Tumgik
#but fred is really good
illiana-mystery · 2 years
Text
Tumblr media Tumblr media Tumblr media Tumblr media
I love how animated he gets even when voice acting. His overall love of acting warms my heart. 😍😊
84 notes · View notes
skunkes · 9 months
Text
Tumblr media
i listened to a single orville peck song for 4 hours today
638 notes · View notes
scooberish · 7 days
Text
Imagine how popular Fred would be if Scooby Doo fans watched Scooby Doo
57 notes · View notes
carebooks · 1 year
Text
Velma (2023) is to Scooby Doo what Teen Titans Go! is to Teen Titans (2003)
788 notes · View notes
sweet-potato-42 · 2 months
Text
the valentines day event will bring new unprecedented levels of qtubbo homophobia towards fit and pac and it will be comedic
on one hand it would be nice if it focuses on all sorts of love not just romantic but on the other hand it will be funny to see the single ones bully the couples and vice versa
60 notes · View notes
king-magppi · 1 year
Text
Fred vs. Crispin (except from more of a Crispin POV)
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Bonapartes have been on my mind almost all day today and Crispin is surprisingly fun to draw! One of my first ever "COMICS" (I guess?? Technically??) for this franchise comes out of me REALLY wanting to practice drawing Fred because I like him and it was hard for me to draw him at first..💔 It all worked out in the end though bc I'm happy with this!
391 notes · View notes
strangerwheelerthings · 3 months
Note
I don't know if it's because it's been too long since I last watched Stranger Things, but I genuinely don't remember a happy Nancy scene post Barb...
This is such an interesting thing to think about because it's not as if Nancy looks miserable in most scenes of the show. In fact, she often looks determined and occasionally excited even. She has smiled before, but excitement about progress in a case, something she's passionate about because of Barb, isn't necessarily happiness. So this is something you have to look beyond face value for.
Nancy suffers quite plainly with survivors guilt and with a lot of trauma. She isn't healed from what happened in Season One, and I don't think she even let herself really start until after season three. Not with so much unresolved. She also hasn't had the help she really needs either. However, Nancy has experienced happiness since Barb's death. There are moments she forgets. It’s only healthy that she's not so obessively mired in her misery that she can't have moments to breathe.
It's been a while since I've watched the show, too, so I can't say if there's a Jancy scene where she's just happy. Their get-together scene was very in the middle of Barb trauma, the wake up together scene is very stressed and rushed. Jonathan has been good to her, but all their scenes are a very mixed bag of emotions with happiness not really being the predominant one.
There are three small scenes from season four that come to mind. The first is Lucas's game. Nancy is quite genuinely proud and happy for Lucas in that moment of success. It's such a small shot, but it's one of a few scenes that show us that Nancy cares a whole lot more about Mike’s friends than she ever says.
The second is the scene with the dog, right before the plot plummets Nancy right back into her guilt complex. She's starting to live, and she lets herself be, for just a second, when she steps away from a murder investigation to just play with a dog. This is the first real evidence that her passion for her work is not just about Barb anymore.
The last scene is the officially friends scene with Robin. It's simply a moment of establishing connection, and both girls are just so warm in that moment. It's another sign of Nancy starting to actually heal. She's happy to have a new girl friend, not scared or guilty like she would have been before.
47 notes · View notes
commanderfreddy · 5 months
Text
Tumblr media
Olin Anvilcontrolled, age eleven
went back to dwarf fortress classic last night and was rewarded, as i so often am by this game, with a truly vivid portrait of a character (long story under the cut, blood and violence as is typical for df)
Olin Anvilcontrolled arrived at the age of eleven at the Fortress of Savefountain with her mother (Ubbul) and her new stepfather (Sarvesh). Since she was so close to the dwarven age of adulthood, I kept an eye on her to see what kind of skills she developed and what kind of career she'd be suited to. While the rest of her family settled in though, Ubbul soon giving birth to Olin's half-brother, Oddom, Olin had more trouble adjusting. Rather than playing in the corridors of the residential wing or in the temples or taverns with other children, she preferred to follow the web-gatherers and cave-fishers down the long, slippery passage to the under cavern where she would play, alone, with her little glass boat.
The cavern is not exactly the world's most supervised playplace, and I was horrified the first time I received the "A dwarf child has cancelled "play with toy boat: interrupted by Giant Bat" alert. But I needn't have worried. With a value system that prioritised martial strength, power over others, force of will, and - literally, textually - "sadism", eleven-year-old Olin beat the shit out of that huge beast with her bare hands until her mother, a hunter, arrived to put the bloodied and broken thing out of its misery. Being unarmed, untrained and not yet old enough to see a marvel movie unaccompanied, Olin wasn't able to kill it herself, but she was able to hold her own enough to increase her fighting skill to Adequate.
