#and the right way to write stories

[sophsicle]

it is not merely a question of whether or not we have learned to analyze in particular kinds of ways, or whether people are able to intellectualize about a variety of experiences. It is also about coming to believe in the possibility of a variety of experiences, a variety of ways of understanding the world, a variety of frameworks of operation, without imposing consciously or unconsciously a notion of norm - Elsa Barkley Brown

#school readings #but like it feels relevant to the conversations i feel like i have on here #about whether or not characters are good or bad #or whether or not they are redeemed #and about the right way to read texts #and the right way to write stories #and like multiple things can be true at once #every situation is made up of different people coming from different places who are effected differently #and most of the time there are not absolute villains and absolute heroes #depending on your experience of the world #depending on your framework #your hero might be someone else's villain #or vice versa #it is all so messy #and you need to be able to hold multitudes in your head #to see humanity as a kaleidoscope not a window #or a mirror #i might have lost this metaphor #tedtalk over #soph rambles #text post #quote #wow fully misattributed that quote by accident because i am a terrible academic #i have fixed it now #from a paper by joy parr but she is quoting brown #no one cares probably but i do #my bad ELSA

[novelconcepts]

The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.

#the sandman #paper girls #some of the hot takes on Twitter are breaking me #‘why don’t we know the whole story? it’s bad writing if you don’t have a complete story in the first season’ girl WHAT since WHEN #how many excellent shows were weak as fuck in S1?? and here we’re getting shows with incredible first seasons fighting for their lives #like fuckin Christ dude the idea of long form storytelling is allowing your story time and space to spread out #otherwise we would only make movies #i am so sick of this edge of my seat fear that any new show I fall in love with will get axed because the higher powers don’t care about art #this has to be a bubble right? this has to pop at some point and go back to shows valued on what they are #and don’t even get me started on creators having to beg for good reviews to balance out review-bombing from shitheads #if every one star review is clearly bigoted from the comments? why is anyone taking them into account?? #why is there no way to manage this shit aside from creators being like ‘please help us”’

[a-sketchy]

persona misogyny is so fucking wild. ignoring literally everything else about the entire rest of the games, every single s.link with a female character is like “entirely for having been born a woman i have had to work twice as hard for a fraction of the benefit. even now, i am stripped of my agency in a position i never wanted in the first place” and/or “i’m put on a pedestal by the people in my life because of my looks. men see me as an object to be conquered, women hate me for ‘stealing’ ‘their’ men. if i’m withdrawn i’m a bitch, if i’m friendly i’m easy. because of this, i’m alone” and/or “because of my personality or hobby or lack of cooking skills, i feel like i’m failing at femininity. if being a woman is something i can fail at, then where does that leave me? i’m scared at the loss of my identity and place in society”

like very consistently they present female characters with complex thoughts towards their place in society as women, femininity as a whole, and facing issues stemming from misogyny, and then the payoff is always “my problems were entirely my own fault. i wasn’t strong enough, i was a coward. but now, i’m gonna work hard to be exactly what society expects me to be (which is what i want to be)! i’m gonna do better at femininity (which is still something tangible i can fail at)! i’m going to try hard at making friends (which was my fault for not doing)! all my problems are solved through personal responsibility (that im totally culpable for), effort (which i previously was not putting in), or you, a man! i am Happy and Satisfied with this outcome, can i be Your woman?”

and like hello? why are we here. what the fuck are we doing. why do we keep doing this every single time. can we not do the constant lukewarm attempts at criticizing misogyny so you can jerk off to your own thoughtfulness, while ultimately reinforcing patriarchal systems and brushing off any deeper misogyny-bred issues as a lack of deference to one’s rightful place in society? like maybe don’t do that? for fucking once? just an idea

