it's the levels of scrutiny too.
a movie that has a largely-female cast has to be well-written, well-shot, well-acted, well-advertised. people will spend 2 hours on youtube talking about a single plot hole; about a moment of bad pacing, about a singular background character's poor scripting. if there isn't something obvious, they will say - well there's nothing specifically bad, but it wasn't specifically good either.
they will turn out another all-male movie, and it's just a movie.
a book that has queer representation in it has to defy every convention of writing while also being true to traditional plot, structure, format, and pacing. it must have no boring chapters, no missteps, no awkward dialogue. it must be able to "prove" that any queer relationship "makes sense", their sparks must fly off the page and their love must be eternal. the writing must be clear and beautiful, the storyline original and fresh, the values traditional but with an undercurrent that is modern and saucy.
they will turn out another book without queer rep, where a man and woman just-fall-in-love, and it's just a book.
i am latinx. i am queer. i am nb & neurodivergent. my father said to me once: you will need to be exceptional to be just-as-good, and you will need to be beyond exceptional before they see you as just-a-person, and not your labels.
i am not beyond exceptional. i am a human person. i am skilled because i worked my ass off to be skilled.
i am currently reading a book that's so-bad-it's-good about a girl that falls in love with a vampire. i was 64% of the way through the book before she figures out tall-dark-fanged is not natural. i like books like these, i like letting myself relax while i just enjoy the read. but i do spend a lot of time wondering - would this have been published if it was about queer people? would this have gotten past the editors if the characters weren't white and sexy?
i want to write a movie about being a woman in a male space, and i want to start that movie with a 10 minute scene where the woman is lectured with the exact same whining that occurs in the youtube comments of even the trailers for those movies: "haven't we had enough diversity?" "we've had enough girl power movies" "sorry, this is just pandering. it's boring."
here's what's fucked up: it shouldn't matter, you're right. my identity shouldn't fold after my name like a battalion of stars: a cry of what i've gone through. what we all know i had to move past and through. i should just be a writer, plain and simple, without my work being shifted through with tweezers - i know everything i make, always, i am incredibly responsible for. beholden to. i don't like knowing that if i fuck up, i am also fucking up for every person like me. every person in a community i belong to.
once, back in undergrad, i wrote a short story about a girl who had been kicked by a horse. it was my first time writing about my experience with my ocd; i felt proud of it. the story was mostly about grief and slow recovery. the queerness of the main character was not important to the plot, my main character was just-queer. there wasn't even a romantic interest in it.
i remember one of my classmates being disappointed. "i just feel like you always write about girls who like girls, and i'm bored of it," he said. "you're a beautiful writer, but i'm like - oh, at some point, it's gonna be gay again." during the workshop, he folded his hands over my story and said, "and okay, i'm just going to say it. she's ocd, she's gay, she's depressed - it's a little much for me to believe is all happening to one person."
it is a little much to be that person (and more besides). i have therapy weekly, after all.
over and over, belonging to exception.
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how many of you would get mad at me if i said that mulder fucking another woman while wearing scully’s crucifix necklace is one of the most romantic things to ever happen….like, gothically and punitively so….it’s like….well, it’s like…it’s like “aw boohoo he has to get laid because he’s so sad his partner is gone” but like for a person who never allows themself any indulgence or respite or attention, who therefore only has sex as penance. only in blood. and it’s like…yes, it’s self-harm, in many ways, but in many ways it is also confession. crucifixion, as a laying down of sin. bless me father, for i can’t save them, and i miss them anyway. crucifixion as being watched over…when he asked maggie, “why did she wear this?” and maggie answered, “because i gave it to her.”
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i hate that everybody's already trying to shove protocol characters into tma-shaped boxes. and also i feel like that happens to lena the most. it feels like nobody actually WANTS her to be a character of her own, just elias 2.0 because she's the boss (she isn't even the boss, she's a middle manager.)
i have seen so many posts going deep into detail and analysis about tmagp characters, making excellent points and clearly caring about every single character, but then i get to the part where they talk about lena and it's just like. one sentence. or none at all. people also constantly post "full line-ups" of their tmagp designs, but lena's almost always missing. it's like people don't even consider her an actual character or something.
she's already got something obviously different going on than elias did, and i feel like she's an incredibly complex character, but it seems like nobody really wants to. dive into that complexity. BUT I DO !!!!! i care about her :(
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The Holy Trinity of the Caribbean.
incorrect quotes.
Mai and Ty Lee, dressed as men: Captain Az!
Azula: Will you join my crew? welcome to the board!
Mai: I came to look for the woman I love.
Azula stops with a disgusted face, she didn't like boys.
Azula, while gesturing to her subordinate to leave:: You really flatter me, but my only love is the ocean.
Ty Lee: Azula!
Azula, turns around quickly: Girls! hide the rum.
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LITG SEASON 7: STICK OR TWIST
second sneak peek — meet Rafael (Raf)
spanish project manager
works in tech
lived in Madrid, the Islands and in America
currently lives in London
outgoing
his ideal girl is also his best friend
loves when, in a couple, you can't get over each other (obsessed, we love to see it)
misses his mom and dad, wants to take his girl to meet them
hopeless romantic and quick to go all in
about the others:
coupled up with Daphne, American film makeup artist
sees Alex as a big bro (thinks he helps him chill out)
apparently, Bombshell Cassius (greek) wants his girl (DRAMAAAA)
likes Daphne and wants to figure things out with her
thinks Daphne is not that into him but wanna try it with her anyway
thinks Joyo is cool and mysterious
sees Bryson as his partner in crime
looks like the boys had to complete some missions but Geri (barista) and Willow (candle maker) figured them out
thinks Geri is fiery, Willow is smart and Estelle is funny
narrator said Cassius looks like a Greek god
appearance:
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