friends and followers anyway, including
hx: her sona is an eel. He lurks the forums exclusively to report drama to hua cheng, who faithfully mass reports and harasses any user who talks badly about disgraced furry xie lian. She's a partial fursuiter (only has the head and paws (fins?)) because even though she made her own suit, hua cheng gave her the stipend to get the materials and he only allotted enough for a bare minimum partial. Yes, he has fucked sqx while wearing his fursuit, and she was really into it.
hua cheng: full fursuiter with 2 suits (San Lang and Hua Cheng) as stated before. He also has custom tailored robes to fit over his suits because he's dapper like that. Obsessively monitors every furry site across the internet to take down anyone spreading rumors about xie lian by using his thousands of sock puppet accounts. Spends more time in his suits than out of them, doesn't even show xie lian his real face until they meet again at Ghost City Furcon together. Full time simp, part time artist/fursuit maker/con owner. Xie Lian talked him down from a suicide attempt after seeing him make a concerning post on a forum, and hua cheng has been gone ever since. Had a bad phase in high school where he exclusively drew xie lian's sona, including one particularly embarrassing self insert NSFW piece of him.
xie lian: full fursuiter BUT regularly takes off his suit head in public for any reason (note: for furries this is considered really weird and somewhat taboo). I've already talked about him quite a bit so I'll keep it brief, but he was blacklisted from the All Furries Go to Heaven Furcon twice despite being a very involved volunteer in the early days of the con. Despite this, somehow in the year 20XX an unknowing green volunteer finds his old artist alley application shoved in a drawer somewhere and calls him up to attend the con again for the first time in decades.
Feng xin and mu qing: THEY DONT HAVE THE SAME FURSUIT OK! Just because they accidentally commissioned the same maker and their suits are like color swapped versions of each other doesn't mean they wanted to match at all in fact mq's sona is a cat and fx's is a dog but the maker they hired makes their dog and cat suits look pretty much the same so that's how it turned out that way and
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bogleech · 7 months
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In case some of you GLOSSED OVER THIS MOMENTOUS EVENT (reviewed here), 2023 marks the first time in history that a fake moth has been mass produced and sold as a Halloween decoration. It wasn't until a couple years ago that I started seeing moths in Halloween decor at all, but always just printed or sculpted onto things.
There's also the skeleton moth at Spirit Halloween this year, so that's technically two moth creature Halloween props, but only this big hanging one is made to look like an actual, living, scary moth is flying around in your home! I have wanted exactly this to be a thing in Halloween merchandising for DECADES of my life! They're being sold at various places, so they're not tied to a single "brand," but if you need to find one online I'm afraid Amazon is the only one selling it for cheap:
Mine was $7 at a one-off local party store, Amazon's is $14, other sites I've seen it at want like fifty. Will they come back next Halloween? Will there be imitators or new styles? There's no telling! Better get one while you can and be a part of history!!! HALLOWEEN MOTHS!!!!
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Hey so I get that this mainly a blog about media but I have no one fat-positive in my life and I need help. I’ve been fat all my life and now I’m on a mood stabilizer that makes me consistently gain weight and like I’m at the point where even plus size stores don’t carry clothes that fit me. Everyone keeps wanting me off the pills but I need them right now.
I worry I’m doomed to never like how I look again because I won’t be able to wear the clothes I want. And with how many health problems run in my family I just don’t have time for the world to get more accommodating.
I don’t know what to do to or how to be happy
*hugs*
I'm so sorry you're having people fat shaming you in your life. I've personally gained like 100 pounds from different psychotropics over the last 22 years. Some of it was really fast (like when I got put on lithium and gained 50 pounds in 4 months). I've done my fair amount of yoyo dieting as a result and let me tell you please start curating your online presence to feature fat positivity. A lot of the fat positivity of the last decade or so is just... it would make teenage me feel a whole lot better honestly. There's tons of resources like @fatphobiabusters and the tag #fatshion if you want to see other fat people who are wearing whatever they want.
I personally gained a lot of weight with my knee injury 2 years ago and its been very comforting to see so much more in the way of options now.
I'll give you a few tips for shopping. 1) only shop sales and clearance on popular retail sites like torrid or lanebryant. (I've gotten so much cute stuff from Lane Bryant that I don't see in their stores and like everything in their stores is for rich people I swear). 2) Shop with different occassions in mind. Pick one fancy dress for things like weddings and parties or clubbing. Lots of chic cocktail dresses can be dressed up or dressed down depending on your accessories. Get some work outfit staples (black pants or skirts are a must have for everyone but as long as you don't shop impulsively and recklessly at the last minute you should find a few things on sale now that will wow people when you finally debut them) 3) I know its hard to shop online but it can get easier if you do a few things. First of all is know your measurements. Get a measuring tape and measure your chest/bust your hips and your tummy where you want your pants to be. (this totally depends on whether you're looking for like high waisted pants or jeans btw).
Ok that's all I can think of right now but I might do a post that highlights my recent shopping sprees.
mod laina
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coelpts · 11 months
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alright, guess we're complaining now.
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[Image ID: First image: A cropped screenshot of Tumblr's Friday, May 26th, 2023 changelog which reads, "On web, clicking anywhere in a post’s header now opens that post. Previously, you had to click specifically on the blog name."
Second image: A cropped screenshot of Tumblr's Tuesday, May 30th, 2023 changelog which reads, "To clarify a point made in last Friday’s post: on web, clicking the reblogged-from blog name in a reblog’s post header now takes you to that blog, not their reblog. Clicking in the empty space in the post’s header, and in the header of each reblog trail item, now takes you to that specific post in the blog view popup. This is one of a series of updates we’re making to the reblog consumption experience across all platforms, to make it more intuitive and consistent, especially for new users." End ID.]
Tumblr, this change is bad. A lot of other people have already shared their own complaints for this new and awful system, but it's time for me to properly throw my hat in the ring instead of at-ing you directly due to user error. Whoops.
[UPDATE 6/11/2023] HORRIBLE NEWS, EVERYONE! This change has hit mobile. There is no longer any way to access the previous version of a post except through theme reblog chaining on desktop. I've added some extra fun comments both as an edit to this post and as a reblog so nobody misses out.
All my complaints are in the read more because this got LONG.
TL;DR- This change breaks a major signifier used across the site, removes post functionality only to replace it with redundant blog links, and completely destroys a primary mode of social interaction that's been used on Tumblr for over a decade. Here's the Tumblr Staff support link so you can give feedback on how bad this change is.
Part One: Signifiers and Consistency
This is my biggest point, so it will be a bit of a doozy. Strap in.
This change is about making Tumblr operation 'intuitive and consistent' by unifying behavior between like-designed parts of the site. Now on the face that's not a bad reason to do things, and making sure users are able to intuit what a button does based on its properties is good design. I'll give an example:
Hearts symbolize the 'Like' function on Tumblr. The heart button on a post adds it to your Likes, the Likes option on your account is accompanied by that same heart, and Likes show up in post notes with that heart. This heart, then, becomes a consistent and reliable signifier. If you see a heart button on Tumblr, then whatever it's attached to probably has something to do with Likes.
