Tumgik
#but like. as a way to make tag searching better
Note
The ao3 tagging system is pretty good, we all know that, but I'm always on the fence of what exactly to tag or warn for.
The archive warnings are a given, but I recently wrote a fic that was mostly banter and fluff, but where there's one chapter that had a description of a fight. I gave a warning in my author's notes, but I didn't put "descriptions of violence" or "blood" as actual fic tags because the story is 30 chapters and there is half a chapter where blood is mentioned. My friend said I should because it's a feature that makes the story better, but I wasn't sure because people who would want the blood would probably not want to read through 20 pages of fluff to get there.
Now I'm a bit confused, like do I just add anything to the tags even if it's not at all a substantial part of the story, or do I tag it with what is most representative of the story and then put a warning in the one chapter itself?
There is no one, perfect, correct, right way to tag - no matter what you might read other people saying. It all comes down to your choices as the author of the fic and how you want to present that fic to potential audiences.
That said, you and I have the same mindset about tagging.
When I tag a fic, I mostly just hit the highlights. Main characters, main ships, main tropes, main mood. Generally speaking, I'm one of those people who rarely even hits the average number of tags on a work (which was 17 tags, back in 2021)
The reason I do that is like you said: people use tags to either find things or avoid them. By indicating the biggest things in the fic (ideas, themes, characters etc), I'll net the people with the best chance of liking my work and warn off the people with the best chance of hating it.
If the content you wrote doesn't warrant the Archive Warning around violence, then I think you're fine not tagging it. Adding it into your author's note will provide warning to those who are reading without drawing in others who, like you said, might not be interested in the rest of the work.
And just a tip for folks who want to find or avoid stuff that's only mentioned in author's notes and isn't mentioned in tags - you can use the Search Within Results box in the filter menu. That searches all the fields associated with a work, except the text of the fic itself. That includes the summary, author's notes and tags.
What about the rest of you? How do you prefer to tag? Or if you're predominantly a reader and not a writer, how do you prefer authors to tag?
150 notes · View notes
coloursflyaway · 2 days
Text
Cry With Joy At The Depth Of My Love
Pairing: Edwin Payne/Charles Rowland
Rating: T
Word Count: 18.000
Read on AO3
“Edwin?”, Crystal asks, and Edwin would say something snarky, maybe even something mean, but Charles is wrapped around him like he’ll never let go again, and there are more important matters at hand.
“Crystal, what has happened here?”, he asks, and a few seconds later, their new psychic is standing in front of him, trousers splashed with the coffee she dropped, disbelief written across her face. “I was gone for a few hours and now Charles… and the whole building…”
He’s not quite sure how to put it, most likely because he still doesn’t understand, and Crystal looks at him like he come back from the Cat King’s lair with an additional head.
“Edwin”, she says, slowly, like she is still searching for the words, “what are you talking about? You’ve been gone for six weeks.” ____________ Edwin takes the Cat King up on his initial offer, so instead of a few hours, he is gone for six weeks. Charles isn't good at coping with it.
Tags for everyone who wanted one ♥: @that-ineffable-devil @mentally-unstable-fangirl @tipsyscone @butternutsquashthesenutz @makemeimmortalwithahug @mylu @imineffible @fabledshadow @asherxme @twopercentboy
„Now, I think this concludes our business“, Edwin says and fixes his bow-tie, the collar of his shirt. His lips feel strange, now that they have tasted their first kiss (and their second, and third, and fourth, and…, his treacherous mind corrects him), but this was a small price to pay for safe passage out of this godforsaken town. “So, could you please transport me back to my friend?”
The creature in question unfurls his body from the sofa they were lounging on for the transaction, and even if Edwin cannot find much that is good about this situation, the Cat King at least has been rather civil about it all, no matter his unconventional request for payment.
Even now, he walks closer and there is a smirk on his lips.
Lips, Edwin does not want to look at, because he knows how they feel and knows that they felt right in one, and terrifyingly wrong in all other ways.
“If you insist”, the Cat King drawls, and brushes two fingers across Edwin’s shoulders. “I can take you back to your little friend. But you’re also more than welcome to stay a little longer…”
“No, thank you”, Edwin cuts him off before he can continue, because he needs to get back to Charles, and as soon as possible, too. “As far as I can tell, you have been made quite happy, so I consider my debt repaid and would very much like to return where I belong.”
And the Cat King looks at him like he knows something he won’t tell Edwin yet, and snaps his fingers, and the world changes.
Edwin disappears in front of their eyes, and Charles forces down the spark of panic that comes with that.
The Cat King wanted to talk and Edwin can handle it, of course he can. Even if Charles would have liked it much better if he could have done it within his sight.
The warehouse looks different when it reappears.
Edwin needs a moment to make sense of it, but then his gaze gets stuck on the scratches on the walls, the splintered wood and bent metal, the wrecked throne and the hole in the floor that looks like someone dug it with their bare hands, blood streaked across the grey concrete.
It looks like a crime scene, like a war had been waged inside of it, and then Edwin’s eyes find Charles’ form in the middle of the broken up ground.
He’s sunken on the floor, like a marionette whose strings had been cut, his coat torn to shreds, his white socks stained, and his hair a matted mess of curls. Bits of concrete are stuck in there, but Charles doesn’t seem to notice, like he doesn’t seem to notice anything else around him, and it scares Edwin more than anything ever has before.
Before he knows it, he is moving, gasping out Charles’ name, and for a terrible, terrifying second, Charles does not react. He just sits there, motionless, like he is stuck in limbo; then he looks up, slowly, like he is moving through molasses, and somehow, it’s worse.
There is no life left in his eyes.
Usually, they shine brighter than the sun itself, sparkling with every emotion Charles is feeling, but now their light is dimmed until it has all but gone out, their brown not warm and inviting anymore, but flat.
A sound tumbles from Edwin’s lips, although he cannot quite make out what kind, something between a sob and a plea and a prayer, and Edwin is about to drop to his knees in front of him, when Charles propels himself upwards and flings himself into Edwin with a force that knocks them both to the ground.
If he was still breathing, the impact would force the air out of Edwin’s lungs, but he is certain that even then, he wouldn’t realise it, because Charles is holding him so tightly it compresses his non-existent ribs, like he has been hurt, like he had thought Edwin was.
And he’s crying.
It’s the kind of crying Edwin hasn’t experienced before, but something which he understands anyway; it’s the kind of crying he would hear in hell, seeping through the cracks of his doll house, the kind he would see much later when he was escaping.
It’s crying without any kind of restraint because there is no strength left to fight it, the kind of crying that comes from desperation so deep it captures your entire soul, and forces anything else into meaninglessness.
Edwin has never cried like this before, and he swears right then and there that he will find and butcher whoever did this to Charles.
Three hours have passed and Edwin isn’t yet back.
Charles is doing his very best to keep calm, but it is so, so difficult when the only thing those damned cats are willing to say is, sometimes the King likes to keep them for a while.
What is a while?, Charles had asked, but there had been nothing but a self-satisfied meow, which most likely just means that the cats know about as much as Charles does.
Which is not reassuring, but in the end, it will be fine.
Edwin might not know how to fight, but he’s clever and he’s brave and he would never leave Charles alone.
“Shh, it’s alright”, he is whispering into Charles’ curls, trying to soothe him even though it doesn’t seem to be working at all.
Charles is crying like the world has ended, his sobs so violent they make Edwin’s chest seize up, his fingers grabbing and pulling at Edwin’s clothes like he wants to sink into him and fuse their bodies together.
And Edwin might not know how to fix this, but he’ll damn himself to Hell if he lets go.
He’s about to try and change their position in hopes of making Charles more comfortable, when there is a thud and the sound of splashing liquid behind them.
“Edwin?”, Crystal asks, and Edwin would say something snarky, maybe even something mean, but Charles is wrapped around him like he’ll never let go again, and there’s more important matters at hand.
“Crystal, what has happened here?”, he asks, and a few seconds later, their new psychic is standing in front of him, trousers splashed with the coffee she dropped, disbelief written across her face. “I was gone for a few hours and now Charles… and the whole building…”
He’s not quite sure how to put it, most likely because he still doesn’t understand, and Crystal looks at him like he come back from the Cat King’s lair with an additional head.
“Edwin”, she says, slowly, like she is still searching for the words, “what are you talking about? You’ve been gone for six weeks.”
Edwin has been gone for a day and a half and Charles is going insane.
He knows he’s going insane, but that doesn’t change anything, because Edwin has been gone for a day and a half, and they have never been apart for this long since they met.
“I swear to God, if you don’t bring him back, like, this instant, I’m going to start breaking things”, he tells one of the cats that have come to watch them; it’s not an effective threat because Charles has been saying this for at least six hours, but he cannot stop himself, because he feels like breaking things.
He feels like he needs to break things, and that scares him, but what scares him much, much more is that Edwin isn’t here, and he has been gone for a day and a half, and Charles doesn’t know how to get him back.
“Sure thing, lover boy”, one of the cats replies, and Charles shouldn’t, but he screams.
Silence stretches between them, only interrupted by Charles’ sobs, his heaving breaths.
“What do you mean, I have been gone for six weeks?”, Edwin finally asks, dread of a previously unknown type and magnitude filling him with every tear Charles is crying into his suit.
“What do you think I mean? I mean, six weeks, you have been gone for six weeks, and we have been looking all over for you and this one”, she gestures to Charles, “has taken the entire town apart because he was so convinced that he would have to dig you out of Hell with his own bare hands. That’s what I mean with you have been gone for six weeks.”
And she looks down at Charles who is shaking in Edwin’s arms, and there is tenderness and true affection in her eyes, which vanishes as soon as her gaze returns to Edwin.
“So, like. Good to have you back, but also, what the fuck, how could you do this to him?”
It’s been two days since Edwin was whisked away by that absolute prick of a Cat King and Charles is losing his mind. Whatever he thought before about going insane was nothing, nothing at all, because this is so much worse.
Crystal, bless her, has been trying to calm him down, but there is only so much she can do, which is nothing at all, because Edwin is gone and no one will fucking talk to Charles and tell him what is going on.
So, he is pacing, because he cannot start smashing things up, even if he wants to.
Not because of any consideration Charles has for the Cat King or his kingdom or his subjects, but because Edwin will come back and he will have solved everything, and he will be so cross with him if Charles starts smashing things up.
So, instead, he paces, and thinks about how he’ll hug Edwin once he’s back, no matter if Edwin wants him to or not, and how he won’t let him out of his sight for the rest of eternity.
Six weeks.
The words shatter something within Edwin that he didn’t know existed, tear him down until he’s not sure if he’s still the same person as he was before.
Because Charles is crying in his arms like he watched the world end, and suddenly Edwin doesn’t just understand the emotion there, but feels it deeply, viscerally.
If Charles had been gone for six weeks, he would be tearing the world apart with his bare hands to get him back.
And suddenly, every one of Charles’ sobs is an open wound, every trembling grasping of his fingers a broken bone, every time he breathes in, wet and desperate and painful, is a death he dies, because Edwin is the one who caused this.
Edwin, who was gone for six weeks without knowing, who has left the most important person in his life to suffer without him; Edwin, who can’t do anything but hug Charles tighter, and pray to whatever god will hear him that Charles will be able to forgive him.
It’s been three days and Charles doesn’t care anymore.
He has told Crystal as much, after she had dragged him out on a coffee run, insisting that he cannot spend his entire time in that godforsaken warehouse. Which she is wrong about, he realises as soon as he has stepped outside, because Edwin could come back any second and Charles would not be there to take care of him after whatever this Cat King has been putting him through.
At first, the Cat King hadn’t seemed too bad, not dangerous, more annoying, but apparently Charles had been wrong because Edwin isn’t here, and there is no way Edwin would leave Charles alone for this long, especially because he must know how worried Charles is by now.
So, the only explanation is that the Cat King must be keeping Edwin from leaving somehow and Charles will not allow it.
He should have gone with him right away, shouldn’t have let Edwin out of his sight, will never do so again.
So, he lets Crystal get the coffee she wants, but ignores her looks when he brandishes his cricket bat even before they walk into the warehouse. Maybe he is overreacting, because it has only been three days, but at the same moment, Charles knows he isn’t, because maybe for other people, spending three days away from their best friend is just part of everyday life, but it isn’t for them.
Charles is used to looking up at any given time and finding Edwin within his sight and the fact that he isn’t terrifies Charles to the point where it is hard to think.
That’s why it doesn’t matter that Crystal is obviously uncomfortable when Charles twirls the bat around as he enters the warehouse, just like it doesn’t matter that the cats scatter, not even that Edwin would tut and tell Charles to use his head to solve this, not his muscles.
Because Edwin isn’t here, is he?
“Oi!”, he calls into the vast room and sends more cats running. “One of you little fuckers is going to tell me where your King has taken my friend or I’ll start smashing shit up around here, alright?”
Just to make sure they know he means business, Charles brings down his bat on the closest barrel and feels the metal dent under the impact.
It’s satisfying in a way that scares him, but everything scares him right now, so this doesn’t matter, either.
“Do you hear me?”, he shouts and knows that he doesn’t sound commanding, just desperate, because that’s what he is, desperate and scared and not even good enough to keep the most important person in the world safe. But maybe desperate is enough for this, because desperate people do desperate things and Charles is about to rip this place into bits and pieces until he finds Edwin again.
There is no answer, and Crystal reaches out to tug on his jacket, like she thinks he doesn’t mean it, but oh, that’s where she is wrong.
