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#also this gif is literally for me because i can't stop watching it on loop
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SONG REC!!
and SONG AND MUSIC VID RANT because I can't stop thinking of it and listening to it on REPEAT
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Gonna talk about this music video because I TRULY LOVE IT SO MUCH????
Like first of all the song is such VIBES??? It's chill but oh so boppy oh so catchy it makes me wanna dance but not too much. And the MESSAGE too?? Only having eyes for the person that you love?? It's so important and beautiful and AUGHHH I LOVE IT
and also the 2 ppl singing, John and Nessa, are married irl and THE WAY THEY SMILE AT EACH OTHER AND LOOK AT EACH OTHER?? THEY'RE SO GENUINELY IN LOVE I ACTUALLY CAN'T 😭
Like LIKE???
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THEY'RE MAKING ME FEEL THINGS
oh and NOT JUST THAT. NOT JUST THAT. THE DANCERS SETH AND ANNA. ABSOLUTELY AMAZING?? the choreo portrays the message of the song so WELL and I FEEL THE LOVE IN THEIR DANCING and and THE DANCING IS JUST SO BEAUTIFUL??? it's not inappropriate it's just PLAIN BEAUTIFUL AND I AM IN AWE WATCHING THEM DANCE ACTUALLY it adds SO MUCH to the video?? Literally it wouldn't be the same without them
LIKE?? THIS IS ART WHAT THE HECK 😭😭😭
anyway what an absolute MASTERPIECE. THIS IS ART. TRULY I am in LOVE with this song and it's only been out for like a day and I've been looping it already and it's probably gonna be in my head for like a week if not more aughhwudhwjdjwjdjsjdjwjdjsjsj
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twdmusicboxmystery · 9 months
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Dead City, Ep 4: Everyone Gets a Prize - Analysis
@wdway
I'm hoping that this is a way that they would set up Maggie having a flashback. Maybe a scene of Beth on the other side of the doorway talking to her Maggie from s4. A new scene build on what we did see that would be great.
The other thing that stood out to me and I'm not giving anything away on the storyline but the showrunners comments at the end of episode, it really caught my attention because he compared something that happened in the episode a scene in Les Miserables. I never read the book, but the broadway musical play is my all-time favorite, so I really caught that remark. I thought what a strange connection he's making to a very famous book and musical plat about the French Revolution.
@galadrieljones
I never really watch the commentary after the show unless you guys say I should (I know I know I should lol) so I’d be interested to know the comparison to Les Mis!!!! I love Les Mis. There is I guess kind of a Fantine/Cosette thing going with Maggie and Ginny and ofc Negan could be compared to Jean Valjean, the ex-con who is still being pursued by moral purist Javert (re: Armstrong). Great catch with the French comparison
Also I have similar hopes re: flashbacks but more so with Daryl’s spin-off. Idk how they will skirt the Beth issue if they do flashbacks. I think a lot of ppl would notice if they did.
@wdway
He compared the scene between Negan and Armstrong with Jean Valjean saving Javert. The comparison was that the hunted saved the hunter.
@galadrieljones
I never thought of Negan as a Jean Valjean character, but I love it.
@wdway
Neither had I, but I still think that the comparison to Les Miserables is a bit pushing it. I think it was more about just putting that in the minds of the viewers.
@galadrieljones
Okay so it's not a spoiler so I will just share my google results. It was really kind of weird like it made me blink multiple times rapidly and lean so close to the computer I almost bumped it with my nose lol. This is what I saw:
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NAFC, the way it's stylized, looks like it's some sort of fighting guild.
I was fully prepared for NAFC to not be real btw, and it's not. But I wasn't prepared for the first and only real hit for what NAFC means irl
It's not so much what it is, but WHERE
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It's literally located AT King Street Station, on the DC Metrorail, which begins in Alexandria, VA
Idk if you guys remember my insane rant about the DC Metrorail, which was actually the rant that got @twdmusicboxmystery to invite me into your group chat
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I surmised after Acheron 1, due to Negan's subway directions, that they probably ed the DC metrorail subway at the King Street Station in Alexandria. Negan's subway directions took them toward the Shady Grove stop, which is a terminus: “Yellow Line North. Switch to Blue at Reagan National, then hop the Red toward Bethesda.” Anyway, this is a wild callback to Acheron Pt. 1 and 2, which largely take place in the DC underground. With Maggie and her group now ing the NYC subway, I can't help but think this is on purpose.
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Anyway, this isn't a Bethyl thing. But it's just like, for me, confirmation that they are ABSOLUTELY hiding clues in the real world.
They are counting on certain types of fans to google stuff and find these clues, like the coordinates, which lead to the Canary Islands
This is also taking me way back to Acheron 1. One of the subway stops they pass, and Daryl shines his light conspicuously on the sign, is the "Pyron" Station:
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The Shady Grove underneath means that it is the terminus for that particular line.
When I initially googled "Pyron Shady Grove" a million years ago, idk what I was expecting. Essentially, it lead me to the Shady Grove stop on the DC metro (which is real), but that word, "pyron," was bizarre. It means literally nothing. I was kind of thrown for a loop as to why they included that nothing word.
Note that if you search these keywords now, you'll first get a hit for this fictional subway station, but when I initially googled "Pyron Shady Grove," that page hadn't been created yet, so at the time, when searched together, these keywords showed very few hits. There was one, however, that I could make heads or tails of. It was a hit for a cemetery, called the "Northcutt Pyron Cemetery," which is in Acworth, Georgia.
Not three miles from this cemetery is another cemetery, called the Shady Grove Cemetery. Acworth is in Cobb County, GA. Cobb County is where the filming location was for the CDC in season 1. Further, the Shady Grove Cemetery has a church. It's called the Shady Grove Baptist Church. It looks SO familiar, but I don't think it's ever been filmed at. It's not exactly a "white church," but it has a white steeple:
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ANYWAY, Idk if you remember @twdmusicboxmystery, but I spammed you with this 84 years ago in your DMs, and that's the day you invited me to this group chat. I remember it as "my audition" to be a TD theorist LOL.
At the time ultimately I was like, no I am being a conspiracy theorist, BUT, this NFCA thing has made me wonder if the writers do think about and test-run the google algorithm before they make these choices. For example, there is like a net zero change that they chose "NFCA" not knowing that the search results would turn up a certain hit.
