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#but yeah im trying to give them all some kind of design element that exists throughout all of their costumes
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Also knowing me ill edit this post 900 times as i think of things to add or change but a Dick Timeline, obviously i cut out a lot of suits but sliding timeline means that many costumes is ridiculous and also my poor wrist. I drew him as tiny as physically fucking possible for the first one until i wanted to wrap him in a blanket and give him a juice box so i figured it was Correct regardless of how tall an actual 8 year old should be because my only reference is my youngest cousin who is a giant
Also i made discowing both more edgy and more tacky, he’s mixing metallics like a goddamn fool, theres sparkles everywhere, the mullet is terrible, he absolutely still has and wears that jacket.
I put red nightwing Early and then had blue nightwing later because going blue -> red -> blue makes no sense in terms of realistic costume development, just assume he briefly went back to the red costume after batman while he was finishing making the blue suit or he finished it after the agent grayson shit or whatever that arcs called. “Theres not enough nightwing costumes for the ric grayson arc” you say, making up a whole arc that clearly never existed, dick was merely in a coma for several months while the others covered as nightwing, dont worry about it
#dick grayson#robin#discowing#nightwing#batman#art#my art#redesign#but yeah im trying to give them all some kind of design element that exists throughout all of their costumes#so for dick its the trapeze boots and the kind of angling that starts on his chest snd later also occurs on the hips#also i wanted to include the sort of super tech advancements#so like its not one of those things where necessarily dick Couldnt’ve had a domino mask younger than he did#but at the time it wouldnt have been practical for him because a)#super people didnt really have side kicks yet so the domino mask wasnt very popular#and b) he is a tiny boy and it would not have been comfy#i wanted there to be a kind of line where like#yeah theres enough people doing this kind of style of mask where they figured out#a domino mask that you Could wear for 8 hours and not get skin rashes#or like he starts out with just normal color change contacts because the white out kind usually fucks with your vision#Until they later find some kind of advancement where its feasible#its not necessarily accurate for a sliding timescale#which is why i didnt really go into knifeproof or bulletproofing details#but since the domino mask is Visual i thought it was neat to think about#also i love those camera contacts from the new movie#but are they feasible for that early in the comics timeline? absolutely not#but yeah so little baby robin has green contacts#also kind of like the steph batgirl redesigns i imagine theres a few different pieces for each version#so hes probably got a black domino for his current outfit and a red one for his old one#different aerial/trapeze boots for over his shoes etc#also yes i do darker skin and lighter hair for kids because its usually true or it was for me anyways
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warmau · 4 years
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kick it!au x nct 127
more like punk!au 127, but it’s inspired by the n version of the album!
taeyong
only heir to one of seoul’s biggest tech businesses, but no matter how much his parents try to get him to act like one 
he really could give a rats ass about it 
sometimes his parents think he’s doing it on purpose - the over the top outfits and the heavy music
the skipping out on important meetings, the hanging out with people who don't even imagine what kind of tax bracket his parents are in
but taeyong just cant bring himself to want to give his whole life away 
to slaving over some company in some high office in a building so far off from the wonders life has to offer
he’d rather run around and experience what he can while he’s young and his body can handle it 
so for a while, he just runs away - it sets of a massive panic throughout the city of seoul as his parents send out search teams and private investigators
and the police are put on the case 
you watch the news and sigh, spotting taeyong spread out like a comfortable cat on your couch
“you know sooner or later they’re going to find out you’re here.”
“no they won’t. you were an intern in our legal department - you never even officially met me.”
he answers, playing with the threads off of his holed up tshirt before sitting up
“hey - if you really don't want to be involved in this, just run away with me to London like i offered.”
you take a bite of toast
“won’t that just get me more involved - we’ll both become fugitives. well i will, you’ll probably be saved by your parents money.”
taeyong’s eyes darken and his beautiful features fall sullen
you hear him hit the back the pillow with a soft thud
“i wish i wasn't living my life on the back of my parents - it’d make everything so much easier.”
you get up, leaning over the couch to look down at him 
you met him when you’d gotten fired from your internship actually
why? because you threw hot coffee on some creep manager trying to feel you up and taeyong, who’d been passing by the floor, had watched mesmerized as you’d yelled at him for even thinking of touching you
it was the most badass thing he’d ever seen and when you were dragged away and tossed out of the building
he’d run up to you and offered to help you out
you thought he was saying he’d get you your job back - which you didn’t want because you didn’t want to work with creeps
but taeyong had actually meant getting you a favor at another company
even if he was a punk kid with no interest in business, he was still pretty charismatic with the other kids his age with parents in high places
he was the reason you had a comfortable life now - so when he shoed up on your doorstep you couldnt say no
now you’re looking at him and he’s looking up at you - the lost look in his eyes makes you so sad
“i cant run away with you anywhere, but you’re welcome to stay here for as long as you want.”
his lips turn up in a smile but before you can pull back he leans forward and you feel the softness of his mouth brush yours
you freeze with your hands digging into the couch and taeyong puts out his own palm on your cheek
“what if i wanna stay here with you forever?”
his tongue runs along the outline of your bottom lip and you feel the strength in your arms sort of fade
“are you doing this just to piss off your par-”
you start when you pull back, but he shakes his head and taeyong is not good at lying
“no. im doing all of this because i do want to be with you.”
