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clockchimemotors · 11 months

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Electronic Clock Parts

On Time and Chime Clock Movements

Time and chime clock movements are fascinating, relatively contemporary electronic gadgets that incorporate the prosaic function of telling time with the older tradition of ringing out the hrs with bells. Time and chime clock movements (or motors), keeping track of expiring time, placement the hr and min hands to their appropriate positions on a continuing basis, as well as they likewise use this information to cause chiming sequences regularly (i.e., per hour and/or quarter-hourly). These devices might likewise implement particular other functions or uniqueness, depending upon their developed feature collection.

Chime clock movements make use of time, you may say, to do all the procedures they have been configured to fulfill. Nowadays, the motor is not mechanical but digital, implying that it is a lot less encumbered with numerous physical components, such as gears, pendulums, weights, springtimes, as well as escapements. This subsequently indicates that they have the ability to work out beyond the capabilities of traditional, mechanical watches.

Power is required, from one source or another, for the electric motor to function; in the mechanical case, hanging weights or curled springtimes use torque to flywheels to produce rotational pressure, whereas in the electronic case, voltage put on quartz crystals produces streams of pulses at a really high and also precise frequency. The bulk of stuff associated with mechanical movements renders them somewhat restricted and also requires them to be reset or rewound on a regular basis. Upkeep comes to be cumbersome.

The digital clock movement essentially does everything in software. The end outcome coincides, namely, turning concentric shafts (whereupon are mounted the 2 or 3 hands) right into position respective to the dial and its numbers. However instead of establishing the appropriate rotational angles with a network of equipments, the pulses from the crystal are counted electronically and also subdivided constantly to calculate claimed angles.

This streamlining of operations makes it relatively simple and also straightforward to display more complicated timekeeping. Rather than a 12-hour cycle (midnight and also noon look the very same), some movements go a full 24 hours or even longer (a week or a month) prior to resetting hand settings. Executing such time extensions entails specifically calibrated dials as well as may require an added hand, but the effect has a tendency to astound viewers.

As for the chime abilities of particular clock movements, modern executions tend to replicate similar functionality discovered in numerous types of clocks (cuckoo clocks, grandpa clocks, and also some mantle clocks) going back centuries. The idea is to mimic Big Ben, state, calling the top of the hour each hr. Another aspect is to play a tune with the bells or carillon.

Though the expensive watches that chimed might have had actual chimes installed in a cupboard, that is unlikely to be the case today. Modern movements usually synthesize bell-like audios or play experienced waveforms in ariose series. The result is fairly practical as well as convincing.

Most individuals are familiar with the Westminster and Winchester tunes, and also 2 others, Whittington and St. Mary's, are also preferred. You can find chime movements nowadays that provide any type of or every one of these choices. Furthermore, in some cases you can tape your very own song to seem the hr as well as replace it wherefore is supplied by the maker.

A word of warning: chimes appearing every fifteen minutes can obtain frustrating rather promptly, no matter how enchanting. This is particularly true if the clock remains in or near a bed room. We advise making sure your movement has a button for silencing the chime or at the very least disabling it during the night. clock movements

There's no doubt that the clockmaker contends their disposal a wide collection of tools for creating wonderful wrist watches. A good way to stun your pals or family members is by producing clocks based upon time and also chime clock movements.

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phamvittrup45 · 1 year

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Letterboxing Opportunities Abound in Richmond

Locals and visitors alike know that Richmond can be a popular destination for American history enthusiasts. Racing fans flock towards the area twice yearly experience big events with the Richmond International Speedway, and other summer concerts and festivals keep everybody entertained. For hobbyists enthusiastic about letterboxing, Richmond is rich with several the opportunity to add timeless souvenirs to your collection, and memories to treasure. A Brief Letterboxing Primer For the advantage of readers a novice to this centuries-old practice of "treasure hunting," letterboxing is analogous towards the "geocaching" trend more popular among GPS users. Letterboxing have their origins inside the mid 19th century in England, where secret boxes storing letters as well as other communications were happened upon or hunted. Visitors would depart something in exchange. In recent years, enthusiasts will hide letterboxes (often a plastic, sealed container) containing plastic stamps and a guestbook in several places outdoors, and hunters will use the stamp for own notebooks, while stamping the letterbox book to allow the owner comprehend it has been discovered. An Internet look for popular letterbox sites Letterboxing and Atlasquest will yield countless such boxes hidden around the globe. Letterboxing in Richmond One can discover several letterboxes within the metropolitan Richmond area, in urban and rural locales. Traditionally, a hunter will check Internet sites for clues on where to find the boxes - some may give precise directions, while some may present a puzzle to decode to be able get to the goal. For an notion of what you should expect in Richmond letterboxes, here are some select ones readily available for search: An Irish Lass in Hollywood - hidden inside Hollywood Cemetery The Siren's Song - hidden on the campus with the University of Richmond Deep Run School - hidden near Short Pump Park The Carillon - hidden near a war monument Slippery Rock - hidden in Deep Run Park Rules of Letterboxing Some things to remember when going on a letterboxing expedition: Make sure you've directions at hand. You won't need a compass unless searching for a challenging box, yet it's good to print the directions from the letterboxing websites which means you do not get lost. Be discreet if you locate a letterbox. Some letterboxes hidden in parks and landmarks could be removed by staff or stolen, so if you locate a box be careful by it and be sure it really is hidden where you thought it was, so others can discover it later. Plan your route. There could be a number of different letterboxes hidden in just a few miles of each other. Do your research and you'll make a whole day of the search. Have stainless steel wall mounted letterbox ! Letterboxing with your kids can be a great strategy to encourage their orienteering skills.

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luckyfeetriverside · 1 year

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Things to do in Riverside

Whether you're trying to find an enjoyable day out with the children or an instructional experience, there are several things to do in Riverside. The city provides site visitors a selection of attractions from galleries to parks. If you're preparing a check out to Southern California, be sure to produce a checklist of the important things you wish to see.

Found in Southern California, Riverside is a major city with a special character. It is a city with several unique and historic buildings that supply a sense of place. It additionally has numerous museums and cultural destinations to entertain visitors.

The city lies on the Santa Ana River. It is known as a center for art as well as technology. It is the county seat of Riverside County. It is located east of Los Angeles.

Castle Park

Situated in between San Bernardino as well as Los Angeles, Castle Park is a family pleasant theme park that uses site visitors a variety of tourist attractions. It is taken into consideration the very best family destination in the Inland Empire by the consumers of Lucky Feet Shoes in Riverside, a store that has Pedorthists on staff so you can have professional aid on your see.

There are likewise a number of dining options to pick from. You can dine at the Castle Park food outdoor tents, which uses pizza, baked corn, chicken wings, and also channel cakes. The food outdoor tents additionally features a "big top" dining establishment. Castle Park likewise supplies a small waterpark destination. The waterpark features a number of slides, consisting of an unloading container, five water slides, and a wet water tunnel.

Castle Park likewise supplies an arcade with a full assortment of computer game. The park also offers trips consisting of roller coasters, a roller coaster paradise, as well as a simulated haunted house. The park likewise uses a miniature golf training course that is among the most effective in the location. The park supplies discount rates for groups.

Castle Park additionally has a "Dragon's Tower," which is a large drop-ride that appears like it was influenced by the Tower of Terror in Harry Potter. The park additionally has a "Ghost Blasters" ride, which makes use of laser blasters to frighten guests. This flight is not specifically geared in the direction of the Halloween season, but it does produce a fun as well as educational experience.

Mount Rubidoux

Situated in Riverside, California, Mount Rubidoux is a 161-acre boulder-covered hillside with several routes. The trail system is a paved, two-mile loophole, which gets to the peak elevation of 1,331 feet. It is an excellent family-friendly walking, supplying scenic views of the surrounding hills. The path has numerous spots for kids to play, along with historical attractions.

