#ainotes | Explore Tumblr Posts and Blogs

mobagehelllocal · 3 years

Text

“lucky ending” extra notes i & iii

Hi, I said I would do it but then I released ver i so long ago that I felt I shouldn't do this unless I had another version out at least so yay! finally! ... I'll add ver ii here when I get around to writing it... *shifty eyes* So as usual, this is just my thought process and ideas while writing lol.

*please do not read if you haven’t read “lucky ending” ver i (dorm leaders) & ver iii (rook & lilia).

It was inspired by an anon ask and the button tradition from Japanese schools.

The anon ask went like this: First at all, I like do much your writing and I hope you are doing well. Second, I was wondering what would happen if the MC (Fem!s/o I guess) decided to not go back to her world, like she decide stay with her villain? Can you do make headcanons of this for the dorm leaders? Thank you very much. – from Anonymous

The button tradition, as narrated by the first years, is done when one person confesses and the other responds by giving them the button closest to their heart. In most Japanese uniforms it’s the second uniform, but in Twisted Wonderland--I looked at the ceremonial robes and the closest button should be the fifth. Maybe. I could be wrong.

The songs I listened to while writing this!

The original dorm leaders (and Rook) was written while listening to “Lucky Ending”, the ending theme of Fruits Basket. The English lyrics (translated by otenkiame!) are:

“Change is important. I want to do it well,/ but I wanna cry. It's still bad. I wanna cry”

“The word "goodbye" has disappeared completely from this world/ All that remains is me fooling around next to you/A day you don't laugh won't come anymore”

“I've understood it since being here/ These feelings of wanting to protect you aren't a misunderstanding/ If we can call what connects us bonds,/ everything changes/ everybody changes/ Even if in a different world, it'll never be different/ everything changes/ everybody changes/ Don't change, ever/ Stay here, stay here”

I think it’s obvious why I chose to use this as the title of the series. It’s a story about change but it’s also a story about the things you don’t want to change... And I think it’s not wrong to want to hold onto things.

I also listened to the same playlist that I listened to while writing “wendy?” “hello peter pan”:

“Can’t help falling in love” cover by Annapantsu, “If you’re not the one” by David Beddingfield, “Who Knew” by P!nk and “All Too Well” by Taylor Swift.

For Lilia in particular, I was listening to three Beauty and the Beast songs on loop. “Evermore” by Josh Groban, “Days in the Sun” by the live action cast and, of course--”How does a moment last forever” by Celine Dion.

“How does a moment last forever?/ How can a story never die?/ It is love we must hold onto/ Never easy, but we try/ Sometimes our happiness is captured/ Somehow, our time and place stand still/ Love lives on inside our hearts and always will”

Also for Lilia, Tolerate It by Taylor Swift.

“You're so much older and wiser and I/ I wait by the door like I'm just a kid”

“I made you my temple, my mural, my sky/Now I'm begging for footnotes in the story of your life”

Malleus was definitely the first piece finished. Closely followed by Vil’s. I believe there was a gap inbetween them before I did the others? I wrote bits and pieces of Leona, Idia, Kalim and Azul’s. I think I finished Leona, Idia, Kalim then Riddle because I distinctly remember saving Azul for last.

One of the most important things for me, is that each story stands distinct of each other. So I gave myself a really hard time trying to figure out how each one uniquely belonged to each of the characters.

For the Prologue... I think because it’s set at the graduation of certain characters, I used that to my advantage and implied the stronger bonds between the Yuu!Reader and the entirety of the cast. Because a lot of time has passed and I feel like--regardless of what other people believe, bonds will be made and relationships will have strengthened enough for it to happen.

Riddle is honestly another really difficult character for me to write. I generally do love him and I enjoy his story, but something about him is difficult and I’m not sure why.

I think a part of me is also really miffed because from Heartslabyul-Savanaclaw, you could feel that Riddle really cared for Yuu on some level but then he just straight up disappears come Octavinelle chapter. I feel like there was potential to develop their relationship even more.

He WENT UP AND TIED YOUR RIBBON I REMEMBER I WENT DOKI DOKI OVER THAT.

I feel like because I’ve established that it’s a Yuu!Reader, it’s impossible for this story to not include both Ace and Deuce. So of course they featured in really big roles for this one, being responsible for telling Riddle the story.

I have to thank my friend, Mes, for bouncing ideas with me. They were the one who suggested what I could do with Riddle’s story by having ADeuce play such a big part!

I also tried my hardest to include Trey and Cater, and I’m pretty happy with their cameo. In a way, they definitely helped Riddle figure out his own feelings for you.

My favourite lines are: “I think you earned that much. I don’t believe anyone’s ever been in your situation before so—there’s no right or wrong about what you’re doing. It’s all about what you want to do.”

I wish someone would tell this to Yuu in general though. They’re the only one who has ever been in their situation (to our knowledge at least) and like... they’re definitely allowed to be even more selfish.

Leona is someone who I used to dislike a lot. I never hid that. It’s primarily because of how disappointed I am in the story of Savanaclaw probably. But like, I was always concerned about writing him properly because I thought that it was only right that I did right by him, because there would be people reading these stories who loved him. And I felt like I had to do right by that love.

I think... it’s wrong to believe that characters... villains... cannot fall in love or “won’t fall in love.” I think it’s wrong also to think that “people don’t change for love.”

In fact, people do change. You definitely shouldn’t change yourself to be loved, but... people change all the time to be their “better” selves. So whose to say that a good person, who you love, will not make you want to improve yourself? Isn’t that what we want when we meet people? To fall in love with someone who will ultimately make you better and never worse.

