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#anyway sin eaters... sexy concept
chernabogs · 16 days
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I can see an entire bouquet matching Malleus 😭 Calla lily, Ivy, Red Salvia, NATSURIUM and White carnation with pecks of Daffodil and Fern
Don't feel obligated to use all of them! Chose whichever you find most suitable! I just could stop with one alone, the more prompts i read the more i had this idea for a story in my head
I think you and I had the same idea cooking LMAOOO I hope I did this well! <3 Thank you for the request!!
Sin Eater
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Inc: Malleus, Reader, a sin eater, and one advisor WC: 3.4k Warnings: Heavy discussion of grief and coping with loss Flowers: Calla Lily (something at first sight), Ivy (we’ve always been friends but we were never just friends), Natsurium (I refuse to bury you), Daffodil (a god bows before a mortal), Fern (In a world of magic, the greatest miracle was you... subtly implied) Summary: A quiet conversation in a hall between a prince, a starving idol, and a body.
Their arrival is marked with the sombre chiming of Dragon City’s bells, which is the only reason Malleus knows they’re approaching Black Scale. The window of the bedroom you shared is wide open, letting in both the breeze and the song as he stands so still that one may consider him to be a mere statue on display. He feels equivalent to one; his breath is shallow, his body cold, and his expression far away enough that he hardly registers the carriage approaching. 
“Your highness?” A faint voice speaks by his right side. Malleus’ finger twitches at the sound as his emerald gaze slowly slides from the streets below to the advisor who is now anxiously twisting her sleeve. He can hardly remember her name—advisors come and go so often that they’ve become a blur in his mind—but he’s taken to calling her Scops due to the owlish stare that she always seems to wear around him. “The sin eater is here.”
Malleus stares for a moment before he looks back down to the courtyard. The carriage door is open, and a figure is now standing on the stone, speaking with one of the guards. The discussion is brief, ending with the guard walking to the doors and the figure looking upwards at the palace walls. A golden mask conceals their face, capturing the rays of the sun which battle through Briar Valley’s ever-present clouds, and they wear a simple black funeral suit. 
“I see that.” He replies curtly, his voice ungiving on how he’s really feeling. “They arrived quite quickly, didn’t they?” 
“I suppose they have,” Scops steps a bit closer to the window to look down at the sin eater. “Strange, really. It isn’t like their profession is a competitive market anymore.” 
Sin eaters used to be far more prominent in Briar Valley back when it was still Briar Nation, and old traditions were held to a greater esteem. Unfortunately, the changing of times meant the dismantling of old organizations and beliefs, rendering the sin eaters as nothing more than a token piece in a funeral party. Perhaps once they were esteemed in a religious fashion—but not anymore. Now they will sit for anyone, so long as they get their meal. 
You had always admired the old traditions, though. He remembers your avid interest in his family’s history, and the many nights you’d waste away in the library, reading tome after tome in delight. You had been the spearhead of a new age for old beliefs—revamping Briar Valley’s tourism through the demonstration of habits long dead—and you had made a difference. That’s why there is a sin eater here today. 
Malleus dislikes their presence, however. Them being here means that what he’s going through is not just a simple dream. He exhales through clenched teeth and forces his shoulders to relax as he turns on his heel and nods. 
“Regardless, it’s best not to keep guests waiting.”
_____________________________________________________________
The hallowed hall in which you lay is silent, even with the presence of the sin eater looming over your shrouded form. How they managed to move quickly enough that they arrived before Malleus did is something he decides not to question—nor does he question how they knew of the hall to begin with. Their profession is one that draws the most peculiar of magic users into it. Like a bloodhound, they caught your scent and followed it to the room. He’s surprised the guards who have been standing watch over you for a day now permitted them to enter. 
Malleus enters alone and waves for the room to be sealed. He notes the hesitation in his guard’s body language before they oblige, stepping away to pull the great wooden doors shut with a resounding boom that stirs a pair of birds residing in the rafters. Their wings flutter in distress as Malleus spares them a passing glance before returning his focus on the figure ahead. The sin eater has turned to look back at him, and he sees upon closer inspection that the mask they wear lacks a mouth. They incline their head in greeting before speaking in a surprisingly clear tone considering their facial obstruction. 
“Your grace. Forgive me for the intrusion before your arrival; I merely wished to prepare in advance.” Their voice is soft and low as they touch a hand to the place above their heart. Malleus hardly reacts to their words as he brushes past them to where you lay, body enshrouded in a white sheet with a torc affixed upon your neck. His fingers brush along its form; forged of mystium and gifted to you as a token by him. It was the closest he could get to a marriage declaration in the eyes of the Senate. 
“It’s hardly my place to prevent a sin eater from completing their role.” He replies languidly as his fingers skim off of the torc to rest on your chest. Stiff, still, and cold against his fingers. “I just wish you had not come to begin with.” 
He doesn’t wish to have you buried quite yet, but he knows he’s already pushing the limit of how long he can keep you. He kneels by the platform that holds your form as his fingers brush along the shroud that hides you. If he could, he would drag you off of this macabre display and back into the rooms you shared for so many decades together, to wrap you in his arms and pretend this isn’t happening. 
But that was foul. Utterly, utterly foul. Your body would putrefy and decay while he clung to a false hope of resurrection. 
No, the sin eater is here now. He just doesn’t want you out of sight quite yet. 
“Many do not welcome me, but I have never left without gratitude.” The sin eater replies softly. Like a god before a mortal, Malleus’ ethereal features are painted into a stony expression, his gaze still distant. He hardly feels a part of this world right now as he hums quietly in turn. 
“Perhaps.” He muses as his fingers toy with the shroud before he turns to look at the sin eater. Like his own face, their mask is a stony expression, their eyes concealed from his seeking gaze. If they were to not move and speak then they could easily be dismissed as one of the many statues adorning the hall. “How shall we proceed?” 
“Do you feel ready to proceed?” They posit as they gesture to your form. 
