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dynamic-swap-au-archive · 23 days

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I'd like to offer gorillaz fans (and Potential gorillaz fans) another resource that I've spent over a year creating and perfecting.

The Gorillaz !

This playlist is, to the best of my ability, Every Single piece of gorillaz content that can be found on youtube in story order.

all of the music videos, all of the indents, all of the interviews, animations, radio shows, news specials, podcasts, audio books, tiktoks, Everything.

on top of that ! I made the decision to include select fan content! because Frankly the gorillaz fandom is unimaginably talented and creative. this includes Fully animating several music videos that were cancelled, but given to us in animatic form, original animations, animatics, and storyboards, fan visualizers and recreations of live visuals, even voice fan dubs for written material like the interviews and novels.

and more than that, with the (incredible) fan content that was available I've Also been able to flesh out the stories of each phase! a decision I made due to the plastic beach, the third album, never getting to finish the story officially (leading to the band breaking up and coming back 7 years later).

I'm so proud of what I've been able to do with it ! and even happier to share the picture I've been able to make as a whole :>

below the cut I'm going to include several other playlists that are based on this one, but made to be more digestible and less intimidating for newcomers ! as well as many other resources to fill in the gaps that this playlist can't ! (namely the written material)

thank you ! and I hope I can share something I love with all of you !

First is the simplest ! all of the music videos in order ! (plus a Few indents, because I can't help myself): [Link]

this obviously means that you lose out on quite a bit of context, as much of who the characters are as People and their relationships together are in the extra material (especially the shorts and interviews). BUT

this is the most Accessible, and also really convenient if you just want to vibe to the music. if you're not sure if you want to commit this kind of time to a cartoon band, consider checking this out! you may find yourself interested enough to learn more, or you may just have a good time and feel satisfied with what you've seen ! either way I'd be honored to have helped :>

Second, the Midpoint between these two extremes !: Phase 1-3 [Link] Phase 4-7 [Link]

these Include extra material like the shorts and animation, but Cuts Out some of the longer content like the podcasts and interviews! you can still get a pretty good idea about what happens in the story of each phase watching this, but it's not bogged down by videos that are hours long.

it'll give you a clearer picture of what's going on, include fun side content, while being less intimidating than the Full playlist. this is what I use to show my friends gorillaz !

alright, so you've got just the music videos and just the short stuff, now lets try just the Long stuff. all of the interviews, radio shows, podcasts, Etc: [Link]

maybe you've used my last playlists and now you'd like to listen to some of those long form videos you missed out on. maybe you just want to listen to these characters talk because it's Nice. either way, it's all here :> (I know, because I had to upload some of them myself)

Pirate Radio: [Link]

it's all here with One technical exception. pirate radio was the serial radio show for plastic beach/phase 3, that gave us insight into murdoc's frame of mind as a character. it Also used copywriten music. the reuploads on youtube cut the music out (likely because they wouldn't be available otherwise), while this google drive has the full unedited audio files if anyone would be interested!

this one may seem redundant, but I promise it isn't. All of the gorillaz albums in order: [Link]

this playlist (for the most part) doesn't Have any visuals, it's Only the music.

likewise, all of the music in the previous playlists are only those songs that Have visuals (official or fan made), which means not all of gorillaz's music is present! which is exactly what this is for :>

you have every album in order, filling in the gaps of what's been missed, As Well As special albums that are Associated with gorillaz, and gorillaz' guest appearances in other people's music !

now we're out of my playlists and into other resources :>

Lobotomy Pop: [Link]

this is a website that's worked for years to preserve and organize Every Single written interview gorillaz has ever done ! it's an invaluable resource and really just very cool.

it also categorizes several other things ! such as listing out all of the personal playlists the gorillaz members have put out over the years, or every profile that's ever been written for the characters ! it's very much so worth checking out as a fan.

Gorillaz Art Archive: [Link]

exactly what is says on the tin ! this is a google drive that's attempting to archive Every Single piece of official gorillaz art that was released from phase 1 in 2001, to phase 5 in 2018. it is Massive and it's such a joy to have access to

The Kong Files: [Link]

if you were wondering why the art archive stopped at 2018, this would be why ! the kong files has much the same goal, but instead picking up at phase 6 and continuing on Theoretically forever ! or at least it's kept up with all of phase 7

that said ! the kong files is attempting to document Everything relating to those phases. so all of the social media, all of the music videos, all of the written text, Everything !

I wouldn't try to Only use this for watching phase 6 and 7, but it's an Excellent resource for everything that could fall between the cracks

Rise of the Ogre on Archive dot Com: [Link]

rise of the ogre was an official novel released at the end of demon days (the second album/phase 2), that covered the entire history of the band up until that point! their backstories, how they met each other, what they'd gotten up to in the 10 years they'd known each other, and the shocking event that happened at the very end of the phase and the band's reaction to it. all leading in to plastic beach, (arguably) the Most story heavy phase of them all.

as I understand it, this novel has been out of print for a very long time and is quite expensive to buy second hand. so ! it's been scanned and uploaded here to the archive! there's actually several more scans available in the gorillaz art archive, but this is the most recent (having been uploaded just earlier this year).

Dawn of the Ogre: [Link]

dawn of the ogre is the fanmade sequel to rise of the ogre, attempting to fill in the gaps of what happened at the end of phase 3, the 7 year gap, and up to the (then) newest point of canon.

this is, of course, unofficial. so this is essentially fancy fanfiction. But it's extremely well done fanfiction that happens to be novel length, attempting to emulate the style of the original novel, and is fully illustrated. along with being available completely for free!

I'd definitely give it a shot, if you're the type of person who's already read rise of the ogre

the gorillaz wiki !: [Link]

I have no clue what the fandom thinks about it, but it was absolutely invaluable both in making my playlist, and becoming a fan at all. with all the work I've done my hope is that people won't need to go digging for themselves, but the Option is certainly always nice !

I'd Especially like to highlight this page [Link] which has transcriptions for all of the pirate radio show episodes !

I feel like there's a lot to find here :>

and of course, my own dynamic swap au archive! [Link]

if you've fallen in love with gorillaz and are desperate for more to sink your teeth into, then I couldn't recommend this enough !

keep in mind that these resources will continue updating ! as new music is created and new fan content is made! I'm keeping my eyes out on a fan project for a fully animated mv right now that I'm sure will make it to my playlists one day :>

#gorillaz #stuart pot #2d gorillaz #murdoc niccals #murdoc gorillaz #russel hobbs #russel gorillaz #noodle gorillaz #guide #it's a shame I Just missed demon day's anniversary #such is life

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factual-fantasy · 3 months

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22 ASKS!! :DD THANK YOU!! :} 🎉🎂🎉

GASPPP!! :DDD I'D LOVE TO!! :}} 💖💖

I've actually been thinking a lot about Louis and his story lately! Though, since drawing is rather taxing on me atm I haven't gotten around to making him a character study post.. Like I did for Cuttlefish.. BUT!! I have still made some story bits for him anyways! :DD 👇👇

I had this idea that he used to be an ordinary flavored cookie of some kind. And he used to live on land as this washed up fisherman that was really down on his luck.. he had lost his job, his home, his arm.. he had no friends.. no family.. nothing. He was really lost and alone..

Its around that time he was somehow welcomed aboard Seafoam's ship. It was just Seafoam, Octo and Ellie at the time. Louis found great comfort and security with this crew. He had never felt more welcome and wanted in his life.. This environment started to break down Louis' anxieties and depression overtime. Slowly turning him into the more jolly and boisterous Louis the crew knows him as today.

But things would take a seemingly bad turn when a curse befell Louis. Turning him into this half cookie, half crab beast. Louis' body had changed significantly, the biggest change being his huge crab arm. Now, most cookies would consider this ghastly new form to be what its intended to be. A curse.. But Louis.. actually didn't mind the changes. In fact, he liked his new body. Quite a lot! And though his new crab arm did cause him quite a bit of aches and pains.. and also took away his ability to swim.. he honestly considered it an upgrade!