And then to Skilled, when a few days later another Giant Bat came at her.
And then to Proficient when the Olm man came.
Olin kicked so much ass in her one specific corner of the caverns - not too far from the floodgates that led back up to civilisation, not close enough that anyone would bother her on their way to work - she beat enough blood from the underbeasts to form a pool of blood for her to float her little boat in.
She continued to play there even after her stepfather died in those same caverns. Echospittles the Larval Deep of Boils, a Forgotten Beast scuttling in the form of an enormous spider, used its venom and webs to cut a huge swathe of vacancies into my military.
Olin and Sarvesh weren't close, but they had a positive relationship. After his death, she began to very frequently "feel love upon remembering gaining a sibling". I wondered if she could see her stepfather's face in that of her baby brother. I wondered how she felt about the absence of her biological father, Edem Copperdragon, now a position noble elsewhere due to his ceaseless contributions to the war against Otir Toothportal, Necromancer.
Despite her penchant for sadism and violence, Olin did not seem like a very cruel child to me. She highly disdained scheming (poking through Legends reveals that Edem was corrupted by enemy agents multiple times in her early childhood), and openly admired and was genuinely friendly with the two human Monster Hunters who defended her home. I began to understand her as someone who had only ever known a world of violence and war, and was trying to find her place within it. Her avoidance of other children and her determination to return to the same cavern corner and face whatever blind, mad animal was waiting there took on a very sad tone. That of a child on the cusp of adulthood seeking out pain, having mistaken it for glory.
I felt a sense of responsibility for her. Her life as it was seemed like a grand prelude, like she was someone whose narrative belonged in her late years, when she would be 120 years old, Legendary Fighter, Grand Master Leader, and all this was but her backstory. I was determined to ensure I could make her into someone she would want to be. As soon as she was old enough to receive labour orders, I'd put her in a squad of dwarves who would like her - I'd custom build a squad based solely around personalities, just so she wouldn't be a lone again. One of my dwarves was taken by a strange mood, and gifted the resulting legendary helmet to our site government. I earmarked it for Olin, as soon as she was old enough.
Mere weeks before she came of age, the fortress of Safefountain was laid to siege by the forces of Otir Toothportal, Necromancer.
Having been hounded by Forgotten Beasts from below, I had focused the majority of our defences on the cavern entrance, leaving our topside entrance unable to be sealed off entirely just yet. I ordered the floodgates to the caverns sealed nonetheless, hoping to save whoever was down there in the ponds and webs and Olin's little gorespot, while the rest of our dwarves - including Ubbul, with baby Oddom strapped to her back - held the undead at bay.
But as my military inevitably failed and the zombies began to swarm down the gullet of the increasingly poorly named Safefountain, I realised that sealing off the caverns had been in vain. By sheer coincidence, no one had been down there at the time. Not even Olin.
For the first time in her time at Safefountain, Olin was playing in the corridors of the residency wing. With the other children. She, 1-year-old Obok, 10-year-olds Lor and Lobam, 5-year-old Asmel, and Mayor Tosid were the last dwarves left alive.
As the undead surrounded them and the strength of Safefountain was broken, Olin cried out,
"Our time in the Dimensions of Prophecy is so brief!... This does not frighten me."
55 notes · View notes
angorwhosebabyisthis · 2 months
Text
every now and then i remember the time a few years ago, when sdmi fandom first had its revival thanks to netflix, when a wildly popular sdmi blog run by an anti said the words 'perfectly good Black woman' in reference to why you should ship [man you could easily read as white, whose arc she was fridged for] with her instead of [hatesink character whose race is ambiguous due to being a furry, but has a BLISTERINGLY antiblack narrative under a thin layer of fantasy racism, with a fun side of homophobia and holocaust denial the latter of which is directly invoked in the post], which got hundreds of notes, and i grimace my face through the back of my head all over again lmao
26 notes · View notes
Text
🤠Desperado Durst & Bandito Borland🤠
Tumblr media
50 notes · View notes
thecoolertails · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media
they really made the effort to give them different outfits each time they're dressed for the cold, at the very least recoloring them (i was about to say shaggy and scoobys are all recolors, but shaggy's 3rd outfit is actually not, you can tell especially if you look at his pants and boots), plus daphne gets a whole extra (sick as fuck) cold outfit for her spy thing she had going on. this show really has so much attention to detail, im never making fun of the art style again
177 notes · View notes
maxwell-grant · 4 months
Note
🔥 X-men/Krakoa?