Throughout the 19th century, the hill ended up being a hotspot for get-togethers. There was a carillon at the Mission Inn, which played "A Perfect Day" each night. Miss Elsie Younggren sang a solo throughout Easter solutions. The Observance of the Fourth of July was held at the summit, as well as a flag was elevated on July 4, 1907. There was likewise a party at the base of the mountain, where Dr. Theodore Hunt stated an invocation.

The mountain has several historic spots, consisting of a cross at the summit. It additionally has a paved roadway to the top. There is no outdoor camping permitted on the hill. It is closed on the Fourth of July, yet a fireworks present is held at the mountain.

The path at Mount Rubidoux Park is a great method to see the surroundings of the neighboring hills as well as valleys. It is also a prominent exercise trail. The paved route offers a 2.7 mile loop. It begins at Glenwood Drive and also San Andreas Avenue and is a steady climb to the height. The route is also known for its gorgeous bridge.

Riverside Art Museum

Found in the YWCA structure in midtown Riverside, the Riverside Art Museum provides site visitors an amazing experience in art. It is a non-profit establishment that is committed to educating and also incorporating art into the lives of all individuals. In addition to exhibits, the museum also uses art classes.

The building was created by Julia Morgan, that was a women architect and the very first woman in California to be licensed to exercise design. She designed more than 700 structures in California, including Hearst Castle on the Central Coast. The building remains in the Mediterranean revival style. The gallery features a 35-foot skylight in the Coil Atrium Gallery. The gallery likewise includes a substantial collection of digital photography, including works by Lois McMaster Bukowski, Carlos Almaraz, and also Frank Romero.

The museum is currently residence to 3 exhibitions. One of them, labelled "Collidoscope: de la Torre Brothers Retro-Perspective," will certainly check out the 30-year creative practice of Jamex and also Einar de la Torre. It remains in collaboration with the National Museum of the American Latino. The exhibit will be received venues across the nation, including the Crocker Art Museum, the Art Museum of South Texas, and the Corning Museum of Glass.

The Riverside Arts Walk is a free regular monthly neighborhood occasion that consists of shows, enjoyment, galleries, shops, and also restaurants. There is likewise a dancing studio and a 72-seat cutting edge movie screening area. This facility is among minority locations in the area that screens foreign movies. The museum's collection includes greater than 1,500 jobs of modern art.

Mission Inn Museum

Situated in downtown Riverside, the Mission Inn Museum traces the history of the Mission Inn. The Mission Inn has been a central part of Riverside given that 1874. It has actually acted as a resort as well as a place for significant social gatherings and also political functions. It is now a National Historic Landmark. Its buildings show the California Mission Revival style. The gallery includes a huge present store, an archival collection and a collection of more than 8,000 artifacts.

Site visitors can take a 75-minute walking tour of the hotel. They will certainly learn more about the background and also style of the building from an expert guide. The tour likewise consists of commentary on the art and style. The scenic tour additionally consists of a section of the resort that is not usually accessible to the public. Site visitors can also go shopping in the gift purchase distinct souvenirs. The gift shop lugs publications regarding the history of the Mission Inn as well as other neighborhood items.

The Mission Inn Museum is open Mon-Sun. Admission is totally free. The gallery lies at 3696 Main Street. The gallery has a terrific referral collection that includes neighborhood history as well as objective style. The museum is also residence to a present shop that offers hand-crafted presents as well as souvenirs.

The gallery is residence to a selection of exhibits, including a model of the Mission Inn. Visitors can likewise take part in the Hands On History Outreach Program. This award-winning educational program consists of photography, narrative history meetings, as well as innovation. It also offers chances for intermediate school pupils to learn about local heritage.

California Citrus State Historic Park

Situated in Riverside, California, the California Citrus State Historic Park is an open-air gallery committed to protecting the citrus culture as well as landscape of southerly California. It includes a site visitor center, an expository structure, and also a reproduction of a very early citrus stand. The park uses led tours, a present store, and also flicks. Visitors can also take a guided citrus tasting tour, which explains the history as well as advancement of the citrus market in California. The park is open to the public, as well as is open seven days a week.

The California Citrus State Historic Park consists of the Citrus Grove Welcome Center, which provides info about citrus and provides site visitors the opportunity to taste different selections of oranges. The visitor facility also includes an information terminal. The park has trails that lead to citrus groves, which are a terrific means to see the groves up close yet we extremely suggest not going with high heels, instead, have a look to Lucky Feet Shoes and also buy a trendy yet comfy set of shoes.

The California Citrus State Historic Park additionally features the Citrus Packing House, which will clarify orange packaging operations. Visitors can likewise go to the Workers' Camp Bunkhouse, which will provide a look into the labor rivalry, social problem, and also racial stress that occurred in the citrus market. There are likewise a couple of other facilities that are not part of the park, but are of passion to visitors. These consist of the Gage Canal, which was constructed in the late 19th century and shows how water was handled in California. The park likewise has a model of a citrus packer, which gives site visitors an idea of just how farming business influenced institutions of learning.

Lucky Feet Shoes 3540 Riverside Plaza Dr #306, Riverside, CA 92506 +19516821311 https://luckyfeetshoes.com/pages/riverside

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mountaintour · 2 years

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Day Tours From Sydney

One of one of the most preferred day tours from Sydney is to heaven Hills, a national park located west of Sydney. The area is renowned for its thick hill woodlands and rough chasms. Amongst one of the most popular attractions in the region are the 3 Siblings and also Mirror Factor Hunt. The area likewise uses a selection of gorgeous waterfalls. The Hawkesbury River area is house to four national forests and also is conveniently obtainable from Sydney. You can take a half-day excursion from Sydney to the park, which features Aboriginal rock art and a wild animals haven. This natural surroundings park is free of charge and open throughout the year. There are many activities to do on your excursion from Sydney, such as kayaking. The Sydney Harbour Bridge is one more wonderful quit for a day tour. You will likewise have the opportunity to dine at the Cruising Yacht Club of Australia and also check out the city's famous sites. You can also visit the Australian parliament as well as the National Museum of Australia. Visit here for fabulous tours from sydney today.

This is an outstanding means to obtain a wide introduction of the city. The harbor, beaches, and also national forests surrounding Sydney make this city among one of the most preferred destinations in Australia. With such a varied series of tourist attractions, you can invest a few days and even a few weeks exploring the city by yourself. Regardless of what your traveling style is, you can be sure that Sydney will be a terrific area to spend your vacation. There are plenty of options for day tours from Sydney, and you can locate one to fit your needs and budget. Select from the lots of options available, consisting of day tours to Sydney's beautiful coastlines. You can also choose the day tours according to their price, duration, and the attractions that are included. Click here to get more enlightened on the most preferred day tours from Sydney on this website.

Several of the prominent day excursions from Sydney also include sees to heaven Mountains' legendary locations such as Mirror Point, the 3 Siblings, and also Leura. Heaven Mountains are quickly available by public transport from Sydney. You can either take a train or bus to the location, depending upon the kind of lorry you pick. The majority of day scenic tours last for in between 8 and ten hours. Make certain to talk to the company prior to scheduling a trip to ensure the advertised period. Hunter Valley is an additional excellent destination for day trips from Sydney. The region flaunts over 100 vineyards. While below, you can sample local fruit and vegetables as well as learn about the wine-making process.

A number of the vineyards additionally supply special trips that allow you to get more information about the area's history. Some of the tours also include bushwalking in national forests. Another outing from Sydney is Canberra, which is the resources city of Australia. Mount Ainslie uses sensational sights of the city and its surrounding locations. It likewise boasts a monument to the ANZACs, the Australian War Memorial. Its waterside is lined with parkland, while the National Carillon bell tower provides a magnificent view of Parliament House. For more knowledge about this topic, visit this link: https://en.wikipedia.org/wiki/Adventure.

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mollymanning173l · 2 years

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Manufacturing Church Steeples

If you want to start a business and make money while doing it, consider manufacturing church steeples. Church steeples are an important part of a church, and if you have a factory that produces them, you can enjoy the same benefits. If you're in the market for a new church steeple, a factory can provide you with a large variety of designs and styles. Here are three reasons why a manufacturer is an excellent choice.