#i’d really need to rewatch slinks to give more indepth thoughts or pull specific examples #but i’m right and i pace about it every day #i’m not really talking about naoto that’s a whole other can of worms a long way down the line #rambles #if persona’s all about wish fulfillment where’s my persona game where i can be a feminist huh #p4g posting #p3p posting #yeah both of those. i’m not far enough in p4 to have seen the payoff but i know that its fucking persona 4 #and jesus christ yukiko!! i only vaguely know of ai. chie in the main story/dialogue options you have #jesus christ the dialogue options. can you ask literally every girl if they have a boyfriend?? and ‘thats very feminine’ DIE #and man p3p. persona main plot misogyny is weird when you’re on the other side of it #it’s a very different experience being the one getting peeped on #and then saori. and mitsuru. and fuuka. kinda rio. idr a single thing about yukari’s slink i’m sorry but probably her too #also my vague recollection of p5 with haru. ann by default though idr her slink #and goddd of course the. everything else. i’m not touching on. main plot misogyny and inherent writing stuff and etc etc etc etc etc etc et #GOD. #persona is hell

[lord-squiggletits]

One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).

And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?

Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.

Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.

And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.

Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP

#squiggposting #and like dont get me wrong barber wasnt trying to make cybertronians the bad guys or whatever #it's just a problem with his writing where like. he has A Message he wants to send #and so he uses the entire story literally just for The Message even if it involves bullshit plotlines #or familiar characters ppl were reading about for the past decade being shit on by OCs made up to fill a new roster #like barber's writing tends to lean way too much on a sort of lecturing tone #without giving proper care towards including moments where characters get to like. fucking express themselves and share their side #sort of like how barber couldnt be bothered to write pyra magna and optimus actually talking to each other during exrid #and instead during OP ongoing pyra is suddenly screaming about how OP is unteachable #even tho she never even tried to teach him bc she and OP never interacted bc i guess barber couldnt be bothered #he just needed someone to lecture OP so fuck making the story make sense or like letting OP get to say anything in defense #this is the infuriating part of barber's writing bc i think he has incredible IDEAS and was in charge of the lore i was most interested in #but most of the time his execution sucks and he's basically just mid with a few brilliant moments occasionally #or like he has a message about the cycle of violence he wants to convey #but his narrative choices trying to convey that theme made his story come off as super unsympathetic to the ppl who suffered #to the point where barber actively kneecapped some scenes that couldve been super fucking intense and emotional #in favor of the characters lecturing each other or some stupid plot to criticize OP #that time in unicron where windblade screamed about how this is their fault and then arcee replied that her planet is build on coloniation #shouldve happened more often than literally the last series of the ocntinuity. like goddamn stfu about your moral superiority #when your own sins are right fhere lol

[ani-craft]

"Martyn is loyal" this and "Martyn isn't loyal" that

Loyal or not, this man loves. No matter what he might say. Calls himself selfish, or a wanderer, or a wildcard, or whatever else he'll readily claim to seem unanchored. And sure, he is highly driven by self-interest, that is undeniable especially after Lim Life's ending. Yet every season he gets attached to people, finds a fondness in someone. To Scott, to Cleo, to the Southlands (especially Mumbo), to Ren--and to an extent he is loyal, or devoted, or whatever other word you want to use for it. As loyal as he can be up until he can't be anymore. Looks at every alliance with the idea that they'll make it to the finale together, even if what happens after is unsavory. He knows too much for his own good, knows that every life will end as him versus everyone he's allied with. It's inevitable, given the nature of his lore and his role in the grand scheme of things. It's an always present truth that backs every plan he has. An audience is Watching, and we need a grand finale, after all.

But until then:

"That's it, they're dead."

"I'm more than happy for you to link back up with me, and we can be real proper soulmates."

"You said, 'You and your allies will see the end.' You said I could bring them all!"

"I'm with you. This is us, now. This is us."

#limited life smp #limited life spoilers #martyn inthelittlewood #inthelittlewood #he's a contradiction and that's what makes him interesting #a disciple of the shadows but his heart holds fondness still #it's worth noting how set on a betrayal he is specifically #that he wants to be the one to kill his allies #it'd be simpler to let them die by someone else's hands than his own and yet... gotta feed into the negative emotions right? that's showbiz #i also love to compare cc!Martyn's take on things versus the narrative as a whole #sometimes the story writes itself out of the author's hands #it's impossible to determine one way or another what is 'correct' in an ever-evolving saga #too many retcons and meta comments and spur of the moment improv to really make it clear cut

[echoofawind]

Nothing makes me hit the block button faster than seeing an "DNI proshipper" in a tumblr bio. Thank you for telling me up front that you're a child who cannot separate fiction from reality and that you can't handle when things don't fit into your little box of what is considered "acceptable".

