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mariacallous · 8 months

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No one expects him to resign, not only because he lacks the decency and integrity to do so after arguably the worst day in Israel’s history. It's also because of the criminal charges he faces.

Resigning is counterproductive to his personal interests and they, not the State of Israel, are what counts. His trial, not Israel's security, is his priority. He has lost all legitimacy and can't be trusted, certainly at a time of war when such monumental decisions need to be made.

That he's the first prime minister in the history of democracies to wage war on his own country, on its institutions and foundations, is clear. For years, but especially since he launched his antidemocratic constitutional coup in January, he has declared war on Israel’s elites, the judicial system, the checks and balances and by extension the military he views as an elitist cabal undermining his political agenda.

The popular pushback to his attempted regime change now looks like distant history, because Saturday October 7 wasn't only a tragedy on an epic scale, it was a debacle and an inflection point. Netanyahu and his cabinet callously betrayed the sacred trust, the core of Israelis' compact with their government: security.

For this there is no redemption, no contrition, no salvation. He must go and he must go now. No excuses, no political deals, no mitigating circumstances. For all intents and purposes, he's incapacitated and can't discharge the duties of his office.

His government is extremist, messianic, hollow, inept and inherently kakistocratic – government of the worst. It buckled in the first moment of crisis. He and his dysfunctional ministers betrayed Israel, and effectively his government is no longer functional, except maybe for the defense minister.

He isn't Winston Churchill, to whom he likens himself, and he isn't Abraham Lincoln. No one looks up to him at the ultimate moment of tragedy and crisis; only sycophants trust him.

His record is one of incompetence and gung ho delusion – and there is a clear and present danger that all his wartime decisions will be polluted by personal, legal and petty political considerations. He can't be trusted, nor is he credible to manage the war that is only just beginning.

His constitutional coup has categorically harmed national security and taken a high toll on the military's preparedness. He was warned about this by the military's chief of staff and by former prime ministers, defense ministers, chiefs of staff and hundreds of former generals.

In fact, in March he casually fired Defense Minister Yoav Gallant because Gallant was expected to deliver a statement arguing that Netanyahu’s constitutional coup was endangering Israel’s security. He has shown arrogant recklessness, dereliction of duty and responsibility, as well as gross negligence in managing Israel’s national security.

Now look at his foreign policy and geopolitical record. It's nothing short of abysmal. Let’s go through the areas one by one, starting with his bogus claim to fame. How ludicrous does his decade-old bragging look – that only he can save Israel, and indeed Western civilization, from the regime of the messianic mullahs?

Iran. The Islamic Republic has accumulated enough fissile material to produce five nuclear bombs, according to the Pentagon. It has reached unprecedented levels of uranium enrichment. Meanwhile, it has further deepened its hold in Syria, Lebanon and Gaza while tightening relations with Russia and China.

Hezbollah in Lebanon. Thanks to Iranian material support and political mentorship, the Shi'ite organization is as strong as ever. After what has happened with Hamas in Gaza, the arrogant statement that “Hezbollah is deterred” should never be taken seriously again.

The Palestinians. Here the record is just as ominous. Hamas has launched the most lethal attack on Israel ever. Whatever the outcome of the current war, during Netanyahu’s reign Hamas has become as strong as ever, armed as ever, audacious and murderous as ever.

Netanyahu, the man who just a few years ago vainly pledged to “obliterate Hamas,” has done nothing. Absolutely nothing. He has effectively strengthened Hamas, allowed tens of millions of dollars from the Gulf to be funneled to the terror group to implode the Palestinian Authority so he can proceed with annexation.

Under Netanyahu, the PA's weakness and ineptness has brought Israel closer than ever to the unviability of the two-state model. Israel is dangerously close to a binational state where reality is binary: Either Israel ceases to be a Jewish state or becomes an apartheid state. A majority of Israelis want neither.

In the international arena Netanyahu boasted during the 2019 and 2020 election campaigns that he's “in a different league.” Those huge posters showed him with Vladimir Putin and Donald Trump, but in this arena where he pretends to be a world leader, the record is strikingly unimpressive.

The United States. He has not been invited to the White House in the 10 months since his new term began. The Americans' criticism, including by President Joe Biden, of his constitutional coup is unprecedented.

Russia. His friendship and mutual admiration with Putin was so fruitful that Russia is now aligned with Iran, buying drones and other weapons. Even his morally depraved policy of not standing with Ukraine – to be fair, a policy he inherited from the previous government led by Naftali Bennett and Yair Lapid – hasn’t won him any points with Putin.

China. Two months ago, Netanyahu ostentatiously declared that he was invited by Xi Jinping to Beijing, while a “senior source” added that the idea was to signal to Biden that “Israel has options.” Not only is China expanding relations with Iran, it has also been condemned by Israel for its “balanced” stance on Hamas’ massacre of civilians.