Just like "Biomedicine." There's a net zero chance they chose "Biomedicine DMII" for the WB coda not knowing that "France Biomedicine" would turn up the Pasteur Institute.
Now, per the word "pyron." I remember talking to my husband about how the google algo works. He told me that the algo can be spammed in certain ways to promote search hits, but that this would never really work now UNLESS the search term in question is super unique, ie: "pyron," which is REALLY unique. Can it be a coincidence that there's a cemetery in Cobb County, GA with the extremely unique word "pyron" in its name? And that that said cemetery would be located so close to another cemetery with the words "Shady Grove" in its name? And that the Shady Grove Cemetery has a church with a white steeple? And that Cobb County contains multiple filming locations for TWD, including the filming location for the CDC? I mean ofc it can be a coincidence! But after Acheron, Pt. 1, I mostly stopped thinking about the cemetery coincidence because it just never came up again, UNTIL NOW, when I'm taken BACK to Acheron 1 via another real world clue related to the DC metrorail, and now I'm really starting to wonder. Are these...actual clues?
(Oh also I feel it's important to mention that the Pyron Shady Grove search can STILL be replicated to this day. Even though there is now a bunch of hits pertaining to it as a fictional location in TWDU, you can still find the hit for the cemetery on page 1 of Google)
Honestly, if I didn't know any better, I'd say that this clue is directing us back to this moment to rewatch, ie: the DC metrorail, the subway scene in Acheron 1. Maybe to google the Pyron Shady Grove sign, if we haven't already, on like a wild goose chase. Ofc I am a conspiracy theorist so...
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@wdway
What struck me when I was reading is how you were talking about (Washington) DC metro rail in s11 and now you're talking about the DC subway in Dead City spin-off. Try and convince me that wasn't on purpose. Try. No, really I don't think you can convince me.
@galadrieljones
Not to mention that Acheron 1 and 2 are basically 100% Maggie/Negan tension and here we are…
@wdway
Okay, Miss Research Queen of TWDU. Here's your assignment. I've only watched the episode once, I only took one shot, I know it must mean something because Maggie all but come to a complete stop when she saw it. Let's see what magic you can do.
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I have to tell you my mind went straight to some possible chapter and verse in the Bible. I have no idea what it could be. That's as far as I got.
@galadrieljones
I have not had time to look into that one yet tho it is 100% in my notes. My only initial observation was that Pennsylvania could be a reference to Rick and the CRM. I had not thought of the Bible but that is genius !
Okay I found out that LIRR Access means Long Island Railroad Access so we’re really cookin lol
Maggie really stares at this sign for a long time. I noticed that. She had a lot of interesting internal moments in this episode.
So literally it means 31st street-38th street. You can access the LIRR from Penn Station which is on 31st. I think I recall them talking about ing via “the thirties” when they were trying to decide how to get into the Croat’s sanctuary
Per your idea I also searched for Bible passages at 31:8. Everything comes up Deuteronomy 31:8 - “The LORD himself goes before you and will be with you; he will never leave you nor forsake you. Do not be afraid; do not be discouraged.”
@twdmusicboxmystery
While you were both mentioning Acheron and how it was all Maggie/Negan tension, I had a thought. If those episodes foreshadowed the current Maggie/Negan story in DC (and they totally do) the that might be a hint to where Daryl is while DC is happening. In Acheron and the following episodes, he was with Leah and the Reapers. So, while Maggie and Negan are in NY, is he with Beth? The CRM? Is that why Maggie didn’t ask him along? Probably. ¯\_(ツ)_/¯
@galadrieljones
Yeah, I was trying to think along those same lines but I never got quite that far. Like, if this is showing us that Acheron was foreshadowing, what else from season 11 is foreshadowing? In 11a, it’s a bit inverted, as it’s Maggie being hunted, and now it’s Negan. Their relationship is also growing. It’s feeling healthier, or like there’s hope they can live side by side. Like that they no longer constantly want to kill each other.
These are inversions. In Acheron, Daryl runs off after Dog and “goes down the rabbit hole” alone. It’s worth noting that Carol isn’t even along. She’s back home, but she’s looking for someone—Connie. Daryl ends up looking a Beth imposter in the eye and then he’s abducted. He infiltrates an enemy faction and helps bring them down from the inside. Looks like in the spin-off, he may also find himself face to face with a Beth lookalike and fighting against an enemy faction.
Didn’t we hear in some leaked footage or something that the nun refers to Daryl as “the one,” or something like that? In Rendition, Pope refers to Daryl as a Chosen One. There’s a lot of parallel. Idk but it also seems weird that in both season 11 and the spin-off there’s a Beth lookalike. One is a nun, one works for a “Pope.” Will Beth actual be in some way entangled with Catholic imagery? I keep coming back to the DaVinci Code and the Louvre but it’s all to far and wide yet to find a template.
@wdway
I just want to throw out some thoughts I had while reading comments above. Acheron 1,2 is Maggie's mission that Daryl is helping her with. In RIP Maggie gives Daryl a mission to go explore for new communities.
At the end of Acheron 1, Daryl leaves Maggie and the group but tells Maggie that he'll meet up with her at the other end. Daryl leaves the group to go look for Dog (Dog=Beth?) because he heard Dog heard dog barking in the distance. He goes through an unknown space searching for Dog. I want to point out that it is at the other side of the tunnel where Daryl miraculously finds the Morningstar (Sirius/Beth?) that we hadn't seen for a long time.
Daryl and Dog fight walkers and sees a mural of how the rich uses their power over the poor but the poor rebel and bring down the rich (Commonwealth?). In this parallel tunnel/world to Maggie and group he comes across belongings of a brother and sister whose family has left them and that they go looking for (possibly the orphanage with the religious order of nuns).
Daryl and dog eventually makes their way back to Maggie and group just in time to join the fight and help save them. They all then meets the Reapers. This sequence of events are not exactly in the order that we saw them in the show, it's out of sequence, kind of like how the last scenes of RIP were.
On a fun note I've been watching the old TV series Medium. I always loved watching it back when it was airing. Guess who I saw today in an episode, a very young Kary Payton/Ezekiel.
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@twdmusicboxmystery
Lol. He’s a baby!
Love your thoughts on the Acheron symbolism. Totally agree! I hadn’t gone through and figured out details, but it’s exactly the kind of thing I was thinking.