jaehyun & johnny
guitarist and drummer of their garage punk band that they started in highschool together
to be honest, johnny had suggested it as a way to get themselves more popular - and jaehyun had thought it’d be a fun way to pass the long summer days
but now they’re actually pretty well known in the underground scene
and have went on to play booked shows in packed bars and events
they even have self designed merch which is kinda,,,well,,,,their fans love them anyway lol
you’re actually a server at one of the bars they play pretty frequently, and even though most of the crowd is pushed up on the stage when they play
there are some stragglers or bored significant others who occupy the tables in the back and who you have to deal with 
they usually complain to you about the loud, thrashing music - but you have to say - you kind of dig the duo’s chaotic energy
plus jaehyun always looks handsome in leather black jeans and hair slicked back, while johnny looks just as enticing with disheveled brown long bangs and a right sleeve full of tattoos 
you think some of the people in the crowd don’t even fancy the music that much either - the two musicians are pretty much a sight to enjoy on their own
you actually favor,
jaehyun - the guitarist and the main singer who always looks cold and put together
you sometimes akin him to more of like a businessman than a punk musician
but he really does have a lovely voice when he isn’t screaming into a mic
also - he tips better than most people - when he comes back to the bar to get a drink after the show
fans usually follow behind him like ants on honey
but he always makes it a point to get a few minutes before them so he can chat with you
his questions are usually about how you like the songs, you have the sneaking suspicion he’s the one who writes them
and you always enjoy the moments before his hoard attacks him
one evening you collect his bill and are surprised at the large tip again - but also at his number scrawled at the bottom and a question
thinking of writing my first love song, i think you can really help with that.....if you’d want to.
johnny - the drummer and the wilder part of the two
he’s got tattoos and is always jumping around and throwing drumsticks into the crowd 
he looks like a mess when he’s up there, feeling the music and going insane with the fans cheers
but when he gets off stage he has those long sweaty bangs in his face
and usually is missing a part of his shirt that either tore or was torn off
he always finds you after, when you run back to the kitchen which is beside the back of the stage
usually for more snacks for the bar - and he always coaxes something free out of you 
you like his one-liners and genuinely happy smile so you dont mind
and sometimes he tells you about a new tattoo or a new city he’s going to get or visit
one evening he stops you when all you’ve got is a wine bottle in hand and asks if you have a second
you agree and follow him into a part behind stacked speakers and almost drop the wine when he pulls his shirt up by his teeth
through muffling you understand him saying “look, i got my first hip tat!”
you see the tiger that’s disappearing down below his belt
“how big is the whole thing?!”
you ask and he winks, letting his shirt fall back down
“well if you want to see the whole thing - why don’t i wait for outback later?”
you agree - only to think about it ten minutes later and be like 
OH
taeil
employee at the local vintage records shop
the owner pretty much entrusts all of the store to taeil, whose music taste is highly respected in the community and is also very very,,,,,,,very specific
but unlike most people who love to come in here and argue about what genre or band or artist is the best
he just likes to,,,,,,,,vibe
which is why people feel either comfortable around him - because he’ll listen to them rant with a smile as he checks them out
or kinda weirded out because like - does he ever raise his voice above a softhearted whisper?!?!
pretty cute with his blonde mullet and pretty silver earrings - a loved flannel over his shoulders
because of taeil’s work and the general popularity of vintage records as an aesthetic, the shop gets a little more busy
and so the owner hires you - who unlike taeil who favors ska-punk and beach vibes
you are a strictly heavy metal person
the grimier - the better
and when you start working your job, you cannot handle taeil’s playlist 
and you can’t handle his laidback attitude to match
so you always have something to say - half because you mean it but also half because you want some reaction from taeil
but taeil never does, if you spend half an hour shittalking the album he picks he just kind of shrugs it off
if you put on some swedish death tunes - he just lets you play the music without a comment
you guys look kind of funny next to each other because he’s just punky dad chic and your wardrobe is bleak and black
people can tell where your favorite sections are and they are on opposite sides of the store
one afternoon, you’re begging the store owner to buy copies of this obscure band most people dont care about but who you LOVE for the store
he keeps saying no because he’s pretty sure no one will buy it
when taeil strolls in for his shift
the boss turns and asks taeil for his opinion and you give up completely because 
there’s no way he’s gonna ask the boss to order a heavy metal record-
“yes, let’s order it. i trust their taste.”
taeil smiles your way before turning the corner
the boss sighs and pats your shoulder, promising he’ll put it on the list for the next order
you just stand there, before breaking from your shock to find taeil
you do - he’s unpackaging new goods - and gives you a soft, happy smile when you call out his name
“why’d you stand up for me back there? you hate my music.”
“i never said i hated it.”
you scrunch up your nose
“so you’re a heavy metal fan now?”
“no, but you are and if you like it then it’s good right?”
you don’t understand, confused you say again - “but you hate it-”
he puts down the record in his hand and turns toward you 
he tilts his head and goes,
“but i don't hate you, in fact i like you quite a lot so im willing to put up- i mean listen to the music you like because i know it makes you happy.”
the words swirl around in your head and you feel something warm flood into your veins
“you ,,,, like me a lot?”
“yes, i thought it was obvious how shy i was around you.”
you try not to laugh in disbelief, because you’re pretty sure he’s never even changed his facial expression since you started here
but whatever - you kinda like that (a lot) about him too
yuta
your local back alley tattooer and piercer 
not actual back alley, more like in his apartment, but still - does he have a license for this? who knows 
he loves doing colorful, crazy pieces - usually with a magical element or a pinup style
and if you give him a big project, he goes absolutely nuts on it
he himself has tattoos up the back of his neck and all the way down to his ankles
he has almost thirteen piercings' in one ear, with his infamous tongue piercing, bellybutton, and two studs above his hipbones 
pain doesn’t exist for him - and neither do boundaries when it comes to art or fashion
he’s almost always photographed or stopped when he goes outside
long hair up in a bun, he pulls out one of the sticks holding it and is like “it’s also a pocket knife if i click here-”
thick collar, long skirts or ripped up sweaters
he’s a very fun person to both work with or just be around LOL
you don’t really think that though - actually you’re super nervous when you see him
your friend though, the one who insisted on coming to yuta for their nose piercing, is hyped
she’s buzzing around him - getting excited and also flirting 
but for someone reason ,,, he keeps looking over her shoulder at you
“well, let me get the needle ready-”
he starts and you ask if it’s been sterilized
he laughs in response and your friend shushes you
but something feels all weird about this
you lean in to her as yuta gets his instruments ready
“do you really want this? why don’t you just get another ear-”
“don’t worry! it’ll be fine!”
you hear a voice chime in behind you both, “exactly - it’ll be peachy.”
you bite your lip as you watch yuta approach but just as you want to make sure again
your friend sees the needle and
passes out
you catch her - eyes wide and scared
“wh-oh my god! we need a doctor!”