Is Netanyahu's record so dismal? Of course not. He has forged a great friendship with Viktor Orbán, the towering intellect from Hungary. And he spent 25 minutes with French President Emmanuel Macron earlier this year. Plus he really likes Narendra Modi of India, and while Hamas was planning its attack he flew all the way to California to chat with Elon Musk about artificial intelligence. Stellar.

Netanyahu cannot and should not be trusted to manage Israel at this juncture. The mechanics for removing him are complicated and there is no clear path. But placing any trust in a man who got Israel here is far more irresponsible.

Netanyahu Must Go Now, Not After the Gaza War

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babacontainsmultitudes · 8 months

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Let's Talk About Lincoln And His Dads, Okay?

I think people claiming that Lincoln and Grant "aren't so different after all" because, like everyone else in the show, they both have blood on their hands, have mostly missed the mark on where the core of Lincoln's issues with his dad(s) lie in the first place.

Moreover, I'm tired of people insinuating that Lincoln's troubles pale in comparison to Normal's or Scary's or Hermie's, and I'm tired of people saying that Lincoln is overreacting, or that Lincoln is a hypocrite for calling out his dad's behavior, or that he is in the wrong for setting boundaries, or that he's ungrateful, or that he's responsible for ensuring his dad's emotional wellbeing and not the other way around!

*breathes* So let's. Let's finally talk about Lincoln and Grant (and Marco also him).

[WOAH THERE! Hey you, yeah you, this is a long-ass post, mhm, it's one of those, so please keep that in mind before venturing below the cut. Maybe grab yourself a drink or a bite to eat first, yeah? Additionally, sorry the transcript stuff is a bit messy in this one, tumblr has a 30 image limit and well, I had to find workarounds. Also, I haven't yet added alt text for the transcript screenshots- I plan to when I have a bit more energy for it, but I apologize for any inconvenience this may cause in the meantime!]

Part 1/4: "Honesty is hardly ever heard, and mostly what I need from you"

Lincoln is certainly a pacifist at heart (in more recent times important examples of this include Lincoln's refusal to harm Scary in the Swallows household, as well as Lincoln being the only one of the teens to successfully avoid using violence in front of d00d during their most recent standoff with Willy), and in good paladin fashion functions as the group's moral compass the majority of the time.

Despite this, Lincoln's morals are not so simplistic and idealistic as to not differentiate between different motives for violence, nor does he view acts of violence in and of themselves as signs that a person is "evil" or "irredeemable". He can for example, see the difference between the acts of Willy and those of the kiddads, as he tries to explain when confronted by the other teens on the matter:

In fact, even after Grant tells Linc all of this during the incursion:

Lincoln's primary goal is still to save his dad first and foremost, then offer him the room to explain himself, without immediately chalking him up as a bad person because of what he has done.

Lincoln certainly doesn't approve of Grant and his violence, though he can understand that things are seldom black and white. But the killing is far from the only issue here. In fact, it's not even the main issue.

Grant creates a foundation based on trust and accountability whose importance in the Li-Wilson household is hammered in from the very first episode.

And we see throughout the early episodes of the season just how strongly Lincoln believes that Grant would never lie to him.

Then of course the incursion point encounter happens. There are several elements of this encounter that we will gloss over for now and go back to later, but of immediate importance is the fact that this interaction serves as direct confirmation for Lincoln that his dad has in fact been lying to him his entire life.

Additionally, he learns that Grant possesses a deep hatred of himself, wants to die, perceives himself as "broken beyond repair", and fears that Lincoln will somehow wind up just like him. That's a lot for one kid to have dropped on them, let alone all at once and without warning!

So- Lincoln wants to confront his dad after this both because he wants his dad to explain himself and take accountability for his dishonesty and for his actions more generally, and because he is concerned for his dad's wellbeing.

Now let's look at how Grant has, over the course of the season, responded to Lincoln's attempts to get him to take responsibility for his actions, and talk about his mental health:

The first thing Grant does is pull a classic Wilson "we'll talk about it later". Then the very next thing he does is lie to Lincoln again, now pretending that his plan is to fix things with Erin by offering her a gift (when of course he's actually set out to steal the sun)

Then as a deflection when Lincoln further tries to confront him about the lying, he indirectly equates everything he has kept secret from Lincoln (see the incursion point stuff) to "little white lies" and, contrary to the philosophy he so heavily instilled in Lincoln, argues that sometimes lying can protect the people one cares about:

Which as a point of interest I would like to compare and contrast to something Lincoln says in an earlier episode:

"lies can protect" vs "protecting is also trusting"- anyways moving on,

From there Grant's plan to steal the sun eventually comes to light (heh) and gets foiled, forcing the teens to be the mature ones in the situation and try to negotiate something with Erin. While he is certainly disappointed by everything going on, however, Lincoln's priorities vis-à-vis Grant are still, first and foremost, to ensure that he is safe, and when time allows for it get an apology from him and get him to talk openly about everything he has withheld. At this point in time Lincoln, while obviously angry at his dad, still very clearly cares about his dad and just wants to be able to talk with him without all the lies or deflection or excuses.