#proshipper #how do people think they are morally right to hate on people for who they ship? #it's all fiction! it doesn't hurt anyone! ship whoever you like in whatever way #how do these people think stories are created? #all stories are full of characters having all sorts of relationships #if you could only write stories following the path that had already been led (the “appropriate” ship) how would we get new stories? #ship and let ship

[chaosxcrushed]

There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.

That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.

However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.

“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:

The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).

Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”

1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.

2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.

3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.

What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.

This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.

Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.

#chonny jash #chonnys charming chaos compendium #cccc #cccc heart #cj heart #cccc mind #cj mind #mind chonny jash #heart chonny jash #I did not mention Soul once in this post. I am so sorry to all of the Soul enjoyers #whole was technically mentioned but this is not about him. so sorry to the Whole enjoyers as well #we rreally really really like this CCCC video #a lot #it does a great job at explaining things and is fairly good for an unbiased telling of the story #to reiterate though this is not a hate post #it's just a bit frustrating to see how many people say that mind is right or heart is right #but no.. that is not the point of cccc #and it's even in tse as well. the line 'neither is right yet neither is wrong' #personally we are big fans of heart and will defend him since he gets so mischaracterized #but we know and acknowledge that he isn't 100% correct and can be wrong for what he wants to do and has done #we love Heart but he did not have to pull that gun. #also. more justice for characters who make mistakes but aren't automatically super evil because they're just human. #we've seen how people lack that understanding in the fandom </3 #hmsw are so incredibly flawed in a relatable way with such good writing #we feel like people overlook that so much #this post was scary to make but #we're doing it #here goes #CxC rambling and yapping #we haven't posted purely text posts in a while please don't come for our heads c4 fandom

[pestilentbrood]

VERY long Ramble incoming

honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.

I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.

Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????

And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!

(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)

I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.

And then the newest generation is suddenly disconnected. An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it. The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!

The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!

They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.

Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"

That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.

Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.

I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do. And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.

Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time. Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.

Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.

And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it. It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."

Yknow. Ick.

(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)

I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.

*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.

#i also really really do not understand the ''word count'' explanation given by staff. #I'm honestly rather lenient with ignorance happenings like this so long as they're remedied but. #cutting out important details of lore Fundamental to the understanding of it? For? ''Word count''? #Like firstly. Surely someone on the team is skilled enough to pull that off right? To get all that needs to be said in a short story? #but secondly. w. why is there a word count limit to begin with. This is Your House. Why are you limiting yourself unless this is like #a paid-by-word situation and they don't have the money to afford something longer #but like it feels like shooting yourself in the foot if you're going to write something that leaves a ton of information vague instead of #properly explaining your lore so there's no unfortunate misunderstandings. But I dunno. I'm just rambling #flight rising #fr auraboa #I'll probably be incorporating my Own version of the lore regardless of what the staff decides to do with this presentation of it #or just ignoring it outright hskdgjhskjh we shall See #Also if anything I've said here is Wrong in some way or comes across ignorant in and of itself. Let me know

[fyepertine]

Something to Cry About, Part 2

=============

Part 1

#degrees of lewdity #dol #dol fanart #dol comics #comics #artists on tumblr #dol whitney #whitney the bully #dol pc #mallory the rapier #cw: implied abuse #i mean what do you expect from this game lol #joy feels so much better after angst am i right #so I’m actually writing mallory’s polyamory fanfic and the first story is about whitney and him #it’s pretty fluffy #but mallory is hmmm complicated #anyway their dynamics with each other is consensual challenge/fight/submit #it’s a funny rom-com right now #but it wasn’t that way at first #anyway #third part next

[citylighten]

#writeblr #simblr #ts4 storytelling #ts4 storytellers #ts4 story #i'm VERY curious 'cause i'm listening to a youtube analysis talk about poor writing from an indie creator #and i feel like writers go through so much work in getting their stories right and finding their story so yes weak points exist #esp if you don't have people who are reading your work behind the scenes and giving feedback or if you're just trying to get to the next #scene the best way possible! #feel free to reblog

