Tumgik
#Sons of Feanor
curufiin · 2 days
Text
Hear Me Out.
So we all know Jirt has a vendetta against me I headcanon Curufin as being a very meticulous gift giver. He likes to give meaningful gifts, something someone may not expect or even appreciate in the moment, but years down the line they fully realize just how much thought he’s put into said gift. While this makes Curvo a favorite for receiving gifts from, this also means he has several weeks a year dedicated to agonizing over what kind of gift he should give. He can’t do the same thing twice. It has to be unique, it has to be thoughtful, and the birthday person needs to LOVE IT OR ELSE.
Well, Maglor’s birthday happens to be coming up.
Curufin, of course, knows that everybody and their dog is going to give Maglor either instruments, or something related to music. And of course, why not? He’s not Macalaurë for no reason. But this gets heavily in the way of new gifts. He can’t just make a new harp and call it a day, and he’s also made replacement strings for Maglor’s instruments already. He’s no good at composing, jewelry seems too impersonal, and he’s just realized that he really doesn’t know what Maglor actually likes.
Thus, Curufin starts freaking out.
Like hell he’s going to tell his brother, “hey. I don’t actually know what you like that isn’t music. Please tell me what to get you.” That would be like public humiliation. Instead, he continues to freak out for the next two days, until he gets an idea— an extremely stupid idea, but it’s the only one he has, so he gets to work. It combines his love for metals with Maglor’s love for music, gingerly set in an intricately carved wooden box. The song is just as carefully chosen: not a song that Maglor has composed, but the one which inspired him to pick up composing in the first place.
And as he makes sure the wind up mechanism works propery, he admires his creation: music in a box. Curufin can’t say he’s entirely happy with it, or that he’s even sure Maglor would like it beyond a need to be polite, but he has a reputation to keep up.
Thankfully, the birthday passes as soon as it arrived, and Maglor seemed pleased (and possibly even entranced) by the music that he had stuffed in a box. Curufin benefits most from this, of course: he could just stamp down new songs, make bigger and grander boxes with longer combs for more notes, and bam, brand new birthday present.
TLDR: Curufin invented the music box because he was out of ideas for birthday gifts for Maglor.
70 notes · View notes
eccentricmya · 3 days
Text
Sons of Fëanor and their mortifying ordeals
Amrod: the mortifying ordeal of being the first Fëanorion dead
Amras: the mortifying ordeal of being the alive Ambarussa
Curufin: the mortifying ordeal of being mistaken for your dad by your own mother
Caranthir: the mortifying ordeal of being known as red-faced
Celegorm: the mortifying ordeal of being the least fair of all fairs
Maglor: the mortifying ordeal of being the last Fëanorion wandering
Maedhros: the mortifying ordeal of being the eldest
55 notes · View notes
stitcherofchaos · 3 days
Text
If if the fëa reflects the hröa at the moment of death...
When/if he faded, Maglor had pure white hair due to the eons of grief. Celegorm finds Maglor in the Halls, seeing his older brother with his same shining white hair and finally understands the burden of both their guilt and the gravity of their sins.
It felt as if a train struck his fëa.
29 notes · View notes
welcomingdisaster · 22 hours
Text
House of Finwë + Gender Presentation In Valinor HCs
Disclaimer: I have not been able to find any actual canon on what is considered masculine or feminine dress for the Noldor. It might exist, and I might be blatantly contradicting it. I think I have some grounding in seeing associations between gold/yellow/Laurelin colors and femininity and silver/grey/Telperion colors and masculinity, but it seems elves of any gender will wear/be associated with/named after/etc either color, so I assume this association is somewhat loose, a little as red and blue to us.
Finwë and Míriel, during their reign: They had set the fashion for all of the Noldor courts, and, unlike the Vanyar, there had been to be a contrast between the sorts of fashions they wear; Finwë in well-fitted, sometimes almost figure-hugging dress in bold, bright colors, decorated with gems and embroidery along the collar, sleeves, and hem, while Míriel leaned towards loose, many-layered outfits with quite a lot of visual noise, often covered in embroidery head-to-toe but eschewing quite as many jewels (in part because she found the weight exhausting). She would also wear one or two rings only, to keep her hands freer, while Finwë's hands were heavily ornamented. Finwë's hair was usually done in a half-up half-down style and ornamented, while Míriel's was bound in many twisting plaits, often with colorful strings (or sometimes light dye!) worked into it. These differences were so influential that the associations between masculinity and tight-fitting clothes + freer hair, and feminine styles and looser-cut dress + ornamented braids remained long after Míriel's death, following the Noldor into middle earth.