Then the teens are backed into a corner when their attempts at negotiation go sour, and ultimately wind up helping Grant steal the sun. Once that is over, Lincoln tries to confront his dad again, now with regards to some of the things he said about himself:

(Do note that last bit especially as it will be of relevance in the next section)

Then after Grant ignores the other teens when they try to talk to him, Lincoln calls him out and once again asks him to apologize, in part for having told Lincoln previously that they were dangerous and that he was not to hang out with them:

(as you might have guessed, Grant does not apologize).

Then it is established that the "zone of truth" in the Li-Wilson household isn't actually a spell but an agreed upon promise between Marco, Grant, and Lincoln to tell only the truth when someone calls upon the zone of truth, further cementing the degree to which honesty is an important Li-Wilson family value. Whilst in the zone of truth, however, Grant beats around the bush with regards to his intentions, and the teens ultimately decide that they do not want him to come along with them to the church of the doodler, as he is untrustworthy, in addition to Lincoln saying that he needs some space for his own sake. Grant then pretends to respect this decision, though he is in fact once again lying through his teeth, and sneaks back on later.

Before exiting the bus for the first time, however, Lincoln tries to get his dad to open up a bit about his feelings. Grant's response?

Time after time after time, Grant refuses to confront himself and address anything from what occurred at the incursion, and in fact adds on to everything with a whole new slew of lies, and with each failed attempt at connection the rift between Lincoln and Grant increases. And Lincoln, true to his values and how he was raised, is not a hypocrite in wanting openness and accountability from his dad. Lincoln is not and has never acted like he is perfect and beyond making mistakes, but Lincoln takes responsibility for his actions, even when the degree to which he is actually complicit in the crime at hand is questionable. He writes a letter to the families of the firemen because he feels responsible for their deaths. He apologizes to Taylor for lying to him about the bracelets and helps not only Taylor but also Nicky escape the clutches of the FBI, even though the consequence of doing so could easily have been his own death. When he thinks he may have inadvertently lead Hero on, his immediate decision is to take accountability for it and clear things up. All of this in addition to consistently apologizing to his friends when he thinks he may have hurt them for one reason or another.

This is also an important thing to consider when we talk about the place of violence in the show. Yes all the characters, including Lincoln himself, have had to kill at some point or another for the sake of survival and protecting the ones they love. But Lincoln does not use the blood on his hands to justify violence in future decisions. Despite the fact that he has had to kill before, Lincoln, as mentioned in the beginning of this essay, continues to try incredibly hard to act as pacifist whenever he can, choosing to protect those around him with as little collateral damage as possible. Does he have a perfect track record? No! Does he still try his damned hardest to choose kindness and mercy? Absolutely! And this is an important distinction especially between Lincoln and Grant.

And then Grant kills Terry. Now Lincoln must shift his priorities towards protecting his friends from his dad, but in running after Scary still finds himself forced to confront him. So what does Grant have to say regarding his actions?

Both Lincoln and Scary are right to be furious with this response, Terry Jr. is dead and all Grant can offer in response is what is essentially another excuse. Grant's mental state does not absolve him of responsibility or accountability for his actions, which as Lincoln points out (and repeats later) consist not only of the singular choice of shooting Terry, but of every choice he has made before and after that. "I'm sorry your dad is broken" obviously doesn't bring Terry Jr. back, but perhaps more importantly demonstrates that Grant is still not willing to reflect on his actions any further than that and work on himself moving forward.

So Lincoln does what is perhaps the most difficult thing he has done in his life, and disowns his father. This is not a rash, impulsive decision. As established, Lincoln has given Grant many chances throughout the season to address his behavior and at least fucking *talk* with Lincoln about his mental state, but he refused. He refused, not because he means harm, but because Grant truly believes himself to be fundamentally broken and irreparable, and doesn’t see the effect that his own suffering is having on his son. This, in addition to continuously failing to take Lincoln seriously and treat him as more than a little kid, both in failing to listen to Lincoln's voices of concern as well as in disregarding any of his proposals to go about things differently (whether that means avoiding violence, trusting rather than lying, or both).

So when Lincoln says:

"It's not about what you just did now, Dad. It's all your choices. You chose me. There wasn't some passion, or, or just a kid. You chose me as your kid, knowing you were broken. You can't take that back. And… I love you, and I hate that you made me love you, when… you are who you are and you knew it."

This isn't Lincoln saying that Grant should not have had a kid because he is mentally unwell or has trauma, it is Lincoln saying that Grant continues to make choices without acknowledging his agency in those choices and the effect they have on those around him, instead choosing to pin his mistakes on his perceived brokenness without any resolution to do something about that.