Where before he had a missing arm and was completely useless in combat.. now he had this huge intimidating claw in its place! With his new found strength and power, he was a force to be reckoned with! Not only that, but he didn't see his new body as ugly, he thought he looked AWESOME! So he also got a major confidence boost too!

In present day, Louis is a confident, sociable, and all around happy person. And he gives all the credit to Seafoam and his crew for his new found zest for life! :}} ✨🦀💖✨

Anyways-- thank you for taking interest in Louis! :DD rn drawing is rather challenging for me, but I hope to draw him again someday soon! Maybe I can go back and make him his own character study post like I wanted to! 👀👀

I KNOWWW WAAAAAAA 😭😭😭💖💖💖💔💔💖

@pink088

XD Bibi would probably use it to make a cold glass or water for me🥺💖

And hey, thanks for the cake! :DD No doubt Cici will devour it XDD (Bibi allows it)

I suppose if I really wanted to I could learn how. But I don't want to turn my hobby into a job..

I made my first post on December 19th, 2018!! :00 That's roughly 4-5 years or so!

I use FireAlpaca! And I use a xp-pen 13.3 pro tablet ✨✨

As for that Undyne and Papyrus post.. The story behind it is, that Papyrus is from a different timeline. And in his original timeline.. Undyne is dead.. Now, this other Undyne knows that her Papyrus, the "real" Papyrus, is somewhere else in the underground. So this Papyrus is an imposter. She questions this imposter. "Who are you, and why do you look like Papyrus?" She waits for this imposter to answer.. But Papyrus has no words.. since his Undyne died, he hasn't heard her voice in a very long time... he's too shocked to speak..

I DO have a YouTube channel, and I was intending to make animations for it... but I lost my drive. Animations get stolen A LOT. And Animations take a ton of time to make. I was discouraged.. why would I spend so much time on something, if its more likely to be stolen?

Though I have been thinking about making sketch animatic memes... maybe once my health improves I could try to make one-

And hey! Don't worry about my arms, I can make several whether I'm feeling good or bad! :D

AND AAA THANK YOU!! :DD I'm glad you like him and noticed his eye details!! :}}}

(Post in question)

XDD Jangles is chaotic enough to sleep hanging upside down tho lets be real-

@yourstrulylightstar283 (In response to this post)

:DD Bibi gives his thanks!

@cudlycorncornsworthcoberson (In response to this post)

XDD I know right?? Another year has already come and gone, its crazy to think about! :00

And don't worry, I've been focusing all my energy on taking care of myself and drinking lots of water! 👍👍

Awe! Thank you so much!! :DD Right now the main thing I'm battling is my poor mental and physical health.. but I have high hopes that things will improve soon! :)))

@the-woomyverse (Post in question)

:DD Thank you! I'm glad you liked them!! :}}

As for Ludwig and Morton, unfortunately they don't have a lot of story built yet.. but I'm working on it! <:D

Ludwig is intended to be the eldest sibling, and heir to the throne. He's the "Prince of the Koopas". That post shows Ludwig seeming nervous.. and unsure. I'm experimenting with Ludwig taking his role as heir very seriously.. but its stressful. He feels like he's under a lot of pressure and has a loooot of responsibility to look forward to..

Though I'm kind'a going back on that a bit. The canon Ludwig seems pompous and a bit arrogant. Maybe I should keep some of that but in a positive way? I imagine that Bowser wouldn't force Ludwig to do this if he didn't want to. And I imagine that Kamek would have done very well to prepare Ludwig for his future kingly-hood.

What I mean by this is. I think a more.. confident, and level headed version of Ludwig would be appropriate. Rather than a pompous snob or a nervous wreck. He could be a young prince with a lot of wit and discipline. A price that is bound to make a fine king. 👑

For Morton I'm afraid there's even less story built for him 😭💔💔 Right now the main thing I'm experimenting with is Morton having some form of melanism. (Its a mutation where animals are born with excess pigment in their skin. Making their fur/hair/skin very dark/black when it otherwise would not have been.)

I could experiment with Morton not liking this aspect of himself..? Maybe it makes him feel out of place or insecure..? Though I doubt any of the individuals around him would have judged him or treated him differently at all for it.. even his siblings.

Idk, I just need some more time to think about him I suppose! <XDD Sorry!! 😭😭

Thank you!! :DD

@untitled-7613 (Post in question)

Thank you! :DD I'm glad you like them!! :}}

And Jimmy was a lovely gift, though I didn't create him! The factual fam is mostly intended to be made of characters that I can take credit for-

(Note- Jimmy was a nice gift, but please! I stand by only wanting comments <:} 💖💖)

@tallchest13-blog

Dawww, as far as I'm concerned, you've followed me twice! At least in spirit! XD

@couchwow

Hergn... but that takes efforttt... how about you tell me what you like about it first? :0

@neo-metalscottic

No problem!! :D And I wonder that about K Rool. I didn't actually realize that he would be very similar to Bowser.. hmm. Well, I'm thinking that even if he is close to Bowser in size, Bowser's got him beat by his fire breathing ability XDD And King/Big Koopa's overall could just be a tougher species-

As for the Super Stars, they have about the same status as the 1-Up Mushrooms. They are this extremely rare Power up that seems to only show up when its needed.

I've been experimenting with the toad people worshiping 1-Ups and the Delfino people worshiping Super Stars. These bizarre and wonderous powerups that are strongly tied to the prophecy and what not. They're also related to how Peach and Daisy became royalty..

Its a lot of complicated word spaghetti atm but the point I'm getting at- is that there is definitely more than one! And they are so powerful and so.. seemingly sentient, that they are seen as almost.. like.. these holy beings that bring about future events.

I haven't rambled about all that biz yet becuase I cant find proper words to figure out what I'm even thinking <XD Gonna need some more time on that one!--

And yes yes yes! The Commander is still around, and AWWW!! Is he really?? :DD That's so sweet! Thank you so much!! :}} I haven't thought much about what role he's played in raising the Koopalings, though I really should. While he isn't there to actually help raise them, he's always been around as they've grown up. Whether it be following Kamek around or doing some kind of work around the palace.

When it comes to Bowser returning injured.. I wonder. part of me thinks that he wouldn't return right away, so maybe his injury wasn't seen by the Commander. But the news of his defeat would certainly be bone chilling. Commander would be more tense around the palace. And probably extends his night watches a bit longer in an attempt to better protect the Koopalings..

On the last note, Yes! I do plan to redesign him once again XD or at least update him a little- Though drawing is very challenging for me atm.. so that'll have to wait a while!.. <XDD

@littlelightfish

WAAAA THIS ASK GAVE ME LIFFFEEEE!!😭😭💖💖💖 NO ITS NOT TOO INTENSE THE ONLY THING THAT IS INTENSE IS MY PURE JOY AT READING THIS OVER AND OVER WAAAHG THANK YOU SO MUVHCHH!!!💖💖💖💖😭😭💖💖

As for your questions! <XD --I've been thinking more about Tuna's character over the past few days and this got me thinking even more! :D

I imagined that when Tuna started out he was a real brat. Not super great to be around. He had some bottled up stuff for sure and was real rebellious and resistant to authority figures. Nobody was really willing to deal with his crap and always pushed back, which just made him more bratty.. for a while Seafoam wasn't sure what he was gonna do with this kid..

But then he reached some kind of middle ground with Ellie.

I have several ideas in mind for how this could go.. but I'll ramble about this one first- XDD

Ellie has thick skin and could tolerate the snarky remarks he made. She also didn't push back, even through she very easily could have. She knows that this kid has some serious inner battles and he doesn't need her snapping back at him.

