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#meg’s incoherent thoughts
meggie-moo · 9 months
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karkat is so deeply obsessed with all of his friends, and it’s great because they are all deeply obsessed with him back
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sscrambledmeggss · 3 months
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my literature class is incredibly tiny (there’s only seven people. the professor spent like all of winter break thinking it would be canceled), so what i’m trying to insinuate is: i hope we don’t turn into a tiny pretentious cult and push one of our friends off a cliff during a accidentally snowy day
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calamitousxlove · 1 year
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Thinking about that time I was reading Northanger Abbey and it said, “she longed for balls” and I wrote “trans or horny?” Unironically because I forgot like, actual real dancing balls exist 😭
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wmnylander · 2 months
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the leafs lb was not the same without you 😕
this is very sweet but definitely not true 😛
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hoony-parker · 2 years
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honey, i'm home - s.h
a/n: firstly i wanted to thank all of you for all the love my first steve drabble has received! you guys are amazing! <3. also, you can read this as a part two of this fic, or you can read it individually.
warnings: just fluff and talk about kids (if that's even a warning?)
summary: you and steve have the kids over, and everything just gets very domestic.
w/c: 1.8k (oops?)
pairing: steve harrington x fem!reader
request: Ahh I would love a part 2 of this! The kids in college and having sleepovers at the house! @victoriajelmore
part one here!
talk steve to me
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living with steve for the last four years wasn't always a blast. that's obvious.
the little fights you had every once in a while were minuscle, thank god. but if steve could just lay his shoes next to the front door instead of thrown across the room--
either way, steve was completely sure he always left the shoes next to the door. he swears on the phillies, he'd say. because now, after four years of living in philadelphia, pennsylvania, steve's become a huge fan of the phillies-- though you firmly believe he hasn't seen as much as a game.
also, steve just can't take it when you cook and just leave the dirty dishes there. "just clean it right after you finish using it," he'd tell you, and you'd always remind him, "harrington, last time i got distracted while cooking, you found a piece of my stylist's business card in your spaghetti."
other than that, living with steve was a dream. in four entire years, you hadn't had any other-dimensional incidents, which you greatly appreciated and planned to keep it that way. but, of course, being eight hours away from hawkins also meant being eight hours away from the kids. and steve, although he wouldn't admit it, missed the kids so fucking much.
every time you visited hawkins, the reunion would be so emotional— only from steve and dustin's side. and you really did have a great time visiting, but that didn't make the goodbyes any easier. again, from steve and dunstin's side.
so, when the kids finally graduated highschool and most of them got into the university of pennsylvania and, those who didn't enrolled in the philly community college, you were happy, sure. but steve was ecstatic.
and sure, you missed the silence a little. but you much rathered these days.
"i'm not saying that meg ryan's not a babe, dustin—"
"really? 'cause i heard you say it, steve. i heard you say that meg ryan in 'when harry met sally' is a babe."
"i didn't say she was a babe—," steve insisted.
"i heard you, steve. loud and clear. and may i remind you you have a girlfriend?"
steve raised an eyebrow, unamused. "i am aware, dustin, thank you." dustin gave him a side eye. "are you? cuz seconds ago i heard you call another woman a babe, stephen."
"that's not my name," muttered steve. dustin, however, ignored him as he continued rambling almost incoherently. "and i think that it's disrespectful towards y/n, y'know? saying that another woman's a babe under her own roof—,"
"stop saying babe," steve glared. "i said i thought she was pretty, alright? pretty, not a babe."
"sounds the same to me!" dustin threw his hands up in the air, his eyes comically wide.
"oh. my. god. you're gonna give me a hernia from your bickering," intervened max. "watch your soap opera and do your crossword, if you want. i don't care. just shut up. please," she rolled her eyes.
steve frowned and turned around from where he sat on the sofa, looking at max, who sat next to lucas on the bar stools at the kitchen counter. "what's with her?" he pointed towards the red headed. lucas shrugged, a brow lifted in confusion towards his girlfriend's attitude.
they all heard the keys jingle outside the front door, and they all looked at the door attentively. "i brought pizza!" you called, opening the door with one hand, your bag hanging from your forearm while you held two boxes of pizza with your other hand, pushing the door close with your foot.
steve jumped from his seat to help you, shortly admiring you. your hair was up in a messy ponytail and you were wearing your uniform from the coffee shop you were working part-time at, your schoolbag hanging from your shoulder.
you looked like a mess; exhausted, your eyes tired and with bags beneath them. your apron was still loosely wrapped around your waist with coffee and something that looked a lot like maple syrup staining the fabric. in his eyes, you looked beautiful.
he smiled warmly at you and you reciprocated it rather tiredly. steve took the boxes of pizza from your hand and your bag from your shoulder, pecking your lips in greeting, and he smiled against them when he felt you hum contently. he broke the kiss, face mere inches away from yours, and he looked into your eyes, "hi," steve smiled.
