Tumgik
#billboard.com
klaineownsmysoul · 1 year
Text
9 notes · View notes
king-zayn · 1 year
Link
7 notes · View notes
grimmiearchive · 8 years
Text
instagram
4 March 2016
TheRealGrimmie on Instagram: We are sittin at #25 on the Billboard Charts under independent. UH. That's kind of insane. Thank you so much for this support. LETS KEEP CLIMBING
0 notes
soberscientistlife · 7 months
Text
Tumblr media
"Swift is reportedly making donations to food banks in every city that she is visiting while on her Eras Tour."
The nonprofit that helps Atlantans who need assistance with food did not specify how much Swift donated, but called it a "generous gift."
In Tampa Bay, she donated enough money to Tampa Food Bank to feed "over 125,000," according to Billboard.com. 
Billboard went on to say that Swift does this in every city that she has a concert in.
254 notes · View notes
epipeny · 1 year
Text
ARMY LETS GET VOTING
MAMA - WORLDWIDE ICON OF THE YEAR (DAESANG)
Web: 2022mama.com/vote
Spotify: (Stream Yet To Come 1x on each account, per day, on this playlist to cast a vote!)
AMERICAN MUSIC AWARDS
Discord (22 VOTES): http://discord.gg/amas
Web (22 VOTES): http://billboard.com/amasvote/
1K notes · View notes
tomorrowxtogether · 13 days
Text
Tumblr media
240418 Billboard Chart's Tweet
.@TXT_bighit lands its fifth top 10 on the #Billboard200 this week, as ‘Minisode 3: Tomorrow’ debuts at No. 3. 📈
Take a look at the group’s full history on the #Billboard200, and tap here for details: billboard.com/music/chart-be…
39 notes · View notes
aaliyahunleashed · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
ON THIS DAY Saturday, OCTOBER 27, 2001
B.R.E.A.T.H.E Breast Cancer Benefit Concert 2001
Aaliyah was scheduled to perform live on stage with three-time Grammy winner Seal at Greek Theatre, Los Angeles, California. I wonder what songs they arranged to perform together? What a duet that would have been, and for a good cause.
<< Source of details from LA Times, Billboard.com and MTV.com >>
----------
Seal had just met Aaliyah 2 weeks prior (In August 2001) when they got together to talk about which songs to perform at the event.
“You meet and touch somebody and then, two weeks later, they’re dead. I kept thinking: ‘It’s just a dream. I’m going to wake up in a bit.’ But she isn’t here,” Seal said. “It’s really sad. She was so young and with such a promising future.”
Seal would go on to perform with Stephan Jenkins (of Third Eye Blind); Jenkins told LA times that he "cried like a baby" after hearing of Aaliyah's death.
Rashad Haughton presented a $41,000 check donation (from the Aaliyah Memorial Fund) to the event prior to Seal and Jenkins taking the stage.
The money raised at this event was donated (in Aaliyah’s name) to the Revlon/UCLA Breast Center and New York’s Memorial Sloan-Kettering Cancer Center.
Performances at this event included: Crazy Town, Deftones, Jurassic 5, Lil’ Kim, Nikka Costa, Run‐D.M.C., Seal, Sugar Ray, and Third Eye Blind.
15 notes · View notes
charlottesaswiftie · 5 months
Text
Vote for Taylor in the 2023 billboard voted favorites and billboard.com!!!!
@taylorswift @taylornation
9 notes · View notes
trending-louis · 1 year
Text
Tumblr media
2022.11.22 : Holding On To Heartache and Silver Tongues are on Billboard's list of Hot Trending Songs (via Twitter)
Billboard’s Hot Trending charts (...) track global music-related trends and conversations in real-time across Twitter, viewable over either the last 24 hours or past seven days.
The highest Hot Trending Songs debut not by Wizkid belongs to Louis Tomlinson, whose “Holding On to Heartache” bows at No. 7. As previously reported, his album Faith in the Future, released Nov. 11, launches at No. 5 on the Billboard 200. (via Billboard.com)
64 notes · View notes
shefanispeculator · 26 days
Text
24 Gwen Stefani - Gwen Stefani: Just A Girl (2018-21)
Zappos Theater at Planet Hollywood, Las Vegas, NV. (now called Bakkt Theater) Gross: $28.1M Tickets: 201K Number of Shows: 57
$491,000 per show
Top 25 Grossing Concert Residencies of All Time (billboard.com)
3 notes · View notes
Text
Real Art/"Real" Art/ Real "Art"/Unreal Art/merchandising/marketing. Colection of Notes.