They have only spent a week and a half together so Charles doesn’t hold it against her, but he’ll show her, just like he’ll show the cats, how much he means it.
Edwin isn’t certain how long they stay like this, but it’s not like he cares either. His mind is still reeling from the revelation that he has been gone for six weeks, his heart caught in a cycle of ripping itself apart for leaving Charles alone and patching itself up once more because he cannot let Charles see how much he is hurting, not when Charles needs him to be strong now.
Despite having existed for over a hundred years, Edwin has never become comfortable with another person’s touch – Charles’ being the exception – but he knows that Charles needs it, so his hands have started running over Charles’ back, combing through his lovely curls, anything that will let Charles know that he is here and he is safe and he isn’t leaving ever again.
“For me, it was only a few hours”, Edwin whispers, a response that comes far too late, feels like far too little, because who cares what it was like for him if it has left Charles in such a state? “If I had known that time passed different there, I would have come back immediately. I wouldn’t have spent a second with that blasted man.”
His hand is cupping Charles’ head, trying to support him through sobs that seem to wreck through his body with the intensity of an earthquake, the tears they bring soaking through Edwin’s jacket and shirt. Even if his spectral skin cannot feel them, Edwin knows it anyway, just like he knows the desperate grip Charles has on his back, the shaking of his slender body in Edwin’s arms.
“Time passed differently-”, Crystal starts but then stops herself, almost like a decision Edwin can see her make, before she crouches down and puts a hand on Charles’ back, just below Edwin’s. Part of Edwin wants to push it away, because it should be him who touches Charles, no on else. “You know what, we can talk about that later. We have to get him out of here first, then we can figure the rest out.”
Metal bends and wood breaks and concrete doesn’t do much at all apart from sending shocks up Charles’ arms, especially if he does it again and again and again.
If he was still alive, his muscles would be screaming, he’d be covered in cuts and bruises, splinters embedded in his flesh and being driven deeper with every motion; like this, there is nothing, just Charles and the cricket bat and the violence he is unleashing.
The first hit had felt good, like a release, but by now it feels like nothing at all anymore, but in the end, he does not do it to feel better, but to get these goddamned cats to finally tell him where Edwin is.
It’s the only thing that matters, that has mattered, will matter, and Charles will take the whole fucking warehouse apart if that is what it takes.
His bat slams into the side of a barrel, denting it, and a cat flees; his bat hits a post and another one does.
“Just give him back!”, he screams and he sounds crazed, but that doesn’t matter either. “Tell me where he is!”
There is carnage around him, there’s bits of wood flying where Charles’ swing has toppled a palette over, and it doesn’t matter, doesn’t matter, doesn’t matter at all.
It’s nearly impossible to get Charles to stand up and it breaks Edwin’s heart, because Charles should be light on his feet, a flurry of motion even if he is trying to stand still, but instead he stumbles when Crystal helps lift him up. His hands are still clutching to Edwin’s clothes, cramped to the point where Crystal can’t dislodge them, although she is whispering soft nothings, coaxing with even softer touches.
In the end, they shift his arms so that they are around Edwin’s neck, clinging to him when Edwin picks him up like one would a child.
Were they still alive, Edwin wouldn’t be able to carry him a step, but Charles’ astral body has no weight to it, so Charles’ head comes to rest somewhere between Edwin’s neck and shoulder, fresh tears spilling down to wet his collar.
His sobs have quieted somehow, but he is still crying, still mute to Crystal’s questions and Edwin’s attempts of encouragement.
In all the three decades Edwin has known him, he has never seen Charles like this, never this closed off or devastated; it hurts in ways Edwin didn’t know he could hurt.
Crystal doesn’t talk much to him, but for once, Edwin doesn’t blame her: if he had been here in her stead, watching Charles spiral from his usual self to this state, he also wouldn’t want to talk to the person responsible for it.
So, he just follows her to the room she is still renting, holding onto Charles’ trembling form and swearing to never let him go again.
Eventually it’s Crystal who stops him.
She screams his name over the sounds of destruction, an expression on her pretty face that Charles has no energy left to decipher.
“Charles, they are not telling you anything”, she says, and yes, that’s the problem. “Maybe they don’t know. Maybe Edwin is somewhere else entirely, maybe the Cat King has taken him somewhere else in town.”
It makes little sense, and Charles wants to go back and smash another barrel into pieces, just in case it’s this one that will make those fucking cats tell him where Edwin is, when Crystal puts a hand on his shoulder and adds, “Maybe he needs our help there.”
Suddenly, a barrage of images: Edwin kept prisoner, forced into iron shackles; Edwin, being tortured; Edwin, waiting for Charles to come free him.
Charles, who has sworn to protect him and failed once already.
Edwin puts Charles down on Crystal’s bed, but even then Charles doesn’t let go of him and Edwin is touched, Edwin is terrified.
He seems so small like this, curled up on Edwin’s lap, and Edwin’s heart aches with love and with devotion and with an unbearable amount of guilt.
Without thinking, he pushes a hand through Charles’ hair again, but this time, Charles shivers against him, either because of the touch or by chance, Edwin isn’t sure.
“What happened?”, he asks Crystal softly, as not to disturb Charles.
“What do you think?”, she asks instead of answering, “He thought you were gone. He thought you might be gone forever, or trapped in Hell, or another thousand things his poor brain came up with. Would have gotten himself wiped out of existence if I hadn’t stopped him. Or dragged down to hell. He was willing to do absolutely anything to find you.”
She looks down at Charles and Edwin watches her eyes soften, like she is watching something precious; she is right, of course, but part of his heart still screams for her to stop.
“I’m not sure you know how much he loves you”, she tells him, her expression still soft, and it’s preposterous, it’s uncalled for, and Edwin desperately wishes it not to be true.
They search the harbour and the lighthouse, the library and the abandoned houses scattered around town, the high school and the cemetery; Edwin is nowhere and Charles curses Port Townsend and its people, curses the two of them for ever setting foot in it and curses Crystal for bringing them here.
In the woods, they find something akin to a shrine, complete with ancient writing that Charles cannot read, but there is no sign of Edwin anywhere. Around it, skeletons are scattered across the grass, and Charles should care about it, should make this a case, but the thought of it feels so far removed he’s almost surprised when Crystal picks it up to bring with them.
That summons the skeletons and they run, and Charles forgets about it almost immediately afterwards because it doesn’t matter, nothing does.
As Crystal outlines the events in the past six weeks in broad strokes, Charles hardly stirs, even if his tears dry at some point.
He’s not asleep, because that is not a luxury granted to them, but Edwin notices this kind of exhaustion anyway; he’s felt it before, after he had crawled out of Hell, covered in soot and bile and blood, and had collapsed right there on the floor, finally safe, but unable to move for what felt like an eternity.
And he understands it, too: he’d rather go to Hell again than lose Charles.
“He just sat there?”, he asks when Crystal is nearing the end of her tale, because it seems impossible, should be that. Charles is movement, is a constant dance, and yet Crystal is telling him that prior to Edwin’s return, he hadn’t moved in a fortnight. And it should be inconceivable, but Edwin thinks of how he found Charles, sunken into himself like he had become part of the ground itself, and suddenly it is difficult to doubt her words.
Crystal nods, and again her gaze softens when it touches Charles; again something within Edwin twists and hisses.
“He said he wasn’t leaving until you came back”, she explains, and her voice is a caress not meant for him, but Charles, who cannot hear it. “And he said he would wait forever if he had to… and I believed him.”
“Oh, Charles.”
It’s a declaration of love, of sorrow, of everything in between, and for a second, Charles stirs in Edwin’s lap, before he settles back down; it’s for the best, even if Edwin craves to see Charles’ eyes with some semblance of life in them like a starving man might crave a meal.
He strokes his knuckles down Charles’ spine, wishing he could feel the bumps of every vertebra, and Charles presses closer, almost imperceptibly so.
“Thank you for taking care of him”, he tells Crystal and means it, even if the words feel like pulling barbed wire through his airways, because taking care of Charles isn’t Crystal’s duty, it’s Edwin’s. But she was there when Edwin wasn’t, and it comforts him at least a little to know that Charles hadn’t been alone.
“Of course”, Crystal says, and her eyes stay soft, stay on Charles, “but don’t you fucking do that again.”
The vase helps nothing at all, because Charles cannot read the words that were transcribed on it or the table, because he’s useless without Edwin at his side.
Edwin would be able to solve this, there is a reason why he’s the brains of the operation after all, but Charles? The best he can do is put the vase down on Crystal’s table and all but forget about it.
Until he comes back that night from another trip to the harbour, the magic shop, the warehouse, without Edwin, whose absence feels more like a gaping, oozing wound with every passing second, and there is a stranger in Crystal’s bed.
She’s petite and looks peaceful, but Charles doesn’t even get to ask what she is doing there before Crystal starts talking.
“I put some flowers into the weird vase we found”, she says, and it doesn’t explain anything at all, “Dandelions that I found when I went back to check if we had missed anything in the woods, you know, because of the skeletons. And I heard a thud from the hallway and Niko here had passed out right in the middle of it. Which, in itself, would have been concerning, but then...God, there is no way to say this without sounding insane, but there were little people? Crawling out of her mouth? Which are now asleep in the dandelions I put into the vase.”
She looks at Charles like she expects a response, but it’s really difficult to give one, when it’s… well. When it’s not about Edwin.
“That’s good?”, he tries and Crystal rolls her eyes, looking annoyed for a second.
“Charles, I know this isn’t-”, she starts, but then stops herself, her expression softening. “I know you are worried about Edwin, but I need your help with this, okay? It won’t take long, we just have to take those little creatures back to their little altar thing so they won’t crawl back into Niko once they wake up. Can you do that for me?”
It seems reasonable and Charles still wants to say no, because nothing matters as long as Edwin isn’t back where he should be, but then he remembers, dimly, through the pain and the confusion and the gaping hole that is Edwin’s absence, that this is what they set out to do.
Help people.
So, he nods, and Crystal smiles, and that might matter at least a little bit.
“I’ll take him back to London tomorrow”, Edwin says into the silence that has settled around them. “Through the mirror. Not because I don’t want you to come, just…”
He doesn’t quite know how to say it, but Crystal seems to understand it anyway.
“That’s a good idea”, she agrees easily, and reaches out to touch a hand to Charles’ back, just below Edwin’s hand once more. “I think he should be back home and you two… I think it might be good if you had some time to sort through things. I’ll join you later.”
In any other situation, Edwin would ask what she means by that, but right now, it really doesn’t seem to matter, so he just nods, settles back against the headboard, and lets his eyes slip shut.
Charles takes the vase back where they found it, and there should be some kind of satisfaction in it, something about the job being jobbed and the day being saved and the stranger, Niko, being out of danger, but there is nothing but the gaping hole in his chest where his heart is supposed to be, because Edwin isn’t there with him.
When the sun is rising, the first rays of light coming through the windows, Edwin tries to rouse Charles once more.
“Charles?”, he asks as softly as he possibly can, not yet pulling away. “I was thinking, we should go back to London.”
For a few moments, there is no answer, but then Charles slowly, ever so slowly, sits up, his arms still around Edwin’s neck, as if he couldn’t bear to lose their closeness.
And Edwin expects a reaction, but none as violent as he gets when he finally sees Charles’ face again.
It’s not like he has forgotten it; for him, not even a day has passed, and yet it feels like seeing him for the first time.
His eyes are the same brown Edwin has become so familiar with, but they are dull still, even if a hint of life has returned to them; they are rimmed with red, eyelashes clumped together as if Charles had just been crying. And he might have been, even if the thought that he didn’t notice hurts Edwin in completely new, unexpected ways.
“You’re really back”, Charles whispers and the words are a sob and a prayer and an exaltation, and Edwin’s heart breaks because he should never have been back, he should have just been there. “You’re really here.”
There are tears spilling down his face, making his gaze a little brighter and yet not worth it; Edwin reaches out to wipe them away without thinking and Charles trembles under his touch like he never has before.
“I never meant to be away that long”, he tells Charles, although he’s not sure it matters, because he was, and there is nothing he can say or do to make it better. “I never wanted to worry you.”
I never want to be away from you for more than a few seconds, he thinks, but doesn’t say, doesn’t recognise the thought but knows it to be true nonetheless.
“I know”, Charles says, and it’s still half a sob, more tears spilling down his cheeks for Edwin to wipe away. “I always knew that. And you came back and you’re safe and that’s all that matters and I just. I missed you so much.”
And it’s not all that matters, not by a long shot, but for now, Edwin just nods and wipes another tear from Charles’ skin.
Niko wakes up again and she’s lovely in a way Charles knows Edwin would have enjoyed, but if anything, that just makes the need to get Edwin back worse.
It’s been a week and Charles desperately wishes he could sleep, just so he wouldn’t have to feel this all the time.
At least Niko seems to be willing to help, which would be a relief if Charles had any hope left that looking through town would bring Edwin back. But they have been everywhere thrice, have looked at every single thing Tragic Mick has on sale, and Edwin is just gone, like the Cat King has made him vanish from existence.
The thought cuts into Charles’ flesh like iron would, burning hot and torturous and it’s been a week and maybe there’s no other way. Edwin must be hurt or captured or a thousand other things Charles won’t allow himself to think of, and Charles will bring him back, no matter what it takes.
