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#so perhaps i will come back
elftwink · 1 year
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when I'm bored at work sometimes I read academic articles about fandom just to see what everyone is up to in that sphere and occasionally u will see the funniest claims imaginable. in discussing spn, one author said about hurt/comfort fic that people using that to explore sadomasichism represented a "small minority of non-Americans" (paraphrased) and I almost lost my mind. americans are NEVER writing with themes of sadomasichism that is an UNAMERICAN derivative. americans are only exploring dynamics of pain and catharsis in completely chaste, non-erotic ways. in their supernatural fanfiction. ok.
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seveneyesoup · 3 months
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puppyeared · 5 months
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my attempt at making a fursona
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cherrywhite · 20 days
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Silt Verses protagonists // Returning Home
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poemsonmars · 3 months
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grief is fucking terrifying.
it covers everything in
such a massive layer of pain.
of confusion. of rage.
i can't breathe through it.
one minute i'm sitting in
my childhood bedroom
and the next, i can't see.
i wave my hand in front of my face
and no one greets me in return.
i don't know who i am without her.
-mars
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justanotherwriter140 · 3 months
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
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Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
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Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
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Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
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The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
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I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
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A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
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The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
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The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
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I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
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As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
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I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
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Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
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arsenicflame · 3 months
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Ed gets amnesia (Izzy-centric, pre s1 banishment, past edizzy to some degree)
It starts something like this: a rope left out after a raid, a captain showing off to the crew, a workload stretched too thin to have noticed the accident waiting to happen...
When Ed wakes, it's almost immediately clear something is wrong. He's lost a few years of memories- not much in the grand scheme of things, but it's enough that the man who lays in front of them is almost unrecognisable to the man they knew. He's from just at the point where he was starting to get frustrated with the 'ease' of being Blackbeard, tiring of his old life, but still so full of life and love in ways the present Ed forgot how to be.
He's a lot more on guard, for a start, waking up surrounded by strangers, even if they are treating him very nicely. He doesn't trust them, he doesn't even fake trusting them, just shuts them out completely.
Stede and Roach figure out what's going on pretty quickly and try to explain it to Ed after that, about what's happened and all the things he missed, but he doesn't believe them for a second- how could he? If he got hurt, Izzy would be there waiting for him to wake up. He always has been, always is, his predictable and reliable Izzy. He says as much to Roach and Stede, the only thing he will say, and they just... side-eye each other. They can't believe it- Izzy?
Anyway, Ed completely shuts down after that, so someone runs to get Izzy. Izzy, who had decided, after everything- especially the past few weeks on the revenge- that there's no way Ed would want him there. He's still lurking on deck because he can't stand not knowing how Ed is, but he knows that's not his place any more. So to say he's surprised when Stede comes and begrudgingly grabs him is an understatement- Stede doesn't tell him anything, obviously, just that Ed’s asking for him. 
The way Ed’s face lights up as he walks into the room is a punch to the gut. There's a cheerful greeting, the kind he hasn't received in years, and Ed’s yapping on about what he's been told and what happened and "this ship, Iz!" and he's just... floored. He can't say anything in response, not even to confirm their story because this is Ed, this is his Ed, who's face is turning worried, joking about how it looks like Izzy’s the one with a head injury, and Izzy can't cope. He just... storms out of the room.
Izzy’s up on deck, and he's not even yelling, or working, or really doing anything, just aimlessly coiling ropes in a daze when Ed appears on deck after him. He's thrown his leather jacket over whatever of Stede’s clothes he was wearing, a return to his Blackbeard armour to be seen by crew, and he jogs up to Izzy and starts getting handsy with him, physically turning him to looking him in the eyes and check he's ok, just generally being casual in a way that nobodies ever seen them- a way that nobody expected Izzy to tolerate (but of course he does, its Ed).
Izzy'll stutter out a response and Ed will wrap his arm over his shoulder, casually, like that's a thing they do. He'll ask for a tour, for him to explain everything, like what's the deal with this Stede guy. He's still enamoured with The Revenge and all its bells and whistles, only now he wants it with Izzy. It's all 'Iz' and 'mate' and affectionate and a side of their relationship even the Queen Anne crew haven't seen in years, a complete shock to absolutely everyone except this Ed.