Yuta sighs, rolling his eyes and putting the needle back down
he takes your friend from your arms and lays her down on the couch nearby
“no we don't. ill get some ice.”
“she’s passed out! what do you mean we don’t - we need to call-”
“it happens all the time.”
he disappears and then shuffles back in with an icyhot, he drops it in your hand and you stare at him
he pulls up a chair and sits down in it, “she’ll be back up in a couple minutes. we just have to wait.”
you’re skeptical - now more than ever - but you place the ice on her forehead and sit back up
“sooo, are you also looking to get a piercing?”
he suddenly inquires, leaning his elbows on his knees and giving you a look that makes you feel like you’re being seared under a lamp
“w-what, no. she just asked me to come along for support.”
“you’d look good with a nose piercing, or maybe a lip piercing, or the shy types always get something crazy like-”
his eyes drop down a little lower and you huff, fighting off a weird buzz in your chest
“no! i don't want any, and i don't want to be convinced either thank you.”
he shrugs and sits back 
“you sure? not even i offer to do it for free?”
you roll your eyes, “does free mean free or is there a clause missing?”
“free means you pay nothing, but maybe you’ll consider getting coffee with me.”
this catches you off guard - you nearly lose grip on the icyhot on your friends forehead when you turn to him
“s-sorry, are you flirting with me while my friends passed out on your couch?!!??”
yuta grins
“yeah, i am. isn’t that normal?”
doyoung
politically outspoken activist, nazi stomper, no bullshit from anyone graduate student 
doesn’t look punk on the outside but put on his headphones and it’s straight up songs about anarchy only
won’t tell anyone where the secret little tattoo he got is, but people place bets on where and what they think it is
jaehyun thinks it has to be like a quote from chomsky but taeil thinks it might be something sappy and sentimental like a flower for his mom
it’s actually just a cool looking sword on the side of his ribs that he got half because he wanted to prove he could take the pain LOL
he really doesn’t fuck around when it comes to his beliefs though - like he doesnt think it’s radical to want human rights for everyone and if anyone wants to get in his face about it 
then he will get back in their face about it
and listen he’s gotten into some fights, and even though he’s mostly lank and brains - he’ll take a punch with pride and throw his own if anyone says some dumb shit in his vicinity
“you look more like a prep then a punk” someone once comments and doyoung doesn’t even bat an eyelash to retort “i don't need a mohwak to fight for respect. and ill have you know - i do own a leather jacket so shove it.”
you’re a student in one of doyoung’s classes who thinks he’s really cool, but also intimidating
his dark eyes and lack of humor kind of make him unapproachable, but also pretty attractive
you’re kind of sad that you can’t talk to him about upcoming ralies and class work because you don’t know what you two could have in common
when one day you and doyoung arrive to class early and suddenly the quiet classroom is full of loud, hard, punk rock
you turn around and doyoung’s big eyes are somehow even bigger
“m-my bluetooth disconnected. sorry.”
he scrambles to turn down the volume, but you jump up
“you like rage against the machine? i love them!”
doyoung perks up
“really, usually people tell me they’re outdated and don’t fit well,,,,you know - how i look.”
you shake your head, “who cares what you look like - their music started a movement!”
you move your seat up closer to doyoung and ask if you can see his playlist
he shows it to you proudly and before you know it you two are in a deep discussion about bands and music and shows
the professor and students trickle in and before you know it it’s time for class to start
before it does, you happily exclaim to doyoung
“i didn’t think we’d ever have something in common - im so happy i can talk to you now!”
“you couldn’t talk to me before?”
doyoung takes note of the blush that dusts your cheek and the way your fingers twitch in your lap
“ah - i just, you know it’s hard to talk to someone you like.”
doyoung is about to ask that you say that again, just so he can confirm it and get that giddy feeling again
but the professor starts the lecture 
too bad the whole time doyoung can’t help but steal looks at you - counting down the minutes till the class is over and he can ask you to come with him for lunch
you guys can listen to music and,,,,,,,maybe talk about how to change the political world,,,,,together <3
jungwoo
definitely flunking a lot of his classes, but so pretty when you look passed the crazy orange hair that no one blames him for it 
he’s always falling asleep behind textbooks 
and doodling butterflies or whatnot in the corners of his notes
he loves baggy clothes, decorated with pins and paint, every now and then he’s even got little bandages on his cheeks and fingers 
he looks like he came out of a cartoon - delicate features and colorful clothes
he opens his locker and love notes fall out no matter what day it is 
and his headphones keep getting confiscated by teachers
he should technically be your biggest enemy
considering he breaks uniform violations, doesn’t do his homework, and frequently hangs out in the halls when he should be there
and you’re a prefect that’s got straight A’s 
but you,,,,,,,just cannot be mad at jungwoo
anyone else, you’re the first to hand out detention slips or lug them into the deans office
but with jungwoo - there’s what you’d just call favoritism
people think it’s kind of hilarious though because you’re trying so hard to hide your crush on jungwoo but it’s so obvious
and jungwoo is so clueless about your crush and the fact that you give him so many slides that when people complain about how he didn’t get in trouble but they did for doing the SAME thing
he’s like huh what? 
you keep getting told to stop being so lenient with him, he’s not going to learn if he’s not told he’s doing something wrong
but when you’re faced with him again
that big puppy smile and the cute little flower studs in his ears
you just cant
you just shoo him out of the sight of any other prefects or teachers so he wont be caught
one afternoon as you’re checking the halls during study period - you spot jungwoo hanging out on the ledge of the window to the top floor
beside him is a half eaten sandwich and a forgotten book
he looks so picturesque you feel guilty interrupting him 
but you know you’re not the only one on duty so you touch his shoulder gently
“jungwoo, kun might find you if you’re just sitting here.”
