#beautyspock icons | Explore Tumblr Posts and Blogs

harrysfolklore · 1 year

Note

frances (beautyspock) as face claim for harryween blurb!!! shes just chefs kiss on costumes and makeup

HAPPY HARRYWEEN ! i really hope you like this blurb, i really liked how it turned out <3

ask me anything | masterlist | likes and reblogs are appreciated ! | send me a tip <3

liked by harrystyles, haileybieber and 246,985 others

yourinstagram but is los angeles ready for us?

view all 32,962 comments

harryfan1 LETS GOOOO

paulithepsm They better be

harryfan2 she’s the most iconic person on harry’s team and the fact that she’s also his gf ?? more iconic

harrystyles Why don’t you do that makeup on me?

↳ yourinstagram well if that’s what you want…

↳ harryfan3 YES PLEASE

liked by yourinstagram, jefezoff and 154,848 others

pillowpersonpp Los Angeles night one 🤘🏻 makeup by @yourinstagram ❤️

view all 10,023 comments

harryfan1 legends

yourinstagram i love youuuu

yourinstagram pretty girls

↳ harrystyles Am i a pretty girl too? x

↳ yourinstagram prettiest of them all

↳ harryfan2 I LOVE THEM SO MUCH

liked by yourinstagram, lizzobeeating and 2,069,947 others

harrystyles Love On Tour. Los Angeles I. October, 2022.

view all 76,826 comments

harryfan1 MY BABYYYY

lizzobeeating ❤️

harryfan2 i can’t wait for harryween

yourinstagram who’s that

yourinstagram is he single

↳ harrystyles He’s taken by a gorgeous woman x

↳ yourinstagram lucky gal 😩

↳ harryfan3 they’re the best couple ever i swear

liked by harrystyles, sza and 376,826 others

yourinstagram dorothy and the wicked witch for last year’s harryween. who’s ready to go again this year?

view all 35,937 comments

harryfan1 this was so iconic they blew my mind

jefezoff I want to be Dorothy this time

↳ yourinstagram okay boss

↳ harrystyles I’m your boss

↳ yourinstagram nope, you’re just my side chick

↳ harryfan2 name a more iconic couple i’ll wait

annetwist Have fun, kids ❤️

liked by yourinstagram, jefezoff and 969,053 others

hshq Harryween 2022. Los Angeles. October 31st. Can’t wait to see your fancy dress.

view all 15,972 comments

harryfan1 SO FUCKING EXCITED

harryfan2 bestie i know you love us pleaseeee give us a hint of the costumes

↳ yourinstagram 🎸🏍

↳ harryfan3 OH MY GODDD

YN’S INSTAGRAM STORIES

liked by harryfan1, harryfan2 and 2,937 others

harryupdates “We need to give a big shoutout to my talented makeup and hair artist, who also happens to be my gorgeous girlfriend, she helped me with this wig, i wouldn’t be looking as fabulous as i do right now if it wasn’t for her, so thank you darling” -Harry thanking YN tonight !

view all 1,075 comments

harryfan1 GOD BLESS YN

harryfan2 we really need to thank yn for her service

harryfan3 THIS COSTUME IS SO SLAY

harryfan4 YN IS DRESSED UP AS SANDY !!!!

liked by harrystyles, bellahadid and 402,926 others

yourinstagram The Sandy to his Danny x

view all 37,937 comments

harryfan1 A COMPLETE SLAY

annetwist The best out there 🙌🏻

harryfan2 they always come through with the matching costumes

harrystyles You’re the one that I want x

↳ yourinstagram you’re hopelessly devoted to me wbk

↳ harryfan3 I LOVE THEM SO MUCH

liked by yourinstagram, lizzobeeating and 2,927,873 others

harrystyles HARRYWEEN. Los Angeles. October, 2022.

view all 87,726 comments

harryfan1 ICONIC

jefezoff 🙌🏻🙌🏻

harryfan2 yn really did a great job with the makeup and wigs

yourinstagram my besties 🥺🥺❤️

↳ harrystyles Friendzoned. Ouch.