Finwë and Indis, during their reign: Gender differences in court dress notably decreased during Indis' reign, though some remained present. Indis, fond of sport and horseback riding, preferred tighter-fitting, simpler clothes than her predecessor, and notably wanted to avoid associations with embroidery. Indis was also similar in height to her husband; when, once or twice, she was seen wearing his robes (pinned and styled to better suit her figure) it caused quite a stir in the courts -- whether it was seen as improper conduct or a touching display of devotion varied heavily on who you asked. Indis was, however, very precise with her hair, which was never seen loose; she braided it closely to her head, bound with jewels and pearls. She introduced hair-wrapping to Noldor courts, binding her hair with thick bright silks. This was always considered a highly feminine style, with men at most using a ribbon or two in their braids.
Findis and Lalwen: Findis styled herself often after her mother, but subconsciously favored styles which would garner the least attention; she tended towards looser, more flowering dress, with sleeves so long she could comfortably fidget without drawing too much attention to herself, and tended to keep her hair bound. Lalwen, on the other hand, was at times scandalously masculine in her forms of dress. She was one of the first noble women to wear parts of her hair unbound, and wore bright, simple styles, tailored close to her with a few statement-piece ornaments, a little as early-reign Finwë. She preferred heavily silver jewelry and sought out an association with Telperion. Upon meeting her for the first time, especially in riding-garb that hid her figure and before hearing her speak, strangers sometimes mistook her for her brother Fingolfin, which secretly pleased her.
Feanor, Fingolfin, Finarfin: Feanor often found himself caught between his desire to harken back to his mother in his modes of dress and the fact that his mother had, more or less, set the standards for what was considered feminine in his society (and his desire to appear masculine as the crown prince). He embraced the same visual noise that Míriel did, wearing tightly-tailored vests and corsets covered in embroidery, but in cuts of cloth tended to imitate Finwë's style. He too kept his hands relatively unadorned, for practicality's sake. Fingolfin was one of the first elves to embrace simplicity in dress, wearing darker or subtler robes broken up by a single splash of color; usually in the form of brooches. His long dark hair was sometimes left entirely loose except for one thin braid holding his hair from his eyes, bound with a few silver beads or sapphires, very distinct and masculine styles. Finarfin leaned rather neutral in his dress in his youth, mostly imitating Finwë by default, though he favored bright sunset oranges and pinks, yellows. However, after spending much of his time with the Teleri, he found he enjoyed their modes of dress, often wearing simpler, looser garments, often off-one-shoulder, rarely worn in Noldor courts. This preference was seen by some as feminine, and by some as simply somewhat foreign.
House of Feanor: From his youth Maedhros tended to heavily imitate his father in dress, often wearing ornate and heavily-embroidered robes. He was also often the first model for some of his father's jewelry pieces, and gained something of a reputation for being garish and loud in his dress. The cuts of his robes, however, tended to be firmly masculine, as appropriate to the first-born son of a crown prince. His hair he often wore down, in the single-braid-in-the-back style popularized by Fingolfin (though he would not admit to that inspiration).
Maglor tended to wear tight-fitting riding-clothes, often in greys, blacks, and dark-blues, ornamented only by silver jewelry. His dark hair he cut unusually short (just below his shoulders) and wore in a top-knot, half-up half-down, a working man's style popular among Telerin sailors. All in all his style read as very masculine to the Noldor, with just a touch of androgyny provided by the the loose-fitting silver-and-black cloak he wore often to formal events.
Celegorm dressed most often in imitation of courtly trends for young men, favoring hunting-styles. His most infamous moment was coming to court with his hair entirely unbraided, scandalous for elves of any gender-- a little as coming to court shirtless. Caranthir dressed in looser robes, though largely out of comfort rather than style. His jewelry tended towards large and chunky, without much visual noise. Curufin heavily imitated Feanor in his manner of dress, albeit often wearing even more jewels; he popularized five ear-piercings rather than the previously fashionable three.
Amrod and Amras, not particularly invested in the fashions of the court, tended to dress similarly to Celegorm, usually falling a few seasons behind the trends currently in court.
House of Fingolfin: Anaire was fond of a matching her husband, sharp and purposeful in her dress. She had particularly beautiful dark hair, which she wore in many braids as a crown upon her head, and of long, simply-decorated cloaks. Very distinctly feminine, but in a sharp, unapproachable sort of way.