So, back to the change. This change relates to the signifier of the 'Tumblr blog url link'. The idea is thus- on other parts of the site, such as the Search tab on mobile and on a blog in the dashboard tray, you will see related or similar blog suggestions like these:
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[Image ID: First image: A cropped screenshot of Tumblr's Getting Started help page. It shows an example blog with the 'Blogs like this one' tray visible, populated with four example blogs.
Second image: A second cropped screenshot of Tumblr's Getting Started help page. It shows an example of the Search page on mobile with the 'Check out these blogs' feature highlighted, where two example blog cards are shown. End ID.]
These suggestions are Tumblr blog urls paired with their icon and a little bit of their blog, either the title or some recent posts of theirs. If you click on that url title, the link follows through to that blog. So there's the signifier: click on the url, go to the blog.
But now we have a bit of a snag. What about these?
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[Image ID: A cropped reblog screenshot. The crop shows the Tumblr urls of the reblogger @coelpts and reblogged @coelpts-artchives with the reblog symbol between them, the rebloggers icon, and the date that this reblog was posted. End ID.]
Well, these LOOK like Tumblr blog url links. They're styled in the same way. In fact, the reblogger even has a blog icon next to it! So all signs point to these url links pointing directly to a Tumblr blog if clicked on. After this change, that's exactly what they do- so, like, no problem, right?
But, hold on. There's another signifier here! These aren't JUST Tumblr blog url links! This is…
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[Image ID: First image: The former image of a cropped reblog screenshot, focused on the urls and reblog icon.
Second image: The Tumblr reblog icon. End ID.]
Our good friend, the Reblog button! That's another classic Tumblr signifier, and it sits right next to the Like button I pontificated about. Reblogs are an integral part of Tumblr, and on top of every single reblogged post you will see that icon. And would you look at that- it's even the same color as the second url link!
Those url links that established the 'url link' signifier that we talked about before, in the search page and on the dashboard tray, aren't attached to any posts. But this url is, and the reblog symbol is right next to it. The reblog signifier modifies the url link signifier. This link should go to the reblog from this user. Right? Because it is a reblog FROM that url link- so that's where it should go! And that's where it used to go, before this update.
[EDIT] I came back to fix some typos I noticed but while I was away I tested mobile to see if this change hit the app yet. It has not, but what I saw instead confirmed the above point- on mobile, selecting the reblogged's url ALSO highlights the reblog icon next to it! These two signifiers are connected, and should be read together.
By changing the url links to be more 'consistent' with other url links across the site, a major signifier that keeps the site together has been broken entirely. What should lead to a reblog- something that is clearly shown through use of a recognizable, consistent symbol- no longer does.
Part Two: Redundant Redundancy
Okay, so that's not all this change does. It also adds a brand new functionality to the post header- the white space is now clickable and serves as a replacement for the original 'to this post' link on the reblogger's side of things. These headers also generate for anyone who adds to the post, and you can click through OP too.
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[Image ID: The cropped reblog screenshot from before, but with the word 'Clickable!' written in purple in the blank space above the date. End ID.]
This is also part of that design unity thing; on mobile tapping anywhere on the post header takes you to the post, and you can only tap on the blog url of the person the reblogger reblogged from. That makes sense, since on mobile you're maneuvering your fingers on a small screen and tapping a tiny url next to another tiny url is bound to cause problems.
I don't necessarily have a problem with this on the base of it. I have opinions about mobile and desktop parity that aren't really important here, but it does nicely showcase an issue I DO have- most of the changes made to reblogged posts are completely redundant and unnecessary.
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[UPDATE] This change has hit mobile now, and it's added a fun new complaint about desktop-mobile parity that is now very suddenly a problem; the headers generated from reblogs with content don't have any responsive feedback for tapping them on mobile. OPs does, but any old Joes doesn't. This is not true on desktop, where on-hover a post header will change color; on mobile they stay completely white and plain with no on-tap color change. On top of that, the new headers are actually harder to see on mobile! There's no clear way to actually see where the header starts and the post continues! Tapping a header was deeply confusing because I got no confirmation I did anything of value until I was wisked away to a post- there's no signifier on mobile that this is a thing you can press.
This is what I was talking about in regards to desktop and mobile parity that wasn't important at the time- what's good for mobile isn't always good for desktop and vice versa. Having a post header be tappable on mobile instead of op's url link, where you have less fine motor control and there's a lot of small buttons clustered together, makes sense; but making all post headers into buttons on desktop isn't a good idea because they aren't 'buttons' and it's very hard to make it clear they are. I mentioned signifiers above and that applies to this change- there just aren't enough signs that show these are all buttons now and where they go. The fact that they're completely unresponsive on mobile really is the cherry on top, because you do not KNOW it's a button unless you tap it accidentally or already know from desktop that all headers link to reblogged posts. The design has been made more confusing; what was a functional affordance on mobile has been applied to desktop without limits or concern, making the original mobile affordance more confusing and producing a poor signifier.
Alright, that's enough from future me. Let's get back to the original post, about how this change that introduces a bad signifier is also redundant.
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First of all, it's not like clicking the link url just threw you into a post abyss when you clicked it. Clicking through to a reblog…still took you to that blog, both on mobile and on desktop. On mobile all you need to look through the blog proper is to pull down and refresh; on desktop it's even easier, because following a link pulls up the dashboard tray for that blog with the blogs url immediately below their icon.
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[Image ID: A screenshot of the previously cropped reblog, now shown on the blog @coelpts. The post is on the left, and the user info card is on the right. End ID.]
This change then removes one step to get to the front of a blogs page, and puts the original longer path on the new clickable header. They go to the same place, the first is just exactly one click faster. You could do the exact same thing by clicking the user icon instead.
But wait! We can get even more redundant! You know what else is standard Tumblr functionality on desktop? The hover card!
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[Image ID: A screenshot of the previously cropped reblog, now showing the card for @coelpts-artchives below the icon. It has the blog title and description alongside three popular posts. A purple arrow points to it from the url. End ID.]
If you hover over any url link for about a second, a card for that blog will pop up. This tray lets you follow a blog, send asks, report them, check their popular posts and do a bunch of stuff straight from the dashboard. It also takes you directly to their blog if you click the url link on the card itself! That's right, there was already a way to go directly to the blog the previous user reblogged from! And every single blog url link does this, too- not just on post headers, but even in the text of a post itself.
So before this change, you had five ways of interacting on a post:
Click the reblogger's url > Reblogger's post.
Click the reblogged's url > Reblogged's post.
Click the reblogger's icon > Reblogger's blog.
Hover on the reblogger's url > Reblogger's blog.
Hover on the reblogged's url > Reblogged's blog.
One of these is redundant, but that's fine- it's just how url links work, and it's better that all urls can do that. Signifiers, we talked about this. But every other link goes to a different place, including the previous version of the post.
After this change, there's six, with changes in bold:
Click the reblogger's url > Reblogger's blog.
Click the reblogged's url > Reblogged's blog.
Click the reblogger's icon > Reblogger's blog.
Hover on the reblogger's url > Reblogger's blog.
Hover on the reblogged's url > Reblogged's blog.
Click the white space header next to a user > User's post.
