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#and as someone with a history in homestuck
mysterionrisez · 9 months
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Now for Cartman it's obvious he's got something for Kyle but I'm curious, why do you think that Kyle's got something too?
THANK YOU FOR ASKING! i forgot i even made that post. i dont think his feelings resemble cartman's much at all, like i dont think, in the traditional sense, they come from a ROMANTIC place. because i'll be real with yall. cartman is like, IN LOVE with kyle lmao. that's definitely not the case with kyle, however.. i think kyle has this weird compulsion to fix or even just change cartman on a fundamental level. kyle's feelings really go past just "hating" cartman and wanting nothing to do with him, because somehow he has a very hard time cutting him out of his life. like.. not because it's physically impossible but there's some weird mental block keeping him from doing so.
i would say he's less attached to cartman for who he is and more attached to what he represents for him. he gets off on being superior to someone, of course, and i think we have good reason to believe cartman is like a longterm fix-it project for him. because why does he still keep having faith in him? like in casa bonita or jewpacabra? and many other examples im not listing? obviously it can also just be chalked up to "kyle is a better person than cartman" but in a lot of ways kyle is treating cartman no differently than he treats everyone else he forms a fixation on. he wanted to save leslie, he wanted to save heidi, even rebecca, and he sure does want to save cartman too!
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meggie-moo · 9 months
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i think stoner dave is a inherently good concept, but also consider this: stoner rose
dave grew up with andrew tate like bro strider, who was probably so anti drugs. like dave and rose are hanging out and rose casually drops, “oh yeah, when i was high that one time-” and dave stops and is like, “😟” because he 100% thinks weed is addictive.
bro probably told him when he was younger that if you smoked weed it was the same as like crack. he’s horrified, he goes home and he’s like, “karkat!! bad news about rose 😟” only for karkat to be like, “oh yeah i’ve had edibles with her before.”
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choctalksalot · 11 months
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strangely enraptured by reddit refugees i feel like im behind the scenes on nat geo wild watching a new species being introduced into the ecosystem. which is exactly what's happening and im wildly entertained by it
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weaselandfriends · 11 months
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Post-postmodernism in Pop Culture: Homestuck’s Revenge
I recently saw an excellent video essay titled Why Do Movies Feel So Different Now? by Thomas Flight. Though the title is opaque clickbait, the video is actually about major artistic zeitgeists, or movements, in film history. Flight describes three major movements:
Modernism, encompassing much of classic cinema, in which an earnest belief in universal truths led to straightforward narratives that unironically supported certain values (rationalism, civic duty, democracy, etc.)
Postmodernism, in which disillusionment with the values of modernism led to films that played with cinematic structure, metafiction, and the core language of film, often with more unclear narratives that lacked straightforward resolutions, and that were skeptical or even suspicious of the idea of universal truth 
Metamodernism, the current artistic zeitgeist, which takes the structural and metafictional innovations of postmodernism but uses them not to reject meaning, but point to some new kind of meaning or sincerity.
Flight associates metamodernism with the “multiverse” narratives that are popular in contemporary film, both in blockbuster superhero films and Oscar darlings like Everything Everywhere All at Once. He argues that the multiverse conceptually represents a fragmented, metafictional lack of universal truth, but that lack of truth is then subverted with a narrative that ultimately reaffirms universal truth. In short, rather than rejecting postmodernism entirely, metamodernism takes the fragmented rubble of its technique and themes and builds something new out of that fragmentation.
Longtime readers of this blog may find some of these concepts familiar. Indeed, I was talking about them many years ago in my Hymnstoke posts, even using the terms “modernism” and “postmodernism,” though what Flight calls metamodernism I tended to call “post-postmodernism” (another term used for it is New Sincerity). Years before EEAAO, years before Spider-verse, years before the current zeitgeist in pop cultural film and television, there was an avant garde work pioneering all the techniques and themes of metamodernism. A work that took the structural techniques of postmodernism--the ironic detachment, the temporal desynchronization, the metafiction--and used them not to posit a fundamental lack of universal truth but rather imbue a chaotic, maximalist world of cultural detritus with new meaning, new truth, new sincerity. That work was:
Homestuck.
That’s right! Everyone’s favorite web comic. Of course, I’m not the first person to realize the thematic and structural similarities between Homestuck and the current popular trend in film. Just take a look at this tweet someone made yesterday:
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This tweet did some numbers.