Malleus rises back to his feet but doesn’t remove his hand from your body. The pungent scent of flowers—used to disguise the sweetness of decay—wafts up with the abruptness of his motion. “The opportunity to refuse has long passed. I am aware that there is a feast to be had—that, they regaled me of this back when they were still alive.”
You had been enamoured by the concept of Briar Valley funerary rites throughout your time in life. He remembers thinking it to be grim when you would speak of them, and rather anxiety-inducing when you began to plan for your own. He always knew that your status as a human meant that you would join the stars long before he did—he had simply not wanted to think about it, though. In the end, your efforts to establish your own postmortem care had saved him a great deal of distress these past few days.
Your ability to think far ahead had been one of the many aspects he had loved about you. 
“Indeed, and I am delighted to see one is set for me.” The sin eater drifts off of the steps of the platform towards the far side of the room, where a table lay with an array of foods on it. Wine, dates, meats, and a variety of other luxuries decorate pristine plates and spotless cutlery. He had spared no expenses in the lavishness of your memoriam. “Sometimes I have served people who are still cooking the final meal by the time I arrive. But then again, I would expect a prince to have ample amounts of resources available to get things done.” 
“I give nothing but the finest when it comes to them.” Malleus retorts sharply as he goes to sit in the chair on the other side of the table. Before he can properly settle, the sin eater raises a hand and shakes their head. 
“Turn the chair around if you please. You are not meant to see my face when I eat—that honour is for the deceased, and the deceased alone.” 
Malleus pauses, his hand resting on the back of the chair before he obliges and twists it around to face the wall. He then sits down and crosses his legs patiently. Despite the fact that he knows the sin eater to be unarmed, he still feels a prickle of paranoia creep up his spine. Old habits die hard when one has been hunted for so many years. 
Eventually he hears the sound of the sin eater sitting down in their respective seat, followed by something heavy hitting the table. The sin eater clears their throat, and the sound is far clearer now than before. Their mask has been removed—which means the rite has officially begun. Malleus inhales and readies himself for what he recalls the next few steps to be. 
“Tell me about them. Call them to the table where we feast.” There’s a brief pause then before a fork scrapes against porcelain plates. Malleus’ eyes flutter shut as he gives a low sigh. 
“Mira calirh.” The affectionate term flows from his tongue easily as he touches upon memories long passed. How can he summarize you in a simple conversation? You had been a person of many complexities—of devotion, of will, of love as boundless as the sea. To boil all that you were down into a mere few lines felt sacrilegious in his heart. 
“Tell me of your first.” The sin eater prompts, and so he does. 
“I met them outside of their dorm. I thought the place was abandoned, but suddenly they were there before me, sleep-dazed and curious. I remember thinking how calm they were when facing me directly—only to find out they hadn’t a single clue about who I was.” Malleus’ lips curl into a faint grin as he pictures the moment so clearly. He can see you in your youth, eyes glassy with sleep and hair slightly dishevelled. You had not registered in his mind as someone of importance quite yet. 
Oh, how such a thing would change. 
“Tell me more.” The sin eater urges. He can hear the wine glass lifting and being set back down on the table. Malleus’ hands clasp tight as he feels his fingers begin to grow numb. In his peripheral vision, he thinks he sees movement from the pedestal. He resists the impulse to look its way as he considers his next words. 
“It made me feel… alive. For a moment. They would accompany me, speak with me. It was shortly after my overblot that I began to consider them as a friend—although I suspect we never were just that. It was two summers later that I began to consider them something more.” 
Malleus pauses for a moment to gather his thoughts. He remembers that summer—it had been warmer than usual in the Valley, and you had come to visit for a week. He recalls the smell of sunscreen and the sight of you with your hat on your head as you sat in a field of eternal green. The land was lush and abundant with life, but it had been you that had drawn his gaze the strongest. 
The sin eater pushes a plate away before grabbing another. It drags across the wooden table with a bitter screech. “Is that so?” 
“Quite. They stayed with me for a week, and I wished every night that the next day would never come, only so that I could hold onto them for just a bit longer. I kissed their cheek before they departed through the mirror back to NRC—I wanted to kiss their lips, but I panicked and missed.” He can’t help but laugh at that. His palms had been sweating and his mind had been in a panic when he clumsily pressed his lips to your cheek in a kiss of farewell. “Foolish I was. Fortunately, it didn’t turn them away from me. The next time we met, they made sure my aim was true.” 
“Young love has a habit of sending our hearts aflutter, no?” The sin eater muses as more scraping sounds out. “Tell me when you loved them.”
When? Malleus’ brow furrows as he considers the question. When did he not, really? 
“Every day. Every hour. Every minute. I think once they became mine there was not a moment I did not love them, even when we had our disagreements, or the obligations of my role drew me abroad. I loved them in the day, I loved them in the night. And in the sparse moments between, I loved them even more.” Malleus feels his jaw clench slightly. “We could not be married, and so I made sure they knew my devotion.”
“You could not marry because they were not fae. I remember that being a point of contention in the papers.” 
The sin eater must be a fae themself, then, if they can recall the tabloids from that time so easily while looking as young as they appeared. Malleus bristles at their comment. 
“Yes, that was a point of great contention, and one I had to swallow despite working to change the laws. Even my grandmother agreed that such outdated beliefs had no business in and amongst our courtiers.” 
He had fought viciously against nobility for the opportunity to keep you by his side. Eventually it had ended in a standoff, with the courtiers begrudgingly agreeing to permit you to live in Black Scale, so long as you never officially became his consort. Your body hasn’t even been cold for a day, and he’s already heard rumours from Scops that the Senate is hunting for a suitable replacement. 
The knowledge tastes like bitter fruit on his tongue.
He thinks he sees the flutter of white fabric moving at the pedestal again. His brow furrows as he rationalizes it away as a trick of the odd lighting in the hall. Still, the cold breeze that follows makes him shift in his seat uncomfortably.
“Tell me how you loved them.” The sin eater diverts his thoughts and the conversation once more as something heavy scrapes across the table. It may be the plate of quail he saw—or the pig's head. “What did you do to always let them know?” 