We now have three ways of getting to the blog of the person who reblogged this post, two ways to get to the blog of the person they reblogged from, ONE way to get to the post, and ONLY if someone added to it!
This change removes functionality and replaces it with needless redundancy. As I said near the top of this section, we could already get to the blog through a reblog link- so all this does is remove getting to previous post iterations.
Part Three: Broken Chains
And hey, let's talk about previous post iterations. Y'know, something that's super important on Tumblr? Different versions of a post float around the site for years- some have been around for a decade or more. And some are only available for one post.
As I'm sure everyone knows, unless a group of tags are peer reviewed and added to the body of the post itself or are appended to the next reblog in the chain, they only exist on that version of the post. This means every iteration of a post is functionally unique, and long before we were given the ability to check the tags on a reblog directly, the only way you could check the tags for a post was by checking every iteration. This practice still exists today with 'prev tags'- users still find it useful to gesture to a previous version of a post and show what other people were thinking or add their own thoughts.
Remember the new redundant links? All that means you can't get to a previous version of a post anymore. Those tags are functionally lost now, unless you dig through that persons blog or through all the notes of a specific post. Sure that may not be a problem for a post with 300 notes or so- but what about 27,000? What about a post that was reblogged three weeks ago? If you're trying to wrangle Tumblr's dodgy search function on the blog itself, what if the post has no text to search for, or if the blog has it's search function turned off? Any post tagged with prev tags now directs to literally nothing. Anyone arguing or conversing in the tags is now speaking at air to everyone else.
There is still one way to trace reblogs. You can access the blog itself- not the dashboard tray, but the actual url.tumblr.com blog- by using a hidden link in the meatball menu off the side of the post.
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[Image ID: A screenshot of the previously cropped reblog, now showing the meatballs menu accessed. The first option, showing the date of the reblog, is highlighted. A purple arrow points to this option from the meatballs menu icon and a circle is drawn around it. End ID.]
From there, you can track a post backwards through proper blogs. The reblogged posts will have a 'via Blog' note on them, and you can follow that trail all the way up a chain.
…Unless someone doesn't have a theme enabled. Without a theme, a user won't have a url.tumblr.com domain and it will redirect to the dashboard tray, breaking the chain. And, as of an older update, blogs by default do not have themes enabled- so any and all new users suddenly roadblock this process. Oops.
All of this means that what was once a convenient social aspect of Tumblr has been completely severed with little to no alternative. Trying to wade through hundreds upon hundreds of notes to find the one you're looking for is tedious, time consuming, and potentially impossible if the post is large enough.
Finale: What Now?
Right, so- this sucks. I didn't even go into how this makes it tough to find and block cr/pt/t/rfs if a post passes into their hateful space, or how this makes it harder to copy post links without tracking shit because it's in a different menu now, or how it's now more difficult to access a previous post for reporting purposes. All that shit's also true, but they're side effects of the big three problems the changes introduce.
This change is ultimately user-hostile and seems to follow the worrying trend of 'other sites are doing it, so let's do it too!' Tumblr's been kicking about recently. Tumblr Live, the new change to images and videos, gating viewing posts behind making an account, and attempted algorithm feeds through 'Best Stuff First' and 'Based On Your Likes' are what immediately come to mind. Tumblr's defining, driving aspect for it's continued existence has and always will be its uniqueness. Pretending to be Instagram and TikTok and fucking Twitter will do it absolutely no favors- all it does is undermine what actually makes this site, as a social platform, interesting and vibrant.
But it's one thing to just complain and it's another entirely to provide feedback. Here's a link to the Tumblr Staff support page. They've walked back on new features before when we've made a ruckus- the Shop icon replacement is on the forefront of my mind right now- so it's time to make another.
TL;DR 2- This change makes browsing Tumblr more difficult than it needs to be. It breaks previously established signifiers and removes vital social functions only to add redundant and empty features to cater to a new userbase instead of actually improving the site for the users they already have. It's not a good change.
Thanks for reading ✌️
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I've been on this site for over a decade now and this is the first time I actually post anything... I don't know whether to proud or embarrassed.
Anyway, I think Zuko's little boat was my favorite part of the Netflix live action, I gasped when I saw it and immediately wanted to paint it. It's been so long since I made any fanart, but the little boat compelled me. Hope you like it!
Watercolor on paper, 5"x7"
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Is there a way for me to figure out speech & expressions in a specific past century? I've been trying to write a novel set in the 16th century but there are alot of expressions & idioms that I don't know if they existed back then or not. Do I just cut them out completely?
Researching Historical Lingo, Slang, and Grammar
Here are some things you can do to research the proper lingo, slang, and grammar for a historical setting:
1 - Google "slang (or phrases, lingo, grammar) of [era/decade] [location]" - I don't know where your story is set, but as an example, I Googled "slang of 16th century England" and got back 13 million hits, including things like "9 Elizabethan Words to Bring Back," "English Slang 1400 To 1680," "Elizabethan Swearing, Cursing and Vocabulary" and others. If you Google the era/decade and location of your story and take the time to sift through the results, you can get to know the lingo, phrases, slang, and grammar that would make sense in your story. (Just remember not to over rely on it... you want to avoid obviously modern phrases or words... no one in Elizabethan England would call something "freakin' sweet"... but you also don't want to write something so archaic sounding that it annoys the reader.)
2 - Go to YouTube and Search "slang (or phrases, lingo, grammar) of [era/decade] [location]" - YouTube can be a great source for learning how people spoke in a particular time and place. And in video format, this information is usually presented with additional information about the people and place that helps you understand why they spoke the way they did.
3 - Look for Books About Your Time Period and Setting - There are a lot of time/place settings that are popular enough to have books written about them. There's no shortage of books dedicated to life in Tudor and Elizabethan England, for example, and there are books dedicated to writing stories set in that time and place as well. Whether you go to your local library and ask, go to a local bookstore, or look on Amazon, books about your setting and time period can be a really helpful resource for learning about how people spoke.
4 - When In Doubt, Ask Google - If there's a particular expression, idiom, slang, or lingo you want to use but you're not sure if it existed in your story's time and place, try Googling the phrase plus "origin" or "etymology." That will almost always bring up something that will tell you the history of the expression, idiom, slang, or word that you're curious about. For example, let's say I wanted to know if they would have said "right as rain" in Tudor England. The very first hit on Google told me that while "right as rain" did originate in England, it doesn't seem to go further back than the 1800s. So, it wouldn't make sense for my Tudor character to say it. Some articles will suggest earlier variations, too, which can give you a fitting alternative. @definitely-not-julio suggested the OneLook online thesaurus which has an origin tab... and that actually leads to the Online Etymology Dictionary, which is a fantastic resource.
You can also use any number of idiom search engines or the dictionary to learn the origin of a particular phrase or word.
5 - Curl Up and Watch Stuff - One last helpful resource I want to mention is the great and powerful screen, whether that's the TV screen or device screen. There's a whole world of period dramas out there that take place in just about every possible time and place, so if all else fails, try watching a TV series or some movies set in the time and place of your story, and take notes! Just be aware that TV and movies aren't always super accurate, so it's a good idea to still double check anything you use, but they can be a great way to learn all kinds of potential words, phrases, lingo, etc. The Willow and Thatch web site has a list of period dramas by era (click on "best period dramas list") and it also has lists of period dramas by streaming service.