I was curious about the song that played in the background during the entire arena sequence. The lyrics are in another language, but the subtitles kept popping up with the name of the song, which made it seem important. So, I just googled it. The translation may be rough, but even so, there are definitely some fun Beth references here.
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It almost has a "Struggling Man" vibe to it.
@wdway
You had me with the title, Dawn Will Cry.
@galadrieljones
Okay, also, guys I'm going to just share my general notes on "Everybody Wins a Prize" now, since I've got a bit of time! There were some interesting callbacks here, mainly, I thought, to season 4/5 and also to Glenn.
There were two death fake-outs in the episode. The first one was Hershel. The scene where they find the young boy in the chair, with Negan picking up his head, revealing it to be somebody else, and a live walker, really reminded me of the scene in Try when Daryl and Aaron find the blond walker, Daryl picks up her head, and she is NOT Beth.
Tommaso also has a death fake-out, when he's taken away by walkers and then reemerges. A lot of ppl on social media are worried that Tommaso has been bitten and that they're hiding it from us, and while I wouldn't be surprised if this was the case, I'm not so sure. It reminded me more of Tyreese in the end of "Isolation," when the car headed to the Veterinary College gets overwhelmed by walkers. The group escapes, but Tyreese stays behind, seemingly consumed by the horde. He ends up escaping unscathed, however. Ofc, he does die later on. So I'm not sure what this indicates.
Maggie's harmonica story was really interesting to me. It's a music reference and reminded me of Beth.
There is a crumbled, broken clock in this episode, which is another reference to seasons 4/5, particularly "Still" and "WHAWGO"
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There are major cop references in this episode. They are in a massive parking garage, and Maggie shown near multiple cop cars
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There is also a Winnebago in the parking garage. It's shown two times.
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It's a Winnebago "Warrior," which is a real type of Winnebago and also a song by the Dead Kennedys
Bird cage sighting
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There's a major visual Glenn reference with the CD as well, which the young woman with the short hair inserts into the AV system before turning it on and leaving.
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It's the same exact shot
Reference to things "going sideways." I can't remember if this is common in TWD, but it's definitely mentioned in Coda, I think by Daryl.
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And we've already discussed this, but the Subway is playing a big role here, which feels like a redirect back to Acheron 1 and 2.
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Also, back to the harmonica, that whole part was a bit odd. It seems to come out of nowhere, and we never get to see who's playing it. It's almost like the wolf howling in "Diverged," ie: a clear audio cue and signal toward something. Maggie has her story and clearly she's thinking of Hershel, but both times it plays, she looks very inward and a bit confused. She has a lot of these "looks" in this episode, like she's remembering or realizing something.
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Speaking of Hershel, we never saw him or any reference to him in this episode. There was also no reference to him in the preview for next week's. Based on his type of arc, it seems like he is going to be forced to survive in some way. It pulls reminders of both Andrea and Beth, who at one point have death wishes, or seem unwilling to survive. But when push comes to shove, they learn they want to live. I wonder if that will happen to Hershel.
There's also another shoe/boot reference in this episode. Negan and Armstrong end up in a shoe repair shop.
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There is another Kennedy reference (re: Winnebago Warrior) via the Taxi with a flat rate service to JFK airport
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I think this is it for my notes.
(aside from the crazy NAFC thing)
@wdway
I have some things to add to your episode list. First I want to say there is a reference to young Herschel, it's when Maggie is remembering when Herschel was pulled away and taken.
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I think all the meat is ham.
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A total call back to Andrea with the governor. The girl actually reminded me of the Tales episode with the one armed girl in The Preserve. More instruments for harm or for good depending on the person using them and their intentions. For me a bright Spotlight is always a call back to the lights around Beth at Grady especially Slabtown
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I red fire extinguisher.
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What looks like a single candle in the dark, a reference from Daryl about Beth. But it's over on the left side that's really intriguing, because there's what appears to be a red fire pull alarm and above it we only see two lines of a sign, I think the first word is in red, AND RETURN.
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You mentioned the shoe repair store did you notice this.
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@galadrieljones
The candle was memorable to me too and also reminded me of Beth and the last supper. It was used as a delayed fuse for the explosive bins which ignite the methane and blow the barricades, letting the walkers into the arena. I was trying to think of other instances of this, aside from the hwatcha.
@wdway
It reminded me of the scene in RIP where they rigged the record player and the bombs and when they blew them up wasn't the record playing mentioned jfk?
@galadrieljones
Turtle?
@wdway
It definitely looks like a turtle to me. I should say a paperweight turtle, haha.
@galadrieljones
I did but I didn’t write it down!! I was overwhelmed with imagery and forgot till just now
@wdway
Not sure exactly what this says other than we can make out the year so it was purposely done this is when they were walking through the garage. Of course I obviously enlarged it.
I feel the vase near the paperweight Turtle to be interesting, it looks familiar
I was also going to say all the things that relate to jfk. The president that was shot in the head on the 22nd of November.
@wdway replied to themself
The vase looks Greek to me.
@galadrieljones
That’s what I was trying to think of! Thank you. And yes the song is “Cult of Personality” by Living Color. There’s a Kennedy ref in the song (among many references) and I think a sound clip of one of his speeches?
Also, I like your comparison of the urn to a Grecian Urn. That really stands out in a shoe repair shop. Idk if it could be a reference to the famous Keats poem Ode in a Grecian Urn which is all about the silence and yet actually shares a lot of themes with FG’s sermon in WHAWGO, ie: what lives and what is seen is temporary, but that which cannot be seen, and which exists only hypothetically or in the realm of belief (in this case, art), is eternal. I remember Keats well from college. This is his most famous Ode and contains the famous line “Beauty is truth, truth beauty.”
I may be reading too much into this but there’s already apparently been a Les Miserables reference in DC and like I said earlier a shoe repair shop is an odd setting for a Grecian Urn
Also sorry for all the typos above lol. I got excited about the possibility of a Keats reference Would fit nicely with all the Frost references. Is Gimple a poetry fan?
There’s a stanza in Ode on a Grecian Urn that that references basically the eternal truth of unrealized love: Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on[…] Really reminds me of FG’s sermon. This stanza reminds me of Daryl and Beth, in how they never kiss and so their love is sort of suspended between life and death. It is initiated but never realized and in this lives forever. What never lived can never die. Seems romantic, but we see how this lack of closure has ruined Daryl: Bold Lover, never, never canst thou kiss, Though winning near the goal—yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair!