“Everything. Anything they wanted I would give to them. If they had asked me to move the mountains we rest on, I would do so. If they asked me to pluck the sun from the sky and fasten it into a brooch for them, I would make sure it was held by the finest of metals. If they wished for the rains to fall and the earth to turn green, then I would drag the clouds from across the world to where they stood.” Malleus shivers again as he feels an ache in his chest. It’s been there for days now. “Magic bends to my whims, but I bent to theirs.” 
“But you couldn’t give them time.” There’s a licking sound and a low hum of satisfaction from the sin eater. “Time will eat everyone in the end—much like how I feast on their memories now. You could give them every precious gem and flower in the world, but you could not give them a second more than what they were meant to have.” 
“If I could have, then I would.” He snarls back, his head turning slightly to glare at the blurred image of the sin eater. “I would have stolen the seconds from anything and everything and given it to them instead. The gods know they would have benefited from it. They had plans, ideas, to improve this nation and now? Now they’re already beginning to decay.” 
“As things do.” The sin eater tosses a bone onto a plate as Malleus looks back to the wall. He feels something cold brush against him again, and then the scraping of a chair to his right. His shoulders tense at the sound and he wonders if the sin eater has changed places. 
Until they speak. 
“How very kind of you to finally join us.” 
The comment is simple and one that draws confusion in Malleus until it finally clicks in place and his entire body plunges into freezing water. The world spins to a stop as he hears a whispering voice by his ear, its words indiscernible. Malleus’ eyes widen and dilate as any words he had to say stutter to a stop from his lips, drawn shut by a cold touch brushing up his arm—much like how his touch had brushed along yours moments ago. 
“One last bite, then.” The sin eater interjects once more as they push another plate away. “Tell me how you will keep them alive. The body may be rotting, but the soul does still linger. Within this hall, within this palace, within the memories stored in your mind. How will you honour that?” 
The words become clearer now. Your voice is soft as your breath brushes against the skin behind his ear, making him shiver as a small, painful sound escapes him. The scent of you lingers just beneath that of the roses your body was bathed in before being wrapped for your cremation. He can feel the brush of the shroud against him as phantom fingers touch his back. 
He wants to turn to see you as he once knew—but something tells him that doing so will merely send you away faster. 
“Their legacy.” He offers slowly, eyes fluttering shut again as he loses himself in your touch. “Their memory carries on through years upon generations of work. They brought life back to Briar Valley’s beliefs. They reshaped this old, rotting home—reshaped me—into something better. I may have portraits of them, and statues, and items that they loved dear stored in my rooms—but I think the only thing they would wish for me to do is continue the work they had started.” 
A sensation floods him then like that brought on by a lover’s kiss. It curls around his wounded heart and floods itself through his veins, warming his body in a way that it hasn’t been able to for days. Another pained sound leaves him, but it is not drawn out because of any agony. 
Then, as quickly as it arrived, the sensations are all gone. Your scent disappears, your touch disappears, and Malleus Draconia is left once more to sit in a stiff wooden chair in a large, desolate hall, with a body and a sin eater as his company. He wants to grasp for you and hold you in place like he did so dearly with your body—but the voice screams at him again that this is not the way it plays out. 
The sin eater sets the cutlery down before drawing their mask over their face. They push the chair back to stand, and only when they’re on their feet again does Malleus turn to them. He can feel wetness on his cheeks as he stares at their slender, frail form. He had managed to keep himself from crying so far—but now it’s become a battle he can no longer wage.
“What a delectable meal.” The sin eater sighs as they brush down their suit before stepping away from the table. They pause as they face the prince before bending at the waist in a low bow. The black pits that represent their eyes do not stray from his face as they do so. “They rest—as you should, too. I know you have at least another day of the wake to endure, so try to recover as much energy as you can. They would not want you to suffer on their behalf.”
Malleus doesn’t reply as his gaze drifts to your shrouded form on the pedestal. His love, his partner, his calirh. When the sin eater is already halfway to the door, he clears his throat, causing them to pause and look his way. Malleus stares at their masked face with an expression of neutrality once more. 
“... thank you.” He offers softly. The sin eater tilts their head, bows, and steps out of the silent hall.
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bellamioneotp · 4 years
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Bellamione Fic Master List
Making a list of Bellamione fics to guide the poor innocent souls into temptation organize stories based on AU type. 
DARK AU’s
Bellatrix isn’t a bright ball of sunshine, but rather than have a story where she becomes a better person, Hermione becomes like her, or even joins her side. This AU type isn’t limited to only that, but also to general dark themes in the story such as violence, war and ‘wtf this is so wrong but yet I can’t stop reading’. 
Reign Down Like wow. A whole world built around what if Voldemort survived and used Hermione in his evil schemes and had Bellatrix engaged to her. Very detailed and the author doesn’t hold back on aspects of the new world that can be somewhat unsettling. 25/10 this will leave you wondering just how sexy dark magic can truly feel. 
The Dark Corners of the Earth This one is dark in an entirely different sense. Bellatrix and Snape are pitted in an ancient war against one another and Hermione is caught in the middle. The romance moves a bit too fast paced for me but the lore and detail in this will have you really thinking this story over the next few days, trying to figure out just wtf is going on. 45/10 will have you hoping your nightlight can keep Cthulhu away. 
Haunted This story won’t leave you haunted, but it is pretty good even with it’s short chapters and all. It tells the story of Hermione sort of losing her marbles but I won’t get into too much detail. Just read it for yourself; it’s a quick easy read. 10/10 is poetic as fuck. 
I Dream of Sin Takes place in a sort of canon world in which Hermione is an American teen being bullied. You can imagine how well that goes for the bullies especially when she learns she has magic and is taught by Bellatrix herself on how to use it. It gets progressively darker each chapter. 16/10 don’t want to mess with magical nerds ever. 
For whom the Bell Tolls is an interesting look into how Hermione’s actually a death eater and Bellatrix is not. While Hermione is not bat shit insane, she is a murderer and Bellatrix is the sane one. Nice to see things switched up. This story is not necessarily as dark as the others but it gets brownie points for making the usually good Hermione evil right off the bat. 9/10 come to the dark side, we have cookies. 