"hi," you grinned. he pecked your lips quickly twice more before heading to the kitchen to place the boxes on the counter, dodging the couple of mattresses that were sprawled all over the living room floor.
you sighed, untying your shoes and placing them next to the door before walking towards the kitchen, chuckling under your breath at the sight of all four of them— dustin, max, lucas and steve, were running around the place, opening cubboards and drawers to take out plates and silverware to place on the coffee table in front of the tv in the living room.
"evening," you called while walking into the kitchen, the three teenagers all answering you descoordinated and emotionless, distracted. dustin, who was bending down to take some placemats, suddenly stood up and pointed to steve. "y/n, steve thinks other women are hot," he rushed to say.
you playfully gasped, turning to him with an offended look. "w-what? dustin, what the hell?!" steve threw his hands up in the air, giving the curly haired boy a confused look. dustin shrugged.
"you find other women attractive? have you been ogling other girls, steve?" you asked seriously, standing up straight and looking at him in the eye for the sake of the joke.
"of course not!" steve said. "gee, calm down. don't get your panties in a twist," scoffed max with a scrunched up face. steve sighed frustradedly at the kids' attempts to get on his nerves, taking the plates from lucas and you walked towards him, pecking his lips lovingly. "we're just messing with you, lover," you took the tableware from him.
"what's with the commotion, anyway?" you asked from the loving room. "they watched that movie with meg ryan," explained max with a tight lipped smile, handing you the two water bottles to place on the table. you nodded in understanding. "meh, that's fine. i always say tom cruise looks hot in the top gun movie," you dismiss with a wave of your hand.
"ha!," steve points at dustin with a wide grin, frowning short after. "wait, what?" he turns to you. you giggle, walking towards your boyfriend and hugging his waist. "not hotter than you, though," you kissed his clothed chest. he grinned, satisfied with your words and hugged you tighter.
max scrunched up her face in disgust. "get a room."
"one more comment and you're sleeping outside, missy," steve threatened jokingly. the red headed rolled her eyes.
"we raised her and that's how she treats us," he shakes his head disapprovingly. "teenagers," you tsked. he laughed in agreement.
when you were all seated in the living room, the kids mostly on the mattresses with their plates in hand, lucas asked through a mouthful. "it feels like we're missing a lot of people."
"we are," his girlfriend deadpanned. you rubbed your hands together to get rid of the crumbs and finished chewing. "well, will and el are in cali, and mike is visiting them," you smiled tightly.
"we really should get more friends," sighed dustin. steve put his arm over the back of the couch behind you, inviting you to cuddle closer to him. "well, college is starting soon. you'll get the chance then, am i right?"
a chorus of 'yeah's' and 'i guess's' sounded through the room.
silence fell into the room, only the sound of the movie coming from the tv playing. steve frowned at the pizza. "did you get this from the place across the building?" he gestured to the pizza.
you didn't answer for a while.
"...yeah."
everyone groaned and dropped the pizza to their plates.
later that night, the kids were already in bed and you and steve were making your bed, stretching the blankets and fluffing your pillows before you got under the covers.
"i love those little rascals," steve sighed, laying on his side while burying his face further into the pillow. you rolled to your side so you were facing him. "they're good kids."
"they are," he said. "imagine how ours are gonna be," his eyes were closed, but he smiled at the idea. he pictured you, your swollen belly and with toddlers running around a house. he loved the idea.
"you've thought of that?" you smiled in surprise. steve slowly opened an eye and peeked at you. "you haven't?"
"i mean... yeah," you shrugged. you cuddled closer to him, throwing a leg over his waist. one of his arms pulled you closer, and he laid on his back so your head could rest on his chest. he let out a big breath and closed his eyes again, his free arm going under his head.
you put your chin on his chest, looking down at him. "tell me more," you whispered, and he opened his eyes shortly again to look at you while giving you a smile, and closed them once again. "well," he inhaled deeply. " we'd have a bunch of kids—,"
"oh, to start your large brood of harringtons?" you giggled. he nodded with a hum. "exactly. a whole basketball team," he said, and you laughed in surprise and delight. one of his eyes opened at the sound, and his grin widened.
"i'm serious here. i'm talking six kids," he smiled. "six?!" you laughed loudly. he hummed affirmatively again. "six little nuggets. three boys, three girls."
you laid back down on his chest, hugging him close. "have any names in mind yet?"
he kissed the crown of your head, "hmm," he thought.
"i was thinking 'benjamin' for one of the boys, 'beth' for one of the girls," he suggested. you nodded into his clothed chest, breathing in deeply in relaxation and breathing out contently at the smell of the remnants of his cologne.
"i love 'em," you told him, your voice already dripping with sleep. "yeah?" he spoke into your temple, dropping a few more kisses there.
"yeah."