“you found me.”
he says with a gentle smile
“yes, but you know i don’t want you to get in trouble - so do you think you can go up to the roof?”
he nods, gathering his things and as you turn to leave, he takes a hold of your wrist and tugs you behind him
“wh-”
but it’s too late, you’re already up the stairs and being pulled through the roof’s door
jungwoo twirls you around and you want to tell him you have to get back to your job
when he pulls you against his chest
“j-j-jungwoo?!?”
your face heats up as you squeak in shock
he stares down into your eyes - the usual gloss of dreaminess seems a little more serious
“do you like me?”
your heart feels like it has stopped in your chest - no matter who’d asked you about your crush before, it was never jungwoo himself so it was always easy to lie
“wh-why are you asking me?”
he blinks, long dark lashes in contrast to his bright hair
“i want to know if you like me.”
“but why- y-you’ve never asked me before.”
“because.”
he shrugs, saying it as if it’s the easiest thing to admit in the world
“because i like you so if you like me too - i can ask you on a date.”
mark
skater boy who wants to go pro
spends hours in the park and in lots trying new tricks and just skating because if there’s one thing he loves
it’s the rush, the feel of the board and the air that passes by him as he cruises down the block
he’s pretty oblivious to the fact that he’s the most liked skater, maybe even person, in his neighborhood
because he will jump off his board to help old ladies cross the street and willing to bust it and eat dirt if a kid accidentally stumbles in front of him
he’s always kinda banged up, with something broken or sprained or slightly bloodied from messed up tricks or accidents
but he works it, along with the chino pants and old band tshirts and beanies 
he secretly got his nose pierced last summer, but he’s gotta keep hiding it from mom and dad lol
he takes part in a lot of local competitions because he really wants to get his foot in the pro game
and (not surprising to anyone but him) he has a lot of local fans
some are just fellow skaters who love his happy attitude, others are lovestruck teenagers who think the sweet skater is prime boyfriend material (they’re right)
you aren’t a huge skating fan, you actually don’t know much about it, but you sometimes get dragged along with friends to the events
they’re free and it’s fun to pass the time
you’re at one, sipping a slushie and listening to your friends argue about the upcoming show
when you notice a boy in a beanie off the right of the course
he’s practicing flips, his skateboard a strong neon green with what you assume are his initials - ML
“who is that?” you ask offhandedly and your friends all answer in unison - “oh! that’s the favorite - mark lee.”
you are about to look away, but then you end up catching mark’s gaze
when your eyes lock - he smiles and it shows off the sweetness that you can see people would go crazy over
you nearly miss your slushie straw as you try to smile awkwardly back
for the first time, you’re extremely excited to see one of the runs - mark takes his position at the top of the ramp and you edge forward in your seat
your friends comment about it - but you’re not the only one getting hyped - it seems like the whole place is waiting to see him succeed
you hold your breath a little as he lands the first trick, then the next, then the next
its going so well and you think you might even just get up and cheer when right on the last second - he hits a rail and the board flies off - it leaves mark tumbling down
he catches himself with his hands but you can see the pain and shock spread over his face
the crowd gasps - but no one moves
actually, you’re waiting for EMTs or someone to show up - but it’s just mark limping up and chasing after his runaway board
“where are the doctors - or someone to help?”
you turn and your friends just shrug, “it’s not a super big event so they usually don’t have anyone.”
you don’t know what comes over you, you’ve seen people slam before at these things but this just feels different
you get up from your seat and push down through to the back the course
you find mark sitting out near the curb of the parking lot, nursing what you can guess is a pair of pretty hurt palms
and you rush over
“are you ok?”
he looks up at you and you notice he’s abandoned his beanie - black hair a wild mess
“ah yeah, no worries. ill be good for my second-”
all you have are the napkins from your slushie, which you use quickly to dab at the small cuts on mark’s hands 
he’s so caught off guard by your sudden makeshift first aid, that mark just stares wide eyed as you try to help
“let me go find some ice or something, it looks like it really hur-”
“its ok! i fall all the time!”
you frown, “but your hands-”
he goes pink at the ears, because your voice is full of real concern, and plus he didn’t just smile so big at you before for no reason
you are as adorable from a distance as you are up close, probably even more actually
“im ok, thanks for worrying but i do need to get back to the course.”
you drop your hands from his and sigh, “ok. but after do you promise you’ll at least get some bandages?”
“promise.”
you nod and get up, watching mark stand with you and wince as he flips his board up into his hands
you still feel worried, but mark suddenly goes
“actually, would you mind coming with me after - i mean you don’t have to if you’re with your frie-”
“they won’t mind. of course ill come, at least that way ii know you didn’t go back on your promise!”
mark thinks your little laugh is the cutest thing hes heard in a while, it rings through his ears for the rest of the competition 
and when he humbly places third, he finds you in the crowd - and shakes his board up at you
the whole row you’re in turns your way
your friends all raise their eyebrows
but you’re just thinking about getting him those bandages (and maybe getting his number?) 
haechan
skater boy who is a pro
youngest in the scene right now with more than three world championship titles under his board 
sponsored by monster energy, vans, hell even companies like samsung are looking to put their money in him
his videos have millions of views on youtube and everyone whose trying to get into skating sees him as an icon to worship
the only person to land some of the hardest tricks known in the sport on his first runs 
always bright, with one little braid hanging from his hair - the mullet look was so well accepted by fans that he decided to keep it
(even had longtime friend and fellow skater jeno come over and dye it blonde for him)
and in general, he can take a fall like anyone - but when he does land his tricks he’s always bursting with energy and dance moves out on the course
you know him, how could you not, working as one of the go-pro camera crew for skating events
but when you’re assigned to be his follow along for the upcoming qualifiers being held in your city you almost lose it 
because not only are going to get to film THE haechan, but you’re going to be so close to him for the entirety of the competiton too
the fan in you comes to life, but you try to keep your cool when the day comes - introducing yourself with a handshake and a big smile
you’re nervous but what you don’t expect (and don’t actually even notice) is haechan is too
because - oh god, this is the first camera person he’s ever gotten that is on THIS level of cute
you’re so caught up in trying to get the perfect footage of him, that you don’t see how he keeps peeking at you out of the corner of his eye
when he trips over one of his boards and nearly crashes into another skater you assume it’s pre-competition jitters
but it’s actually just because you’re getting quite close to him - and haechan hasn’t ever had butterflies LIKE this
five minutes before the competition goes live, he requests that his manager switch you and one of the other skaters camera crew
it’s so soul crushing - you’re kind of left in a blank shock - until your new skater is shaking your shoulders
you think you must have done SOMETHING,,,,,no one has ever complained about you before??? you didn’t think you were even being the slightest bit annoying - even though you were trying REALLY hard not to ask for at least an autograph??