Or so that’s how I try to write the Twisted characters when they fall in love... With an understanding that “morally” the person they are falling for is “kind” and “good” and how a part of them might just want to be better just for that person. (Especially Leona and Azul). They don’t necessarily have to be nice to everyone, but if they can be better for one person... We stan healthy character growth.

But yeah, Leona is driven by understanding that he’s a very selfish person. But that he’s also very unfortunate and he doesn’t want tie you with someone who, he thinks, is actually worthless. He probably, deeply, thinks you deserve more.

Though his selfishness eventually wins out and well... Won’t you forgive him for it? :) For tying you down to this worthless second prince?

I think his own self-awareness does make him try harder. Not for everyone or everything... but for you. Just for you. I think that would be Leona’s love language--spending time with you, trying for you.

He’d appreciate if you didn’t call him out on it though, that would be very embarrassing.

Looking back, I’m surprised that it was the only version where none of the other boys from his dorm showed up lol. Which means Ruggie is the sole character who has yet to appear in the “lucky ending” series, huh.

My favourite lines from his story that still leaves me breathless and patting my past self in the back: ““I’m home—” you said—even if a part of you felt that home should have been two green eyes, a cocky smirk, and a warm patch of sunlight on the grassy ground.”

Like honestly, what was I on? Who was she?

Azul is, like Leona, someone who is so keenly aware of the things he’s lacking. In fact, he’s someone who thinks he’s lacking when he’s probably perfect in some aspects. He might act proud but a part of him--I think--thinks its not enough. It’s never enough. He can certainly do better still.

In that light, it’s why he thinks he’s undeserving of a partner. Especially one who is “kind” and “understanding.” While ultimately, Azul deserves people in his life who are that and “accepting” of him--I think he still thinks he doesn’t.

And thats why he lets go of the Yuu!Reader. It’s why he doesn’t “chase” after her like Leona did.

It’s because he’s selfish, because he wants her--that he forces himself to let go.

Azul needs someone who’ll tell him that he is worth something and that he’s definitely worth the effort. So please praise him a lot until he’s crying in happiness. I’m sure it’s the one thing he’s always wanted to hear from people around him.

Also my Poly!Octavinelle Agenda has never died and I am pleased Past!Ai got away with so much Poly!Octa hints in this story lol. But honestly, regardless of wht Octavinelle says... god, you can tell they genuinely care about each other.

I recently rewatched Octavinelle’s chapter and... by god, the amount of things I missed out on first watch. Jade’s concern when he realized Azul wanted to get rid of that photo... The fact Floyd was so willing to drop the fight to return to Azul too... Anyways, Poly!Octa Agenda for life.

Favourite lines: “Azul’s pathetic whimpers turned into guttural sobs. His fingers spread to cover his eyes—and his glasses slid off his face, down to his lap and then to the ground—at his actions. His whole body shook as he cried his heart out.”

It’s not as poetic as a lot of my other favourites, but for some reason these lines always get me when I reread them. There’s something so visceral about it.

Azul’s piece is probably the least visually stimulating out of all these stories? His was so emotionally driven compared to the others and I worried a lot about that.

I think I remember I was crying so badly as I was writing this.

Kalim is really hard for me because I feel like I struggle a lot with finding conflict in his character? He’s such a genuinely nice person, I find it hard to believe that the Yuu!Reader would feel alienated from him or something. So I brought in “environment” to get in the way.

My use of celestial imagery for Kalim is because of the Scarabia trailer! I really loved how it put Kalim as the sun and Jamil as the moon. I definitely will take advantage of that when I get around to writing for Jamil.

So because I wanted to use the sun, I chose to use the idea of comets for Kalim? I think I remember something about how meteors are drawn to the gravitation pull of the sun and can “escape” it or “be destroyed” by it. Haha, hot.

Jamil is someone who ultimately cares about Kalim too and I had fun writing his banter with the Yuu!Reader. I think I wanted to decribe the shadows licking his face reminscent to the marks from his Overblot but... I felt like doing that would give Jamil too much focus so I ultimately decided against it.

It would’ve been hot though.

Oh yes, one thing I wanted to talk about is Kalim’s rushed proposal. I remember people talking about it in the tags, comments... even in asks at that time. The reason he does it is because he’s someone who didn’t realize his feelings until you spelled out your own. It was a sort of: “Oh. Right. That is the word I’d use to describe my feelings.”

My favourite lines from his story is: “How does one bid goodbye to the sun?” and “No one ever willingly bids goodbye to the sun.They spend the rest of their lives trying to find the right way back to it.”

My god, who was this genius.

Vil is probably the most visually stunning out of all these stories. I feel like my stories go from super vivid imagery and setting to just complete emotional disasters lol. (Vil being the former and Azul’s being the latter... not that it’s bad, it actually suits the characters).

Oh man, I remember thinking that Vil is such a hard character to write because we don’t know what his motivation for perfection is. All we knows is that he wants to be the best but, why?

It’s like, for example, Idia. His motivations could be otaku-related. He doesn’t want to go to class because he’d rather go play or something. That sounds in character--but Vil was so hard because he wanted perfection.

But we already see him as such a perfect character, so what else did he need to be even more perfect? In that light, Chapter 5 did a really good job on presenting Vil’s motivations.

But honestly, I think I can comfortably say that the Vil I’ve written so far is pretty accurate? To his character. I’m really grateful I read his chat lines because his comment about intelligence really got me thinking about his possible motivations. It made it really easy to understand that Vil wasn’t like majority of the real world’s influencers.