“Could you girls go and check the lighthouse again? Maybe the beach?”, he asks and maybe Crystal is getting suspicious, but he cannot find it in himself to care. “I just, I don’t want him to get back and there not being anyone there to take care of him. Please?”
It’s enough to convince them; they won’t find anything, he knows it deep in his bones, but it gives him the time and the space to go back to the warehouse and do what is necessary.
It takes some convincing to get Charles to let go of Edwin enough to stand up, his hands sliding down Edwin’s arms like he doesn’t want to lose contact, and it’s then when Edwin’s gaze gets caught by something that should be impossible.
There’s red on Charles’ fingers.
Not the red Edwin associates with him, but the red of dried blood and fresh wounds and overwhelming pain; Charles’ fingers are stained with blood, his nails torn to the flesh, some missing ,his knuckles scraped and bruised.
A gasp escapes him, because they cannot get hurt, they are already dead. Wounds, even those from iron, are fleeting, fade within minutes. And yet, Charles’ hands are battered, bloodied, like he had just been punching a wall.
Without thinking, Edwin takes them in his, fingers delicately gripping Charles’ wrists as not to hurt his poor, wounded hands any further, as he raises them up for inspection.
“What happened?”, he asks and hears his voice breaking, feels his heart do the same.
Charles’ eyes flicker downwards and there’s a fleeting look of recognition there, but nothing more. No surprise, no confusion, not even pain.
“Oh, yeah”, he says distractedly, turning his hands within Edwin’s grasp. “It happened a few weeks ago, when I was trying to dig through the concrete. Started out with just a scrapes that healed again, no problem, but then at some point they just stayed. Don’t really know what they’re about.”
“Do they hurt?”
“Yeah”, Charles says easily, like it’s nothing, like it doesn’t send Edwin’s mind spiralling. “But you get used to it, don’t you?”
It’s the warehouse again because it’s always the warehouse because Edwin has gotten lost there, and Charles has to get him back, no matter what.
So he marches into there, cricket bat brandished, and sends the cats scattering. Their King has not yet returned, his throne empty and Charles’s non-existent, aching heart seizes in his chest, like it does every time he looks at that horrible pile of palettes.
For a moment, he wants to beat it into splinters even more than he already has, wants to reduce it to dust, but then he stops himself.
It’s not what he is there to do.
One of the cats is too slow; Charles catches it easily, even if it is scratching and screaming and twisting its little body in a futile attempt to break free.
Charles doesn’t want to hurt it, but if that is what is necessary, he will.
“Tell me where he took my friend”, he hisses at the creature, ignoring that the scratches sting like fire, ignoring that the cat is most likely terrified of him. “If you don’t I’m going to crush every bone in your body and I won’t even regret it.”
There is a moment of silence, and Charles sees his hands covered in blood, feels thin bones splinter in his grip, imagines a life going out because of him, and he doesn’t want to do it, but he will if he has to.
Its little legs kick out again, before they go still and then, with the most contempt Charles has ever heard in another being’s voice, it says, “There is a cave south of here where the King sometimes goes when he doesn’t want to be disturbed.”
“Is Edwin there?”, Charles asks, a hint of hope blooming in his chest, because it’s a direction at least, a possibility. Yet, he tightens his fingers just so, just enough to let the cat know he means it.
“If you will find him, it will be there”, the cat replies and Charles breathes a sigh of relief, and lets go.
Edwin tries not to watch Charles say goodbye to Crystal, but it’s impossible not to, because Charles won’t let go of his hand. And Edwin cannot feel it, but he knows that Charles’ knuckles are still raw and his nails torn down to the flesh, and it is impossible to think of anything else.
“You’ll take care of yourself, okay?”, Crystal says, and reaches out to hug Charles, who goes willingly, their joined hands dragging Edwin closer, too. Their joined hands, Charles’ bruised and bleeding because of Edwin.
“’Course I will”, Charles answers and buries his face in Crystal’s hair; Edwin wants to tear him away from her and keep him to himself for the rest of forever. “You, too, though. And take care of Niko.”
“I will. Maybe she wants to come with me to London. See the sights. The agency. The haunted vending machine.”
The words give Edwin a start; that case, the vending machine that used to be haunted until Charles and he convinced the ghost stuck in there to move on in 2002, is nothing Crystal should know about. It’s one of the cases Charles and he still refer to sometimes when they pass that particular machine, a little inside joke.
That Crystal knows about it, that this Niko does as well, is an almost physical blow to Edwin’s chest, and for a moment, he does not know why.
But then Charles pulls back, his bloodied hand in Edwin’s still, and says, “That’d be brills. And we can make a few new memories, too. Good ones, this time.”
And suddenly, it is so clear: in the last three decades and some, there have been almost no memories they haven’t shared, and suddenly, there are six weeks of Charles’ existence that Edwin hasn’t been part of and the realisation of it feels like it’s ripping him to shreds.
“We should go”, he says, before he thinks of it, and it is unkind and cruel and selfish to ask Charles to cut his goodbyes short; yet Edwin cannot help but feel relief when Charles looks at him for a second and nods. “I’ll see you in two days, okay, Crys?”
And Crystal, who has a nickname too, nods, and Edwin breathes a quiet sigh of relief.
Charles drags the girls with him to the woods to the south, unsure where to find the cave and yet determined to do so.
Chances are that Crystal is just humouring him, but Charles doesn’t care. And it doesn’t matter, does it, because it’s her who finds it in the end.
“This doesn’t look very nice for a kitty”, Niko comments as they come closer; Charles still isn’t certain if she knows what and who they are looking for, but he doesn’t have the time stop and explain it, not if Edwin might be here, might be hurt, might be being tortured.
“I’m not sure if the Cat King would describe himself as a kitty”, Crystal replies as they get close enough to see into the cave, “But in general, I agree. I don’t think this looks nice for anyone in particular.”
She’s right; it looks damp and overgrown with weed, not a place fit for a king, but maybe for a prisoner.
“You wait outside”, Charles tells them, because he can’t die anymore, and because he isn’t sure if he wants his new friends to see what he’ll become if faced with the Cat King now. “If I need help, I’ll shout for you.”
Maybe Crystal answers, maybe she doesn’t; Charles doesn’t wait to hear it, just pulls out his bat and barges into the cave, ready to knock the whiskers off the damned creature that has taken his best friend, the best person in the world.
Inside, the cave is cosy, carpeted, a large bed and a bar crammed into a corner; it’s magic, quite obviously.
And it’s empty.
Being back in London feels right, even if the hand in Edwin’s still feels wrong.
Not because Edwin doesn’t want to hold Charles hand – he finds, although he never would have considered it before, that the weight of Charles’ hand in his is comforting, the pressure of his fingers grounding, that the occasional tug makes his heart skip a metaphorical beat – but because even without feeling, he is constantly reminded of the state of them, the blood caked under Charles’ fingernails.
Almost, he raises their joined hands again to see if maybe, some of the bruises have healed, but when Edwin turns around, Charles is looking at him with such wonder, such care, such lingering pain, that it takes his breath away.
That look alone is like a stab, a full-body blow, and Edwin hates himself for having caused it, for thinking about his petty jealousies when Charles has been through six weeks of what must have been Hell.
“Charles”, he says softly, because he doesn’t know what else to say, but he doesn’t even get to finish saying his name; before he does, Charles pulls him closer, into another hug, that feels almost as desperate as the one they shared back at the warehouse, kneeling on the ruined concrete floor.
“I thought I lost you”, Charles sobs into his shoulder, and the only thing Edwin can do is hold him. “I didn’t want to believe it for a second, but you were gone for so long and I thought- I didn’t think I’d ever be here again, I didn’t think I’d be here again with you, I didn’t-”
It makes Edwin think of what Crystal said an ocean away, that Charles didn’t want to leave the warehouse, not without Edwin, and there are tears in his eyes now, spilling over and impossible to stop, because Charles there on the warehouse floor, unmoving as the world changes around him, is the worst thing he has ever imagined.
He hugs him closer, and Charles buries his face in the crook of Edwin’s neck, hot tears spilling against Edwin’s skin and soaking into his blazer, changing the fabric in the most fundamental of fashions.
The girls find him eventually.
Charles isn’t certain how long he has been sitting there, but he isn’t sure he cares anymore, because Edwin isn’t here and Charles doesn’t know where he is, so he can’t save him, which means Edwin is somewhere out there, alone and lost and most likely hurt. And he must be waiting for Charles to come, because Charles has always come, Charles has promised him, again and again, that he would always come.
And now, Charles doesn’t know where to go.
He doesn’t know he’s crying until Crystal is crouching before him, dabbing at his cheeks with a crumpled tissue, and it’s like everything falls apart around him, beneath him, inside him, because Edwin isn’t here and Charles doesn’t know how to get him back.
They eventually part, although Edwin isn’t sure he likes it; he’s not used to this kind of closeness, and yet it feels good to hold Charles, to comfort him.
It’s not like Charles goes far either, he keeps one of his poor, battered hands on Edwin’s wrist and drags him to their sofa, pulls him down until Charles can rest his feet on Edwin’s lap, their fingers still intertwined.
At first, it’s difficult to find somewhere to put his other hand, the one that is so used to holding books when he sits here, but Charles looks at him hopefully as he fidgets, until Edwin puts it down on top of Charles’ thin ankle, fingers snaking around to hold it.
“Do you want to tell me about what happened?”, Edwin asks after a few moments of silence – not uncomfortable, but heavy still – but Charles shakes his head almost immediately, dark curls bouncing.
“I’d rather not”, he says, and it sounds prim, almost rehearsed; it hurts in a new, novel way to think that Charles feels like he has to prepare answers when talking to him. “It wasn’t… pleasant. Do you wanna tell me how the Cat King kept you there for so long?”
His immediate response is no, he doesn’t want to tell Charles just what he had to do to appease the Cat King. There is an explanation ready on his lips, one he has rehearsed, back when there were lips on his throat, leaving imperceptible marks, but then he thinks of Charles’ hands, of his eyelashes clumped together with tears, and Charles deserves the truth, especially because there is so little else Edwin can give him.
“He asked for a kiss. Or rather, several”, he explains, then, because he isn’t certain how much Charles understood back then, on the warehouse floor, “For me, it was only a few hours, but wherever he took me, time must have been stretched there. It is the only explanation I can come up with.”
And he expects a chuckle, a smile, anything at all, but Charles’ eyes go dim again, go dull, and Edwin hates himself with renewed passion for causing it.
Charles isn’t sure how they end up in Niko’s room; he cannot remember walking, cannot remember teleporting either. But they do, and he is still crying, surrounded by pink and purple and bright yellow, and there are two sets of arms around him and they still don’t make him feel better.
He can’t remember the last time he cried, and he doesn’t think he ever cried like this before, not even with his father’s belt raining pain down on him. This is worse, because this is Edwin, and this is forever, and this is all his fault.
“Maybe the cat just didn’t know”, Crystal says softly, rubbing a hand along his back; for a brief moment, Charles wishes he could at least feel this. “Maybe their King doesn’t tell them much, I don’t think kings usually do. We’ll just keep looking. We’ll find someone who does.”
It’s meant to soothe, but it doesn’t; if anything it makes Charles cry harder, because who is left? He could go through the cats, one by one, and he will if necessary,, but if this one didn’t know, why should the next one be any better?
He doesn’t know how to answer, because any sound that comes from his lips is coated and drowned and swallowed by sobs, but he doesn’t have to, because Niko kisses the top of his head, and says, “You did mention a witch, maybe she knows? Maybe she has one of those crystal balls to look inside and find your friend!”
And she’s wrong, because Esther would never help them; and she’s right, because Charles has questions for her anyway.
A bit of light returns to Charles’ eyes quickly, thank God. Edwin isn’t sure what snuffed it out in the first place, but he swears not to make the same mistake a second time; his soul would not be able to take it.
He tries to keep the conversation light, only that so much of it seems to be caught up in everything that has happened.
It’s unusual, having to tread lightly around Charles, and Edwin hates it with a passion that surprises even himself. But it just feels so wrong, even more so than watching Crystal’s hand on Charles’ back, hearing her mention anecdotes from a life she wasn’t part of.
So, when he again almost asks Charles just how Crystal could have known about the cursed vending machine, he instead picks up the book lying on their side table and holds it up without even looking at the title.
“Do you want me to read you something?”, he asks, because back when they first met they occasionally did this, especially on winter nights whose cold they couldn’t feel, when Charles still remembered dying.
For a second, there is silence, Charles’ thumb brushing warm across the back of Edwin’s hand, and Edwin could live in this moment for the rest of his existence.
“The Complete Encyclopedia of Uncommon and Rare Arachnids?”, Charles asks, and there is a hint of his usual smile curling around his lips, a ghost of his normal teasing.
“I could get another book”, Edwin counters, and gives Charles a smile in hopes of getting a real one in return, “but I would have to get up to get it.”
And Charles is shaking his head immediately, and the smile on his lips grows into something Edwin almost recognises.
He reads the Complete Encyclopedia of Uncommon and Rare Arachnids to Charles for hours.
They get to E.
“Don’t do this”, Crystal repeats for the dozenth time, but Charles doesn’t slow down his steps, doesn’t even think about it. “Charles! Don’t do this. You remember the last time, she’s dangerous.”
“I know”, he answers, and he does. It’s just that it doesn’t matter. “That’s why she might have Edwin. Because she’s dangerous. Or she might at least know where he is. I can’t, Crystal.”