"maybe we could name other two 'anna' and 'toby'?" you looked up at him. steve smiled, though confused. "like my grandparents?"
you nodded. laying back down. "i know how much you love them, and i've always liked their names, too."
his hand searched after one of yours, lacing your fingers together. the brown eyed brought yours to his face, kissing your knuckles. "i'm glad we're doing this together," he whispered into your skin, placing more kisses on your fingers.
"we're not doing anything yet," you giggled.
he jumped into action, turning you around and throwing you on your back to the bed, and you let out a surprised yelp. steve hovered over you, and looked down at you with a smirk on his face. he leaned down, placing a single kiss on your neck.
"wanna start now?"
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so we all know Clytie was a woman who pinned after the sun god and turned into a sunflower to watch him forever (either Helios or Apollo depending on the myth)
and i was thinking about it in the Apollo sense, and randomly thought:
what if, while apollo was mortal, any and all sunflowers in his vicinity just. wheeled around to face him and he just. FREAKS OUT. like OH MY GODS IT'S MY EX
and meg just laughs and says; "does this one wanna kill u too?"
"NO! SHE STALKS ME!"
"we've dealt with worse. besides, it's just a bunch of sunflowers"
*incoherent mumbling from apollo*
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seaquestions · 5 years
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what the heck is up w/ my activity thing? like the graph seems to have erased all memory of previous days for some reason.
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meggie-moo · 4 months
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read CPC, admittedly taken over my brain :/
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sscrambledmeggss · 1 month
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me when i cant watch any glee analysis video because i have too many opinions on it
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calamitousxlove · 1 month
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sometimes i forget this is my prettiest blog
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asexualzoro · 2 years
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Lew's guide to leaving long and detailed comments on fic--what to say and how to say it
there is little else that brings me joy in the world quite like leaving long, rambly, detailed comments on fic. maybe it's just the undiagnosed-probable-adhd-or-whatever, but i love having any opportunity to gush extensively about things i enjoy (as i'm doing right now). who better to gush to about a fic than the author?
however, when ive spoken occasionally to friends about fic and comments, i've seen a lot of the same sentiment. "I would love to leave more detailed comments, i just don't know what to say!"
many people will tell you that a comment can be as simple as "<3" or "[incoherent screaming]" or "this was great! second kudos!" this is true, but it leaves you with very vague and unspecific comments. i'm here to tell you how to do more than that!
what it boils down to is details.
in all writing, being specific can really strengthen a piece. i believe a comment is no different. the easiest thing you can do is copy-paste (or, if you're on your phone, remember and paraphrase) lines you like, but anything is good. include a quote you liked, paraphrase a joke. "i loved the joke [Character] said about the airplane" or "that section about the doll was really pretty!"
once i've found the detail(s) i liked, i then elaborate why i liked them! was it a joke that made me laugh? something soul-crushing that i want them to be aware of for making me suffer? "i loved the section of prose about the tree on the hill. it was gorgeous, and the writing made me feel really bittersweet."
i then will try to say more than "this made me laugh/cry/etc". yeah, it did, but why? "the way A and B were joking in this scene made me feel happy" is good to include! adding "it shows how far they've come from their argument in chapter 3" is great!
i try to make each detail i talk about be like... 3+ sentences. this is a detail i liked. this is how it made me feel. this is specifically why it made me feel the way it did.
(if you happen to be thinking "hey, lew, this sounds like a book report" know that i am, uh,
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...aware.)
(meg, if you see this, this is still the best thing anyone has ever said to me)
once you've done these steps, you've got a pretty solid comment! all you have to do is stack a handful of details you loved, some elaborations on to why, and you've got a damn good comment. plus, when you do this, it's not only the author who benefits. but, life-hack, it can often benefit you, the reader!
being specific and detailed with a comment can help the author see what audience likes, which can influence them to make more of that thing.
"I loved this fic!" will get a happy author.
"i loved this fic because i love your sense of humor, especially the way you characterize this guy and his dynamic with his friend!" will get you a happy author whose writing you like who is now more inclined to write something funny about your favorite characters
furthermore, it helps you actually encode the fic and remember it. if you're reading something ongoing, being detailed in your comments will help you remember what's happening in the plot and keep it in your mind moving forward.
if you're also a writer, taking note of what you like in other fic will help you when you write your own. this is what writers mean when they say "read more" when giving advice to new writers--critical thought in your reading will help you in your writing
now, i'm not done with this post yet! if you want to read the ramblings of a lunatic who loves to comment, then keep reading
alright, so i have a ton more under this cut, so be excited for that i guess. i just think commenting is a lot of fun, so i have a lot of suggestions of things you can consider when leaving comments. if you can take away just one or two tips from this, i'll be happy!
first, here is how i decide when i have Enough details, and how i go about the actual act of writing and formatting my comments:
for chapters or oneshots with multiple scenes, i try to hit on at least one detail i liked per scene. it's nice to do more, of course, but just one detail is enough. something as simple as "i loved the humor in the second scene! the joke about the cake batter especially made me laugh! it really sounded like something she would say!" doing it like this helps me keep the comment i guess "proportional" to how long the piece i'm reading is.