One other thing that I was really happy about with his story is the use of the flower language. It’s something I hope I can use more because it’s so beautiful.

Oh! And the roses the Yuu!Reader talks about are double delight roses. They are specifically bred to have two colors--yellow in the center and pink on the outside. I thought it fitting that the Yuu!Reader breed special roses for Vil.

They can be called... err... Vil Roses?

My favourite lines from his story is: ““My happiness will not be dictated by others—no, Vil Schoenheit is a person who will grasp happiness with his own hands.” [...] “I’m giving you this button because I’ve already found happiness by your side.””

This line was actually inspired by Zelda C.W.’s MYth series. Specifically Hera’s story, Will.

Idia ...for him, I somehow had a very hard time imagining him trying to tell the reader to stay. Like that didn’t compute for me? I felt like his version was better approached in a more comedic light somehow.

I also felt that it would be cuter if the Yuu!Reader had already chosen to stay and Idia would need to hastily retrack his confession... Unfortunately, Yuu!Reader won’t let him.

Honestly looking back on it, I wonder how much of Chapter 6 is going to make me scream and want to rewrite Idia’s part?

My favourite lines from his story is: “He was never particularly good at lying—nor was he good at keeping secrets from you. You were a person he considered a dear friend—and he was always the type of person who ended up spilling everything to you. He liked being able to talk about the things he enjoyed—he liked that he had found someone who wanted to hear him out.”

A lot of my interpretation for Idia is closely linked to personal experience as an anime, manga and gaming fan. It was just a couple of years ago where people would actually be bullied for liking these things--but nowadays its become a norm. It’s... stunning actually but it makes me happy to know that maybe nobody will be judged for loving anime.

That being said, Idia’s longing to find someone he can talk to is something I really relate too--back then, it was so difficult to find someone to talk to about my interests... So I interpreted Idia as much the same. That what he enjoys about the Yuu!Reader is their ability to simply sit and listen to him talk.

Malleus... man, recently I’ve been starting to fall in love with him all over again. He was my first oshi ever... Anyways, moving on. You think I’ve talked enough about immortal x mortal but nope, we are not done. I love this theme in general, romantic or platonic.

I will never shut up about it you can’t make me.

Sebek having a good enough friendship with Yuu!Reader is such a delicious concept. Like mutual respect and Sebek understanding that Yuu!Reader gives Malleus a different type of companionship that Sebek, Silver or Lilia couldn’t...

And also, ultimately, Sebek and Yuu!Reader do love Malleus. In different ways, but I like the thought of Sebek respecting that and respecting the Yuu!Reader.

Me realizing just now that Silver joins Ruggie in the: “has never appeared in a lucky ending fic club.”... Sorry Silver, I swear soon. Once we get more content on you.

Celestial themes for Malleus are primarily, again, because he only ever seemed to meet you at night. And I thought it would be wonderful, if you were a bright spark to him.

Favourite lines are definitely: “Oh, bright light… I would prefer to live the rest of your life by your side… rather than spend centuries contemplating what it could have felt… to hold you in my arms.”

I am, always, going to be such a big sucker for the idea of immortals constantly remembering and loving mortals. Always holding them close in their memories, because in that way--their lovers have become immortal with them.

I also like to imagine that he eventually figures out a way to connect your worlds together so you can still talk to your friends and family from that world. He is one of the most powerful magicians around, I’m sure its possible.

Rook was honestly the most difficult piece for me to write because he’s so hard(?) for me to understand. He’s a mess of contradictions honestly and I... guess I’m excited to see what he’ll do come Chapter 6.

I actually rewrote his story so much. I got about 500 words with a different idea/plot in mind before deleting that completely and restarting from scratch.

I feel like Rook is someone who talks big and talks about love without actually knowing what it truly might feel like. He’s someone who doesn’t understand it and ends up mistaking it for his fascination.

Aside from me enjoying inserting other characters from the same dorm as much as possible, I felt that Vil was the perfect person to snap some sense into Rook.

Epel’s appearance there is basically to reflect how much I really hope the first year kids get really close to one another.

Rook is also someone who I think, doesn’t try to explain himself too much. He’s someone who I think talks a lot, but if people don’t understand him then he doesn’t need to be understood? That’s my impression. Lol, when “lucky ending” became a character study.

I also really loved the idea that Rook was fine with people running from him--to him that makes it all the more thrilling. But then you start running away from him and that just ends up making dread pool in his stomach.

My favourite lines from his story: “‘When something ends, it must be sad. So, tell me then, how an ending could be so beautiful?’ [...] .‘But there was one ending that was beautiful, non?’ [...] ‘That’s right. ‘They lived happily ever after’—are those not the words that define a beautiful ending?’”

I used the dusk metaphor for Rook. My idea is that he starts seeing dusk as an ending and how he can’t fathom how any “ending” is beautiful. When a story ends, it’s not beautiful to him, humu. But when that ending is the happily ever after then... That makes all the difference.

Lilia was actually easier than Rook’s but also fairly difficult. I had written the middle of Lilia’s piece while stumped on Rook’s actually. Lilia’s was probably easier because I love the idea of immortals and mortals.

I don’t really like the idea of mortals becoming immortals. Like, yes, it’s certainly sweet and spending eternity with a one true love is definitely the best possible ending but... I think there’s so much weight in an immortal choosing to love a mortal while knowing that they will ultimately lose them.

The biggest theme for Lilia is definitely time.