And before you say, "but Grant didn't have a choice in becoming Lincoln's parent since he saved him from the Titanic":

This simply isn't true, as strictly speaking there was nothing stopping Grant and Marco from putting Lincoln up for adoption if one or both of them did not feel themselves to be ready or capable of taking care of a child and

Ignoring Lincoln's exact phrasing, "choosing to be a parent" is not just about the literal choice to have a child, it's about every choice you make before and after that. It's choosing not to express your concerns over parenthood with your spouse, which based on Grant's track record:

-Is definitely in-character for him. Conversely, in Marco's case, it may be choosing not to ask your partner about their feelings on the matter (because, really, asking Grant on the spot while literally on a sinking ship if he's okay with adopting the baby they just found is kinda rough). It's choosing not to go to therapy (not that we know whether Grant specifically did/does or not but all the same). It's choosing not to apologize when your child is upset with you because of something you did. It's choosing not to take them or their friends seriously. It's choosing to lie instead of trust. It's an endless amount of choices that Grant (and Marco) made every step of the way!

As a final note for this section, what's particularly unfortunate is that even with Lincoln's disownment, Grant still has failed to show any major signs of change. Note this telling exchange (from episode 40):

Grant: I-I understand that. I just thought. Just something that just occurred to me. Hey Dood.

Dood: Yeah?

Grant: Why did you kill those two guys?

Dood: Because I love you so much and I wanted to protect you.

Grant: Okay. That's all I wanted to know.

In which Grant is still making excuses rather than owning up to or apologizing for anything or striving to change his behavior in the future. What's great about Grant's "point" here too is that the two guards that d00d killed were absolutely unnecessary deaths, so this example does anything but work in Grant's favor.

Part 2/4: "My mother hates her body, we share the same outline"

But this is only part of the problem. As aforementioned, we learn early on and see repeated on multiple occasions that Grant thinks ill of himself to the point of believing that he deserves death, and does not want Lincoln to be anything like him.

This affects Lincoln in two major ways. Perhaps most obviously, it leaves Lincoln greatly concerned for his dad's wellbeing, which in turn acts as his main motivation for trying (and failing) to get Grant to explore and explain those feelings. Additionally, however, Grant's self-loathing also has a passive but deeply damaging effect on Lincoln's self-worth. The most important indication of this is when Lincoln says:

"Okay. Look, Scary, I just... You know what? I don't even care. I just needed a friend and I don't know… I don’t know what you're going through, but… no, my dad always said you can't love somebody unless you love yourself, right? Well, last time I asked him if he loved himself, he… He doesn't. So… I don't know, so maybe he doesn't love me either. And you seem to know what that's like, and, you're my friend! You're dealing with these things and I'm just here. I just, I don't know! I don't love myself either! I don't know! But I know that more people will die if we can't do this together, and you're the only person, like, in this group— I mean you guys are, I mean— [sighs] Look, you can go. I'm not going to stop you. You go if you want to go. I'm done."

Also classic Lincoln move to say he doesn't care then proceed to hug Scary through an Eldritch Blast. In this essay, on why people misuse the word "apathy" in applying it to Lincoln,

Though the issue comes up again in a less obvious but very interesting way when Lincoln says that:

Which I assume probably seems pretty out of left field. To explain a bit what I'm trying to get at here, consider the following scenario:

Your parent, who you care about immensely, possesses certain qualities (say, idk, intrusive thoughts or mood swings or delusional thoughts or *something*) that they possess great shame over, and truly, wholeheartedly believe makes them "evil" or unlovable or even outright deserving of death. Of course, you do not believe that your parent is any of these things, it hurts to see that they feel this way about them-self, so you try your best to support them, even if you know deep down that you are their child and this should not be your responsibility. Your parent does not see the effect that their mental state is having on yours, does not take your voices of concern seriously, and mostly leaves you feeling like you are talking to a wall.

This hurts already, but it gets worse. You are your parent's child, and you are human, and so you inevitably find yourself with some of the characteristics that your parent loathes so much in them-self. Maybe you have similar thought patterns. Maybe you've made similar mistakes. Your parent doesn't love them-self because of these qualities that you now see in yourself, so how can you be sure that they do not hate you for them too? Do they believe that you deserve to die for these things as well? Your parent obviously assures you to the contrary, after all, they love you more than anything. But your parent fails to offer any meaningful line of distinction between their flaws and yours (after all, there isn't one, not really), and continues to assert that, unlike you, they really do deserve to die. Your parent is a hypocrite, and their reassurance does little to convince you.

Hopefully that makes some sense. With regards to the "dreams about killing my dads" part, mostly what I'm trying to say is that these dreams, while certainly very different from Grant's conscious thoughts about violence, still tread the line of mimicking them to some degree, and Grant's "I deserve to die because of how my brain works, don't be anything like me because that's bad!" really doesn't leave Lincoln with a healthy way to process and interpret this fact about himself, even if these dreams don't actually say anything about who he is as a person.

Anyways all that to say, on multiple levels Grant's unwillingness to even try to love himself and treat himself better has been having effects on his son that he can't even begin to realize, in addition to everything discussed in the first bit.

"But baba," I hear you say, "what about Marco? Why has Lincoln seemingly disowned both of his dads?"