[steveyockey]

louis “I will keep you from reading my daughtersister’s own account of her assault at the hands of a stranger and at mine because I tell myself I am protecting her memory but however true that may be in reality I am still incapable of reckoning with what others did to her when I was not protecting her and what I did when she was protecting both of us, that I made her to be my child but instead forced her under the thumb of my own master and couldn’t even kill him to free us both, that I deprive her the agency I crave in asserting my own free will through telling this story” de pointe du lac I’ve got your number BITCH

#I don’t care if armand can fly whatever I’m drone shopping on Amazon right now #anyway. and I enjoyed that. write your story in the way that makes it palatable to you #that lets you think of yourself as an agent instead of a victim… yes #iwtv spoilers #interview with the vampire spoilers #iwtv

[miss-sweetea-pie]

I thought about that adult gaang movie brkye has planned again and now I’m excited because I’m totally going to use the clips to make adult zutara edits! Let’s go! 

#zutara #anti bryke #he can’t stop me! #even if they don’t have scenes together #i’ll find a way #the only way they could stop me is if they write someone out of the story #but they wouldn’t do that right? #right?

[rearranging-deck-chairs]

#i dont think i ever have it always feels cheap #but im thinking abt it now #sorta. runing right into it #bc 14 and his whole thing #but i think that like.............................you can never make 'i love you' FEEL as impactful as the feeling is #you know? #it's the ultimate telling>showing #similar with like 'i miss you' or smth #ive written it in earlier drafts sometimes to replace later with a line that would convey the feeling of it #bc i dont think the words do #or rarely #especially in writing #when youve got actors its a different story #different medium #but in writing idk ive never been able to make it work #im seriously considering it now tho #i think one way to make it work is when it's not about the line #when this line functions to show something else you know? #anyway just wanted to. see #reblog if you like or else it willj ust be my mutuals

[jojo-schmo]

Hello ms bubble wizard mage maam', I was just wondering what are your thoughts on magolor regarding how he's apparently **highly aware** of all characters to ever exist in the kirbyverse

Also its become a trend where god is replaced with NOVA in the expressions... Do they know?

Ello ello!

I like Magolor a lot, but he is omniscient? That's news to me. Is there a source for that? :O Unless you're talking about that Magoverse trend I saw floating around a while back- I didn't see much but what I did encounter reminded me of all the different Sans Undertale AUs out there. Hehehe Magolor is quite versatile! What fun.

And I know people use Nova as an expletive when writing Kirby characters! It's cool!

I use profanity in real life but I personally try to not associate Kirby characters with it in the works I make. I want to diversify the vernacular of the citizens of Popstar so I made a small list of expletives I thought of, lol. They should have a variety of things to yell out when they stub their feet or an apple falls on their head! So I get randomly inspired out in the world and I make sure to write them down!

I remember seeing someone have the characters use expletives based on food, like for example, "For the love of shortcake!" or things like that. That idea's fun!! (If you are the person who had this headcanon and are reading this please tell me so I can credit you for it!)

Does anyone else have expletives/exclamations they write for Kirby characters? Please share them if you do heehee. It makes the world building feel more fleshed out and creative >:3

#ask #headcanon #magolor #also if you use profanity in your Kirby works that is totally fine!! Everyone writes differently and has preferences #as long as a writer isn't going into like... problematic territory? But that's a pretty extreme boundary to cross #I don't think the average Kirby creator/enjoyer crosses into extreme or inappropriate territory. (at least I hope) #and I do sometimes find it funny to see a Kirby character say a bad word lmao! #But I personally would not make Kirby say f--- haha. I've seen enough of that in the real world ;P #and I try to keep the audience of a series like Kirby in mind #I think the most severe word I'd use for a Kirby character myself is “damned” in the context of condemning something to punishment #It's just my personal opinion and style right now! #if I wrote fan stories for like GTA or something then that would be different :P #I'm also trying to swear less in real life too lol #I am making..... some progress on that. xD #anyway thanks for riding the train of my stream of consciousness #take a complementary high five on your way off the train #:P

[v-a-l]

My favourite detail in OOTP is when Harry finds Sirius at the dining hall Crookshanks is curled up in his lap. Like he’s surrounded by people screaming at him about “Dumbledore’s instructions”, not allowed to go outside cause the ministry and Death Eaters are gunning for him, he’s being called irresponsible and reckless and he’s brushing it all aside cause boy does he know how to deal with people screaming at him in this house, any regardless: he’s still got Crookshanks. He’s got Buckbeak and they remain Sirius’ first and last line of defence

Harry felt something brush against his knees and started, but it was only Crookshanks, Hermione’s bandy-legged ginger cat, who wound himself once around Harry’s legs, purring, then jumped onto Sirius’s lap and curled up. Sirius scratched him absentmindedly behind the ears as he turned, still grim-faced, to Harry.

