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#Judge Dredd 1995
leona-florianova · 3 months
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Judge Dredd 1995 is not a good movie, but at least it gave us that behind the scenes moment where Rob Schneider falls down the stairs, right on his dumb face, and it makes a sound like if you dropped a big slice of ham on the ground...Like.. I usually dont laugh at people falling.. but this...this i can play on repeat.
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I also like that nobody seems really concerned that this happened.. Rob Schneider fell on his face? ugh we gotta cut.
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90smovies · 6 months
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On April 5, 2005, Judge Dredd was released on DVD in Canada.
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comfortfoodcontent · 3 months
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1995 Dredd Movie Magazine Ad
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scifipinups · 1 month
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Huxley/Hershey
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dalesramblingsblog · 2 months
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Brief Look at Judge Dredd Novels, Cinematic Interlude: Judge Dredd (1995)
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We should, perhaps, begin with the obvious.
The biggest problem here is Sylvester Stallone, in manners both gross and subtle. On the one hand, his performance is... well, it's pure Stallone. It's a mind-gratingly stoic and staid performance, with all the mumbling you've come to expect, and on the most obvious of levels it's simply not very good.
But the deeper problem here, and the one that really sinks the film, is one that fandom generally seems to come very close to correctly diagnosing, if only to ever so slightly miss the mark in the way that only science-fiction fandoms really can.
The problem, as John J. Fandom, MD would have you believe, is that the film chose to show Judge Dredd's face, one of the biggest no-nos of 2000 AD. And they are, at least, partially right, but only in the sense that the prominence of Stallone's face is a symptom of the overwhelming amount of distortion that the actor's mere presence inflicts upon the very cinematic grammar of the film.
Witness the first scene in which Dredd is revealed, and you can practically hear the creaks as the generally satirical and sceptical lens in which 2000 AD cast the Judges at its best moments is wrenched into a far more conventional "action movie" template.
This impression certainly isn't helped any by the eventual arrival of Rob Schneider, who was seemingly one of your go-to guys in the nineties for lame action movie buddy comedies.
(Granted, the only other film I've seen from the decade that fits the bill would be Tsui Hark's 1998 JCVD vehicle Knock Off, a rather terrible film that I only ever bothered to watch because Sparks did the theme song. At any rate, it simply wasn't worth it.)
It's not that the juxtaposition of Judge Dredd against this conventional setting couldn't create a perverse frisson, but it would definitely require a much more incisive and self-aware script than William Wisher, Jr. and Steven de Souza were apparently willing to provide. As is, you're left with... well, a conventional action movie, which is probably in the Top 2 Least Interesting Things You Could Ever Do With Judge Dredd.
The other, as it happens, would be to make it a conventional sci-fi film riffing on Star Wars and Joseph Campbell, and oops they did that one too, complete with a James Earl Jones voiceover that makes a point of having him say lines about "forces." The best encapsulation of the sheer strangeness of this experience is the scene in which Max von Sydow's Fargo reveals to Dredd his nature as a clone. After seemingly never shutting up throughout the whole film, Rob Schneider is practically forced to the periphery of the frame for an Atonement with the Father or whatever.
Rather than being as liberating as one would hope "getting less Rob Schneider" would be, it only reinforces the sense that the film is caught between two - three, if you count the tone and aesthetic of the original 2000 AD comics, but all impressions of the film's behind-the-scenes would seem to suggest that you'd be the only one - competing sensibilities, and ultimately ends up doing neither of them particularly well.
Sure, it looks good, with some wonderful set design and special effects, but the reduction of such an interesting world as Judge Dredd down to superficial and facile pleasures - and I include in this remark the utterly extraneous catfight between Diane Lane's Hershey and a rightfully bored Joan Chen, for the record - can't help but sting a little. The biggest saving grace the film has is that it isn't that long, but at that point we'd best stop scraping the bottom of the barrel before we end up with splinters.
And accordingly, we should end with the obvious: The fact that this made nearly nineteen times as much as the contemporary Tank Girl film is the kind of thing that it's hard not to view as anything but a moral abhorrence.
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sesiondemadrugada · 9 months
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Judge Dredd (Danny Cannon, 1995).
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i-heart-schlock · 1 year
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“I AM THE LAW”
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gurumog · 2 years
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Judge Dredd (1995) Cinergi Pictures Dir. Danny Cannon
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k-i-l-l-e-r-b-e-e-6-9 · 10 months
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Similarities between Judge Dredd (1995) & Resident Evil (1996)
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cryptocollectibles · 1 year
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Judge Dredd The Official Movie Adaptation #1 (July 1995) by DC Comics
Written by Andrew Helfer, drawn by Carlos Ezquerra, cover by Bill Sienkiewicz.
