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#Make your own fucking story then?????
mighty-poop · 9 months
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listen this might be something that seems obvious to me because I actually like the art of film and storytelling and art in general, but maybe… don’t make movies based off of old movies you very obviously hate. Why should I watch your remake if all you do is shittalk the source material you based it off of? How is that supposed to convince me your “new and improved” version is going to be better if you keep telling me the bar is literally rock bottom?
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lord-squiggletits · 4 months
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
#squiggposting#and like dont get me wrong barber wasnt trying to make cybertronians the bad guys or whatever#it's just a problem with his writing where like. he has A Message he wants to send#and so he uses the entire story literally just for The Message even if it involves bullshit plotlines#or familiar characters ppl were reading about for the past decade being shit on by OCs made up to fill a new roster#like barber's writing tends to lean way too much on a sort of lecturing tone#without giving proper care towards including moments where characters get to like. fucking express themselves and share their side#sort of like how barber couldnt be bothered to write pyra magna and optimus actually talking to each other during exrid#and instead during OP ongoing pyra is suddenly screaming about how OP is unteachable#even tho she never even tried to teach him bc she and OP never interacted bc i guess barber couldnt be bothered#he just needed someone to lecture OP so fuck making the story make sense or like letting OP get to say anything in defense#this is the infuriating part of barber's writing bc i think he has incredible IDEAS and was in charge of the lore i was most interested in#but most of the time his execution sucks and he's basically just mid with a few brilliant moments occasionally#or like he has a message about the cycle of violence he wants to convey#but his narrative choices trying to convey that theme made his story come off as super unsympathetic to the ppl who suffered#to the point where barber actively kneecapped some scenes that couldve been super fucking intense and emotional#in favor of the characters lecturing each other or some stupid plot to criticize OP#that time in unicron where windblade screamed about how this is their fault and then arcee replied that her planet is build on coloniation#shouldve happened more often than literally the last series of the ocntinuity. like goddamn stfu about your moral superiority#when your own sins are right fhere lol
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zellk · 1 month
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Forgot to share here.... old doodles of when I finally came around to finding a design I like for Qalaari's mom !!
#it's so fucking funny to me that i inadvertently gave her a variant of the “mom about to die” haircut because... well...#surprise... she did die when Qalaa was young (12) :'^)#Qalaa (now between 20 and 22) still hasn't gotten over it#her mom had really weak health and really shouldn't have had a child but she made her choice#it turned out to be not the best one for her health LMAO#who wouldve thunk#but hey she wanted it and i'm pretty sure she doesn't regret it#but well... Qalaa does feel like she was a participant in her mom's death#(the other participant being her biological father who ran away before she was born and shattered aamira's heart)#ANYWAYS#i love qalaa's messed up familly#it's like a regular messed up story where actually no one (and everyone) is to blame (except Qalaa lmao she asked for NOTHING)#Aaamira gave so so much love to her child ;;;;;; this built the unbreakable core of Qalaa's kindness#aamira#aamira croquelune#aamira molandine#croquelune#still thinking about making that potentiel small DnD 'lore addon' of Qalaa's village that you can take and plug in your very own campaign#as long as you have 'far from civilization' woods or mountains you can put them in there#a village that welcomes the 'monsters' and the cast out#(like aamira)#look at me rambling in the tags lmao i just love qalaari (& her background) so much#last thing tho : you have to understand that Aamira is small and very slight and Qalaari was a HUGE baby and is a really big girl overall
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beechaotic · 7 months
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So, I was thinking. Yknow Earth, right? You live on it (presumably) and you know what it’s like. At least, you think you do. But you only know the basics of the planet. Some people don’t even know that! Imagine in space that aliens all know just about everything about their planets, and we show up and are like “It’s blue and has a lot of water”.
