Muse
She wanders again
On the depths of her void;
She's floating in there
With her eyes closed,
With her heart open.
She's silently looking
For something out of her reach.
She doesn't know
What she wants,
But she needs it.
She needs something...
She needs it to fill the void;
She is hoping for someone
Even though she knows
It's for naught.
She knows…
She knows…
She knows who she really needs;
It's not something
Or someone;
It's her
She is the one she's looking for.
But she still needs her muse,
Maybe if she finds herself,
Maybe if she finally heals,
Just maybe…
She wants someone to wait for her.
That's the one she's looking for,
The one out of her reach,
The one she silently needs.
For now,
It's just her;
Floating,
Healing,
Wandering,
And she'll be her own muse.
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Things I've seen tumblr memeing about James Somerton doing à la "How did no one see how bigoted he was!" as if those things haven't been a significant part of tumblr culture for over a decade :
Presenting untrue and bordering on conspiratorial versions of (queer or otherwise marginalised) history without any sources
Completely disregarding and disrespecting any expertise on socio-cultural topics/humanities and distrusting academics and historians (incl. acting as if no academics or historians could be queer or marginalised)
Downplaying the role misogyny played in the historical oppression of queer women and concluding that queer men must have been more oppressed than queer women
Bi women are, at best, not as queer as "real" queer ppl, and at worst, simply equivalent to straight women
Despite nominal trans inclusivity, transmasculine ppl are functionally women when convenient (combined with the above, bi transmascs are functionally straight women)
Despite nominal trans inclusivity (bis), shamelessly attacking, threatening and actively endangering any trans woman who questions them or smth they find important (often by unfairly presenting her as violent or as a threat)
Having absolutely fucking wild and reductive takes about ace ppl, the oppression they face and their place in the queer community
Stating that marriage equality is an assimilationist fight while completely ignoring its direct roots in the horrifying consequences of the AIDS crisis for partners of ppl who died of AIDS
Praising western media creators from the past for queer coding even under censure and in the same breath condemning current non western media creators for being homophobic bc their representation isn't explicit enough
Blaming China for all existing homophobic censoring in western media
Assuming all queer media would be better told by western creators and by western standards
Only out queer ppl get to tell queer stories
Heavily criticising almost all queer media created by women or ppl they see as such (see above points about trans ppl) or involving/starring a significant amount of women for any perceived or real amount of "problematicness", but fawning over and praising and negating criticism of queer media created by and starring mostly or even functionally exclusively men (even when it could be argued that, you know, not involving/seriously sidelining women is a pretty clear example of misogyny which should probably be considered "problematic")
And I'm probably forgetting stuff or there's stuff I have internalised myself and don't recognise as an issue
Like idk but I feel like the takeaway from Hbomberguy and Toddintheshadow's videos should maybe be "be aware of such patterns in your communities bc they definitely exist" and not "this guy is uniquely awful" and I feel like a lot of the discussion I've seen surrounding this has been severely failing at that. Most ppl who've spent any significant amount of time on tumblr prob either have internalised at least one of those thought patterns, have had to de-internalise them, or have had to be extremely vigilant to not internalise them (which is done by, you know, seeking out other sources, which also seemed like an important takeaway from the videos)
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A new tool lets artists add invisible changes to the pixels in their art before they upload it online so that if it’s scraped into an AI training set, it can cause the resulting model to break in chaotic and unpredictable ways.
The tool, called Nightshade, is intended as a way to fight back against AI companies that use artists’ work to train their models without the creator’s permission. Using it to “poison” this training data could damage future iterations of image-generating AI models, such as DALL-E, Midjourney, and Stable Diffusion, by rendering some of their outputs useless—dogs become cats, cars become cows, and so forth. MIT Technology Review got an exclusive preview of the research, which has been submitted for peer review at computer security conference Usenix.
AI companies such as OpenAI, Meta, Google, and Stability AI are facing a slew of lawsuits from artists who claim that their copyrighted material and personal information was scraped without consent or compensation. Ben Zhao, a professor at the University of Chicago, who led the team that created Nightshade, says the hope is that it will help tip the power balance back from AI companies towards artists, by creating a powerful deterrent against disrespecting artists’ copyright and intellectual property. Meta, Google, Stability AI, and OpenAI did not respond to MIT Technology Review’s request for comment on how they might respond.