Staring at Nothing is just...wow.  A very powerful one shot about Hermione’s descent into darkness as told by Harry’s perspective. 10/10 for who needs friends anyways, when you’ve got black leather. 
Visions of You in which Hermione is a depressed youth after the war and has to deal with hallucinations of Bellatrix. Hermione isn’t dark here so much as she is gray type, and the story has a permeating tinge of sadness to it, given the circumstances. 8/10 for maybe Bellatrix isn’t a hallucination? 
Deep Below what’s more awful than being accused of Harry’s death? Being falsely accused of it, and having to deal with trying to prove your innocent. This is a situation Hermione ends up in. But will she get out of it? 8/10 for this gets deep. 
How to Love Bellatrix captures Hermione and sort of indoctrinates her into the world of darkness. Hermione is mad at first, but then she realizes how sexy Bellatrix is and is like, ‘alright fam, sign me up’ and boom Bellamione. 8/10 you love this story but not it’s update schedule. 
TIME TRAVELER AU’s
Basically, what it says on the tin. Someway or another, Hermione goes back into time to stop Bellatrix from ever becoming evil. Drama and romance ensue. 
Future Shocks A good time turner fic with a more modern take on war. It’s pretty long and it is the slowburn of all slowburns. But it’s a very interesting story and the ending will have you definitely shook. 8/10 will shock you awake from that boring lecture you’re reading fanfic in. 
Time Heals all Wounds Hermione gets sent back in time to ‘redeem’ Bellatrix but not in the gift card way, more like saving the future type way. They end up, you guessed it, falling in love and changing the future somewhat. 6/10 is a young teen romance that will have you reliving your adventures as a young sapphic witch. 
Mirror, Mirror Not exactly a time turner fic, more like a parallel world, I suppose. Hard to explain but has good amounts of mystery and trying to understand what is happening. Focuses more on Bellatrix’s POV which is a nice change of pace. 8/10 will have you looking in the mirror and summoning Bellatrix like she was Bloody Mary. 
Let the Light Come and Take me A time turner fic that ends up with Bellatrix time traveling but to the future and the chaos her arrival there causes for those who are acquainted with her devious ways. Looks at the growth of our two ladies relationship into something more. 5/10 if it’s not slowburn romance is it really Bellamione?
The One Within the Other this story is about, you guessed it, time travel! Hermione goes back on purpose to stop Bellatrix from achieving her evil potential and in the process love blossoms. 7/10 for never enough time to read Bellamione in peace!
Caught in the Time series this is a series of three full length stories about Bellamione stuck in different times and universes. So much happens in them it’s kind of hard to summarize so the best thing to do is read them. 8, 8.5, 7/10 I’ll let you figure out which score goes for which series.
Just say When started off as a time turner story but then it ended up becoming something more of an espionage tale. It’s a good read and interesting to see how Bellatrix aims to save Hermione from a dementor’s kiss (spoilers!) in order to save their future together. A good mix of romance and action. 8/10 The name’s Black. Bellatrix, Black. 
The Broken Wand It all starts with a wand and then before you know it, boom, time travel happens. Featuring Loki and adventure all around, this fic has interesting plot points to keep you engaged despite the slower update times. 7/10, will break your wand too. 
Hourglass basically, a young Bellatrix is brought into the future and consequences abound from that mishap. The plot is a bit wonky and there are some logic mistakes, but if you can get over it, it’s a decent time travel story. 5/10 for it must be canon that Bellatrix has a lovely hourglass figure. 
Times they are a Changing where Bellatrix travels back in time to save her wife, Hermione. Nice to see a story where Hermione isn’t the one doing all the saving. Unfortunately there’s only six chapters to this story and it’s unlikely it’ll ever get finished but it’s a nice fresh concept. 6/10 for that’s how many chapters there are. 
Destined in this one, Hermione experiences some wonky times after the battle at the department of mysteries. Hermione has to find a way back home, but perhaps she might find love along the way? 10/10 for this is destined to be an interesting read. 
HEALER AU’s 
Let’s be real, Bellatrix has got a lot of problems and these authors try to solve them, with sex. And you know, medical help. But sex definitely helps a lot. 
Portrait of a Tragic Woman Not a typical healer type au, because Hermione is a therapist whose helping Bellatrix with her mental disorders. Focuses a lot on the relationship between the two and really makes you try to figure out what exactly is up with Bellatrix and what is her past, etc. The ending chapters will leave you shooketh and wondering what even is real anymore. 50/10 because it feels like an acid trip, man. 
The Healer is only one chapter but still worth a read. Hopefully the author will have some time to get back to it because it has a huge potential. 6/10 because I need some healing. 
1k is a one shot, featuring Hermione as a therapist and Bellatrix as her patient. Can’t say too much without spoiling it, but despite it’s short length, the author paints a vivid look into Bellatrix’s mind if she was just an insane muggle. 1k/10 because that’s one patient I would never like to meet.
Darkness Underneath I mean, Hermione runs a team of healers, so technically it’s kinda a healer au fic, right? This story looks more in depth at the Death Eaters and dark magic surrounding them. 9/10 is that a dark mark or are you just happy to see me?
TEACHER AU
We all know this is the holy grail au of this fandom and yet there’s only a couple of long stories for this. Someone, write some more!
Fractures A long fic, that has a sequel. Basically, Bellatrix is Hermione’s teacher during a very trying time for Hermione when a competition goes very wrong and dark truths are revealed. Lot’s of action, Bellamione interactions, and overall interesting plot. 8/10 will leave your heart in fractures when you find out the sequel is unfinished. 
In the Dead of Night Hermione asks Bellatrix if she can teach her some.....magic and things end up becoming very magical indeed. Bellatrix is the teacher in this story (because who wouldn’t want her as a teacher). It’s a WIP with only a couple of chapters out. 7/10 time to learn some real lessons, Granger ;)
Just a Brand features not only Bellatrix as a professor, but a magical soul mate bond between Bellatrix and Hermione that leads to much deliciousness. There’s a lot of chapters to this story but they’re pretty short. An updated and revised version can be found on a03 for those who like longer chapters. 7/10 Bellamione is branded on my soul. 