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obihoe · 2 months
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naruto in that waterfall scene truly was like. the villagers have shunned me all my life and now they love me but its all fake cuz they just love me for what i have done to protect the village i HATE those fuckers, they can shove their autograph requests up their dumb asses and then he is like. well i got the solution. to solve all this hatred. to dissolve it and cure it. i'll just keep trying to become who they want me to be, if i manage to be the person THEY want me to be, they will love me and i'll keep their approval. this is the solution to all my problems ^_^ and then he like, hugs his dark self and it dissolves and the whole thing is done its like sfdfdgdgfs. okay, way to repress ur own feelings and do the exact same thing that youve already Been doing all ur life so far LOL. literally victim-blaming ur own self for what others have put u thru but alright. 👍
#naruto#posts#takes that are news to literally nobody here but yeah ..#its like 'i just have to be strong and be positive ^_^ just like that killer bee guy'#which like yeah cool that killer bee kept his cool all this time and just remained chipper but still.#its not his and neither naruto's fault that he was hated and ostracized all this time. lol#it shouldnt be Their responsibility to just be cool with it. and/or make it better#ANYWAY. this is all obvious but yeah#i also do have to say i kind of like the way killer bee's story of how he grew up was presented. nevertheless#cuz he's just like yo yo yo check out these cool rhymes 😎😎 while everyone throws like tomatoes at him or smth. asfsfdgds#like he just cannot be bothered#even when motoi his friend opens up to him abt hsving tried to murder him (which is like huh?? okay. youre scared#of the eight tails so youre just gonna ATTACK his jinchuuriki? w a silly little kunai as well like okay???)#anyway but his friend tells him he secretly hated him and wanted him gone and he's like whatever man 😎 give me ur fist#we are best bros forever like sfsdsfsfs#its kinda cool i think. like u COULD maybe frame this as 'ppl are going to treat u however they choose but if u just stick to urself#and know who u are. u have worth independent of them. believe in ur own strength cuz youre FUCKING cool and youre YOU#nobody can take that away from u. even if they throw eggs at u' or smth then that would be great!!#but no its framed more as 'well u just have to keep being nice and take it and believe that u can become better#so that they will love u' ... which is :[ like naruto bbygirl fuck those villagers .. u are worthy no matter what they say#ANYWAY. lol#killer bee
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quietwingsinthesky · 4 months
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no one ever fucking talk to me about the leviathan dlc and its implications. even thinking about it made me mad again. how do you create a story about artificial intelligence that is a direct consequence of its creator’s hubris (thinking that they, unlike more “primitive” species, could create robots to fix their problems that WOULDN’T rebel and kill them. only for the robots to rebel and kill them.) and also a reflection of their beliefs uninterrogated: that there is no possibility for peace between artificial and organic life, that it must all be extinguished for the sake of “peace”. how do you have a story where one of the main (paywalled. dlc.) squad members is the remnants of an empire that conquered and controlled other species in the same way the leviathans did, and met the exact same fate because their imperial power was an illusion created by the reapers to make them weaker, to make them easier to exterminate. how do you make a story about these cycles, about how the council IS repeating these cycles, they just do it in a “kinder” way, a way with a veneer of democracy while still holding the same kind of power the protheans did over their empire, taking the same corrupted seat and continuing to rule their even after they find out, in mass effect 1, that it was a time bomb of extinction. how do you write all of that. how do you write the geth/quarian conflict and give us an ending that proves that peace and reconciliation is not only possible, but the best option. and then. star child. and you can’t even fucking argue with him that his ideology is bullshit.
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bonefall · 5 months
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post/734733274896809984/do-you-ever-worry-your-own-writing-might-come-off that makes sense. i was asking because i'm afraid of accidentally writing misogyny myself and i kind of admire what you do
Hmm... I wish I had better advice to give you on this front, but honestly, the only thing I can tell you is to consider the perspective of your female characters.
Women are people. They have thoughts and feelings of their own, so like... just let them have their own arcs. A lot of the worst misogyny in WC comes from the way that the writers just don't care about their girls (or, in the case of tall shadow, actually get undermined and forced to rewrite entire chapters), so they're not curious about their lives, or WHY they feel the way they do or what they want, or any direction for their character arcs.
Turtle Tail as an example. She'll often just end up feeling whatever Gray Wing's plot demands. She's gotta leave when Storm dumps him to make him feel lonely. She shows up again to love him in the next book. Lets her best friend Bumble get dragged back to Tom the Wifebeater, but is sad enough about her death to be "unreasonably angry" with Clear Sky, and then calms down and accept Gray Wing is right all along.
And then she dies, so he can have his very own fridge wife.