First of all, it is important to note that steeples are not only decorative, but also important structurally and visually. Unlike wood, fiberglass steeples don't add excessive weight to the church's structure. Additionally, fiberglass steeples are lightweight, making them easier to mount. They also feature molded-in anchor plates to fit any roof pitch. In addition to a beautiful finish, fiberglass steeples also provide a smooth and seamless view for people as they seek refuge.

A few decades ago a researcher conducted a study to examine the problems associated with steeples, such as structural inadequacy. Then, he analyzed the damage caused by fire and found ways to replicate them. He also developed detailed drawings and a strategy for repairing and replicating steeples. This article will discuss some of the challenges of this research, as well as some tips for restoring steeples. Click here: https://www.americansteeples.com/products/baptistries for more on manufacturing church steeples today.

Traditionally, churches would build their steeples with a bronze bell. In modern times, however, many have opted for electronic carillons. These bells can play hymns, angelus, pealing bells, and funeral tolls. These instruments have many benefits, including minimizing the disruption to the services of a church, controlling jobsite costs, and controlling the working environment. And since they're built offsite, they don't have to sit on an open roof. They can be installed over a completed roof system, reducing the risk of water leakage.

A steeple can add an impressive architectural touch to any church. They're an iconic part of a church, and the first thing people see when they come around a corner of a street. They announce the purpose of the building - a place to worship and meet with God. Obviously, the steeple also helps the architect make the architecture look harmonious and attractive. It's not surprising that steeples can cost an extra few hundred dollars. Click here for what to consider when manufacturing church steeples on this website.

Besides the beauty of a steeple, steeples serve other functions. Many steeples contained large clocks or bells. Before the invention of reliable clocks, people only knew time by the sun and shadows. Church bells served various purposes, including calling people to worship, announcing the time, and announcing the time. Those bells must be audible to be heard on a steeple. So, it is important to choose the right steeple for your church, or you might end up paying more than you need to.

Church steeples are made of different materials. They may have been covered with slate shingles, which was popular in Gothic architecture. Slate shingles were durable, but they could break under foot, and they added significant weight to the steeple. Today, steeple manufacturers have discovered a way to replicate this look while removing the weight and hassle of slate shingles. By using metal shingles, they can recreate the look of a steeple without the maintenance costs. Using zinc alloy for the shingles eliminates these concerns. For better understanding of this topic, please click here: https://en.wikipedia.org/wiki/Crown_steeple.

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justforbooks · 3 years

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Raising the Flag on Iwo Jima is an iconic photograph of six United States Marines raising the U.S. flag atop Mount Suribachi during the Battle of Iwo Jima in the final stages of the Pacific War. The photograph, taken by Joe Rosenthal of the Associated Press on February 23, 1945, was first published in Sunday newspapers two days later and reprinted in thousands of publications. It was the only photograph to win the Pulitzer Prize for Photography in the same year as its publication, and was later used for the construction of the Marine Corps War Memorial in 1954, which was dedicated to honor all Marines who died in service since 1775. The memorial, sculpted by Felix de Weldon, is located in Arlington Ridge Park, near the Ord-Weitzel Gate to Arlington National Cemetery and the Netherlands Carillon. The photograph has come to be regarded in the United States as one of the most significant and recognizable images of World War II.

The flag raising occurred in the early afternoon, after the mountaintop was captured and a smaller flag was raised on top that morning. Three of the six Marines in the photograph—Sergeant Michael Strank, Corporal Harlon Block, and Private First Class Franklin Sousley—were killed in action during the battle; Block was identified as Sergeant Hank Hansen until January 1947 and Sousley was identified as PhM2c. John Bradley, USN, until June 2016. The other three Marines in the photograph were Corporals (then Privates First Class) Ira Hayes, Harold Schultz, and Harold Keller; Schultz was identified as Sousley until June 2016 and Keller was identified as Rene Gagnon until October 2019. All of the men served in the 5th Marine Division on Iwo Jima.

The Associated Press has relinquished its copyright to the photograph, placing it in the public domain.

There were two American flags raised on top of Mount Suribachi, on February 23, 1945. The photograph Rosenthal took was actually of the second flag-raising, in which a larger replacement flag was raised by different Marines than those who raised the first flag.

Photographs of the first flag flown on Mount Suribachi were taken by Staff Sergeant Louis R. Lowery of Leatherneck magazine, who accompanied the patrol up the mountain, and other photographers afterwards.

Raising the First Flag on Iwo Jima by SSgt. Louis R. Lowery, USMC, is the most widely circulated photograph of the first flag flown on Mt. Suribachi. Left to right: 1st Lt. Harold Schrier (kneeling behind radioman's legs), Pfc. Raymond Jacobs (radioman reassigned from F Company), Sgt. Henry "Hank" Hansen wearing cap, holding flagstaff with left hand), Platoon Sgt. Ernest "Boots" Thomas (seated), Pvt. Phil Ward (holding lower flagstaff with his right hand), PhM2c. John Bradley, USN (holding flagstaff with both hands, his right hand above Ward's right hand and his left hand below.), Pfc. James Michels (holding M1 Carbine), and Cpl. Charles W. Lindberg (standing above Michels).

Rosenthal's photograph was used as the basis for C. C. Beall's poster Now... All Together for the Seventh War Loan Drive (14 May - 30 June 1945).

Rosenthal's photograph won the 1945 Pulitzer Prize for Photography, the only photograph to win the prize in the same year it was taken.

News pros were not the only ones greatly impressed by the photo. Navy Captain T.B. Clark was on duty at Patuxent Air Station in Maryland that Saturday when it came humming off the wire in 1945. He studied it for a minute, and then thrust it under the gaze of Navy Petty Officer Felix de Weldon. De Weldon was an Austrian immigrant schooled in European painting and sculpture. De Weldon could not take his eyes off the photo. In its classic triangular lines he recognized similarities with the ancient statues he had studied. He reflexively reached for some sculptor's clay and tools. With the photograph before him he labored through the night. Within 72 hours of the photo's release, he had replicated the six boys pushing a pole, raising a flag. Upon seeing the finished model, the Marine Corps commandant had de Weldon assigned to the Marine Corps until de Weldon was discharged from the navy after the war was over.

Starting in 1951, de Weldon was commissioned to design a memorial to the Marine Corps. It took de Weldon and hundreds of his assistants three years to finish it. Hayes, Gagnon, and Bradley, posed for de Weldon, who used their faces as a model. The three Marine flag raisers who did not survive the battle were sculpted from photographs.

The flag-raising Rosenthal (and Genaust) photographed was the replacement flag/flagstaff for the first flag/flagstaff that was raised on Mount Suribachi on February 23, 1945. There was some resentment from former Marines of the original 40-man patrol that went up Mount Suribachi including by those involved with the first flag-raising, that they did not receive the recognition they deserved. These included Staff Sgt. Lou Lowery, who took the first photos of the first flag flying over Mt. Suribachi; Charles W. Lindberg, who helped tie the first American flag to the first flagpole on Mount Suribachi (and who was, until his death in June 2007, one of the last living persons depicted in either flag-flying scene), who complained for several years that he helped to raise the flag and "was called a liar and everything else. It was terrible" (because of all the recognition and publicity over and directed to the replacement flag-raisers and that flag-raising); and Raymond Jacobs, photographed with the patrol commander around the base of the first flag flying over Mt. Suribachi, who complained until he died in 2008 that he was still not recognized by the Marine Corps by name as being the radioman in the photo.

The original Rosenthal photograph is currently in the possession of Roy H. Williams, who bought it from the estate of John Faber, the official historian for the National Press Photographers Association, who had received it from Rosenthal. Both flags (from the first and second flag-raisings) are now located in the National Museum of the Marine Corps in Quantico, Virginia.