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As you might expect if you’re at all aware of the current cultural feeling toward Homestuck, many of the replies and quotes are incredibly vitriolic over this comparison. Here’s one of my favorites:
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It’s actually quite striking how many elements of the new Spider-verse are similar to Homestuck; aspects of doomed timelines, a multiversal network that seems to demand certain structure, and even “mandatory death of parental figure as an impetus for mandated personal growth” are repeated across both works. The recycling and revitalization of ancient, seemingly useless cultural artifacts (in Homestuck’s case, films like Con Air; in Spider-verse, irrelevant gimmick Spider-men from spinoffs past) are also common thematic threads.
As this new post-postmodern or metamodern trend becomes increasingly mainstream, and as time heals all and allows people to look back at Homestuck with more objectivity, I believe there will one day be a rehabilitation of Homestuck’s image. It’ll be seen as an important and influential work, with a place inside the cultural canon. Perhaps, like Infinite Jest, it’ll continue to have some subset of commentators who cannot get past their perception of the people who read the work rather than the work itself even thirty years after its publication, but eventually it’ll be recognized for innovations that precipitated a change in the way people think about stories and their meaning.
Until that day, enjoy eating raw sewage directly from a sewer pipe.
(Side note: I think Umineko no naku koro ni, which was published around the same time as Homestuck and which deals with many similar themes and then-novel ideas, will also one day receive recognition as a masterpiece. Check it out if you haven’t already!)
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reallyndacarter · 1 year
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Someone sent me a "brief" history of Homestuck video and it was two hours long.
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relaxxattack · 1 month
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you are so very homestuck knowledgeable. when you have the time and should inspiration strike, please tell all your headcanons about oliveblood trolls.
ooo what a great question! for this one i think first we'd need to break down current stereotypes about olivebloods. there's actually not much that we're given about them tbh
according to the homestuck wiki, which is based on info from both the comic and more dubiously canon things like friendsim and hiveswap, the olive caste's two singular traits seem to be "wild animal" and "romance liker". both of these, obviously, are traits pulled from our wonderful main girl nepeta, who was the singular representation of the olive caste for a long time; alongside her dancestors. which is quite cute, who doesn't love nepeta?
the thing is though that i am one of those nitpicky people who likes to say, "well, hey now, nepeta isn't actually representative of her caste at ALL." in fact, none of the beta trolls are. i honestly feel like it should be assumed that just like the beta kids, the beta trolls are weirdos, and not really the 'norm' in their society.
nepeta lives out in the wilderness very specifically away from society in a way that is remarked on as being unusual even for someone of her color; and she does not even understand what role her caste would have given her in normal society. and i mean... considering aradia tavros and sollux are LOWER than nepeta, it doesn't really make sense for them all to have nicer houses than her unless she's unusual in her situation.
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^ nepeta is in fact NOT a good representation of olivebloods.
which means... no, i don't think all olive trolls are romance obsessed wilderness girls, actually, sorry, hiveswap friendsim, i have to shelve you from my alternia analysis for now.
luckily, there ARE other olivebloods in the series!
first of all, the other leijons. unfortunately, none of them are really "good" examples either. meulin is from an entirely different planet, and disciple is from an ancient history perhaps even less representative of "normal" life than nepeta is. all we really get from them is stuff we already knew from nepeta-- the wildness, the relationship interest. with an added fact that both meulins seem to be somewhat bookish.
and so who does that bring us to? the final canonical oliveblood.
that's right.
troll will smith.
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troll will smith is canonically an oliveblood. not only that, but he's a famous actor, which means he is basically a "model" for society- for what it looks like once you "have it all made". i would imagine this goes even more for alternia, supposedly a very movie-geared society.
the two troll will smith features that canonically exist on alternia are Fresh Prince and Hitch. in both of these films, will smith plays a character that is self-made and clever, a regular guy who is just skilled. it should also be noted that while a "threshecutioner" is a job with a heavy blueblood populous, greenbloods can also be one, and it's common enough that a show about it wasn't cut by the alternian dictatorship.
so therefore, what traits can we pull that all of these olivebloods (and equius lol) display to us?