Have fun researching your story!
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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!
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jinruihokankeikaku · 1 month
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2024.03.21: Ten Years (At Least!)
「夢はつまり 想い出のあとさき」 ―井上陽水、『少年時代』
Well, here we are. I started this blog (under the url "aelphvyne") on 21 March 2014, making today the blog's 10th anniversary. The blog has changed a great deal, I think, as have I, in many ways, over the past decade; but, in many ways, I really haven't.
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(me c. May 2014 / me c. today)
This blog has changed my life in a lot of ways, which feels weird to say, but it's true. There are a number of people I'd never have met were it not for our Posting on here - I won't tag anyone to avoid being obnoxious, but! I'm really glad I met you! Sincerely! A number of ideas i never would have encountered (for better or for worse). A number of places - like actual literal places in the real world - I might not have gone. Books I might never have read, songs I might never have heard, films I might never have watched. The list goes on. But why did I come here in the first place?
I started this blog to be closer to people I liked and in some sense I guess that's still the blog's raison d'être. This site is, after all, where I've spent the most time talking to people for the better part of the past decade. It's also become the de-facto hub for various projects that have rotated in and out over the years - the Homestuck stuff in 2020, an (unfinished) novella in 2021-2022, and most recently, the Evangelion Annotation Project (which I promise is still ongoing & will update...soon-ish).
And since it's been going on for so long, I guess the other thing this blog has become is an archive. A record of various moments in my life. A lot of the stuff I've posted and reblogged over the years I wouldn't stand by or endorse today. A lot of it I would. (Some of it I don't remember having posted in the first place; but I am reminded, when I look through this archive every now and then, that these, too, are remnants of who I was at some point.)
I like to take photographs every now and then, of the sky outside my window, of rain on leaves & the moon & things like that. I guess I've been doing that since around the time I made my proper return to Tumblr in 2020. If there's one really important thing on this blog, one thing that I feel really good about, it's that; those pictures are the kind of record that I really wish I had kept in earlier years, and that I hope to be able to continue to keep going forward.
And I will keep going forward. I've thought about leaving this place on a few occasions; and, I suppose if the Internet continues on its rather sad present trajectory, I may have to soon enough. But until then, "the show must go on" - at this point, I have no plans to leave any time soon. In a way, it's a line of continuity between myself 10 years ago and now. When I look back ten years from now (God willing!) I'll remember that we both liked doing this - rambling self-indulgently on the Internet to an audience of mostly strangers but - importantly - some friends, too. Some good friends. After all, who else would we have said all that too? Would we have said it at all? I think, in any case, that having said it is preferable to the alternative. By a mile.
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morgana96 · 2 years
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Trying to Debunk Things the FFXIV Fandom Keeps Making Up About Lyse Hext
(Warning: Stormblood MSQ Spoilers Under the Cut)
I’ve been playing FFXIV for a few years now. It was my first time every playing a Final Fantasy game, and I was nervous I wouldn’t be any good at it. But FFXIV has been a huge comfort and highlight in my life. It’s gotten me through some very tough times and has really inspired me creatively. Not to mention I've met some really great people through the game, and that the community has so many nice and talented people.
But just like any other fandom, things are far from always perfect. There are fans who engage in offensive and gross behavior, fans who are toxic about how to best play - there are plenty of issues this fandom has that most of us are already aware of. But one thing that I think about a lot - although it's far from the only thing - is the strange amount of malice certain fans display when talking about the character Lyse Hext.
I couldn't understand for the longest time why some players hated Lyse so much. Personally, I enjoyed Stormblood, and I like her character. I enjoyed seeing her learn to step out of her sister's shadow and start to become her own person, and I consider her to be one of many characters who my WoL happily considers a good friend.
So it baffled me that people hated her so intensely. I get that not every character clicks with everyone, and that people have varied tastes. But the absolute vitriol some people treat her with has always confused me. That is, until I eventually realized what part of the problem is.
You see, I'm convinced that a good number of Lyse haters weren’t paying thorough attention to Stormblood’s plot. That, or they’ve simply forgotten certain details with time. Because most of the things they accuse her of or site as reasons for their hatred LITERALLY NEVER HAPPENED IN THE GAME.
There are so many accusations I've seen thrown around about her, and nearly all of them are something taken out of context, misremembered, or just straight up made up.
So what I want to do is go over some of the biggest accusations this fandom has perpetuated about Lyse and debunk those that are untrue or based on misunderstanding.
People who've followed me for a while probably know I used to do this all the time back in my Naruto fandom days. I’ve seen some really wild takes from that fandom, and still do occasionally even though the original manga ended nearly a decade ago.
But while I had to wade through a lot of nonsense back then, I really enjoy breaking down stories and characters in order to prove my perspectives. So I’d like to get back into it (especially since I’ve been struggling with focus issues, and this gives me interesting subjects to focus on!)
So let's get started:
“Yda was better than Lyse.”
Let's get something straight right of the bat. The “Yda” these players claim is “better”? That person's not real.
In the game’s timeline, the original 1.0 takes place in 1572, and the true Yda died in 1571. In other words, the “Yda” with Papalymo in 1.0 is Lyse. Apparently, legacy WoLs do encounter the real Yda via Echo visions from before 1.0, but the “Yda” they are with during 1.0 and beyond has always been Lyse. (I am not a legacy/1.0 player, so I'm using resources like the lore books and short stories to get this information.)
So what this means is that unless you are a legacy WoL, you never even knew or saw anything of the real Yda. It was always Lyse.
Everyone in the Circle of Knowing already knew this. Remember, it was Papalymo who asked them not to say anything; he recognized it as a coping mechanism for Yda's death, and he wanted Lyse to figure out for herself that she should not hide herself in her sister's shadow and legacy.
And deep down, Lyse had a feeling the others knew. She just didn't voice this, which is described as her “deciding not to know” that they knew. She even admits that she wasn't trying to truly “become” Yda, so it’s unlikely that she was really changing her personality all that much from what it usually is.
So I can't help but be annoyed when people insist they “liked Yda better”. Not only because I don't think Lyse's personality changed much from when she was “Yda”, but also because people who make this claim fail to see how ridiculous they sound.
The lie was a better character?
You see Lyse’s grief response to losing her older sister as a better character?
You hate that Lyse finally chose to let Yda go and try to become her own person? And preferred the lie?
What a weird hill to die on.
“Lyse didn’t do anything for the Resistance before my WoL showed up”
This is what I’m talking about when I say there are definitely players who just weren’t paying attention and instead make up whatever best fits their own biases.
Lyse and Papalymo were working with the Ala Mhigan Resistance since the end of A Realm Reborn. With a great deal of effort, Conrad managed to get them to Rhalgr’s Reach after the events of the Bloody Banquet, and the two of them pretty much spend the whole time after that working directly with Conrad’s faction of the Resistance until you finally manage to find them again towards the end of Heavensward and right before Stormblood begins
Lyse is not some stranger to them by the time your WoL crosses Baelsar’s Wall. By the time you get there, she’s already become close with Conrad, M’naago, and Meffrid. She’s already gone on countless dangerous missions with the Resistance and engaged directly in conflicts with imperials on their behalf. All of this is made clear in both the MSQ and the extra stories online.