Ira Hayes, following the war, was plagued with depression brought on by survivor guilt and became an alcoholic. His tragic life, and death in 1955 at the age of 32, were memorialized in the 1961 motion picture The Outsider, starring Tony Curtis as Hayes, and the folk song "The Ballad of Ira Hayes", written by Peter LaFarge and recorded by Johnny Cash in 1964. Bob Dylan later covered the song, as did Kinky Friedman. According to the song, after the war:

Then Ira started drinkin' hard Jail was often his home They'd let him raise the flag and lower it Like you'd throw a dog a bone! He died drunk early one mornin' Alone in the land he fought to save Two inches of water in a lonely ditch Was a grave for Ira Hayes.

Rene Gagnon, his wife, and his son visited Tokyo and Mount Suribachi on Iwo Jima during the 20th anniversary of the battle of Iwo Jima in 1965. After the war, he worked at Delta Air Lines as a ticket agent, opened his own travel agency, and was a maintenance director of an apartment complex in Manchester, New Hampshire. He died while at work in 1979, age 54.

Rosenthal's photograph has been reproduced in a number of other formats. It appeared on 3.5 million posters for the seventh war bond drive. It has also been reproduced with many unconventional media such as Lego bricks, butter, ice, Etch A Sketch and corn mazes.

The Iwo Jima flag-raising has been depicted in other films including 1949's Sands of Iwo Jima (in which the three surviving flag raisers make a cameo appearance at the end of the film) and 1961's The Outsider, a biography of Ira Hayes starring Tony Curtis.

In July 1945, the United States Postal Service released a postage stamp bearing the image. The U.S. issued another stamp in 1995 showing the flag-raising as part of its 10-stamp series marking the 50th anniversary of World War II. In 2005, the United States Mint released a commemorative silver dollar bearing the image.

A similar photograph was taken by Thomas E. Franklin of the Bergen Record in the immediate aftermath of the September 11 attacks. Officially known as Ground Zero Spirit, the photograph is perhaps better known as Raising the Flag at Ground Zero, and shows three firefighters raising a U.S. flag in the ruins of the World Trade Center shortly after 5 pm. Painter Jamie Wyeth also painted a related image entitled September 11th based on this scene. It illustrates rescue workers raising a flag at Ground Zero. Other iconic photographs frequently compared include V–J day in Times Square, Into the Jaws of Death, Raising a flag over the Reichstag, and the Raising of the Ink Flag.

The highly recognizable image is one of the most parodied photographs in history. Anti-war activists in the 1960s altered the flag to bear a peace symbol, as well as several anti-establishment artworks. Edward Kienholz's Portable War Memorial in 1968 depicted faceless Marines raising the flag on an outdoor picnic table in a typical American consumerist environment of the 1960s. It was parodied again during the Iran hostage crisis of 1979 to depict the flag being planted into Ayatollah Ruhollah Khomeini's behind. In the early 2000s, to represent gay pride, photographer Ed Freeman shot a photograph for the cover of an issue of Frontiers magazine, reenacting the scene with a rainbow flag instead of an American flag.Time magazine came under fire in 2008 after altering the image for use on its cover, replacing the American flag with a tree for an issue focused on global warming. The British Airlines Stewards and Stewardesses Association likewise came under criticism in 2010 for a poster depicting employees raising a flag marked "BASSA" at the edge of a runway.

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

#JUST FOR BOOKS #Raising the Flag #Iwo Jima

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killem-all-if-they-wont-eat-cake · 4 years

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Image: Freja och Svipdag (1911) by John Bauer

My text "Freyja en Svipdag" published in Covidnine-zine, a magazine edited by the wonderful Winnie Sluis, idealized by Winnie and Lisa @oppergod, with collaboration of several amazing artists.

“With her eyes closed and very sleepy, she could feel the sea breeze on her face and hear the sound of the tide breaking in nine waves, one after the other, until she finally managed to open her eyelids.

At first, she discerned arches and pillars through the blurred image, which she later identified as the ruins of an old cathedral. The stone foundations of this structure immediately reminded her of Glastonbury Abbey. The sound of the violin came to her, as well as the seagulls’ song and the gallop of a gray horse mounted by a masked young man, who headed in her direction. On the beach, an old lady recited the stanzas of ancient poems. Coffins swept across the sand, such as fragments of a shipwreck. The corpse of the violinist, who once was Yorick, the court jester, suddenly stopped the music, marveling at the horizon and contemplating his next song, as follows:

'Oh Páter if I only knew who she was... I swear I would have sought her earlier! Oh Páter, here comes Gwena, who traces This plot, full of diminished chords...

Tis fire, aye, ‘tis pipe’s ember, Burning slow and steady, steaming And if I inhale, choke and clear my throat Bitter-sweet is her surrender, such a delight This woman...

Yet I think she keeps Something restrained For the One of the strings...

She dares not look but only glimpse

Her bearing ever so high, Still entrapped in a gilded cage From which one tries to break With a treble clef... Egnis! Egnis!

Aye, see as it burns strong,

It is painful for Gaius, Her way of walking and fluttering Always a promise of the foreign

Though beware not to cut yourself; For she is like As-Sirāt, Even if broken, she remains sharp.

More so she is intricate and complex, Full of ardor and nothing else, And seems entirely anti-flustered Ah! ... but if there is a breach...

“Tis for sure the apple-tree” I answer myself. Since when I wandered haphazardly, Wandering, wondering, though not seeing If there was indeed an olive tree...

Thus, if the fire she already brought; And I always have some cider; Only the gold is wrought...

What fire is that? Mighty and aristocratic, Convoluted and anti-pragmatic.

Alas, we get to the story’s end,

If you expected me to be light-hearted

To speak of her beauty or noble

character,

You don’t see me for who I really am

For only the sublime pain of a burn

Compares to shall be required

To conquer her troublesome

Spirit.

Nevertheless, if I allow myself

A final indulgence, I think it goes

Without saying.. that she’s beautiful,

Dignified, and a relief to the eyes,

(Though quite difficult to contain)

That’s why I have fallen...O Páter!”

The rider dismounted and removed his mask, revealing a quite familiar face.

Then he burst into tears, moans, and screams, calling out the name “Sophie! Sophie!” A cacophony of chimes and carillon began at an Episcopal belfry, the imposing figure of a castle appeared behind the mist. Brísingamen, the fiery torque, sparkled around her neck as she rose, entirely dressed in white. The young man, who wore black garments, offered her his hand, and spoke:

“Dear Sophie, your father awaits us.”

The strangest thing happened; she felt her lips moving without having ordered so. “My darling Joris, at last you have come for me.”

Although she did not know exactly how, she remembered the young man in front of her was her betrothed, and that they referred to each other by the names of the saints which the ephemeris fell on their respective birthdays. His on the feast day of Sint-Joris van Cappadocië, and hers on that of St. Sophie van Rome.

“Sophie, the owl told me the baker shall hold a banquet in our honour!”

“O, here, have a daisy” she said, taking a flower from the garland adorning her long blonde hair. “I would give you give you some violets, but they all withered when the fishmonger sailed to Crete.”

“Indeed, Aerope told me that Catreus’ ashes are still warm.”

They walked side by side, with hands intertwined, wearing wicked smiles as they climbed the hill where the castle's Tor stood. Upon arriving, they were received by the King of Guilder and the rest of his progeny.

“Welcome, my children, to Kasteel Groninger! Our earthly paradise. Pray, remember the road ahead is still long. Fredegund anxiously awaits Siegbert's return, in deep sleep at the Mountain of Obstacles. Do not forget that: Fafnir must yet perish and Sigrdrífa still needs to be stripped of her armour” King Aegir affectionately warned, embracing both Sophie, whom he recognized as his youngest daughter, and Joris, his future son-in-law.

"Your majesty, I assure you I shall be worthy enough to wed Lady Menglöð" replied Joris, referring to Sophie, the princess of Guilder, by her true name.

“Heer Valentijn,” asked King Aegir, also calling Joris by his birth name “I believe the sacrifice of Galswintha will not have been in vain: Faith, Hope and Charity shall be glorified, but do not forget to greet your new sisters.”