And he does stop, just for a second, turns around to see her and Niko trailing after him, Crystal obviously distressed, Niko most likely just confused. And he wants to care so much, but he just can’t.
Not when it’s Edwin.
“You stay out of this, Crys, please. But I can’t, not when it’s him. If there is any chance that Esther knows what that goddamned Cat King has done to Edwin, then I have to try. I have to.” He doesn’t expect Crystal to understand; they don’t know each other for long, it’s a miracle she’s even here still. “He’s my best friend. He would do the same for me.”
For a moment, nothing.
Then Crystal’s expression softens, like she might understand after all, and she nods.
“Alright”, she says, “Niko and I will stay around the corner and I’ll try to read her mind. But be careful, Charles. You won’t be much help to Edwin if you join him wherever he is.”
Night falls and they are still wrapped up into their cocoon of warmth on the couch, Charles’ hand by now a familiar weight in Edwin’s.
“I know you want to ask”, Charles says into the comfortable silence, and Edwin rejoices just for the pleasure of hearing his voice. “And I’ll tell you everything you wanna know, just… not now, okay? I want to enjoy having you back before I have to think about all that again.”
“Of course”, Edwin answers and he means it, understands it, too. He looks down at Charles’ hand in his and that is enough for now. “Whenever you are ready. There is no rush, we have the rest of forever to figure it out.”
Charles’ fingers twitch in his and it must be the light, but the knuckles look slightly less raw, less torn. Without thinking, Edwin lifts their hands to his lips and presses a kiss on the wounds, hoping that it won’t cause more pain.
It gets a response, at least, a sharp intake of breath, Charles’ fingers clenching around his, but when Edwin looks up at Charles, allowing their hands to drop once more, his eyes are wide and warm and a little alive.
“Doesn’t hurt”, Charles answers the question Edwin has yet to ask, but his voice sounds a little strangled still. “It’s just that you don’t usually do… any of this. I thought the hand holding would be almost too much, I just couldn’t let go.”
Because I need to make sure you’re really back, he doesn’t say, but Edwin hears it anyway. And the sentiment hurts, the thought that Charles thinks physical touch is a burden to him to the point of trying to let go of Edwin’s hand for his sake.
“I do not mind it in the slightest”, he declares, making sure to tighten the grip he has on Charles’ hand. “Not if it’s you.”
And Charles’ eyes widen once more, a spark in them igniting, and Edwin kisses his knuckles, one by one, vowing that he won’t let go until Charles can look at him without fear in his eyes.
“Esther!”, he yells before he has even reached the door, ready to barge in without knocking, even if Crystal has implored him to at least stay outside of Esther’s house. “If you don’t come out, I swear to God, I will come and find you and-”
“What?”, the door swings open and Esther is standing there, pipe at her lips as she regards Charles with a put upon kind of disinterest. “I heard you boys were still in town, but oh my God, can’t you let a woman cook up her revenge in peace? You boys are so annoying.”
If he was still alive, his teeth would splinter from how hard Charles is clenching them; his fingers are itching to grab the bat and just try and mash her face in.
“Do you know where Edwin is?”, he asks instead, because that’s more important than feeling her skull split apart again.
“Who’s Edwin?”, she drawls, taking a drag from her pipe and blowing the smoke into Charles’ face. “Is that the other one? I can’t keep up with you kids and your stupid little names.”
“That’s him, yeah”, Charles answers and God, he wants to smash her kneecaps in, he wants to beg her to help, he wants to storm past her and tear her house apart until he finds Edwin. “Do you know where he is?”
“You seem desperate”, Esther says, smirking, taking another drag from her pipe. “I like it. What’s it worth to ya?”
“Everything”, he replies, although he shouldn’t, because in the end, it’s the only answer he can give.
“Love that. Not for you, but for me.” Esther is sizing him up, obviously considering something Charles won’t like the least, and yet he knows that he will do it, no matter what it is she asks, if she can only tell him where to find Edwin. “It’s gonna cost you, and I mean, like, a lot.”
“I’ll pay it”, Charles answers without a second of hesitation, and Esther smirks in a way that should make him regret his words; it doesn’t. “Whatever it is, I’ll pay it.”
Sometimes, Edwin forgets how different they get to experience time; sometimes he's forcibly reminded of the fact. Because Crystal and Niko find them like this, wrapped up in each other.
Part of Edwin wants to tear himself away from Charles, although there is nothing untoward they are doing, but another, one he understands even less, wants to press closer, wants to kiss Charles' knuckles again and let the girls see.
"You made it!", Charles exclaims when he sees Crystal, voice sounding at least a fraction alive, and Edwin loves it, despises it at the same time. "How was the trip?"
They are dripping rain water on the floor, Edwin belatedly realises, but he decides against mentioning it anyway, less for their sake and more for Charles’.
“It was alright. Long, mostly”, Crystal answers, pushing a hand through her thick curls and sending a spray of water down onto their wooden floor. Edwin does his best not to notice it. “How are you? Is everything alright?”
The concern is palpable in her voice, almost a physical entity in the room, and Charles seems touched by it, his eyes softening and another sliver of a smile playing across his lips.
“Yeah, everything’s fine. Edwin’s here”, he replies, like it explains everything, and Crystal nods, as if she agrees that it does.
Her gaze flickers over to Edwin for a second, then back to Charles, whose fingers clench around Edwin’s almost imperceptibly before he shakes his head, the motion so small Edwin almost misses it.
He’s about to ask what he is going on, but then Niko steps forward, spreading even more water on their floors, and Edwin is distracted by the bright teal of her coat, the white of her hair that wasn’t there before he was taken.
“You must be Edwin”, she says and holds out a hand that Edwin cannot take without letting go of Charles’. “Charles has told us so much about you.”
“That would be me, yes. I apologise, my hand is currently quite occupied”, Edwin answers, then raises their joined hands to help explain why he cannot shake Niko’s; an expression flits across Crystal’s face, too quick for Edwin to make sense of it, yet Charles seems to understand it easily.
It shouldn’t bother Edwin as much as it does.
“Ooh, that’s okay”, Niko says, and she sounds like she means it. Her eyes are wide and happy and suddenly, even without knowing much about her, Edwin is glad that she was with Charles when he was gone. “You should be holding Charles’ hand, that’s much more important. I completely understand.”
And silently, Edwin agrees.
Esther is grinning at him in a way that reminds Charles of the snake Edwin had found in her house, cold and dangerous and like he should be running from that smile.
Instead, he takes a step forward, and he would take another if Crystal wasn’t suddenly next to him, yanking him back.
“She doesn’t know a thing”, she half hisses, half shouts, her voice as deadly as Esther’s smile. “I read her thoughts and there is nothing in there. She just wants you to promise her that you’ll do what she asks, and then use you.”
Her grip is so strong Charles feels it through his clothes, through the barrier to physical touch that is death, and as she yanks him back, Charles feels the heart he doesn’t have break in his chest once more, because for a moment, he had had hope.
Esther cackles and Charles knows there are tears spilling down his cheeks, even if he cannot feel them.
“Well, it was worth a try”, she says, sounding like it’s nothing, like it doesn’t matter at all, and something in Charles just snaps.
Crystal’s hand on his shoulder still feels solid, but the cricket bat in his hand does even more so, especially when it connects with Esther’s still-smirking face.
While the girls go and dry off, Charles sinks back into the cushions, his eyes fluttering close. Almost, he could look relaxed, but Edwin can still see the tension in his body, like a spring curled tight and waiting for the lightest touch to set it off.
Edwin wants to soothe him, but he doesn’t know how to, especially not when there is still so much he doesn’t know about those six weeks.
He is trying to figure out a way how to ask, or at least hint at it, but then Charles opens his eyes again, and they are softer than they should be when Charles has been through so much.
“I think you’ll really like Niko”, he says, and he sounds wistful somehow; Edwin desperately wishes he knew why. “She’s pretty brills. Might have saved me once or twice.”
“Saved you? What from?”
Edwin imagines Esther and her giant snake and Hell and everything in between, but Charles’ eyes don’t change, neither does his voice.
“Myself, really.”
In the end, it takes both of the girls to pull him off Esther.
His whole body is aching from her iron cane in ways he had forgotten he could hurt, but the pain is distant, far away; the only thing that matters is that she had said she knew how to get Edwin back and she had given him a sliver of hope and then she had snuffed it out again.
Another thing that is far away: he is screaming, or crying, or both; two sets of hands drag him down the steps, and Charles knows he’s fighting them, because… because he doesn’t know what else to do.
And then he’s just crying.
Arms pull him close against a solid chest, fingers card through his hair, and there is nothing stopping the sobs wrecking through his body, so violently Charles feels them almost like he had felt the hits from Esther’s cane.
He doesn’t know how long they stay there, crouched on the ground, but it is a long, long time.
When they come back, Niko hops onto the sofa’s backrest and Charles looks up at her with obvious affection.
“Do you need some band-aids for your hands?”, she asks, placing a little box on her knee. “I brought the Hello Kitty ones.”
The words make no sense to Edwin, but Charles nods, and Edwin hates how much he doesn’t know, hates that they ever had to spend time apart.
Charles twists and turns until he can put one of his bruised hands into Niko’s lap, who inspects it, before a bright, bright smile spreads across her face, like a sunflower opening to greet the morning.
“It looks better!”, Niko tells him, and she’s right; the knuckles are still red, but have scabbed over, the cuts are a little less prominent against Charles’ warm skin.
“Does it?”, Charles asks, and sits up straighter to see for himself. “I guess your dad was right, then.”
“I told you.” Niko is pulling a pastel pink band-aid from her box, unwrapping it before placing it gently across one of the deeper scratches on the back of Charles’ hand. It covers only half of it, if even.
“Charles”, Edwin starts before he can stop himself, “what is the purpose of this? Those patches won’t make your wounds heal any faster.”
It takes a moment, but then Charles turns to look at him; it’s a silly thought, but it almost feels like Edwin has missed his eyes on him.
“They won’t”, Charles agrees, and his lips are curved into an almost-smile. “But it will make them heal better.”
Charles cannot remember how they get back to the butcher shop, but they do, because Charles ends up sitting on Niko’s bed, while she rummages through her night stand.
He isn’t certain what she is looking for, but she finds it with a little ah!, and returns to the bed with a box in her hand. It’s metal, dented and scratched in a way that shows it has been loved; she opens it and there are dozens of colourful band-aids inside, waiting to patch someone up again.
“Now, I don’t know Edwin”, she says in a strange cadence, like she is trying to figure out what to say while speaking.”But if you love him so much, then I don’t think he would like you to be hurt. And since he isn’t here to make it better, I will try.”
The words make Charles’ eyes sting with tears once more, because Niko is right, Edwin wouldn’t want him to hurt; because she is right, Edwin isn’t here.
“Ghosts don’t-”, he starts, because if he doesn’t talk, he’ll start crying again, “Our wounds heal differently. Those band-aids won’t make them heal faster.”
Niko stills for a moment, then takes one of his hands in hers, which is scratched from Esther’s cane. The wounds won’t last more than a day, Charles knows it, but Niko still touches his hand with so much care, as if she thinks she could hurt him.
“My dad used to put band-aids on my knees when I fell from my bike”, she tells him as if it’s an answer to a question Charles hasn’t asked; maybe it is. “And he always said that even if that wouldn’t make the scrapes heal faster, it would make them heal better.”
And Niko looks up at him, her fingers cradling his hand like she thinks he can still feel it.
“Do you want a pink or a green one?”
“Pink”, Charles says, and doesn’t bother to blink the tears away this time.
Niko covers Charles’ hands in band-aids until she runs out of them, Charles’ wounds too numerous for what her little chest holds. They feel strange against Edwin’s palm when Charles switches the hand he is holding Edwin’s with halfway through, the plastic so different to Charles’ skin.
He watches the exchange and it tugs at his heart in ways he doesn’t understand; it hurts and it heals, because at least Charles had someone to put little plastic patches over his wounds, even if how familiar both of them are with the process means that there must have been far more wounds than Edwin was aware of.
At the very end of it, Niko places a kiss on Charles’ knuckles and Edwin’s lips ache in jealousy.
“Thank you”, Charles tells her, and she nods, bright and happy, before she starts sliding off the backrest.
She stops, though, and cocks her head as she looks at Edwin.
“The kiss makes the wounds heal even better”, she says, like imparting a secret, and then, she’s gone.
“You can’t keep doing this”, Crystal tells him the second they are alone, in a voice that allows no objections; Charles knows he will object anyway. “Charles, I know you cannot die a second time, but you cannot keep doing this. Esther hurt you and we had to watch and I just. I can’t do that again. I know he’s your best friend, but you’re running yourself into the ground with this and I don’t know if I can watch it happen.”
She looks like she means it and Charles wants to help, but if there is one thing he cannot give her, it’s this.
“I can’t”, he answers, and looks down onto his hands, peppered with brightly-coloured band-aids someone who cares about him put there, up at Crystal who saved him from being bound to a witch’s whim, and yet it all pales in comparison to the gaping hole in his chest where Edwin’s presence usually lingers. “I’m so sorry, but I just can’t stop, not as long as he’s still gone.”
He wants to tell her about how Edwin would do the same for him, about how he has saved Edwin from a hundred monsters and will save him from a thousand more, about how he isn’t sure if he can continue existing without Edwin at his side.
But he doesn’t get to, because Crystal takes a deep breath, and asks, “What if he’s not trying to come back?”