Ed shows Izzy the model of The Revenge again and Izzy is both heartbroken and so indulgent because that's the Ed he had once, and he's going to take every second while he can. Ed can show him every single trinket on the entire ship if he wants. Izzy's always been willing to indulge Ed to some degree (it's Izzy, after all) but there's usually external factors, like they're in the middle of a raid, storming a hostile ship, or being chased down by the Spanish without any plan and over the years Izzy’s taken to just trying to redirect Ed quickly rather than letting him get distracted with the next shiny thing. It's been a sticking point between them, Ed's distractions and Izzy's rigidity and inability to have fun even when the occasions fitting.
But, for all Izzy's gripes with The Revenge, he does know it's safe for them- or at least that he could take on any member of this useless crew who tried to take advantage of his captain's momentary incapacity. So he does, for once, feels safe to indulge Ed. And God, he wants to. He has wanted to. He wants to watch him forever, like he did when they were little more than kids. He wants to forget all the mistakes he made just to see Ed smile and light up at him one more fucking time. He's not going to throw away this opportunity, no matter how badly it hurts him in the end.
Ed's memories don't come back in a day or so, so the crew keeps getting these shows of their relationship in a way they've never seen before- all these casual touches, and the way he'll turn to Izzy before anyone else, even Izzy laughing a couple of times. The crew gets to see a completely different Izzy- one more like the man he'd have been on The Queen Anne, a man they can see means something to Ed. He's not just his rotten first mate, a necessary evil of Blackbeard, at some point it becomes very clear that Ed did like Izzy, that he chose to have him around. It's like being back when Ed and Izzy were on the same page, at the height of Blackbeard, their partnership, when things were GOOD.
And of course, Izzy’s going along with all this. He's not telling him anything about the way they're different now, about how they finished breaking their matelotage 6 months back, about how they've been living at arms length for years, about how this simply isn't who they are to each other any more. He couldn't possibly do that, not when he gets to live the best days of his life all over again, just for a few short days. Maybe he'll get a week or two, if he's really lucky.
It's hurting him, obviously, it feels like his heart is being ripped out every time Ed touches him, every time he corners him in the depths of the ship (still so untrusting of this unknown crew- not helped by how they treat Izzy. He sees the side eyes and cruel comments and notices in a way the present version of him never did, too wrapped up in Stede and the madness of this ship) but hey. Izzy’s a masochist. He'll take anything Ed gives him, and he'll especially take this opportunity to have one last taste of what he's lost.
At the time it faded so slowly he didn't realise he was losing it until it was all gone, but he won't make that mistake this time. He knows their time together is limited, and he's going to take every fucking second he can and hold it close forever. If Ed makes him leave after he remembers? After he realises the way Izzy took advantage of him? It's worth it, to have this again, one last time.
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spaciebabie · 1 year
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"Now I know what you're thinking, 'Matpat why would we possibly need to know the whereabouts of Springtrap's jolly baby maker?' Well let me assure you, this one piece of seemingly irrelevant FNAF trivia may prove to be the catalyst for all the things that happen in the game, and the key to solving the FNAF lore altogether. So strap in friends, because we've got a lot of things we need to cover."
a la tumblr being a bastard and not allowing me ta add audio onta this post (its very funny trust bro go read it)
OH I ALMOST FORGOR @skeletoninthemelonland
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🤍 the cure to all my ailments 🤍
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obligatory rock murder mention
#i think someone said earlier that they had kind of a lot of mind control stories 'back in those days'#dont remember where#but now im trying to think if we have a lot of them in new who#and if theres something to that in terms of like societal preoccupations#but i guess im just gonna have to...........continue my classic who watch for that and make notes#what do we have in new who? satan comes to mind#midnight but i feel like thats..........a very particular kind it's not like the hypnosis thing you see here#or with the master#or i think sarah jane in the hand of fear?#maybe its JUST because they had the master around who kept hypnotising people tbh like that seems possible#the unquiet dead but thats ghosts more than mind control#i feel like we've got more bodies being taken over than minds in new who?#like the gas mask thing. midnight like i said. 42 with martha and 10?#love and monsters. idiots lantern. the vashta nerada. that guy who got turned into an ood. the masters thing in end of time#11 and the flesh. the god complex perhaps could be mind control? but feels different to me too#but i also havent watched really a lot of classic who so i dont know the vibe of their supposedly frequent mind control#town called mercy. asylum of the daleks. crimson horror. journey to the centre of the tardis? cybermen#it all feels more about the hijacking of the body than the mind or will or whatever#would be intersting to actually look into#if i continue my classic who watch#biggest mind control in new who might have been those mummy monks in pyramid/lie of the land?