Thinking about it now... There’s been a lot of things in real life that’s just... Made me think about how we have less time than we actually think we have. And I think I ended up channeling that through Lilia... Though I feel like it is ultimately things Lilia would think about though.

The most important imagery would probably be the stars.

I honestly wanted to avoid it because I used celestial imagery for both Kalim and Malleus but the words just flowed out in a way that I felt that I couldn’t replace. So I went with it.

Lilia is no stranger to loneliness. One of the reasons he feels less alone is because he has family now and he doesn’t want to rob you of that. Family is so important to him because they are people who are meant to be with you--they are people who will make you less lonely--or so thats how I think? he thinks.

My favourite lines from his story: “He would relish in the way—You made the world pause. You made a moment extend into an eternity. You made an immortal crave just a little more time.”

I’m so immensely proud of this one? I don’t really have much else to say. There’s something so raw about it that I love. Also the part where it continues on to say that “Because there is never enough time.”

Me realizing my extra notes is just half me simping over these characters, half sharing headcanons, have actually giving good advice? perspective?, half song lyrics, half character study/analysis?

“lucky ending” is about change. Whether we want them to happen or not it’s... the human condition to change. For better or worse, we change--day by day. I think we all operate under a small panic about how everyday things are changing...

But “lucky ending” is also about the things that don’t change. Won’t change. Will never change. The things worth holding onto, the thing worth fighting for... or so I’d like to think.

#aimuses #ainotes #ai lucky series #twst #twisted wonderland #its 6 AM HEEHOOO

49 notes · View notes

quacklr-blog1 · 7 years

Photo

sept. 24 // third week of september bujo spread + cute mini haul

#studyblr #bujo #bulletjournal #flowers #washitape #ruler #muji #gudetama #holika holika #eyeshadow pallete #sumikkogurashi #stickers #tombow #colored pencil #pastel #ainotes #aesthetic #cute

326 notes · View notes

koizumicchi · 2 years

Text

東京サニーパーティー English Translation

東京サニーパーティー Tokyo Sunny Party

HoneyWorks feat. Suzumi Hiyori Hattori Juri Nakamura Chizuru

kanji from

-----

さぁさぁ始まりました高校生活はたしてハッピーエンドで終わるでしょうかもしかして彼氏なんてできちゃったり!? JKライフ謳歌せよパーティー！

Saa saa hajimarimashita kōkō seikatsu Hatashite happī endo de owaru deshou ka Moshikashite kareshi nante dekichattari! ? JK raifu ōkase yo Pātī!

Now, now, our high school life has begun Will it end with a happy ever after? Perhaps I could have a boyfriend!? Rejoice our JK life Party!

もう全然ダメダメだテスト勉強数学なんて使わないじゃん微分積分何とかなるっしょ！必殺一夜漬けでね笑顔で乗り切れ3人娘ハレバレ！

Mou zenzen dame dame da tesuto benkyō Sūgaku nante tsukawanaijan bibun sekibun Nantoka narussho! Hissatsu ichiyadzuke de ne Egao de norikire sannin musume Harebare!

I can’t take no more! No more! Studying for an exam We don’t even use mathematics, (or) integral calculus We can do this somehow! A fatal last minute cramming Three girls overcoming it with a smile Sunny and cheerful!

ご褒美はスイーツライブも行きたいなお泊り会して恋バナ

Gohōbi wa suītsu Raibu mo ikitai na Otomari kaishite koibana

The reward is sweets I also want to attend a LIVE Having a sleepover and exchanging stories of love

秘密なしだかんね！ Himitsu nashi dakan ne! There are no secrets between us! Foo!

ヒロインJK目指せモジモジしてらんないモブなんかじゃいられない (Uh-uh-) 好きなことで進め後悔なんてしない我慢なんてもったいない期待のJKなんですハラハラしてください優等生じゃいられない (Yeah yeah) 言いたいことは言ってやりたいことはやって我慢なんてしてらんない JKライフ謳歌せよパーティー！

Heroine JK mezase Mojimoji shiterannai Mobu nanka ja irarenai (Uh - uh - ) Suki na koto de susume Kōkai nante shinai Gaman nante mottainai Kitai no JK nandesu Harahara shite kudasai Yūtōsei ja irarenai (Yeah yeah) Iitai koto wa itte Yaritai koto wa yatte Gaman nante shiterannai JK raifu ōkase yo Pātī!

Aim to be a heroine JK I can’t stay fidgety I can’t afford to be a background character (Uh-uh) Walk forward with what you love Don’t have regrets It’s a waste to hold yourself back I’m a JK with expectations Please make it exciting There’s no need to be an honor student Say what you want to say Do what you want to do No need to hold yourself back Rejoice our JK life Party!

テストも終わった打ち上げだｰ！カラオケ行こ！いいね！金おは合いの手たのむ！「OK！」推し曲ロメオデュエット「さあおいで」「ちょ！ちょ！」放課後全力3人娘ハレバレ！

Tesuto mo owatta uchiage da! Karaoke iko! Ii ne! Kin yo ha ainote tanomu! `OK!' Oshi kyoku romeo duet `sā oide' `Cho! Cho!' Hōkago zenryoku sannin musume Harebare!

A celebration after our exams! Let’s go to karaoke! Nice idea! I’ll borrow some money! “OK!” Let’s have a duet of my oshi song Romeo “Saa, oide~” "Jump! Jump!” Three girls at full power after-school Sunny and cheerful!