It Just Felt Right is another fic with Bellatrix as the professor. Hermione starts off hating her and then it evolves into liking Bellatrix. The fic leaves off before any real progress can be made so if anyone is up for reading an unfinished fic from 2012 then go for it. 6/10 for this story feels right but not write because it’s abandoned :(
CRIME AU 
Because there is never enough crime involved even with Bellatrix, these authors amp up the trouble and make it double. And gay. So very gay. 
Two Sides of the Same Coin where Bellatrix is basically an auror. It’s only five chapters and it hasn’t been updated in a long time but it’s an interesting concept worth checking out. 9/10 wish there were more sides to the coin. 
Murder Most Horrid A crime story, where Bellatrix is a magical cop and Hermione is a murder suspect. Bellatrix interrogates Hermione by banging her and then the two of them proceed to basically get married the day after. A bit ooc for Bellatrix but very in character if you consider this world not from the canon. -89/10 for how badly your vision will deteriorate if you try to read this all in one night. 
The Mysterious Department Technically Bellatrix and Hermione are both magical detectives and they go and solve crimes and shit while also possibly trying to prevent the world from ending. You know, just casual stuff. 10/10 for the perfect crime, would commit again. 
Darkness is Falling A story that has Hermione as an auror who replaces Bellatrix’s old partner. They butt heads, they solve cases, and naturally, begin to fall in love. 7/10 for this case is closed. 
Some Things Aren’t Seen Hermione investigates Bellatrix’s crimes and past and ends up over her head. There are two follow ups to this finished work, all in the same vein. It’s all a good bit of fun watching Hermione try to take on the criminal Lestrange. 7/10, no, this has no relation to the musical Wicked. 
SOUL MATE BOND 
In one way or another Bellatrix and Hermione have a special bond in between them that destines them to be together. Angst, love, friendship, all abound in this au type. Features a combination of other factors thrown in, but the stories put in here are largely advertised in the blurb as more focused on the bond. 
Lotus Flower Hermione finds out after Bellatrix’s death that they are bound together and that because Bellatrix is dead, Hermione is dying as a result too. This begs the question, will Hermione go back in time and save Bellatrix, or will she willingly submit to the bond’s curse? 8/10 I think we all know what Hermione chooses.
Our Mercurial Selves ever wonder what it would be like to have a murderer share your mind? In this one, Hermione and Bellatrix can communicate telepathically with each other, creating a bond that draws them together. Features evil schemes by Voldemort, a flying horse, and Narcissa beating the ever loving shit out of Bellatrix for even daring to breathe in Hermione’s direction. 9/10 will leave you with warm fuzzies for the Malfoy family before the ending crushes you. 
The House Ring Bellatrix sends Hermione a magical ring that engages them and basically makes them wives. Prophecies abound about how Bellamione is meant to be the one and only true pairing. 7/10 for that ring better come with diamonds.
Demons AU
As if Voldemort isn’t scary enough, there are demons and scary things in this au type that will leave you and Voldemort both calling for mommy. 
Unsteady Precipice technically also a time traveling fic, except Hermione ends up in an alternative universe. where she tries to change things from happening in the canon world like they did. But will it work? Who knows! Only a few chapters are out so it’s hard to tell where this story will go, but one things for sure, it’ll be good. 9/10 if you don’t pray after reading this the demons will get you. 
A Demon in the Mist is also about, gasp, demons! Dangerous things are afoot in this story and Hermione is caught in the middle of it all. It takes part in the same universe as the caught in time series by the same author, but with slight alterations. Unsure if the story will be finished as the author has contemplated leaving fanfic writing. 7/10 can you find the demon in the mist?
MAGICAL CREATURES AU
Technically a category, right? Let’s pretend it is, because there are some stories out there that pit our two ladies as other than human and it’s fun to read about it. 
As we Chase the Sun Very Black family centric and features Bellatrix as a big fluffy wolf. What’s not to love? Cuddles, and hair balls, and good times all around. 9/10 would tame that wolf. 
Sing to me Your Insanity in which Hermione and Bellatrix are both sirens and will basically die if they don’t do the ol’ frickity frack. This is a long story and the slowburn feels like hellburn but it’s worth the read. 56/10 but you will need earplugs so those sirens don’t seduce you too. 
Metamorphosis in which Bellatrix is also a wolf and doesn’t like being stuck with Hermione but gets used to it and basically they’re house wives of London and don’t know it. 8/10 for your mind with undergo metamorphosis from slightly obsessed with Bellamione to even more obsessed. 
This Poisoned Blood of Ours vampires, vampires everywhere! Two parts to this series and features a confused Bellatrix and a changing Hermione. 7/10 do you think vampires like steak rare?
Cursed Doll Pretty self explanatory title. Someone ends up as a doll and shenanigans ensue. Won’t say more because it’s only two chapters, but it’s well written and worth a read. 10/10 Chucky? Is that your sister? 
Liquid Measure these chapters are thicc boy. Only two chapters but such a good set up and everything. I hope the author is able to update at some point. 10/10 makes me thirsty for more!
My Demons in the Dark Hermione is a ghost. That’s it, that’s the plot. Boo/10 for this not so spooky spirit. 