I get so frustrated when blatant misinformation like this gets passed off as canon. How are you going to accurately criticize a character when you don’t even remember major parts of the story you’re criticizing? It makes no sense.
“Lyse stole the credit for saving Ala Mhigo from my WoL!!”
Yeah, no. She didn’t.
I’m not even going to pretend to humor this one. It doesn’t deserve it. It’s a lie. A straight up lie. It literally never happened.
But you know what the most annoying and sad thing about it is? This stupid claim is the exact opposite of how Lyse actually behaves throughout the game.
Lyse is seen regularly talking about how much she looks up to the WoL. She talks so much about how they inspire her, whether directly to them or to others when they’re not around. One of the biggest parts of her arc is getting over her fear of not living up to “true heroes”, including her family and the WoL. Hell, when people rightfully thank her for her efforts, she downplays it as simply doing the right thing and not something anyone needs to thank her for.
And when the WoL finally beats Zenos and Ala Mhigo finally becomes free, do you know what she says?
“You beat [Zenos], after all. You’re the real hero of this story. So run along and take your plaudits!”
How media illiterate does someone have to be to think that THIS is a character who’s “stealing credit”?
So no, Lyse Hext did not “steal credit” from your WoL. In fact, your WoL honestly just sounds like a delusional, self-important prick.
“Lyse didn't earn being the leader of Ala Mhigo/ the Resistance! It should have been Raubahn or M'naago!”
There are quite a few big issues with this one:
1 - Lyse is NOT the leader of Ala Mhigo, nor is she the leader of the entire Resistance.
Raubahn is.
Raubahn is Ala Mhigo's acting head of state. He's the one who is now the main head of the Resistance, which is the city-state's official military now that the Empire has lost control there.
I can’t even count how many people I’ve seen shouting about how “Raubahn should have been in charge!”, when he already IS in charge. And basically almost NO ONE ever fact checks anyone else on this.
These players are literally accusing Lyse of stealing a position she doesn’t have from a man who is, in fact, already in said position.
It’s wild.
2 - Lyse is currently the commander of the Resistance troops at Rhalgr’s Reach in the Fringes. That’s it.
The story makes it very clear that the Resistance was originally not headed by any one leader. There were multiple factions with different leaders, and they didn’t always get along and often had different perspectives on how best to free Ala Mhigo.
For instance, it was the Griffin specific faction of the Resistance, led by Ilberd, that attacked Baelsar's Wall. This branch of the Resistance was not affiliated with Conrad, and in fact, some of Conrad's group and fighters from other groups went to join the Griffin after being taken in by his words.
And because of the slaughter Ilberd purposely led those people into to summon Shinryu, many Ala Mhigans became wary of all factions of the Resistance for a time, even though they weren't necessarily affiliated with the Griffin’s faction.
The Resistance only recently began transitioning into an official military unit, rather that countless factions doing their own thing. Lyse is specifically in command of the group at Rhalgr’s Reach, because that was Conrad’s group. She’s NOT in charge of anyone else’s faction.
My guess as to the current chain of command is that the other factions are still being led by their respective leaders, and that since Raubahn now leads them as a whole, they (including Lyse) fall under his command and answer to him.
And as I said before, The Rhalgr’s Reach Resistance are not strangers to her, nor is she a stranger to them; she’s been working with and helping them since the end of ARR. It’s only because so many people refuse to acknowledge this that they’re convinced she’d done “nothing”, or that they somehow would see her as unfit.
3 - There are few things as universally annoying in fandom spaces than fans pitting women who are canon friends against each other. And unfortunately, this is exactly what I see happen most of the time with Lyse and M’naago.
Now unlike some of the other things I talk about in this post, I can at least understand some of the frustration regarding these two. After all, M’naago has been with the Resistance for a longer time.
But once again, this ends up tainted by people’s weird obsession with outright vilifying Lyse and everything she does. She’s not some evil schemer trying to usurp M’naago, and M’naago isn’t her bitter rival or victim. They are clearly very close - Lyse referring to her as “Naago” is a big deal in Seeker culture - and their stories on the lodestone makes it pretty clear to me that they care far more about each other and working to save their homeland than titles and mantles of leadership.
Honestly, I think a lot of people like to forget how much Lyse tried to reject becoming a leader. She was constantly comparing herself to others, and as a result, she considered herself unworthy of such a role and convinced herself it was something you needed a natural talent for. She was the one who insisted that being related to Curtis and Yda wasn’t enough to make her a good leader. It was only when she accepted her own limitations and imperfections that she finally accepted that role. She had to sort her own personal feelings out before she was ready to take on that responsibility.
One of the things I love about Lyse is that she’s a wonderfully flawed character; she has a lot of doubts, but she is trying her best to improve herself, instead of constantly wondering if she’s living up to someone else’s legacy. She’s not a Warrior of Light, or a decorated Archon. But she’s passionate, determined, and always willing to learn from others while she tries to become who she wants to be. In my eyes, that’s what Conrad’s talking about when he tells her she can become a leader. And regardless of what anyone else says, I enjoyed watching her start to come into her own.
“Lyse is a White Savior.”
This issue is much more complex than the other things I’ve brought up here. So I want to start out by making some things clear from the start.
As a black woman, I think one of the only well-founded criticisms regarding Lyse is her pale completion compared to her father Curtis, whose skin is much darker. Colorism is a serious and ongoing issue in entertainment media industries. It’s my belief that Lyse’s character design is a perfect example of that issue. And we as a fandom should absolutely acknowledge and criticize it.
However, I also disagree strongly with anyone who refers to Lyse as “a white savior”.
To provide some background information, “white savior” is a term connected to the long history of white people colonizing, oppressing, and denying agency to non-white people. Its concept originates from the racist ideology known as “The White Man's Burden” (named after a pro-imperialism poem), which falsely claims that white people are morally obligated to "save" people of color from themselves and their "savagery", thus justifying their colonization and cultural genocide. It’s also recognized as a common trope in media, where a white person - usually a white man displaced from white society - is made into the leader or liberator of a group of people of color, thus making said white person the focus of a story that doesn’t actually affect them the way it affects the marginalized.
There are two main reasons why I disagree with calling Lyse a white savior:
1 - Like I’ve already said, I 100% think Lyse’s character design is flawed. But something that’s very important to note here is that Ala Mhigo/Gyr Abania is not a homogeneous society some players seem to think it is.
Like a lot of the other regions in Eorzea, Gyr Abania has a diverse mixture of the world's fantasy races, including Hellsguard Roes, Seeker of the Sun Miqo'te, and both Highlander and Midlander Hyurs. But Gyr Abania is also not homogeneous when it comes to skin color. There are characters and NPCs throughout the Gyr Albania areas with varying skin tones. Some are fair, some are dark, and some are somewhere in between.
The problem with Lyse’s character design is that she’s suspiciously fair skinned despite being the daughter of a clearly dark-skinned man.