Part 3/4: Three is the loneliest number

Well, I think there's a couple things going on here. For one thing, I think in a sense Lincoln sees his dads as kind of a "package deal", which is to say that from his pov disowning Grant means Marco would have to pick a side, and though it pains him immensely (as we see evidence of on several occasions), Lincoln would ultimately rather give up Marco than have Grant be left alone without either of them, because he will always love and care about Grant, and because he's selfless that way.

Additionally, for a good long while, Lincoln doesn't actually appear to harbor any resentment towards Marco:

However, this later part of the season has brought with it a new wave of disillusionment, and in its wake Lincoln has finally come to question the last major issue characterizing his relationship with his parents: social isolation.

We have known from basically the first episode of the season that Lincoln has lived a very isolated, lonely life, and that the only reason he's even going to public high school now is because he finally convinced Grant to let him:

As a side note, I have seen discussion of the fact that since Lincoln was rescued from the Titanic, it's possible that he was homeschooled solely because he did not legally exist. The above statement from Matt seems to work against this theory, in addition to the fact that if Lincoln was missing legal papers to get into elementary school... That would also prevent him from going to high school. Also, I mean. If you actually were to find an abandoned baby there's a whole legal process you're supposed to go through, and since Lincoln surely wouldn't have any close blood relatives around, that would still leave the possibility for Grant and Marco to adopt him legally if they wanted to (and if they chose not to go through said process, that's kind of on them?). Which isn't to say that this theory is out of the question, but in any case being homeschooled is one thing, whereas the actual degree of social isolation Lincoln goes through growing up is way more than just that, as we will delve into.

Now, we know that Grant eventually puts an end to Lincoln and Normal seeing each other on the basis that Lark and Sparrow are dangerous, which... Itself is actually fair tbh, in particular given what we now know about Hero. Not fair to Lincoln or Normal, obviously, but understandable. Much less acceptable, is the fact that Lincoln actually grows up without any friends his age whatsoever:

We understand of course that the motives behind this extreme social isolation are not malicious or otherwise done with ill-intent, but that doesn't make this even remotely okay! Of course then Lincoln is very clingy and perhaps even territorial over his dads, to the point where one of his biggest fears is his parents having another child who would take some of their attention away from him- they've created an environment in which they are basically all he has!

As a direct result of this, Lincoln gets lonely very easily, and when he finally does make some friends of his own, he will do anything and everything for them, even if it means risking his own life (at least then he isn't alive and lonely!)

This is also why Lincoln is so especially distraught after the loss of Mr. Kicks, a digital avatar whom he considered his best (and only) friend.

Additionally, Lincoln's fear of returning to his lonesome childhood creates an unfortunate scenario in which he cannot be honest with his dads about the fact that he is being bullied at school

Even though that is definitely the case (and in fact we see it first-hand on many occasions), because to do so would run the risk of his dads taking him out of public school, and that, to him, is worse.

Lincoln beginning to view this aspect of his childhood (the isolation but also the over-protectiveness and overbearing attitude more generally) for what it is is why Matt's intros have recently shifted from "schooled at home" to "schooled in prison", in addition to pretty directly saying that high school was like heaven compared to his home life (in episode 40), and I don't think Lincoln is even remotely in the wrong for looking back at his isolation and thinking "hey, even if you had good intentions, that was kind of fucked up actually, and I need to distance myself from you for my own sake."

Not that Lincoln wanting freedom from his overbearing dads is a new thing! I mean apart from what one can logically infer from Lincoln convincing Grant to let him go to public school, Matt does drop a bunch of telling details here and there such as Lincoln's favorite sound being "the silence of being home alone and free". It's just that now is when these feelings are finally starting to come to the surface.

It is also something that Lincoln naturally would hold against both Grant and Marco, because they are both aware of and responsible for this aspect of his upbringing (whether Marco acted actively or as an enabler in the matter notwithstanding- though I would look no further than both Grant and Marco getting red cards the one time they tried letting Lincoln play soccer with other kids to observe how that family dynamic plays out), hence feeling the need to cut himself off from the both of them in order to set a long-overdue boundary. That said, to be honest with you, I really don't think he's actually all that upset with Marco, and would mostly just like to see him again.

If the events of the Titanic help to ease any aspect of Lincoln's frustration, it would be this one. Not in the sense that it magically makes what Lincoln went through growing up okay, but it does still recontextualize Grant and Marco's degree of overbearingness and (part of) why they are how they are, and I absolutely think that Lincoln would have sympathy for that.

So, where does that leave us?

Part 4/4: What remains (+ the case study of Scary)

"But baba," you say, "Grant and Marco are not just their mistakes! They've both done so many things right as parents, and they love Lincoln more than anything!"

I turn to you, tears in my eyes. "I know," I say, "I know, but that does not contradict or erase the fact that they have inadvertently hurt Lincoln in many, many ways, and he has a right to be upset with them, and express that, and set boundaries if he feels the need to."

You sigh. "So do you think Grant is a good dad or a bad one?" you ask.

I shake my head. "He's just... He's just a dad. A dad who's had a rough swing of things from the beginning. He never meant to hurt Lincoln, and I truly believe he's got a good heart, but I want to see him try harder. I need to see him try harder than he currently is to better himself, for Lincoln's sake as much as his own."