olive trolls are lower class, but they're capable of working up through their connections
likely due to this, olive trolls are often clever and self made. they're likely quick-witted and sharp
they're good at their jobs! most olive trolls that are seen in the comic are very good with their respective practices (be it drawing, writing, bookkeeping, or melee fighting)
it's possible that olive trolls have a good intuition, and are fairly in touch with their own instincts. this would explain why some of them seem to fare better in the wild or in fights, and also why they are stereotyped as having a natural inclination for relationships. i think this is also a good transition ground between the impressive physical psionics of the castes lower than olive, and the emotional/mental psionics of the highbloods above them.
so, there we go. these are my olive headcanons! they're not comfortably well off or anything, but they're not wild animals either-- they're hard workers and skilled at what they put their minds to. probably usually working a nine to five and doing their best in life hoping to move up with a good quadrant or promotion. at least, in my headcanon anyway- no need to take this as fact!
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quinton-reviews · 4 months
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Hi Quinton!! I have been a HUGE fan of your stuff since a friend sent me the Tobuscus Fallen Titans (I used to watch him back in high school and was like "huh, wonder what happened to him after those allegations") and I gotta say, it is REALLY FUNNY every time my fiancé and I watch the iCarly videos again, because when you cover Gibby's stunt double breaking his ribs, you cut to a clip of The Official Podcast. I used to play D&D with one of the main dudes from the podcast, so when he talks during that clip I do a goddamn double take literally every time.
Anyways, I remember an original Patreon stretch goal being a Fallen Titans on Homestuck! I was really big into Homestuck in my early 20s, and was wondering if that's still on the table at some point? If not that's fine, I understand plans change! I just love Fallen Titans lol, the Fred episode and the Neil Cicierega unFallen Titans are some of my favorite videos of yours!
That's a real funny story!
So here's the rundown on the Homestuck video. When I first started making long videos, they were actually inspired by the relationship I had with other YouTubers at the time. I used to watch, like, H3H3 and Filthy Frank, etc; and I'd always see people obsessed with the versions of creators from the past. Like, "Oh 2015 H3 was the best" and "Oh 2012 Frank was peak." So I had this idea that it would be crazy if H3 posted, like, a video he spent a decade on and you got a new video with 2015 H3 10 years on. (I don't watch H3 anymore ironically)
So the original idea for the "long video" format was that it would be cool if, throughout a long, analysis/review/recap video, you kept noticing someone get older. Maybe my months, maybe by years. That's why I always like to get a haircut when I start one of these videos. If you scrub through and you see my hair get longer and messier as it goes on I think that adds something magical you can't fake.
So... My pitch to the Homestuck video was that it would be funny to work on it just once per year. To record one segment, say "That's it for 12 months", and then come back around to it. And when I was making the iCarly and Victorious videos I actually recorded a few minutes of the video! I think it was two segments in total. But then I had a bunch of personal stuff happen and my work drive has been much lower, so any "back burner" video hasn't gotten much attention since then.
Now that the iCarly mini-series is done with, I want to focus on some short one-off videos I can make before April. But once that's done with, I would REALLY love to start work on a few more long-term projects which will take months or years to finish. I think returning to work on the Homestuck video, to at least get the first 20-30 minutes done, would be a great idea this summer.
Now, if you want to know my pitch for that video, here it is. The video is not a recap of the creative history of the franchise. I do not get into drama, community hell, lawsuits, or other YouTubers. My idea is this: you always hear about Homestuck as an outsider but you never hear about the actual content. Most franchises on Earth I know something about, even and especially if I've never been interested in them. I can tell you a bunch of facts about wrestling and MLP and the Fast and the Furious simply through cultural osmosis and having friends who are into those things.
I can't tell you the plot of Homestuck, who the characters are, what the themes are, nothing. I've known a lot of people who were into Homestuck but nothing about the series!
So I thought it would thus be funny to make a video about a bunch of people who know nothing about the series starting from the beginning and giving their reactions, even if it's been years since it all started. I call this part of the video the "Homestuck Book Club." So the next step is me picking out the members (who all have to have no history with it) and making sort of a podcast setup. We'd then read and record every six months or so, IDK.
This is why the video has been stuck in production hell! Everyone who wants to work on it and messages me about it already knows the franchise. I don't want spoilers, I don't want people writing for the video who get it already. I want to capture the "what the fuck is this" energy of three dudes just getting in the middle of it.