This stanza is specifically about love and how a lover who is never kissed or with whom love is never realized will remain forever young, and the love will never die. Once again, that which never lives, never dies. It could be about the bittersweet of a short life. Keats had tuberculosis and died very young.
(I’ll stop with the poetry now LOL. Nuns and poetry; a big day for me )
@wdway
Seriously, if TWD can drop hints using Frost references than why not Keats! It is not like they're leaving this for the general audience. And that's not a slam on them, it's just that they leave these types of things for a very few. Probably more than we realized, but still in the scheme of things a very small amount of people. I would have never thought of the poem by Keats, but together I helped to spark the thought for you and I think it's very valid. The poems beautiful and it fits Daryl memory of Beth. For ever wilt thou love, and she be fair!
About the strict order of the nuns. Did that not remind you of the very zealous monk dressed man on a mission from the church in the book/ movie, The DaVinci code? Certainly feels that way to me.
@galadrieljones
Good call, yeah I think his name was Silas
@wdway
Silas A tie in to TWB?
@galadrieljones
Probably on purpose! Lol. The names in WB are really on the nose in some ways: “Hope,” “Iris,” “Leo,” “Lyla” (Lie-la)
@wdway
Definitely. Iris is not only a flower but could always be the iris of the eye.
Negan's been talking an awful lot about Hope lately
@galadrieljones
Yes that’s how I see it, ie: Iris “sees.”
Good point. Remember the French doctor too in the coda. She says the phrase “hope beyond hope” twice
@wdway
Yes, and remember how I went through and compared it to the Beth's monologue and Inmates. Her speaking of hope. And those episodes were written by the same person.
@galadrieljones
Hope was staying with Dr. Ellis to continue their research. He seems to be affiliated with the French teams, somehow. Eugene references him in connection to the Human Genome Project. At the Pasteur Institude, they specifically are known for DNA sequencing new viruses and pathogens. Hope is near?
@galadrieljones
Wait which writer?
@wdway
Matthew Negrete.
@wdway
He was also the showrunner for tbw
@wdway
He and Canning Powell wrote, Inmates, Slabtown and others. He was the showrunner for TWB she the showrunner for Tales, I believe.
@galadrieljones
Right! Ty. Also wrote Indifference, Slabtown, and Consumed
Yep Powell was showrunner for Tales!
She also wrote Davon specifically
@wdway
Yes. Remember I did that long list of all of his episodes. It's been a couple of months but Liesel used it on her post so you could probably go back and find the whole thing.
It does same as if these writers communicate with each other. That there is an ultimate storyline that ties this all together. Don't tell the carylers they would never believe it, haha. I couldn't help myself.
@galadrieljones
Yeah i did a similar thing some time ago, trying to see whether there was a “cabal” of writers who know or have insight into Gimple’s “Grand Scheme.” It was like Kang, Negrete, Powell, and Cory Reid.
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jooyeone · 3 years
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the others: jimin could be the spy! jungkook, rubbing jimin's neck: mhm. yeah. could be, yeah.
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pastafossa · 2 years
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No bc surface pressure Matt makes perfect sense
LEGIT.
Tell me this ain't Matt Murdock.
"I'm pretty sure I'm worthless, if I can't be of service."
Much like Luisa, Matt's entire identity is based around doing everything for everyone. He doesn't think anyone else can, and even when all he wants is rest, he can only see his value in how he can be of service - to the city, to his clients, to his little found family. He literally does not know how to say 'no' when someone asks for help, regardless of whether they actually need help or are taking advantage of him.
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"Pressure like a drip, drip, drip, that'll never stop."
Also like Luisa, how much of DD is Matt taking on every burden because he thinks he has to, pushing people out of harm's way to catch these struggles and take them on himself? And it never stops, not once, burden after burden until it's eventually too much, and even then he can't stop.
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"Watch as she buckles and bends but never breaks."
You can literally see the cracks beginning to form in Matt's life in S2, watch everything coming down on his shoulders, and still he takes on more. He's buckling and bending, determined not to break, determined to shoulder every last stone.
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Luisa literally holding not just Casita and the family but the entire Encanto on her shoulders, aka Matt desperately trying not just to hold his found family and their firm up, but the entire neighborhood.
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Sad part is... what Luisa is afraid will happen is pretty much what happens to Matt. He fails, he breaks, he finally crumbles. He loses the firm, his friendships/found family, his relationship with Karen, Fisk gets back out, he loses you know who to the Hand. Then he gets a building dropped on him and literally breaks under the pressure.
In other words, a lot of this could have been solved by forcing Matt to listen to Surface Pressure on loop until he learned from Luisa, thank you Disney.
(OH MY GOD THIS MAKES FOGGY MIRABEL, IT'S PERFECT, HE'S THE 'NO GIFTS' PERSON BUT HIS GIFT IS KEEPING THE FAMILY IN ONE PIECE AND/OR HEALING THE FAMILY AFTER THE SPLIT OCCURS)
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let-them-read-fics · 3 years
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Blackpink HC / One Shots: Enemies to Lovers, College AU (2/2)
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Requested: Yes
Warnings / Misc. -- Bickering, Rivalry, Fluff
A/N: Hey everyone! This is the second half of the request, featuring Rosé and Lisa. If you want to see the first part, with Jisoo and Jennie, click the link below. I hope you enjoy!
Click for Jisoo and Jennie
♡ Happy Reading ♡
🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤
Rosé
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Park Chaeyoung: The girl who hung with the wrong crowd.
Your problem lied more so with the people she associated with than her herself. You couldn't wrap your head around why such a kind person like her would spend time with the class clowns and bullies, and to make matters worse, she would stick up for them as well.
She spent most of her days in either the art or music room, creating the masterpieces that her brain came up with.
But as soon as school was over, she'd be hanging out with them again and getting into trouble. For instance, because of her talents, they would invite her to go with them and graffiti various hot spots around town. She never vandalized any monuments or landmarks of importance -- she typically stuck to bridges or abandoned buildings -- but after getting caught with them multiple times, it was inevitable for her to be held accountable.
She was given a week's detention to make up for her actions
You, coincidentally, had a teacher that absolutely loathed you for no reason at all. No matter how good of a student you were for him, he didn't care; he had a vendetta against you for some reason, and he patiently waited for the opportunity to ruin your day.