のろけ話聞いてバイト愚痴も聞いてお泊り会して夜更かし

Norokebanashi kiite Baito guchi mo kiite Otomari kaishite yofukashi

Listen to me speak fondly of my love Listen to my complaints about my job Staying up late at our sleepovers

カロリー解放日！ yeah！ Karorī kaihōbi! Yeah! A calorie liberation day! Yeah!

ヒロインJKなってモテ期で悩みたいかませ犬じゃいられない (Uh-uh-) ネガティブなんてボイでポジティブ抱きしめて青春するの照れないでルーキーJKなんですドキドキしてくださいセンパイ達にも負けない (Hey hey) 苦手もちょっと挑戦大好きもっと磨け芋女って言わせない！ファイティン！

Heroine JK natte Moteki de nayamitai Kamaseinu ja irarenai (Uh - uh - ) Negatibu nante boi de Pojitibu dakishimete Seishun suru no terenaide Rūkī JK nandesu Dokidoki shite kudasai Senpai-tachi ni mo makenai (hey hey) Nigate mo chotto chōsen Daisuki motto migake Imo onna tte iwasenai! Faitin!

Become a heroine JK *I want to worry about being popular I can’t afford to be an underdog (Uh-uh-) *Boycott being negative Embrace being positive Don’t be shy to enjoy the springtime of life We are a rookie JK Please make it heart-pounding I won’t lose to our seniors (hey, hey) A bit of a challenge even if I’m not good at it I love it so I’ll improve myself further I won’t let you say ‘bumpkin girl’ Fighting!

友達だよね当たり前っしょお泊り会してパーティー！

Tomodachi da yo ne Atarimaessho Otomari kaishite pātī!

We are friends, aren’t we? Of course A sleepover party!

秘密なしだからね！ Himitsu nashi dakara ne! There are no secrets between us! Foo!

ヒロインJK目指せモジモジしてらんないモブなんかじゃいられない好きなことで進め後悔なんてしない我慢なんてもったいない期待のJKなんですハラハラしてください優等生じゃいられない言いたいことは言ってやりたいことはやって我慢なんてしてらんない JKライフ謳歌せよパーティー！

Heroine JK mezase Mojimoji shiterannai Mobu nanka ja irarenai Suki na koto de susume Kōkai nante shinai Gaman nante mottainai Kitai no JK nandesu Harahara shite kudasai Yūtōsei ja irarenai Iitai koto wa itte Yaritai koto wa yatte Gaman nante shiterannai JK raifu ōkase yo Pātī!

Aim to be a heroine JK I can’t stay fidgety I can’t afford to be a background character Walk forward with what you love Don’t have regrets It’s a waste to hold yourself back I’m a JK with expectations Please make it exciting There’s no need to be an honor student Say what you want to say Do what you want to do No need to hold yourself back Rejoice our JK life Party!

パーティ！ Party!

-----

Notes:

> JK - jyoshi kousei (high school girl)

> モテ期 - as in a period of time when you’re experiencing romantic attention more than usual

> idk tbh, i just went with my first thought lol

-----

T/N:

“It’s so good to be young ne.” I say, as if I’m not in my early 20s wwww I have so much fun translating this! Such a fun song! Thank goodness I made it in time!!! Happy Heroine Tarumono Release!!!!

Keep in mind that Japanese and English aren’t my first language. I never claim my translation (attempts) to be error-free. As always, if you’re going to use or reference my translations, please do not claim it as your own and credit me.

#honeyworks #heroine tarumono #tokyo sunny party #nakamura chizuru #suzumi hiyori #hattori juri

51 notes · View notes

viohra · 4 years

Note

11, 15, 16, 47 ^^

11) Preferred way to spend a rainy day?

Either sleeping, watching shows/movies, or cuddling with someone

15) What coffee drink would you describe yourself as?

Irish coffee with extra cream (depressing yet tasty and comforting)

Hot chocolate with 2 espresso shots and a little bit of cayenne, nutmeg, and cinnamon (weird but very good)

16) Pick a song lyric to describe your current mood (and drop the name and artist!)

Kun elämässä kaiken menettää / silloin vapaus on ainot mitä käteen jää

Haloo Helsinki — Vapaus Käteen Jää (when losing everything in your life / freedoms everything you got)

Just give me one fine day of plain sailing weather / And I can fuck up anything, anything. / It was a wonderful life when we were together, / And now I've fucked up every little goddamn thing.

And I can almost find the words, but I can see the way you'd / Fold your hands, speak my name like a curse / Upon your pretty lips, the pressured white behind your fingertips. // And when you see me for all that I am / I couldn't make mistakes to make a difference any more. / I'd throw myself down on my knees, at your hands, / And beg you for forgiveness for my fuck ups and my faults. / And maybe you'd relent and return my hope for our forever, / Lift up your precious hands, and then bring yours and mine together, / So just give me one fine day of plain sailing weather.

Frank Turner — Plain Sailing Weather

47) How do you top your ice cream?

with more ice cream

With a crunch mix. Tbh I don’t know what it is, it might be like fried finely chopped peanuts, I just call it crunch mix, but it’s rare to find

Irish cream

#ask

2 notes · View notes

bjstuffs · 5 years

Photo

Reposted from @almeteor - It’s my life.Its now or newer. I ainot gonna live forever. I just want to live while I am alive... #bonjovi #almeteor - #regrann https://www.instagram.com/p/ByJekQEB2kT/?igshid=ohc58lfdgg67

