the mh comics open up such an interesting narrative for our few surviving characters. to them, what happened in the videos was real, but to everyone else its a cool creative web series. when all of that is viewed as fiction, fans have a freedom to speculate about and invade the lives and privacy of real people. and that would be so uncomfortable and terrifying. imagine someone irl having headcanons about YOU. writing fan fiction about you and your real friends. assuming things about you PUBLICLY ! IN MASS!
wouldnt it be so cool to see a character grapple with that in like a self-reflective way? fans asking questions the muse is too afraid to ask themselves. of course, theyre the only person the answer matters to.
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I love the idea of a death wizard who parallels Malistaire pre-Sylvia’s death working together with Cyrus so much. Cyrus sees his brother in this child and it hurts because he misses his brother so much but it also worries him deeply. The wizard and Malistaire are so similar he can only hope that the trauma the wizard will have to live with after dragonspyre (and even more so after future worlds) will not make them into the man Malistaire is now. And really and truly, Malistaire is just a man overrun with grief over a loved one, which could so easily happen to the wizard. I think it would so interesting to see a villain arc very similar to Malistaires with the wizard
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Since Kojima’s been saying that the Death Stranding film is going to tell a story that can only be told through the film medium, I really hope it’s a prequel to the game. There are a lot of background events represented through text and dialogue that wouldn’t translate well to a video game format on their own.
It’d be really cool to see the start of the Stranding, Victor and Igor’s backstory (as seen in the DS novelization), snippets from Sam’s childhood/early years with Bridges, the development and construction of the chiral network, and most of the events described in Higgs’ journals.
Coffin’s decision to leave her family behind, start a terrorist uprising by radicalizing the porters who unknowingly abetted human sacrifices by delivering BBs for the chiral network, and the decision to adopt Higgs as her protégé? That story alone would be worthy of a film.
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Hello Triona
I have arived to keep you company and warm your sholder a little, and purr quietly to your ear to make this day a little calmer and nicer for you
Thank you Kredena :') <3 The warmth and cosiness is appreciated sm, its so cold here
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How do you feel about the fact that Bellatrix was Voldemort’s concubine/lover?
This ask prompted a real coleslaw of emotions.
Top level, I can't take the Cursed Child seriously as canon. I'm a purist about text to begin with — no word of God or adaptation can change what you put in the original books, and if the author wanted the text to be different, they had their shot — but, even if not, the Cursed Child is bad. Like, it's My Immortal type bad. It's the kind of bad that makes you glad it didn't come out closer to the original books + movies, or it could have had a Game of Thrones-type cratering effect on discussion and fandom. The Albus/Scorpius dynamic is cute — everything else about it sucks. It is a no-fly zone for good ideas. The Golden Trio are all twisted into funhouse mirrors, Voldemort has a daughter, and most perversely, the absolutely horrific mutilation of Cedric Diggory's character (in no world did that boy become a Death Eater! he was KIND AND DECENT! and he DIED ANYWAY! that was THE FUCKING POINT!!!!!!!).
Second layer: let's say that Bellatrix/Voldemort is canon and explored beyond the writers going "whoops gotta find a working womb for Voldemort's kid." That's a really interesting dynamic. It's a horrible dynamic! It's a motherfucker of an age gap to begin with, and it would have started when she was in her late teens to early twenties! Plus, she was married. To another man. So that would have to be explained? Because she obviously wasn't always so mindlessly devoted to Voldemort that she couldn't entertain connections with others? But that's not to say that I'm against it as a narrative decision. Tom Riddle is (captain obvious moment incoming) a Bad, Bad Man, and the idea of him seducing a younger woman is actually an understandable extension of his connection with his followers that's not explored in the books. Because, like: the Death Eaters are a cult! Riddle runs a death cult. Cults use sex to manipulate members. One of the oldest tricks in the book.
Third layer: this could be a kind of interesting move for Riddle, who as a villain is never developed all that much, and doesn't have much in the way of humanizing qualities. Because Riddle is anti-love as such. He doesn't believe in it, and if you believe Dumbledore, he's not capable of it. (I don't really love this take on the character, but I think that Riddle thinks this is the case, and Dumbledore is so grizzled and jaded by the years that he believes him. Dumbledore's great failure with Tom was never seeing past the person Tom wanted him to see — or, rather, looking at Tom and seeing Grindlewald when he should have seen Harry.) So for him to harbor enough affection for Bellatrix to take her as his (only?) lover, when he doesn't seem to need it to convince her to join him (and he doesn't really need her support, anyway) creates a wrinkle in the Story of Voldemort as we're told. It suggests that either Tom or Dumbledore (or both) is lying about his capacity for love— or at least his capacity for human attachment. And that Tom isn't so unique as either of them would like to believe.
Also, it adds a wrinkle to Bellatrix's character, too: even if they met when she was an adult, there's manipulation happening there that's clearly one-sided and unequal. or at least, there probably is. and if it's consensual, or if she aggressively pursued him— that's interesting, too. my point being: this isn't a bad idea, necessarily. it's a bad idea because i don't think the writers of the Cursed Child thought about any of that when they were trying to find a womb for the Voldebaby.
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love an ending that is 'happy' in that a desirable outcome is produced, but made complicated by the fact that the protagonist has given up something integral to themself in order to make it so. it's sort of uncool in some circles to admit you LIKE when characters give up something really cool for something pretty basic, but it's all about context and quality of storytelling, right? that sort of conviction - this is a part of my personality that i am permanently renouncing access to, and it's my choice, and i'm going to miss it, but i'm not going to regret it - that's compelling. ending in which a character who loves nothing more than the rush of finding the answer to a question is handed, one day, a puzzle they just don't want to solve. and that part of their life is over, but it's not a bad thing. maybe the answer doesn't need to be known. maybe not knowing it opens you up to a creative mindset you never had before. character who gains some kind of special power chooses to give it up not because they no longer love the ability, not because it hasn't improved their life, but because this thing they love comes with costs, is getting in the way of a life someone they love or loved and lost would want them to live. i'm glad it turned out this way. i miss the missing thing with all my heart. i would let go of it again if i was asked to choose.
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Curtain: As you see, children, you may be my greatest adversaries to date, but your childish naivete is no match for my formidable mental prowess. I, alone, have the power to predict every permutation, every possible outcome -
Constance: 867-39-0215
Curtain: - in order to thwart your efforts before they came to fruitio - hold up. Was that my fucking social security number
Constance:😇
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can't think too hard about kyoko bc if i try to think about that photo of her from her father's office where she's small and happy and her hands are unblemished and she can't possibly imagine the ordeals she will encounter. and then that which she DID encounter which turned her from that little happy kid to her now, cold, unyielding, blackened hands and a brain that won't stop, a perseverance that just keeps pushing her and pushing her, and a heart that is so so so afraid to let anyone in at all...i think im going to kill her grandfather
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Too 5 TV OTPs? In order if possible :)
...Now feels like a pertinent time to remind people that ships are personal opinions because I have no popular TVD OTPs tbh.
Caroline/Elena
Klaus/Elena
Caroline/Hayley
Bonnie/Elena
Jeremy/Anna
EDIT: LMAO TV NOT TVD I probably should've ate dinner before I answered this question....
anyway!
Dean Winchester from Supernatural/Elena Gilbert from The Vampire Diaries
Alison DiLaurentis/Aria Montgomery from Pretty Little Liars
Lenny Bruce/Midge Maisel from The Marvelous Mrs. Maisel
Rory Gilmore/Logan Huntzberger from Gilmore Girls
Chidi Anagonye/Eleanor Shellstrop from The Good Place
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