"A software system developed by Peter Jackson and his team, used throughout the production of the documentary series Get Back, finally opened the way for the uncoupling of John’s vocal from his piano part. As a result, the original recording could be brought to life and worked on anew with contributions from all four Beatles." — Description of the official video for "Now and Then" on The Beatles' official YouTube channel. “Our fine arts were developed, their types and uses were established, in times very different from the present, by men whose power of action upon things was insignificant in comparison with ours. But the amazing growth of our techniques, the adaptability and precision they have attained, the ideas and habits they are creating, make it a certainty that profound changes are impending in the ancient craft of the Beautiful. In all the arts there is a physical component which can no longer be considered or treated as it used to be, which cannot remain unaffected by our modern knowledge and power. For the last twenty years neither matter nor space nor time has been what it was from time immemorial. We must expect great innovations to transform the entire technique of the arts, thereby affecting artistic invention itself and perhaps even bringing about an amazing change in our very notion of art.” — Paul Valéry, PIÈCES SUR L’ART
 (...) there may be more to come, according to Jackson. He told the Sunday Times newspaper he has footage from Get Back, in which one or other of the Beatles riffs on a musical idea in the studio. He said: “We can take a performance from Get Back, separate John and George, and then have Paul and Ringo add a chorus or harmonies. You might end up with a decent song but I haven’t had conversations with Paul about that. It’s fanboy stuff, but certainly conceivable.” —Peter Jackson Reveals More Beatles Music “Is Conceivable” After Release Of ‘Final’ Song By Fab Four. Deadline.com.
"During long periods of history, the mode of human sense perception changes with humanity’s entire mode of existence. The manner in which human sense perception is organized, the medium in which it is accomplished, is determined not only by nature but by historical circumstances as well." —Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction, Thesis 3.
Tumblr media
A hologram of Ronnie James Dio will embark on a world tour, called Dio Returns," with live musicians from Dio Disciples.—Ronnie James Dio Hologram Set For World Tour, billboard.com "In the case of films, mechanical reproduction is not, as with literature and painting, an external condition for mass distribution. Mechanical reproduction is inherent in the very technique of film production. This technique not only permits in the most direct way but virtually causes mass distribution." —Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction.
"In Ruiz’ poetics, impressively hermetic but also endearingly ludic, he shows that the Hollywood doctrine, that narrative must be built around a central conflict, is nonsense. He discusses different kinds of Utopia – “images of nowhere”; how a thing can be true even though it isn’t real; declares that, even though we have explored space we have still to explore time; “films are like human beings: you look at them and they look back at you”; the unconscious secrets of photographic and video images… He advocates a Shamanic cinema that voyages to different worlds, that accounts for all varieties of experience and can preserve the mystery of the world and its hidden details, a vertiginous sense of mutating images…" —James Norton, The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema.