With their faces veiled and sitting on the stairs of an old church, the nine daughters of Aegir, presented themselves one by one. The oldest was called Schnecke, “Bloody-hair”, thus called in virtue of her red hair; the second went by the name of Mimi, the “Billow”, therefore known due to her being prone to fits of nervousness; the third was called Caroline, the “Comber”, because of her explosive temper; the fourth answered by Lily, “Pearl-transparent”, on the account of her translucent complexion; the fifth was named Henriette, the “Small-Wave”, due to her short height; the sixth answered by Olga, the “Lifting”, on account of her extraordinary intelligence; the seventh was called Hannah, the “Great-Wave”, thus known for her bulkiness; the eighth daughter was Jeannette, called the “Well of Origin” for having the habit of reciting prophetic riddles every time somebody asked her something; the last of them, Friederike, the “Cool-Wave”, was therefore called on account of her cold manners.

Each of them, as Joris approached, answered him with witty sentences related to each of their epithets. At the end of these parables, King Aegir once again addressed him:

“Valentijn van Florin, I give you my word as sovereign of Guilder that the most beautiful flower in my garden is your dear Sophie, who at this very hour tomorrow you shall take as your wife. Such a marriage will unite our two rival kingdoms under a single crown, as intended your kinsman, Prince Humperdinck, though in far less auspicious circumstances.”

The bride and the groom waltzed through the castle, covering the walls of each room with snow. Whenever Joris asked if she wanted to be his wife, Sophie burst into hysterical laughing, which echoed throughout the stairs. Sometimes she replied she first owed vassalage to another lord, who was certainly sterner and bonier. This ‘danse macabre’ continued until they faced the stained windows of the cathedral, when the black priest signaled them to stop. For this reason, the nine waves blew out the candles on the candelabrum, one by one, forming a fairy-ring around the two of them and joining their dance wildly.

Joris mused for a moment and said:

“Three times nine girls, but one girl rode ahead,

white-skinned under her helmet;

the horses were trembling, from their manes

dew fell into the deep valleys,

hail in the high woods;

good fortune comes to men from there;

all that I saw was hateful to me.”

For the celebrations to continue Sophie was taken to the hall of Suttungr, while Joris was given the task of finding the severed head of Mimir. Locked up in the chamber of Invitation to Battle, Sophie was punished for exercising her prerogative in choosing differently from what the All-father had commanded. There, Huginn and Muninn, her liege's crows, whispered bad omens at her ears as she repeatedly painted a Byzantine icon of the Virgin of Mercy.

“Torture me all you want,” she said to her tormentors “a tearing joy overwhelms my soul. Plato's aesthetic dictates the beauty of forms is equivalent to the greater good and that which is purer. I merely follow the example of Paris in his preference for the ‘kallistei’; the beloved is always chosen for blind love, and only love. I admit I may be wrong, but I still believe that his heart is as good and generous as I sensed on our first meeting. The world is sustained by hope, we believe in what we want to believe and how we want to believe; it does not matter if nature and experience tell us otherwise. My dreams have never betrayed me, my heart has never lied to me: it is necessary to follow one’s deepest desires, for they are ordained by the Norns.”

In retaliation, the crows of the one-eyed king pecked at her ears until her neck was covered in blood. Ignoring the pangs of pain, Sophie continued to draw the icon that depicted a beautiful sleeping maiden, whose closed eyes showed an expression of tenderness and parted lips outlined a tenuous, albeit provocative smile, as though she was caught in a sensuous dream.

Hence, Sophie chanted in low voice:

“What sort of dream is that, Odin?

I dreamed I rose up before dawn

to clear up Valhöll for slain people.

I aroused the Einheriar,

bade them get up to strew the benches,

clean the beer-cups,

the valkyries to serve wine

for the arrival of a prince.”

At the same time, Joris rode up to the Mountain of Obstacles, where the earth shook and a pit of flames reaching the sky surrounded the red gold of the gods. In this desolate place, the guardian at the gate, who was also the chieftain of the dwarves, gave Joris the sword of anger and the shield of wisdom with which he was able to defeat the horrible serpent, Jörmungandr.

After licking a drop of the creature’s blood on his finger, Joris was given the gift of understanding the crows’ language, which then instigated him to come to the chamber of Invitation to Battle. As soon as he entered the room, he blew on the horn he carried on his neck by a chain. The Virgin awoke from her feverish dream.

Sitting on a golden throne, the queen-like Sophie gladly received him in her father's hall:

“For nine lives I have awaited you, and for nine days you have hanged on the Sefirotic Tree. To you I give my gray horse, so you can ride to Gamla Uppsala; for Memory can only be restored when Gjallahorn descends to the well of origin. There, Heidr will offer you one of her full tits. Drink patiently, but steadily.”

“Frigga, my dear wife, all I ask is for you to grant me knowledge of the nine worlds.”

Before proceeding with her husband’s request, Sophie prayed for eloquence and intelligence, taking her lute in her hand, singing the most beautiful song of shadow and dawn. She praised the day, the night, the gods and goddesses, and the Holy Land where the Nazarene was crucified. After prayer, she harvested liquid from three of her father’s most precious cauldrons and prepared the elixir of life and death, stating it contained enchantments, blessings, songs and runes of power, manliness and pleasure of the flesh and soul.

Sophie told Joris that in the beginning there was nothing, and this nothing was called Njörun. When Njörun became aware of herself, she begot Njöðr. From the union between these two, Mardöll was born. The latter was self-suficient, loving herself and being therefore happy. However, curiosity caused the goddess to create a mirror from her own breath, and when she contemplated her own reflection, she fell madly in love with it. Since then, she divided herself in two: Mardöll of Fire, who saw the image, and Mardöll of Ice, the image seen. After tracing a runic symbol on her body and whispering over it, her reflection became Yngve, her twin brother. The two of them began a frantic dance that culminated in intercourse, from where emerged the rest of the runic spirits.

Sophie then told him how Mardöll first taught the runes to the All-father, how he held the head of Mimir and uttered wise words; and that from them flowed the worlds of the Æsir, Vanir, giants, elves, and humanity. She went on to count all the kinds of runes that Joris needed to know and how to use them. At last asking him if he would like speech or silence from her. To which Joris replied he was not afraid of knowing his fate, even if that meant death.

Shortly after, she took his horn, in which she poured the Mead of Poetry, while rambling: “The beautiful should not perish; the fair should not perish. Eternal love of immortal soul, glittering through my skin like fins. Drop by drop, your spirit will return to me, the first drop will be heavenly!”

The moment Joris took the last sip of this precious drink, the walls opened, and the drums played. King Aegir and the nine waves were finally welcomed to the wedding feast. Circling an oath-ring on a trunk, the sovereign of Guilder joined the hands of his daughter and son-in-law, making a cut on each of their palms so that their blood could mix. Joris and Sophie intertwined their fingers and together declared:

“Ubi tu Askr

Ego Embla;

Ubi tu Embla,

Ego Askr.”

“When thou art the Ash

I shall be the Elm;

When thou art the Elm

I shall be the Ash.”

“Grímnir, the greatest of all gods, is here, he proclaims you to be one flesh, consecrated to him” decreed King Aegir as the newlyweds resumed their bridal dance, accompanied by the nine waves, who happily sang:

“Stampa hårt i marken,

Låt säden flyta runt,

Ta emot den unga flickan,

Frej i älskog,

Freja i älskog.”

“Step hard on the ground,

Let the seed fly,

Welcome the Young Maiden,

Freyr in lovemaking,

Freyja in lovemaking.”

Joris enveloped Sophie in a lustful embrace, with each whirl more ardent than before, ‘til they both lost their balance and fell backwards in the hay. At this moment, Thanatos, the black priest showed up uninvited:

“I am a polar bear who has floated here from Greenland on an iceberg. May the gods bless your matrimony with such perennial beauty as that from the coupling of Zeus and Leda. As a wedding gift, I bring you a veil made for an Arabian princess. Please, accept it. O Vanadís, daughter of the king of kings.”