And like some of the things you mentioned, it started out with Tuna just bumming around in the kitchen. Since Ellie could tolerate him she never kicked him out. Making the kitchen kind'a like a space where he could.. "get away" from the rest of the crew, in a sense..

Ellie was the first person to crack that outer shell of his. Providing him a consistent source of comfort, with her food and the quiet kitchen.

After some time the snarky remarks or comments would slow down.. over time he just resorts to standing around and watching her cook. Getting closer and closer.. eventually asking questions. "What are ye makin..?" "..what's that do..?" She would always reply genuinely. And as gently as she could considering her usual monotone voice <XD

Eventually it turns into "..where'd you learn to cook?" "..how long have you known Octo..?" "..do you trust Cuttlefish.?"

She could say kind things about the crew which gets Tuna to lighten up around them. "Octo seems mean but actually he's just blah blah blah..." Next time he interacts with Octo he's less tense. "Seafoam is genuinely as kind as he seems. If ye can trust anyone, its him." He starts listening to Seafoam more..

These interactions would continue to develop more and more. I don't know if he'd ever be able to help her cook anything- considering how strict she is about it <XDD But although I have several more ideas for this, I like this idea of Ellie really softening him up over time..

WAAHDH WALL OF TEXT--- Thank you again so much!!! :DD It makes my heart very happy to hear that you love Tuna and Ellie so much!! 🥰🥰

(Sorry for not being able to transfer your cookie gifs to this post! <:0)

Hmm.. that makes me wonder if the cookie run characters have.. cookies. Like, small cookies that THEY eat.

Something tells me they don't.. Which makes me think that seeing someone eat a normal cookie would still be horrifying! <XDD

@mrslilysnow

Awe! Thank you so much! :DD Such a pleasant and wholesome message to read, truly. :}}

I'm working out my feelings with the fandom.. tbh I think I'm just in a place where my emotions are all outa whack. And I'm just avoiding anything and everything that upsets me. 💔

I'm sure in a few weeks when I get my health back on track I'll feel better about the Octonauts fandom. Perhaps I'll even return with more updated designs! XD

@radicalrainbow

:DDD THANK YOU SO MUCH!!! I'm so glad to hear that!! :}}}

And huh.. its been a while since I've drawn the FNAF string beans hasn't it? Once I can get my health back on track I should draw them again! <XDD

@lampylamperson

Blue!💙💙 :DD Specifically shades similar to what ever this one is XDD 👇👇

:000....... FISH! :DD

@canonickero

SLJFKSJF THAT DISCRIPTION OF THE PIC XDDD JHASKDEJHV

And thank you! This makes me feel a lot better XDD

@beryl-shade

I think the cookie run games have cake/dog things..? I'm assuming the crews pet would be one of those :00

As for the names you've suggested, I love Patty, Pretzel, Muffin and Cornbread XDD such great names! :DD

#my response #factual fam #bibi #cookie run #cookie run kingdom #cookie run ocs #my ocs #octonauts #undertale #deltarune #super mario bros

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starry-bi-sky · 5 months

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ive been hesitating to ask this bc youve been on a roll with the clone^2au (which i am frothing over) but could i poke you for some childhood friend au? bc GOD i wanna see how danny reacts to reuniting w jason or how the rest of the batfam react to learning jason never told danny of his resurrection or wondering if dannys gonna put jokers dead body on a display/offering to jasons grave. i havent been normal about this since i first read it and was wondering. thank you for your writing.

RAAAAHHHH DON'T BE HESITANT I AM JUST AS FERAL OVER MY CHILDHOOD FRIENDS AU AS I AM WITH CLONE^2 I AM DELIGHTED BY THIS. Like.,,,, i literally love them,,, so much. I can't listen to The Crane Wives without thinking of them.

(which is my fault - the ao3 fic of them has literally only crane wives lyrics for each chapter title and summary (posted AND the ones not written) so of course im gonna associate with them.)

(if you wanna listen to some of their songs while thinking of cfau here are my recommendations: "Once & for All", "Here I Am", "Hollow Moon" is a Danny AND Jason song to me, this would be my go-to song for an animatic of CFAU if i had the skills for it. "Tongues and Teeth", "Curses" and "take me to war" is a heavy cfau danny song to me, and of course, "the moon will sing")

Like they're BEST friends dude, they're two sides of the same coin and when they were kids they would do this thing where their 'fingers crossed'/'double-crossed' was them hooking their index fingers in the fingers crossed gesture.

and i'm actually currently rewriting my original post into a more fic-like format, and when I'm done I'll post it on here under the cfau tag - with the original post still in tact. But its,,, gonna be so long dude,,,, the original behemoth was just over 9000 words,,, and I've written 3k words already of the new one and we haven't even reached Jason and Danny reuniting at the gala yet,,, i need to get back to that,,,

and then to answer your questions!! god im almost hesitant to answer because i dont wanna spoil the little fic i had planned for it but also like,, its not like im gonna spoil everything, right? and answering the questions isnt the same as writing the scene down so!!

i love danny and jason's reuniting, like i've thought about it SO much and I've thought about it happening after Danny kills the Joker. I know the reveal could have been before that, and it could have been equally just as dramatic but like??? Thematically, doing it after danny kills the joker is SO good. To me at least.

Because like?? Jason's been in somewhat denial about danny's plan to kill the joker for months. ever since danny told him that he wanted to at the gala. And from Jason's pov its not even technically a plan. He sees his best friend for the first time after five years and his best friend still isn't over his death. He hasn't stepped foot in Gotham since his funeral and now suddenly he's here.

And he's still so full of grief over his death that he tells a masked vigilante that he's going to kill the guy that did it, who lives in said masked vigilante's city. And danny's got that look in his eyes that Jason knows so well that means he's being serious. And yet he still doesn't know if he should believe him or not.

And then he does. Danny kills him. And Jason can't fucking believe it. And when he goes and sees Danny, Danny's hands are still covered in blood. And that reunion? God like a fucking firework show. Danny's so fucking angry, and pissed, and hurt, and so goddamn overjoyed that he's alive and here that he sends them both to the ground, and if he doesn't calm down he's gonna take out the power in a five block radius.

there's just so, so much yelling on Danny's end. And then so much crying, first from Danny and then them both. because god, you're alive. you're here. i've missed you so much. i'm never letting you out of my sights again.

and Joker's death! God I don't want to actually say too much about that, but the way I have it set up thematically makes me actually not want danny to take any part of the joker with him as an offering. and he may actually forego that particular ghost etiquette and offer something else as an offering to Jason in substitute to not bringing him the Joker's heart/head/ritualistic body part.

Because you know what the last thing a man whose been spending the last two decades of his life building himself up to be larger than life would want? A death that's unremarkable. :) and that's all i'll put on the matter for now.

and the batfam!! they technically already know that jason hasn't told danny he was resurrected, and plenty of them have mixed feelings on them. largely bruce and dick i think, considering they saw firsthand how close jason and danny were when they were kids.

Dick was honestly surprised at first when he found out that Jason hadn't told Danny he was alive - and on one hand he understands the reasoning for it, and on the other hand he isn't sure if it was such a good idea. Especially after he sees Danny again after he arrives back in Gotham and sees just how badly Jason's death was still affecting him. But it's not like he's going to try and convince Jason to tell him - he can make his own choices, even if Dick has questions about them.

Bruce has much the same thoughts as Dick, so there's not really much to add here other than he might bring it up once or twice to Jason like, vaguely. And then immediately drops it when Jason shuts him down. He might actually somewhat...?? prefer that Jason hasn't told Danny because that raises a lot of questions and could jeopardize their identities. However, again, Jason can make his own choices and there's not much Bruce can do about it other than disapprove from afar.

Tim who knew of Danny from stalking the Wayne family shares similars sentiments of being surprised that Jason didn't tell Danny, but again, yeah, understands the thought process to some extent. Doesn't bring it up ever.