You came in literally 10 seconds after the bell rang, putting the breakfast sandwich you stopped to get on the way into your mouth so you could open the door. He was standing at the front with a smug grin on his face, and you already knew what was coming.
You were also given an ungodly sentence of a week's detention.
Turning Point
"If I see you on your phones, I'm taking them." The monitor informs before sitting at the desk, reclining in the chair and putting his feet up soon after. You sigh and lean back in your seat, attempting to find a way to pass the next two hours without getting in trouble. Your eyes scan across the room, eventually landing on Rosé, where she sits a couple rows away from you. Sunlight is streaming in through the window next to her, its golden rays peeking through the breaks in the clouds above to shine on her. She looks gorgeous as she doodles away in her notebook, tucking a piece of hair behind her ear when it falls in front of her face.
After waiting on the monitor to fall asleep and sending one last glance to double check, you quietly stand from your seat and go sit next to her.
You barely know each other, but she's your only hope of remaining sane and occupied.
"Hi," you greet, looking into her eyes.
"Hi," she copies, a tiny smile forming on her lips when she notices your impressed expression upon gazing down at her paper. You have to hand it to her -- she's really talented.
"You're really good," you compliment, still admiring the artistry. Seeing as how you're looking down, you fail to notice the blush that works its way to her cheeks. Coming from you, the simple remark meant a lot to her.
You spend the rest of the day making small talk and getting used to one another, leaving detention later with the hopes of sitting together again.
----
The Next Day
"Hi again," you whisper, glancing over your shoulder to ensure that the coast is clear. The monitor is out like a light, with his mouth hanging open and an obnoxiously loud snore coming out.
"Hi," she giggles, watching as you dive into the floor for cover when the man shifts in his sleep. You thought he was waking up, and if he finds out you moved seats, he'll definitely have something to say about it.
"The coast is clear, cadet," she nods like a soldier, assuring you that it's okay to move back after a minute.
"That was close," you breathe out in relief, glad to live to see another day.
You share a laugh, though it has to be hidden behind your hands and kept a minimum. It's cute though -- like a little secret between the two of you, only for you to know.
"What're you drawing today?" You ask later, laying your chin in your palm as you gaze down at her work. Her reply comes out stuttered at first when she feels your leg innocently brush against hers under the table.
"D-dalgom. My friend's dog." She manages out, mentally smacking herself for looking like a fool.
You smile, thinking she's adorable. "I bet it'll be great," you encourage. She grins back as her eyes scan over your face, committing the memory of you to heart. She's always had a thing for you, ever since the time you were paired up in Biology last semester, so she's been enjoying detention more than she thought she would. Seeing you makes the time go by faster, though ironically, she wishes it would slow down a bit.
You make her feel appreciated for more than just what she's capable of producing, and the divide between you and her friend group is blaringly obvious. They like her because of the rush she can help them achieve; you like her because of her.
That thought persists in her mind for the rest of detention, and before she knows it, the monitor is releasing you again. She bends down to put her notebook in her bag when a thought pops into her mind: she wants to ask if you want to go to the park with her. When she's done zipping her bag up, she looks back up at you, only to find you on your phone, talking to someone.
"Yeah, mom. I'll stop by on the way home. So milk, cereal, ramen, and paper towels, right?"
She watches as you wait for a reply, tucking the phone into the crook of your neck as you move to write the list down on a spare piece of paper.
"Alright, love you, too. See you later." You hang up before looking back at Rosie. She looks a little down, and you have no idea why.
You pause for a moment, silently psyching yourself up for what you're about to ask. "This is gonna sound really strange, but do you want to come with me to the store?"
Her heart's pace increases at that, happy to know that you want to spend more time with her, just as she does with you.
"Actually, yeah. That sounds like fun."
You grin at her before spinning around and doing a little celebratory dance, which wins you a strange look from the monitor. You stick your tongue out at him before grabbing her hand and rushing out of the room, hearing his disapproval shouted after you.
--
"Milk?"
"Check."
"Ramen?"
"Check."
"Cereal?"
"Nope."
You nod at her words, now reminded of what you were forgetting. You push the buggy towards the aisle of cereals, gazing around in wonder at the huge selection. Rosé is just the same, eyeing all of the options like a kid in a candy store. After grabbing your mom's favorite kind, you decide on one for yourself and bring it back to the cart. Rosie scoots her leg over, making room for them beside where she sits, reclined in the cart.
You grin when you see her eyeing a box of fruit loops. Huh; fruity. Go figure.
You wordlessly grab the box and hand it to her, feeling your heart melt when she looks up at you like you hold the key to the universe.
"Thank you, Y/N."
"No problem, Rosie." You say, putting your hands on the bar as you begin pushing the buggy again. "Now, I say we see how long it takes to get to the paper towel aisle. My last record was 30 seconds."
She looks at you, clearly impressed, with her eyebrows raised. Without question, she pulls her phone out and gets the stop watch feature ready to go.
"3...2...1... GO!" She shouts, commanding your legs to start pumping as you race down the long strip of store before you. A couple kids dart out of the way just before getting smacked into, quickly turning around and cheering you on as you charge forward.
Her giggles fill the air as you drift around a corner, shouting apologies to the lady you almost bumped into.
"Sorry ma'am!"
A few seconds later, chest heaving and legs sore, you come to a stop in the aisle, dramatically collapsing in a heap next to the buggy. Rosé checks her phone as she reaches down to poke you.
"22.18 seconds, champ," she declares victoriously, smiling when you magically regain enough energy to stand up and celebrate.
"Woohoo! Team Y/S/N (Your Ship Name) for the win!"
She laughs along at that, joining in on your celebration, but she's blushing like crazy on the inside.
-----
The Last Day Of Detention
Ever since your trip to the store, you and Rosé have grown closer and closer. You traded numbers and text occasionally, though nothing beats having her all to yourself for 2 hours straight with no distractions. She feels the same; when she's in class, she can't wait for the bell to ring and signal your reunion. Part of her wants to get in trouble again, just to see you more often.
So, as you'd expect, it's really no surprise that you're sat right in front of her again, telling jokes and asking about her day. You've grown a bit more bold with every step closer you've taken towards her heart, and now you reach down to intertwine your fingers with hers.