#bonjovi #almeteor #regrann

2 notes · View notes

langitmalamberbintang · 1 year

Text

💙وهو بكل خلق عليم

#ainotes

1 note · View note

dickinsondickinson2-blog · 5 years

Text

Network Turns To IOS Software Maker Press For Draw

Final Fantasy App with Final Fantasy VIII Triple Triad Card-Game included continues to be announced for iOS & Android, Squareenix revealed. You're able to play for free, but you then'll have to obtain it for people$9.99, that we assume is entirely worthwhile through the very first several objectives. You play being a pet with a Pop-Tart body, along with steer clear of asteroids with a big spectrum, while collecting celebrities and the target of the sport is always to fly-through house. Still, even although you stick for a lengthy stretch of moment with two or the identical tank, the web battle stays plenty entertaining. After wowing over participants on iOS the cool puzzler ZEZ Increase from Shane Response: Zombie Rush creator Artbit Studios has eventually built its triumphant appearance to the Android podium. Given that http://cosmeticos-ro.info/ 's just one of these games which will keep you just wanting to continue enjoying, it's well-worth its low cost while in the app store. The Playground method exists to allow you to experiment outside of the principal questions, so when more ranges get additional, it'll be fascinating to see the way the current Game Core integration evolves. Nonetheless, nevertheless, a category that is relevant has not been expanded nearly as quickly as being by the genre, that of the games tips (or dictionaries) apps. When you've outgrown the games and even stuff like Competition: Treatment is currently sporting a little lean, this is where you proceed. When I doubt lots of people is going to be thinking about knowing how this course works (you cannot do much with-it to alter your recreation), I will hold off on conveying it for that sake of time. The colour choices made genuinely look excellent, plus the game is given an unique special look by them. For all your shoot-'em ups that Android has it 's nevertheless strangely lacking in the peculiar Parodius style division, anything independent facility Mowy Enjoyment musthave been looking to fix together with their trippy hand-drawn against shooter Vision Globe which features' release an army of giant anthropomorphic eyeballs that look like they got straight out of a comicbook in the 50's. Search no further than Asphalt 8: a well liked video game among customers, Airborne if you are into driving. Bunch the overall game in your iPhone, goto Create, once you are content with your amounts, and you there you might find your developed level packs. http://cosmeticos-ro.info/ is about another new zombie sport, or even the video game that gives a new twist to an old classic. The game performs just as well around the Pixi as the a lot more expensive iPhone, along with the spotlight could be the , place conscious that is great high-score method. Although this might appear to be a discussion and variation, what the arrangement actually does in practice is remove lots of motivation to misbehave. Lots of games and I have enjoyed about the iPhone since the adjustments were not too planned where monitor realestate turned an issue,, which means this is really a welcomed addition. Make sure to get-out there if you've ever wished an effective Startrek recreation and perform Outthere. Get this really exclusive 4- puzzler from Google Play for the mindbogglingly low-price of free. A runner at-heart, Tin Man Can borrows a few ideas from Little Wings and gives a lovely game. However, that may happen promptly because the game is not specially extended, but then you can nevertheless get returning more if upcoming updates carry some unlockable treats and extended duration. Featured as iPhone Recreation of the Week on the number-one along with iTunes settled app in america, along with a great many other places. EA has put its total iOS recreation list on-sale for the extended Day weekend, sometimes slashing charges by half. Additionally, it rings true considering that Google does not vet any apps going into the Android market so it's unsurprising that spam accounts for such a large percentage of apps published. Mushroom Era: Time Venture is really a game that, for me personally, demonstrates to you should not determine an Android sport by its icon. Admob calculated that android application revenue were only 2.5% of the App Store over a regular schedule late last year. When the sport sorta kinda declare and is like a combination between solitaire, poker, you ainot mad; Sage Solitaire actually merges elements from both games. Threes includes a soundtrack that is great and it is a gratifying game that keeps you coming-back for more.

1 note · View note

the-firebird69 · 3 years

Text

AInot in the Hawaiin circle or not bg would know if not it is then in te UK and massvie war will occur there if so as it implieshtey took it. how to tell for you s well. notsure. Thor

https://www.youtube.com/watch?v=ZavBTKXUTjg

0 notes

aphroditeproject · 3 years

Photo

(Scroll down for English) Aφροδίτη* / Οι γεωγραφίες της*, οι συνέργειές της*, οι διασταυρώσεις της*

