Tumgik
#because i grew up.
silvermoon424 · 5 months
Text
This is a subject that really interests me because I (28 years old) had computer classes in grade school where learning how to efficiently type was a big focus. As a result I have a very high WPM (words per minute) count and am an excellent touch typer.
However, I've heard that they started phasing out computer classes in a lot of schools because it's assumed that kids/teenagers already know how to use a computer in this day and age. But smartphones are more popular than computers now, and as result a lot of Gen Z/Gen Alpha kids are able to text very quickly but their typing skills aren't as good.
16K notes · View notes
inkskinned · 10 months
Text
at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
18K notes · View notes
asternautica · 10 months
Text
.
0 notes
silverliing · 11 months
Text
Tumblr media Tumblr media
“If byler were both girls nobody wou-“ yes they would! as someone who grew up sapphic I would love them even more!
@rainyydazze Ty for putting this in my brain
3K notes · View notes
autoraton · 8 months
Text
Tumblr media
same as it never was.
Tumblr media Tumblr media
1K notes · View notes
soaqrudyz · 29 days
Text
i like to think another reason soap and ghost trusted each other so quickly is because they could smell the low income upbringing on each other.
ghost was a slum kid through and through, with shoes that felt perpetually too large and cigarette holes through his hand-me-down jackets. if his mum didn’t have time to cook, or if her hands shook too violently to handle silverware, he was the one to scrape together enough passable nutrients to feed tommy, and some nights himself. he was born into back alley business and when his time came, if the worms didn’t get him, the stray cats could feast on his carcass for the next two generations.
soap grew up in a full house. when his da left with that droopy-eyed, pale sack of infections he deemed more important than his wife of seven years and their five children, his mum and older sister were the sole providers in his life. he learned very early on to make do with what he had unless he couldn’t, splitting funds for so many people, along with bills and groceries and clothes and school supplies, was an enormous task that he couldn’t very well make more difficult like the rest of his sisters seemed to want to with a clean conscience.
they both see it instantly — soap, the way ghost refused to ask for anything; and ghost, the way soap only asked for the cheapest, weakest, most useless version of what he needed, still with a guilty bite to his bottom lip. the way they both (metaphorically) lick their plates clean, afraid to waste a single crumb; the way each of them preferred to mend instead of simply buying something new like gaz; the way they both opt for one practical and one frivolous gift each holiday for both useage and enjoyment.
it’s easy to relate to the anxious pinch of eyebrows at the till when you’ve been too involved in financial discussions your whole life, and even easier to remind each other that money wasn’t a problem anymore. soap could remind ghost that he didn’t have to conserve anymore, and ghost could remind soap that he didn’t have to buy scratchy clothes or food brands he didn’t like just because they were cheaper.
and even if ghost didn’t want to ask for something he wanted, soap would get it anyway. and even if soap made a fuss of how much they threw in their cart, ghost would throw more in anyway.
because they can. because no matter their financial worry, they have someone who will understand and make everything feel okay again.
628 notes · View notes
hobbitsetal · 3 months
Text
theology of gentle parenting
My mother believes tantrums are inherently sinful, wrong expressions of will. I cannot agree. Not least because Original Sin is an Augustinian notion, but also because I look at my son, losing his little mind because I denied him a fourth treat.
He has no concept of right and wrong. He knows only "want" and "don't have." He experiences disappointment, yet without the grownup capacity to rationalize and accept. He screamed because I took a bath too hot for his little body, and because he was tired and cranky.
Say it is sinful. Say he is doing wrong. Surely grace becomes so much more imperative? He has no concept of right and wrong. He knows only the strong emotions of the moment, and he is distracted in the next by his toys. Or we take a timeout and help him calm, teach him to soothe those emotions.
But why is it sinful? He has these Big Emotions and no words to put them in. Are not emotions from God? Is it sinful to feel disappointed? Or angry? The proverb says "be angry, and do not sin." Is not the anger accepted, then? Are we condemned for emotion?