↳ harryfan3 HARRY STOP IT

taglist: @cucciolafaerie @eleanordaisy @sunflowersndpeaches @golden-hoax x @alienorknight @daydreamingofmatilda @sunflowervolume66 @vanteguccir @ivyproblems @ayeshathestyles @stylesmygucci @gimsaysay @rosaliedepp @dontworrysunflower r @milfrrynation @manifestrry @iceebabies @harrystylesrecs s @pleasingrryyy @harianaswhore @leadmetogarden n @abeanontoast @grapejuice-rry @vrittivsanghavi @msolbesg @tati813 @sad1esgf @ivegotparticulartaste @eviesaurusrex @olivialovesh @itsgabbysblog @theekyliepage @gumballavocadoharry @watermelonsugacry @be-with-me-so-happily @a-strange-familiar @reveriehs @musicforcinemas @rafeyyyyy @tinydeskwriter @noooovaaaaa @tenaciousperfectionunknown n @mxltifxnd0m @rach2602 @balletdancerry @b-reads-things @juiceboxrry

#harry styles fake instagram #harry styles imagine #harry styles fluff #harry styles fanfiction #harry styles x reader #harry styles x you #harry styles blurb #harry styles one shot #harry styles au #harry styles instagram concept #harry styles fake social media #harrysfolklore #harrryween #harry styles headcanon #harry styles fic #harry styles story #harry styles writing #1k #hsfolklore archive

1K notes · View notes

natalieandalanna-blog · 1 year

Text

Natalie & Alanna leopard maxi dress + pink hand knit mohair cardi & skirt featured in “Houses to Home” for F Word Magazine 💗

CREATIVE PRODUCER + STYLING BIANCA NICOLE - PHOTOGRAPHY JAMIE NOISE - MUA + MODEL FRANCES O'SULLIVAN - HAIR ROY HAYWARD - STYLING ASSISTANT JASMINE DUNNE LOCATION MUSEUM OF THE HOME

F WORD's fashion editor, Bianca Nicole joins forces with Jamie Noise (photography) and beauty icon Frances O'Sullivan (AKA Beautyspock) to bring an insight into the life of a bored housewife. Set in the Museum of Home's captivating rooms, these walls go on to narrate our protagonist's story as you watch her, and the homes, change over the years.

Noises' cinematic take to photography, paired with Nicoles' love for vintage styling, mixed with a universal love for storytelling makes this an editorial we won't be getting bored of anytime soon. Hair by Roy Hayward and styling assisting by Jasmine Dunne.

#Fword magazine #natalie and alanna #beautyspock #museum of the home

14 notes · View notes

moongirlicons · 1 year

Text

—frances o'sullivan(beautyspock)icons

> 𝗅𝗂𝗄𝖾 𝗂𝖿 𝗒𝗈𝗎 𝗌𝖺𝗏𝖾 𝗈𝗋 𝗎𝗌𝖾!

14 notes · View notes

iconsoft · 3 years

Text

frances (beautyspock) icons.

please, like and reblog if you save.

26 notes · View notes

astroicons · 3 years

Photo

please don’t repost. like/reblog if you save any of these icons.

por favor no los re-publiques, like/reblog si guardas alguno de estos icons.

#barbie ferreira #icons #icons with psd #Site model icons #girls icons #icons with filter #bridget rose satterlee #bridget satterlee icons #beautyspock icons #female icons #twitter icons #twitter layout #site models

21 notes · View notes

parasiteicons · 4 years

Text

icons

please like or reblog if you use or save

51 notes · View notes

bookverses · 4 years

Text

frances icons

✰ remember to like and share, and don't forget the credits! credits on twitter: @quatresclub.

#girl icons #girls #curlyhair #psd icons #icons with psd #twitter icons #site models #icons site girls #site model icons #site model tumblr #frances icons #beautyspock icons #beautyspock #quatresclub #quatresclub icons #psd #soft psd #psd icons twitter #girl psd icons

21 notes · View notes

onlyangelstuff · 5 years

Text

like if you save

#models icons #girls icons #iris law #iris law icons #sahar luna #sahar luna icons #beautyspock #models #random girls icons #ig models

134 notes · View notes

genuineviolence · 3 years

Text

FRANCES O’SULLIVAN GIF ICON PACK!

by clicking the source link you will be redirected to #99 gif icons of frances o’sullivan AKA beautyspock. please like or reblog if you use and credit! do not put in gif hunts.

warnings for eating.