Harry did not mention his vague suspicions to Sirius, whose cheerfulness was evaporating fast now that Christmas was over. As the date of their departure back to Hogwarts drew nearer, he became more and more prone to what Mrs. Weasley called “fits of the sullens,” in which he would become taciturn and grumpy, often withdrawing to Buckbeak’s room for hours at a time. His gloom seeped through the house, oozing under doorways like some noxious gas, so that all of them became infected by it.

#Sirius Black #one day I’ll write a thesis about the constant ableist language used to address Sirius in OOTP #one day we’ll talk about JKR passing judgement on trauma and coping with it through fifteen year old Hermione #one day I’ll talk about how OOTP is so severely unempathetic to Sirius #It’ll forever remain ridiculous to me that Sirius of all people is the story’s biggest example of tell don’t show. he’s not irresponsible #he’s not selfish #yet we’re told so #again and again #by Molly and Hermione #and it’s consistently in a patronising arrogant way from people who could not even hope to understand what he’s been through #I think it’s particularly telling that no one offers to HELP Sirius. to do anything. in OOTP #JKR’s ableism in her language and connotations with the way people speak of Sirius says So Much #her tell don’t show works consistently against her in that the narrative validates Sirius. #in the end he is right. but it doesn’t matter anymore cause he’s dead

[good-beans]

I know most of our focus goes (rightfully) to the trial songs, but I genuinely believe Baptism of Fire is equally a masterpiece of meaningful writing and intense vocal acting

Incoming tag rant because I need to yell about this, feel free to yell back

#milgram #fuuta kajiyama #like the other vds have good writing about the character and whatever social issue their crime focuses on #but this one is very pointedly about YOU #its about the audience. its about the milgram project. its about self reflection. its about self-appointed roles. its about you #even if you didnt vote t1 or anything the whole things is calling on you to reflect on your own judgements of others #how you treat people who come off rougher. how you treat people who have made a (bad but) common mistake. #do you also find entertainment in seeing people dragged down and suffering because it would 'serve them right?' #but es always remains in control of the situation. the drama doesnt end with 'and fuuta was right - you guys suck!' #its clarified that situations are different and have nuance. we are reminded to look at things with nuance. #then we are smoothly re-immersed in the story #and then!! the acting itself!!! #arthur lounsbery put his whole fussy into that performance (<- fuuta pussy) and i am in his debt every day for it #in both his vds hes just super expressive and fun to listen to #i dont understand japanese but he packs so much interesting intonation and emotion into every word -- im obsessed listening to him #he nails all the subtle emotions fuuta has: the pouts and outrage as well as underlying fear grief insecurity and immaturity #and then baptism of fire hes just... Wailing #like mahiru has her innocent and pathetic cries of pain in her sweet voice that works for her character but fuutas pain feels much more raw #the way hes practically sobbing at the end -- his voice cracking and screeching throughout -- the whimper of pain #its so unbearably intense!! it hurts!! and its supposed to!! but hes just so raw with it #and dont even get me started on his pained hysteric laughter omg.... #its just. a masterpiece. #i always appreciate the vds but i dont think ive enjoyed/relistened to one as much as this one #okay WAIT im back to add one more thing because im obsessed with ths idea of intentions #specifically in milgram i think the intention behind the murders are very important to consider #so i love love love the huge focus on 'i didnt expect/mean for this to happen' #plus as a general theme in fiction i think its sooo juicy when good intentions get fucked up #so i loved the repetition of that #fuuta is such a special case because he genuinely had no desire or expectation for his victim to die #(maybe kazui too? but he doesn't say so in his vd like fuuta does)