when i'm writing my comment, i do a new section per every Thing, so like. praise for A's characterization in the first scene, then a new line for B and C's interaction in the first scene. this is more for readability than anything, but it also makes the comment look longer--something i know an author will appreciate, since i'm also someone who writes fic lmao.
i do lots of jumping around when im writing my comment. i often bullet out a bunch of stuff i wanna hit with one sentence, and then double back to elaborate. i think it's easier to do this and get out all my gut reactions and helps me make sure i dont forget any of the details i like, then i can get into my elaborations without worrying im going to lose any of the details i liked. plus, its easier to sort out what i'm feeling once i've got my list!
next, how to decide what details to pick.
first, the Intro To Details, here's stuff you can look out for
thoughtful characterization--sometimes you read a fic and you see an author just gets a character. let them know! do you think his dialogue sounds like something he would really say? do you think her actions at a tense scene made sense for her character? do you like the arc that a character is going on? these are things to look out for and note!
enjoyable dynamics between characters--what's better than one character? two! if i had a nickel for every time ive commented on how much the dialogue between two friends in a fic i'm reading sounds cozy/comfortable i would be a millionaire. comment on stuff like how a dynamic changes throughout a fic too, esp if you're reading ship fic
beautiful prose--did some description of a setting take your breath away? could you picture the place oh-so clearly? tell them!
prose which is NOT beautiful--i read plenty of horror fic, so sometimes the prose isn't pretty. sometimes it's graphic detail about worms in someone's flesh, or someone being crushed to death, or what have you. did it make me cringe? did it make my skin crawl? did it make me want to crawl into a hole and never come out? great!
interesting or affecting descriptions--did the way an author laid out a certain's character's feelings on an event/person/action knock you off your feet? if describing a character's resolve in a tense scene as a raging storm blows you away, note that! this is a good place to pick specific quotes.
action scenes--this might just be me talking as a writer, but action is so fucking hard to write. when i read a good action/fight scene i always point it out. if its exciting/engaging, has you on the edge of your seat, if you cant put the fic down and look away... all of that is stuff you want to point out!
another genre specific ones, but if you're reading something with an element of mystery, try pointing out details you think are important. maybe you can't solve the mystery, but if you say "i noticed [name] take something from the table--what did he take? why did he need it? did [name2] notice?" then you at least know you're paying attention. this also helps you remember those details, which can help you later in any ongoing story!
jokes that made me laugh--bonus points if you can point out what's funny about it. is it clever? dry humor you like? just silly and stupid and made you smile? say so!
if you're reading an AU fic, it's always good to point out details about the adaption. if you enjoy the worldbuilding in the fantasy au you're reading, or you think the powers the author picked for the superhero au are really fitting, or you just think the job of this side character in the coffee shop au is funny, say so!
demonstrations of technical skill--sometimes you see a sentence and you know if it was worded any other way it just wouldn't hit as hard. sentences that make nice use of alliteration, for example, or effective use of parallelism or repetition. if the way a sentence is structured compels you, point it out! it's nice to hear! this is ALSO a good place to pick specific quotes. (this one is especially fun to note if you're a writer, because it can help you out! if you like the way an author writes, being able to identify and explain what you like about it will help you in your own writing!)
every time you laugh, every time you gasp, every time your eyes water. cite specific lines and details if you can. i've read a fic that stressed me out so bad i had to repeatedly put my phone down and take breathers, and the author LOVED that i kept a list of every part that made me have to go take a walk.
all in all, just find what makes you like a fic. why are you reading this fic instead of a different one? what makes this fic special? identify that and show it!
now, the less-obvious details i like to watch for
if i wrote this chapter, what would i be proud of? what would i most what to see people comment on? one of my favorite things is when i read a specific bit of wordplay or clever phrasing that i know, if i had wrote it, would have been my favorite parts. i try to note those when i can.
on the other end, i also like to point out stuff i don't think the writer would expect. i read a fic this morning which, after a long, tense, dangerous plot, had a scene in the last chapter about making cake. in it was a detail, delivered almost as an aside, about how much of a sweet tooth one of the more tough, stoic characters had. after everything that had happened in the story, that detail really got me, and i made sure to note how much i loved it
this one's really silly but if they use a song lyric for their title and you know/like that song say so. there's someone who does that for one of my fics when they know the song and i feel so fuckin vindicated every time
now i will admit this one is kind of an unhinged thing to do, however it's one i do a lot: i try to think about what other readers would mention, and make sure i'm NOT picking that. after all, i want the author to get recognition for the whole chapter, not just the Big Thing that happened. if a long chapter ends with someone pulling out a gun, you know every single comment is gonna be something like "[name] has a gun!!!", so say literally anything else. for example, if there's a big plot twist at the end of the chapter....