The spectacle cannot be understood as the abuse of a world of vision, as the prod uct of the techniques of mass d issem ination of i mages. It is, rather, a Weltanschauung which has become actual, materially translated . It is a vision of the world which has become objectified. (...) The spectacle, understood in its totality, is simultaneously the result and the project of the existing mode of prod uction. It is not a su pplement to the real world, its added d ecoration. It is the heart of the unrealism of the real society. In all its specific forms, as information or propaganda, advertisement or direct consum ption of enterta inments, the spectacle is the present model of socially dominant life. It is the omnipresent affi rmation of the cho ice already made in prod uction and its corollary consumption. The form a nd the content of the spectacle are identically the total justification of the cond it ions and the ends of the existing system. The spectacle is also the permanent presence of this justification, to the extent that it occu pies the principal part of the time lived outside of modern production. — Guy Debord, The society of the spectacle "Hence I was preoccupied by a potentiality untypical in normal film construction and film composition. Operating at the outset with such material and such occurrences, it was natural to speculate principally upon the potentialities of juxtaposition. Less attention was given to an analysis of the actual nature of the pieces juxtaposed. Such attention would not have been sufficient in itself. History has proven that such attention, directed solely to the content of single shots, led in practice to a decline of montage to a level of "special effects," "montage sequences," etc., with all the consequences this involved. What should have been the proper emphasis, what should have received the principal attention, in order that neither element would be unduly exaggerated? It was necessary to turn to that fundamental basis which equally determines both the content enclosed by. single frames and the compositional juxtaposition of these separate contents with each other, i.e., to the content of the whole, of the general and unifying needs." — Sergei Eisenstein , The Film Sense. "El hombre, funcionario jubilado, pasaba sus noches afanado en copiar un cuadro de Jerónimo Bosch. Sus copias eran varias veces más grandes que el original y sólo representaban un detalle do la imagen: sin embargo, dado que otros detalles habían sido agregados a ese detalle, la versión suya daba la impresión de ganar en exactitud. Sin tener conciencia de ello, el pintor imitaba el trabajo de aquellos copistas holandeses descritos por Henry James, quienes, como buenos artesanos que eran, agregaban ciertos detalles a fin de volver su copia más realista. De lo que se deduce que se podría concebir una pintura que, a medida que se la copia, se vuelve cada vez más realista, hasta la saturación de su potencial de realismo, y mucho más allá incluso del efecto conocido como "realismo fotográfico"" — Raúl Ruiz, Poética del Cine I
4 notes · View notes
grimmiearchive · 10 years
Text
30th May 2014
Billboard.com writes about Christina: "The third-place finisher on the sixth season of NBC’s “The Voice” returns a classic to the Hot 100, as her cover of “Can’t Help Falling in Love” debuts at No. 74 (with 72,000 sold). It’s the sixth version of the song to chart: UB40’s reggae take spent seven weeks at No. 1 in 1993; Elvis Presley’s ballad (with the Jordanaires), which brought the song to mainstream pop audiences, reached No. 2 in 1962; and versions by Corey Hart (No. 24, 1987), Al Martino (No. 51, 1970) and Andy Williams (No. 88, 1970) have also hit the Hot 100."
0 notes
dailytomlinson · 1 year
Photo
Tumblr media
juniorcitizen: big top 5 debut for Faith In The Future & Louis Tomlinson in America! https://billboard.com/music/chart-beat/taylor-swift-midnights-returns-number-one-billboard-200-third-week-1235174433/
31 notes · View notes
berlinini · 2 years
Text
Louis mentioning Arctic Monkeys during Faith in the Future promo
Euphoria Magazine interview, Sept 1 2022:
The album immediately switches it up and dives straight into “Written All Over Your Face,” an infectious indie floor-filler that we both agree is reminiscent of the first two Arctic Monkeys albums. “I’m a big fan of that sound, big fan of that energy,” Tomlinson says. “I went into the room with these people I’ve done a few sessions with, and I said, let’s try and take this as punk as I can get away with. I suppose that’s where the Arctic Monkeys reference comes from; there are obviously punk elements within what they do.” At just two and a half minutes long, Tomlinson confesses it wasn’t a song he was trying too hard with. The aim was to create a “punchy energy,” declaring this was another song he could imagine performing live.
Alternative Press interview, Sept 6 2022:
That incorporation of dance melodies is something that erupts on “Out of My System,” a pulsating, punk-tinged Arctic Monkeys-inspired track that recalls the heyday of early aughts indie rock. The day Tomlinson made the track, he had been listening to “Teddy Picker” or “Dancing Shoes” (he can’t quite remember), but he knew exactly what kind of music he wanted to make. “I went in and said, ‘Let's try to write a song that is as punk as I can get away with,’” he recalls. And he led with that kind of intensity and energy from early Arctic Monkeys albums to craft the song. 
Interview for 98.5 KRZ, Sept 19 2022:
[What would your theme song be (a song that would play whenever you walked into a room)?]
I’ve got no idea. No idea! It’s almost like what would be a boxing walk out. Maybe Teddy Picker, Arctic Monkeys?
Jack Saunders Show on BBC Radio 1, aired Sept 25 2022:
Jack: Last time you were here, you were in 2019, [...] and we played this game, called "Keep or delete?". Do you remember what happened during that game?