In this way, Turtle Tail's just being used to tell Gray Wing's story. They're not interested in why she would turn on Bumble, or god forbid any lingering negative feelings for how she didn't help her, or even resentment towards Clear Sky for killing her or Gray Wing for jumping to his defense. She isn't really going through her own character arc.
She does have personality traits of her own, don't misunderstand my criticism, but as a character she revolves around Gray Wing.
So, zoom out every now and then, and just ask yourself; "Whose story is being told by what I wrote? Do my female characters have goals, wants, and agency, or are they just supporting men? How do their choices impact the narrative?"
But that's already kinda assuming that you already have characters like Turtle Tail who DO have personalities and potential of their own. Here's some super simple and practical advice that helped me;
Tally the genders in your cast. How many are boys, how many are girls, how many are others?
And take stock of how many of those characters are just in the supporting cast, and compare that to the amount you have in the main cast.
If you have a significant imbalance, ESPECIALLY in the main cast, fire the Woman Beam.
It's a really simple trick to just write a male character, and then change its gender while keeping it the same. I promise women are really not fundamentally different from men lmao. You can consider how your in-universe gender roles affect them later, if you'd like, but when you're just starting to wean yourself off a "boy bias" this trick works like a charm.
Also you're not allowed to change the body type of any girl you Woman Beam because I said so. PLEASE allow your girls to have muscles, or be fat, or be old, or have lots of scars. Do NOT do what a cowardly Triple A studio does, where the women all have the same cute or sexy face and curvy body while they're standing next to dwarves, robots, and a gorilla.
Or this shit,
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If you do this I will GET you. If you're ever possessed by the dark urge, you will see my face appear in the clouds like Mufasa himself to guide you away from the path of evil.
Anyway, you get better at just making characters girls to begin with as time goes on and you practice it. It's really not as big of a deal as your brain might think it is.
Take a legitimate interest in female characters and try not to disproportionately hit them with parental/romance plots as opposed to the male cast, and you'll be fine. Don't think of them as "SPECIAL WOMEN CHARACTERS" just make a character and then let her be a girl, occasionally checking your tally and doing some critical thinking about their use in the story.
(Also remember I'm not a professional or anything, I'm just trying to give advice)
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foundfamilynonsense · 2 years
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Can I just say this really quick? I read the Percy Jackson series as a 12 year old blonde girl.
(A 12 year old blonde girl with dyslexia and ADHD, no less.)
Blonde Annabeth means nothing to me. I have never felt disrespected by some sort of dumb blonde stereotype… i have been blonde (with dyslexia and ADHD) my entire life and never called a dumb blonde. In fact, I think the struggles I’ve had with My learning disabilities have been softened because I was a little blonde girl and people were patient with me. The stereotype just doesn’t exist anymore if it ever did. I do not need Annabeth to be blonde, I do not want Annabeth to be blonde. No one needs Annabeth to be blonde.
Now Black Annabeth. Now that’s the good shit. That enriches her arc. That makes so much sense. What a good idea. I honestly can’t think of a single black character with learning disabilities. If they do it right? I can’t fucking wait.
So anyone saying that Annabeth was important to little blonde girls hurt by the dumb blonde stereotype? Do not believe them. I was the little girl they are trying to use as a scapegoat and I could have cared less, even back then. When I was 11 I did not need a blonde role model. You know what I needed? A black protagonist I could relate to. I needed to be exposed to the racism little black girls face. I was ignorant as fuck back then, probably still am. Black Annabeth would have helped me. And it will help black girls who are still looking for positive, smart representation.
So anyway anyone who’s against Black Annabeth can stay away from me please thank you goodnight.
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lale-txt · 1 year
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i love you OCs who are ridiculously overpowered. i love you OCs who romance every canon character possible. i love you OCs who are related to the main character. i love you OCs who don't have a tragic backstory. i love you OCs who were created for the sole purpose of railing a very specific character. i love you OCs who break the narrative. i love you OCs who have ever been called Mary Sue. i love you OCs who are like you but not you but still you. i love you OCs who make their skill and beauty look effortless. i love you OCs
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uncanny-tranny · 11 months
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It's actually kind of heartbreaking how many people feel their life has ended right after high school or college, and honestly, the heavy romanticization of that period of time is so overwhelmingly predominant that it can be hard to avoid. It's insidious to constantly be told that ages 10-24 are the only worthwhile parts of life, that everything after is essentially meaningless and dull.