I cannot accept that. I cannot believe in a God Who forms us a certain way and then damns us for acting as we're formed. I cannot accept such injustice. So I will show my son grace and gentleness. Is that not divine? And even if I am wrong, if it's sin after all, is not forgiveness, compassion, Love the essence of the Divine?
719 notes · View notes
alovember · 10 days
Text
Tumblr media
Siblings!! the epitome of "ur the most irritating person I know and I'd reluctantly do anything for you"
422 notes · View notes
halfghostwriter · 1 year
Text
When a true baby ghost is born— a ghost not born of dying, but rather through the desire of another ghost— they are little more than a core with wispy ectoplasm emanating from them for about a month. During said month, they take on influence from their surroundings in order to figure out the form they’ll take, hence why so many young ghosts look like their parents.
Because they aren’t fully formed until a month after their birth, the parent or parents will take on a far more aggressive, primal form in order to protect their child. The parent’s form will become incredibly monstrous, and their size will increase, with triple their normal size being most common among parents. Their mental state also becomes incredibly instinctual, higher intelligence temporarily being replaced by aggression towards anyone the ghost doesn’t consider family. They stay in this state until the baby is fully formed.
Of course, Danny “don’t worry about it” Phantom forgets to add this bit of trivia to his explanation to his fellow heroes as to why he was taking paternity leave. In his defense, he didn’t expect them to visit during that month.
And he definitely didn’t expect his brooding brain to latch onto most everyone who visited as “part of his brood.”
4K notes · View notes
lorillee · 1 year
Text
yada yada yada please rb for a wider sample size because i am actually VERY curious
4K notes · View notes
nedlittle · 1 year
Text
so i work for a small regional museum. remotely, i should add. the museum itself is about 2000km west, so i've never actually been there but i research and write articles about local history for them. and because the town was only formally settled in the 1920s and a lot of the museum's supporters are older, the majority of the history i write about is within, or just outside of living memory. this means that people will comment on our posts with memories or connections of their own. they'll tag their friends and family and say 'remember this?'
a few week ago, i wrote a week's worth of posts about immigration, largely displaced persons in the aftermath of the second world war. there was an outpouring of memories and people tagging their family members and sharing them. our notifications were blowing up with people saying "thanks for writing about my uncle" and "i knew them when i was young, but i never knew their story" and "she looks so beautiful here" and "our families used to get together for dinners, i'm still friends with his daughter."
regular people, non-historians, are inclined to think of history as a monolithic past leading up to the present; an easy timeline of textbook names and events. and we think of museums largely the same way. you have the louvre and you have the smithsonian and maybe a modern art museum or a niche museum for skeletons or canoes or one specific guy. museums are reserved for the big things, but they're also for the little things and people that will never be in textbooks.
and i'm thinking about the way people responded to those posts, seeing their own history remembered with the same reverence as the big stuff. maybe you never knew the people being written about, or maybe you did, and for a few days, they are alive again, and your neighbours and your classmates and your councilmen are remembering your family, and they are alive.