Zhao’s team also developed Glaze, a tool that allows artists to “mask” their own personal style to prevent it from being scraped by AI companies. It works in a similar way to Nightshade: by changing the pixels of images in subtle ways that are invisible to the human eye but manipulate machine-learning models to interpret the image as something different from what it actually shows.
Continue reading article here
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ANG HULING TULA
(October 14, 2017 - revised)
Ito na ang huling tula
Ito ang araw na titigil na sa pagluha
Ito na 'yun, ang matagal ko ng kailangan.
Kaya naman iiwan ko na dito lahat,
Kasama ka at lahat ng alaala.
Una sa lahat,
May gusto akong isiwalat.
At yun ay ang katagang, "Mahal kita."
Hanggang ngayon, "Minamahal kita."
Pero umasa ka na pagtapos ng tula,
Ang masasabi ko na lang,
"Minahal kita."
Pasensya ka na.
Pasensya kung ngayon ko lang sinambit 'yan.
Pasensya kung naging duwag ako.
Pasensya kung mas pinili kong magtago.
Pasensya kung hinayaan ko lang na alam mong,
"Gusto lang kita"
Siguro'y natakot lang talaga.
Sobrang takot ako na mawala,
Hindi lang ikaw, kundi ang 'sarili sa hawla'.
Takot akong masaktan sa kadahilanang
Ayokong makawala sa bakal na rehas
Kung saan ay aking ikinulong
Ang nagbabadyang demonyo na ayaw kong ipakita.
Kaya ika'y isasantabi ko na,
Pero sa totoo lang, ayoko sana.
Ayokong mawala.
Nawala na nga ako sayo,
Pati sa sarili ko pa ba?
Kahit masayang mawala sayo,
Kailangan ko ng magpakalayo
Dahil sa ngayo'y,
Aminin ko man o hindi,
Puro lungkot na lang ang dulot mo.
Sabihin mo,
Pag pinagpatuloy ko,
Ang pagiging buwan sa iyo.
Pag hindi ako tumigil,
Sa kahunghangan na ito,
Mamahalin mo din ba ako,
Tulad ng pagmamahal ko sayo?
Kasi kung oo,
Handa akong masaktan hanggang dulo.
Kaso hindi,
Hindi ka sigurado.
Laging panahon ang sagot mo.
"Hayaan ang panahon".
Hindi ba pwedeng,
Sabihin mo na lang na ayaw mo?
"Ayaw ko sayo."
"Hindi pwede ang 'tayo'"
Kung tutuusin,
Mas matatanggap ko 'yan.
Kaysa dito sa ginagawa mo,
Kung saan dahan-dahan,
Paunti-unti mo akong pinapatay.
Tila isang posporong magandang silayan
Habang nawawalan ng buhay.
Sana naman,
Sinabi mo na lang agad.
Mahal, sa kabila ng lahat,
Mas pinili ko pa din ang mahalin ka.
Kahit sobrang nasasaktan na ako
Kahit hindi ko na talaga gusto 'to.
Ang sabi nila,
Sa pagmamahal ay kailangan ng sakripisyo
Sinubukan ko naman at yun ang ginawa ko.
Nanatili ako sa tabi mo
Kahit sobrang sakit na, tiniis ko.
Kahit di ko alam kung nandito ka pa sa tabi ko.
Para akong tanga na nangangapa,
Sa dilim ako'y nawawala,
Pinapakinggan ang bawat boses sa aking tainga,
Nagbabakasakaling sa iyo'y may makuhang balita,
At meron nga.
Meron ka na atang iba?
Or should I say, biktima?
Pero ayokong magpadalos-dalos
O-obserbahan ko muna.
Dumaan ang ilang tahimik na araw
Gabi-gabi'y humihiling sa tala,
Na sana ika'y di pa lumisan.
Pero huli na ata,
Meron ka ng iba.
Ibang kausap at ang mas malala
Mahal mo pa pala siya,
Ang iyong tunay na sinisinta.
At dun ko nasabing 'ayoko na'.
Lalo na't sa tuwing nakakabasa
Ng simpleng sabi-sabi pati tula,
Nagbabadya ang mga bwisit na luha,
Kahit nga dito sa tulang inilalathala.
Nakakainis dahil nagmumukha na akong tanga.
Sa harap ng mga taong hindi sa ganito ako nakilala.