Also, I think that I really like the theme of the video capturing our lives as they go by, capturing us aging and changing. If you came back from the future and told me this video comes out in five years, I'd say great. If you told me it comes out in ten years, I'd say awesome. Until then, the latest edit will always be on Patreon, even if you have to dig a little.
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Rose has such an interesting character with such a rich history that is far too frequently swept away in favor of making her the "smart therapist" character, despite that her entire arc was about NOT being that. Rose's story was about accepting that she didn't have to pretend to know everything and that people would still like her in her worst, most pathetic state.
Rose has such a complicated relationship with motherhood, and family in general. The only person to ever treat her like family were her friends since her mother was nearly always inebriated. Rose is attracted to someone who exudes motherly energy because it's what she lacked growing up. Rose needs a stable support system. Kanaya can give her that, to an extent. Of course, Rose's trauma cannot be completely undone by Kanaya, but she can help. And in return, Rose helps Kanaya through her feelings of failure and emotional exhaustion.
Rose has dealt with so much from a young age, and it's devastating to me to see her as nothing more than the "intelligent" one, even though Dirk is also characterized as very smart, but doesn't receive this same treatment from the fandom.
Rose's trauma pertaining to Doc Scratch, the Horrorterrors, and going Grimdark are also very interesting to me. As a child who just wanted to know how the game worked, Doc Scratched encouraged and pushed Rose to consult the Horrorterrors. All the while, he made some uncomfortable comments with sexual insinuation. Rose was practically groomed by Doc Scratch into thinking he was someone she could trust, before breaking that trust and forcing Rose to come face-to-face with some of the most horrible things she could ever know. Right after this, she found the body of her dead mother and watched one of her best friends die.
Doc Scratch pushed Rose to the edge and forced her to come to terms with things she wasn't ready for, which forced her into seeing the most traumatic things of her life and eventually, her own death.
Rose is one of the most interesting characters in Homestuck and is so tragically forgotten in favor of being a backup character to whatever misadventure Dave is getting up to.
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halluciniwaynia · 1 month
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my other favorite aspect of being into wtnv in 2024 and onwards is that there’s a decade plus of fandom content to go through and a decade plus of ideas and people being changed by the series to experience. it’s generally pretty rare to have that kind that kind of experience with something that was popularized in the zenith of the internet becoming centralized, when people were moving from places like MySpace, geo cities and personal websites to formats like tumblr (and for wtnv’s earlier history, deviantart). (The only other fandom I can recall with a property still updating that would fit this bill is homestuck btw) it’s a transient experience of enjoying someone else’s ghosts, of a childhood/teenagehood/young adulthood you never got to experience and history you never saw for yourself but felt enough for it to mean something now. it’s the raw, unfiltered joy of what is almost nostalgia for something you never cared about until very, very recently, and realizing “oh my god the podcast is actually really good on top of it”
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evasiveagaric · 3 months
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I have a physical reaction every time i think about the queercoding of Dave at the end of homestuck. My roommate and I were reading it and i kept having to take a moment to think “holy shit, is he coming out??? is that what we missed on the meteor round 2?”. I don’t keep up with Andrew Hussie news bc i don’t really like him as a person, but the whole talk with Egbert on the lillypad makes me think Hussie either was really close to a queer person or queer himself with just how accurately he wrote Dave talking about the queer experience, even if he doesn’t actually come out in that part. It doesn’t feel like queerbaiting either bc it bc fits with Dave’s characterization and how hard it is for him to talk about anything sincerely.
I don’t want to downplay the importance of Dave realizing the thoughts Bro instilled in him about how a man should act in favor of speculating about his sexuality tho. Not wanting to be a stoic hero of man who doesn’t have attachments or be soft with anyone is a huge part of Dave’s characterization and character arc. I think they go hand in hand tho, his struggles with toxic masculinity and his sexuality. I think the conversation was blatantly about both while Dave gave himself an out to pretend it was just about one. And he didn’t even do that.
I’m about to get hella pretentious and read way too much into things under the cut. More rambling about Dave’s character arc as a whole and nitpicking of dialogue towards the end of homestuck down below.
Future peepaw edit: this turned into a fucking play by play essay, my bad
Out of order but I also want to talk about his characterization as a whole.
Homestuck Mobile formatting jumpscare:
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He’s willing to talk about another guy’s feelings. Romantic ones. for someone at the time presents as a guy. It doesn’t even feel like he’s joking. 13 year old Dave would never.