The question shocks Charles into silence, but Crystal continues talking anyway, words blurring into each other with how fast she is speaking.
“I didn’t want to say anything, because I know how much you care for him, but maybe he just left. Maybe that is why we can’t find him anywhere, why the cats couldn’t tell you anything either. Because he doesn’t want to be found.”
And it’s-
It’s the most ludicrous thing Charles has ever heard in the fifty-odd years he has spent on this Earth.
“No”, he tells Crystal, “No, you’re wrong. And not because I couldn’t bear it although I really, really couldn’t, but… that’s not how we are, Crystal. He wouldn’t leave. Never. If there is anything in the world I know for certain, it’s that Edwin wouldn’t leave. And that means he’s out there somewhere and he is hurt or captured, and he is waiting for me to come and get him. And I will, Crystal, no matter what happens, I will.”
There’s nowhere in the agency for the girls to sleep, so they set out to find a hotel, and Edwin breathes a sigh of relief, even if he hates himself for it only moments later.
He shouldn’t be so jealous of Charles’ attention, his affection, especially not when Crystal and Niko have stuck with him for six horrifying weeks, and Edwin should be nothing but grateful to them for taking care of the best, the most important person in existence instead of him.
But the door closes behind them, and it’s just Charles and him once more, and Edwin is weak, is possessive and greedy and looks down at Charles’s hand in his, and thinks that at least one thing is right in the world.
“Alright”, Charles says and turns to look at Edwin. “You can ask me. Not about everything all at once, maybe, but you can ask me.”
It should take him at least a second to understand what Charles is talking about, but it doesn’t; Charles says you can ask me, and there’s a thousand questions swarming through his head immediately, begging to be spoken aloud.
He nods, but before he can decide on any one thing to ask, he takes Charles back to the sofa and makes him sit down, their hands still loosely joined between them.
Touch is something Charles has always needed, but now, with Charles so hurt, so vulnerable, Edwin realises that he needs it almost as much.
There are so many things he wants to know that it feels impossible to settle on one thing, at least to start with, until suddenly, there’s a question that blazes through his mind so painfully that Edwin speaks it out-loud before he has a moment to reconsider.
“Did you ever doubt I would come back?”, he asks, then corrects himself, “No, did you ever doubt that I wanted to come back?”
He tells himself that he’ll accept any answer Charles will give him and it’s the truth; another truth: if Charles ever doubted that the only place Edwin wants to be is at his side, it will shatter his heart to pieces.
“Of course not”, Charles says, not missing a beat, and Edwin gets to keep his heart after all. His voice is soft and his eyes are, too, even if their light is still dimmed. “I’d never doubt that. It’s you and me against the world, isn’t it?”
Edwin nods, and there are tears in his eyes he does not deserve to cry.
“Thank you”, he says, unsure what he is thanking Charles for: for still being here, for believing in Edwin, in the strength of their friendship, for enduring all of it. “I know it must have been Hell, because that’s what it would have been had the roles been reversed, but something must have happened, because your hands…”
Without wanting to, he looks down at Charles’ fingers, wrapped in bright plastic, his own woven between them, pristine because he allowed the most important person in existence to go through this alone.
“I’m not really sure”, Charles replies, and when Edwin looks up again, it’s Charles who is staring at their joined hands. “To be honest, I didn’t really stop to think about it. We found out about this other dimension the Cat King uses to escape, and I just went mental, didn’t I? Started trashing the warehouse completely, and when my bat broke, well. I just used my hands. I guess they’re not as sturdy.”
He tries for a smile, and it rips Edwin’s heart to pieces.
“You-”, he starts, but doesn’t get the words out, because the thought is too much to bear, the images of Charles ripping his fingers to shreds to find him too vivid.
“Had to get you back somehow, didn’t I?”, Charles asks, answers, still smiling, and Edwin cannot take a second more, so instead, he pulls Charles against his chest and hugs him so tightly he knows that, if he had any bones left, he’d feel them creak.
Maybe he should be discouraged, maybe it should be difficult to go back out and start looking for Edwin all over again, but it isn’t.
What would be difficult is sitting down and waiting; what would be impossible is to let Edwin stay wherever he is being kept.
So, he walks.
Past meadows and across streams, up hillsides and then looks down into the valleys and still finds nothing, nothing at all. It’s maddening, it’s the worst thing he has ever felt, because the scenery is beautiful, the days long and the sun bright, and Charles feels like he is dragging himself through barbed wire and broken glass.
When he gets Edwin back, he’ll never let him out of his sight again, he swears when he walks up to the lighthouse once more, for the fifteenth or five hundredth time, sparing a look at the ghosts sitting there, watching the water. He’ll keep him close, keep him in his sight, keep one hand in Edwin’s, no matter if he likes it or not, for the rest of eternity, just to make sure he won’t stray too far.
It becomes a thing between them when they are alone.
Charles will look at him and say, one question, or three questions, and Edwin will go through his mental catalogue of them, realising how much he hates that there is anything about Charles he does not know all over again, every single time.
How long did you wait in the warehouse at first?, he asks, and Charles says, days. Crystal had to force me to leave it for the first time.
Why is Niko’s hair white now?, he asks another time when they sitting on the roof, the sounds of the city dulled down to a gentle buzz. Oh, that was mental, actually, Charles answers, and launches into a story about gnomes crawling from her mouth, and Edwin sits there and watches him, and wishes Charles would tell the story like he would have two months ago, animated and excited about it, instead of matter-of-factly.
How long would you have stayed on that floor?, he asks, and doesn’t know if he wants to hear the answer this time, only knows he has to. And Charles looks at him strangely, fondly, sadly, and says, forever, mate.
Crystal catches up with him at the warehouse again, where he is pacing on the horrible, hated concrete floor, thinking about battering it open and seeing if he can find Edwin between the pieces. She’s been looking at him more often now, so openly worried Charles sometimes finds it difficult to hold her gaze, but there is nothing to be done about it, is there?
It’s the same way she is looking at him now, forehead furrowed and her dark eyes on him feeling like they are taking Charles apart, piece for piece, thought for thought.
“What are you looking for?”, she asks like she doesn’t know it, like the answer has ever changed.
He doesn’t answer, because he doesn’t know how to say Edwin’s name without breaking into tears, because if he says his name, he might not stop anytime soon.
“Charles”, she tries again and it stops his feet mid-step, “Charles, what if you don’t find him? What if he never comes back?”
It’s words that never should be spoken, because they cannot be allowed to be true, and Charles closes his eyes, just to save himself from the look in Crystal’s eyes.
“I’ve been to Tragic Mick’s shop and I asked him about ghosts and their wandering, because you are scaring me”, she continues, “and he told me that the only ghosts who wander are those that killed themselves. And that scared me even more.”
And Charles wants to shake his head and tell her she’s wrong, but it feels like that somehow; like half of him died and he is doing everything he can to follow.
Niko comes to change Charles’ band-aids and Edwin doesn’t think about it much, just watches her take out the box and tell Charles about the characters depicted on them. The wounds themselves have healed slightly, and even if no one knows why, Edwin breathes a sigh of relief at the discovery.
He expects Niko to let Charles choose a colour again, like she has done before, but instead she turns to him, who is just there because Charles is still holding his hand like it’s a lifeline.
“I think you should choose the colour this time”, Niko tells him, holding out a hand with three different band-aids in it, three different colours, three different patterns.
“It’s not my hands, though”, Edwin protests, but Niko just shoves her hand closer.
“No”, she agrees, “but they’re your wounds, too.”
And Edwin glances at Charles, who, for once, isn’t looking back, takes in the sharp cut of his jaw and the dullness of his eyes, thinks of his bleeding knuckles and broken nails, and knows she is right.
“This one, then”, he says, and leaves the green one, covered with leaves, the yellow one, covered with stars, and picks up the red one, covered in hearts.
The thought doesn’t appear gradually, it rips through him one day when he is walking through the library, forgetting to avoid the bookcases and just phasing through them instead.
Two days before, Niko, in a futile hope to console him, had put a hand on his shoulder and given it a squeeze.
“If he has come back from Hell, then I’m sure he’ll come back from where he is now. Especially if he knows you are waiting for him”, she had said, and back then, Charles had just tried giving her a smile, not thinking anything of the comment.
But now, it’s like a bolt from the heavens, a thought so devastating it leaves him gasping in the middle of the room, clutching at his chest like he still had a heart to calm.
He knows little to nothing about the Cat King, because in the end, Edwin had always been the brains of their operation, the one with the encyclopedic knowledge of anything supernatural, but something he knows intimately are Edwin’s stories about Hell.
Most of them, he has heard at least a dozen times, and even if that is not enough to imagine the horrors there, it’s enough to know that the entities there use souls like bargaining chips.
Edwin had told him before that he had been traded from demon to demon, and back then, in the comfort of their agency, Charles had shivered and put a hand on Edwin’s shoulder in lieu of pulling him against his chest, tucking Edwin’s head under his chin and never letting him go again.
Now, a picture forms in his mind that is so terrifying Charles feels like screaming, and Edwin is not here, so Charles will claw him from the mouth of Hell itself this time.
“Charles, could I borrow Edwin for a second?”, Crystal asks one evening, and Charles’ fingers tense around his own.
It’s a strange phenomenon that has only increased with time; occasionally, Edwin thinks he can almost feel Charles’ touch, not as just resistance, but like he used to when he was still alive.
“It won’t be long and I’ll bring him back, I promise”, she adds, not even bothering to ask Edwin, just assuming he will follow her.
“Yeah, sure”, Charles eventually answers, even if a second too late, and slowly, ever so slowly, untangles their fingers from where their hands had been resting between them. It’s the first time since Edwin has come back that they are not touching, and Edwin feels the loss of it immediately, his fingers itching to find Charles’ once more.
For now, though, he only gives Charles a smile before he follows Crystal outside, where she stops immediately.
Her expression is one Edwin cannot decipher, anger lingering behind her eyes, but almost concealed by something much greater, much more important.
“Do you have any idea how much Charles loves you?”, she asks, and the anger is there in her voice, the other thing is, too. “I know I asked you before and you said yes, but I don’t think you do. And I think you need to.”
“I am perfectly aware-”, Edwin starts, but he doesn’t get far.
“You are not”, Crystal interrupts him and she sounds so certain that Edwin feels helpless hearing it, because even if he doesn’t believe her, there are things now that she knows about Charles and he doesn’t. “I watched that boy beat up a witch that almost took out all three of us, because she had lied about knowing where you were, and the only reason he didn’t bash her immortal head in was because Niko and I pulled him off of her. He was willing to sell his soul to her just to get you back. To a demon, too. He nearly ripped off his own fingers trying to reach you, because he couldn’t imagine a world without you in it.”
She pauses for a moment and Edwin can’t speak, can hardly think, his brain trying to sort through the information and failing, because it hurts too much.
“I thought he was going to die, Edwin. Cease existing. Whatever”, she continues, crossing her arms in front of her chest, and the anger is still there, and Edwin understands it now, deserves it. “I went to see him every day at that warehouse after he had just sat down and accepted his fate and every day I expected him to just not be there anymore. That’s how much he loves you, I thought he was going to disappear just because you had, too. He loves you more than I can even imagine loving anyone.”
“Crystal…”
“If you hurt him, I’m going to make you regret you were ever born”, she finishes, and Edwin believes her without reservations, “and the only reason I won’t kill you a second time is because I know it would kill Charles, too.”
It’s not easy to get Crystal to tell him where David is, but Charles manages anyway.
The roller-skating rink is dark and dirty, the concrete floor too close to the one in the warehouse for Charles not to shiver when seeing it for the first time. But it doesn’t matter, isn’t allowed to matter, because crouched in the corner is a human figure with shaggy hair and a too-large fur coat, and Charles wants to rip him apart for Crystal, wants to beg him to help for Edwin.
“Oi!”, he yells out and David scatters in a way that reminds Charles of a bug of some kind. “You remember me, yeah?”
“What do you want?”, David spits back, pressed against the wall and trying to look like he wouldn’t flee if Charles gave him an opportunity to do so. “Haven’t you ruined enough?”
“Didn’t ruin a thing”, Charles replies, but there’s no fire to it, because in the end, as much as he hates it, he needs the bastard’s help. “I need you to send me to Hell.”
If he wasn’t so desperate, if there wasn’t a constant loop of torture behind his eyes whenever he blinked, showing him thousands of ways that Edwin could be torn apart this second, he would try to find a better, a more subtle way of putting it, but there is, and Charles has long since stopped caring.
He hasn’t seen Edwin in more than three weeks and if his best friend in the world, the one person who never deserved to go to Hell, spent three weeks there because Charles was too stupid to put the pieces together, he will never forgive himself for it.
“What?”, David asks, and Charles has no time for this, for any of it.
“Hell. I need you to send me to Hell, because my friend might be there and I need to find him”, he repeats, and it takes a moment, but then David laughs, an ugly, rough sound.
“You want to go to Hell”, he repeats, like Charles hasn’t said so twice already. “Voluntarily.”
“Yes.” Charles closes his eyes for a second, wishing that the deep breaths he used to ask Edwin to take would still have the same effects on him as they did when he was still alive. “You don’t need to understand it, you just have to send me there. I’ll sell you my soul or whatever it is you do, I don’t care. I just need to get to Hell as quickly as possible.”
David still looks like he wants to laugh, but this time, he doesn’t. Instead, he takes a step forward, raising his hands as if he was trying to placate Charles, a smile on his lips that Charles wants to knock off.