you spend the entire competition overthinking it until finally - after haechan wins and is done with all his interviews and handshakes
you manage to track him down and immediately bow at a 90 degree angle
“im so sorry if i did something wrong, i really didn’t think you’d ask to switch - please tell me what i did to upset you so i don’t do it again!”
your head is still down and haechan suddenly feels like the trophy in his hand weighs a ton
he clenches his teeth and mutters
“you didn’t do anything,,,,,,your crime is just being really-”
you slam up and your eyes are big and shaking, haechan feels like the worst person on earth as he swallows
“your cime is just being really,,,,really,,,,,really,,,,,,cute.”
“p-pardon?”
your voice cracks, because you’re pretty sure you misheard him
he scratches his head, almost bonking himself on the temple with the trophy
charismatic always silly and shining haechan suddenly looks coy 
“c-cute, you’re just really cute and i couldn’t focus on my tricks so - please don’t take it to heart.”
your stomach does a flip, both out of relief and out of disbelief 
“o-oh,,,,i-- well - im sorry for being-”
“don’t apologize for being cute!”
you jump and nod, haechan signs and mumbles again
“i made you feel bad didn’t i? well,,,let me make it up to you and take you to lunch,,,”
you nearly drop your go-pro because 
holy shit haechan is asking me out on a date,,,,,,in a roundabout way but,,,,,it’s definitely an invite for a date
“sure-id love to!”
haechan tries to hide his grin
but when his manager catches him twirling the trophy around and whistling with a dreamy look in his eyes later that day
well 
it’s just obvious 
someones in love 
865 notes · View notes
stray-tori · 3 years
Text
TPN S2E01 Thoughts (anime-only)
Watching with friends:
youtube
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Opening thoughts so far
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of course this parallel which i already cried about in its own post. I just. my emotions. AHHHH-
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I’m not sure what it means but the cut from two hands forming a grid to the chains being aligned similarly and creating a chainlink fence. The hands covering someone's vision could be the deception of the farms or something of the like, especially since it comes after the shot with all the moms lined up. But those illusions are a prison, therefore the chains. I'm just not sure how it correlates to the post-escape. I guess the system/society overall
I rly just wanted to appreciate the smooth transition work haha
Another TPN server member pointed out its not two hands covering someone’s vision, it’s a demon and human hand, making a deal. I’m blind. Match cut still cool.
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I also can't believe my prayer for empty space composition got real. I JUST LOVE IT BECAUSE I WAS SAYING IT THE WHOLE TIME I was like "I hope they do a thing on the poster or something, where its framed like the three of them are there but norman's is just empty space" AND THEY DID IT!! ONCE AGAIN MY FEELINGS. IM SO HAPPY THEY DID IT BUT ALSO OUCH 
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The episode
A lot happened but it didn't feel rushed particularly for me personally, excluding the few shots it didn't stay on long enough to really make out anything (and you can pause on those so). They reference they've only recently entered this type of forest (implying they've been on the way for a while), and the forest before that wasn't as... "fantasy", they also referenced being up on a high point of view (likely the cliff they stand on at the end of ep12 or another high point they've been at) where they've seen the river.
The only thing that I feel could have used some time is Ray. Having him have that sort of resolution like 5 minutes in (when before he was sure he'd be dead and therefore didn't plan to take any responsibility for what happens after the escape) feels kind of weird, especially if we haven't seen Emma burdening that much by herself except emotionally and implied also for other activities (I feel that there's some setup missing for her leaving Ray to do the bait thing later in the episode).
I also think having a bit more time between the "oath" and him breaking down being like "I can't give up, I promised" (which was amazing angst, I approve) wouldn't have hurt, but it's also kind of a nice circle within the episode I guess.
Overall, they seem to be moving fast (although I'm not really bothered by it personally), but unless they directly contradict something from the manga, I think if someone wants more details, they can read the manga and add those informations into their experience! Not everything needs to be reiterated, sometimes. And so the anime can move forward faster, both for better and worse.
Haven't read the manga though so I don't know if that works the way I think it does.
But yeah. I feel like an earlier point would have been a good cliffhanger too, maybe around the time Emma faints?
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[About the carving in the tree]
What I assumed was that Ray gave them the clear signal, but if he didn’t returne, they'd gone looking for him and get hold up. So he carved that, i assume, to tell them what happened and make them go the other way instead of looking for him. Not that they'd listen probably but YKNOW.
I'm not entirely sure.
My friends and I had this whole tangent about “it'd be funny if the demons saw it and just showed up at Minerva's base. Minerva dead”
though I also assume that the coordinates are minerva internal stuff but then again the one scientist did just randomly lose the pen for krone to find so. yknow. idk if their system is the most competent in being secretive and not having a demon pick one up at some point haha-
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“ what do you feel about the general vibe of this new direction? ”
tainted anime-only but I'll try to give thoughts udsihsdj
Hmm I don't really have any particular feelings I suppose? I'm definitely excited though, I feel like even though the setting and feel has changed from kind of subtle thriller to like, out-right scary monsters and survival, the underlying kind of angst and sincerity stayed the same? I guess it could also be argued that since the anime put less focus on the internal planning and more focus on the character expression and stuff, it's not as extreme of a shift for the anime in a bubble.