But what I tend to see people turn that into is “Lyse is too fair skinned to be Ala Mhigan”.
Fordola is fair skinned. M’hahtoa, M’naago’s mother, and several other members of the M Tribe are fair skinned. There are multiple NPCs across the Gyr Abanian maps that have fairer skin (some are named/can be spoken to, while others are unnamed/background NPCs).
I don’t think I’ve ever seen these characters brought up when people start talking about Ala Mhigan ethnicities. Maybe someone out there has and I simply missed it. But as far as I can remember, I’ve only seen Ala Mhigan skin tones brought up when someone is calling Lyse, and no one else, “too pale to be Ala Mhigan”. It doesn’t work to make this claim because Ala Mhigan is not a race; it's a nationality which is made up of multiple races, and those races seem to have varied skin tones based on what we see in the actual game.
Now remember, this is in no way a recant of my stance. I think Lyse should be closer in skin tone to her father. But the white savior label doesn’t work in this context because despite the problems with her design, Lyse is an Ala Mhigan refugee; not some random foreigner coming into Gyr Abania with no understanding of their history and plight. It’s not enough to claim she’s “too pale to be Ala Mhigan”, because Ala Mhigo/Gyr Abania isn’t homogeneous like that.
2 - When it comes to white saviorism, there’s a very specific privilege and ignorance that comes with it. The reason why it’s offensive is because it makes a white person the focus of a situation that they can’t and don’t truly understand. A story’s white savior - whether consciously or unconsciously - symbolizes white ego and narcissism. And frankly, I do not think that was ever the intention of Lyse’s story.
There’s a big difference between a white savior’s intrusion into a foreign country and a refugee returning to their homeland after many years. While only Lyse’s early years were spent in Ala Mhigo, she is not completely removed from it like people seem to think she is. It’s very clear she remembers her time there, and has clear memories of life with her father and sister.
She was only five when Yda got her out - right at the start of the Garlean occupation - and because of this, she initially doesn’t know how to convince other Ala Mhigans that the fight for their home is still worth it. Her love and hope for a better Ala Mhigo is mistaken for ignorance, because many have been so worn down by the loss and bloodshed that it’s considered suicide to fight back anymore.
Stormblood does a great job of showing how imperialism wears down its victims. The hopelessness felt by many in Ala Mhigo and Doma is the result of years of violence, abuse, and cruelty, and that’s exactly the imperials’ intention; an oppressor wants to break the will and spirit of the oppressed as much as they can, conditioning them to normalize their mistreatment in order to diminish threats to their control.
Characters like Fordola also help show how imperialists manipulate the oppressed to work against their own best interests. All of Fordola’s actions are driven by the misguided idea that working with the Empire would “free” Ala Mhigo. She was convinced that as long as she fought and killed for them, she’d eventually prove that Ala Mhigans are worthy of the Garleans’ respect. But that was never going to happen. It was a tactic to indoctrinate young Ala Mhigans and maintain the imperial status quo. And sadly, Fordola fell deep into that trap.
This is the real cause for Lyse’s initial disconnect. It’s not because of privilege or bias, or a lack of personal connection to Ala Mhigo. It’s founded on the fact that she simply hasn’t experienced the Empire’s relentless tyrannical tactics the same way those who remained in Gyr Abania have.
But this doesn’t mean she hasn’t dealt with loss and fear. Both her father and sister were killed by the Garleans. She’s experienced displacement and having to flee from your home to survive. She’s lost comrades and close friends while with the Scions. This isn’t some naive little girl who doesn’t know the pain that comes with battles and war.
The biggest challenge for the main cast of Stormblood wasn’t just physically fighting the Garleans. It was about a shared sense of pain and loss, and trying to break through the hopelessness the people of Ala Mhigo and Doma were feeling.
Lyse, the WoL, and the other characters aren’t doing what they do for glory. They’re not claiming to know better than the Ala Mhigans and Domans. They’re not trying to take their agency away. They’re trying to convince them to take back their own agency and futures from the Garleans. It’s about understanding their pain, their loss, and their fear, and trying to help them rediscover the strength to keep fighting for themselves. At least that’s what it was to me.
And speaking of the Garleans, it’s wild how I don’t see more people bring up their similarities to white saviorism.
So many Garleans refer to non-Garleans as “savages” and treat them as second class citizens in the provinces.
They insist that their societies and faiths are “primitive”, and that this justifies their invasions and conquests.
They outlaw cultural and religious practices and force their own practices in their place, all under the guise of “civilizing” conquered people and saving them from themselves.
They propagandize themselves as selfless heroes, and people like the WoL as the monstrous villains. “We’re simply trying to rescue these poor, deluded “savages” from themselves and their eikons. Why are you mad?”
And when people fight back and reject them, the Empire plays victim. Take Varis for instance; during that meeting with the Alliance, he targets the very valid issues the Eorzean nations have. But that’s not because he actually cares about fixing those problems; he’s literally just gaslighting them and trying to justify Garlemald’s false sense of supremacy.
It’s all right there. It’s literally a perfect fictional example of the racism, narcissism, and backwards logic of imperialism.
Yet somehow, I’ve see Lyse, an Ala Mhigan refugee, called a “white savior” more often than Garlean imperials.
It’s frustrating, to say the least.
~~~
Well, these are pretty much all the main accusations I’ve seen thrown at Lyse since I’ve started the game. If I think of anything else, or if someone gives me something else to look at, I will add on to this.
I don’t know if I’m changing any minds with this, or even if anyone even has the time or patience to read through this whole post. But it’s feels good to finally write out a lot of my thoughts on this subject after so long. I’d like to do this on more subjects relating to FFXIV, including ways I think certain parts of story could have been improved.
But that’s or another day. Thanks so much for reading ~
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t00thpasteface · 3 months
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Hiiiii₍⁠₍⁠◞⁠(⁠ ⁠•⁠௰⁠•⁠ ⁠)⁠◟⁠₎⁠₎
Could you explain the hipster Vs fandom war. I've been on here for like four years and I never knew that existed lol and btw I really really love your art and you are one my biggest inspos for how I imagine and draw my Clark.
i'm not sure i can explain it in a way that makes sense, and certainly not in a way that makes you say "i understand why this was such a big deal", but gl'bgolyb knows i can try.
first, let me take you on a sensory experience... picture in your mind the following things... skinny jeans... nerd glasses... a weirdly dapper fashion sense in a time where everything is baggy and neon... boom, you have 2010-2014 online tumblr hipster culture. and also 70s elvis costello, oddly enough.