“Alright, alright”, he says, and Charles hates him and hates the Cat King and hates himself for letting it come to this. But it will be worth it, anything would be worth it if it brought Edwin back. He’ll figure out what to do about his own soul later. “I’ll get you to Hell, absolutely. But it sounds like you’re desperate, so I might need a bit more than just your soul to make it happen.”
“No.” He thinks of Crystal and Niko and Jenny, all safe, all oblivious, hopes they’ll forgive him. “You’ll get my soul, and that’s it.”
David pretends to think about it, but Charles has dealt with enough demons to know he will accept; they are greedy creatures after all, and a soul is a soul is a soul.
“Okay”, he says at last, and still, Charles feels relief wash through him. Just hold on a little bit longer, Edwin. I’m coming. “I’ll take your soul. And I’ll send you to Hell. But I’ll choose the Circle.”
“Sure, whatever”, Charles replies and the smirk that David gives him should scare him, but he’s far past scaring. “I’ll find him no matter what.”
Crystal’s words echo in Edwin’s head when they return to the agency and Edwin slots back into the spot next to Charles, their fingers intertwining naturally.
He knows Charles loves him, of course he does. Has known it for thirty years and has it carved so deeply, so prominently into his heart that he’ll never forget it, yet something about Crystal’s words makes that knowledge scream in his chest when Charles looks at him, a little bit of his usual brightness returning to his eyes as soon as they touch.
It’s not frightening, that knowledge, but it’s not comforting either.
It’s just there, beating in his chest like a heart might, asking if Edwin feels the same.
And without a moment’s hesitation, Edwin answers.
Yes.
“Oh, you fucking won’t”, rings out Crystal’s voice just before Charles’ hand touches David’s, and for a moment, Charles hates her.
Then someone grips his shoulder and flings him backwards, and Crystal is standing there, breathing heavily, a cleaver in her hand, and for another moment, Charles loves her.
“You won’t fucking touch him”, she hisses, and David laughs, the sound just as rough, just as ugly.
“He came here by himself”, he tells her, grinning still. “He asked me to take his soul. He begged me to do it.”
“Well, the offer has been rescinded. And you better go wherever the fuck you came from, before I send you back there myself.”
“Crystal, I need him to-”, Charles starts, desperate, but he never gets to finish the sentence, because Crystal turns her head to look at him, and her eyes are blazing like fire, before they go white.
“No one needs him for anything”, she tells him and her voice is distant and emotionless and powerful, echoing in the empty space like it is made of a hundred women speaking.
And Crystal reaches out and puts a hand on the centre of David’s chest.
For a moment, nothing happens, then he is being flung back against the wall with an invisible force, kept there suspended.
“You won’t touch him again”, Crystal says and the other voices still echo within hers, leaving Charles breathless and awed and despondent. “And you won’t touch me either. Otherwise I’ll bury you so deep you’ll be begging me to send you back to Hell instead.”
And she lets him go; when she turns back to Charles, there’s a small pouch in her hand.
“Crystal said you almost sold your soul to a demon”, Edwin starts the next time Charles allows him a question.
Everything Crystal had told him has stuck with him, but this he had only realised much later, and it had scared him like hardly anything else had before.
Charles just nods, this time doesn’t even try for a smile, and Edwin is glad for it; he’s not sure if he could take it.
“I didn’t really think I had a choice”, he adds after a few moments, like it makes it better. “I thought the Cat King might have sold you to some kind of demon and that was why I couldn’t find you anywhere. And the idea of you, stuck down there… I couldn’t take it.”
“But there was no proof, there can’t even have been any indication that…”
“No, there wasn’t”, Charles replies and this time, he does smile, and the sight is as torturous as Edwin knew it was going to be. “But I had to make sure. No version of you getting dragged to Hell where I don’t come and get you, is there?”
His fingers, adorned with less band-aids than there were before, squeeze Edwin’s and for a moment, they almost feel warm, real.
And Edwin blinks back tears and thinks of Crystal saying, he loves you more than I can even imagine loving anyone, and squeezes back.
“How am I supposed to get Edwin back now, Crystal?”, Charles sobs, the words coming out drowned in tears and desolation. “What if he’s in Hell and I can’t get him back?”
He’s on the floor of the roller-skating rink, David’s collapsed form just metres away, and Charles should move in case he wakes up again, but he can’t. His limbs are not moving, his thoughts spiralling, because the only thing that counts is that Edwin might be trapped in some kind of torture chamber in the one place Charles cannot reach.
Two familiar hands pull him up and into a hug that Charles cannot reciprocate, shaking too violently with the intensity of his sobs.
“Jesus Christ, Charles”, Crystal mutters into his shoulder, and she sounds shaken, sounds almost in tears. “Have you ever stopped for a second and thought what would happen if Edwin came back and you were in Hell?”
“Now that we’re all back, do you guys want to get back into detecting?”, Crystal asks them, and Charles flinches almost imperceptibly, before forcing a smile onto his pretty lips.
This time, at least, looking at it is a little less painful.
“Yeah, of course”, Charles says, “but maybe not right away. Unless Edwin…”
“No, I think a bit of a break would do us some good”, Edwin tells him before Charles can even finish the sentence. “Maybe once Charles’ hands have healed. We have no reason to rush it, do we?”
And watches as a little bit of light returns to Charles’ eyes.
It’s later, although Charles cannot tell exactly how much.
Crystal had to half-carry him out of the roller-skating rink, where they had both collapsed on the ground, unable or unwilling to move.
With time, Charles’ sobs had dried up, even though it feels like he has an ocean of them still stored inside his chest, lapping at his unbeating heart like waves. But Crystal had been right, he doesn’t know if Edwin is in Hell, just fears it more than anything else in this world.
“Charles?”, Crystal asks into the night air, sounding pensive, drained.
“Yeah?”
“I know you and Edwin are best friends, but that can’t be all that there is to it. Not with how you’ve been in the past weeks. What’s going on?”
It’s not the question he expected, it’s not even one he has ever asked himself before, but there is exhaustion so deep in his bones, paired with despair he didn’t know he could even feel, and Charles knows that Crystal deserves an answer.
So, he looks inside, pictures Edwin, his little smug smile when he wins at Clue and the elegance of his gestures and the way his voice softens when he knows Charles needs reassurance.
He thinks of Edwin, bathed in the light of the morning sun, and illuminated by the stars, thinks of Edwin’s wit and his brilliance and how easily he gets annoyed at period dramas on TV when their costumes aren’t historically accurate. Thinks of Edwin reading him to sleep when he was dying and reading him poetry afterwards when he found out that Charles had never truly liked a poem, and how Edwin’s voice had almost made him cry when he had recited Keats’ Ode to a Nightingale.
Thinks about how when he’s sad, it’s Edwin he wants to talk to, and when he’s happy, it’s the same thing, the same intensity.
Thinks about how no one has ever known him like this, inside and out, with all his flaws and imperfections and silly little quirks, and how Edwin does and still wants to keep him; how Charles knows just as much about him and feels the same.
Thinks about how it’s impossible to imagine a world without him in it, and how Charles never even wants to try doing so.
Thinks of Edwin and how he is the best, the brightest, the most important part of his existence.
“I love him”, he finally answers, and he’s choking on the words because they are true and yet he hasn’t known until a second ago. “Crystal, I love him. I love him so much and I never even got to tell him.”
And he’s crying again, just as hard as before, and Crystal reaches out and holds him until it’s morning again.
“Crystal and I found the vending machine”, Niko tells them the next day when the girls arrive around noon. She’s skipping, obviously excited as she sits down between them, completely ignoring that it means they have to rearrange their intertwined hands. “The one that was haunted. It was so cool, I got an orange soda out of it.”
She’s unpacking her band-aids, although nowadays, Charles doesn’t need many of them anymore, setting them out as a surgeon would their instruments, and no matter how charming Edwin finds her, the reminder that the girls know of the vending machine still makes something in Edwin’s chest clench uncomfortably.
“That’s great”, Charles says and maybe there is a little bit more light in his eyes than there was yesterday. He plucks a band-aid from Niko’s lap and hands it to her. “This one today, please.”
And it really isn’t great at all, but Edwin doesn’t know how to formulate the fact into a sentence that doesn’t sound like complete lunacy.
“And this one”, he says instead, and grabs a random band-aid too, just so he won’t make a fool of himself.
It’s the first time he has participated in the little ritual by his own volition and Niko smiles at him, almost a reward, before taking a look at the plaster he picked.
“That’s nice”, she tells him, and puts it down next to Charles’ choice for later use. “And really fitting. They’re in love in the anime.”
Charles’ hand twitches, but he doesn’t say anything else until Niko is finished.
“There is one more thing”, Crystal tells him as they are walking back to the butcher shop, after she has explained the power of her ancestors she has just discovered to him, or at least tried to. “When I was in David’s mind, I could see… something in the warehouse. Somewhere he thought about escaping to. I think it’s something like a little pocket dimension, if that makes sense. Maybe Edwin is in there.”
That night, Charles gives him another question, and Edwin knows he shouldn’t, but he can’t help himself.
“When did you tell Crystal and Niko about the Case of the Haunted Vending Machine of 2002?”
Charles looks surprised, and Edwin cannot blame him; it is such an inconsequential thing to ask when is so much else Edwin doesn’t know yet, but then his eyes soften a little, and there is a spark in his eyes that Edwin has missed dearly.
“I’m not entirely sure”, he says, and it makes Edwin feel a little better to know that: at least to Charles, it wasn’t an occasion that mattered. “But they asked about you sometime, especially Niko, after she could see me. About why I wanted to find you so badly, about how our life was like before we came to Port Townsend. And I thought the easiest thing was to just tell them about cases. And you were brilliant in the vending machine one.”
He smiles and for the first time since he got back, Edwin doesn’t have to suppress a flinch; it almost looks like the smile he is used to.
“So were you”, Edwin replies without thinking, and means it, too. His fingers tighten a little around Charles’ and he could swear he can feel skin against skin, flesh against flesh.
“We were pretty brilliant together.”
“We were”, Edwin replies and wants to pull Charles closer, wants to never let him go again, “And we still are.”
This time, Crystal doesn’t even try to stop him.
Charles walks into the warehouse, cricket bat in hand, vowing then and there that he won’t leave until he has found this pocket dimension, no matter what or where it is.
He starts with whatever is left of the furniture, smashing it to pieces and ripping those apart until they’re nothing more than splinters. The palettes strewn about are next, nails flying as Charles pulls the boards apart and leaves them scattered on the ground.
Then, the walls, tearing down the panelling, until the metal is bare and covered in dents and scratches and holes where his bat bust through the rust. He rips out the light fixtures and grinds them to dust under his loafers, shreds the nets hanging between the beams and leaves their tattered remains wherever he happens to be standing.
Finally, the floor itself, because if he has to dig down to Hell with his nails and teeth, he will.
The concrete cracks under the barrage of hits he rains down onto it, magic putting more force into the blows than his spectral muscles could, until the ground looks like a meteor hit.
It turns out to be too much for his bat, which splinters just like the palettes, the pillars, the concrete did, so Charles throws it away and uses his hands instead, shovelling away gravel and debris and chipped wood, digging deep into the ground until it, and Edwin, are the only things he can still think about.
Somewhere in between, his hands start bleeding, his nails cracking and ripping down to the flesh, but Charles pays them no mind, even as pain radiates up his arms with every punch, every blow, every cut.
It feels like the scratch of a cat’s claw, just a hundredfold, and it hurts, but it doesn’t matter.
Nothing does.
“Why is this so important to you? All the questions, I mean. I know Crystal told you the gist of what happened during that time”, Charles asks after he has answered another one of Edwin’s queries. He looks relaxed, his head pillowed on Edwin’s lap, and when he looks up at him, Edwin knows he could count the lashes around his deep, dark eyes.
They’re less dull nowadays, but still don’t hold that one spark that Edwin misses the most of all.
“It’s silly”, he confesses, not because he wants to, but because Charles has shared so much with him that he deserves to have at least one question of his own answered truthfully. “It’s just that for decades, all of your memories were mine as well. And those six weeks… I wish I could change them, I wish you didn’t have to endure them, I wish I could take all of it away, so please, don’t think that this matters more to me than that.”
He takes a deep breath, something that he had forgotten about in Hell, something that Charles had showed him once more after they had met, something that now will always be Charles to him.
“Suddenly, there are six weeks in the middle of your existence, and I wasn’t part of a second of them. And I hate that, much more than I should.”
For a few, long moments, there is no answer, just Charles’ eyes on him, just his fingers brushing across Edwin’s knuckles.
“Edwin, you were there for every second of it”, Charles finally answers, and his eyes are still not as bright as they used to be, but they’re bright anyway. “You were at the heart of everything. I missed you in every single moment.”
His hands are bruised and bloody, some of his nails missing, the others torn down until they are little more than gaping wounds, as Charles tears another piece of concrete from the floor.
He has looked everywhere and Edwin isn’t here and it is a constant refrain in his head; he’s not here he’s not here he’s not here.
Occasionally, there’s tears mixing with the blood, but Charles doesn’t pay them any mind either.
On the third day, Crystal finds him, covered in dust and grime and blood and splinter of what might be wood or bone or whatever is left of his ruined heart.
She breathes out his name and it’s a sob; when he looks up at her, it takes a second until he recognises her.