Upon hearing this, Sophie let out a long shriek. She understood what those words meant. For three nights, she and Joris made love at moonlight, in the presence of the court of Guilder and all the creatures of the universe. On the morning of the fourth day, he had to leave her side to wander the nine worlds, bringing the sacred knowledge he acquired to whichever mortals he found. Weeping, Sophie bade adieu to her husband with the following greeting:

“My will is as strong as yours, and my kingdom as great. My sisters receive the heroes at Fólkvangr, serving mead to those slain in battle. When the ash commune with the elm, you shall return to me. Not a second after, not a second before.”

The black priest then proceeded to lead them to the calvary, placing two wreaths of thorns on their heads. “I crown thee, Freyja and Óðr.”

For nine days and nights, Sophie bitterly mourned her lost husband, crying tears of gold for his sake. Once again trapped in the Mountain of Obstacles, she cried out for mercy to the one who was older than time itself:

“That man hon fólkvig fyrst í heimi,

er Gullveig geiru studdu

ok i hǫll Hárs hana brendu;

thrysvar brendu thrysvar borna,

opt, ósjaldan, tho hon enn lifir!

Heidi hana hétu, hvars til húsa kom,

vǫlu velspá, vitti hon ganda

seid hon hvars hon kunni,

seid hon hugleikin,

æ var hon angan illrar brudar.”

“She remembers the first war in the world,

when Gullveig was hoist on the spears

in the High-One’s hall they burned her;

three times they burned the three times born

often, not seldom; yet she lives!

She was called Heidr at the village,

the wise völva knew how to cast spells

she practiced seiðr whenever she could

with ravished soul, she performed seiðr,

She was always sought by wicked women.”

As she asked for divine intervention, Sophie devoted herself to the hard work required by the spinning wheel. As though passing in a trance through Psyche's trials, she was accompanied by her sisters, who danced around her, hand in hand. The first branches of the elm emerged from her heart, which enwrapped her in just a few minutes. From her withered body, the most majestic tree of Fensalir was formed. Three times she was struck by lightning, three times she burned; only to be three times reborn the next dawn.

When Joris at last returned from his travels around the world, finding her in such a state he declared:

“Nu em ec aptr kominn,

fát gat ec thegiandi thar;

margom orthom melta ec i minn frama i Suttungs sǫlom.

Gunnlad mer um gaf gunom stóli á

drycc ins dyra miathar; ill ithgiold

let ec hana eptir hafa

sins ins heila hugar

sins ins svara seva.”

“Now I have come again,

I’d have hardly made it so far;

without speaking great words to my advantage in the hall of Suttungr.

Gunnlöð gave me, from her golden throne

The precious drink of mead; a poor payment

I gave her in return

for her whole soul

for her burdened spirit.”

With these sorrowful words he also became an ash tree, his roots becoming entangled with hers. From their union emerged a magnificent swan egg which cracked in two beautiful girls. The Æsir called them Hnoss and Gersemi, the Twin Treasures.’

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acrosscenturiesandgenerations · 5 years

Text

▪︎Necessaire.

Place of origin: London

Date: ca. 1770

Artist/Maker: Cox, James

Medium: Gold-mounted agate, set with pearls and paste gems, clockwork mechanism and carillon.

#18th century #18th century art #18th century decorative arts #decorative arts #necessaire #gold #agate #pearls #elephant #pheasant #butterfly #Cupid #london #james cox #ca. 1770

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myrecordcollections · 4 years

Audio

Carillon bells, hand bells and sleigh bells, accompanied by the organ, combine to make this record a novel and interesting Christmas experience. The decision to make this record a real "tour de force" was dependent upon several factors : carillon bells so perfectly tuned and voiced that they would blend with the organ; hand bells not only well tuned but also mounted in such a way that they could be played by one person; an octave and a half of sleigh bells—if they could be found; carillon passages recorded in one part of the country and combined with an organ in another part of the country : the gamble that the organ would remain at a fairly constant pitch throughodt the recording (the pitches of bells do not change), and many other tech-nical difficulties besides. The carillon is the one of forty-seven bells in the tower of the First Presbyter-ian Church, Jackson, Tennessee. Cast by Paccard, of Annecy, France, it embodies a series of tones matched in their intensi-ties from bass to treble, without which the even blending of organ and bells would have been impossible. The hand bells are the typical English hand bells played ordinarily by groups of ringers who sound them by a flip of the wrist, causing the clapper to strike. These hand bells, forty-two in number, are hung from three beams and struck with felted wooden mallets, one performer thus hav-ing control of the entire series. Hand bells played in this fashion are sometimes called a "salon carillon." The sleigh bells are the typical deep-hemispherical "tintinnabulum" type of bell, known and fashioned long before the tower bell was developed. Early Middle-Ages manuscripts depict King David play-ing upon just such a chime of bells as these. In more recent times they were used to tinkle merrily on the shafts of sleighs, whence their name. Their tuneful jangle now calls attention to the presence of the ice-cream wagon. When the performer selected a set of tuneable sleigh bells at the Bevin foundry, he was asked by more than one workman if he did not come from the Good Humor people ! Each bell of the series was tuned by the performer to the exact note required and built into an instrument made specially for this record. The organ is the Estey in Faith Church Springfield, Mass., an instrument admir-ably adapted to the versatile roles required of it in the realization of this work. The record was begun in the garden of a Southern estate, where the Jackson carillon tower stands. It was the first of May and the mocking birds were often stirred to song by the sound of the bells. At one time it was remarked that "Listen to the Mocking Bird" would have been more appropriate to the season than Christmas carols! The sound tapes of the bells were then taken to the church in Springfield, where the organist listened to them through ear-phones and filled in the organ accompaniment—an exacting task of tonal balance and timing. The hand bell and sleigh bell numbers were recorded directly. with the organ. Rather than doing only the more popular Christmas carols, some of the lesser known numbers were also used and combined with classical Christmas compositions to make an album of universal appeal. Yon's Gesic Bambino illustrates how perfectly tower bells and organ combine to create a new form of musical express-ion. Beginning with a single bell punctu-ating the organ passage, the carillon enters discreetly into the composition. As the number progresses, both organ and caril-lon take their turn expressing the melody, complementing each other. As in the begin-ning, a single bell marks the beat in the last measures, its tone dying out to the harmony of the pipes. In Veni, Veni, Emmanuel, the carillon is used principally as the traditional chime, — i.e., as a melody instrument — with the organ contributing the foundation. In a passage where the climax is repeated, the carillon takes over in full harmony, the organ remaining silent. The strangely beautiful organ arrangement of this number, with its parallel-moving fifths, contrasts markedly with the ringing bell tones to form a pattern at times elusive yet all the more appealing and interesting.

Sleeve Note (Edited)

#Christmas #Bells #Tune Of The Sleigh Bells #Christmas Bells

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alpharaposa · 5 years

Text

Wedding Rings

In the Gnomish town of Campano, the term “wedding ring” refers not to a band of metal, but the sound of a bell. Tradition in the town is that, when a suitor wishes to propose to his sweetheart, he presents her with a clapper for the bell for their house. The bell is cast as part of the wedding preparations, mounted in or over their house in some way, and rung as the new couple enters their home.

As might be expected, the bells are an easy way to see both status and profession of many of the gnomes that live in Campano. There’s the boxy bells of herders, the pretty glass bells of tailors and jewelers, small brass bells for shopkeepers. Most bells are mounted at the front door, to ring any time somebody enters or leaves.

Not every couple can afford their own house, of course, and some families simply like to stick together, so a house that holds several generations may have a row of bells at the door that make a clash of noise (or a chiming chord).

All the town’s bells make music, but there’s one that stands out. At one end of the town, at the higher end of the valley, there’s a tower built like a lighthouse. At the top of the tower is a big bronze bell bigger than any gnome, or human, or ogre, even. Its toll can be heard for miles down the valley.