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although admittedly i don't know his stance on pumpkin spice lattes.
anyway. now that that's burned into your brain, consider a significant population of this exact type of person that has already been well-established on this microblogging platform around the turn of the decade. tumblr doesn't really have an app yet because smartphones haven't taken over everyone's life yet, and online fandom culture is still largely dominated by deviantart as the main "fandom hub". most people, myself included, are getting their main meme fixes from facebook (which your parents were not yet on) or the icanhazcheezburger image-aggregator network. THEN EVERYTHING CHANGED WHEN THE FANDOM NATION ATTACKED.
somehow, a huge crowd of people who considered their favorite books/movies/games to be core personality traits began to set up shop on this fair slate-blue isle. i number myself among this crowd, having been lured here by google-image-searching for miscellaneous fanart in 2011. the "old guard" largely belongs to, and continuously attracts new bloggers within, a burgeoning subculture that 100% defines itself by bucking popular trends and social expectations... whether or not this is actually accomplished by purchasing beverages from starbucks and putting old film filters on every photo, i cannot say.
you may be seeing an issue already arising: hey, if the hipsters hate everything that's popular and gatekeep all their interests, and the fandom bloggers are obsessed with extremely popular franchises and are hell-bent making them even more popular, isn't that going to cause a little friction?
well, yes. it caused a fuck ton of friction. a division arose early on between "the fandom side of tumblr" and "the hipster side of tumblr." some people, like myself, played both sides. others abstained from the rigid dichotomy and considered themselves to be on another "side," like the science side of tumblr, known for explaining relatively straightforward STEM concepts in large essays that began with something like "listen up fuckers."
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ahhh, unfriendable. such a narrow little window in time where cheezburger sites and facebook had equal sway in the online zeitgeist.
interestingly, as someone who trawled a LOT of aesthetic tags, the most popular of which was simply #aesthetic (it was shockingly consistent in there), i never actually saw hipster bloggers complaining about fandom bloggers. it was always the other way around, with fandom bloggers bragging about how much they're freaking out the squares to get cool points with other fandom bloggers, all while never actually engaging with the hipster bloggers because their tags rarely overlapped.
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hi, marge! we're freaking out the hipsters!
regardless of whether there was any material reality to it, or if it was simply a Minitrue level of entirely fictional warfare, this concept entrenched itself into the fandom bloggers, likely as a way to still feel "edgy" and unique while, again, obsessing over extremely popular and mainstream things like doctor who, pokemon, avatar the last airbender, the brand-new mcu, and other decidedly non-counterculture media. even with things it felt like no one irl had heard of, like hetalia and homestuck, those were online juggernauts nonetheless, the former of which had dominated deviantart for years and the latter of which prompted hotels and convention centers across the world to implement very strict rules about unsealed body paint. people treated fandoms like they were some sort of exclusive country club with membership fees and a dress code. and dunking on hipsters became an entire genre of Fake Internet Story, which were already pervasive on this website.
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what's the point of being in a clique if there's no outgroup to flex on? #swag
this whole phenomenon ran concurrently, even symbiotically, with other tumblrisms like "tumblr university" and those horrendous "not like other girls" memes...
which means, of course, it was absolutely dead in the fucking water once DashCon happened in 2014. i don't need to tell you what happened at DashCon (there's a million essays and videos about it if you're one of today's lucky ten thousand who's never heard of it), but all across the fandom side of tumblr, it felt like finding out your parents lied about santa claus. turns out the fandoms you're in don't actually say anything about who you are as a person, a bunch of tumblrinas can't just will a fully functional micronation into existence just by wearing tacky merchandise in a public venue, and magic probably isn't real.
i wish i had some grand way to end this story, but really the moral is the same as it ever was: online drama is eternal, inescapable, and completely fucking worthless. if you only post to get mad at shit, especially if you're just making up a guy to get mad at, cut that out. touch grass. look at images of cats. i don't remember any of the enemies i made from this era, but i fondly remember all the friends, and i'm richer for making those positive connections. that's all for today's episode of Tumblr History with Toothpaste Face... remember to tip your waitress and stay minty.
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Hi, I've been a fan of J2 for some time now but I've never come across the tin hat fandom (do I call it correctly?) before (i always adored their interactions but never actually considered that they could have an actual romantic relationship that's not just in my mind haha) and I'm intrigued now. Could you please point me in the direction of some masterposts about them? Would love to read more about it! & also about their wives and kids bc I don't quite understand how it would be possible for them to maintain a beard-marriage for so long and also to have kids (??)
Sorry if this was really messy but it's 1am and English is my 2nd language so I'm not exactly capable of forming grammatically correct sentences🙈
Hi, there! 😊❤️
And welcome!
You’re about to start a wild ride into the heart of this decade point five romance between Jared and Jensen that will absolutely have you supergluing your tinhat onto your head just like the rest of us (as is always the case when anyone decides to really delve deeply enough into what’s been going on between the Js ever since their paths merged so many years ago).
A great starting place is going to be Speak the Truth, the site I’ve linked above, which pretty extensively covers 2005-2013, although there’s a lot of reading involved in that, so for some more condensed summaries, I’ll include links to a few of my past posts outlining a lot of my own observations on key elements of the Js’ relationship.
But first, I’ve also added timelines for a couple of additional years (2016 and 2017) on my page:
I’ll be adding 2018 fairly soon, and 2019-2023 (plus 2014 and 2015, very important years) will all be here as well as soon as I can finish them.
Here’s a post where I go over quite a bit of my own tinhat journey:
And here’s another summary-type post with some good examples to look into:
I could probably turn this post into a nightmare of far too many links lol, so I’ll cut myself off here, but I’m so glad that you reached out, and I’m ALWAYS happy to chat (in excruciating detail 😜) about anything you may wonder about or want to clarify or have questions about…anything at all.
So message me whenever you like, or send asks, either way.
And I wish you all the best, my friend!
———
Edit: here’s one last link focusing more heavily on the kids/parenting stuff!
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merrymusings · 5 months
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although i love it , december can be an extremely lonely time of year for people ! so i'm posting my annual reminder/instructions of a very simple , inexpensive way to connect with peopled who may feel forgotten during the holiday season .
one of the easiest ways to make a lonely stranger's holiday season special is by sending christmas and holiday cards , especially patients in hospitals and residents in nursing homes who may not have family anymore or contact with the outside world . this has been my tradition for over a decade , i'm always shocked to find that others don't realize it's something you can do or how to do it - there's many ways and places to send cards , but here's an easy how-to for these two .
HOLIDAY CARDS TO NURSING HOMES —
this is very special because i've been told for some elderly , lonely residents , they don't even realize the cards are coming from strangers sometimes and they think they're from a loved one . for those who realize they're from a stranger , they'll appreciate them very much too !
cards can be handmade or not . typically i'll write a couple sentences about winter , staying warm , having a good holiday season , "sending love" etc. things like that . and sign my first name . you can mail a singular card with a stamp or package of cards to any nursing home and just address it like this :
ATTN: Activities Director to: any lonely resident/any resident (they wont really see the envelope) #### street address city, state, zipcode
if you're outside of the us , this system should work in your country too but obviously address it as you would there . if you don't know where to begin looking for nursing homes , just go to google maps , type in any city/town you want , and search "nursing homes" .
i always send mine completely random - i've been told they will all accept and be grateful . usually i hear nothing back but on rare occasions a staffer may mail a thank you note after christmas , just a heads up .