And this happens before all the stuff i mentioned earlier, showing exactly what he talked about. I honestly don’t think any other character has an arc like Dave’s. Which, seeing as Dave is a fully fleshed out complex character that makes sense, but I mean in general. I have consumed a lot of media, i’ve consumed a lot of queer media too. I’m really into the history of queercoding and how it relates to representation. I don’t think I’ve seen a character arc quite like Dave’s, especially in relation to sexuality and toxic masculinity.
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Egbert assumes that Dave’s being a dick on purpose, and Dave rebukes it so strongly he uses an exclamation point. In a series where how people type is kind of a big thing, Dave’s frequent lack of punctuation is a nod to his “cool guy” facade, the lack of tone indication part of the “mystery” a cool guy has to be surrounded with. So, the fact that he feels strongly enough, or has loosened up enough on the cool guy show no emotions routine speaks to his self reflection. Of course this is stated literally a few more dialogue lines down, about how much time he spent on the meteor thinking about societal norms and his Bro’s teachings but the fact that it’s sprinkled in before hand too makes it feel less like it’s come out of the blue, or that it’s out of character.
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“yeah we coulda talked about this” says so much. Not only to his relationship with Karkat (romantic or not, i’m a Davekat shipper but that’s not what i’m getting at here) but just how far he’s come with getting close to others. Not to mention the fact that it’s implied that they talk at least somewhat frequently about heavy and deep issues such as feelings for other people definitely feels like a major shift in Dave’s character, one for the better.
He’s probably been vulnerable with Karkat in a way that he never was with anyone as a kid. They talk about things. They talk about important enough things that Karkat’s past black crush on Egbert never coming up probably feels a little strange, hence Dave asking if he’s been thinking about it all this time. He has that connection with Karkat, which is important bc Karkat is masculine presenting. I’d bet money that Bro would not have approved, regardless of them just being friends or not.
That level of vulnerability? Not immediately calling Karkat gay and dunking on him? Treating what would be seen a gay relationship as completely normal and not even something to bat an eye at? 13 year old Dave WISHES he had the emotional maturity Dave has now.
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He even encourages Karkat to hold on to those feelings bc Egbert expressed that they could hate people, at least platonically. Egbert even calls him out, saying he sounds like he’s being a dick about it and Dave says he’s being real.
Not to mention he kind of forgets that Egbert “isn’t a homosexual” at this point, that or he suspects Egbert isn’t straight in some capacity. I think he has less hang ups about queerness than Karkat does at this point. Or at least less hang ups about being honest. It feels fitting for his character and i’m sad that most of that character arc is off screen. I get it tho, writing meteorstuck round 2 would have made homestuck significantly longer most likely.
In conclusion: I like Dave and his character arc too damn much. I have to go to work now, i was not expecting to have this many thoughts about it and i’ve rambled enough.
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hyallulonelyhime · 2 months
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Can Lolita fashion and fandom culture mix?
Hyahime presents: the 'fanloli' drama of the past.
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How did we get here?
It is not uncommon for someone's first introduction to lolita come from a fandom or piece of media: be it a character in a manga who dresses in this way, attending a convention where lolitas are present or even stumbling upon fanart of a character trying the cute clothes.
The issue comes with the history of lolita trying to distance itself from cosplay at all costs, fearing it 'infantilizes' the culture formed and brings forward judgements. By all means, we can sum this up as not wanting to be compared to weebs. We're talking 2010s, here! Anything could make you be considered a poser.
Although big brands have done collabs with disney and many indie designers had popular supernatural and doctor who inspired prints, the issue continued as the community seemed split between people who didn't think it had to be so serious and those who thought self expression was limited to the rules.
2. Today, I welcome you to an exhibit of submissions related to the fandom discourse. You are free to form you own opinion and share your thoughts. These posts all come from year 2013 in BTB.
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Inb4 having interests is considered ita...
Oh. Oh no.
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Homestuck. It begins. It started being called Lolitastuck.
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It seems some people were very happy about the lolitastuck potential.
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and so, 2013 ends and the discourse doesn't. More posts from following years might come soon!
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castorfell · 5 months
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Mount Rageous Worldbuilding Headcanons
Thoughts, interpretations and a lil analysis of the culture and lifestyle of rubber noodle people based off of what we saw in the movie and some behind the scenes stuff
Lmk if anything doesn't make sense!