#frances o'sullivan #beautyspock #model fc #underused fc #gifpacknetwork #*

50 notes · View notes

amphtaminedreams · 4 years

Text

Paris Haute Couture Week S/S 2020 Plus a Little Jacquemus: Okay, Dior DID Suck (Part 1/2)

Hi to anyone reading,

Oh my god. I completely forgot there was also 2 haute couture weeks. I FEEL SO OVERWHELMED. Here I was getting all geared up for the F/W 2020 shows and suddenly it’s Jean Paul Gaultier’s last show and everybody’s (predictably) buzzing about the Jacquemus collection. I can’t keep up. But Haute Couture week is a lot less intense than the RTW shows so I suppose I should be enjoying this relative peace whilst I can.

I remember my last post about Haute Couture week opened with me defending Maria Grazia from the wrath of the internet; if Jacquemus is social media’s Lord and Saviour, this woman is the Antichrist. She’s Michael Langdon minus the dramatic flair. But the thing is, I genuinely really liked the Dior collection last time. Maybe because I was newer to the discipline of scouring Vogue Runway, but the lack of originality didn’t bother me; it was still something I’d die to wear, gothic yet delicate and relevant for 2019.

That being said, this time round, I have to open by doing the exact opposite and concurring: this time round, Dior was in fact, utter shit.

I feel mean saying it but...really? These were the slightly more salvageable outfits and my favourite of the bunch, and to be honest they don’t really capture the full extent of how outdated this collection was to me. I know that the concept behind the show was this idea of the divine feminine but Greek Goddess has been done SO many times. If you’re gonna go down that route, you have to bring something new, elevate it in some way. It can’t be THIS generic.

I can’t believe that in 2020 we’re really seeing plaited hairbands. The individual dresses are basic, but not so much the problem as the styling; they look like outfits I would’ve put together back in 2012. That’s not an exaggeration. I think even 2013 me would appreciate that you need to make things a little twisty.

The colour scheme is pretty, don’t get me wrong, and I like the cowl necks-the white dresses are the highlights. I think the concept of this collection was conceived with all the best intentions. But as a designer you need to take risks and I don’t see one single risk here; there isn’t anything that wouldn’t already be sold in your local H&M. Dior is such an established brand, Maria Grazia has room to do whatever she wants. And yet it just comes across like she’s out of ideas.

You’ve got to look at a designer like Ulyana Sergeenko:

When I say elevated (but still in the vein of wearable), I mean something like this. To be completely honest, I hadn’t heard of Ulyana Sergeenko until I saw shots of this show on Twitter. But what a perfect mix of kitsch and glamour. The influences are clear: Priscilla Presley, Barbie, Jackie O, Valley of the Dolls, the rich stay-at-home wife of the 60s, the Alessandra Rich/Scream Queens-esque sorority girl, Paris fucking Hilton. It’s exaggerated and it’s tongue in cheek with total grounds to call it trashy-there’s a corset resembling a Benjamin Franklin, ffs-but it’s all done with a wink and a nudge. And in all honesty, I just think it’s beautiful. Can you imagine Frances O’Sullivan (@Beautyspock on IG) in one of these looks? It would be worthy of the Rose McGowan cultural reset meme ten times over.

Everything is feline, from the very literal cat silhouettes and cat headed boa, to the makeup and the hair clips. It reminds me of the last RTW Ralph and Russo show but with even more attention to detail. And look at the STAGE. If this collection were a song, it’d be Disco Tits by Tove Lo. And no, I’m not just saying that because one of the dresses actually does feature a (cat shaped) disco tit. Like these are the clothes I dreamed of putting my Bratz dolls, and for null I’m sure, myself in. Absolute perfection. Plus, I’ve loved Coco Rocha since she was on The Face with Naomi Campbell; she is, after all, to thank for the iconic “check your lipstick before you come for me” line. Girl is really the martyr for all purple lipstick lovers, cut down in her prime by a pissed-off Naomi.

Onto Alexandre Vauthier, which I also really liked. An interesting yet effortless blend of the old and the new, the masculine and the feminine, if I could sum this collection up in one word, it would be cool. I know, it’s not the most descriptive, but it pretty much sums up how I feel; I’m not AS gassed about it as I am about Ulyana Sergeenko or this season’s Elie Saab (wait for it), but it’s a fresh offering, even if the styles aren’t the most groundbreaking. Stand outs for me are the almost petticoat like, debutante dresses which have Elle Fanning’s name written all over them.