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jettorii · 1 year
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OKAY BUT KAI HAVING STUPIDLY TICKLISH HIPS IS SO CUTE. I CAN TOTALLY SEE JAY JUST LATCHING ON AND SENDING TICKLISH SHOCKS THROUGH THEM UNTIL KAI IS SNORTING AND SOBBING BUT STILL LOVING EVERY SECOND OF IT.
YOU DONT UNDERSTAND HOW I FELT WHEN I READ THIS. IH MY GOD I FELL TO MY KNEES AND SOBBED IGM NOT DOING OKAY
i present to you this piece on how i feel qbiut this. warm, overwhelming and silly all in a butterflies sort of way
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extra :]
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thewinedarksea · 7 months
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the all-important water picture round-up
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Jon becoming KiTN in Winds (specifically) would actually be bad as far as themes go
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age-of-moonknight · 2 months
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“Soldier,” Vengeance of the Moon Knight (Vol. 2/2024), #3.
Writer: Jed MacKay; Penciler and Inker: Alessandro Cappuccio; Colorist: Rachelle Rosenberg; Letterer: Cory Petit
#Marvel#Marvel comics#Marvel 616#Vengeance of the Moon Knight#Vengeance of the Moon Knight 2024#Vengeance of the Moon Knight vol. 3#latest release#Moon Knight#Soldier#that opening page is breath-taking (and perhaps in a literal sense for that dude getting whaled on)#/almost/ succeeded in distracting me from Soldier’s raging survivor’s guilt#but…oof#what really gets me about this issue (and I guess Soldier’s character in general) is how adamant he is about his willingness to die#and yet he continues to live#he didn’t get blown up in his introductory issue he got turned into a vampire and now he’s seemingly outlived Marc#it seems to be asking the question «yeah sure you’ll die for me but will you keep on living to continue my mission?»#which already gets me in the gut but also seems particularly impactful when it’s coming from Marc#considering how much he consistently felt like a dead man walking haunted by his past and alive only to somehow atone for that past#and I very much look forward to coming back to this issue if it’s ever revealed if this new Moon Knight is really Marc come back wrong#because Soldier spends so much of this issue insisting that the Moon Knight he would die for is dead#and it would make that first page wonderfully/terribly ironic#just the concept of the man you feel you should have died for still living but twisted into something unrecognizably despicable#maybe to the point where the man he was is functionally dead#that would be wild
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coldysartblog · 2 years
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The Brilliant Darkness - Alatreon
(Ice Active form)
A tribute to one of the most gorgeous, thrilling, and awe-inspiring boss fights, Monster Hunter Iceborne's version of the Blazing Black Dragon.
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laniemae · 4 months
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I am going to take a break from milgramblr
[important please read]
ok now how do I start. Im going to take a break from tumblr for about a week. Things have been absolutely awful for me here since the very beginning of 2024, even if it may not look that way at times.
to retell the situation it happened with the new years gartic phone game, where someone made a prompt about a ship that made me heavily uncomfortable. To put it loosely it reminded me of an extremely bad experience with a fandom a few years ago when I called out a ship for being creepy and having a huge age gap but I was constantly dogpiled and harassed. It was probably the worst experience I’ve had on the internet and to this day I get really scared of people hating on me and I apologise for everything likely stemming back from the situation.
I tried to persist with the game but I got really upset and left. I expressed on my blog how uncomfortable I felt about the whole situation. Then this one person, who’s a prominent figure in the Milgramblr community, I won’t name them but I think you’ll know who, replied on my post saying that “it’s ok because…” in such an awful tone. It’s hard to explain but basically it felt really bad as they completely dismissed my feelings about the situation just to justify their creepy ship. And even worse, they way they responded was EXACTLY the same way that everyone else responded back in to at old fandom. At the point to I’d much prefer hate and harassment over that false positive attitude.