Louis: Not specifically, I do remember the game.
Jack: Ok. Let's see if this docs your memory [replays the 2019 game which Louis says he would get "delete" Arctic Monkeys' "I Bet You Look Good On The Dancefloor"]
Louis: I must've turned up drunk that day, I must have, honestly. That's a crime! What was The Strokes song? What was it again? Did you know? (...) It's a though pick, but I don't imagine why I picked that? "I Bet You Look Good On The Dance Floor" is a super nostalgic song for me, to be fair.
(...)
Jack: [The chorus is] the first thing that I thought when I listened to [Bigger Than Me]. I was like 'This chorus feels so big'. For you, those kinda of like big and kinda of indie choruses that you think about, what comes to mind? The ones that you always hammer or sing along? That kinda of thing...
Louis: You know what, the irony is the first thing that comes to me mind in terms of a chorus that I can remember singing, is ‘I Bet You Look Good On The Dancefloor’, which I cancelled the last time I was here, like an idiot!
Jack: [laughs] I'm not surprised, man, that is essential, a banger, isn't it?
Louis: It is, it is!
Jack: You worked with [producer] Mike Crossey on this one (...) Now, look, I've got a list of the credentials to display. He's worked with [lists artists] Arctic Monkeys - you can tell Mike you got rid of one of his songs--
Louis: No, no, I didn't, I didn't !
(...)
Jack: Louis, one more thing before you go (...) I'm gonna give you a chance of redemption
Louis: I like it
Jack: Would you like to bring [I Bet You Look Good On The Dance Floor] back?
Louis: One hundred percent, man!
Billboard.com interview, Nov 11 2022:
11. What’s your favorite album to listen to from top to bottom?
AM [by] Arctic Monkeys has got to be up there. Probably [their] Favourite Worst Nightmare, as well. Those two albums were absolutely massive for me growing up, so yeah, let’s go with them. Trying to think of a more recent one. The Snuts’ debut album, I absolutely loved. I loved their follow up as well. 
LADbible TV Ask the Audience, aired on Nov 11 2022:
[If (you) were part of another band (which one would it be)]
It’s an hard question to answer, really. I mean, I fucking love Arctic Monkeys, just down the road from where I’m from, Sheffield.
Afterglow on Pandora, aired Nov 12 2022
On his musical influences
Growing up, as you’re kind of forming your opinions on different songs, artists, genres. For me, growing up in the north of England, guitar music was absolutely massive with the likes of Arctic Monkeys, Oasis, etc.
40 notes · View notes
Text
FAVE KPOP CATEGORY IS STILL OPEN for AMAs
🗳 AMA http://billboard.com/amasvote/
DON'T FORGET TO KEEP VOTING ON DISCORD TOO!
(ENDS SUN 20221120 17:59 PM PST)🇺🇸 (ENDS MON 20221121 10:59 AM KST)🇰🇷 (ENDS MON 20221121 12:59 PM AEST)🇦🇺
26 notes · View notes
Announcement of Holiday Surprise Tour, Billboard, 9 October 2008
fragments:
"Multi-instrumentalist Julian Koster planned the tour initially as a set of support dates for the Merge Records release of two Koster-helmed albums, The Music Tapes’ “Music Tapes for Clouds and Tornadoes” (released in August) and Koster’s solo effort “The Singing Saw at Christmastime” (out Oct. 7). But upon contacting fellow Elephant 6 veteran Will Cullen Hart (co-frontman of Olivia Tremor Control and Circulatory System), Koster agreed to expand the tour into a variety show featuring music of several bands with overlapping lineups.
“Julian called me and asked if he could call the tour ‘Holiday Surprise’ after one of the Olivia Tremor Control songs I wrote,” Cullen Hart tells Billboard.com. “And I said, ‘Of course! Maybe we’ll even play that song.'”
[...]
“We’re gonna revolve some of the material,” he says. “We played a show (Oct. 7) in Athens, and it was three-and-a-half hours long, which I thought was too long, so we need to trim it down a little bit. Initially, the leaders of the respective bands each brought in about five songs that they wanted to play, and basically, if you wrote it, you’re in charge of leading the song in rehearsals and on stage.”"
5 notes · View notes