It's hard not to look around you and think that your life still is open and full of potential when you're told over and over again that the rose-tinted childhood is the last time you were alive. It's hard to realize that your life isn't over when you walk off the stage of your graduation.
We must realize that we will always be full of potentials. Your life won't be over until you take your final breath, and then? That's simply another chapter in your story, one of many. Let yourself realize that you're alive in the here and now. There will be good and bad, but never a complete loss of potential or hope.
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idyllic-affections · 5 months
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i can't STANDDDD the abyss sibling. in my case, it's lumine. anyway i can't stand her. imagine your sibling chasing after you, pushing themselves to their limits JUST to find you--to find answers about you because they love and miss you more than anyone else--and when you finally decide you will see them again, what the fuck do you say? NOTHING OF VALUE?????? and you just go on your way, acting like you don't give a fuck????? when that's literally your only family, you walk away without reassuring that you do care for them and it's just that you have your hands tied or... fucking SOME explanation for why you won't talk??????? the abyss twin does not care about the other at all i swear. like imagine making your allegedly "beloved" sibling stretch themselves so impossibly thin just to find you instead of using your words and, idk, talking to them???? i would just stop looking for them at that point fuck that. anyway this is just a pet peeve about the genshin storyline. it's so annoying.
(i am not an only child btw. i do have an older sister.)
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elliart7 · 1 year
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*rabidly converts all of my favorite things into 19th century fairy tale novels*
(click to see book texture 😁)
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public-trans-it · 26 days
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I'm already know for being very opinionated and having some Hot Takes, but I still usually keep it in line and fairly reasonable. Typical "Unpopular (but still somewhat safe to voice) Opinion" territory, where I might get some blocks and some scowls, but like, nothing major.
However I'm... gonna be posting an uncharacteristically rancid take this time.
I cannot fucking STAND vibes based design. Its become a trend lately to explain game systems by vibes, and it feels EXACTLY like the tropification of romance novels. A thing so many other people have complained about far more than I have, where so many works of fiction are now just being advertise as "Its a queer little slow burn, found family story that features enemies to lovers" OKAY, BUT WHATS THE FUCKING BOOK ABOUT?
And I feel like over the past 15-20 years, the TTRPG industry has been having the exact same issue. I can go through dozens of listings on itch.io for indie games and not see a single fucking game mechanic mentioned, and its frustrating. "This game is about gathering your friends to turn your local farm into a sustainable commune!" WHAT KIND OF FUCKING DICE DOES THE GAME USE? DOES THE GAME EVEN HAVE A GM?
And like, this isn't just about the feel good warm and fuzzy games. OSR is JUST as fucking guilty in this. "This game is a black metal death crawl through your worst nightmares." IS IT A RETROCLONE? IS IT A RULES LITE D6 SYSTEM? HOW THE FUCK DO I RESOLVE AN ACTION? DO ENEMIES USE STATBLOCKS?
If a video game showed absolutely no gameplay in any of its advertisements, only showing concept trailers and cutscenes and talking about its plot, you would probably shy away and think the game isn't worth playing if it can't even stand on the merits of its own gameplay. So why the fuck are we accepting that as the norm in TTRPGs?
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kasumingo · 4 months
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anyway i feel like artists should start killing harassers for real
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essektheylyss · 3 months
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I am obsessed with how narratively convenient Lark's divinatory abilities are. She's the only one of the protagonists who is both pragmatic and has a working sense of self-preservation, so having some internal impulse that is actually the guiding hand of the cosmos pushing her into doing the REALLY stupid shit is both necessary and really useful.
Like, I am the type of writer who kind of scoffs at the idea that characters are beyond the writer's control and will completely screw over your outline, because on one hand, a sensible outline will follow the characters' personalities and tendencies anyway. Obviously in an ensemble cast you will need to do some wrangling, but in theory your characters are responding to varying degrees of stimuli in order to maneuver them into the places you need them to be for things to all come together in the end.
But more importantly, "curse from god" is the funniest and easiest way to push any character to do things beyond the realm of reason when necessary, and frankly, what the fuck is the point of playing god if you don't embrace that?
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oldirontender · 10 months
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can i get a hip hip hooray for old man yaoi?!?!?!?!! (for @bruhstation )
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