I was hard pressed to find favourites in the Armani Privé collection if I’m honest. I’m not saying it was awful, all I know is that it just isn’t my style. It’s all a bit TOO tailored for my liking, and kinda reminds me of the Zara pantsuits my Spanish teacher used to wear. In other words, I find it to be a bit dowdy. On a positive note, the colours, fabrics, and beading are all stunning, so I see that a lot of craftsmanship clearly went into it; I think my biggest issue is the styling and the shapes (or lack of) on show. I’m very much getting a 20s, flapper vibe and whilst that’s an era that fascinates me and that I appreciate was cutting-edge at the time, I’ve yet to see it be bought into the 21st century in a way that doesn’t look stiff or costume-y.

Then there’s Azzaro. At the complete opposite end of the scale to Armani, it doesn’t look expensive, which I’m sure isn’t something any designer previewing their collection at haute couture week is striving for. BUT that being said, I’d be much more likely to wear something from this collection than I would from Armani Privé. I mean, I have no shot at ever wearing either but ya get me.

Whilst I’m sure it or something similar has been done before, the mesh diamanté dress is exquisite and I’m a huge fan of the stacked gem chokers and belts. The whole collection looks like something a London socialite who parties by night but (deep breath in) plays in a shitty band so fancies herself a bit of a rockstar by day would wear (exhale) and as much as that doesn’t sound like a compliment, I mean it as one. I’m talking about the kind of person you’d see smoking outside a bar and think “I wish I was them but I am potato lol”. I mean, as far as faux fur and fedoras are concerned, I’m gonna find it hard to completely slate a collection so this is pretty up my alley.

Chanel was a huge step up from their last RTW collection, imo, and probably on par with their last haute couture offering. It’s that same blend of preppy Chanel detailing (i.e the exaggerated collars, the checks and the lace) and practicality, only even more austere this time round.

It’s funny because when I looked back on original notes on this collection, before I’d even done any research into the context, I saw that one of the things I’d written was “giving me Victorian orphanage madame” as well as “something something Amish” and I wasn’t THAT far off base. The collection is, after all, supposed to be a tribute to the nuns who raised Coco Chanel at the beginning of the century in an Abbey-cum-orphanage. This makes me really happy; I know not everyone’s a fan of Virginie Viard’s nods back to the past and the brand’s origins but as a history nerd, I definitely am.

There’s also definitely a lot of things that can be translated into high street trends here: the combination of decorative white socks and black shoes is something I’ve seen making a comeback already, tulle is always a winner (I actually don’t mind it as an overlay, I think it’s pretty, sue me) and I have no doubt we’ll be seeing these dramatic collars creeping back onto tops and jumpers throughout the year. It’s been a while since they were a thing anyway and we all know how cyclical fashion is.

Another high note for Elie Saab this haute couture season; if I was an expressive person, I probably would’ve audibly gasped as I looked through this collection. It is SO FUCKING MAGNIFICENT. The colour scheme, the baroque prints, the floral sequinned embroidery, these are Cinderella style ballgowns taken to the next level. Elie Saab really is the definition of opulence and I’m not at all mad about it. Please, somebody put Lana Del Rey in one of these, PLEASE. Remind her how much of a princess she is and get her out of those “soccer mom” looks.

I’m so stuck between this collection and Ulyana Sergeenko as my favourite, and the latter might just pip the other to the post, purely because of the staging and extravagance of the presentation itself.

Georges Hobeika was predictably phenomenal. Like, I’m not going to lie, I am easily won over by some sequins and tulle, I’ve never claimed any different, and if you can expect that from anyone, it’s this guy (ignore that phrasing making me sound like his proud mother). The colour scheme is very spring appropriate and so is the 3D flower detailing, and if there’s anything good to take from Ascot and English royal weddings, Georges Hobeika knows it’s the hats.

It was another strong year for Givenchy too:

Though Claire Waight Keller is also fond of the extravagant details along the lines of feather and tulle, it’s always done in a more organic way; the details are always more reminiscent of nature, something created by accident, than they are suggestive of painstaking attention to detail, the image of someone hunched over a dress beading for hours on end à la Georges Hobeika or Elie Saab. That is not a bad thing at all; if anything, it makes Givenchy more interesting to study and gives you more to think about. Sometimes a dress takes you a bit longer to fully appreciate, but I’d say that only lends to its memorability. This year’s willowy, billowing, and at times coral-esque structures remind me of something I can see being worn down an Iris Van Herpen runway, set apart by that delicate Givenchy finesse. And side not: I know this post is to talk about the clothes, not the models, but I got super excited over seeing Sora Choi and Adut Akech walk too.