To κουίρ-φεμινιστικό φεστιβάλ Αφροδίτη* ξεκίνησε το 2018 στην Αθήνα επιδιώκοντας μια μακροπρόθεσμη σχέση με εγχώριες και διεθνείς ΛΟΑΤΚΙ+ φεμινιστικές κοινότητες. Μέσα από προβολές καλλιτεχνικών ταινιών, διοργάνωση συζητήσεων και εργαστηρίων το φεστιβάλ Αφροδίτη* επιμελείται και παρουσιάζει καλλιτεχνικά και ακτιβιστικά πρότζεκτ, που καταγράφουν τις ιστορίες και τις γλώσσες των κουίρ-φεμινιστικών υποκειμένων, τις πολιτικές των σωμάτων και των συνόρων. Το φεστιβάλ Αφροδίτη* 2020 αφουγκραζόμενο την άνοδο της ακροδεξιάς και του συστημικού ρατσισμού, που απειλούν ευθέως πρoσφύγ(ισσ)ες*, μετανάστ(ρι)ες* και ΛΟΑΤΚΙ+ φεμινιστικά υποκείμενα, πραγματεύεται τις έννοιες της γειτνίασης, της απόστασης, της σεξουαλικότητας, του σώματος και της οικειότητας στο βαλκανικό πλαίσιο. Αναρωτιόμαστε πώς βιώνεται η ευαλωτότητα, ο εγκλεισμός, ο περιορισμός της μετακίνησης και οι πολιτικές των κλειστών συνόρων, αλλά και ποιοι νέοι τρόποι επαφής αναδύονται μέσα από αυτούς τους περιορισμούς σε σχέση εξελισσόμενη συνθήκη της πανδημίας. Πιο συγκεκριμένα, το επιμελητικό εγχείρημα του φετινού φεστιβάλ αποτελεί μια εναρκτήρια προσπάθεια που θα συνεχιστεί και την επόμενη χρονιά, αποβλέποντας στη δημιουργία μιας πλατφόρμας κουίρ-φεμινιστικών ομάδων και συλλογικοτήτων από τις όμορες βαλκανικές χώρες (Αλβανία, Βουλγαρία, Ελλάδα, Β. Μακεδονία, Τουρκία). Πρόθεση μας είναι να συνομιλήσουμε με κουίρ-φεμινιστικές καλλιτέχνιδες* και συλλογικότητες, και να αναδιαπραγματευθούμε το αφήγημα που αφορά στις ιδιαιτερότητες της Βαλκανικής χερσονήσου, το οποίο βασίζεται τόσο σε πολιτισμικά στερεότυπα, όσο και σε αποσπασματικές ιστορικοπολιτικές συνδέσεις, γνωστικά κενά και οξύμωρες συγγένειες. Το φεστιβάλ Αφροδίτη* 2020 με τίτλο “Οι γεωγραφίες της*, οι συνέργειές της*, οι διασταυρώσεις της*” περιλαμβάνει την προβολή ταινιών και βίντεο που επιμελούνται κουίρ-φεμινιστικές συλλογικότητες από τα Βαλκάνια. Το Sofia Queer Forum είναι ένα εγχείρημα από την Βουλγαρία που διερευνά το φύλο και τη σεξουαλικότητα με τα μέσα της σύγχρονης τέχνης. Η ομάδα Tiiiit! Inc. διοργανώνει το μοναδικό φεμινιστικό φεστιβάλ στη Μακεδονία - Prvo pa žensko (Είναι το πρώτο και είναι κορίτσι) και τις δραστηριότητες της πλατφόρμας Matka (Μήτρα) που υποστηρίζει την ελεύθερη πρόσβαση σε ασφαλή και νόμιμη άμβλωση. Η Alliance Against LGBT Discrimination (Aleanca LGBT) είναι μια αλβανική μη κυβερνητική οργάνωση που οραματίζεται μια ελεύθερη, ανοιχτή και ισότιμη κοινωνία που περιλαμβάνει άτομα όλων των σεξουαλικών προσανατολισμών και ταυτοτήτων φύλου. Το Pembe Hayat Kuir Fest διοργανώνεται από την Pink Life, την ένωση αλληλεγγύης λεσβιών, ομοφυλόφιλων, αμφισεξουαλικών και τρανς ατόμων (ΛOAT) στην Άγκυρα, και αποτελεί το πρώτο κουίρ φεστιβάλ στην Τουρκία. Επιπλέον στα πλαίσια του φεστιβάλ Αφροδίτη* πραγματοποιήθηκε ένα ανοιχτό κάλεσμα απευθυνόμενο σε γυναίκες* και ΛΟΑΤΚΙ+ καλλιτέχνες* με καταγωγή από τις Βαλκανικές χώρες που ζουν ή έχουν ζήσει στην Ελλάδα. Αυτή η ενότητα περιλαμβάνει ταινίες μικρού μήκους, πειραματικές ταινίες, ντοκιμαντέρ και diy βίντεο που σχετίζονται με τη σεξουαλική βία και τον αγώνα για δικαίωση των θηλυκότητων*, τη συστημική βία που βιώνουν τα ΛΟΑΤΚΙ+ άτομα μέσα από τις διαδικασίες αιτήσεων ασύλου και μέσα στις οικογένειες τους. Επίσης προβάλλονται ταινίες που πραγματεύονται τις εμπειρίες της (κουίρ) μητρότητας, τα φεμινιστικά δίκτυα αλληλεγγύης ως απάντηση στις πατριαρχικές και ρατσιστικές βιαιότητες, καθώς και τη δημιουργία νέων μορφών εγγύτητας στην ψηφιακή εποχή. Καλλιτέχνιδες*/κινηματογραφιστές*: Metin Akdemir, Renato Balla, Milena Gramova, Anastasija Lazarova, Marina Gržinić/Aina Šmid/Zvonka T Simčič, Boryana Rossa and ULTRAFUTURO. Καλλιτέχνιδες*/κινηματογραφιστές* Open Call: Σούλα Αποστολάκη/Ελευθερία Ειρήνη Κωφίδου/Χριστίνα Νίκο, Mαρίζα Αυγέρη, Δήμητρα Ιωάννου, Ερωφίλη Κόκκαλη, Νάντια Μάντεση, Αντιγόνη Μιχαλακοπούλου, Ειρήνη Ταμπασούλη, Δήμητρα Χαριζάνη, Boyka Boneva/Μελίνα Καλφαντή/Ίλια Διακάτου, Ayşenur, Ira Dika, Eremus, GingerΈλα (Ηλίας Γκιώνης) & Tonia Ainot (Αντωνία Ράντο), Laura Konti, Global Girl Media, Sam Albatros. Επιμελητική ομάδα Αφροδίτη* 2020: Athens Museum of Queer Arts (AMOQA), Περσεφόνη Κερεντζή, Σοφία Μπέμπεζα, Μαρία Φ. Ντολόρες, Σοφία Ντώνα, Βασιλεία Στυλιανίδου aka Franck-Lee Alli-Tis. Συνεπιμέλεια: ALeanca_LGBT (Αλβανία), Sofia Queer Forum (Βουλγαρία), Pembe Hayat Kuirfest (Τουρκία), Tiiiit! Inc. (Β. Μακεδονία). Kαλεσμένη συνεπιμελήτρια Open Call: Βανέσσα Γιόργο. Λόγω της πανδημίας το φεστιβάλ Αφροδίτη* 2020 θα πραγματοποιηθεί διαδικτυακά στις 5 και 6 Δεκεμβρίου στην πλατφόρμα της Ταινιοθήκης της Ελλάδος. Μπορείτε να παρακολουθήσετε το πρόγραμμα από όλες τις ευρωπαϊκές χώρες. https://online.tainiothiki.gr/