She happily accepts, even bringing your hand up to her lips to press a kiss to the back of it. She smiles against your skin after it, making butterflies take flight in your stomach. She's got you wrapped around her finger, and you don't even try to fight it anymore.
The sound of the classroom door opening alerts you, making her lower your hand. She doesn't let go of you, though, and that fact warms your heart for some reason. The squeaky hinges groan out again as the door opens wider, revealing about 4 or 5 people from the friend group that she hangs out with. They motion for her to sneak out with them, but she just shakes her head.
"Come on, Rosé!" They whisper-scream, offering her a way to freedom. Little do they know that she'd take this imprisonment over freedom any day, so long as you're by her side.
"No! Get out before he wakes up!" She whisper-shouts back, eventually convincing them to leave.
"Why didn't you go?" You ask once they're gone, toying with her fingers as your hands rest on the desk.
"Because I like spending time with you." She admits, letting her defenses down.
"I was hoping you'd say that," you smile, letting her know that you feel the same.
The Fallout
After detention, the two of you walked out of the school, hand in hand
"Would you maybe, I don't know... wanna go to the park with me?" She asks nervously, glancing up at you.
"You read my mind, Rosie." You smile at each other and head towards the parking lot.
You started hanging out more, and she distanced herself from her old crowd
You encouraged her to enroll in your school's art program and show her work that way
"You're really talented; it deserves to be seen."
Your support meant the world to her, and she never failed to let you know
"Thank you, Y/N. Having you behind me means the world to me."
At one of her art shows, where she was tasked with unveiling a new piece that she'd been working on for months, you got the biggest surprise of your life.
She created a mural of you, all decked out with every color of the rainbow, utterly gorgeous
She lit up when she saw your reaction
"This piece is titled 'Mine', which I hope the girl in it will soon be." She says into the microphone, looking at you with hope shining in her eyes.
You nod your head with a smile and walk up to her, pressing your lips to hers in a kiss that was long-overdue. She wraps her arms around your waist, pulling you in closer with her sweater-padded hands and kissing you again and again.
The crowd claps for you, happy to see such an ending.
♡♡♡♡♡♡♡♡♡
Lisa
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I couldn't choose between these two gifs so enjoy both for the price of one ^^^
Lisa Manoban: Cocky, smug, and self-assured. The dancer knew she was hot shit, and she wasn't afraid to show off.
You're all for people being confident and happy with themselves, especially when they're talented, but something about Lisa always seemed to rub you the wrong way.
Whether it be her lack of a filter or the arrogant swagger that she naturally exuded, you weren't sure. People wanted to either be her or be with her, but you fell into neither of those categories.
She always left you frustrated in one way or another, whether it be from her teasing or her witty comebacks
The teachers loved her, as did the students. She was the class clown, so her position was pretty sacred in the grand scheme of things
You, on the other hand, irritated her for other reasons. You were the only person she couldn't get to crack; you never gave into her charms, and it infuriated her to no end. She wasn't used to not getting what she wanted (as childish as that may seem) and having you, one of the most attractive girls at school, turn her down? Well that was a massive blow to her ego.
You weren't afraid to say your piece, and that both pleasantly surprised and upset her.
She constantly tried to flirt with you in class, but you knew it was all for the attention. She just wanted to make her friends laugh, which they always did.
"Y/N, come here babe. There's an empty seat next to me," she coos, batting her eyelashes as you walk in the door. It's a free day, so everyone is sitting with their friends, wherever they like.
"I'm good," you decline, deciding to sit against the wall beneath the large window of the classroom.
"Oooo, denied," Lisa's friends laugh at her this time, chuckling harder when she sticks her middle finger up at them.
"Yah, shut up," she says, nursing her bruised ego as she turns around and opens her phone.
You smile as you continue working on the homework you cracked open, scribbling an answer down onto the notebook paper in front of you. Your fingers glide over your textbook in search of the definition of the term you're on, and Lisa secretly watches from afar. Without realizing it, she grins when you light up upon spotting the answer.
Sometimes her flirting does work, though, and you turn into a blushing mess
*whistle* "Damn, Y/N. You're looking fine today," she exclaims, fanning herself. You worry that she doesn't really mean it, but when her eyes remain on you a second too long to just be friendly, you blush. She's taking in all of you, looking impressed all the while.
"Right back at you, Manoban." You wink, sitting down in your seat across the room. She lightly blushes back, though she does a good job of concealing it.
Considering you share a couple classes and the class sizes are relatively small, it was pretty likely that you'd end up paired together eventually
You weren't happy about it, especially not after the way she had acted that week. Her cockiness had been at an all time high as of late, leaving you frustrated and upset. She was so full of herself; all you wanted to do was wipe that stupid smirk off her face.
"Y/N, you'll be paired with Lisa," your photography teacher informs, pushing her glasses up higher on the bridge of her nose.
"But Mrs. Ta--"
"Pairings are final," she cocks her head at you, persuading you to give in. With a sigh, you respond, "Yes ma'am," and attempt to ignore the sound of Lisa's friends high fiving each other in celebration.
The Turning Point
"My parents are gone for the rest of the week..." she says, holding the door open for you as you carry in your equipment. A hint of suggestiveness lies in it; she's alluding to exactly what you think she is, and you push her shoulder upon realizing it.
"Knock it off, Manoban."
"Okay, okay," she chuckles, listening to you for once. The surprise is clear on your face.
She leads you towards the backyard, where you set up one of your highest power cameras and turn it on. You have to create a gallery of different photos, all under the same theme. You both agreed to do a time-lapse of the sunset, and take pictures of the stars after.
Once she makes sure that the timer is set correctly and that the auto shut-off feature is enabled, she motions for you to follow her back into the house. You do, and she leads you into the kitchen.
"Do you want a snack?"
"Sure, do you have any ramen?"
She nods, quickly busying herself by bending down and searching through the cabinets. After she finds it, exclaiming a pleased, "Aha!", she tells you to go get comfortable in the living room.
Three minutes later, from your place on the couch, you begin to smell something burning. You scramble up and rush to the kitchen, only to find Lisa running around like a headless chicken, attempting to put out the small fire she started.
"HOW THE HELL DID YOU MANAGE TO BURN RAMEN?" You shout, though your tone isn't angry. You're just very shocked, and loud about it. You push her away from the pot, albeit gently, and get the flames to go down relatively quickly. You turn the burners off and put the pot in the sink, leaning against the counter to recover from the adrenaline rush.
