it's the levels of scrutiny too.
a movie that has a largely-female cast has to be well-written, well-shot, well-acted, well-advertised. people will spend 2 hours on youtube talking about a single plot hole; about a moment of bad pacing, about a singular background character's poor scripting. if there isn't something obvious, they will say - well there's nothing specifically bad, but it wasn't specifically good either.
they will turn out another all-male movie, and it's just a movie.
a book that has queer representation in it has to defy every convention of writing while also being true to traditional plot, structure, format, and pacing. it must have no boring chapters, no missteps, no awkward dialogue. it must be able to "prove" that any queer relationship "makes sense", their sparks must fly off the page and their love must be eternal. the writing must be clear and beautiful, the storyline original and fresh, the values traditional but with an undercurrent that is modern and saucy.
they will turn out another book without queer rep, where a man and woman just-fall-in-love, and it's just a book.
i am latinx. i am queer. i am nb & neurodivergent. my father said to me once: you will need to be exceptional to be just-as-good, and you will need to be beyond exceptional before they see you as just-a-person, and not your labels.
i am not beyond exceptional. i am a human person. i am skilled because i worked my ass off to be skilled.
i am currently reading a book that's so-bad-it's-good about a girl that falls in love with a vampire. i was 64% of the way through the book before she figures out tall-dark-fanged is not natural. i like books like these, i like letting myself relax while i just enjoy the read. but i do spend a lot of time wondering - would this have been published if it was about queer people? would this have gotten past the editors if the characters weren't white and sexy?
i want to write a movie about being a woman in a male space, and i want to start that movie with a 10 minute scene where the woman is lectured with the exact same whining that occurs in the youtube comments of even the trailers for those movies: "haven't we had enough diversity?" "we've had enough girl power movies" "sorry, this is just pandering. it's boring."
here's what's fucked up: it shouldn't matter, you're right. my identity shouldn't fold after my name like a battalion of stars: a cry of what i've gone through. what we all know i had to move past and through. i should just be a writer, plain and simple, without my work being shifted through with tweezers - i know everything i make, always, i am incredibly responsible for. beholden to. i don't like knowing that if i fuck up, i am also fucking up for every person like me. every person in a community i belong to.
once, back in undergrad, i wrote a short story about a girl who had been kicked by a horse. it was my first time writing about my experience with my ocd; i felt proud of it. the story was mostly about grief and slow recovery. the queerness of the main character was not important to the plot, my main character was just-queer. there wasn't even a romantic interest in it.
i remember one of my classmates being disappointed. "i just feel like you always write about girls who like girls, and i'm bored of it," he said. "you're a beautiful writer, but i'm like - oh, at some point, it's gonna be gay again." during the workshop, he folded his hands over my story and said, "and okay, i'm just going to say it. she's ocd, she's gay, she's depressed - it's a little much for me to believe is all happening to one person."
it is a little much to be that person (and more besides). i have therapy weekly, after all.
over and over, belonging to exception.
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Okay so orv has some fairly confusing concepts just thrown at you in the final bits of the novel, and i’m here to throw my 2 cents in on how the dimensional stuff works. Or at least how I understood it after reading and thinking on it for a hot minute. Obviously major spoilers so keep that in mind.
The most ancient dream is the lifeblood of this universe, a world where ways of survival has come to life because 15 year old Dokja’s longing was so strong and so powerful it manifested into reality. Every worldline that exists (sort of) is based in ways of survival. So how is it that 28year old dokja’s world was drawn along? Based on how most ancient dream works, he literally cannot look at worlds that don’t involve ways of survival, because that’s not the story he wants to see. However, it was inevitable that 28yr kdj would eventually become “seen” by the oldest dream, because 28yr kdj unknowingly brought the 1863rd yjh into his timeline.
Okay so. We know kdj is transported to the 1863rd round of ways of survival by secretive plotter, whether in the “original” story or one of the many other timelines isn’t really important, just that it was the 1863rd round for one such yjh. When kdj brings back yjh’s hope, that desire to live, he inspires 1863rd yjh not only to regress, but to find the world where kdj is, because kdj is the one who promised him that he could have a happy life. So yjh not only regresses, he travels across worldlines to find kdj, a fact backed up by secretive plotter who followed 1863rd yjh as yjh was going to “a world he didn’t know.” The moment 1863rd yjh regressed into kdj’s world, that is when the most ancient dream began to look at 28yr old kdj’s world. It wasn’t a world that could exist within the most ancient dream until it became entangled with ways of survival, and it is only because ways of survival started playing out in that timeline that kdj was able to travel to the 1863rd round at all. It follows the same paradox that the other major time paradoxes follow; in a world dictated by novel logic, the past can write itself alongside or after the future, and the future can exist before the past.
It also explains why 28yr kdj is both a character and a candidate for the most ancient dream. They ultimately are one in the same, but 28yr kdj comes from a world most ancient dream never could have imagined, because forget only focusing on ways of survival, 15yr kdj never even imagined himself capable of growing up. Of course 28yr kdj is going to be a “character,” because how else is the most ancient dream supposed to rationalize it in his mind?