It's been stated before in an interview that all the inhabitants of Mount Rageous are teenagers, but Velvet & Veneer's convo and flashback confirm that there exists full grown adults with paying jobs and also child Rageons who need to live under said adult's care until they become teens. That scene also states that suburbs are a thing which I assume is just like a regular neighbourhood type area, most likely not as flashy as the main of Mount Rageous
Since Mount Rageous is a floating city, it's suburbs are under it on the ground
I like to think that the water from the yacht riverways on Mount Rageous eventually fall from the sky and becomes rain for the suburbs
Mount Rageous' entire shtick is that it's a big teenage hangout. It's run by teens for teens. It's structure is mainly based on entertainment
Mount Rageous have different districts that focus on different types of entertainers like how the troll tribes are seperated by music genres. The areas of Mount Rageous we see in the movie is in a district dedicated to Singers. The other districts are Streamers, Actors, Comedians, etc with their own set of subclasses. Basically anything that appears on a screen for entertainment purposes is someone's teen career on Mount Rageous
Of course there are also jobs on Mount Rageous that have to actually keep the place running. Like bouncers, security guards and cops such as we've seen in the movie. Normal day-to-day jobs like barista or fast food worker are still a thing, they just don't procure you fame
Rageons have a lifestyle structure based on the concept of 15 minutes of fame. They're raised from birth as regular, boring nobody children, reach their teenage years and set off to Mount Rageous to either party their youth away or try to achieve fame of some sort, then go back to the suburbs to begin their life as a boring nobody adult. Not all Rageons care to be famous superstars, instead just focusing on having fun and making friends
Life as an entertainer on Mount Rageous is brutal and harsh, such is the life for anything related to performing arts. You need to have what it takes to make it and to stay making it. But if you've got talent, you'll probably make top 100 at some point
Achieving ultimate stardom (the Life-Award that V&V were on their way to accept) on Mount Rageous means that they basically get to be solidified in Mount Rageous history forever. EVERYONE will know you. It's FAME! It lets you live forever (metaphorically). It also guarantees a cushiony adult life where you don't have to work as a dentist
Since trolls bleed pink I like to think that Rageons bleed purple. Fun blood colours! Homestucks DNI /nsrs
Rageons have dinner for breakfast and breakfast for dinner. Pizza before school and cereal after. V&V's dad asked about school while they were eating cereal bc it was dinner time
Rageons don't have the same hair powers that trolls do but I like to think that it's still manipulatable in some ways seeing as how Veneer apparently grew longer hair for his mullet in the final act of the movie
Das all I can think of for now I don't like how much I've thought abt this
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davekat-sucks · 28 days
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I stayed away from the fandom for years. Can you summarize for me how Hussie (and some of his "friends") became such hated figures in this fandom? I know very little about what happened with Sarah Z's video and the drama of homestuck reddit vs kate mitchell
Andrew Hussie and WhatPumpkin had tried to sue Sarah Z for libel because of her critique on the shitty sequel that is Homestuck 2. It didn't help that HS2 was put on a long hiatus since December 25, 2020. He sent her a most unprofessional email like he would. But it wasn't until later on that it was revealed that Homestuck 2 was actually a money laundering scheme by Andrew Hussie to pay off his debts towards Viz Media. He lied to his freelance artists, claiming they are working on the project to help bring the series back to its full glory. The most funny part is that Hussie had tried to pitch Homestuck^2 to Viz Media and they rightfully REJECTED this and told him it was the bad idea. But he didn't listen. Andrew Hussie then decided to leave his name out of Homestuck, any future projects relating to it, including the HIveswap game that he Kickstarted and had misued the money, to live off with his money on IP alone. As for the Homestuck Reddit vs Kate Mitchell, besides the whole fact that Kate Mitchell is controversial for making lots of questionable remarks, takes, and had LITERALLY ADVERTISED HER NUDES ON HER PERSONAL ACCOUNT THAT WAS USED TO TALK TO HOMESTUCK FANS, she and Hussie had found out that Makin, the head of Homestuck Community Reddit and Discord, had created Homestuck.net. Which is an archive site for all things Homestuck media related. From art assets, fan games, music resources, and of course, Patreon exclusive posts for Homestuck^2. It was back in the early 2020s, way before the hiatus and Hussie cutting himself off. Andrew Hussie, Kate Mitchell, and others in WhatPumpkin like Aysha, are upset at them. Thinking