ALRIGHTY! Time to formally reintroduce yall to my silly idiot OC Dandy!
and by that I mean, I redid their ref art, tweaked their bio, and finally made a ref for their stupid pajamas! Wanted to do other fits for them but aa another time. Brain is mashed potatoes.
Anyway, Dandy is my silly WH oc who's main theme is self care/self love messages shown through the imagery of gardening! Meant to be a sort of "garden of the self" sort of deal. They go by ANY PRONOUNS! She/her or He/Him, or They/Them are all correct and okay to use when talking about them! (I just tend to default to they/them)
Putting their full bio under the break!!! So you can read it all there!
"Resident gardener of Welcome Home, Dandy Leon is a curious but careful presence among the others in the neighborhood. They enjoy the quiet and spending their time tending to their various flowers. While a little shy around their fellow neighbors, they open up quickly when asked about their garden. Despite their more introverted disposition, they're always determined to make every day just dandy!"
It’s presumed that Dandy makes appearances only in the later episodes of the show’s run. But in old scripts found with them, it's shown that they moved to Home specifically because they were interested in the local plant life there. The episode that featured their move in seemed to focus on them slowly warming up to the others in the neighborhood, as their shy nature made it difficult for them to properly meet everyone. When asked as to where they lived before moving to Home, Dandy mentions living in a farm town far away, simply deeming it "far more south from here!" A lot of their dialogue also mentions their father, though he's never named but instead mentioned passively as Dandy would often use phrases like "Well it's like my pop always said-" when speaking to the other puppets.
During their short time on the show, Dandy's segments seemed focused on care for their garden, the language hinting that the flowers were more a metaphor for taking care of oneself and well being. Other characters can be found pointing out how much better Dandy’s garden looks when they’re feeling happy, but also comment how wilted it becomes when they’re shown to be a bit more downtrodden. They feel strongly about how important it is to be kind to yourself, even if it’s a skill they’re shown to still be working on themselves. Their confidence is something they also struggle with, seemingly a character meant for shyer audience members to attach to and grow alongside with. Dandy is often depicted in illustrations with Frank, getting along quite well in the show, often joining him and Julie on small escapades. Before the show's end however, most of Dandy's screen time is with Wally as he tries to get Dandy out of their shell more to spend time around others.
Interestingly, what pronouns were used for them seemed to change between the show's episodes and illustrated materials. While neighbors would refer to them as 'he' during the show, most art pieces seemed to refer to Dandy as a 'she'. Whether this was simply a miscommunication between teams or a printing error is unknown.
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well, guess who lost control of my hands again and was compelled to scribble down designs for ANOTHER Deltarune AU? yeah. me. it doesn't really have a proper name yet so I've just been calling it Changeling AU for now, I'll figure that out later.
these would be the cast's dark world designs; they parallel early Deltarune concepts in which the lightners would turn into monsters in the dark world-- with a few medieval fantasy fae-flavored twists this time around. mortals become a variety of magical beasts in the fae's dark realm, with only 'Kris' strangely unaffected... aside from the hue shift and conspicuously pointed ears, that is.
the main 'Kris' of this AU isn't the only human in town. instead, they're ironically the only one in town who ISN'T human, though not even they know it yet. in reality they're a Changeling, a fae creature that was left as a 'gift' to replace a taken human child. they can do things, strange things. animals come to them in the night, and the cool touch of iron burns their skin. they're afraid of what they see in the mirror; human eyes don't gleam in the dark, and their teeth shouldn't be so sharp. so they hide their features, and they ignore the whispers of the townsfolk, and they keep their head down.
they made a mistake, a terrible one... and they need to set it right.
meanwhile, the human they replaced is still out there somewhere in the fae world, twisted by its curse into a cornered, desperate beast seeking any escape from the realm that has held them prisoner all their life. it's said that when the full moon casts deep shadows over the woods, you can still hear their anguished howls in the dark begging for the name that once was theirs. they can never leave the dark world without it. they'd do anything to get it back.
all they've ever really wanted was to find their way home.
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There isn't much discourse about how Mike went from saying that El was a weapon in s1, even encouraging the others to use El's powers when she was still recuperating after finding Will in the void, to then in s3 accusing the others of being reckless with her powers, saying she's risking her life for no reason.
Now, I want to make clear that I'm not bashing Mike here, this has less to do with what he's doing being right or wrong. What this is about is how Mike went from doing something himself, to calling out other people for doing it, without acknowledging that fact and why the writers chose to frame it all this way.
You might think it's insignificant, but these two following scenes are clearly being paralleled to each other. And so the fact that Mike himself is acknowledging this as something to be critical of, makes me wonder what exactly is going on in his mind...
I want to preface this scene from s1 by saying that Mike is giving very off vibes here. I know that I certainly viewed this scene as romantic the first time I saw it, but since rewatching it recently, I was getting completely different vibes.
They literally make a point to focus on Mike being distracted, on the verge of impatience. Then, the way El reacts upon Mike getting up abruptly, gives this feeling of uncertainty about Mike's consideration for her in this moment, as she's clearly not what's on the top of his mind right now. And it just makes you wonder, are we truly supposed to be feeling peak romance rn?
I never realized how out of place this scene was until now (or is it...). It's just such an odd choice to have El resting her head on Mike's shoulder for comfort, only for Mike to cut it short with him being distracted, and with Dustin and El looking awkwardly at Mike like "Okay?...", then followed by a scene where he's trying to convince the others to use El's powers to help.