"Oops?" She asks more so that says, with a growing smile evident in her voice.
You shake your head and chuckle despite yourself, turning around to face her. "You can order a pizza now to make up for that." You point a finger at her, grinning stupidly when she presses the tip of hers to it.
"Your wish is my command, princess."
Thankfully you're already walking away as she says that, so she doesn't get the satisfaction of seeing you blush.
---
"Lisa, I can't keep going." You groan out, sweat dripping down your face. The pizza you ate earlier is giving you a stomache ache, paired with the physical activity you're doing.
"Y/N, just a little longer, we're almost there," she huffs out, keeping her movements steady somehow. You're a mess by now, so you don't understand how she's still going.
A couple minutes later, the TV in front of you lights up, saying, "Awesome moves! You win!" as you collapse to the ground in a heap.
Why you agreed to play Just Dance with her after eating is beyond you.
"Good job," she compliments, grabbing your hand to high five herself with it.
"Yeah, yeah," you roll over, catching your breath.
She lays down beside you as you recover, telling jokes to hear that laugh that she loves so much. She prefers yours over anyone elses, so it's always such a reward when she gets you to crack up.
"We should probably head up now," she notes, realizing that the stars will be coming out soon. You agree, and she carefully helps you up.
"Here, I'll carry you," she turns, bending down so you can get on her back.
"Lisa, you can't carry me," you brush off, feeling insecurity bubble up again like it always does when you're offered a piggyback ride.
"Y/N, I promise that I can. Trust me," she reassures, looking into your eyes sincerely.
"Alright," you sigh, standing onto the couch to get on easier.
"See?" She asks, sliding her warm hands up your thighs to keep you secured against her. "I've got you, babe."
You tuck your head into the space between her shoulder and neck, inhaling the sweet scent of her perfume.
"I'm gonna punch you if you drop me," you whisper, feeling her laugh against you.
"Fair enough."
-----
Later, On The Rooftop
"Careful," she instructs, outstretching a hand to help you climb out the window. Her camera hangs around her neck, and she takes the cap off of the lense once you're both safely sitting on the roof.
"Wow," you sigh, gazing up at the sky in wonder. Her house is far enough away from the city that you're rewarded with a gorgeous view of the stars, unburdened by the industrial fog that hangs over the cosmopolis.
"It's beautiful out here," you say, looking back at her. You tense up a bit, not expecting her to already be looking at you.
"Sorry," she laughs at herself, looking away once she gets caught admiring you.
"It's okay," you reach down and gently squeeze her hand, making her blush lightly.
"Let's get started," you conclude, pointing at the camera. She nods, knowing that she'd never get the assignment done if you didn't step in to tell her to (considering she'd rather admire you), and she points the device to the sky.
After snapping a few pictures, she lays back in order to get a better vantage point of one of the star systems. She hands it to you after she's satisfied with her work, and you take your turn with it.
She notices that you keep brushing your hair out of the way when it falls in your face, so she decides to help you.
"Here," she says, saddling up behind you. She gathers your hair up, running her fingers through it to neatly pull it up for you. Thankfully she always keeps a spare tie on her wrist.
"Thanks," you smile, snapping another picture. The simple act warms your heart; she's being selfless for once, and helping you without even being asked. It's a refreshing change of pace.
"You're welcome." She chirps, sitting back down beside you.
-----
Later, In Her Bedroom
"Oh, I really like that one!" She says excitedly, pointing at the TV. Her phone, which is connected via Bluetooth and automatically receives pictures of her choosing from the camera, is displaying some of your best shots.
"Yeah, you did really well with that. I think we might beat everyone else if we use that as our cover piece."
Your compliment makes her momentarily shy, and she quickly realizes how much she loves your praise.
The two of you continue like that, reviewing the different pictures and choosing your favorites. She always finds ways to compliment yours, noting your technique or the filter you used, and it always makes you smile. She's different than you're used to, and it's throwing you for a loop, pleasantly surprising.
---
Lisa steps out of the room to go to the bathroom a few minutes later, leaving her phone connected to the TV. A ding sounds out across the space, pulling your attention away from the stack of notes laid out before you. Your eyes dart up to the screen, reading the text message that appeared at the top of it.
Austin ⛓: "Dude, did you get into her pants yet? We're literally betting over here 😂"
You blink a few times as their words sink in, making your chest hurt. You were really beginning to believe that you had been wrong about Lisa; clearly, though, your instincts were right.
Feeling betrayed, you shove your folders back into your bag and stand from the chair, willing yourself not to cry. The sound of the sink turning on lets you know that she's almost done, so you hurry your movements and make your way towards the door. She steps out into the hall just as you exit her room, looking at you with wide eyes.
"Woah, woah, woah, what's going on?" She asks with furrowed brows, approaching you. One of her hands lands on your arm, and you shrug it off as you brush past her without another word.
"Y/N, did I do something wrong?" She asks from the top of her staircase, watching as you walk towards her foyer.
"Why don't you ask Austin?" You bitterly call over your shoulder as you turn the knob, slipping out the front door. She hangs her head upon registering your words, realizing what must've happened. She makes a mental note to give him hell when she sees him again.
Tears sting your eyes as you exit the house, wrapping your jacket tighter around yourself. You should've known something like this would happen. The chilly night air bites at your skin, stealing more of its warmth away with every step you take. The temperature doesn't change your mind, though; you're upset, and you'd rather freeze out here than be face to face with her right now.
"Y/N, wait!" She calls after you, blasting out the front foor. Her footfalls sound off behind you, announcing her rapid approach, but you don't turn around. Realizing this, she darts in front of you, keeping you from walking any further.
"Please, don't go. He's an idiot, Y/N."
"He might he an idiot, but that doesn't take away what he said," you scowl, clenching your jaw. "Betting? Really, Lisa?" You ask quietly, hurt evident in your voice.
"It was a stupid thing they tried to convince me to do. I didn't want to, but I couldn't stop them from talking once you and I were paired up. That's not what I want, though. I'm not just in it for that."
"How am I supposed to believe that? This is your M.O., Lisa."
"It's different with you, I don't know why." That's a lie; she knows exactly why you're different than anyone else she's flirted with in the past.
You stand there before her, silently weighing your options. After seeing the pleading look in her eye, her dark orbs full of sincerity, you relent. "Just take me home. We'll work on it another day," you compromise, allowing her in just enough to take you home, but not enough to stay at her place any longer. You're still weary after a text like that, and you will be for a while.