Everyone else who hadn't seen firsthand how close Danny and Jason are don't really have much opinion on it -- Jason didn't tell his best friend he was alive, great, he also didn't tell them either so it's not like its that much of a surprise. It would've been more of a surprise to them if Jason had told Danny before he told Bruce and co. Damian may make a comment or two about Jason not telling Danny, but its not about how he can't believe he didn't tell him or anything like it.

#dpxdc #dp x dc #dp x dc crossover #danny fenton is not the ghost king #cfau #childhood friends au #danny and jason are such best friends i love them so much #BUT YEAH ASK ME MORE QUESTIONS ABOUT CFAU I'LL SCREAM #AND THEN TRY AND ANSWER THEM TO MY BEST ABILITY #like i could go on RANTS almost SPECIFICALLY about rath (dan) and then about jason and danny #and their friendship like i've thought about this au with a combined soulmate au and immediately hated the idea because no!#no! i can't call them soulmates. i can't it doesnt fit. their bond goes DEEPER than that. its *better* than that #this wasn't written in the stars it was forged in the back alley streets of gotham with all the broken glass under their feet #and the smell of nicotine weaving itself into the fabrics of their shirts. their souls aren't intertwined because the universe said so #they're two balls of yarn tangled together because they batted it at each other and decided to play cats cradle. and then never bothered #to untangle the string from one another. you'll never know where one ends and the other begins #i actually have a cfau miscellaneous facts post in my drafts that i need to finish too and i might do that today because of this ask <33 #the fastest way to starry's heart is through her ask box #asking me questions about my aus is the fastest way to make me make more content about them ajshld #see: clone^2 (i've been coasting off the fanart i got from them for the last two days) and now this #i need to stop more before i start waxing more poetic about jason and danny's bond with one another.#also also jason is equally as feral about danny as danny is about him (see: him plotting joker's demise since he was 14) its just not #showing as much since a lot of this is from danny's pov. like dw this isn't one-sided obsession its mutual.#see: jason seeing danny's scars and immediately wanting to find out who caused it and getting murderously angry about it #its not a starry post unless its long #idk maybe im just obsessed with the idea that relationships are chosen and forged with time and that the bonds we have arent because they #were predetermined but because we made them to be. Like how clone^2 said 'i choose to be brothers' and how danny and jason said #'i choose you. i will always choose you. you're my other half. the one who watches my back. i choose you.'

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moonstruckdraws · 5 months

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This is an ambush @hellishgayliath

Everyone prepare yourselves because this is a looong one

I've already posted this but, I had Pico meet a Saint Bernard! I also saw this one post with Pico and his mom talking about him being single and thought it'd be cute if she found out about Bao in this same scenario!

The top image is based on the fun fact that Pico sometimes misses being on his mom's back and the other one... well I think it speaks for himself

Baby Pico and Todd, nothing else to be noted Other than the fact I've literally never drew Todd in my life

And of course, I could not make this Pico board without the love of his life Bao!

I feel like they would catch each other just staring at the other. Just absolutely lovestruck, as you do. I also added little clicks to symbolize the action male opossums do to attract mates, because I thought it was cute!

Raccoon-bear boyfriend. This poor poor tanuki.

They kiss by giving each other nose boops, your honor! I rest my case. Bao would start doing it to annoy Pico, but then Pico would start loving them and be the only thing he does, mainly to get Bao's attention.

(One a side note: Helli.. look, I love Bao. I really really do, but he is SO HARD TO DRAW, I can't with him I'm sorry. I love him though.)

And to end this long post off... Helli.. I give you this

An animatic. With Chowder audio. I love this. I love them and you. They're adorable.

This is the longest thing I have ever made probably since my leosagi boards, but I am very happy with it all. Helli, I hope you get better soon as I consider this post your medicine that I've forcing you to take. Or this post will kill you. Either or I think it's a win :]

#hellifanart #bao the tanuki #much love towards u #get better soon #like I said this is an ambush #consider this an attack filled with love and appreciation #you're amazing to me and I appreciate you #pico the opossum

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iminyourbookshelf · 4 months

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QSMP community positivity because the streamer awards made me so happy

(under the cut because it's going to be A LOT)

QSMP Digital Artist - Ate and left NO crumbs ever omg. The amount of detail, varying styles, and epic scenes are my favorite. The variety of art styles for QSMP artist is like just going to a buffet to browse and they're all special little dishes made with so much love.

QSMP Tradtional Artist - HOW CAN YOU DRAW/PAINT SOME OF THIS STUFF?? Watercolor paintings of QSMP bulids, notebook spreads with cute little details, the fact that you can draw traditionally at all. All so talented.

QSMP Beginner Artist - NEVER GET DISCOURAGED <33. Everyone was a beginner at some point and seeing people improve over time with their art is so cool. I consider myself still a beginner even though I've been drawing for a couple years now lol. There is still so much for me to learn, and the fact how kind the qsmp art community is makes me so happy. Keep improving, your art looks great <3

QSMP Fanfiction Authors - I don't know whether to compliment you or ask for my therapy payment (/lh). So many authors have ripped my heart out and left it out to dry and others are like a bucket of fluff and joy. I love both of these. The writing quality is genuinely amazing on so many of these. I love to visualize when reading and with all the details it's basically just watching a movie.

QSMP Web Weavers - You guys are AMAZING. Finding so many quotes, transcripts, fanarts, aesthetic photos, and being able to combine them in a way that represents characters so well is beautiful. Not to mention the fact how your able to put credits for everything in an easy to find way??? Perfect.

QSMP Moodboards/Stimboard makers - These are so cute aaaa. I love seeing them, all the little collections of photos or gifs of characters I like is very fun.

QSMP Poll Accounts - I LIVE for taking polls. It's just fun to have a place to put an opinion you had for yourself that you didn't know how to put unprompted on your own post. Seeing results after a while also makes me happy to see what as a general consensus the fandom is on.

QSMBLR and QSMPTWT users - Transferring information from one hellsite to the other, I admire anyone who can survive in the discourse trenches and come back with account updates.

QSMP Clip accounts - I love seeing silly clips of cubitos, and especially those with transcripts and translations. It's a lot of effort and I admire that. Gives me so much info I would've missed otherwise.

QSMP translators - As someone still currently learning the other languages, it is so helpful when people translate it. Sometimes your brain just hurts and you can only read your native language. Also anyone who translates things from English to other languages, yes please make it for other speakers.

QSMP Multi-Shippers - It's so fun to see these, yes give your cubito 7 different romantic/platonic partners. You guys collect ships like Pokémon and it is inspiring

QSMP Cosplayers - I respect cosplayers so much. The wigs, the makeup, the costume, the PROPS?? All take so much work it's amazing to see final products. I reccently tried making a scythe for one I want to do, and I was struggling. Y'all are so cool.

QSMP Character Analysis Posts - Keeping fanfiction accuracy and my personal view on characters as close to canon as possible. These help so much when I need to look for a character I haven't watched much and easy to read.

QSMP Livebloggers - Save me from losing track of lore when I'm busy. I swear some of you just never sleep (please do but thank you for information). The amount of stuff I can figure out from vague post of combined livebloggers makes it much easier to know what's happening. Most of my mutual liveblog a lot and it saves me so much time <3

QSMP Rebloggers - KEEPING THIS FANDOM ALIVE‼️‼️ Tumblrs algorithm is based on reblogs, accounts that are just lurkers rb stuff ily. Hell yeah man, take all the cool stuff and share it.

QSMP Animatics - Movie night exists because of you guys!! Sometimes you all make me want to sob violently or laugh till I can't breathe. The differences in each video is so fun to see. The effort in each one is just beautiful too, animatics are NOT easy.

QSMP Editors - The fact that people can take a cube game and turn into epic/sad/cute edits with a few clips, transitions, and audios astounds me. You guys are so cool and I love seeing them. Also the fanart edits are so sick, finding the best ones to match.