That’s the Huspr Clockbell. Huspr was a merchant who was very successful and also often away on business. He wooed his wife with a clapper taller than he was, and then spent a year building the tower and mounting the bell within. Through gears and enchantment, the bell rings every day at the same time in the afternoon. “A voice,” he told his wife, “that will guide me always home to you.”

It’s been five generations since, and the tower is weathered and dingy on the outside, but the bell still rings clear at the same time. There have been times, the locals say, when the bell has rung out besides its usual time, warning of great danger. Nobody lives in the tower anymore- rumor has it that Huspr found his way back even after he died, and his spirit stays with his wife’s and they keep the old bell clean.

When the Clockbell rings, the town’s shops close up. Even the market, on a market day. The shops reopen in the cool of the evening on most days, lighting lanterns to attract late business, but on market days, they stay closed and the market is instead hung with lanterns while the townsfolk come out to sing and dance and play games together.

But while the Clockbell is part of their life, the town’s favorite bell story isn’t of the wealthy merchant, but the plain girl who loved music and to dance, but could not speak. The boy who loved her learned to play for her, and then left the town to make his fortune as a bard, traveling through many adventures, before returning with seven silver clappers in the palm of his hand.

They cast the first silver bell for their wedding, and one more for each child. And all the children were just as in love with music as their parents, so their house was full of playing and laughter and dancing and the ringing of a chorus of bells as little gnomes dashed in and out the front door. A happier family was never known, and several of the children went on to have adventures like their father. To this day, people across the continent know stories of the Glocke family, though few know that the famous Carillon Glocke did not die fighting battles, but retired young, his fortune made, and lived the rest of his life in the small Gnomish town of Campano.

#world building #gnomes #d&d #pathfinder

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abelkia · 2 years

Photo

La playlist de l'émission de ce jeudi matin sur Radio Campus Bruxelles entre 6h30 et 9h : Luc Ferrari & Brunhild Ferrari "Chantal, ou le portrait d'une villageoise (1977-78)" (Tuchan-Chantal/OHM Editions/2009) Philippe Besombes "Avecandista" (Libra (Un film du groupe Pattern)/Pôle/1975) Mount Eerie "Distortion" (Now Only/PW Elverum & Son/2018) Sonic Youth "In & Out" (In/Out/In/Three Lobed Recordings/2022) Ann O'aro "Les carillons" (Longoz/Cobalt/2020) Mira Calix "Nkosezane - For My Daddy" (a̶b̶s̶e̶n̶t̶ origin/Warp Records/2021) Louis de Funès "La grenouille qui veut se faire aussi grosse que le boeuf" (Fables de La Fontaine/Disques Vogue/1970) The Frenzied Bricks "(Can I) Bridge the Gap" (7"/EFFICIENT SPACE/1980-2021) Bene Gesserit "Kidnapping" (The Underground Wave 7"s/Walhalla Records/1982-2015) Elli & Jacno "Les nuits de la pleine lune" (7"/CBS/1984) Ich Bin "Danger" (Obéis/Replica Nova/2006-2020) Kebab "Anti - L" (Life It's a Joke / We Live in a System/Softspot Music/1982-2010) MERIDIAN BROTHERS "Canto me levantó (Pesadumbre)" (¿Dónde Estás María?/Soundway Records/2017) Grupo Celeste "Todo Lo Tengo De Ti Menos Tu Amor" (Saturno 2000 - La Rebajada de Los Sonideros 1962-1983/ANALOG AFRICA/2022) Serge Gainsbourg "La nostalgie camarade" (Mauvaises nouvelles des étoiles/Philips/1981) Georges Garvarentz "Haschisch Party" (Shake Sauvage (French Soundtracks 1968-1973)/Crippled Dick Hot Wax!/1971) Evariste "La chasse au boson intermédiaire" (Do You Know The Beast?/Nosmoke/1967-2011) Jean Le Fennec ‎"L’abandon" (Phantastic/Barclay/1969) Anadol "Eciflere Gel" (Felicita/Pingipung/2022) Alabaster dePlume "Visitors YT15 - Krupp Steel Condition Pivot" (Gold – Go Forward in the Courage of Your Love/International Anthem/2022) Swell "Song Seven" (41/Beggars Banquet/1994) https://www.instagram.com/p/Ccm593HNZic/?igshid=NGJjMDIxMWI=

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belardtheworld · 6 years

Text

Dresden is a city of music and the arts.

With a long tradition of fostering the arts that stretches back for centuries, Dresden is a baroque city with a rich cultural history.

Through it all, it has remained an artistically enlightened city with people who cherish and preserve its musical and theatrical tradition.

History and the present come together here in a juxtaposed way that poses questions about the future of the urban community, like a shape-shifting hologram.

Walk through Dresden’s historic centre that will take you past the landmarks, passing through the Renaissance and Baroque periods.

Read on for places to see and points of interests on your city tour around Dresden!

Dresden Old Town

1. Theaterplatz

A city square that is pure Baroque, framed by the Residenzschloss (Dresden’s Royal Palace), the Zwinger, the Semperoper Opera House and the Hofkirche (Catholic Cathedral), Theaterplatz is the best place to survey the splendor of Old Dresden at a glance. On this historic walking tour, this square will soon be your familiar grounds.

2. Semperoper

Opera is musical theatre – telling stories of social and political relevance.

For more than 150 years, musical theatre of great significance has been staged here. One of Dresden’s primary landmarks, the Semperoper is also where Richard Wagner conducted his operas from 1842 to 1849.

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Be enchanted by the impressive architecture and the uniquely decorated rooms in this opera house. The highlight of the Semperoper tour was viewing the auditorium in its grandeur with its 1300 seats.

Truly a magnificent piece of heritage.

3. Zwinger

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Since 1714, the Crown Gate has been guarding the entrance to the famous Zwinger Palace, less of a building complex than a baroque Gesamtkunstwerk, the musical aspect of which is the carillon made from Meissen porcelain.

Built in Rococo style and designed by court architect Matthäus Daniel Pöppelmann, the Zwinger is an exemplary Baroque piece of architecture dating from the beginning of the 19th century.

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Formerly used as a festival arena and an orangery, today the Zwinger serves as a complex of art, pavilions, galleries, museums and courtyards.

Discover in your own time the Old Masters Picture Gallery (where you can admire Raphael’s Sistine Madonna up close), the Dresden Porcelain Collection (Porzellansammlung) and the Mathematisch-Physikalischer Salon, a museum of mathematical and physical instruments.

It’s free to explore the beautiful grounds of the Zwinger and admire the fountains and courtyards that make the complex, but entrance to the museums come at a fee.

4. Café Schinkelwache

A classic coffee house in Dresden, pop by for an afternoon cuppa to experience the authentic, traditional coffee of Dresden.

5. Katholische Hofkirche and Napoleonstein

Katholische Hofkirche (Catholic Cathedral)

Built in 1756, the Katholische Hofkirche (Catholic Cathedral) is one of the tallest buildings in Dresden. The Napoleonstein (Napoleon’s Stone) in front of its main entrance marks the spot where the French emperor stood to review a march-past of his army in 1813.

6. Fürstenzug (Procession of the Princes)

Fürstenzug (Procession of the Princes)

There is no better way to start learning about the history of Saxony than through this mural.

Fürstenzug is a mural depicting a mounted procession of the rulers of Saxony through 750 years of Dresden history. Fürstenzug records all 35 rulers of the House of Wettin, from the margraves in the 12th century through the Dukes and Imperial Electors and ending with the Kings in the 19th century.

This iconic artwork was originally painted in the first half of the 1870s, but was later replaced by hand painted Meißen porcelain tiles in the 1900s to protect it from wear and tear. At 102 metres in length and made of 24,000 tiles, it is the world’s largest single work of art in porcelain.

7. Residenzschloss (Royal Palace)

The former Royal Palace of the Saxon Prince-Electors contains some of the city’s most famous museums, in particular the Grünes Gewölbe (Green Vault) and the Kupferstich-kabinett (Cabinet of Prints, Drawings and Photographs) with its collection of drawings and prints.