Fingon's tendency towards feminine modes of dress was noticeable enough to get him pulled aside and talked to several times during his youth; he preferred layered and loose, dress-like robes, wore bright gold-lip stain usually associated with young women (men favored red and orange lip stain) and did entirely too much with his hair, always wearing it in great plaits. After a specific incident in court during his adolescence he was forbidden from binding his hair with headscarves for court-wear, but wove gold into it. His one touch of masculine saving grace were his many rings. The androgyny suited him well; his appeal to women was offset only by his utter lack of interest in them.
Turgon tended to imitate Fingolfin's manner of dress, albeit with brighter base-colors, favoring deep browns, golds, and reds. Gondolin would eventually grow to have very different gender-norms for its residents, and then Turgon would begin to favor almost toga-like dress during his reign. That, however, is a matter for another post. He was known for many ornate rings, and collar-like necklaces.
Aredhel leaned sporty/practical feminine, often imitating Indis, whom she was particularly close to. She wore her dark hair plaits bound with white, often decorated with diamonds, and favored white riding-clothes and golden jewelry, matching sometimes with Turgon.
House of Finarfin: [the ones I have headcanons for] Earwen embraced hyper-feminine modes of dress, both to the Teleri and the Noldor. She wore intricate gowns and cloaks with many layers as feathers, most often in silver, white, or blue. Her hair was incredibly long, and always woven into several long braids.
Finrod favored greens and blues, usually in adventuring, hunting, riding sorts of styles -- distinctly sporty. His long hair matched his mother's, and he wore parts of is down, threaded with lily flowers and jewels. His hands were covered in many rings, and generally he made the appearance of being a well-ornamented young man. In Middle Earth he would experiment with androgyny, but that is a story for another post.
Orodreth: Dressed in soft, simple colors, notably pale greens and grays. Not wanting to draw attention, he would usually imitate whatever masculine style was popular in court, but he did not seem particularly confident in them.
Angrod: Embraced his Telerin side often, and dressed similarly to his father. His hair he kept strangely short, just around his shoulders, and wore a top-knot as often as a braid.
Aegnor: Simple in his dress, usually modeling himself after Fingolfin but with rather less splash. He did not much like the weight of jewelry, and wore the minimum he could get away with. Most people considered him quite unfashionable.
Galadriel: Mingled feminine styles of dress freely with masculine ones. Wore her long hair completely unbound on several occasions despite many talking-tos. Decorated her hands with many rings, pairing this with riding styles, but was just as likely to wear a long flowing cloak or gown; often styled her hair with rubies and sapphires. Quite controversial in her style of dress.
23 notes · View notes
maironsmaid · 7 months
Text
Y'all need to see this omfg this is so good holy shit I'm so normal about this
2K notes · View notes
anattmar · 7 months
Text
“A king is he that can hold his own, or else his title is vain”, yes, Maedhros?
2K notes · View notes
runmienn · 5 months
Text
Tumblr media
Maglor
1K notes · View notes
aamuusva · 30 days
Text
Tumblr media
young Celegorm in the Woods of Oromë
817 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
all seven of them :)
621 notes · View notes
reizen-art · 3 months
Text
Tumblr media
Maedhros (study)
my (brand new) art. this time I didn't neglect to use references. I need to do this more often, I think.
871 notes · View notes
stormygopher · 1 month
Text
So like….. if Fëanor created the Palantíri……… and there were originally 8 of them….did…did Fëanor just invent the Middle Earth equivalent of phones so he could keep in contact with his kids???
574 notes · View notes
naarisz · 3 months
Text
Tumblr media
Back to Himring
787 notes · View notes
myceliumelium · 6 months
Text
Tumblr media
There's the whole set!
911 notes · View notes
unavidas · 8 months
Text
Tumblr media
exploring the sons of Feanor designs
From top left to bottom right: Maedhros, Maglor, Celegorm, Curufin, Caranthir, Amrod, & Amras.
1K notes · View notes
ofmiceandwomen · 1 month
Text
Tumblr media
It’s been a long time since I did any Tolkien art. @naarisz , thank you for this dtiys challenge!
482 notes · View notes
raven-6-10 · 2 months
Text
People like to talk about how sons of Feanor all go by their mother-names in Beleriand, except Curufin, and what it could mean about their character and their relationship with their parents but let's be fucking real: their father-names sound goddamn ridiculous in Sindarin.
Can you imagine it? "Oh, those are the sons of the infamous Feanor: Nailfin, Gonfin, Turfin, Morfin, Curufin, Pînfin and Findui."
427 notes · View notes