I guess I initially thought TPN was kind of "grounded" - ..... aside from the yknow, big children eating demons - if that makes sense? But I think it's also interesting from a meta perspective that the outside or at least segments of the outside (since they said that the previous forest didn't have all those fish bugs and plants) are so fantasy based because in the bubble of GF house its kind of easy to assume the world is just kinda ours but slapped demons on top of it (so in a twist of events, the trapped children who grew up in a lie knew a lot more about their world than we did).*
So I think the fantasy direction is kind of interesting (i also find it interesting that it's only segments of the world, apparently, so I wonder if that has any implications for why the fish bugs and plants are limited to those regions aside from... I guess just natural territory).
* which i also find interesting, because apparently they had a book on it in GF. Which heavily implies that either those things existed before the demons or the demons didn't "take over" fast enough to stop the making of books that depict those things. So I guess really the fantasy elements for them in-universe aren't really surprising. It was kind of surreal, watching them talk about them so normally when so much of the setting up until now was very non-fantasy (again, demons aside of course)
I wrongly assumed the last book being from 2015 implies that the demons took over then, but that contradicts another observation I made before and I totally forgot about but I like it more. So I’m going to redirect you there: Year Count based on demons thoughts
It’s probably gonna go more into demon stuff and all that so that's cool and I'm curious. I'm still not sure if the two new demons designs imply that they're lesser or not, because they have those masks that essentially "fake" what other demons seem to have naturally (the multiple eyes, the horns) but I'm not sure if that means they use that to substitute or if it's the other way around. It kind of feels like paying tribute to those characteristics but I can't really... explain it well haha
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smile-files · 4 years
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hiya! its gta, im just not gonna anon this time. could you please give me a tutorial of how to make a carrd? im a confused mess rn hhhh fghjk
i’ll try!! :]
first of all, go to https://carrd.co/. that’s a given.
i’m not experienced with designing websites from scratch, so i generally choose a starting point to work off of. i suppose it doesn’t matter too much which template you choose; 
the important thing is that the site has buttons of some kind, so one could go between different pages (i recommend clicking on the ‘sectioned’ category of templates for this. my current carrd uses the template second from the top on the right, which you can see a demo of here)
once you’ve chosen a template, you can go from there; underneath each page divider (see the ones titled #work or #about in the dashed lines) is its corresponding page. the page divider tells the website which page is which, so when you click on the button for it, it takes you to the right place.
and more on buttons - you might not see the buttons straight away, even though in the demo they were right underneath the text. this is because they’re sectioned off to a footer beneath the text (scroll all the way down to see them); this makes it so no matter which page of your carrd you’re on, those buttons will appear below everything else. 
to make it easier for yourself to move around on your page, you’ll want to label your buttons how you want them. click on the buttons to be able to change them -  when you click on ‘home’ in the menu on the left, for example, you’ll see how the label is ‘home’ and the url is ‘#home’. that url links to its corresponding divider - so clicking on the home button, one your site is up and running, would bring you to the page under the ‘#home’ divider. for a button to work, your buttons’ urls have to match those of the dividers (otherwise, your button can’t take you anywhere!)
let’s say you want 5 pages to your carrd: the main page, an about section, a section on some of your interests, a section on kins, and a section with your contacts. but there are only 4 buttons, and thus only 4 page dividers! how do you add another? good question! you see that little + button on the menu at the top? click the button labeled ‘# control’ to add a page divider. it will automatically go to the bottom of the site, so you should drag and drop it to where you want your next page to be. then you can change the name of that page using the ‘name’ section of the menu - it should be labeled as something like ‘section05′ as default, but you can change that label, which is the section’s url, to anything you want. you can change any existing page dividers’ names to whatever you want as well, so they match what you need!
but remember, if you’re changing the urls of the page dividers, remember to also change the buttons’ urls to match. now that you’ve added a new page section to your site, you’re gonna want to add a button for it, so you can access it! to do that, click on your buttons, go to the menu and click ‘add’ to add a button. now you can change the url to the url of your new page divider and change the label to whatever you want! (note: you can see all of your urls by clicking the little ‘#’ button on the top menu)
once you have every page sectioned off for your site, it’s time for the fun part - adding images and text! basically everything you add is through the + button on the top menu. there are a variety of things you can add to make your site great!
most things automatically show up below the footer once you’ve created them, so you’ll need to drag and drop to where you want it to go. 
for text, you’ll automatically see a text box in the left menu. there is where you type the text you want to add. but if you want to change the color, font, or any other cosmetic change, then click the button that looks like a paintbrush on the top of the left menu. that button is for appearances (the button you were on before has a big letter ‘a’ on it). 
do you want all the text on your site to be the same color, font, and size? it would be annoying to set all of that manually. but fear not, as you can set a style! first choose an appearance for your current text. i’m setting my text to a nice pink, with a poppins font, size 2 weight, etc. i want all my text to look the same way, so once i’ve set my current text, i click on the dropdown menu next to the word ‘appearance’ on the left menu; it should say something like (none) on it. 
once you’ve clicked, you can press ‘add style’ - the current appearance of your text is saved, so if you want to have any other text you have look like it, go into the appearance tab of that text, click the same dropdown menu and click the style you just made (it is automatically titled ‘new style’, but you can choose the little pencil button to change the name if you want) to have your new text have the same style! 
styles can also be used for elements like images - i actually recommend setting the appearance to the image before you upload it, in some cases; you want to make sure that you won’t have to crop the image to fit, let’s say a circle, if you didn’t want your image to be a circle in the first place. but, of course, you can still edit the appearance after you’ve uploaded. you can add corner rounding, or change the height, etc. if you want all of your images to have the same format (the same shape, for example), you can set a style for it as well.
one thing that took me a while to find out is to have two columns of images next to each other! if you’re like me, with my cringy ol’ kinlists, you don’t want to have a single trailing column of images going down your page; it’s very inefficient. to add columns, you’ll have to add a new kind of element - a container!
click the + button and click ‘container’ (the icon should be a little box). you can use containers for other things, but i use them for images. there should be a dropdown menu for ‘type’ on the left menu, and there you should choose ‘columns’; you should see a box with two little boxes inside, each one with the label ‘empty’. you can drag anything into these boxes really, even text, but i find them most useful for images. 