Guo Pei is always fun to look at. I mean, this collection is giving me half Matryoshka dolls, half It’s A Small World Christmas edition and I can’t hate on that.

And then there’s Iris Van Herpen, who knocked it out of the park once again. At this point, I wouldn’t expect anything less. Every outfit looks like something that could be exhibited in the Tate Modern (I know, it’s a basic opinion, but it’s true: TATE MODERN IS THE BEST MUSEUM IN LONDON), or honestly, the Design Museum, just for the genius that must go into the way these dresses move. Honestly, if I can see a goddess wearing anything, it’s more one of these looks than anything in the Dior collection. Like wife of Poseidon or something; I know it’s not very feminist of me to not know the Greek Goddess of the sea’s name but I only know who Poseidon is because I was a Percy Jackson fan back in the day so let me live.

It’s not like the whole under-the-sea theme is particularly new, Zimmerman did something similar last RTW (I think? Correct me if I’m wrong), but these constructions could’ve grown out of the sea bed themselves, which is more of an original take than “oo, blue and white and frothy hemlines!”. Additionally, we’ve got these dresses with the overlapping almost plaited fabric that are-we’re sticking with the goddess references here-fit for Persephone ruling over hell. As for the Grudge-looking dress (fourth down, far left), I could be reaching, but is anyone else seeing that as a nod to the oil spills polluting our oceans? Because that would just add yet another layer to this collection.

Regardless, it’s all impeccable and I’m in love. Iris Van Herpen as a MET Gala theme. Make it happen.

Anyway, to end on a high note, that’s it for this post!

Sorry it’s such a sudden cut-off but Jean Paul Gaultier was due to be my second to last to review and due to it being the final show, there’s an onslaught of photos that would not fit with what’s already in this post. Plus, I’d rather start a post with Jacquemus then end it as I feel like there’s a lot of hype around his collections online right now so 1). it’s clickbait (for what, I do not know, as I’m not exactly making any money off this blog, just losing my sanity as it transpires when Tumblr accidentally terminated it earlier today and I had a minor breakdown) and 2). this Steve Buscemi meme is the most accurate representation of only 21 year old me to grace the internet:

I will aim to post part 2/2 in the next week, including JPG, as I just mentioned, the Jacquemus co-ed show, Margiela, Valentino and more, and as always, thank you for anyone who read until the end! You are an angel:-)

Lauren x

744 notes · View notes

barrowedits · 3 years

Photo

─ random icons

› like/reblog if you save or use

84 notes · View notes

robertshugartca · 5 years

Text

Before Frances O’Sullivan was known as Beauty Spock , the...

Using everything from children’s face paint to MAC lipstick, Frances would take inspiration from art, architecture, fashion, and movie characters to create murals or pinup-esque characters on her porcelain complexion, completing her one-of-a-kind looks with costumes and wigs. She shared these on Instagram under the @beautyspock handle. Two years ago, a few posts of Frances using makeup to transform into different iconic celebrities (Angelina Jolie , Bella Hadid , Audrey Hepburn ) went viral, leading her to a feature in Vogue and deals with beauty brands like Nails Inc and Vanity Planet. More eyes continue to flock to her mesmerizing account every day.

We got a chance to peer into Frances’s creative process as she created three original makeup looks inspired by fashion week. Frances based the following masterpieces on the S/S 19 collections from Marc Jacobs, Chanel, and Brock Collection. Keep scrolling to get a peek inside the spellbinding mind (and process) of Beauty Spock.