HOLIDAY CARDS TO HOSPITALS —
i don't do this as often so i don't know every rule ( like if you can just put "any resident" like with nursing homes ,) but !! there are lots of organizations you can mail cards to who will distribute it for you . here's a good one who works year round - you can send christmas/holiday cards or general ones throughout the year !
mail your card to : Cards for Hospitalized Kids 7290 W. Devon Ave. Chicago, IL 60631
this organization distributes the cards to patients , specifically children . they ask that you do not write "get better" "feel better" "get well soon" etc , as some patients are terminal and may never "get better" - this can be extremely upsetting . however , you may be encouraging such as "sending love" and "sending strength" ! also, do not include personal contact info ; only your first name/alias is needed . also , no glitter for these ones please . if you want more info on the organization , their site is here .
there are tons of ways to send cards and greetings to many different populations who really need a pick-me-up during this season , and info is readily available online . just wanted to share a quick couple ideas to spread cheer which impacts real people ! please spread the word , and don't forget to check on those you care about in your life because many people hurt and show no signs of it .
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anonymouscomrade · 1 year
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so with the new version of Dwarf Fortress out on Steam, lots of people are getting into it for the first time. i still don't have this new version (yet) but here's some advice going off my playing the older versions on and off for like the last thirteen years. i'm not going to get into the extreme basics as there are plenty of full guides about that, this is just some personal advice from me:
especially for your first embark, pick a mundane-ass location with plenty of vegetation and trees and normal weather. don't fuck around with deserts or evil or glaciers or savage lands if you don't know what you're doing, you'll get killed by lack of water/the undead/the cold and absolutely nothing growing/giant wild animals, respectively. good-aligned regions are usually okay, if you want at least a little bit of the fantastic in your general vicinity. use the site finder to find a place with trees, vegetation, a river/stream/some other source of running water but NO AQUIFER, and multiple deep and shallow metals. personally my favorite embarks are the borders of forests and mountains, that way you have plenty of shit to mine AND plants to eat/brew, trees to chop down and make stuff with, etc. aquifers CAN be beneficial IF you know what you're doing (essentially they're a source of infinite fresh water if you can harness them, unless you're too close to the ocean and you get a saltwater aquifer, which sucks) but they can just as easily flood your entire fortress if you fuck up in even the slightest. i've been playing this game for over a decade and even i don't know what the fuck to do with aquifers so don't ask me
i personally prefer embarks with shallow soil. soil's super-easy to farm in (you CAN farm on stone but you have to have a way to irrigate it, and that can be a pain in the ass) but IMO most of your dwarves' living and working spaces should be carved out of stone, because soil can't be smoothed and therefore can't be engraved, and dwarves like moving around in smoothed areas and seeing high-quality engravings
your first priority when starting a fort is digging out a shelter for your dwarves. then make spaces for your first few workshops (stoneworking, carpenter, mechanic, and such) so you can get doors installed on your front entrance, and then immediately get your farms up and running. all dwarven crops can be grown indoors and plump helmets are a great choice of staple crop for literally any settlement since they can be eaten, cooked, OR brewed into dwarven wine. outdoor plants have to be grown on outdoor farm plots but they're still great for adding a little variety to your booze stocks and dwarves love that. take note of what kind of trees grow around your fortress, lots of them grow stuff that can be cooked (like walnuts or almonds) or pressed for oil (like olives) or brewed (almost any fruit tree) and you might not want to cut down those apple and pear trees right next to your fort's entrance when you can use them to make cider
NEVER BUILD ANYTHING OUT OF RAW STONE, WOOD, OR METAL. one raw stone can be used to build a single tile of wall or floor, a workshop, counts as one material for a bridge, etc AND is heavy as fuck, slowing down any dwarf carrying it to where it needs to go. FUCK THAT, have your masons cut that shit into BLOCKS. a raw stone will get you anywhere from 1-4 blocks, EACH of which can be used to make anything i mentioned earlier, AND won't weigh down your haulers or builders when they're carrying it. wood and metal can be cut into blocks too, if you need to make walls or floors or what have you out of those. HOWEVER, remember that blocks CAN'T be used in ANY crafting (that includes wooden blocks for burning in forges, making charcoal, etc), so once it's been cut into blocks, it's blocks FOREVER. you're gonna have a shitton of stone around almost any fort so making rock blocks is a good way to train new masons, but i'd only make wood or metal blocks if i needed those specifically
make some mugs early on, your dwarves like drinking out of them more than sticking their heads under the spigot. don't worry about individual bedrooms early on, you can absolutely get away with just sticking a bunch of beds in a big room at the beginning of your fort and digging out rooms later when you're more stable. don't build most workshops out in the open, dig out a room for each one and put in doors you can lock for each one. you'll thank me the first time one of your dwarves goes berserk after failing a strange mood and you can just lock them in there instead of letting them rampage around and beating your other dwarves to death
rock crafts will probably be your main trade good early on. most forts will have stone just laying around, absolutely fucking everywhere, so you might as well put it to use by carving little trinkets out of it and trading it for whatever the caravans bring
break into the caverns ASAP and then IMMEDIATELY seal that shit up. the easiest way to do this is digging an up/down stairway until the game lets you know you've found a cavern, then put a hatch cover on the stairs going immediately down into the cavern and lock it. you're not going to be able to handle hostile cavern creatures early on, but breaking into the caverns releases CAVE MOSS SPORES so ANY underground soil tile can start naturally growing moss or fungus. this is functionally identical to grass, so this means you'll be able to pasture your animals INSIDE, keeping them safe from any wild predators that might come along like wolverines or bears as well as keeping goblin raiding parties from using them for target practice
get a militia going sooner rather than later. a good array of traps and a locked door might keep the first couple bands of goblin invaders away, but larger armies of them are more likely to get through traps and keep you from sending your dwarves outdoors until they get bored and leave. were-beasts are not deterred by either, being capable of avoiding traps AND smashing down doors, and the bad guys only get tougher from there. check your migrants' skills, they always arrive as civilians so the guy with a title of "peasant" who isn't good at ANY labor might actually be pretty skilled with a mace. dwarves with only more esoteric skills like cheesemakers or gem setters are also good candidates for bolstering your military, once they get some training under their belt
IN GENERAL, for military purposes: wood/bone/leather <<<<<<<<<<<<<< silver <<<<<<<<<< copper < bronze < iron < steel < [REDACTED]. some exceptions: silver absolutely sucks for everything EXCEPT blunt weapons, where it suddenly becomes the best material in the game; pure copper is better than bronze for blunt weapons but bronze is better for edged weapons and far better for armor; bronze is only a hair below iron in terms of general military use. your greenest recruits who aren't fit for battle yet might actually benefit from wearing leather armor while they're training so it weighs them down less (at least until they get a few ranks of Armor User), but absolutely all of your actual fighters should be wearing metal helmets. [REDACTED] is the opposite of silver, it's the best metal in the game EXCEPT for blunt weapons which it absolutely sucks ass at. making steel is labor-intensive and time-consuming and requires specific materials and also kind of overkill since only dwarves can make it, but it's by far the best general-purpose military-grade metal you're going to possibly get reasonable quantities of
save metallic crossbow bolts for fights. wooden and bone bolts can't get through most armor but since wild animals aren't known for wearing armor, if you have hunters they will take prey down just fine without metal bolts. likewise, your marksmen should be training with wooden and bone bolts so they're not wasting metal ones on target dummies. yeah this means you'll need to constantly crank out wooden and bone bolts, pretty much
might add to these later if i think of anything else
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