Is... More or less how I feel. I absolutely agree that as a parent Grant obviously gives a shit, and my intention here is absolutely not to say "hey actually, Grant is awful!"

As I mentioned at the very beginning of this essay, however, collectively I have found over the course of the season that Lincoln's trauma and struggles have gone severely understated and undermined, sometimes to the point of even turning him into the bad guy or depicting him as acting dramatic for a decision that I think was very brave of him, actually. So... It does feel necessary to me to point out that, as much as I care about Grant and recognize that he's suffered immensely too, he's still made a lot of mistakes over the course of the season, and still has a lot of room to grow as a person.

As things currently are, I would not blame Lincoln if he did not forgive Grant by the end of the season. Do I think that's what's gonna happen? No lol.

If you'll excuse a mini side-tangent, because for now I don't really want to make this a separate post, the mid-season evolution of Lincoln and Scary's relationship is actually a great case study for Lincoln's capacity for forgiveness, in addition to his inability to give up on people:

Tony Pepperoni's murder is, I would argue, an attack against Lincoln most personally (relative to the other teens). Aside from Lincoln having the strongest pacifistic tendencies of the group, it's in his home, it's in front of Marco, as established in the 3rd section Tony Pepperoni, by virtue of having been over for dinners at the Li-Wilson household before, is someone Lincoln knows more personally than the other teens and one of the only people in his life he could have possibly approximated to a friend. Most importantly though, Scary goes behind Lincoln's back in letting Willy out and disclosing the location of the party, and that is a significant breach of trust.

So Lincoln kicks Scary out of the house (and more or less out of the group by extension) because protecting the others from her is the most important thing at that point in time (sound familiar?). For the next bit, Lincoln's behavior towards Scary becomes a juggling act of keeping a close eye on her to make sure she doesn't cause more harm (and yes, it's also when they are meanest with each other), but also keeping a close eye on her to look after her (a notable example of this being that he doesn't leave her behind in the hall of mirrors, even when it would have been easier and perhaps even "beneficial" to do so in the context of the anchor quest).

And yet despite all the mutual hostility, Lincoln without question also fights the hardest to get Scary back. He breaks the pick as a sign of trust (and as Freddie put it: "that's love babeeey") and to show her she's welcome back in the group, follows through on this decision despite the fact that it creates a temporary rift between him and the others (Normal and Taylor) who oppose her return (perhaps a good time to also say as a reminder that Lincoln was the most against letting Willy out in the first place), breaks a door down to protect her from Willy even when everyone else in the house treats him as crazy for doing so, refuses to fight Scary when she goes on the offense, and hugs her through a god damn eldritch blast because he can't let her leave and hurt more people but still cares about her to the point that he would literally choose to die before hurting her or giving up on fighting for her. Like, if that's not love and forgiveness, I don't fucking know what is. This in addition to him encouraging the others to go easy on her and otherwise looking out for her past that point.

So do I think Lincoln Li-Wilson has it in him to forgive Grant in spite of it all? That is a resounding yes from me. Will the events of the Titanic facilitate this if only by painting Grant's situation in a more sympathetic light and showcasing some of his virtues? Totally, I mean, there's a reason Anthony decided to make the arc go this way. But will I be a bit disappointed if this forgiveness comes without any major growth on Grant's part? Also. Also yes yeah.

MM. I DON'T REALLY KNOW HOW TO END THIS ONE TBH. Heh. Well, thank you for one thing, for taking the time to read a post this long. If you're reading this not too long after I posted it I am most definitely pacing around rn going "oh god they hate it!" but uh. Well that's a me problem lol. Anyways, I hope this proves to be at least somewhat insightful? ...Yeah no apart from that I really am struggling to end this properly and honestly I'm real sleepy lol so I'll just say again (whether you agree with the points listed here or not) THANKS FOR HEARING ME OUT Y'ALL AND TAKE CARE.

#dndads #lincoln li wilson #grant wilson #Nervous about this one! Well I always am with these but people can be a bit touchy when it comes to Grant especially so there's that.#dungeons and daddies #but what can you do ig!#marco li #long post #baba babbles #<- tag I still don't use usually smh #second section especially I think is where I'm really like- man I *hope* I'm expressing myself alright and people get what I'm laying down #scary marlowe #suuuuure yeah enough Scary here that I can tag her in I think

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jstor · 7 months

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With America's Thanksgiving holiday on the horizon, it is crucial to delve deeper into the historical context and dispel the sanitized notions surrounding the colonization of the "New World" by Europeans. While the Europeans considered this land new, it was home to Indigenous peoples for generations, with rich cultures and traditions that often go unacknowledged.

Thanksgiving was established as a national holiday in 1863 by President Lincoln, during a time marred by the deeply divisive Civil War. The intention was to foster a sense of togetherness among the American people. However, the holiday's origins are rooted in notions of peaceful coexistence between European Pilgrims and the Native Americans already residing in the Plymouth region. This narrative, though popularized, is built on flimsy foundations, as it only represents a few decades of relatively minimal conflict between the Pilgrims and the Wampanoag.