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fursasaida · 3 years
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Would love to hear about all of the ways ppl misunderstand HG (if you feel like it)
i’m doing this as bullets bc i don’t have the oomph to like write it out properly
they think the socioeconomic specialization of the 12(+1) districts is the typical thing of like, “i will construct a wholly implausible society that’s about putting people in totalitarian versions of thinly disguised hogwarts houses so i can show how my heroine is Special and Unique” instead of like, a specifically elaborated form of oppression by the capitol that shows how aestheticized the political economy is. it’s not that most people in panem really believe everyone from District 4 (? IIRC) is suited as a person to fishing, or whatever. it’s that the capitol said “you produce this and only this for us, how much we value that commodity category determines your value, and that is all you are” and this is completely interwoven with the spectacle of control that is the Games. (the Games are basically a dramatization of territorial control but wah wah wah “battle royale ripoff” wah wah shut up.) it’s actually a very interesting political economy concept which i could go on about at length but i value my life
due to the above they think Katniss is supposed to go on the usual character arc of Doesn’t Fit In --> Discontent --> Dismantle the System and Be Happy
this causes them to complain both that she doesn’t change enough (first of all, she does change, just not in the way they expect; and second, the ways she doesn’t change are part of the POINT! this isn’t a story of personal transformation! it’s about political change!) and that she’s too like sad or limp or whatever later on. IT’S A VERY GOOD DEPICTION OF TRAUMA, SHUT UP.
they complain that the ending is “unsatisfying.”
of course the ending is “unsatisfying,” because the political change that occurred is incomplete and nuanced, and also, she still has all that trauma, there is a cost, the whole thematic backbone of the series is “internalize the externalities/make the invisible costs visible.” it’s the interplay between the hypervisibility of spectacle and the extraction of people’s time, bodies, wealth, relationships--their lives--that it both relies on and hides.
relatedly, people think katniss shooting whatsername at the end is some kind of unjustified twist. i don’t know what to say about this. i throw up my hands. WERE YOU PAYING ATTENTION AT ALL.
does anyone think about what the story is actually about? they do not. ("no one” is an exaggeration, i just mean the people i’m mad at)
the love triangle. oh my god. again people just take this as a “typical YA” thing of like, let me show how desirable and special my heroine is by having both the boys want her!! it is not that at all. Gale and Peeta stand in for different sides of her personality and respectively bring those sides out in her. her being torn between them is in fact where the “personal change” aspect of the story happens.
both of them are very strategic thinkers but in entirely different registers, and they value different things. she has much more in common with Gale at the beginning (on the surface), and her choice to see the value in Peeta’s way of thinking and do the very hard work of developing those capacities and responses in herself is her choice about who she wants to be and whether she values a reversal of power (Gale) or actually improving society (Peeta). whether being a ~rebellious hunter~ or being a caretaker (the reason, remember, she did the illegal hunting in the first place!) is more important to her.
they are both from her home district and people she’d known before the games because, again, these are qualities/tendencies she already possessed; choosing which to turn toward and develop in herself is the personal aspect of the political story.
and it is not a coincidence that it’s after the total dissociation and alienation she experiences in being made an aesthetic spectacle qua ~rebel by District 13 that she does the incredibly difficult, steadfast, further-traumatizing work of helping bring Peeta back to himself and so to her. the ending doesn’t happen without her whole process of negotiating her relationships with those two characters.
but these people don’t understand the ending anyway so i don’t know what i was expecting
this is called good writing and it’s an extremely valid way to develop and use supporting characters
god i could scream
Suzanne Collins’ origin story for this series, about channel-flipping between reality TV and coverage of the Iraq War, really just puts it all out there for you and these people ignore this! if they even know about it they just take it as like, “what if i put this thing on this other thing.” but she is getting at something very real with that! she is saying that both war and entertainment are spectacle-generating machines, fueled by inequality and the bodies of young people, that maintain power structures. (the big thing THG is really missing here is how this works internationally because there just aren’t any other countries in its world.)
[redacted: extremely over the top musing about race and class intersections in re: the unequal distribution of exposure to premature death and how intentional Collins was or wasn’t in getting what she got right right and what she got wrong wrong]
a few years back i was watching The Voice (leave me alone) and they had this whole ~storyline about a girl (i think 19 tops?) from a tiny, tiny rural Southern town, who was too stage-fright-y to perform to her potential. every week the judges would tell her she disappointed and every week her coach would save her because, he kept saying, he still had faith she could deliver. (she was fine but they had a Narrative to construct.) and then one week magically they changed up her makeup and clothes to make her much more overtly sexy, but in this like fucked-up babydoll innocent way, and lo and behold she discovered her confidence and wowed everyone. who could have predicted!!
I remember another contestant on The Voice who was literally there to try to get to a point where he would be able to get his family back into housing after flooding destroyed their home in i can’t even remember which (socio)natural disaster.
like that is just literally how the hunger games work. the promise is that this is a rare route to economic mobility. it requires a dramatic makeover, patronage, all of it. the makeover involves being essentialized as a citizen-type, a national subject that fits into a particular box (rural/urban, gendered, raced, etc--all of them are just entertaining backstories and narrative handles for the audience). this is a violent process, however visual and symbolic it may be via reality TV. it remains a process on which your odds as a contestant depend completely. and of course no one has heard from either of these people i mentioned since, because there can only be one winner; and even if you win, you can still lose the game of being a winner. no one asks what happens to them when it’s over, much like many people don’t really think about military veterans. if you think about the post-games life of the winners in THG, they are literally what you get if you imagine a military veteran and a D-list celebrity being the same person. reality TV already IS a gladiators’ arena where people ARE fighting for their lives. the violence is just sublimated. like i said. internalize and visibilize the costs.
(there is something here too, in the overlap of spectacle, about how the contemporary US treats its soldiers more as signifiers, high priests of civic nationalism, and/or sin-eaters than as people. similarly reality TV contestants come to stand for certain archetypes of the nation.)  
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stillness-in-green · 4 years
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Changeling: The League (3/3)
Bonus Miscellanea!  A sampler round of various other villains and some AU-of-the-AU versions of the story and characters, including some alternate takes on characters using other game lines from the World of Darkness.  
This post is the last one I have in mind for the concept, but I hope everyone who was curious enough to read them enjoyed them.  There’s some fun stuff in this post in particular, I think--the Word of Darkness really is a very versatile setting.  Find the explanations and the League of Villains here, the follow-up with the Meta Liberation Army here, or just hit the jump for the bonus material.
THE MINIONS
All for One’s direct loyalists and followers.  All are dual-kithed or otherwise eyebrow-raising in kith/seeming combination, and all have a high enough Wyrd that their kith abilities are starting to evolve--serving AFO does have its benefits.  With AFO imprisoned back in Faerie and the cycle stalled out, AFO’s followers are finding themselves facing an unclear future, and so each is having to come up with what they want to do going forward.  Mostly want Tomura to come back and get things moving again, having little sense that there is a world out there that’s more “real” than the one they currently inhabit.