Here we have s1 Mike displaying behavior that s3 Mike was calling out the others for displaying:
Here we have Lucas, who was very, very critical of El being dangerous ALL of s1, and yet now in complete contrast to that, he is showing more consideration and common sense for El's well being than Mike, the supposed love (at first sight) interest ...
'That's the most important thing, remember?'
A question, followed by Mike just standing there in silence, like he's only just now really thinking about El being safe as their main priority... This is something that combined with everything else unfolding over the course of this season and the seasons after, that makes Mike's behavior a whole lot easier to understand.
I'll have to make several other posts about this, because there are a lot of aspects to it, but for now I'm just going to focus on these two parallels.
Here we have what happens in s3, with Mike being critical of the others doing something he himself literally did in s1:
In fact, how careless all of you are.
THIS. When Mike makes it a big deal to call out everyone for doing something he himself has already done, he's outright admitting that it's something that he believes is wrong, and by not even slightly acknowledging his role in doing something similar in the past, it's very likely that he feels guilty about it.
This was probably his way of trying to make it right, by standing up for El in a way that he didn't before because he was treating her like some superhero and not a real person back then.
It's just that the word love slipped out, in the heat of the moment. And El, upon overhearing this, is seeing this development of Mike herself, with s1 Mike going from, yes being more kind and considerate than the other 2 boys in the beginning, but still sort of expecting stuff from her without her being able to verbally agree to it, to now having developed and changed to saying that one of his big priorities is her safety.
El is taking this as being evidence he went from not loving her, to loving her. Another reason why it's pretty obvious El didn't believe Mike's monologue, bc she herself witnessed Mike develop his apparent romantic feelings for her over time, and so him saying it was love at first sight, was probably the catalyst that made it abundantly clear to her that he wasn't being truthful, bc she knows it's not the truth. She's not stupid.
Again this isn't about Mike doing this back then or even the others doing it now as being bad vs. good, this is about the writers going about it this way, sending a message that Mike feels guilt, enough to try to make things right, but is apparently not ready to unpack the actual guilt that is beneath the surface which lead him to this point.
And then there's this scene, which... it's actually terrifying how obvious it is they instructed Sadie and Caleb to lean out of that shot with Will and Mike reacting to El entering the room... Like... It's SOO obvious when you watch it now what they're trying to hint at without saying it.
Not only are they hinting at Will's feelings, because that is part of it, they're also hinting at Mike's internal struggle. Will is always on the back of his mind whether he's willing to address it or not. And all while that is happening, he is feeling unaddressed guilt about how he treated El when they first met and spent that one week together helping her run away from the bad guys while also looking for Will, something Mike viewed as being worthy of El using her powers...
I'll have to make the other posts regarding this soon, because it all starts to click what's going on with Mike when you look at all of these things together.
While Mike is just a kid like pretty much everyone else in this story, and while he didn't mean any harm by asking El to help them find Will (none of them did), I think that's kind of the whole point?
I think that he got lucky superman landed on his doorstep, who just so happened to be in danger herself, giving him his own purpose to help her too, with her needing him as well, and so it became a situation where they both needed each other.
But because El could literally not speak, it's not like she could really voice her feelings about things they were doing, beyond yes and no. She had Lucas sort of being critical of her, with Mike encouraging El to do things that would make the others see her as being worthy of sticking around so they can find Will. It goes without saying she felt obligated to do these things, even if they didn't outright tell her she had to or else. We literally see almost all of these scenes with her doing stuff for the others being instantly juxtaposed with scenes of Brenner doing the same. It's not the same scale of severity, but it is an acknowledgment that although she is outside of the lab, she still feels like her powers are what define her and it's all people want from her.
I think what it comes down to, is that in that moment when she is sacrificing herself to the demogorgan at the end of s1, we are seeing in real time Mike realizing what he and the other's have been asking of her this whole time, without outright asking her.
And you can literally see the retaliation and devastation hit him all at once. The instant regret, where he's backtracking and El stops him from even trying.
'Goodbye Mike' singles him out, because while he was the one out of the three that showed her the most kindness from the start, he was also the one who at the end of it all, was still expecting her to risk her life for them...
And that just makes it hit so much harder when you think about how that made Mike feel in that moment.
And then in s2 how that impacts Mike and his journey going forward.
His breakdown at the end of s2 upon her return.
His behavior in s3-4, in relation to him juggling his relationship with Will and El, now that they are both in his life at the same time.
It all starts to make sense.
I won't go too much into it because those other posts are bound to be long with a bunch of pictures too!
But on that note, there's at least one thing Mike isn't acknowledging, and it's literally what led up to the unintentional love confession that then led us to 10 more episodes of miscommunication because of it...
It's going to be important for him to address this guilt for him to fulfill his arc and to also close off his expectations that he has to have a romantic relationship with El in order to keep her in his life at all.
The audience themselves seeing this and being forced to face it is also going to make it a lot easier for them understand why Mike did what he did, not only because he's a queer kid in the 80's who has every reason to doubt and repress, but also because he understandably feels sort of indebted to El after everything.
It's more complex than him just falling out of love with her and falling in love with Will because of XYZ.
I think there is a lot of guilt and shame and trauma connected to their meeting and the events that followed. And addressing that is going to give a lot of closure to the ending of the story and also the beginning.
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