i know that half the comments are gonna be "[BIG PLOT TWIST]!!!!" and, often, nothing else. so ill look for something else to mention (esp in that scene!). it can be a little disheartening as a writer to do a lot in one chapter, and then have it all be outshined by an offhand joke or a cliffhanger at the end of the chapter, so i try to do what i can to cover the rest
im probably not immune to hypothetical big plot twist, so when i touch on it, i try to go into more detail than "omg plot twist" and talk about something that's effective about it. did i see it coming? can i look back now and see the signs? how does this effect what i thought was going to happen? what do i think will happen next?
now that you've got how to note down details that ARE in the fic, i'm going to note some details that AREN'T. a lot of this is stuff that can help you think more deeply about the fic you're reading, which is good for you developing your critical thinking skills as both a writer and a reader, as well as improving your ability to remember the piece you're reading
(obviously, this doesn't need to be on every fic, but if a fic engages you enough to get these kinds of thoughts going, you should say so!)
theorize! it proves you're paying attention and thinking about the piece! guess what is going to happen next! use evidence, and cite those specific details. "[name] said this and did that, those were both suspicious. does this mean he was the killer?"
theorizing is fun, too, even if you're wrong--one of my favorite reviews ive ever received was a long theory where the commenter was very blatantly wrong. i loved it because, even if they didnt come to the conclusion id intended, they pointed out a lot of details id been careful about including to back their theory up, and it was nice to see those things noticed!
related: if you don't have evidence-based theories, then speculate! wonder about how characters are going to react to the events of the chapter, talk about what the protagonist might do next, express concern or excitement about a potential direction the plot might go. "some of these details look like they're pointing to [name]'s escape failing... does his captor already know what he's planning?" or "she got the letter... i don't think she's going to read it, but if she does, i hope she'll realize he's lying."
(and, here's a secret: sometimes saying something like "I wonder how [name] is going to react to [event]? i think she might do [action] or feel [emotion]" can also help the writer out! because maybe they hadn't thought of it like that, and now that you've raised this point, it can help them when they're writing the next part. maybe you're right, she will react a certain way--but only because you pointed it out!)
(theories and speculation can ALSO help an author who hasn't yet totally decided on their fic's ending, lmao)
now, my final, more miscellaneous tips:
abandon shame. gush a ton. say stupid shit. be excited. flattery (when genuine) will get you everywhere, lmao.
mention how you got to this fic, and/or if you're thinking about it when you're not reading it. "i'm rereading this," "i'm reading this because my friend recommended it to me," "i was just thinking/talking about this yesterday so i'm so excited to see it update now," "every time you update i drop everything to read this"... these are all great! i once left a comment which included a count of every time my roommate looked over at my expression/reactions when reading and asked me if i was okay. all these details serve to remind the author "there's a real person reading your work and enjoying it," and i know that when i write, i love to know people are excited about my work or that it lingers with them even when theyre not reading it
im constantly studying and remembering comments i get on my fic that made me happy, analyzing what i liked about those comments, and trying to do the same for other people. many of these tips are things i noticed in my own comment section that i enjoyed!
NOW, YOU DO NOT HAVE TO DO ALL OF THIS. i'm sure you can tell by the size of this post that i'm already prone to talking a lot, but I don't even do everything here all at once in every review i write. but, still, i hope that this helps in showing things you can think about when you write a comment!
EDIT 05/13/22: this post got a little uptick in notes, and there’s really only one thing i just want to add.
thoughtful commenting is, in my opinion, a skill, just like anything else! to do really well at it, you’ll need to practice! so leave lots of comments doing just one or two of these things at a time. soon you’ll end up with a toolbox like the one i’ve laid out!
it’s also a lot easier to think up stuff you liked if you’re already talking, so even if you’re not sure what to say, start typing. once you’ve got the ball rolling, the rest will often come to you much more easily
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DBD AU- Techno pt 1
Techno/Reader, Dead By Daylight AU
warnings for dark themes, horror, death, consensual murder??? 
lads this one is a doozy and if you are not into horror i recommend not reading it at all. i had to split it up into several parts for my own sanity 
When you appear at the survivor’s campfire, you’re understandably disoriented, the entity’s realm is the very definition of a hell scape
It quickly becomes apparent that you’re different from the other survivors, sure you’re all just people in a miserable situation, but at least they can remember their names
The only thing that comes to mind when you’re prompted to give your name is The Acolyte
Your missing memory and odd title is met with sympathy outwardly, though you wouldn’t be surprised if more than one or two of the others was suspicious of just what you needed a title for
You tend to stick by the campfire as much as possible. Other survivors will wander off into the woods, exploring and scavenging useful items, but you just don’t feel comfortable wandering off on your own yet
It takes multiple trials before you’re willing to risk it, the exhaustion of dying repeatedly making the allure of items more attractive, so you begin to explore the woods around the campfire
It’s nerve wracking at first, the lingering fear of the trials carrying over into the woods, but you slowly adjust to them. The assurances of your fellow survivors that the killers can’t hurt you outside of trials helped more than you thought it would, though you are curious how they know that for fact
The quiet comfort you’ve eased into is what alerts you there’s something… off, at first. You’re crouched down low, examining a rusting away box jammed into the bottom of a tree, when the hair on your neck stands on end, and you are suddenly, acutely aware that you’re being watched
You half expect to see The Ghost or The Shape looming from just behind a tree, but when you look up there’s nothing. It takes you a moment as you scan your surroundings, but you realize that… whatever is watching you doesn’t make you feel scared or unsafe.