4K notes · View notes
ruporas · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#but onto this comic... i think and talk a LOT about vash's loneliness bc trigun is just. kind of central on that for a good while! esp in#the original manga he was alone for a good portion of it and he tends to keep others away like how he ran away from meryl and milly when#they tried to tag along. and he was kind of bothered when he realized ww was following him around Too. at the core even though he loves#humans and he loves deeply the people he does know -- he isnt really much of a people person and i think thats been the case since he was#young considering his initial doubts towards humans... with the exception of kids bc kids dont give him moral conflicts. so suddenly#here comes wolfwood!!! his guide. someone TRULY affixed to him until he has to get to knives. someone who isnt budging and someone whos#really good at following him around and even seems like he goes like 5 steps ahead to make sure vash doesnt run on him#in one way its - i don't want you to follow me bc i don't want to burden you and i don't want you to kill the people i want to save.#in another way its - i like this companionship. i like waking up to you and i like ending the way with you. i like talking to someone who#knows my world. i like being in your space and sometimes i enjoy talking about our day#theyre just living together. like. roadtrip buddies or theyre also under the same roof because they're going everywhere together.#trimax they mainly spend their mornings together and if they had personal business attend the other person would usually know and itd only#be during the midday. anyway bc of this kind of companionship i figure that vash eventually grew accustom to it and he really. cant go back#to the kind of loneliness from before. it's harder to imagine and it'd be harder to withstand. esp after 2 years with lina and her grandma.#ruporas art
3K notes · View notes
floating--goblin · 2 months
Text
you know what hill i'll die on? terzo is not the sluttiest emeritus
I mean sure, he's the most dramatic and the most outspoken about sex, and he gave us Mummy Dust which is its own discussion-- but I sincerely don't see him, in his private life, being so promiscuous. Like out of all of them, I'm the most certain Terzo would be either monogamous or have a few regular partners at most, but I don't think he'd be big on casual flings. Frankly I don't even see him having sex that much at this point, he seems more attached to it as a concept than an actual activity he regularly engages in.
You know who's the inverse of that, though? The one Tobias himself calls a pervert? Secondo. There's your whore. I know he looks big and mean and authoritary but let's be honest, half of Infestissumam is about ritual sex and he's out in Vegas on the regular with more women than he can reliably satisfy. He says it himself that he became Papa because "he likes a sexy beat". THERE'S THE EMERITUS WHORE, AND I'M CERTAIN OF IT
413 notes · View notes
camelspit · 2 months
Text
im not and wont ever be upset about the series never ending <3 i hope we're stuck together forever and ever and my mutuals will never leave me. its not hell if im in it with you.
403 notes · View notes
loungemermaid · 10 months
Text
Thinking again about how Peeta gets sick from the train food, that it’s too rich for him, that he lived on stale and burnt bread, that he might have had materially enough food but not the right kinds. Thinking about how malnutrition is a spectrum, and food insecurity looks different in different households. That yes, he might not be one missed meal from starving to death, but that his teeth are probably weak. His mouth probably breaks out in ulcers when he eats fresh fruit. That he probably snuck down to the bakery when he was hungry and all there was were spoonfuls of sugar or jam. Maybe he had to take cake scraps to school for lunch, and how awful that would be, because it looks so luxurious but it’s not. How he probably loved when his dad bought one of Katniss’s squirrels because it was so fresh and alive, so unstale. Thinking a lot about food insecurity.
2K notes · View notes
Text
okay so steph is definitely a music purist?
we can all agree on that right? like she's a 'said she was born in the wrong generation in middle school' fleetwood mac, david bowie, the mamas & the papas, niche modern indie artists and also chappell roan kind of music listener. obviously. but.... i dont think we've really considered pete's music taste?
pete, who is a science, left-brained kind of kid, so he probably does not actively go out to look for music and is instead just provided music by the people around him?
pete whose older brother is theodore spankoffski and so his earliest and most fond and nostalgic music influences from his childhood would have come directly from ted's cd collection???
basically what im saying is peter spankoffski has the most trashy, early 00's ke$ha, black eyed peas my humps era, all american rejects ass music taste in the world
that boy had bowling for soup's 1985 memorized at age four, his guilty pleasure music is hollywood undead's everywhere i go, ted did his first decent person move in years when pete came out as trans as a kid and stopped listening to grow a pear by ke$ha and pete forcibly made him play it because it's a bop
and then his only friends are a weeb and a theatre kid.
steph gives him the aux cord on a date to be nice, as a sign of trust, and is blasted in the face with the most uncurated mess of j-pop, sondheim, weezer, and like... owl city's fireflies and that's just a fact
497 notes · View notes