Contrary to common belief, the Pilgrims' gratitude for surviving their initial winter was not directed towards the Wampanoag, whom they viewed as instruments of God's will, but rather towards God himself. It is important to acknowledge that while there may have been a period of relative peace, primary sources reveal an underlying sense of white superiority rather than a genuine atmosphere of open cultural exchange.

The initial cooperation and mutual assistance during the early 17th century gave way to a chapter in history characterized by brutal violence and the detrimental impacts of colonization. As European settlers expanded their presence, territorial disputes, cultural clashes, and the introduction of diseases took a devastating toll on Indigenous communities. The narrative of Plymouth Colony's early years must be examined in its entirety, recognizing the complexities and consequences that arose from the subsequent period of colonization.

By delving into these historical details, we can gain a more comprehensive understanding of the complexities surrounding Thanksgiving and its historical context. Learn more in this Open Access book chapter: "Pilgrims and Puritans and the Myth of the Promised Land."

🖼️ : Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), “Thanksgiving Day – The Dinner (from ‘Harper’s Weekly,’ Vol. II).” Wood engraving, November 27, 1858. The Metropolitan Museum of Art.

#jstor #research #open access #thanksgiving #indigenous history #american history

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chefkevinashton · 5 months

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Return to Washington DC

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rabbitcruiser · 3 months

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On February 27, 1860 Abraham Lincoln made a speech at Cooper Union in the city of New York that is largely responsible for his election to the Presidency. It is now referred to as the Cooper Union Address.

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maximumwobblerbanditdonut · 4 months

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Manhunt

Tobias Menzies -Emmy Award Winner in the ‧ Conspiracy Fiction Manhunt - 2024

The 2024 Winter Television Critics Association press tour, Apple TV+ revealed the trailer for “Manhunt,” the upcoming seven-part, true crime limited series starring Emmy Award-winning actor Tobias Menzies (“The Crown,” “Game of Thrones”), and created by Emmy nominee Monica Beletsky (“Fargo,” “The Leftovers,” “Friday Night Lights”), who also serves as showrunner and executive producer. “Manhunt” makes its global debut on Apple TV+ with the first two episodes on Friday, March 15, 2024, and new episodes will debut Fridays, culminating in the finale on April 19, 2024.

Based on the New York Times bestselling and Edgar Award-winning nonfiction book from author James L. Swanson, “Manhunt: The 12-Day Chase for Lincoln's Killer “ is a conspiracy thriller about one of the best-known but least understood crimes in history, the astonishing story of the hunt for John Wilkes Booth in the aftermath of Abraham Lincoln’s assassination.

Part historical fiction, part conspiracy thriller, Edwin Stanton delves into the aftermath of the first American presidential assassination-and the fight to preserve and protect the ideals that were the foundation of Lincoln's Reconstruction plans.

Starring alongside Menzies are Anthony Boyle (“Masters of the Air,” “Tetris”), Lovie Simone (“Greenleaf”), Will Harrison (“Daisy Jones & The Six”), Brandon Flynn (“13 Reasons Why”), Damian O’Hare (“Hatfields & McCoys”), Glenn Morshower (“The Resident”), Patton Oswalt (“A.P. Bio”), Matt Walsh (“Veep”) and Hamish Linklater (“The Big Short”).

Manhunt” is produced by Apple Studios and coproduced by Lionsgate Television, in association with POV Entertainment, Walden Media, 3 Arts Entertainment, Dovetale Productions and Monarch Pictures. Beletsky, Emmy nominee Carl Franklin, Layne Eskridge and Kate Barry executive produce. Swanson, author of “Manhunt: The 12-Day Chase for Lincoln's Killer,” also serves as executive producer alongside Michael Rotenberg, Richard Abate, Frank Smith and Naia Cucukov. Franklin (“Dahmer – Monster: The Jeffrey Dahmer Story,” “One False Move,” and “Devil in a Blue Dress”) also directed the first two episodes.

“Manhunt” will premiere globally on Apple TV+ on Friday, March 15.

Tobias Menzies great actor. I’m determined to watch the series 🍿

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labuenosairesfrancaise · 2 months

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Grimsthorpe Castle

Hi guys!!

I'm sharing another grand english state!

House History: The building was originally a small castle on the crest of a ridge on the road inland from the Lincolnshire fen edge towards the Great North Road. It is said to have been begun by Gilbert de Gant, Earl of Lincoln in the early 13th century. However, he was the first and last in this creation of the Earldom of Lincoln and he died in 1156. Gilbert's heyday was the peak time of castle building in England, during the Anarchy. It is quite possible that the castle was built around 1140. However, the tower at the south-east corner of the present building is usually said to have been part of the original castle and it is known as King John's Tower. The naming of King John's tower seems to have led to a misattribution of the castle's origin to his time.