It’s just. There.
It’s something you grow used it, even find comforting at times. In a way, it’s nice to know you’re not alone in the woods. Even if the other survivors feel differently about the strange presence that watches you. According to them it feels oppressive, like they’re drowning under the pressure of it. 
It’s not until you’re pulled into a match that you understand.
The pressure in the air feels suffocating, and you swear you can taste blood when you breathe.
The map is new, snow and ice crunching under your feet as you move by instinct to the nearest generator. There are no visible structures around, just endless stretches of snow and ice, an evergreen weighed down by ice scattered here or there. Without the debris the Entity scatters over every location, you can tell this would be a beautiful place.
The match goes smoothly at first, you finish your gen and move on, running into Meg and helping her finish a second gen before splitting up to try for a third. 
The roar that splits the silence of the snow makes you freeze in place, heart beating a mile a minute as you scan your surroundings, praying that it wasn’t you who was spotted. You haven’t seen the killer all match, but from the roar you can guess it’s probably the Oni, who you have a bad track record with.
You’re working on your third gen when the scream sounds, high pitched and agonized in a way you recognize. Kate’s been hooked. You wince in sympathy even as you keep working, only pausing when you’re suddenly hit with the overwhelming feeling of being watched. 
It’s not the sudden chill that comes with being stalked, the uneasy anticipation of a knife in your back that you’re used to in matches... 
It’s familiar in an odd way you can’t place, but it doesn’t feel dangerous enough to keep you from finishing the gen.
The moment it starts up, you bolt towards where you heard Kate scream, legs burning as you hope she’s already been helped. She hasn’t, and you help her down from the hook with apologies spilling from your lips.
She waves them off, and in a low voice tells you it’s the killer you appeared with, the one you’ve never seen. You tug her behind some debris to bandage her and you’re both rewarded with the sound of the final generator starting up.
You head for the nearest door together, Kate pulling the lever to power it while you keep an eye out. The feeling of being watched has gone away, and for some reason that makes you uneasy.
Meg appears out of the gloom as the door opens and you wave her and Kate through, murmuring that you want to keep an eye out for your fourth. There hasn’t been any telltale signs of their death, so they must be out there somewhere, and you’ve never been keen on leaving people behind.
Meg and Kate are out, and you only wait a minute or so before the roar of the killer shatters the silence again, closer this time.
Ace comes sprinting towards the door, shouting incoherently, but you’re fixated on the figure behind him.
The killer looms, and if you had to guess his height you’d put it at maybe eight feet, it’s hard to tell with the massive boar’s skull resting on his shoulders. The only thing you can see inside the skull are the glowing red of the killer’s eyes, locked with yours.
He stops, the matted fur of his cape scraping against the snow, the blood dripping off of him sizzling as it hits ice. You can’t look away. You can’t move.
Ace grabs your arm, trying to pull you through the door, pull you out, but you’re frozen.
The killer raises his arm, massive battle axe outstretched, and you find yourself moving towards him to the sounds of Ace’s confusion.
You step closer, until the blade of his axe settles into the crook of your neck, the icy metal burning against your skin as you stare up at him
The Blood God
You know who he is
Of course you do, how could you not? How could you have forgotten him?
He bends closer to you, the smell of blood becoming overwhelming, and even as you begin to press forward, his blade cutting into you skin, you hear him make a deep rumble from deep in his chest.
The last thing you hear before the blackness of the Entity’s realm takes you is his voice, low and raspy.
“My pretty sacrifice~”
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a-lil-perspective · 3 years
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Please help I am literally incoherent thinking about Omega and Hunter’buir slow dancing to “Once Upon A Dream”.
But it gets better.
It’s her favorite song. She has it on repeat for weeks, and at first it’s quite puzzling to the others. She loves how dreamy it sounds, how lovely, how it makes her sway...
She doesn’t understand the concept of dancing.
It makes her want to move her feet though, in this inexplicable way. She doesn’t know how to dance, or how to count beat measures, or about footwork. So she just kind of... hops around, spinning wildly like a tornado.
It’s adorable to Hunter.
He’s not a dancer himself, but he secretly likes watching partner dances (it’s his vice actually) and so he just comes up and gathers Omega into his arms, kind of like how the Prince does in Sleeping Beauty and Omega is just like 😳🥺☺️😍.
They slow dance before bedtime. That’s their thing. Sometimes, when Meg can’t sleep, she’ll come to him for another dance. When she finally starts to get fatigued, he’ll scoop her up and sway with her across the room. She sometimes feels a little silly. She’s assured she’s never too big to be held by Hunter’buir. It’s funny, she says that dancing with him gives her wonderful dreams. Once upon a dream.