Kurogiri
Type: Palewraith Darkling, Chatelaine dual kith.  Once a caretaker for Tomura, he opts to find Tomura out in the real world in hopes of resuming that directive.  When Tomura does not show even a shred of recognition, Kurogiri opts to set up a bar in the local Hedge, making himself “available.”  
Mantle: Winter, season of secrecy.  Has a servant’s circumspectness with a loyalist’s desire to keep his secrets, as well as a deep, very old melancholy that even he doesn’t really remember the reason for anymore.  
Contracts: Fleeting Winter I, Sorrow-Frozen Winter I-III, Dream I-V, and Smoke I-IV.  For Smoke, he has the old 4-dot Smoke-stepping clause rather than the more modern Murkblur, which is something of a tell regarding his true age.
 Ujiko
Type: Chirurgeon Darkling, which shouldn’t actually be possible by the categorizations as the fae understand them.  He’s been in AFO’s hands for a long time, though.  Current fear: what’s going to happen to the realm if the cycle continues to stall?  Gears can only grind against one another for so long before something explodes!
Mantle: Autumn.  A mad scientist with a deep appreciation for breaking things open to find out how they tick.
Contracts: Artifice I-III, Shade & Spirit I-IV, Spellbound Autumn I-III, and Goblin Delayed Harm III.
 Gigantomachia
Type: Stonebones Elemental, Gargantuan dual kith.  AFO’s most loyal monster.  Would have tried to find Shigaraki sooner, but he’s far too removed from the human he once was to be able to find his way through the Hedge without aid.  Probably spends the first few parts of the story giving All Might trouble in Faerie.  
Mantle: Courtless.  Has no emotional affinities that don’t track back to All for One.  
Contracts: Oath & Punishment I-V, Communion (Earth) I-III, and Stone I-V.  Like Geten, a close replica of his canonical powerset.
OTHER VILLAINS 
Muscular: Bloodbrute Ogre.  Ex-gladiator; current terror.
Moonfish: Gristlegrinder Ogre.  Current cannibal; also current terror.
Mustard: Blightbent Elemental.  Looks cuter because he doesn’t have to wear the gas-mask to protect against his own fumes.
Stain: Razorhand Darkling, give or take a Pischacha dual kith.  Broken very deeply by Arcadia from the strict and upright man he once was, but Lost society was pretty much created to provide a safe haven for that kind of damage.  A Summer Court enforcer of some notoriety.  
Gentle Criminal: Windwing Beast.  Refuses to be ground-bound, and is posting videos of himself doing impossible stunts that are drawing some attention, for better or for worse.   
La Brava: Drudge Wizened.  Falls in love with Gentle for showing her that you don’t have to shrink into what other people tried to make of you.  Has absolutely dyed her hair bright pink.  Somehow amazing at stealth anyway.
Gag Inclusion That Makes No Sense With the Lore But Is Perfect Anyway So I’m Not Changing It: 
Overhaul: “Don’t be ridiculous.  There’s no such thing as magic.”  
A banality-riddled Dauntain, from the previous incarnation of the game.  This is how Magne survives--he doesn’t kill her, but rather nukes her glamour reserves/Wyrd score access so badly she has to spend the next three months in the motley’s Hollow living in as much fae decadence as they can afford her, dining on hedgefruit, pampering herself, and keeping up with her various dream pledges while she recovers.
ALTERNATE UNIVERSES, ALTERNATE TAKES  
Hero Court, Villain Court: There is a version of the story where Heroes and Villains are old labels from a time when the freehold was built around a now-collapsed Sun Court/Moon Court dichotomy, headed up by All Might and All for One.  In the days following the catastrophic last battle, changelings of the Hero Court and the Villain Court alike have begun picking up the pieces and realigned to what everyone hopes will be a more stable Seasonal Court model.  Endeavor is the Summer King, a changeling who somehow had four three children when it’s all but unheard of to have even one.
Final Boss Shigaraki: There is a version of the story that centers on Deku, and in that version, what Shigaraki learns is this: everyone and everything has an end waiting for them somewhere.  As the game story progresses through power creep and mounting stakes, dramatic revelations and shifting priorities, Shigaraki moves away from Autumn and becomes more attuned to the fatalistic but liberating philosophy of Dusk.  As such, he gains the Entropy Contract clauses, I-V.  In this fashion, Shigaraki is paralleled by Final Battle Deku, rising champion of the Dawn, who is likewise gaining mastery of the Contract of Shonen Protag Powers Potential.  Will they be enemies in the end?  Allies?  Either way, their fates are connected.
Changeling All for One: There is a version of the story in which All Might and All for One are both changelings, in which the entirety of My Hero Academia is a story being played out in some far realm of Faerie.  All for One here is not Shigaraki’s Keeper, but merely a mentor who, when expy!Kamino happens, takes the opportunity to get Shigaraki out, knowing that he himself has been gone from the world for far too long to ever make the return trip through the Thorns intact.  In this version, All Might is an unknowing Loyalist who follows Shigaraki out, determined to capture him “for the good of society”--which would, of course, entail dragging him back to Faerie.
Destro the Revolutionary: There is a version of the story in which Desto is not one of the Gentry, but rather a changeling from years past, one who was spearheading a huge movement advocating that the Lost should reveal themselves to human society writ large--that Faerie predation could never be stopped as long as humanity didn’t know about it, and changelings had the power to, well, change that.   And weren't they tired of living in hiding; didn't they wish they could tell their loved ones the truth?  And that was a message that a lot of changelings liked, but it was also a message that terrified changelings in equal measure, and so in the end, an operative/operation from the Seasonal Court freehold put Destro down.  
In that take, Re-Destro is a successor to Destro as someone who came out of a similar durance and the MLA is a group planning a retributive war against the Seasonal Courts for their perfidy.  Shigaraki and the League could either stumble across the plot or be actively approached as a potentially sympathetic party after Shigaraki's relationship to AFO comes out and endangers his position in his own freehold.  