The Green Vault is a unique combination of sumptuous architecture and 2,500 precious objects. August the Strong’s treasure chamber, located in opulent rooms dating from 1730 and now restored to its original glory, is like a walk-in safe.

See a whole host of wonders at the Royal Palace, from the most dazzling treasure chamber and biggest collection of Ottoman exhibits in Europe, to the world’s largest green diamond, and ceremonial weaponry and costume collections that are amongst the finest ever assembled.

8. Verkehrsmuseum (Transport Museum)

Housed in the Johanneum, a renaissance building from 1586, the Transport Museum, quite evidently, tells the history and evolution of transport, including the first vehicles that were used for transportation across history. Expect to find anything from steam engine trains to aircrafts, ships, motorbikes and even unicycles.

9. Frauenkirche (Church of our Lady)

The original church was completed in 1743, following designs by the architect George Bähr who unfortunately did not live to see it completed.

Frauenkirche was totally destroyed in 1945 in the World War. At first its rubble was left in Neumarkt as a war memorial, but it was eventually reconstructed.

Reconstruction begun in 1994, using a lot of the preserved material (3,500 individual stones), and work was finally completed in 2005, restored to its former glory. The damaged former cross can now be found to the right of the church’s new altar.

Frauenkirche today is the pride of Dresden, and regarded as one of the most beautiful churches in Germany. It is not hard to see why this majestic Protestant church demands your attention on Neumarkt if you just step in and look closely at the dome, cupolas and frescoes.

Fun fact: The church has the largest stone dome north of the Alps.

10. Brühl’s Terrace

It was named after the statesman Heinrich von Brühl in the 18th century, who constructed a series of lavish buildings here when the walls were pulled down.

Located on the left bank of the Elbe and known as the ‘Balcony of Europe,’ Brühl’s Terrace is a 500-metre panoramic panoramic architectural terrace that towers above the river and is a picturesque viewing spot of the Elbe river, favoured by both locals and visitors alike.

The great entrance in the Schlossplatz, or the Castle Square, is home to four magnificent sculptures, including a statue of Gottfried Semper and a monument to Caspar David Friedrich.

11. Albertinum

Built in the 16th century as an arsenal, the Albertinum today houses the Museum der Moderne (House of Modern Art), as well as sculptures and paintings.

12. Hochschule Für Bildende Künste Dresden (Academy of Fine Arts Dresden)

Among the famous names who taught at the tradition-steeped HfBK were Oskar Kokoschka, Caspar David Friedrich and Otto Dix.

13. Stadtmuseum Dresden

The Landhaus now houses the Städtische Galerie (City Art Gallery) and Stadtmuseum (City Museum). Look out for the 60m2 aerial photo of the city of Dresden embedded in the floor!

14. Rathausturm

The 100-metre-tall tower of the New Town Hall, opened in 1910, affords a splendid view of the Elbsandsteingebirge mountains.

15. Kreuzkirche (Church of the Holy Cross)

The largest church building in Saxony, it was first mentioned in the 14th century and is the seat of the Bishop of Saxony.

If you’re in Dresden for the 9:30am Sunday service, you can have the honourable chance to listen to one of the world’s oldest boys choirs (700 years old) for free!

Not many know this, but the Church of the Holy Cross also offers an equally impressive view of the city from the church tower.

16. Altmarkt (Old Market Square)

The first documentary record of the oldest public space in Dresden dates back to 1370.

17. Altmarktgalerie (Old Market Gallery)

This shopping mall is more than 40,000m2 in size and accommodates 200 retail outlets. Shopping time, anyone?

18. Cafe Kreutzkamm

By appointment to King Albert, who personally chose Cafe Kreutzkamm as his ‘Confectioner to the Royal Court’.

19. Kulturpalast (Palace of Culture)

Impressive for its modern architecture and for the great acoustics in its state-of-the-art concert hall, it is home to the Dresden Philharmonic, the Herkuleskeule cabaret and Dresden’s Central Library.

20. Elbe river

You can explore the city of Dresden from the water by taking a boat trip along the Elbe river on one of the historic paddle steamers of the Sächsische Dampfschifffahrt (Saxon Steamship Company), passing picturesque vineyards on the way downstream.

Fun fact: Dresden has the world’s largest and oldest paddle steamer fleet with its nine historical steamers.

Engine of a steam ship!

The river is sandwiched by both the old and new towns of Dresden, with grandiose bridges arching from it and plenty of green spaces for barbecues, sports, and relaxation.

I’d done my regular runs on these grassy embankments. Used for fishing, al fresco theatre performances and more, the Elbe river banks are certainly worth an evening stroll.

Dresden Neustadt (New Town)

When the history of Dresden seems too overwhelming, take a break from all the Baroque and architecture, into another realm of Dresden on the right side of the Elbe river.

The Neustadt district was reconstructed after a fire in the 1730s, which is why it is named “new”. In fact, it is actually the oldest part of Dresden, more than 800 years old.

The inner part fell within Dresden’s old fortifications and since 1989, it has been recognised by its street art and counter-culture, home to the young, creative and multicultural scene.

This ‘alternative quarter’ is juxtaposed with architectural landmarks like the Japanisches Palais, an early 18th-century mansion with Japanese details converted into a museum of natural history & ethnology today.

Here, in the district of Neustadt, a neighbourhood filled with character opens in front of you. Boutiques, art studios and galleries, countless pubs, bars, cafes, restaurants and clubs with live music line the streets. Think grungy.

With some 150 restaurants and bars, the outer Neustadt is one of best places to hang out in Germany.

1. Kunsthofpassage

Kunsthofpassage entrance

The Kunshofpassage, just off Gorlitzerstrasse in Neustadt, is a hidden little backyard behind the main streets, filled with whimsical artistic finds.

Entering a little alleyway that can be mistaken for an entrance to a residential building, it is transformed into a hipster street, containing handicraft shops, a garden store, art galleries, and also a number of cool cafés and wine bars.

The Hof der Elemente (Courtyard of the Elements) is quite the highlight. It is a whole wall made of a tangle of drainpipes shaped like musical instruments on the facade. The idea is that when it rains, the water cascades down the drainpipes, creating its own music.

Hof des Lichts (Courtyard of Light) has projection screens for multimedia performances, as well as well as metallic mirrors that illuminate the courtyard and throw artistic patterns on the walls. While I didn’t see any performances in the two times I visited, the metallic mirrors are an artistic representation on its own.

Look up to find the wall of Hof der Fabelwesen (Courtyard of Mythical Creatures). The artist Viola Schöpe has adorned the walls with paintings and 3-dimensional ceramic mosaics of animals. What animals do you spot?

Playing table tennis with a local while cruising along the streets of Dresden Neustadt!

2. Bundeswehr Museum of Military History

The Museum of Military History is primarily concerned with the destruction wrought by war and the inhumanity of man to man.

There are 12 areas of the thematic exhibition which focus on different aspects of military history. Some of the interesting sections include “Animals and the Military”, “War and Play”. All in all, some 10,000 exhibits are presented in the exhibition. You can see exhibits ranging from medieval halberds and suits of armour to a V2 rocket.

The museum ranks as one of the four main museums in Germany dealing with the history of the country, the rest being in Berlin, Nuremberg and Bonn.

The other interesting part of the museum is the new extension designed by star architect Daniel Libeskind who extended the museum by literally driving a steel wedge through the old arsenal. The elevated location offers a panoramic view of Dresden.

Fun fact: the Libeskind wedge points towards Ostragehege park, which was the first district in Dresden to be hit during the air raids of 13 February 1945.

Both the architecture and the permanent exhibition seek to avoid biased presentations and to challenge traditional perspectives.

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5 May 2018, Sat – 9 May 2018, Wed

22 Things to Do in Dresden, Germany Dresden is a city of music and the arts. With a long tradition of fostering the arts that stretches back for centuries, Dresden is a baroque city with a rich cultural history.

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