QSMP Fan Video Creators - Stuff like the Federation Welcoming Workers Video, that one cucrucho cereal video, things like that. Quality is usually amazing and all the unique takes or camera work is epic. Idk what else fits in this genre but I just wanted to mention it.

QSMP RP Accounts - Seeing other people's takes on characters are so interesting and fun to see. RP is a skill I need to work on and it's done pretty well with these accounts. The amount of detail y'all can put is insane.

QSMP OC creators - Cringe culture is dead, I love seeing people make their little characters interact with eachother based on the QSMP. Keep it up and pls share it.

QSMP 3D Animators/Modelers - I never expirence more joy than when I see a 3D model of a qsmp rat spinning around. Also any 3D animators your dedication is insane. I tried learning 3D animation once and that was a STRUGGLE.

QSMP Vod savers/YT summaries -Actual lifesavers, there is no way I could've been apart of this community without them. Watching a few videos a day about what happened on the server makes it easier for me to actually do other things. Also that one person who made a QSMP2023 summary in UNDER 10 minutes, you are insane and did such a great job.

QSMP Accounts in Different Languages - QSMPBLR is heavily more English speaking than other languages, and when people main tag with post in different languages it makes me so happy. This was the point of the server, to let people post in whatever language they wanted. It's also fun for me to practice and try to translate it for myself.

I tried to get everything but please add if you have anything <3

#qsmp #qsmp positivity #qsmp fandom #qsmpblr #qsmp fandom pos #tw caps

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daedelweiss · 6 months

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In your comic it looks like there's two rooms of toys - plus a wrapped gift - as if they celebrate the brothers' birthdays and are ready for if/when they come home. I doubt Draxum or Big Mama gave out toys, so coming home they both love the gifts - even the childish ones from early birthdays - because they missed out. Leo goes nuts trying to get a room ready for Don once he realizes he's alive too. P.S. Void_Voise has your comic on YT. Not sure if that's allowed. Love your comic!

this is something i've talked about before but yes! splinter and leo piled up gifts for raph and mikey, from their birthdays (splinter knows when they are) to christmases to random times they've thought about the missing brother. donnie also has a stash of small gifts/trinkets leo got him shown in the "invisible" animatic from last year~

and yes, i know of it! all of you are free to dub life mission as long as

credit is given to me; and

you do not claim life mission as your own

you don't have to DM me but letting me know is appreciated~

#dae asks #rottmnt #life mission au #life mission rambles

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somerandomdudelmao · 9 months

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You should do a poll for your 2012 au vs. your sea au.

See what people would want first, in less you plan to choose 🫢

I'm actually leaning more towards sea au because it's kinda silly and has a cool underwater shots.Oh and I want to do it in an animatic format. I haven't done animatics for fun in a long time. I miss that:)

Also, in this one April is the main character. Which is nice. I've wanted to write something with her at the center.

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frozenwolftemplar · 3 months

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I FINALLY SAW WISH!!!! 😁😁😁

And I have some notes (gonna keep this to ten for the sake of length):

The queen was the best character we stan an awesome Disney queen I was getting some major Queen Arianna from Tangled: the Series vibes and was loving it.

2. 'This Wish' was as awesome a song as I'd hoped.

3. The rest....uh....hm. They were...nice. Just...not what I was hoping? (I miss Broadway-style 😞)

4. Oh gosh 'At All Costs.' How could an entire freakin' studio's worth of people watch that and have not one of them, not a single one, go "This is 100% not the tone we want they sound like they're gonna kiss." The confluence of emotions I felt watching that can not be described beyond "if I heard this for the first time without seeing the visuals I...would be drawing some interesting conclusions." And the worst part, it really is a beautiful song...in the intended romantic context. Seriously, I have watched some fan animatics of Asha and Star Boy singing this as intended and got the right kind of feels. Big mistake on Disney's part keeping it in sans the romance.

5. And on that note, the Star Boy should have been kept and he should have been Asha's love interest. Seriously, it would have been perfect. I've really missed having Disney romances and would have absolutely devoured an Asha/Star Boy storyline.

6. I also felt there were some really interesting plot threads left dangling that really should have been pulled for all they were worth. Yes, the story they had would have unraveled faster than that pair of long johns, but what they could weave in its place! *wistful sigh*

7. For instance: Sleepy-stand-in being all tired and 'blah' after losing his Wish. Great opportunity right here: giving up your wish means giving up your spark, your fire, your zest for life, that thing that makes living living. The result is a Stepford kingdom, where the docile populace suffer from chronic ennui and everything looks perfect on top, but when you dig a little deeper, you see that yikes, this place is messed up.

8. Also: King Magnifico should have been thrown off his tower. End of discussion. (it's tradition!!!)

9. The animation was pretty and all, but anyone else think the crew was *really* limited by it? I mean, they did the Cinderella dress transformation...without changing Asha's dress, presumably because they didn't have time/resources/ability to create another model in a different outfit. Again, it was pretty, but maybe....maybe they should do some more tinkering before using it for a feature again.

10. I know what they were going for with the whole 'she called down a star because we're all made of stardust' bit, but personally, I would have thought it would have been much more meaningful if her dad, the philosopher who was always talking about the stars, sent it to her. Would have been way more touching and ushered in a nice storyline about her relationship with her dad.

And one more for the road!

11. How fun were those credits? 😁

#disney wish #disney wish movie #wish 2023 #asha #king magnifico #queen amaya #disney #animation #disney animation

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rainbowchewynuggets · 8 months

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youtube

IT'S DONE IT'S DONE IT'S DONE IT'S DONE

I've been grinding away at this for months. I can't wait for people to see it. This project turned out to have a lot of gears behind it, so check out the artist statement below!

vvvvvvvvvvvvvvvvvv

I love this song. The first time I heard it, I already began picturing a story where a woman stumbled upon a gathering of birds in the forest and became so enthralled by their song that she partied with them until she became a bird, herself. It turns out that isn’t too far off from the singer, Yma Sumac’s, first experiences learning to sing. She would imitate the animals near her home in the hills of the Andes mountains as a very young kid, developing a vocal range that would make her famous later on.

From there, I fell into a montage of research on her life and the Peruvian festival music that defined her early career, as well as the complicated story of the exotica music she became most known for in the United States. I followed that up with a month-long dive into northwest Peruvian culture, mythology, ornithology, flora, and topographical studies. Then, I blacked out somewhere during the drawing phase, and now I’m here.

While I really value what I’ve learned while doing this project, I think it’s important to note that I did it all as an amateur researcher and a foreigner to the subject. I decided it would be a little conceited to try to make a totally accurate depiction of a traditional Peruvian festival, so I instead focused on referencing the regional variation of these traditions. Costumes and music have their own specific designs and textures depending on the area, and dances and festivities reflect local history. Yet, it all shares the same themes of celebrating prosperity and surviving hardship. Common motifs and characters reflect a shared heritage and cultural identity that coexists with individuality. It’s all just very cool to me.

So I asked myself, what if these birds had their own version of these traditions? What would a bird sing a folk song about? What would be new and cool to Yma, but still familiar enough that she could join in? (I got lucky, since Peruvian festival culture is already very reverent of birds and feather patterns.)

What I ended up with pulled a lot from the Carnaval de Cajamarca, which originated in the next town over from Yma’s childhood home of Ichocán. It also references these dances, among others:

Huaylarsh - Los Emplumados - Marinera - Tondero - White Dance / Los Chunchos

It’s also important to know that I took a lot of creative liberties with my research to pull the story together. I hope I haven’t used any elements in a harmful or insensitive way–and if I have, I’d like to know so that I can apologize. (I also missed out on some cool stuff, like the White Dance always having shaker beads on the legs.) I highly encourage you to have a look at some of the sources I did, and to look further if you’re interested. I found it all very enlightening, and I hope you will too.