to add a row beneath, just drag whatever image you want to below one of the images in the top row - when you drag it, there should be a little teal line under the image you’re placing it beneath. 
want 3 columns instead of 2? how about 4 columns? click on the container (try not to click on one of the things inside, click on the space around) and click ‘add’ on the left menu; now there should be 3 columns. you can always add more if you like! you can also change the width of the column - maybe the left column is 75% wide while the right column is only 25% wide! you can keep them even or change them up. you also have the choice to set a column as a ‘spacer only’, which means that the column is filled with empty space and is just used as a way to format the other column.
you’ll also want to change the looks of the page and the background, as well! you might not be able to see the difference between them at first; as a rule of thumb, make sure you’re selecting the right element on your page by seeing the text on the outside of the little teal box that’s around whatever your mouse is hovering over - when over text, it says text, and image says image, etc. you can see where the page is by hovering outside of the elements and seeing what the selection text says; once you know where the page is, the background is everything outside of it.
the page is like a big platform on which your site goes - all of your different sections and elements, etc. you can choose where it’s positioned, its size, how much of the tab it takes up, color, gradient, corner rounding - you can even choose a pattern to add to it, like stripes, noise, or a grid!
the background, which is everything behind the page, can be set to a color, gradient, image, video, or slideshow! do whatever you want with it.
and yeah! there are lots of things you can do with your site to make it look just how you want it and to personalize it to you - and don’t be afraid to look things up to learn how to add even more! (i learned about adding columns for images with a quick google search when i was making my own carrd!)
once you’re done, click on the save button on the top menu (it looks like a floppy disk, not like anyone knows what that is nowadays. it’s the button next to the phone). if you don’t have a carrd account, it will ask you to make one with your email - this is so you can save your carrd! agree to the terms of service, you get the drill. 
then give your carrd a simple title and description! once you do, you can choose whether you want to publish your site now or save it as a draft to your account. if you do want to publish, choose a name for your site that fits the contents! for example, my botanica info carrd is appropriately titled botanica.carrd.co (as ‘botanica’ is what it’s about! note: that carrd is super outdated now...) 
whenever your ready, you can publish your carrd! then you can link it in your tumblr description, on your pinned post, or wherever else everyone can see it! 
this probably isn’t much, but i hope it helped anyway! have an amazing day, bud!  :]
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bookenders · 5 years
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11/11/11 Tag Game: Round... uh... 5, 6, & 7?
I got tagged by a bunch of people ( @quilloftheclouds is this how your 77 question one felt??) so here are a bunch of answers! I think this is the most I’ve ever talked about myself in my life. 
Good gracious, you’re all so nice and have such good questions.
Tagged by: @surroundedbypearls, @waterfallwritings, @bigmoodword, @sundaynightnovels
Rules: answer 11 questions, tag 11 people, give them 11 new questions!
[I’ve done this enough to be able to break the tag rules. Fight me.]
44 questions and answers below the cut!
But I’ll be nice and put my questions right here:
What would you do for a Klondike bar?
When do you title your WIPs? It is the first thing you do? The last? Does it come to you during drafting?
How many inside jokes do you put in your WIP(s)?
Your WIP’s antagonist is now The Riddler. How do your OCs handle that?
Do you use sticky notes?
Laptop or desktop?
Your OC is a wrestler. What’s their hype music?
Do you own any craft books/books on writing?
What’s your favorite book cover?
How many unread books do you have sitting around right now? Which are you most excited to maybe get to eventually some time?
How committed are you to your outline(s)?
Bilbo Taggins: Literally anyone, but also @francestroublr, @sahados-shadow, @a-story-im-writing, @bethkerring, @citruschickadee, @bos-ingit
If I’ve tagged you before, you can totally ignore this. In fact, I encourage you to.
From @surroundedbypearls:
What’s your favourite genre to write in and why? Literary fiction! It’s what I learned in university and the one that fits my themes best. Sci-fi is hard, I’m just getting into writing fantasy stuff, I can’t do thrillers, romance is hard for me, and historical is too much work.
Do you think you have a style/voice that you use more often in your writing? When did you develop that style? If you’ve read one of my stories, you know exactly how my writing voice sounds. It doesn’t change too much. I write like I talk, but if I had a lot more gravitas and charisma. Honestly, I’ve always had that kind of style, but it really developed in high school. It’s been getting stronger since then. It’s one of the things I always got comments about from my teachers and fellow workshop writers. “Your voice is so strong!” Yep. It’s mah thang.
Do you play video games? What’s your favourite? YES I DO. It’s hard to pick faves, but I’ve played Dragon Age: Origins too many times. 
If you were going to do a WIP crossover, which OCs would be most interesting together? (If you’ve only got one WIP crossover with something else) A crossover between H2H and AOPC? Interesting. I think Mel and Keema would get along the best, Oz would have some fightin’ words for Elder Sanga, and Gemma and Teva would be a force to be reckoned with, my god. Two stubborn nerds who believe totally different things but are also very determined to be very good at what they want to do and love their communities to a fault? Fear them.
Do you prefer to plan WIPs in a document or through handwritten notes? I used to do it by hand but I couldn’t read it because my handwriting is terrible and I kept losing papers. I do it in docs now. Much easier to organize and incredibly legible.
Do you multiple languages exist in your WIP? If so how do you address that in the story? H2H is set in the “real world,” so yep. It hasn’t been addressed too much yet, but I have a way for tackling languages. I’ve written multilingual-ish stories before. I never write phonetically and use hella context clues so the reader knows the gist of what was said if another character doesn’t translate.
What’s your favourite animated film that’s not Disney or Pixar? AN AMERICAN TAIL. All of them. It’s on Netflix go watch it and marvel at the way a kids movie talks about Jewish immigration, poverty, and cultural oppression via mice. As a young Jewish child, this movie was my jam. It’s very dark, though.
Do your real-life surroundings influence your WIP’s settings? Nope! One time I tried to write a story set in the same area where I lived and I couldn’t do it. Too weird. Sometimes I’ll write in an item I see near me, or like, a painting or poster on the wall if I need some set decoration, but that’s about it.
