why is religious Christmas imagery all so joyful and pleasant? where is the inherent horror of the birth of Christ? A mother is handed her newborn child, wailing and innocent. Her hands come away sticky. Red. Simply by giving her son life she has already killed him. He is doomed from the beginning. Her love will not save him from suffering. Because the thing cradled in her arms is not a baby, it is a sacrifice: born amongst the other bleating animals whose blood will one day be spilled in the name of what demands it. the night is silent with anticipation. Mary, did you know? That your womb was also a grave?
The Mallard family may have been the heroes in that film (and understandably so), but the real star here is Delroy. After all, the poor guy was kidnapped from Jamaica and abused by the chef who tries to make a meal out of the Mallard family (including the ducklings) and has never loved anybody. Then one day, with the help of the Mallard family (and Chump too), he managed to escape the clutches of his captor and abuser, twice, and return to his rightful home in Jamaica, where he is finally reunited with his friends and family.
Now, Delroy's daring escape appears to be the epitome of an abused child escaping their abusers, which means that when the chef represents the abuser, then Delroy himself tends to represent the abused child. And still, he was strong enough to stand up to and escape the chef...and literally cut him out of his life for good measure.
I find it extremely funny that the entire Good Omens fandom is absolutely in love with Bildad the Shuhite for seemingly no reason. Can one of you please tell me why we love him so?
listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently
the way that one line from the new epilogue in an astarion romance is going to HAUNT me
just. what a profoundly intense thing to confess to someone.
like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.
in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.
You know what? I don’t WANT an awkward double date. I don’t WANT buck coming out and people having the ‘I know’ reaction or the ‘is it Eddie’ reaction.
You know what I do want?
I want Buck panicking over what to wear for the date. I want Buck flopping on his bed like very teenager after their first kiss all giggly and happy and touching his lips because he kissed a boy
I want Buck smiling every time he says Tommy’s name because maybe it isn’t forever and maybe he’s not even looking for forever anymore but he’s so happy and he’s so light and being with Tommy feels good
I want Tommy to keep calling him Evan, because before Buck was Buck he was Evan and Evan deserves to be happy to be treated so softly and lovingly and Evan deserves to be free.
I want Buck to be happy. To be happy and free and queer in the way we all deserve.