they are infringing copyright in preserving some of the lost sprite art and other materials related to the series. There was rumors someone, not sure if it was WhatPumpkin or some random defender of Hussie, had accused Homestuck Community Discord, was sharing CHILD PORN, which was untrue. Andrew Hussie had sent emails to the mods and Makin, requesting the latter step down from his position and let Hussie and WhatPumpkin take control of the Discord. He also asked question about the mods sexuality for the sake of 'gender and sex composition'. Of course by the end, it failed and Makin is still around. I don't think it's been made public on either Twitter or Tumblr, as it is just kept within the Discord server itself. But they had release the email transcripts in a PDF file about all this. Of course, Makin isn't too much of a saint either as he accused the artist (HONE) for 'normalizing' the characters and plagiarizing a fan edit, not realizing who it was that made all the Homestuck Requiem promo art and that it was made WAAAAY before Pesterquest was out and approved by Viz Media themselves. He would then find out who it was and backpedaled, likely not having directly apologizing to HONE. The way I see it is two tards fighting each other. Wanna view the PDF file? (˵ •̀ ᴗ - ˵ ) ✧ I have been meaning to document some of the controversies and drama within the Homestuck series. Be it from Hussie, Whatpumpkin, and any other major incident. From how one Homestuck musician got kicked out for accusing Hussie on mistreatment of his music team to spending $10k on an office in New York to work on Hiveswap, it would be a history of all the things that had happened behind the scenes with evidence to back it up.
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wifegideonnav · 2 months
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should i read homestuck. like i feel it would be interesting so i could see what yall are talking about in regards to tlt but is homestuck actually good
"is homestuck good" - the greatest thread in the history of forums, locked by a moderator after 8129 pages of heated debate,
no but seriously, it highkey depends on 1. your definition of good and 2. your tolerance for stupid bullshit. as someone who read tlt and then hs, i'd say that being a fan of the chaotic aspect of tlt is a good predictor of being able to hang in with homestuck.
readmore because this. um. got long. the tl;dr is: i like homestuck a lot and i am glad i read it. i can't tell you if you should read it bc idk your tastes, but there is a lot to like and enjoy about it.
the official pitch for homestuck is something like "4 kids play a game and then a bunch of other shit happens." here's my pitch based on what the core of the story is to me:
several groups of characters across time, space, and reality are brought together in order to succeed at creating a new universe after their own are destroyed. this takes the form of a game, which is called sburb (by the humans) and sgrub (by the trolls). the characters must contend with an eternal battle against good and evil in which they are the deciding factor, and level up while following personalized quests. at its heart, homestuck is about relationships of every sort and how they shape us, growing up and the associated grief and loss, coming into ones identity and choosing who to be, predestination and fate, and stories themselves. it gets very meta at times, and the characters are semi to fully aware that they're characters, and attempt to subvert or escape that. it's got hordes of fleshed out, compelling characters, one of which will almost certainly glom onto you for the rest of your life, real emotion, extremely funny jokes, smart and exciting plotting, and some very cool moments. it more or less invented an entire new genre/medium, and plays with medium in a very cool way.
it is also clunky, hard to get into, and way too convoluted. you will never fully understand what's happening. there are tons of characters whose stories you will follow whom you simply do not care about. there are too many characters. it was written by an edgelord in 2009 so there's some unsavory humor and character writing. it's so fucking long. the ending kinda sucks because the fandom was so toxic that hussie simply wanted it over with. the fandom still kinda sucks tbh. so many people have wrong opinions about it. it requires a very specific lens to approach and understand it. i still dont understand what happened with that fucking puppet someone explain it to me.
overall, i'd say that if you think you want to read it, give it a shot. i have a complicated relationship with it but at the end of the day, i genuinely love the story and the characters and i know they will be with me forever. it certainly enhanced my understanding of tlt, and getting to read more of tamsyn's writing was such a bonus (even though her taste in pairings is. not the same as my own). and like honestly. it's just fun. even when you're going "wait what the fuck just happened" you're having fun. it's really goddamn funny too. it WILL change the way you speak and also think about romance forever.