Με την υποστήριξη του Ιδρύματος Rosa Luxemburg Athen και του Goethe-Institut Athen.

//// English Aphrodite* / her* geographies, her* complices, her* intersexions

Since its beginning in 2018 the Aphrodite* queer-feminist film festival aims to establish a long-term relationship with local and international LGBTQI+ feminist communities. Through film screenings, discussions and workshops, Aphrodite* curates and presents art and activist projects that document the stories and the languages of queer-feminist subjects as well as the politics of bodies and borders. Aphrodite* 2020 following the rise of the far right and systemic racism intimidating refugees*, migrants* and LGBTQI+ feminist subjects, explores art and activist projects which deal with the issues of surveillance, sexuality, body and intimacy. We question how vulnerability, isolation, restricted freedom of movement and a closed border policy are experienced, as well as which new ways of contact are emerging through those restrictions in relation to the evolving condition of the pandemic. More specifically, this year’s curatorial initiative is an attempt to establish a platform of queer-feminist groups from bordering Balkan countries. The queer-feminist film festival Aphrodite* 2020 is co-curated by the collectives: Aleanca LGBT (Albania), Sofia Queer Forum (Bulgaria), Pembe Hayat Kuirfest (Turkey), Tiiiit! Inc. (N. Macedonia). Taking into account the narrative(s) of the Balkan peninsula based on both cultural stereotypes and controversial affinities, as well as the lack of mutual knowledge exchange, we wish to engage in conversation with queer-feminist artists* and collectives in order to reflect on these discourses.

The program of Aphrodite* 2020 includes short or feature films, documentaries and diy videos related to the topics of Aphrodite* / her* geographies, her* synergies, her* intersexions co-curated by queer-feminist collectives within the Balkans. Sofia Queer Forum is a platform from Bulgaria exploring gender and sexuality through the means of contemporary art. The group Tiiiit! Inc organises the only feminist festival in Macedonia – Prvo pa žensko (It’s First and It’s a Girl) and the realization of the activities of Matka (Womb/Uterus) platform who advocates for free access to safe and legal abortion. The Alliance Against LGBT Discrimination (Aleanca LGBT) is an albanian non-governmental organisation that envisions a free, open and equal society that embraces diversity and is inclusive of people of all sexual orientations and gender identities. The Pembe Hayat Kuir Fest, organised by Pink Life Lesbian, Gay, Bisexual and Trans (LGBT) Solidarity Association in Ankara, is the first queer festival in Turkey.

Furthermore, the Aphrodite* 2020 issued an open call addressing women* and LGBTQI+ artists* from the Balkan countries that live or have lived for some time in Greece. This section consists of short and experimental films, documentaries and diy videos that relate to the sexual violence and the fight for justice for femininities*/womxn, the systemic oppression that LGBTQI+ people experience through the asylum processes and within their family environments. There will also be films that look at the experiences of (queer) maternity, the feminist solidarity networks as an answer to patriarchal and racist violences, as well as the creation of new forms of proximity in this digital era.

Artists*/Filmmakers*: Metin Akdemir, Renato Balla, Milena Gramova, Anastasija Lazarova, Marina Gržinić/Aina Šmid/Zvonka T Simčič, Boryana Rossa and ULTRAFUTURO.

Artists*/Filmmakers* Open Call: Soula Apostolaki/Eleftheria Eirini Kofidou/Christina Niko, Mariza Avgeri, Dimitra Ioannou, Erofili Kokkali, Nantia Mantesi, Antigone Michalakopoulou, Eirini Tampasouli, Dimitra Charizani, Boyka Boneva/Melina Kalfanti/Ilia Diakatou, Ayşenur, Ira Dika, Eremus, Ginger Ela (Ilias Gkionis) & Tonia Ainot (Antonia Ranto), Laura Konti, Global Girl Media, Sam Albatros.

Curatorial group Aphrodite* 2020: Athens Museum of Queer Arts (AMOQA), Sofia Bempeza, Maria F. Dolores, Sofia Dona, Persephone Kerentzi, Vassiliea Stylianidou aka Franck-Lee Alli-Tis. Co-Curatorial: ALeanca_LGBT (Albania), Sofia Queer Forum (Bulgaria), Pembe Hayat Kuirfest (Turkey), Tiiiit! Inc. (N.Macedonia). Guest co-Curator Open Call: Vanessa Giorgo.

Due to the constraints imposed by the pandemic, the festival will be held online on December 5th and 6th hosted by the Greek Film Archive (Tainiothiki). The program is accessible in all european countries. https://online.tainiothiki.gr/

With the support of Rosa Luxemburg Stiftung Athen and Goethe-Institut Athen.

More Information: https://aphroditeproject.org

1 note · View note