Off topic, but it is somewhat funny in that in trying to bring about his own demise/trying to prove a point to kdj secretive plotter actually is responsible for creating ways of survival and bringing about the entire plot of the novel by letting kdj inspire hope in 1863rd yjh. Like wow. Fucked up big time didn’t ya buddy. Good thing you found your absolution bc if not that would have fuckin sucked.
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My rule on “helpful” AO3 comments is the same as my rule on commenting on someone’s appearance - if they can’t fix it in five seconds or less, just don’t say anything. (Shirt button undone - let them know. Hair looks bad - shut.)
Did the author misspell a word or leave a quotation mark unclosed? Sure, leave a “I loved this chapter! Btw, I think there’s a quotation mark missing in this sentence [copy/paste from the chapter]. Didn’t distract me from getting hit by the Feels tho u monster ;-;”
Have issues with the pacing or the way it diverges from how you personally would have written it? I guarantee leaving a comment will not be seen as helpful in the slightest and you may be the reason someone stops sharing their art.
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i honestly would drop this fucking writing course if i still could i'm so goddamn frustrated with it, and yall KNOW how bad i wanted this/how much i love to write so that means smth. it's like it was set up to torment me specifically. "oh here's everything you want to learn but it's actively adhd/autism/nd-hostile"
no schedule, prof is LITERALLY making it up in class in front of us from week to week and frequently forgets/gets confused in making them herself
no grading guidelines- i had to ask for a rough idea of how we're getting graded and even then, she didn't give a very informative answer
only received my first grade after doing four assignments already, which isn't exactly fucking helping me improve, esp since our grades are based on continuous improvement
prof doesn't appreciate fantasy or horror... this is a comparatively v small complaint bc she still allows us to submit whatever we want to write but like. man. even the horror i would sort of get, everyone has limits and it can be a tough read, but all of her prompts are really only applicable to modern-day realism bc you have to base them on smth you experienced and "make us question the line between fiction and reality" so.
the amt of work varies WILDLY due to the schedule issues- this week (beginning of midterms!) i have a 2000 word story and at least 10 250 word reviews due by tomorrow, which i've only had a week to complete... during fucking midterm study. IT'S A CREATIVE WRITING COURSE. i get more notice for 2 page essays in any other course jesus fucking christ
has moved physical rooms bc. she didn't like the first one, so now i'm confused half the time and don't remember where to go. she also doesn't have a key to the new room, so we have to call a security guard to unlock it and it frequently makes us late to start and subsequently late getting out, which is Upsetting for me, why can we not stay on schedule i am on campus for 9+hrs
did i mention this class is 7pm-9:30pm. with one less than 10min break.
prof fucking REFUSES to answer emails despite making email the one way to contact her... i emailed her once on a thursday afternoon and didn't get a response until tuesday afternoon, which was one day before the deadline and too fucking late to change shit if i had been wrong
no clear guidelines as to where/how to submit work, which is a weekly struggle
prof is literally making up terms i am NOT KIDDING. she's speaking in fucking riddles my god. nothing she's requested us to write has been a real term, and i've googled them to check
also writes her assignment guidelines in her creative writing style instead of just giving us the basic info, i.e. one page rambling abt the topic, one paragraph of actual vague guidelines
0 forgiveness for missing dates/being unable to make class/etc. one girl said on the first day that she couldn't make next week's deadlines bc she has a full time job and a family and the prof's response was "well, i guess you're going to have to drop this course". and she DID
if you email her a question she Will make it obvious in front of the class who asked
all i wanted was to enjoy meeting other writers and to try to improve my own work but i'm stressed out of my fucking mind bc she can't be assed to actually do her job. i've had genuine actual stress dreams about this fucking class (among others but besides the point). the total lack of consistency is killing me
and i didn't get that one singular grade until after the 75% drop date, which means if i drop it now i at BEST get 25% of my money back, and it's way too late to try to pick up another class as a replacement. this is all bullshit i fucking hate this
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these vids always get me thinking about the novel wx relationship and honestly I'm more angry at wwx's behavior and I think what he did was worse since it was so much more extreme and he was much older than lwj was when he fucked up, but I also like that wwx actually took responsibility for his actions and recognized what he did wrong and apologized meanwhile lwj also did really awful things to wwx too like pm assault and kidnapping him but it's just glossed over and he never takes responsibility or even admits to it but but still reaps the rewards of getting literally everything he ever wanted which fucking sucks and goes a lot towards making the relationship feel imbalanced even postcanon. his possessiveness and jealousy are quite minor footnotes in comparison to his inability to face his mistakes or even admit to them because he's too repressed and consumed with his own feelings (which also sucks!! ik you're sad but stop being a fucking wimp!), but they certainly don't help his personality
there's a broader issue of how after they get together, it's implied that they're incapable of actually hurting each other because they both completely consent to everything the other person would ever want even though they LITERALLY do not talk about it and have never had a conversation about boundaries, and wwx continues to treat lwj in exactly the same way but it's just no longer sexual harassment since they're together ig?? I can't think about it for too long actually it just pisses me off and a lot of it makes literally no sense unless you view it as something written by a straight woman with a lot of fetishes who's having fun making her gay characters do whatever she wants them to do to each other, which is...what it is
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