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jasonsutekh · 2 years
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Judge Dredd (1995) and Dredd (2012)
The criminal gangs of a dystopian city have infiltrated the justice system and one judge becomes responsible for restoring order.
 It was interesting to see some fairly complex lore conveyed so concisely and much of it was engaging enough to present a decent system of society. The subtext this civilisation creates is also entertaining enough since it allows for a fair amount of character motivation, although this is more present in the earlier film than the latter. A positive factor is that it doesn’t quite condone peacekeeping as a fundamental good but yet another aspect of chaotic dystopian living.
 There is still a propaganda aspect to it since the heroes are essentially a police force and are therefore predisposed to win because they’re the ‘good guys’. It also doesn’t help that despite the weeding out of corrupt officials and striking down of militia gangs there’s still little fundamental change to the post-apocalyptic city.
 The action sequences provided a basic kind of entertainment and were often enough to be effective, particularly in the more modern film, however the earlier installment added more variety to the combat through differing environments and robotic elements. The villains in both were amusing enough but similarly the predecessor had more charisma.
 There was a great deal of similarity between the 2012 version and The Raid (2011) in which a tower block is also stormed by a small number of police facing an entrenched gang. The shooting scenes made it somewhat repetitious and the reliance on fighting took away from the more human elements like the other residents and the psychic character who was the real focus.
 Judge Dredd: 5/10 -Can’t find a better example of average-
 Dredd: 4/10 -It’s below average, but only just!-
 -The original comics dictated that Dredd rarely remove his helmet, this is only followed in the later version.
-The leaders of the three non-featured rival gangs in the 2012 film are names of former chief judges in the comics.
-The “new American” flag can be seen twice in the 2012 film, in the classroom and mall, with only 6 stars representing the surviving states.
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90smovies · 6 months
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On March 8, 1996, Judge Dredd debuted in Finland.
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comfortfoodcontent · 1 month
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1995 Judge Dredd Video Game Magazine Ad
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adamwatchesmovies · 2 years
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Judge Dredd (1995)
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With a much better adaptation of the Judge Dredd comics released in 2012, the 1995 film has been condemned to limbo. At best, the performances are at maximum cheese and offer a couple of unintentional laughs. It’s not funny, bold, interesting, or memorable. The special effects are good, but it doesn’t matter. Nothing about this movie matters.
In the future, most of Earth has become an uninhabitable wasteland. Human live in a few Megacities, where crime is rampant. Fighting an ever-lasting war against the criminal scum are the Judges – an elite force who are the police, the judicial system and the executioners in one. When Judge Dredd (Sylvester Stallone) is framed for murder, he teams up with hacker Fergee (Rob Schneider) to clear his name, uncovering a sinister plot to reshape the world in the process.
The premise makes me feel like I’m sucking on a rusty nail. Another dystopian '90s film where the totalitarian government turns out to be corrupt, where a police officer discovers a power-hungry puppet master pulling all of these strings? It was cool when Robocop did it – and believe me, this film borrows A LOT from Robocop. Here? it’s dull, dull, dull. The characters don't help. Dredd can’t even commit to his “I am the law” attitude and is quite stupid by action hero standards – frequently getting rid of his weapons and forgetting to pick them up again when a new threat emerges. Rob Schneider is once again intolerable, though to be fair, he's only 4th on the “Worst things about this movie” list. Diane Lane plays a fellow Judge who will - of course - wind up going toe-to-toe with the evil scientist lady (played by Joan Chen) because obviously, run-of-the-mill biologists are trained martial artists. Max Von Sydow plays the largely pointless fatherly Judge on the Council of Judges. When he shows up, you think “Wow, why are you wasting your time with Judge Dredd? Wait. Why am I?!”
The plot is predictable, the action scenes ridiculous, the performances from Armand Assante (as Rico) and Stallone are so hammy they’re meme-worthy. The story is full of questionable developments, and it misses every attempt to be anything but the cinematic equivalent of gruel. On the positive side, the special effects are cool. There’s a cyborg and a big combat robot that look awesome. Unfortunately, they’re servicing a worthless story. Even the setting isn’t well fleshed out. You sit back thinking “Ok… if you say so!” over and over.
On paper, Judge Dredd should be “so bad it’s good” but it isn't. The picture looks and feels even worse now that we’ve gotten a legitimately faithful, exciting and well-made adaptation of the comics by John Wagner and Carlos Ezquerra. Even if we hadn’t, this movie sucks. It’s the very worst of that period of action films where there was a lot of violence, but to make it more digestible the hero is given a (larlgely useless) comedic sidekick and at the end of the day, it had nothing to say about anything. Judge Dredd wastes the talent of its special effects people and the audience’s time. (On DVD, July 14, 2017)
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