Yma’s wikipedia, which seems like a mostly accurate overview based on other sources

Her official website, curated by a fan and friend

A segment on NPR about her musical career

The interview I got the opening from

The ornithology archive that saved my ass

I’d like to work on uploading all the frames as an image reel somewhere so they can be looked at individually. Might take a while, though.

Thanks for watching!

(To those using a screen reader, the video description follows this message. I'd like to apologize for putting the description as the last thing on the post. Not only is it extremely long, but this seemed to be the rare instance where the description would benefit from the context of the post's commentary before being read itself. I wrote and formatted this description in a way that I hoped would apply to aid various disabilities that impede enjoying music videos, and I am very interested in getting feedback.)

DESCRIPTION

[The following is presented as an animatic (a series of still images edited into a video) set to music. The art is drawn with condensed yet fuzzy pastel-like linework and full color. The song used is “Chuncho” by Yma Sumac. The song was composed to imitate the various sounds of tropical birds and animals. It has no lyrics, at least in a traditional sense. I, the describer, have tried my best to translate the especially abstract nature of this song into language that can be interpreted through text. Please use the best of your imagination to fill in the rest. An audio description will always refer to the visual description that follows it.

Audio: A male interviewer asks, “Since you are referred to the bird who became a woman in your native Peru, Ms. Sumac, may we hear your exotic voice?”

Visuals: A title card appears with gold lettering on a black background. It reads one word: Chuncho. The word is depicted as if it were carved into a flat surface with loose individual strokes.

Audio: A woman answers, “I will try to imitate the birds, as I did in my earliest years in the mountains of Peru.”

Visuals: Credits appear, also in gold text: Sung by Yma Sumac (Zoila Augusta Emperatriz Chàvarri del Castillo. Drawn by Carlie Hughes (rainbowchewynuggets).

Audio: The music begins with the steady four-note strumming of a guitar, which will continue throughout the song. Then, it is accompanied by low ragged notes from a heavy woodwind instrument.

Visuals: A green cicada flicks its wings as it rests on a plant with jagged leaves and a little white flower growing from the middle. Beetles of green, red, and yellow crawl around on trees and ferns among puffy yellow blooms. Yellow humpback beetles huddle together on a cold stone surface as mothlike butterflies cling to hanging purple-grey moss in the background. A cluster of butterflies of black, green, blue, orange, purple, and red flare their wings along stems and vines. A line of spiny cocoons hang from a vine leading up the center of the group.

Audio: A vocalist, the same woman as before, begins to sing in vocables. Her first notes are short, round, and bubbly, like the chirping of a small bird. The lilt of a flute follows.

(“B-bm, bui-bui-buiii…”)

Visuals: A small village sits on the side of a forested and scrub-covered mountain at night. Buildings twinkle with yellow and blue window light through the darkness. At the edge of the forest, a tall lean woman appears with warm orange skin, long black hair, a simple green dress cinched at the waist with blue trim on the neck, hem, wrist, and waist, and a powder blue shawl tied at the chest. She sneaks away from the village into the temperate tropical forest, glancing back to make sure hasn’t been followed. She grows more at ease as she leaves the buildings behind and strides between bushes, deeper into the trees. She passes a flowering plant with orange petals. Its bulbs are held aloft on long, long stems.

Audio: The vocalist sings in elongated threads of notes, wavering in a minor key in a mischievous way.

(“Whu, hu-uuuu…”)

Visuals: The woman grazes her fingers along a bush with little black berries and white spiky flowers. Her hand passes up and down with the shape of the bush, like the rise and fall of an ocean wave. She walks uphill, past pink clover and increasingly frequent stones.

Audio: The vocalist clicks and rolls her tongue with her notes, like drops of water splashing across stones.

(“Dlu, dlu-dlu-dlu-dlu-buiii…”)

Visuals: A voice suddenly gets her attention. The voice passes by as a green line with wide wave forms. The woman follows it. She passes through a stone forest–dense moss-covered rock formations that reach up toward the sky. The ground below is streaked with snake trails. The line of song is now yellow. It leads her forward along a trail through the rocks. She climbs a more precarious formation of boulders, through dense shrubbery and a dramatic rocky landscape. As the voice shifts redder, her colors shift pinker. Even the environment’s colors are shifting to pinks and blues. She climbs a hill, past tall spindly trees and a nearly vertical mountainside. The pink line of song leads her still upward.

Audio: The vocalist belts out the deep throaty call of a tropical bird trying to be heard far and wide. The notes increase in frequency, then widen into a whoop that softens to a murmur. The flute follows her with a few short forceful notes.

(“Ah, bya bya bya-bya-bya-bya-bya-byaaa, whoa-whoa-whoa-whoa-wi, wa-wa-wa wiii…”)

Visuals: When the woman reaches the top of the hill, a light shines up at her from the other side, returning her original colors. Below, she sees a gathering of human-sized bird people celebrating on a leafy platform. They’re dancing in different sized circles around a tree at the center. Rainbow colored ribbons of different lengths have been tied to the branches of the tree and hang down to form the silhouette of a condor. More ribbons and colorful bulbs hang from the leaves above. The line of song (now light blue) travels in a circle around the tree trunk. The camera zooms in, revealing details of the birds and their costumes. The birds are pigeons, hawks, cuckoos, seedbirds, and corvids. They’re all dressed in colorful hats, vests, slacks, and dresses with patterns that reflect those of their feathers. A circle of spotted woodpeckers closest to the trunk wear purple gowns and party hats. The party’s singing expands the blue circle of light. A wider circle of yellow, green, and white birds sit and watch the celebration from the edges of the platform. As a line of bright manakin birds zip by with their hands clasped together, the woman approaches from a nearby branch. She’s enticed by the party and joins the dance, clasping hands with a green parrot and leading the line with a broad smile on her face.

Audio: The vocalist makes a quick sudden series of escalating notes, then makes a hard sound with her teeth and returns to a low whoop. The flute echoes her.

(Ba-bana-baba-cht!, waw waw waw waw waw waw waw wiii…”)

Visuals: The birds switch to individual dances. A short red woodpecker and a tan long-necked bird with ribbons in her hair dance and sing together, their lines of song intertwining. The woman and three pigeons in red and black dresses stomp their heels in a quartet dance. She follows their steps flawlessly, familiar with the type of dance. When they begin to sing and whistle, she joins them–though her voice isn’t as strong as theirs and her line of song is thin and brittle.

Audio: The vocalist makes a low growl, at first imperceptible, that grows to a steady rumble. The flute follows.

(“Rhhh…, rhh, rhh rhhh…”)

Visuals: Then, the lights darken and redden. The woman stops to notice all the other birds heading to the back of the platform. They climb and flutter up to sit in fruit-bearing branches that grow just beyond. The woman finds herself a spot and picks a piece of fruit to eat. She takes a bite as a show begins. A band of various birds wearing ponchos and cloth hats sit down by the show platform. They play their instruments (flute, guitars and a drum) and count in the performance.

Audio: The vocalist makes more short bubbly chirps. They grow higher in small strings of notes until the phrase ends with a low long note.

(“Bom-bom, t-bom-bom-bom, mbom-bom wiii…”)

Visuals: Five owls appear, bathed in magenta spotlight before the center tree trunk. All of them have their yellow-spotted wings wrapped to mostly cover their black and gold-trimmed dresses. The four owls on the sides are short and red, while the one in the center is tall and bright purple. As all five begin to sing a golden song, they operatically open their wings and extend their feathers. As the light darkens to violet, the black and gold patterns in the folds of their wings leap out as if exposed to blacklight. They extend their arms upward and then double over to kneel on the stage, fully splaying their wings in a dramatic display. The woman watching is transfixed.

Audio: The vocalist rolls a noise from the back of her throat. Once, twice, three times–before hitching the roll up and down and letting it trail off. The flute makes a low hollow arc of a note.