Allright let me swing at the hornet's nest here a bit: Krakoa was wasted on the X-Men, not the other way around.
Krakoa was, however problematic and shitty and complicated it might have been even from day one, was onto something enough to generate the intense interest and instant fandom it did, and it's biggest problem wasn't with the forgiving of unrepentant monstrous villains (because that door got blown open forever ago), or the no-humans-allowed policy, or the genocide in Latin America, or the pod people resurrection that took the bite out of every mutant genocide and death past and future, or that the entire premise was built around them trusting the funi haha eugenicist Nazi to build their paradise and let himself be stopped later, or that it kept revolving around the petty courtly intrigues of the arch assholes in charge with only like, two writers capable of propping up this to make it worth reading about. The central problem didn't have as much to do with the fact that the newfound central focus on shadowy detached superhumans huffing their supremacist royalist fumes 24/7 is precisely why nobody likes the Inhumans and especially why nobody liked them as a replacement to the X-Men, and you can't cobble a story out of Magneto/Emma Frost/Mr Sinister mean girl one-liners and hot takes even if that's all the fans want (yes, the X-Men are bastards and so is everyone in the MU, how cutting and insightful and powerful they are yes very impressed, but an Epic Bastard Moments compilation is still not a story). I don't even think it can be entirely blamed on the fact that they had the X-Men speedrun through the 14 rules of fascism as the opening act to a larger story only to decide that actually, we don't need that larger story after all, thanks Hickster but we can just take it from here and keep Stage One as is, everyone's gonna be cool with the cult shit if it still feels like it's going anywhere other than back to the school, we can keep this up forever now! This isn't even a bit, I don't think these things were the biggest cause of death for Krakoa even if they all were there.
I think the biggest problem is that, no matter how many cool or great characters they add to their ranks or what turns into epic pulp sci-fi bombast they take, the X-Men might just be foundationally, irreperably broken as a concept, smothered under the weight of the selling metaphor that just gets more dated and problematic and easier to tear holes into with every passing year, and Krakoa ultimately just elevated all these problems to center stage. There was never going to be a world where Magneto says something as full of shit as "There has never been a mutant war and we've never conquered or stolen land or made slaves and that's why we're better, by the way we're going to be your new gods now" with a straight-face and didn't have that proven immediately wrong (not counting all the people in the Council who absolutely did do all of those things). Krakoa couldn't be both the terra nullius dream clubhouse and the "queer separatist utopia" people desperately craved and a cult backed up by genocide run by self-destructive warmongering hypocrites and a next step in evolution and the headquarters to a superhero team you need to tell monthly exploding punchy stories about and a place that was going to live forever and lead us into the better future and a house of cards waiting to be toppled. It didn't have a future because quite frankly, the mutants don't have a future.
The mutants are, even after all this time, still a half-baked idea of people entirely defined by their oppression, by their death and torture and the hollow space where you're expected to insert your own marginalized traits to identify with instead of much of anything akin to how real marginalized identities are formed and developed and solidified over time. Pretending that the mutants can subsist forever on past shoddy worldbuilding and dated, vague parallels just gets more embarassing over time. It's not an issue individually cool comics or characters are going to fundamentally fix. Krakoa, to it's credit, was some way towards trying to define the mutants past their oppression, but they barely had a language or a flag, and even these attempts were smothered under the Claremontian shadow that's been choking this franchise forever and by the inability of The Big Two to truly hand the reins to anyone other than the same stables of white dudes who always get the final say in everything. Krakoa was Going Somewhere up until it wasn't, and the promise alone breathed a whole new life into the X-books, we really did get some very good comics out of this era, but it was always going to end the way it ended.
Actually scrap all of that, my hot take is, not for racist reasons or anything, but we should destroy the X-Men and replace them with big cool robots that can make us safe forever. Has anyone tried that already?
Tumblr media
28 notes · View notes
pollutionbylimpbizkit · 11 months
Text
Fred and his habit of randomly licking his bandmates
Tumblr media Tumblr media
91 notes · View notes
fred-vestis · 5 months
Text
36 notes · View notes
illiana-mystery · 11 months
Text
Tumblr media Tumblr media
Hancock (1991)
56 notes · View notes
spacephrasing · 1 year
Text
I know it’s bc he’s my comfort character, but I’m genuinely pissed off about fred in the new series. if you watch any version of the show, fred is a sweetheart who loves his friends and always wants to help people. even when he’s the mayor’s son and very well off in mystery incorporated, he’s such a dork and a genuinely nice person. yes, he’s a little un-self aware and ofc a himbo at times but he’s never been mean spirited and I’m sick of people writing him to be
123 notes · View notes