“You can’t continue like this”, she says, and there are tears in his eyes, on her cheeks, dripping down her chin. “Edwin wouldn’t want you to torture yourself like this and I can’t watch it any longer. It’s been almost a month, Charles, you won’t find him like this.”
It takes a moment or two until he finds the words, remembers how to speak, and when he does, he knows he’s crying, too.
“But what else is there left I can do?”, he asks, and Crystal chokes on her tears, before she reaches out and pulls him into a hug.
“I don’t know, Charles. I wish I did.”
“Your hands are almost fine again”, Edwin remarks and lifts the one he is holding up to inspect it. There are just two band-aids left, one around his ring finger, one on the back of Charles’ hand, green and yellow respectively.
“I know”, Charles answers, lifting the other one, a single frog-themed plaster around his thumb. “It’s a miracle, innit?”
And Edwin looks at him, his almost-perfect smile, the slope of his nose and the dark brown of his eyes; he loves you more than I can even imagine loving anyone, Crystal says in his mind.
“Yes”, he replies, “it really is.”
“Come with me”, Crystal pleads, trying to pull him up from where he is sitting on the ground, between broken pieces of concrete and wood.
“I can’t”, Charles says, and knows it is true. His limbs won’t move, his body refusing Crystal’s attempt to lift him up; he won’t leave without Edwin at his side.
“You have to”, Crystal replies, and Charles wishes he could reach up and brush the tears from her cheeks. “You can’t stay here. Not like this.”
“You don’t understand, Crystal”, he says, and maybe he is crying, maybe he has forgotten how to do even that. “I can’t leave. If he isn’t here, then nothing matters. I cannot pass on, because there’s no Heaven if Edwin’s not in it. And I could stop existing, maybe, but if I do and he comes back, then he’ll be alone. So, if I can’t find him, if I can’t bring him back, then I’ll just… stay. And I’ll wait. Forever if I have to.”
Even though Charles, who used to flit between places like breathing, seems most content inside the agency these days, Edwin drags him up to the roof, because the weather is lovely and Edwin wants to see the sun on Charles’ skin, reflected in his eyes.
He seems different today, distracted, but he gives Edwin a small, almost-right smile when they sit down on the ledge, looking down over the city.
“I’m sorry you didn’t get to ask a question today”, Charles says after a few seconds, but he sounds far away, almost distracted. “I know you like them. It’s just. There is one thing that I don’t think you how to ask about and that you should know. So I was trying to figure out how to tell you.”
Something about his words makes Edwin’s metaphorical heart beat faster, makes him look at Charles and notice everything at once: the way he clenches his jaw, the slight furrow of his brows, how his tongue darts out to wet lips that don’t get dry any longer.
He looks nervous, and Edwin hates it, because there is nothing Charles could say that would make Edwin care for him any less.
“You can tell me anything, Charles.”
“I know”, Charles replies and gives Edwin the smallest of smiles. “That’s what makes this so hard.”
For a long time, there is nothing, then Charles shakes his head slightly, a tick Edwin knows so intimately it almost pains him.
“You see”, he starts, “when you were gone, I found something out about myself. About you, too. I’m not sure if I would have otherwise, at least not now. And I wanted to tell you, but I couldn’t, and now that you’re back it’s suddenly so difficult, because you’re here and I know it won’t change anything, not between us, but it will change something for me, anyway.”
He lifts their joined hands, the single band-aid stark against his skin, and smiles; for a moment, Edwin forgets that he doesn’t understand what Charles is talking about, because there is something so fond, so sweet, so devastating about the look in his eyes.
“I love you”, he says, and Edwin’s metaphorical heart stops, speeds up, swells until it is straining against his ribs, “No, that’s not what I meant. I’m in love with you, Edwin. And I thought I might never be able to tell you, so I’m doing it now.”
And he looks over at Edwin and for the first time since he had launched himself into his side in that godforsaken warehouse, Charles smiles at him and it’s the smile Edwin missed the entire time, every bit of sunlight in the universe bundled into his eyes, into the curve of his lips.
“You don’t have to feel the same. I don’t expect you to”, Charles says, and his voice is trembling, but he sounds happy nonetheless, sounds content. “I just needed you to know that you’re loved in every way there is.”
A beat, a second, another one, and Edwin looks at Charles and it’s like he is seeing him for the very first time, at the same time like he has never seen anything else in his entire existence.
He loves you more than I can even imagine loving anyone, Crystal’s words echo in his mind, and she was right all along, and Edwin…
“I love you, too”, he says without thinking about it, because he doesn’t have to, he has known this for years, decades, maybe forever.
“I know”, Charles replies and he’s still smiling; he’s so beautiful Edwin wants to break down and thank the fates that he was sacrificed, that he was dragged to Hell and escaped it, that he is allowed to be here, holding hands with the best, the most important, the most beautiful boy in the world.
“No, Charles. I’m in love with you.”
And another beat, another second, and Charles’ eyes go wide, the sun behind them goes supernova, and Edwin can’t believe he ever looked at him and didn’t know he wanted to kiss those lips.
“Oh”, Charles breathes out and he sounds overwhelmed, sounds almost bashful. “That’s… that’s brills, innit?”
“Yes. It is.”
There is a pause, because something shifts between them; it doesn’t change, because it was always there, even without them knowing, so instead, it blossoms and blooms and grows into something so delicate, so resilient, so beautiful that Edwin finds himself smiling, almost laughing, almost crying.
“Can you just kiss me, please?”, he asks, love and happiness and devotion woven into every syllable.
And Charles nods, eyes brighter than Edwin has ever seen them before, and there is a second of hesitation, but then he leans in and kisses Edwin, and this time, there’s no mistaking it; there’s lips pressed against his, warm and soft and sweet, and Edwin can feel them just as if he was alive.
“I love you”, he whispers against Charles lips, and Charles laughs, before pressing closer still, kissing him again and again until Edwin’s head is swimming with it, his lips wet and swollen and his cheeks wet with the happiest tears he has ever cried.
“I love you”, Charles whispers back, and he’s smiling.
And he kisses him again.
55 notes · View notes
fl0atingbubbles · 2 days
Text
Want to be a part of an Indi animated show??
yep, that's right! I'm working with some friends on an indi animated show inspired by all those who came before! The concept has been building for around a year now and we've decided to start looking for some more artists and writers!
The show is called ZOMBIECORE!
ZOMBIECORE is a horror mystery show about a zombie bunny in a city of cannibal demons! Follow her as she searches for her killer through the 5 districts of Ghastown!
Tumblr media Tumblr media Tumblr media Tumblr media
(click on the images to see them better)
Now before I go on any further;
‼️THESE ARE UNPAID ROLES‼️
This is just a passion project that we are working on in our spare time, if things progress further there might be payment down the line, but that is extremely far away and not at all guarantied. If this does not work for you, don't apply!!
info:
anyway, onto the details! We're looking for concept artists/animators as well as writers for the script!
artists/animators will be (you don't have to be doing all of them if you're an artist, just what you're comfortable with!):
- making visual concepts for the show's overall look - character designs - background/location concepts - animation/movement concepts - and anything else that comes up!
this role could also evolve into you helping out with backgrounds, storyboards, or animations when we get further along!
Writers will be:
- planning the episodes - writing the scripts
yep that's about that! some important things for you to note before applying tho!
- this is UNPAID (like i said before) - you only have to do work you're %100 happy to do and take breaks whenever you need - you can drop out whenever - you don't need a specific skill level. We are accepting every and all applications from expert to beginner! so don't feel like your art isn't good enough <3
I'm working as the animation director and a Co-writer, so I'll be there to help with whatever role you have, and if you've been following me for a while you know i don't bite.
How to apply
- Have discord (no way around this) - Send me a DM on discord (user Fl0atingBubbles) - if you want to be an artist, please add examples of your art! Anything animation or concept based would be loved, but any art will work!
Once you have sent me a message I will look over your application and send it to the director (their name is Bloom)! We will then decide if you're allowed on the team! you might have to talk to Bloom before you can join just to check if you'll work, but they're super nice lol
after all that you'll be welcomed to the team and can start helping out!!
If you have any questions about this please ask and I'll give you the best answer i can!!
✨Also, if you guys could share this post around or tag anyone you think would be interested, that would be great! we'd love as many eyes on this as possible!!✨
16 notes · View notes
itsbasil · 2 months
Text
Tumblr media Tumblr media
"what if tumblr was more like reddit" what if I shot beams at you
30 notes · View notes
bueris · 9 days
Text
okay maybe I should seriously reconsider my path in life and sell my soul to marketing or journalism instead
#okay venting in the tags you are very welcome to ignore or not respond to it i just need to yell somewhere#i always thought id be an art therapist because well i care about people and want to help them and love art#but everyday i wake up feeling like a fraud and an imposter so like. should i really be doing all that when im not entirely#certain i cpuld handle it??? like i know i haven't gotten the meaty bit of the education towards that yet but like#university costs a disgusting amount of money here and if i pick the wronf thing im likely doomed forever thanks to awful government#i know things could get better like they did after thatcher but honestly im not putting any bets on it considering how the current labour#party is so like if i fuck up here im basically dead#also can i actually do art uni. like could i cope with that. im deeply unethused with art at the moment and honestly will i evwr be#idk#it was jusr a thing i always did but education around it is fucking soul sucking#also the emotional weight of hearing and solving people's problems as a therapist. i would consider myself quite empathetic for the most#part i feel other people's pain quite strongly and obviously as a therapist id be feeling that quite a bit so could i actually cope with it?#ik therapists have therapists but still#i mean im doing work experience at an occupational therapy place so ill just be extra inquisitive about it all to make sure im going#the way i wanna#I'll be fine by the end of a levels ill probably understand what i want in life#if not then gap year to work it out#should probably look at unis for english language too then#sigh#ucas website i may as well marry you#ill be okay im getting in my head about stuff im actually pretty good at art even if there are things i can improve on (like patience lol)#yeah maybe the voice telling me i suck doesnt know shit and should shut up#yeah#shut it nasty voice you're wrong actually!!! im doing just fine and you're being overly critical#they should make a brain that's your friend and not mush that hides the amalgamation of every bad thing ever in its crevices#crevices shoyild be filled with kindness and love.#sex jokes about that#why the fuck is yahoo mail syncing i dont use you you washed up search engine#bue waffling#vent post
8 notes · View notes
snickerdoodlles · 2 months
Text
there's a lot of things people blame for why fandoms feel like ghost towns these days, but no one's really talked about the way discord's contributing to it
#its like#people are trying to force fit discord's chatrooms into forum boards#except discord is just. really really *really* poorly setup for that#and theres no way to archive or share it so everything said in it is easily lost despite personal export or community pins or search option#and like#vaguely hearing about the way some people are unsatisfied with them/feeling unfufilled in the response to them#a lot of people would be better off posting those things to places like tumblr#where there isnt a time limit on when people see or respond to them#part of what's scary/frustrating on tumblr rn is some fandoms arent good about reblogging to posts or tag rambling#like with bad buddy a large part of the fun was the enthusiastic and in depth tag rambles and the way responses built on each other#vs something like kinnporsche which feels much more like-oriented#like? its not like theres any one way to fandom#and there's nothing actually wrong with likes or quiet reblogs#but vaguely hearing about the way some people were/are really upset with some servers im just kinda like#idk#feels a bit like people trying to force a square thru a circle or that they're looking in the wrong spaces for what they want#.......this is not a complaint for my space ajkds i think i've carved out a pretty happy space for myself!#im just checking the reblog graphs of some old vs new stuff and thinking about a convo other cookie and i were having over the weekend#i have a lot of friends around and i love everyone who's happy to ramble with me#but i do feel a slight case of DM burnout rn where mostly people reach out to me via DMs instead of reblogs#which is a very different dynamic#its like. hmmm words#i love DMs but the pressure of responding to a lot of individual messages#vs something like reblogs which is more open forum for everyone and feels more communal#if that makes sense?#the difference between visiting one person at home vs casually hanging out with a group at a cafe#and the lovely thing about tumblr specifically is that i can set down a reblog chain for several days if i need#before returning to it later when i have more time/energy#its got Longevity that discord lacks u know#........okay enough tag musings from me ajkfhjdgfhj BYE
15 notes · View notes
spacedlexi · 3 months
Note
what are your opinions on louis x aasim?
i dont ship it personally but its fine i have nothing against it. i think its cute that (supposedly. dont ask me for a source but maybe someone else has it) apparently aasim was gonna have embarrassing shit about louis in his journal but it was cut lol. aasim youll always be bi to me in my heart i know its true
i have no reason to split him from ruby tho like theyre fine too so shrugs. the idea of aasim having a crush on louis before clem shows up i can appreciate at least. adds a little Flavor. aasim having an unresolved crush on him i think is a fun addition to their dynamic. definitely see aasim as the sort who would see louis do something goofy or obnoxious and being like "i cant believe i have a crush on you this is so embarrassing for me 😑"
15 notes · View notes
chibishortdeath · 20 days
Text
Hmmm I kinda want to make a side blog for RPG Maker game development related things to be able to talk to more experienced people in that community, but at the same time I both don’t really think I’d get much attention and don’t want to accidentally spoil my own game (^^ ; ).
I have a rough story, concept doodles, a tileset, some character sprites, an enemy that walks around but can’t initiate battle yet (if I even decide to have a battle system), a couple rooms with some events, and a functioning run button, but I’m still lost on how to do much else at the moment. Especially since this program has the ability for scripting, meaning I’ll probably have to learn and actually retain another coding language.