I freaked out and immediately blocked them and basically went into a panic attack. I was freaking out on my blog and just to make things worse I saw a post praising them and things got so bad. It was the start of the new year and I was on holiday and was supposed to do a bunch of things but because of that situation I was bedridden and couldn’t stop crying. I had so many nightmares about everyone here turning on me and the original incident and I still have them.
the way the person reacted to my situation was absolutely awful. After my breakdown they immediately went to their blog and started posting about how the ships good and you should praise it completely disregarding everything that happened. I’ve always been uncomfortable with them but this pushed me over the edge. And later on I got in contact with someone who was (presumably) trying to help me and we decided to see if that person could make an apology. But they took way to long to even think they gave any attention to the situation and the apology itself didn’t feel that genuine.
This person was still posting about it and didn’t change their pfp and title despite how bad it was to me and they did not do anything at all. Again I’m not naming anyone but I highly recommend you do not support them anymore. I said I’m going to be leaving for a while but if you want clarification on who it is you can just ask, I’ll check my stuff tomorrow morning before I completely shut off for the week.
I don’t know who it was but there was even a throwaway account hating on me and saying awful things. I didn’t care that much as things had already gotten so bad for me that I didn’t care about the opinion of an anon. But like I said, the sickly positive response that person gave was way worse than actual hate.
and that’s only one part of the story. Another thing happened much more recently with the person I mentioned who was trying to help me. They were the first person I followed on Milgramblr and the person who inspired me to join and make all these theories, so with this and them helping me I really looked up to them. It was a few days ago I think but they posted something on their account about that person and wanting attention to them. I expressed my uncomfortable feelings about the situation and they didn’t do anything about it. Instead they decided to KEEP POSTING about it, like constantly and me getting more upset at the situation and how they responded made it clear that they didn’t care at all. I blocked them and we were mutuals for a while.
It’s been a month and I’m still suffering very badly. I’m not constantly crying as I was when it first happened but it still pains me. I’ve been feeling incredibly distressed on this sight knowing that the original person hasn’t done anything about it and they’re still very close. No matter how much I block them or blog tags I still see them in reblogs or bought up. I had to exclude anything relating to the earbuds collab from my milgram archives as it gives me back really bad memories to the pfps involved. I just can’t feel safe in this place anymore and especially that no matter how I feel, nothing has changed since when it happened and no one’s even actually trying to help me or change things.
I’ve just been feeling so bad that I’ve been going days without eating. Just because I can’t be bothered to get out of bed. The only solace for me is sleep but even that’s not good enough as I might have nightmares and I often feel much more tired afterwards. Things are changing for me as I actually have to get up and do something now and it’s surprisingly going kinda well, but that has nothing to do with this situation.
just to note I will be continuing my milgram archives series, I’ve scheduled quite a few posts for this week so they’ll keep going. For me I’ll completely cut off all activity for this week, and may return on Wednesday.
it’s just. I hate how nothings changed. I want something to happen but no one’s helping
#I don’t know how many people will see this#i don’t even know if people will care about this#perhaps I just come back and everything’s the fucking same#I’ve been considering leaving the fandom because of this and I guess this would be to see what’s it’s like#If it’s better to stay or to leave#I’ve blocked so many people from this situation it’s hard to believe#people I thought I could trust…#To say it once again#If you know the person I’m referring to please unfollow them and don’t support them#I can tell you if you ask for a while#And just seeing all the praise the fandom got with people saying the fandom is such a nice and wholesome space is sickening#It was right after what happened and it’s just awful seeing people say that like they don’t care about what happened#They even started a minecraft server which I wanted to join#But avoided like the plague when I realised it was the person who started the original prompt#There was also a thing that happened recently where someone drew all their mutuals as cats#I ended up seeing that person in one of the cats and knowing that they followed them I instantly unfollowed#The cat pfps just make me so uncomfortable as it constantly reminds of the situation#It sounds stupid because it is but I’m at the point where any little reminder can set me off#But it’s not as bad as the collab pfps which I just can’t look at anymore#Although it’s only with a few characters that really make me feel that the art style in general just gives bad memories#To what I said earlier I don’t know anything about the person the originally made the prompts stand on this#I don’t know if they’re purposely ignoring me I don’t know if they even have no idea this is happening but I’m worried#I’ve also had experiences with a bunch of people I used to follow blocking me#And I’ve talked about it here but no one pays attention
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