Sa tuwing binabalikan ang nakaraan,
Lahat ng mga tula at usapan,
Bigla na lang mapapangiti sa katangahan,
Ang puso'y makakaramdam ng matinding lungkot na di malaman,
Ang mata ay mamamasa at parang maluluha
At masasabi ko na lang sa sarili, 'ikaw kasi, ang tanga-tanga'.
Napapatanong na lang ako lagi,
'May nangyari ba?'
Bakit tumulad ka sa mga bula?
Nawala ka na lang bigla.
As in, poof. Abrakadabra!
May nasabi ba akong masama?
Nakukulitan ka na ba
Sa bawat 'ingat ka ha'?
Sobra na ba lahat ng lambing at alaga?
Sabihin mo, yun lang ba?
O baka ako lang;
Ako kasi yung tanga.
Ako yung walang kwenta.
Ako yung hindi maganda.
Baka nga, baka nga.
Sana nga yun na lang diba?
Mahal, ang sakit na pero ikaw pa rin talaga.
Hanggang ngayon pinapakinggan pa rin ang paborito mong banda.
Kung minsa'y binabasa ang mga likha mong obra.
Kunwari ako ang nasa piyesa.
Kunwari ako ang prinsesa.
Kunwari ako ang sinisinta.
Kunwari may 'tayo' kaso wala.
Kunwari ako yun, pero hindi pala.
Kaya ititigil ko na,
Dahil sobrang nakakatanga.
Mas lalo lamang akong umaasa.
Ayaw maniwala ng puso ko na wala ka na,
Kahit ang totoo ay di ka naman nawala
Dahil wala ka talaga,
Dahil ako lang,
Ako lang ang nagmamahal sa ating dalawa.
Ay teka, tayo pala.
Ako, sa iyo at ikaw, sa kanya.
Hindi ko na kayang manghula.
Para kanino ba lahat ng sinasabi sa 'king tula?
Lahat ba yun ay para sa kanya?
Sabihin mo na kasi, ano ba!
May nalalaman ka pang "hulaan mo",
Nakakainis ka!
Pero sige, wag na lang.
Baka pag nalaman ko,
Mas lalo lang akong masaktan.
Lalo na't hinala ko na para 'yun sa kanya.
Kaya naman tama na.
Lalo na't ang mga mata'y pipikit-pikit na
Dahil muli na namang nagbadya ang mga luha.
Kanina kasi'y meron na namang nabasa
Isang tula na sa puso ko'y tumatama.
Pati itong kanta sa tenga'y di ko na rin kaya
Paborito mo kasing banda ang kumakanta.
Kaya eto na.
Ito na ang huling tula.
Ito ang araw na titigil na sa pagluha.
Ito na yun, ang matagal ko ng kailangan.
Sinta, paalam na.
Hanggang dito na lang,
Ang huling tula,
Ang huling luha,
Na para sayo, sinta.
- Johanna M.L. “Luna Lone” D. Sibayan
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In Plagiarism and You(Tube), Hbomb says "If you consider something so obscure you can get away with stealing it, you do not respect it." Save that line for the next time someone tries to tell you that Roy Lichtenstein brought respect to comics as art.
It's since been pointed out that while Lichtenstein did copy one of Russ Heath's drawings of an airplane getting hit, the painting depicted above was actually copied off Irv Norvick, because Lichtenstein did this so many times to so many comic artists.
In Lichtenstein's defense, he was doing this in a time when comic artists frequently weren't even credited in the issues themselves. In his condemnation, he never even tried to check, nor has he made any move to pay or credit any of the comic artists who recognized their own work later on. Rather than elevating the "low art" of comics, he was widening the gap of financial success and respect even further.
The Hbomberguy of this story is art historian David Barsalou, who has now spent decades tracking down the original art and the names of the original artists used in Lichtenstein's most famous output. Here's the flickr gallery for the Deconstructing Roy Lichtenstein project. Frequently copied were Tony Abruzzo, Ted Galindo, Mike Sekowsky, Joe Kubert, Jerry Grandenetti, and dozens more Golden Age artists who aren't very well known in comics circles, let alone art history books. Many of them died in poverty. That's something that the Hero Initiative, mentioned in Russ Heath's comic above, aims to prevent.
Also, Lichtenstein didn't even paint Ben-Day dots. That's a specific thing.
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