So, I’m not very far at all lol. Idk how well that’d go over on the established fandom website, but eh.
#text post#incoherent rambling#project update#game project#I’m still also debating whether or not I can actually even make a proper horror game too#It’s the rule of like just being a horror fan doesn’t make you good at horror being afraid of something does? ya know?#I am trying to go with things that scare me personally but it’s been difficult#either things aren’t concrete of concepts enough or are wayyyy too oddly specific to make anything about#which is quitter talk I know but how does one translate the childhood heebee jeebees of watching top ten gaming videos past bedtime 💀💀💀#or like the way too broad general fear of lack of control without making it too on the nose or too vague#truly a balancing act writing is#kinda ironically I am also a little bit less afraid of hospitals after having been to one for myself rather than family members#which makes things both more and less difficult???#on one hand I have better references for them now but on the other hand I’m desensitized to it 😔#I think I get used to things a little too easily for a lot of things to stay scary#the thing was a scary movie the first time I saw it and now it’s a comfort film#funger was a very scary game until I first died and reloaded a save with little consequence and now it’s just a spooky but fun rpg#but then at the same time thinking about a movie studio logo before a movie that scared me as a kid cause there was a monster in it#still gives weird left over shivers but actually seeing it doesn’t anymore for some reason#I feel like that’s how it’s worked with most things I’ve ever been afraid of in my life besides concepts like death control or idk drowning#ugh writing is HARD#but actually making a functional and fun to play game is harder oh my god do I not know how to make puzzles#I have made swivel chairs that can be knocked and walked over but that’s about it and idk what to do with that knowledge lmaooooo#and I don’t want the entire gameplay loop to be read text search room get key repeat cause that’s boring#I have also desperately tried making a stamina system but there’s not much help with that online especially not in the rpg maker forums#the no necroposting rule sucks all the threads for questions I have never get answered and never will cause no one is allowed to due to age#anyway idk what to tag this probably won’t get seen since it’s not my usual anyway but eh whatever I’ll think about this#hopefully I remember the passwords to two blogs 💀💀💀
5 notes · View notes
crossbackpoke-check · 5 months
Note
Hello, im wehaveagathering from my main blog, im kind of obsessed with your hockey poetry edits and I think your blog is great! I guess I kind of have a dumb question, where do you find the images you use for your edits? Did you say Getty in your tags?? I’ve gotten into making icons recently (and i have ideas for poetry edits hrrrghhh) but it’s hard to find high res images. Thanks for your time and I hope you have a nice day :)
first of all thank you so much 🥹 and second that’s absolutely not a dumb question!! i do pull a lot of images from getty and i’ll also download pictures from sports articles (i got a lot of the hugheses pictures from online access articles, for example), or sometimes from instagram/facebook/twitter if an account is public. freely admitting that i am not technologically advanced? inclined? in the slightest here, but the image editing software that you use and how you import/export photos with it makes a difference in the quality of them as well!
if you haven’t seen them yet, i would also recommend checking out @simmyfrobby @national-hockey-lesbian @hauntedppgpaints @tapedsleeves @starscelly and @captainbradmarchand’s blogs just off the top of my head!!! they might know more places to get high res images and also i love their work 💕🫶
#sorry can’t type hands all butterfly hearts i’m just out here like 🥰🥰🥰🥹🥹🥹😭😭😭💕💕💕#@ everyone i tagged ty i love you i hope you don’t mind the tag 😘 also i KNOW i am unintentionally forgetting people so tag them at will#forgive me i am eepy. we are running on <4 hours of sleep and over 18 hours awake 🫡#liv in the replies#join the club!!! join the club!!!!! we love the hockey poetry edits!!!!!! i’m so excited to see what you create!!!!! :)))))#the process of me finding images is very much like. either i have a vision in my head and i troll getty looking for it or my screenshots#if i know i have one l m a o but either way i am always 68 pages deep in a hyper specific search labeling my photos like ‘ohHHH buddy’#‘menace 1 abd 2’ ‘but he’s not a cup winner’ ‘ohhhh the nolpat media scrums are rich earth’#‘because WILLY WON’T CUT HIS HAIR’ ‘deJA FUCKIN MILK BAYBE’ ‘is it truly sn edit if u don’t find a devastating baby pic’ ‘yes MF last line’#and so forth. like. glad it’s comprehensible to ME but if anyone else ever tried to use these photos based on file name alone i am so sorry#also i forget that y’all can’t see all of the metadata notes on photos to know where they’re from :/ i gotta be better abt making it clear#also on the note about image quality i just need to state for the record i am so photoshop whatever illiterate.#i learn one (1) new trick on GIMP a year maybe two if i am lucky & no i have never figured out consistent sizing 🫡 but the one hack for res#i HAVE figured out is that when i do edits i usually make a whole doc w/the poem lined up on it (helps me keep somewhat consistent sizing)#and then i export that document as a pdf and edit the pdf in the software instead of trying to screencap or jpeg or anything. PDF quality >#that is probably so convoluted lol if anyone has tips please lmk i am always learning#ANYWAY. rambling u did not ask for but is inherent to Me.#have a great day too!!!!! you literally made mine so 💕😭#wehaveagathering#indecisor
9 notes · View notes
rotzaprachim · 10 months
Text
cage match for the least easily searchable shows:
the Americans
the English
this fool
3%
7 notes · View notes
seaweedstarshine · 3 months
Text
Rewatching my favorite Christmas special and I cannot get over “Psych*tic Potato Dwarf” as an insult from a person who — canonically — according to sources from the same writer — often hears voices that he has trouble distinguishing from reality. It's not just the one line, it's the fact that it’s the title of Strax’s theme! I always wanna call it out 😭, which works out in my The Snowmen-era Eleventh Doctor fanfictions because Strax is a nurse and would know what that word means.
Like, it does unfortunately fit the character because Gallifreyan culture is — canonically — systematically exclusionary of mentally ill people, and the Eleventh Doctor — canonically — hates himself more than anyone in the universe. But the choice?
2 notes · View notes
ao3commentoftheday · 13 hours
Note
Hello, I’m so glad that this blog is coming back from hiatus! I always really enjoy your posts. I was wondering if you have any advice on engaging in a fandom that is mostly smut if you don’t read and write it? Most of the fans in my small fandom hang out in on discord together and mostly write E-rated fic. For various reasons I don’t read and write smut, and I’ve found it really difficult to make friends in the fandom. As a result, people very rarely comment on my fics even though I get lots of views and some kudos - it’s making fandom a bit lonely. On top of this, some of the BNFs have started ganging up in the comments on other people in the fandom over perceived slights in (actually very positive!) comments. I’m thus quite hesitant to even comment on the stuff I can read in case I accidentally offend them. But I do want to make some friends! I just don’t know how to do it. Thank you!
*hugs* that sounds like you've got a lot going on, anon! 💜 Let's start by separating this out into things you can't control versus things you can control.
You can't control:
the types of fics other people decide to write
how other people (Big Name Fans, in this case) will react to your comments
You can control:
whether or not you join, participate in, or leave the discord server
whose fics you comment on and how
how you write and post your own fics
You may be able to encourage:
whether other people decide to comment on your fic or not
Have you already tried the discord server? If not, maybe give it a go. Even if all of the authors solely write e-rated smut, that won't be the only topic of conversation. Plus, there are likely to be readers in there too, if it's open to anyone in the fandom. There will probably be channels related to writing, a channel for spoilers and speculation, a channel for fanart, one for recs, and one for general chitchat. At least, that's been the makeup of fandom servers I've been part of in the past.
As for the BNFs who are getting angry over comments, if you are worried about getting hit by that anger, then you don't have to comment on their fics. But a fandom is made up of many more people than just BNFs. Search out other writers, readers, artists etc. who are in a better frame of mind and comment on their works. Send them tumblr asks. Reblog their posts with tags or additions. A conversation has to start somewhere, and that's the first step towards making friends.
It's true that romantic fics tend to get more readership than gen fics in most fandoms, and getting more readers increases your likelihood of getting comments. However, you don't need to write E-rated smut if you don't want to. I'm someone who writes a lot of smut. However, I'm also someone who loves a good gen fic. I pretty much just want to see more of my favourite characters existing in a world together and whether that leads to shagging or shenanigans is up to the author.
If you want to encourage comments on your works and you're not sure how, I recommend checking out the @longlivefeedback Comment Project. It's a way for authors to make clear to readers what kind of feedback they like and whether or not they'll reply to comments (along with some other suggestions for how to start the conversation with your AN). LLF also has a Comment Builder to help readers who struggle with commenting. You can link that in your author's note as a resource, as well.
How have the rest of you found friends in your fandoms?
72 notes · View notes
tombware · 4 months
Text
seeing like a mini debate about ast*rion vs daer*n ar*ndae in regards of quality and i might be specifically seeing only one sides opinion because. i do not think Mr. D is more compelling. ultimately i think theyre quite different as well so idfk
#censoring because i dont want it to pop up in peoples searchs#i might be biased because of 1. d*erans terrible voice acting 2. i have a harder time feeling text-based scenes#i guess the argument is more in regards to their romances and yeah okay d*erans progresses more naturally/feels realer ill give him that#but also i feel like there are more limitations to making a game with proper cinematics. if its only text you have more leeway to make#a relationship progress better and feel more believable idfk#d*erans facetious pseudotsundere antics are very cute but. i will never get over astarions act 2 scene and the graveyard scene#and if you dont talk about their romances im sorry i think astarions storyline wins.#i will say i like the way daer*n words things a lot its quite yummy#basically i saw daer*ns romance and thought “ohhh cute” and forgot a week afterwards. but also hes too much of a young pretty boy for me#i do keep thinking about camellia though. i dont think shes well written but her ass' crazy#it was really cool that her romance's ending is that she fucking abandons you 32rwrgew love herrrrr#you know what im adding more tags because upon further reflection i think part of my opinion is informed by the fact that im not a romantic#so that d*erans romance is more romantic doesnt really affect my opinion because i romance characters to see more of them#not for the romance experience. so idk if thats why i disagree with so many people#do you know all those headcanons that want to make tav way more relevant in astarions life than theyre supposed to be?#i think my disapproval of that is kind of related to this as well. whys tav the bus driver all of a sudden. idc about them
5 notes · View notes
laugtherhyena · 6 months
Text
Csm thoughts,,
#Putting these in tags cuz they're rather negative and like this people can ignore this if it shows up on search#anyways today i was showering and had a realization that like#if csm part 2 didn't exist and the manga had ended in chapter 97 i really wouldn't mind that. like at all#because so far there hasn't been anything in part 2 that stuck to me in such a way that i would be upset or miss it if it didn't exist#be it arcs world building (not big on religious allegories. that prophecy stuff really doesn't intrest me at all) or characters#in fact if it did end on the publig safety saga i probably would have liked it better#because then it would have ended and that's it. because part 2 exists i can see the story move foward#with the absence of almost everyone from part 1 and i just. miss them#so reading part 2 in general makes me inherently a little sad#and i feel like that's what blocks me from enjoying it or even growing to care for the new characters from part 2#because i don't care for any of them that much. not even asa and yoru#and this isn't me being mad at the story for killing people off. i think all deaths in part 1 happened exactly where they needed to#and the story is beautifully crafted. i just genuinely miss them#and see denji staggering about looking so tired all the time barely looking like the same guy from part one due to everything that happened#that also makes me fell just. like this pain in my chest that i can't even explain well#i don't dislike part 2 i don't think it's bad#it's just not for me and i don't think that will change anytime soon#tho i will still look up the new chapters because i wanna see what happens. tho if there ever is a part 3 i doubt i will bother reading it#hyena ramblings#rant? i guess?
3 notes · View notes
hershelwidget · 1 year
Text
Tumblr media
i think of things unconsciously and then my 4th braincell yells them out loud at the worst possible times
7 notes · View notes
julesnichols · 11 months
Text
Attempting to queue a text to send when it is not 1:30 AM versus my messaging app being a fucking dick and just sending it <<<<<
#about me#praying the person has their phone on dnd and they won't see it till morning#if they do not respond by the time i'm at least half alive i will send a followup#and just lie like yeah haha it was 9 pm when i thought to text again so i queued it for around 1:30 tomorrow but guess. i didn't check that#it was pm and not am :') sorry about that will make sure to pay more attention#bc like. it's someone where they're offering to help me job search#so i am Trying to appear at least semi normal and be respectful etc etc#anyways fuck my messaging app and fuck whoever decided not being able to take texts back was a good idea#these tags are a cry for help btw if anyone has better suggestions. i just feel like#it comes off better if it seems like an oops i was a lil careless and didn't check the timing thing versus#a well i tried to queue this to appear normal and be respectful however my phone fucked up and just sent it thing#ugh idk anyways#i've been out of work a fucking year and i'm desperate so i cannot#afford to be unprofessional in any way :')#not when i've already hit so many networking deadends bc the job market's in shambles#it's going GREAT lmao#every day i get closer and closer to using my state's services to get disabled ppl a job#however there are two reasons i have not#reason one is they dropped me after hs bc they disagreed with me deciding to go to college#which fuck them it was my choice#reason two being they mostly place shit dead end retail jobs#and while i genuinely do like retail#my body physically cannot handle it anymore#however bc nobody will diagnose what is wrong with me/my legs#i cannot get an accom to sit#so y'know. going great!!!
4 notes · View notes