When Meg gets a little more confident in her dance skills, she sets out to share a dance with the rest of her Ba’vodu. :)
Ba’vodu Tech is who she approaches first. Let the records show, Tech is absolutely delighted.
Hunter watches, and he swears it’s the most adorable thing he has ever seen. There’s a funny feeling in his chest, watching Tech interact with Omega like this. She brings out a side of him that Hunter has never seen before, that he would’ve never considered with Tech in the past. It’s then he realizes that his genius vod would... would be a great father.
Ba’vodu Wrecker gets a turn next! He doesn’t really understand the concept of dancing, but it’s fun regardless as he just scoops Omega up and jumps around the room with her. XD Her feet don’t touch the floor once. It’s the new and improved kind of dancing. :)
Ba’vodu Echo doesn’t feel too confident sharing a dance, but he does to appease this little girl in front of him. Her pleading eyes are hard to resist. It’s not that he can’t dance, per se—in fact he has some crazy stories of drunk dancing with vod. He can’t exactly tell her that, though. But he’s picked up some pretty decent footwork. He’s self conscious about only having one hand to hold her with, but Meg absolutely doesn’t mind as she gently grasp his prosthetic in her tiny hand like it’s second nature. She looks at him with loving eyes, with acceptance. Echo’s falling hard and falling fast.
A dance with Cross’buir is so very special. It takes a long time to achieve, which makes it all the more rewarding. There are times Omega wonders if it’ll ever happen. Crosshair’s disposition would’ve left him resistant to begin with, but after he comes home, it’s an especially delicate situation. That’s okay. Omega waits patiently for him, all the while perfecting her skills so that one day they can share the most beautiful dance ever. Every night, she closes her eyes with these thoughts.
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burstingsunrise · 2 years
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Hi hi hi. Sorry sorry I was going to ask this in my (extremely long-winded and incoherent) comment on amnesia, on ice but I was distracted by,,, other things,,, and forgot to. What does moon boo lu mean?
Also thank you!! I love my ao3 icon very much, it's saved on my laptop as "feet dangling in the air cutely while we make music" because the unparalleled vibes of it all. ALSO also,,, if you have the youngblood Luke gif ready 👀👀 your description did me in and now I wanna see it. But if you have to dig for it don't worry about it!
good morning team! i am so glad you asked about all of these things!! i'm gonna put this under a cut because this is just too much glasses luke to see with no warning and bc tumblr really fucked up the formatting when i drafted this so it’s kinda ugly (but also not at all ugly bc it’s glasses luke).
so, moon boo lu is what aria @calumthoodshands calls a very specific version of luke - bleached hair, scruffy, glasses. i will give you an example of moon boo lu followed by the logic behind the name:
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so as you can see, truly infallible logic on aria’s part! (other examples of moon boo lu include the please don’t go cover and smiley plaid pants luke.)
ok now on to youngblood glasses luke. so the actual gif i was talking about was on pinterest and i have no idea who made it to credit it. HOWEVER. meg @kaleidoscopeminds has some even nicer ones from that interview including:
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and finally, let's just take a moment to appreciate the origin of your ao3 pic (PERFECT file name btw). the vibes are amazing and there has not been a day that’s passed since this was posted that i haven’t thought about it.
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star-puff · 3 years
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what endearments do you think the hq boys would use for their s/o's?? :0
btw i love your works meg pls keep it up ! <3
omg hello anon i'm sorry for answering this so late T.T i'm gonna be kind of incoherent with this my apologies but i have simply been running on no thoughts head empty for like a month NSLDFKJ
honestly i feel like a good chunk of them just say babe ... suna, kuroo, iwa, terushima, matsukawa, etc .. oikawa chooses to say the sweeter extension of it, baby, but that's just because he's a sappy little fool (affectionate). hanamaki calls you honey or hon, because he knows he sounds like a suburban dad every time he does. (what he doesn't tell you is that it's short for the other nickname he has in his head for you--the honey bunches to his oats, but he chooses to keep that a secret for his own good i HATE HIM--)
the miyas for Sure call you sweetheart with their kansai drawl because they know it makes you flush, while kita calls you darling (which makes you flush anyway because its Kita Shinsuke, but it's more unintentional on his part. that is just how He Is T.T)
the quieter types tend to use endearments that give off a deeper meaning, so that when they call you it you know they truly mean it. ushijima, sakusa, aone, they all call you 'my love.'