"Thank you," she breaths a sigh of relief, clasping her hands behind herself as you begin walking back to her house. She notices you shiver on the way, and she slips her jacket off without hesitation to cover you. Neither of you have to say anything; one glance from you is enough for her, and she's content knowing you're warm.
The Fallout
From there on out she was always honest with you and actually spoke out when her friends tried to do something stupid
She still remained the charming class clown that she naturally is, just getting rid of the not-so-nice parts of herself
You slowly let her regain your trust, little by little
She did nice things for you on the daily, whether it be holding the door, carrying your books, or offering to buy you some lunch
"Morning, Y/N. Wanna grab some breakfast?" She asks, moving her head to the side towards the café at the center of campus.
"Sure," you smile, laughing when she celebrates.
She invites you to her dance perfomances
When she goes to championships, you're always first on her list of invites
"I want you there." She declares, handing you the flyer.
"You've got it," you decide, knowing there's no where you'd rather be. "I wouldn't miss it for the world."
At said championship, she won the highest title and claimed victory for your school
You joined the rest of the team on the stage to celebrate, congratulating the solo dancer on her achievement.
"I'm so proud of you, Lis--"
She suddenly kisses you, clearly high off her win. She pulls back when she realizes what she just did, a worried look on her face.
"Shit, I'm sorry." She looks between your eyes, attempting to gauge your reaction.
"Get your ass back here," you order, feeling butterflies take flight when she eagerly presses her lips to yours again, wrapping her arms around you to spin you.
"Does this mean I'm forgiven?" She mumbles against your lips.
You squint, pretending to think about it. "Maybe... or maybe not."
Her subsequent gasp is quickly muffled by your kiss, which she can't seem to get enough of.
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coinofstone · 4 years
Text
5x08 The Hollow Queen
What's Gwen doing out patrolling with the knights (jk I realize they're likely escorting her but it's still funny to think of her randomly deciding to join patrol when age wants to go for a walk or something)
I don't quite understand the correlation between the moon phase and frog catching but then I've never seen a wild frog in my life either. I did get kinda snooty when he said that tho cuz I'm like "she asked where you're going, not where you've been" 🤦‍♀️
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Part of me wants to snark that this feels like it's about to be their first time actually boning, but the way Gwen casually calls for a hot bath... does she mean... after? Or....???
Stop he's like an angry barman 😂😍
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Out of all the things I hate in S5, the way Gaius' chamber is lit is probably top 3, behind only the disrespect with which Gwen's character was treated all season and the fact that Arthur dies without restoring magic to Camelot, thus robbing us of the opportunity to watch King Arthur and Court Sorcerer Merlin handle various hilarious situations for at least a full thirteen episode season.
Yea this show is all medieval fantasy and whatever but Arthur, the grown ass man, not being able to find some very basic daily item that's right under his nose while standing helplessly in front of 'the clothing chair' and looking for someone to help him is tooooooo goddamn accurate.
There's no valid reason for this gif I just kept rewinding it so much I figured I might as well just gif it so I could watch it on a loop
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Actually I guess I could use this moment to point out that since Arthur and Guinevere are married, we don't get the domestic morning scenes with Merlin walking Arthur up and helping him get dressed - presumably because they want to imply that Arthur's chambers is now *their* chambers, even though literally nothing has been done to it to suggest it's a shared space - beyond of course the one time we see Gwen's dresses hanging in Arthur's wardrobe and the extra changing screen. But there's no vanity, no second wardrobe ... it's really a very silly thing they're doing and I'm not entirely certain if it was intentional or overlooked or what. Sharing a bed chamber wasn't a common thing as far as I know, and even still a Queen needs a chamber of her own, even if the show wants to portray them as co-sleeping in Arthur's bed. It's just weird and inconsistent and I don't like it. Arthur's inability to dress himself, however - THAT I believe.
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(Gif is from a S4 deleted scene)
Of course Morgana would tempt Merlin away from Camelot with tales of a Druid child in distress.
Gwen in that red queen outfit tho 😍
So, a couple things here. First off, this kid Daegal being like, "why are you being nice to me" to Merlin 😭 Second, Morgana leaving that kid alive is super ooc.
Merlin's little eyeroll when the kid tells him he thinks Morgana and Gwen intend to kill Arthur 😂
I love bamf Merlin
I don't particularly understand like... what Gwen is expecting to happen as Merlin is serving them dinner and Arthur brings up Merlin's girl. Like... she knows it's bullshit. At the end of the day despite everything that's happened, Morgana and therefore Gwen still don't know about Merlin's magic - they want him dead because a) Morgana knows he's thwarted her plans before and b) they know he knows or suspects Gwen - but how does she expect to play this off? 'Oh I assumed you were out shirking your responsibilities so I made up a girl to cover for you? Like??? What???
Commentary by Bradley and Alice
Wow they don't even record the commentary in order
Oh they actively cut the more 'suggestive' romantic scenes - like Arthur throwing Gwen onto the bed. That's like ... a lot more sensitive than I would've expected.
Omg Alice 😂 "what is it, Arwen? It's Arwen isn't it? Arthur/Gwen? Oh are you not with the speil? Merthur?"
Bradley: "I stay away from the spiel."
Alice: "oh come ON, Bradley get with the..."
Bradley: "I stay away from all that. For my own good."
Alice: "oh yea it probably is, actually."
Stop the name of the actor who plays Daegal is Alfie
I went to go follow Alice on Twitter and I spent an hour scrolling bullshit
They're saying Merlin wasn't cancelled, the BBC had asked for more but they said no because they'd planned to end it there
But they're also saying that S5 was great so I know they're lying on here
Bradley saying he wants to do theater but I don't think he's actually done any?
Omg Alice asking if he's seen Richard III and saying she went with Colin Katie and Rupert to see it but realizing they didn't invite Bradley and the awkward apology 😂😂😂😂
Alice said whose your favorite knight you can't offend then more than you have already 😂
Tomiwa was the smartest knight 😂
They're completely ignoring the episode and Alice is essentially interviewing Bradley with questions off Twitter
They had an awards thing at the wrap party? Oh it was awards made by Bradley it must've been for a joke
Alice just described the perilous lands episode as 'questy knighty' and suddenly I understand why I like her so much
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