(“Ghhh, ghhh, ghh gh-gh-gheee…”)

Visuals: Cut to the next performance. Two teams of blackbirds with long waving feathers compete, standing on each other’s shoulders to form two pyramids. The one at the top of each team lunges forward to try to strike the other with a long stick, propelled by their team. Their feathers glow with yellow light from above. The team on the left—with orange vests and red sashes—strikes first, only nearly missing. They gloat as the lime vest and green sash team on the right recoils and protests. Then, it’s the green team’s turn to take a confident lunge, forcing the red to frantically pull back in time to dodge. On the next strike, the red team buries the stick in the top of the enemy pyramid (actually tucked under the green leader’s arm). The victim feigns a mortal wound, and the entire team flies away. The red team poses, victorious. The red leader gets down to the floor to greet the widow of the green team, wearing a green dress. She peers at him from behind a silky black wing. As soon as he lands, she whacks him over the head with her own concealed stick. He is surprised. She is unamused.

Audio: The vocalist lets out a ghostly wail that wavers wildly like an eerie wind, higher and higher. A shaker instrument rumbles beneath her voice.

(“Woaaa… woaaa… woaa–”)

Visuals: Next, it’s dark. Three colorful birds in masks and costumes tread the air at an angle on the left side of the screen against a blue and green background. There’s a yellow spiky one, representing lightning. A blue round-feathered one, representing rain. And a spade-feathered green one, representing trees. Long beaded threads tied to their wings and tails wave and tangle across the screen as a group of five hummingbirds in shades of red struggle to survive the “storm” raging around them. The colored ribbons of the central tree are muted and flutter with the power of the wind. Two other birds hug the trunk, nearly out of sight. There’s a prop on the floor to the right made to look like a stone alcove, where more hummingbirds are hiding. The storm bringer birds beat their wings hard, casting the strings of lightning, water, and leaf shaped beads in huge chaotic waves. The five hummingbirds in vests and dresses wince and tumble against the wind, flying together in a tight circle. The threads crisscross behind them, an overwhelming force on the tiny birds’ scale. A red line of song floats up to reach them, guiding them down to the nest.

Audio: When her wail is at its highest, the vocalist pushes it further into the voice of a shrill songbird. The note hangs high in the air, then takes a few steps down and up. The segment ends with the sudden interjection of the low round voice–as if in surprise–and a trailing mumble.

(“Haaa, aa-aa aa-aa aa-aa, hoa? Ah, bw-huh…”)

Visuals: Those in the stone nest finish singing and reunite with the others, pulling them down to safety. A blackbird hiding behind the trunk spreads its wings, sitting on the shoulders of a brown woodpecker. The blackbird’s vest and wingspan are covered in yellow, signaling the coming of daylight. The storm birds retreat and sit still on a nearby branch. The wind is suddenly gone.

Audio: The guitar plays alone.

Visuals: After the stage performances, the audience members move back to the platform. They’re gathered off to the far left side of the central tree trunk, standing in a circle around a single figure. The light of the gathering area is deep plum-purple in far off areas and warm dull pink over the crowd. The empty space around the single dancer is salmon red, and the figure herself is blue.

Audio: The vocalist perfectly mimics the sound of a flutter, of delicate waving in the wind.

(“W-w-w-w-w-w-w”)

Visuals: The camera zooms in on her hand as it flits a pink handkerchief in the air.

Audio: The vocalist belts a pair of bold staunch vocables. The second note is held for several seconds before fading out.

(“Kyen, kyen…”)

Visuals: The camera pulls back to reveal the rest of her. She’s a blue eagle with wings that grade from red at the arms to pink to blue at the wingtips in a wavy pattern. Her smiling beak is bright pink. Her dress is royal blue with reddish-pink trimmed ruffles on the hem of the skirt, waist frill, neck frill, and the flower decoration on the side of her head. She stands with the hem of her dress in one hand and the handkerchief extended in the other in an open invitation to dance. A pale pink spotlight frames her head and shoulders against the darkness, and a dark pink line of song passes behind her. Her partner, an eagle of the same coloration with a blue vest and pants, pink shirt, pale orange sash, a blue hat in one hand, and a pink hanky of his own raised in the other, is calling to her. He puts his hands behind his back and takes high steps toward her. When the two are close, they turn and walk parallel to each other in a slow circle. The male’s back is to his partner. He looks at her over his shoulder with a smile and abruptly splays his feathers to be cute. There’s a layer of pink under his outer coat. She grins, entertained.

Audio: The vocalist repeats the two vocables, twisting the end of the second up into a high wavering trill that eventually soothes and disappears.

(“Kyen, kye–eee, ee, eee, ee…”)

Visuals: The two turn to face each other, circling tighter and tighter in unified song until they’re face to face, looking deep into each other’s eyes. With another turn, they’ve passed by each other and out of sight.

Audio: The vocalist makes a whisper, a ghost of the two vocables. Then, a few quick whistles, barely loud enough to hear.

(“Hyo, hyo”)

Visuals: The woman, who has been captivated by the dance, suddenly notices that the crowd has dispersed around her. Partners are walking off in all directions, leaving her alone. The dance is over.

Audio: The guitar picks up, getting faster and louder for a bit.

Visuals: The woman walks alone in the blue night air along a tangle of tree branches that form a pathway. She walks with her hands behind her back, her face looking preoccupied and a little disappointed. Bushels of soft leaves pass by in the background.

Audio: A high, light pleasant note from the vocalist overtakes the guitar. It grows until it fills the soundscape.

(“Aaa…”)

Visuals: An orange song reaches her from the direction she came, and she stops. When she turns, she sees a blue swift standing on the branch path, far behind her in an opening in the trees. The underside of his feathers is dingy orange, and he’s wearing a black vest, white pants, a rusty red sash around his waist, a bright green kerchief around his neck, and an orange rectangular accessory tied around his neck like a necklace. His face is obscured by a white hat with an orange band. He bows low with a hand on the hat. The hat comes off, revealing inviting eyes and a smiling orange beak. The woman grins and accepts the invitation with determination.

Audio: The vocalist draws long high vocables that resemble a wail. They trail off with a low note.

(“Whoa whoaaa…”)

Visuals: She and the swift untie the fabric around their necks and step toward each other as the line of song forms a ring above them. The woman holds the ends of the shawl in her hands and her hands at her hips with the body of the shawl hanging behind her waist. The bird holds his kerchief out in one hand with the hat in the other, held behind his back. He takes measured winding steps along the branches. The woman mirrors his steps, then pushes off of the main path and lands on an outcropping branch.

Audio: The vocalist’s song wavers back up and demurely bobs up and down, intertwined with tweeting from the flute.

(“Hoa… ohee…”)

Visuals: Her voice, seafoam green and a little stronger than before, trails behind her. She darts back onto the main branch and ducks behind the bird, then circles around to face him, the two only a few feet apart. They exchange steps pushing the other forward and back and flicking their garments in time with their movements. The woman’s voice grows stronger, nearly matching his. The bird quickly catches up as she moves backward, dancing beside her. The two dancers then leap from the main branch and fall down into the rocky forest below, passing by grassy plateaus and vines creeping through stone. Their song follows all the way down. They leap across boulders in the moonlight, side by side. The swift suddenly stops and folds his kerchief around the center of the shawl, hitching the two together.

Audio: The vocalist belts a complex series of syllables that mimic the heavy majestic cawing of a large bird or hawk. The flute makes itself known a little as the voice fades out.

(“Hlau-lau-lau hau-au-wau-wa-wiii…”)

Visuals: The woman, at the receiving end of the momentum, is swung wide and lets out a vibrant complex line of song that could match any bird’s. The two pull closer to each other and end their song on a low steady note. Then, they bow to each other as the camera pulls back. They’re standing on a rock that rises above a basin of water among huge formations of rock. Pairs of birds dance all around them in the shallows.

