Because I am infected with "loving my D&D characters too much" disease I have decided that my next really big video project is going to be a dramatic retelling of the events of our D&D game (the one Verity comes from).
I'm going to narrate it and I have the other players and DM on board to do voice lines for their characters. I want to storyboard the whole thing. The first video will be the entire first story arc that covers about 6-7 months of the campaign. I've spent most of the weekend turning my rambling campaign recaps into a script and I'm probably about halfway done? The whole thing may end up being close to an hour.
I am so excited.
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Mikhail and Vitali were inseparable; when they weren’t studying or getting into fights, they would hang out at Mikhail’s place to smoke and get drunk on cheap rum and vodka, to then pass out in each other’s arms and sleep most of the next day away.
They promised each other— no matter what would happen— they would never leave each other’s side. Yet after starting university and college respectively, they did not see each other for a little over six years, leaving them both heartbroken and wondering what went wrong.
by lucas expedidor // catch me if you can; eden // clementine von radics, from 'courtney love prays to oregon' // sam sax, cruising: a broken tiara // 'ceramic home' by heavensghost; quote from john murillo // 'something's changed' by laiikastears // i don't want to watch the world end with someone else; clinton kane // fortesa latifi, from 'the truth about grief' // audre lorde, the evening news // frank o'hara, biotherm (for bill berkson) // heading home; ruben // 'preface to a dream' by alessandra casini // tokyo; caroline kole // langston hughes, poem // haruki murakami, norwegian wood // julie buntin, marlena // by lute // by aleksandr popov // anyway; noah kahan // christa wolf, cassandra: a novel and four essays
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Somehow I stumbled upon your blog, and I gave it a read because you've certainly invested a lot of time in it, and bold of you to assume anyone cares about your poorly written character, lol. Let's pretend you don't message yourself to look important.
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Disco Harmony
[Image ID: a digital watercolor illustration, fanart for the game Disco Elysium. The image feels somewhat isolating, the majority of it filled only with a blue sky, nearly empty save for some sparse clouds, plus musical notes floating around two lines, swirling downward together to visually imply whistled tunes. The thicker line is a simple, swaying dark green trail—the other, a dark orange that loops around it in a thin, twisting melody. The lines end above Harry and Kim, who are sitting on an old, rusted swingset, staring out at a car half-sunk into the icy sea before them. They are viewed from behind, near a sparsely-leafed tree in the blurry foreground. The colors around the edges of the image all fade into a soft, Pale grey, which in turn becomes wispy and transparent.]
DRAMA - The tune on your lips forms a strange, yet undeniably beautiful contrast with the surrounding bleakness.
KIM KITSURAGI - The lieutenant gives you a quick glance. Then, still looking straight ahead, he joins you with a higher-pitched and slightly more melodic trill.
CONCEPTUALIZATION - Two birds on a wire, whistling by the seaside. Looking at the water. And a sunken car.
🎵 Want to be free
Burn, baby, burn
🎶 And the trees are green and overhanging
Feather-light, free, and everlasting
Doing a bit more watercolor experimentation in Rebelle, trying to wrangle water physics. The description of this scene stuck in my brain—because unless they both knew the song, you don't "just" casually, spontaneously harmonize with someone. They're either both very good with musical improv, and/or so ~in tune~ (hehe) with each other that it Just Works. (Which, yes, it's a symbolic story element of how Kim is perfect good at being adaptably exactly what's needed, a parallel to that one trust exercise idle they do.)
Either way, this struck my brain with the idea of using swirling lines (as ya do) to visualize the song as being the most solid and "real" thing, in what would mostly be isolating, empty sky. Everything else is watercolor (with ink lineart and airbrushed fog)—transient, transparent, and taking on the texture of the canvas—but the "song" was done in solid, opaque pencil.
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[Start ID. A drawing of @mieczmaszyna 's character Izzy. In the words of its creator, Izzy is a humanoid robot with a white chassis, oval head, black headset, square green glasses, claws, and a tail resembling a cable plug. Ai wears a cowboy hat, vest decorated by a star and bottle cap, pants with tassels, spurred boots, and a red bandanna. He's viewed from the side, kicking up one leg and holding both arms out in front of itself to shoot finger guns, looking excited and rather jaunty. The background is a dull yellow-green, muddied by the warm reddish tone of the drawing, and in paler green are the words "BANG BANG!!" by ais arms. End ID]
robot cowboy!!!
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[ID: a digital owl house comic spanning three images. Panel 1: The scene header reads "in the not so distant future, post hexsquad and C.A.T.Ts reunion" and features Luz, Lilith and Steve. They're in a forest and there's a tent in the background labeled "Camilla + hexsquad camp". Luz says "okay, so "owl house" is a game where King and The Collector reenact our adventures...using the people of the boilings isles sorta like NPCs in creatures and caverns...roleplaying as people from our lives!".
Panel 2: a close-up of Luz, resting her face on her hand, looking questioningly as she continues "hmm...but if everyone on the isle's been assigned someone from our lives to play in Owl House...then who's the collector playing?"
Panel 3: a shadow descends on Luz and she tenses up as a mysterious voice asks "isn't it obvious?"
The final "panel" is a full length image of the collector, dressed in Luz's season 1 outfit, floating above her menacingly as shooting stars and crescent moons swirl around him, the ground turning into a crescent effigy. White text sits above the collector, reading "I'm you". End ID]
Okay I had to post my predictions before we get a sneak peek. What better way to convince Luz her life is worth living than to have someone literally try to steal it!!
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Points at you. 10 and/or 11 for starstruck?
Two starstruck asks,,,,,,joy of joys,,
Part of an ask game linked here.
#10. What's an au you have for them?
Since them meeting at all is technically an AU i have 3 different ways that they do meet up. There's the one where Juniper ends up with the agency/adjacent to and ends up working with Reggie (have written a fic with this). The next one is Juniper surviving but basically going stealth and living as normal of a life as he can and ending up meeting Reggie through chance (most recent fic I've written). And then there's my personal favourite where Reginald "You're lucky my tracking skills are still up to snuff" Crane keeping himself busy after Phoenix was MIA and finding Juniper still alive (fic I want to write but haven't started mainly because it may end up multi chapter).
In terms of more AU canon bending taking them and putting them in a completely unrelated situation...I have a guilty pleasure Warrior Cats AU for IEYTD in general. Both JJ and Reggie have perfect warrior cats suffixes in their names already (Juniper and Crane) so they're called Junipersong (charcoal bengal) and Craneflight (tabby Norwegian forest cat). It's very silly but the amount of scenes I have in my mind for it...good lord...
#11. How was their first kiss like?
Augh my friend Imp wrote an absolutely excellent fic about it (tragically in the realm of unfinished Google docs) and I'm shaking their hand about it so hard. Basically Juniper kissing Reggie but he like wasn't ready/fully expecting it and Juniper absolutely panicking because he thinks he's misread every interaction between them both since they got closer. The second one is much sweeter though,,
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