Re-Destro the Prince: There is a version of the story in which Re-Destro is not a changeling at all, but rather a vampiric prince, heir to a forbidden blood discipline.  He and his followers catch wind of the League motley: not vampires, but not normal humans, either.  They seek the motley out to find out what their deal is and whether it will be a complication to the MLA’s plans.  Vampires are far more immediately dangerous than changelings, but changelings have so many wonderful little tricks up their sleeve, especially against people who are careless with their battle banter.  (But I’ll be real, I hardly know a thing about Vampire: The Requiem--I’m much more familiar with Masquerade.  This version of the story mostly exists because I’m a Shigaraki/Re-Destro shipper and I am not immune to adventures in sexy blooddrinking.) 
THE WIDE WORLD OF DARKNESS
There are many other spins one could put on various MHA characters that would be fun to explore.  I kept all the relevant characters fae (or Fae) because if I started thinking about all the things the characters could be, I would actually never stop--and anyway, I’m more familiar with Old World of Darkness meta than I am New World of Darkness.  A lot of the ideas were still fun, though, so for your perusal, here are some of the ones I came up with:
The Shie Hassaikai is an extremist Hunter cell dedicated to weeding out supernatural creatures of all sorts.
Ujiko is a wildly amoral retired Hunter running a mad scientist lab funded by dubiously sourced money from his fae patron, as long as he’s spending a requisite amount of time per month working on AFO’s projects.
There exists a Sin-Eater and his resident Geist who have become so tangled in each other that they no longer retain separate identities, and are now merely “Kurogiri.”  
Kurogiri is a changeling.  Yamada Hizashi is a Sin Eater.  Aizawa Shouta is a Hunter, and he and Hizashi both are trying to dig up information on what happened to Shirakumo Oboro, but neither one of them is anywhere near getting at the truth of the matter.  (This one might actually be true for the purposes of the main Changeling!AU story.)
Midoriya Izuru is a mortal taking his first, faltering steps into the great wide world.  He’s had no durance, no first change, no sire, no awakening--he’s just a young man who stumbles across a secret and has to decide what to do with it.
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drawinggoose · 7 years
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Some HP ramblings.
Recently I’ve been thinking a lot about my feelings concerning Harry Potter universe - namely books, film adaptations and one of the new additions to the franchise, The Cursed Child. All those thoughts has literally created an abysmal whirlpool of very mixed emotions, so I thought it may be helpful to write it all down. Let’s fasten seatbelts, have some nice, warm cocoa and start.
When I was younger I loved the films. I adored them almost as much as I adored the books. When every new adaptation had it’s premiere I was there, in the middle of the night, away from home and surrounded by countless strangers, but I didn’t mind - even when normally that would be a pure nightmare for me - because I was so hyped for the new ride. The possibility of seeing your beloved characters on the screen was pure bliss. But later something changed. The more I re-read the books and more I re-watched the films, the more disillusioned I was. Nowadays I cannot even bring myself to watch the movies again (while I regularly go back to the novels). 
The most grievious sin for me was changing the personalities of the large part of the cast. I mean... Really large. I think it would be easier to count those who were left mostly intact: Hagrid, Mrs. Weasley, Draco Malfoy maybe the Twins... And a couple of others. The rest was altered, from little changes here and there, to complete annihilation of the original personalities. My great dislike of Filmatrix (Helena Bonham Carter’s take on Bellatrix) is quite obvious for those who follow my posts, but there are others. Poor Ron - what did happen to him? Castrated and robbed of his great lines, and memorable scenes, all in favour of Hermione, originally wonderfully flawed and realistic character, who in the films has become the Wondergirl of the HP cinematic universe. Seriously, it was so bloody obvious, no subtlety at all. Movie!Ginny suffered from similar treatment as her brother, becoming meek and quiet. I’m not even talking about Dumbledore from the 3rd film onwards... And yes, I think that even fan favourite, Alan Rickman wasn’t the same Snape from the books.  I’m sure it is not solely the fault of the actors. In my opinion it was rather a result of several factors: directors’s decisions, Steve Kloves’ writing and actors’s personal interpretations of their characters (*cough*, HBC, *cough*). Of course there were many more problems, like the infamous Burrow fire scene (seriously!?), but I think the characters suffered the most.
Now, where does The Cursed Child fits in? There are several ways it links to the previous topic. Firstly - I think it’s quite curious how plenty of people hate it passionately, while at the same time many, many Potter fans not only are OK with the films, but even view the universe exactly how it was presented on the screen, not how it was described in the books. Potterheads will rant endlessly about CC’s inconsistencies and divergence from canon, but also 80/90% of the fanbase see Bellatrix Lestrange as sexy, corset-clad, childish, rat-nest-haired caricature.
Secondly - I’m quite surprised with myself, that I ended up as a firm spokesman for the CC. Those who follow my blog can confirm that I often defended it against the waves of criticism. Why does it surprise me? Because CC suffers from similar problems as the films do. Ron character seems like a movie-born comic relief, the rumor about Scorpius is simply ridiculous, there is too much messing with the time travel, Cedric is suddenly a Death Eater, Ron and Hermione have seemingly lost Hugo, because he’s nowhere to be seen, there is almost no information about the Big Bad, the Augurey... Yeah, I have some issues with this play. So why do I defend it in the first place? I guess, because it is currently “The Unfavorite” of the HP fandom; I’ve always had a thing for those types. There are also pleasant aspects of this story: Ginny/Harry and Ron/Hermione are as loving and supporting of each other as ever. Scorpius and Albus’ relationship is simply too cute. McGonagall is still badass and I really like the concept of Delphi (yes, I think it IS a nice plot twist). Sure her character was not fleshed enough, and by the end of the play some may view her as a general oh-so-evil villain, but I think there is more to her than that - it can be seen in her scene with “Voldemort”.
Anyway, thank you to all who decided to read this lengthy, badly written rant. I really should start doing something a little more productive.
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