Audio: The guitar takes over for a bit.

Visuals: The camera cuts to an upward view of a varied group of birds sitting in branches, staring downward with interest. The light from the moon coming down through a break in the trees above is now cool green. The light coming up from where the birds are looking is orange-red.

Audio: The vocalist lets out the aggressive growling of a cat.

(“U-wau, wau-wau-wau-wau”)

Visuals: Below, the woman is dancing in a line with three reddish woodpeckers in a greenish clearing in the trees. They wear intricately detailed dresses in different combinations of bright green, yellow, red, and black with geometric and floral embroidery. The dresses are cinched at the waist with a piece of fabric covered in colored bands. Their heads are covered in scarves with the same colors and patterns. They sing and step aggressively toward the left of the screen. At the other side of the clearing, a line of four red and white faced woodpeckers with green beaks and wings face right. They wear bright green hats, kerchiefs, and sashes, yellow and black striped vests, and dark red pants with yellow tassels at the ankles. Their black shoes tap against the ground as they make quick little dance steps and flutter yellow handkerchiefs. They hold onto the brims of their hats and then lean down with a flourish of their arms, exposing the red crests of their heads sticking up underneath. The dance then changes formation. The girls dance in a line to the left as the boys step in a line to the right.

Audio: The growl hushes down to a wavering whisper, like wings beating in the dark.

(“Tchwahh-cwah-cwah-cwah-cwah-cwah-cwah-cwah…”)

Visuals: Out on a cliff by a waterfall, the scene is bathed in cyan. The line of dancers–alternating male, female, male, female–do a hopping dance from partners on the left to those on the right and back again as they move along the cliff, passing behind the waterfall as it disappears into the greenery in the foreground.

Audio: The guitar asserts itself again.

Visuals: Everything is suddenly red. A guitarist in a blue poncho and a red neck sash frets the neck of a guitar with a brown feathered hand. Rainbow ribbons are tied to the headstock. A deep orange song emanates from the strings.

Audio: The vocalist quickly accompanies the guitar with a harmonized version of the growl that revs up climatically, taking steps up the scale until it’s at its absolute height.

(“U-wa-wa ee-ee eh-oh! Oh-oh-oh-ohh!”)

Visuals: A congress of the partygoing birds stand in lines facing each other, all wearing blue outfits with red kerchiefs with rainbow tassels on them. The group jumps up and down in unison as part of a dance. The party breaks into smaller dances, and the woman dances by herself. She’s wearing a green skirt and flowy purple top with red underskirt, waist cinch, and scarf. Rainbow tassels are attached to the overskirt, and they swish with her movements. Beside her are a hawk woman and a pair of long billed bird men dancing in a circle with their ankles locked. A pair of red birds with white streaks on their wings suddenly hoist the woman into the air, as other birds are hoisted in the distance. As she’s held aloft, she sings and spreads her arms, revealing more tassels on her top, resembling wings. Her song is immense and beautiful. The camera focuses on one of the hoisted birds in the background, who has executed a handstand with the person who threw them. The blackbird’s feathers are all sorts of bright colors. The song passes by behind him. The excitement of the party disguises the presence of a looming pair of yellow slitted eyes peering out from a dark spot between the leaves nearby. A trio of purple pigeons dancing in a line with twigs and colored strings in their hands dip and weave together. The one in front balks, noticing the threat at last.

Audio: The high energy of the music suddenly cuts out. The shrill call of a small bird climbs up out of the silence.

(“Eee…”)

Visuals: A striped short legged pampas cat pounces into the center of the dance field. It misses the birds, but the illusion is shattered. The bird people are just birds again. They fly in a frenzy up through the trees to the safety of the early morning sky. The hilltop erupts with silhouettes of wings.

Audio: When the small bird’s call is at its highest, it tumbles back down and transforms into a low disquieting wail. The guitar re-enters.

(“Ee-ee-ee-ah-ahh ahh oohhh…”)

Visuals: The pampas cat has retreated into the dim tawny forest. It stands on a bent tree branch among bushes and hanging moss and stares into the camera with glowing yellow pupils. A tiny rodent scurries by and into a bush. The cat notices and darts after it. Nearby, dozens of bats hang from the underside of a rock formation that extends over a field of berry bushes. Their sleepy heads are tucked into their folded wings. A straggler flaps up to join the rest as the sun continues to rise. Elsewhere, a hive with wasp-like insects resting on the outside hangs over a rock. Sunlight gleams over the scene from a break in the trees in the background. A large brown mouse climbs up on the rock, backlit by the sun. It grabs a wasp in its teeth and leaves before the rest of the hive can wake up.

Audio: The vocalist makes a low steady murmur. A couple shakes from the shaker instrument follow.

(“Hoo…”)

Visuals: A colony of green and brown frogs with purple eye ridges, yellow faces, and orange bellies are asleep on dewy ridges of rock. A green cicada hangs out on a leaf off to the top left corner. The mouse jumps down through their resting spot, waking them all up. The frogs croak a green song as the cicada hangs on for dear life on the swinging leaf. The wind moans through the crevices of another stone forest. The little flowering shrubs that grow on the rocks bristle in the breeze. A variety of green, yellow, and blue lizards poke their heads out of the rocks, into the morning light.

Audio: The vocalist repeats the murmur. The flute follows this time.

(“Hoo…”)

Visuals: The camera pulls back to view the entire rock formation. The still rising sun shines only on the top half of right-facing stones. Long spindly tree trunks grow from the top left, out of sight. Long grass waves on the ground below. An alpaca-like vicuña raises its head from the long grass, facing the light. In the branches of the trees above, various birds perch facing left.

Audio: The vocalist makes a mysterious sound that begins as a harsh sound between her teeth and ends as a whisper. It echoes in the background.

(“Chwah-ah…”)

Visuals: The camera turns back to the village. Golden light casts diagonally across the brown roofs and tan buildings. The silhouette of a small bird flies toward the center of town.

Audio: The vocalist makes the sound again, then pulls the whisper up into a harsh repeated rasp from the back of her throat.

(“Chwah-ah qwah-qw-qw-qw-qw-qwah-qwah-qwah”)

Visuals: Down in between the one-story houses, the bird flutters down. Long shadows lay across a passage leading toward a door on the side of a building. We see the shadow of the woman land in the soft dirt path where the bird’s would have. She heads toward the door at a walking pace.

Audio: The call returns to a whisper. The vocalist clicks her throat in a short series of hollow sounds, nearly like the creaking of wood.

(“Qwk-qwk-qwk-qwk-qwk, qwk qwk qwk qwk”)

Visuals: As she opens the door to enter the purple interior light of the house, we see that she’s back in her green dress, but now her shawl is red. The sun glints in her hair. Before she goes inside, she looks back and winks at the camera with a smile. Then, she slowly pulls the door behind her until it’s shut.

Audio: The vocalist lets out her breath entirely as the accompanying music trickles into silence.

(“Haaa…”)

Visuals: The screen is black for a few seconds.

Audio: The high whistling call of a green manakin can be heard over the rustling of forest trees. The call’s tone is raised at the end, like it’s asking a question.

(“Twee?… Twee?… Twee?… Twee?”)

Visuals: The end card appears. Yellow and green lettering and a border lay on a black background. The text reads: Yma Sumac. Peruvian soprano and composer. October 13th 1922 until November 1st 2008. Biographical and reference info in description. Chuncho, 1953. Written by Moises Vivanco. Capitol Records, Universal Music Publishing Group. Carlie Hughes. Tumblr @rainbowchewynuggets. www.carliehughes.com. End ID]

INDEX

#chuncho song #animatic #chuncho animatic #night festival animatic #the night festival #yma sumac #the birds #the forest creatures #this was supposed to go up on her birthday but i got sick aaa #Youtube

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