Anyone! Is afo deluding himself into thinking that izuku will never get strong enough to kill him head on, or does he have some scheme planned or something?
Oh, that's pure denial on his part. Izuku is sixteen and managed to give him one hell of a fight while half dead. The more quirks he gets and the closer AFO is to being killed and since he doesn't want to consider his eventual unaliving, which will probably happens with Izuku's teeth ripping his throat, he is still hanging on to the fact that he is stronger and surely, since he will keep collecting quirks, Izuku will never bridge the gap of power between them.
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Fic Reference #1 for Children of the Crystal: Catra's outfit from the second fic Wild, Weird. Catra/base by @jem-jarrett and lining/outfit by me.
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i really enjoy how kanoko functions as a deconstruction of the "best friend who quietly holds a one sided crush on the mc but never takes action and is content to let her get together with someone else" trope that's really personified by Cardcaptor Sakura's Tomoyo. Yuri is my job says actually living like that would twist you into a total mess of person with SO many issues. It says the only person who would willingly choose to live like that would be someone so isolated, deeply anxious, and terrified of rejection that they basically live in fear.
This isn't to hate on CCS Tomoyo of course, that series was a childhood favorite and foundational for me as a person. But i did always find it kind of odd how Tomoyo was so ready and willing to accept that her feelings would never be returned. She has a few moments where she seems a bit melancholy about Sakura being straight and knowing her confession would be rejected if she ever tried it, but overall she's weirdly at peace with it for a girl her age. She happily steps aside for Syaoran. We are told that as long as the person she loves is happy, she's happy.
Kanoko is basically trying to be Tomoyo, but it turns out thats kind of a messed up mindset to try and maintain long term if you dont plan to move on from your crush. i particularly liked when she said her dream is to be hime's maid in her mansion when she becomes a rich trophy wife and sumika looked at her like girl, what. Far from being a saint like Tomoyo we see that kanoko is a sad lonely teenager clinging to the one happy thing in her life. And while thats a lot messier and darker, it also feels a lot more realistic.
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Out of curiosity has AFO (the original) ever, on screened killed anyone? I knows he has killed but have we seen him kill? He’s tried to kill people like Jeanist and lady nagant but they are both still alive. So has he actually killed anyone that has not just been implied?
For the big bad of the series it’s kinda strange we haven’t seen him actually kill someone, just seriously maimed or off screen/implied.
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I decided to do an "epistolary" chapter for the Flannel prompt chapter in "My Love is an Apple Pie," and I've been having so much fun writing out text messages between them.
K: Can I come over after this?
S: Oh, you'll come alright.
K: JFC Shiro
K: U can't do that when I'm with people!!! !!
S: Sorry.
K: No ur not
S: ... not really, no. Especially if it gets you here faster.
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Finally read grrm's Blood of the Dragon story (basically just the early drafts of Dany's aGoT chapters in their own story) and am both apalled and unsurprised that he originally made her a whole year younger than she was in the books.
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I just caught up and while I am not as thrilled as others that the Todofam "finally got agency" and Dabi's misery was understood by their big quirk use moment, the thing that really made my jaw drop was the way Midnight's death and it's effect was minimized to build a generic understanding with the enemy in a rushed fight. It felt worse than whatever the heteromorph racism angle was. Maybe because the spinoff had me grow fond of Midnight's character.
Oh, yeah that was a weird, very out of place moment. I wouldn't say it was as bad as the heteromorph racism thing because that was actually insulting to RL issues, Hori clearly didn't research at all before he wrote it, but it's not great.
The main issue I think is that it was unearned in every sense of the word and slapped in there to tie up a loose end.
Midnight's death was handled terribly from the get go, with her being killed off screen by a nobody villain. Then it was only really brought up maybe twice in passing. Despite the kids crying over her corpse they didn't talk about it afterwards really and we never got any moment where her death was relayed to Izuku or the other 1A members not present to see her body.
It becomes even more of an issue that Mic and Aizawa didn't get much of a moment to really reflect on it either despite how close they were shown to be with her in the spin-off.
To have Mina suddenly understand the villain that killed her doesn't hold any narrative weight. He was a nobody and Mina never showed real drive to find who killed Midnight anyway. The villain who killed her has no reason to have done so, given she was pretty much helpless when he and his guys offed her. In fact he seemed to kill her just because he could.
It does nothing for the story, and to be honest her death was entirely unnecessary, and seems to have been done only to give the war arc more weight by killing off more then background characters. Cutting it and just having her be incapacitated like Gran Torino to take her out of the story would have worked better.
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Not another moment
Friendship awkwardness ensues, but not the cute kind. Riza tries to reason. Charlotte has a new best friend.
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rip to The Implication Tm
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