the best way to read it is to have an experienced reader guide you, but if you or other people don't know anyone like that, here are my basic tips:
i think most people know this already, but download the unofficial homestuck collection. just do it. it's like 4 gigs and it's infinitely better than trying to read on the broken website, and it's even ad free. it can also be modded - for instance ik there's a slur replacer mod (lmao) if you don't want to read those
act 1 sucks to read. you're like what the fuck is this, THIS is homestuck?? the beginning is radically different from how it ends up, so just hang in there. for me, it really picked up somewhere in act 3. just focus on the silly fun the characters are having and you'll be good
things you should actually try to follow in the early acts: the concept of a sylladex existing (the various fetch modi are only there for jokes and eventually just kinda stop being a thing), where all the copies of the game are, what each kid's relationship with their guardian is like, the mechanics of the game and the lore behind it, including classpects and quests
things you do not have to waste brain space on: anything about how the totems work, what the various machines are, what the levels are, basically any of the jokes that would be funny to hussie's original intended audience of software engineers and rpg gamers. oh and the intermission with the midnight crew and the felt, just know that those are guys that exist and you'll be good.
and the biggest tip i have is just. go with it. suspend your disbelief. a lot of the worldbuilding doesn't really make sense, but it would be a worse story if it did. when the time shit and ectobiology come into play, literally just go ok got it and keep going, don't think too hard.
so yeah i don't even know if any of this is useful but i hope it helps you decide. and if you or anyone else have follow up questions send em!
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kocoloco · 2 months
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Crappy dooble of young Karkat
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Ok like, this is really late, and I can’t find a lot of stuff about troll culture involving like, if they know already about their blood when they are born, or like, if they have to learn about their blood history from an early age, but been thinking a lot about Karkat angst and honestly bro goes through it (btw this is like, younger than the equivalent of 13 yrs karkat)
I have no idea what happens involving his blood, I just know he hides it because of his ancestor history including the queen. But I mean he had to grow up thinking he could die any day if someone knew his blood. I know there’s lots of history within homestuck about Karkat and everything, and culture stuff but I’m in huge angst mood and I have work tomorrow
Will draw more later maybe
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gendertrickster · 6 months
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could you elaborate on your take that Aradia's oppressive relationship to femininity means she cannot be textually transfem? i find that a bit of an odd take
like, obviously i think people can have whatever headcanons they want, and it's good to understand what is canon, what can be supported by canon, and what is pure fanon. i just don't see how there's any less textual evidence for Aradia as transfem than there is for, say, Vriska. am i missing something?
lemme use that last st8ment as a jumping-off to set the groundwork here. the core reason vriska is transfem is because femininity is something she must constantly perform and strive for to be recognized as a girl, whereas for aradia it is something put upon her by society that brings her only torment and oppression. the expectations for women of their respective castes is far different; for vriska, it is to be vengeful and powerful, but for aradia, it is to be compliant and subservient.
both of them hate conforming to their society's traditional gender roles for completely different reasons — vriska's conscience eats at her constantly for all the bad things she does and the person she really wants to be conflicts with the values of mindfang, the sole object of vriska's gender envy (next to tavros. not that she'd admit it). aradia hates her role in society because it is very deliberately forced upon her — it pushes her down and disarms her of her own agency and forces her to accept that there is nothing she can do without permission from someone or something else.
aradia's gender role in alternian society is very intentionally analogous to that of an asian (particularly japanese) woman: sexualized, exoticized, infantilized (a lot of which by equius), not allowed to speak for herself. this is key to understanding aradia's arc to me. as a maid of time, she is at the service of causality itself, not unlike her ancestor, tidying up myriad loose ends across the sgrub session and small parts of alternia's history such as the creation of doc scratch, across thousands of alternate selves, because if she didn't, the story would not be able to progress. she knows this. the story knows this. no one is happy about this.
her arc culminates in totality when she accepts her own death and dares to face the unknown, self-destructing, ascending to the god tiers and, for the first time in her life, feeling truly alive. freed from the shackles of her role as both parts burgundy-blood and woman, she makes her own choice to save her friends and then leave homestuck forever. not being in homestuck is its own reward, but all characters inherently fear death, because that is what they know and it is an instinct sburb requires. aradia, however, never could have feared death, for she had not been living until this moment. she becomes ultimately at peace with what is feared by all but her.
aradia's choice to leave behind what is known and "safe" in favor of pursuing the chance that she could ever reach a point where she is free to make her own decisions again is one of the most transgender actions in the entire story. aradia's abandonment of gender is synonymous with her rise to freedom.
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