Gilbert de Gant spent much of his life in the power of the Earl of Chester and Grimsthorpe is likely to have fallen into his hands in 1156 when Gilbert died, though the title 'Earl of Lincoln' reverted to the crown. In the next creation of the earldom, in 1217, it was Ranulph de Blondeville, 4th Earl of Chester (1172–1232) who was ennobled with it. It seems that the title, if not the property was in the hands of King John during his reign; hence perhaps, the name of the tower.

During the last years of the Plantagenet kings of England, it was in the hands of Lord Lovell. He was a prominent supporter of Richard III. After Henry VII came to the throne, Lovell supported a rebellion to restore the earlier royal dynasty. The rebellion failed and Lovell's property was taken confiscated and given to a supporter of the Tudor Dynasty.[2]

The Tudor period

This grant by Henry VIII, Henry Tudor's son, to the 11th Baron Willoughby de Eresby was made in 1516, together with the hand in marriage of Maria de Salinas, a Spanish lady-in-waiting to Queen Catherine of Aragon. Their daughter Katherine inherited the title and estate on the death of her father in 1526, when she was aged just seven. In 1533, she became the fourth wife of Charles Brandon, 1st Duke of Suffolk, a close ally of Henry VIII. In 1539, Henry VIII granted Charles Suffolk the lands of the nearby suppressed Vaudey Abbey, founded in 1147, and he used its stone as building material for his new house. Suffolk set about extending and rebuilding his wife's house, and in only eighteen months it was ready for a visit in 1541 by King Henry, on his way to York to meet his nephew, James V of Scotland. In 1551, James's widow Mary of Guise also stayed at Grimsthorpe. The house stands on glacial till and it seems that the additions were hastily constructed. Substantial repairs were required later owing to the poor state of the foundations, but much of this Tudor house can still be seen today.

During Mary's reign the castle's owners, Katherine Brandon, Duchess of Suffolk (née Willoughby) and her second husband, Richard Bertie, were forced to leave it owing to their Anglican views. On Elizabeth's succeeding to the throne, they returned with their daughter, Susan, later Countess of Kent and their new son Peregrine, later the 13th Baron. He became a soldier and spent much of his time away from Grimsthorpe.

The Vanbrugh building

By 1707, when Grimsthorpe was illustrated in Britannia Illustrata, the 15th Baron Willoughby de Eresby and 3rd Earl Lindsey had rebuilt the north front of Grimsthorpe in the classical style. However, in 1715, Robert Bertie, the 16th Baron Willoughby de Eresby, employed Sir John Vanbrugh to design a Baroque front to the house to celebrate his ennoblement as the first Duke of Ancaster and Kesteven. It is Vanbrugh's last masterpiece. He also prepared designs for the reconstruction of the other three ranges of the house, but they were not carried out. His proposed elevation for the south front was in the Palladian style, which was just coming into fashion, and is quite different from all of his built designs.

The North Front of Grimsthorpe as rebuilt by Vanbrugh, drawn in 1819. Vanbrugh's Stone Hall occupies the space between the columns on both floors.

Inside, the Vanbrugh hall is monumental with stone arcades all around at two levels. Arcaded screens at each end of the hall separate the hall from staircases, much like those at Audley End House and Castle Howard. The staircase is behind the hall screen and leads to the staterooms on the first floor. The State Dining Room occupies Vanbrugh's north-east tower, with its painted ceiling lit by a Venetian window. It contains the throne used by George IV at his Coronation Banquet, and a Regency giltwood throne and footstool used by Queen Victoria in the old House of Lords. There is also a walnut and parcel gilt chair and footstool made for the use of George III at Westminster. The King James and State Drawing Rooms have been redecorated over the centuries, and contain portraits by Reynolds and Van Dyck, European furniture, and yellow Soho Tapestries woven by Joshua Morris around 1730. The South Corridor contains thrones used by Prince Albert and Edward VII, as well as the desk on which Queen Victoria signed her coronation oath. A series of rooms follows in the Tudor east range, with recessed oriel windows and ornate ceilings. The Chinese drawing room has a splendidly rich ceiling and an 18th-century fan-vaulted oriel window. The walls are hung with Chinese wallpaper depicting birds amidst bamboo. The chapel is magnificent with superb 17th-century plasterwork.

More history: https://en.wikipedia.org/wiki/Grimsthorpe_Castle

This house fits a 64x64 lot and features several impressive rooms, more than 29 bedrooms, a servants hall and several state rooms!

I only decored some of the main rooms, for you to have a glimpse of the distribution. The rest is up to you, as I have stated that I do not like interiors :P

Be warned: I did not have the floor plan for the tudor rooms, thus, the distribution is based on my own decision and can not fit the real house :P.

You will need the usual CC I use: all of Felixandre, The Jim, SYB, Anachrosims, Regal Sims, TGS, The Golden Sanctuary, Dndr recolors, etc.

Please enjoy, comment if you like it and share pictures with me if you use my creations!

DOWNLOAD (Early acces: June 30) https://www.patreon.com/posts/grimsthorpe-101891128

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