How did you first develop this unique way of using makeup? I first got into body painting from seeing people do prosthetics and special effects. So that’s what I started doing. I always loved movies and wanted to work in that industry. I went to London College of Fashion and studied hair, makeup, and prosthetics. I really wanted to do gory stuff and aliens and all of that, but now I’m kind of into this new genre of makeup and fashion and body painting all mixed together. How did you build such an impressive Instagram account? It started when I did a couple of celebrity transformations with makeup and people really loved that. But I never really tried to be big on Instagram; it wasn’t something I was into when I was younger. But putting stuff up that I liked and was going to be doing by myself anyway, it just got attention. I don’t ever feel like I’m trying to do this stuff for other people. I just do what I like, and so far it seems like it works. Walk us through the process of one of your creations. Where does the inspiration first come from? I never really have something in mind for very long. Usually, I’ll just wake up and see a picture or piece of art, something random on my phone or when I’m out, and I’ll think, Oh my god. I have to do a look based on that. And I’ll just completely go for it; I’ll spend the entire day sitting in my room creating something. And then I manage to take a really glamorous picture while I’m still wearing my pajama bottoms underneath. What products do you use to create your looks? What products do you use to remove all that makeup? When it’s something really heavy, I’ll use an oil-based makeup remover. But actually, the other day, I did this look where my whole body was painted in pink and I literally couldn’t get it off with anything, so I just poured olive oil all over myself, and it got it off so well. So if I had to have one makeup remover that could get off anything, it’d be olive oil. What are your favorite makeup products to use for everyday? Do you have any advice for people just starting to get more creative with makeup? Take your inspiration straight from what you see and not someone else’s interpretation of that thing. Don’t feel like you have to stick your work in a certain genre. I first got into doing arty stuff on my face by letting go of the expectation that eye makeup is only for your eyes and lipstick is only for your lips. You just kind of have to break traditional boundaries and do something completely different.

source https://gothify1.tumblr.com/post/182775015410

0 notes

gothify1 · 5 years

Photo

Before Frances O’Sullivan was known as Beauty Spock , the Instagram account where she’s gained over 282K followers by creating enchanting, surreal, almost-costumey makeup looks, she was just a girl from Britain who loved movies. “I really liked special effects,” she says. “So I got into face painting and body painting. I did loads of art when I was younger.” Becoming an influencer never crossed Frances’s mind, so when it came time to choose a career, she decided to channel her eclectic creative pursuits into something a little more employable: makeup artistry. But on the side, she continued experimenting. “I started to mix my love of art, photography, fashion, and makeup all into one and started doing it on my face,” she explains. Using everything from children’s face paint to MAC lipstick, Frances would take inspiration from art, architecture, fashion, and movie characters to create murals or pinup-esque characters on her porcelain complexion, completing her one-of-a-kind looks with costumes and wigs. She shared these on Instagram under the @beautyspock handle. Two years ago, a few posts of Frances using makeup to transform into different iconic celebrities (Angelina Jolie , Bella Hadid , Audrey Hepburn ) went viral, leading her to a feature in Vogue and deals with beauty brands like Nails Inc and Vanity Planet. More eyes continue to flock to her mesmerizing account every day. We got a chance to peer into Frances’s creative process as she created three original makeup looks inspired by fashion week. Frances based the following masterpieces on the S/S 19 collections from Marc Jacobs, Chanel, and Brock Collection. Keep scrolling to get a peek inside the spellbinding mind (and process) of Beauty Spock. How did you first develop this unique way of using makeup? I first got into body painting from seeing people do prosthetics and special effects. So that's what I started doing. I always loved movies and wanted to work in that industry. I went to London College of Fashion and studied hair, makeup, and prosthetics. I really wanted to do gory stuff and aliens and all of that, but now I'm kind of into this new genre of makeup and fashion and body painting all mixed together. How did you build such an impressive Instagram account? It started when I did a couple of celebrity transformations with makeup and people really loved that. But I never really tried to be big on Instagram; it wasn't something I was into when I was younger. But putting stuff up that I liked and was going to be doing by myself anyway, it just got attention. I don't ever feel like I'm trying to do this stuff for other people. I just do what I like, and so far it seems like it works. Walk us through the process of one of your creations. Where does the inspiration first come from? I never really have something in mind for very long. Usually, I'll just wake up and see a picture or piece of art, something random on my phone or when I'm out, and I'll think, Oh my god. I have to do a look based on that. And I'll just completely go for it; I'll spend the entire day sitting in my room creating something. And then I manage to take a really glamorous picture while I'm still wearing my pajama bottoms underneath. What products do you use to create your looks? What products do you use to remove all that makeup? When it's something really heavy, I'll use an oil-based makeup remover. But actually, the other day, I did this look where my whole body was painted in pink and I literally couldn't get it off with anything, so I just poured olive oil all over myself, and it got it off so well. So if I had to have one makeup remover that could get off anything, it'd be olive oil. What are your favorite makeup products to use for everyday? Do you have any advice for people just starting to get more creative with makeup? Take your inspiration straight from what you see and not someone else's interpretation of that thing. Don't feel like you have to stick your work in a certain genre. I first got into doing arty stuff on my face by letting go of the expectation that eye makeup is only for your eyes and lipstick is only for your lips. You just kind of have to break traditional boundaries and do something completely different.

0 notes