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clairewolf · 3 years
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i would love to read a meta about your thoughts on possession horror theory since all the main characters are possessed at one point its something I haven't seen much discussion on but is super interesting since they all have such different relationships with possession!
okay this IS something i have been going off about at all times so i'd love to but be aware my thoughts on this are always super disjointed and incoherent (which is why i make video edits bc i feel like i can communicate them there clearer by connecting different clips from the show to express my point) AND this will be under the cut bc i talk about how possession -> sexual violence is like. the core premise of how possession works in spn
SO like to start with. possession in spn is pretty much inextricable from sexual violence, not just because of the act of possession itself but bc of how the show talks about it. with the case of meg and her 1.0 vessel, it's extremely blatant — in 4.02 she says "Seriously, I'm just a college girl. Sorry — was. I was walking home one night and got jumped by all this smoke. Next thing you know, I'm a prisoner..." and that is just word for word about the most textbook sexual assault scenario people think up. so that's there on a metaphorical level already, but there's also a literal level with meg actually sexually assaulting three different characters (sam in 1.16, jo in 2.14, dean in 5.02 — all while assaulting the vessel she's in at the same time), and demon deals being sealed with a kiss is also another way that manifests (and the horror in that is especially heightened in cases like bela's demon deal — she was A Child and making that deal to Escape Abuse At Home To Begin With — and mary's deal — azazel was literally possessing Her Father at the time)
then you have angels where their premise is that they can't occupy a vessel without their consent. like that's their Rule. but getting a "yes" means so little when you are going up against an angel like that. they can't technically lie to get your consent, but they can misrepresent the truth all they want. angels are all powerful and they can promise their vessels that they'll fix all of their problems. sam tells lucifer that he'll die before saying yes to him and lucifer says he can just resurrect him, there's no way to avoid him. i think a lot about what castiel must have said to claire to get her to agree to become his vessel — in my head he told her that if she agrees, he will bring jimmy home bc that is exactly the kind of thing a ten year old in her situation would agree to. and then castiel goes to jimmy and tells him. "it's time to go home now. your real home. you'll rest forever in the fields of the lord." and to cas that is… Keeping His Promises. but i'm sure claire internally was going I DIDN'T AGREE TO THAT. so angel consent is really just as flimsy as straight up demon possession, to me.
aaaand then of course you have the sam and gadreel plotline wherein sam is LITERALLY tricked into saying yes and kept locked away living fake realities in his brain when gadreel takes over and dean keeps lying to sam's face so sam doesn't find out the truth about what is happening in his own body etc etc. gadreel manipulated dean into it by lying about his own identity and lying about how long he would stay in sam and just generally lying about everything. it's obviously extremely loaded and horrifying for sam who already has so much body/possession trauma behind him at that point (lucifer, meg, that kid in swap meat, etc you get the picture!) AND struggling with perception of reality post-hell AND on top of that gadreel like. kills sam's friend. while wearing his body. so sam has that to deal with forever on top of all of these other retraumatizing sets of circumstance. [sam is also the victim of the MOST sexualized language when it comes to possession, eg lucifer is wearing you to the prom eg you're like that prom date that keeps turning me down eg a dozen other lucifer lines i don't expect you want me to repeat in this post]
with dean i think a lot of problems stem from the idea that he is Made for doing x thing. like he's made for being a hunter he's made for watching out for his brother he's daddy's blunt little instrument. he Could change and he's constantly taunted by all the ways that he could change but he won't, bc he thinks it's too late for him, or that bad things will happen if he does, or he's just not capable of changing for good. so then you get the angels telling him that he's Made to be michael's perfect vessel and taunting him with visions of how he will ruin the entire world and everything he cares about if he says no and that breaks him down like, pretty fucking fast. and he survives season 5 without saying yes to michael at the cost of sam jumping into the pit with lucifer which is obviously. everything he was most afraid of happening anyway. and then fast forward eight years and alt universe michael makes dean his vessel anyway so the theme of Inevitability is just always There he really was Made To Be This
and then cas is, as i was talking about earlier with @eurydicecas (hi i hope u do not mind the tag), the only one who has been on BOTH sides of this like cas possessed jimmy and then lucifer possessed cas and it's like — the show never really gives the proper attention to how cas feels about all of this, we know he says yes because he's suffering from chronic I Want To Feel Useful To The Winchesters (dean) disorder but the aftermath of that is really barely explored and it's just a huge missed opportunity. but we were also talking about how with angels and consent it's like angels aren't always cognizant of how much they stack the deck against their vessels to control their consent — they think that as long as they can promise their vessel goes to heaven and lives in eternal peace in the end, does it really matter whether they die at 30 or at 80? the preciousness of human life and their time on earth is just NOT something they understand, and most of them don't want to understand, but cas does learn that! he grows to love the world like a human would and even spend time as one and feel as one and THEN… be used as a vessel as one for lucifer. like. by that point it's NOT jimmy's body it is HIS body he feels a sense of pride in it he feels at home in it and then he spends all that time waiting in the bunker kitchen in his brain its just fhfkgsmd. insane.
anyway none of this is truly meta it's just me getting a ramble of thoughts out about this because it is something i am extremely passionate about and love to talk about but it's so hard to get my thoughts about it out in an organized way bc at the end of the day it all just makes me !! so !! insane !!
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