Which OCs would be most likely to break the fourth wall? Oz. Lookin’ at the camera like he’s in The Office.
How do you work out your OCs’ personalities? Hm. I look at the story I’m trying to write and make a protagonist that would have the most interesting experience in that narrative. For H2H, I wanted someone who would be loyal as heck to the people they loved while still being experimental enough to try new things and get into shenanigans. The story called for someone like that, and there she was. Mel came about my thinking of someone who would compliment other characters in the story while still being their own person. If that makes sense. I think of dynamics and interactions with the story world in relation to the theme(s). Most of the time they just happen, though.
Do you prefer worldbuilding or character building? Character building! As much as I like making stories about places, making characters is more fun for me, and more interesting. You should see all the DnD character sheets I have. 
From @waterfallwritings:
1. How do you come up with ideas for your WIPs?
At random. Seriously. It’s like my brain has to be running something in the background to function normally, and usually that something is whatever story I happen to be working on. Or I’ll look at a thing and go “huh.” My brain also likes to twist normal things to be a little bit different.
2. How do you get past gaps in the plot?
No idea, man. It’s like throwing spaghetti at a wall. I like to work backwards. If this is what I want to happen, what needs to happen before that to ensure that it occurs? I look at all the elements currently in the story and see if one can be manipulated to fill in the hole.
3. What motivates you to keep writing?
If I don’t, my brain gets all constipated and angry until I write something down. Like, seriously, I get grumpy and frustrated like I’m hangry or something. Aside from physical need, I love writing. I love word puzzles and feelings puzzles and figuring them out. Sometimes I think of how my stories could help someone, or make them feel something that they enjoy. 
4. Do you do any other kind of creative writing?
Oh, man, I’ve done it all. Screenwriting, playwriting, poetry, video game-ish writing, interactive storytelling, short stories, flash fiction, proposals, essays, DnD campaigns, monologues... You name it, I’ve probably tried it. I tend to stick to prose and poetry these days.
5. Do you have any other creative hobbies besides writing?
I’ve gotten into graphic design a little bit. I kind of wanna learn how to knit again. I’m not really very crafty. 
6. What do you do when you’re stuck on a scene and don’t know how to get it out / write it?
Write a different scene, stare at the screen in frustration until I give up and go to sleep, meditate for a few minutes, go do something else to get my mind off of it, clean, work on a different project.
7. How do you decide how to end your WIP?
I mean, see the next question for part of my answer. How did I decide to end H2H? My friend, that’s a big ‘ole spoiler. But I decided to end it at a place where everything, and everyone, comes together.
8. When in the process of writing do you decide how its going to end? Or do you kind of just wait til you get there?
Right at the beginning. If I don’t know where it’ll end, I have a hard time writing the arc. I work backwards: start with the idea, then think of where I want it to end up, then work back to the beginning until I know where its going, then start writing.
9. Why did you decide to join writeblr?
My reasons are pretty personal, but the least personal is that I needed some accountability and motivation. And I missed being in a good writing community.
10. What’s your favourite food?
Pasta! I’m eating spaghetti right now.
11. If you had to kill off a character in your WIP, who would it be and why?
Oz would be the most tragic. Treena would be the most logical. 
From @bigmoodword:
1. using one sentence summaries, can you tell me about your wips?
Nerdy potion woman meets cute odd stranger who helps her solve magic mysteries in their quirky small town.
2. what inspired them?
I saw a zine accepting submissions for magic stories, then an open call for queer shifter stories, and thought “what if wholesome magical lesbians?”
3. which of your ocs do you most identify with?
Gemma!
4. if you’ve ever cried while reading, which book cued the waterworks?
THE SONG OF ACHILLES.  My God, my soul was weeping. Honestly, it still is. Doesn’t matter that I knew the story from the Iliad. Madeline Miller is a feelings wizard.
5. how do you conduct research for your wips and what’s the most interesting thing you’ve discovered in said research?
On an as-needed basis. I used to do way too much research to avoid actually writing the damn thing, so now I only do it when I actually run into a problem that can be solved by Google.
6. thus far, which scene has been the most difficult to write?
The ones that aren’t hugely emotional. Which is... unfortunate.
7. which of your ocs do you like the least?
Rude. On a personal level, Jill. I love her, but I would not be friends with her. We wouldn’t mesh at all.
8. which pov and tense do you prefer to write in?
Third person limited present tense! To the bane of everyone who’s ever edited my work.
9. do you write poetry?
I do! Not often, though.
10. who is your writing role model?
My freakin’ writing professor from college. He is crazy disciplined.
11. if you could give your younger writer self some advice, what would it be?
Hey, you know those people who say your writing is too dark? Yeah, they suck and they’re wrong. They just want kids to live up to their expectations and write happy sunshiny stories about unicorns and dinosaurs having ice cream. And you’re not depressed because you wrote that one sad poem one time and someone asked if you were depressed. What you have is called feelings and they’re very useful for a writer, nay, a human, to have.
From @sundaynightnovels:
Who is your biggest role model? Okay, so I got crap all the time in grade school for never having a role model, and I still don’t have one. The teachers were concerned about me. But my reasoning was, “why should I want to live someone else’s life?” Yeah. They didn’t really know what to do with that...
What are your OCs favorite foods? Sort of answered here!
Which OC is most afraid of the dark? Oz and Mary!
What made you want to start a writing blog/participate in the writeblr community? Answered above!
Did you sleep with a stuffed animal as a kid? Do you still? I did, indeed. I don’t anymore, but I have two that I shuffle around my room when they get in the way. One is a highland cow I got in Scotland (he has a plaid hat), the other is a blue whale I got at the Museum of Natural History in NY.
Do you like donuts? I love donuts. Especially jelly filled ones. Mmm.
Do/would your OCs like donuts? All of my OCs like donuts. I don’t think Mel has ever had a modern one, though.
What is your least favorite food? Cauliflower? I’m the household taste-tester, so there’s been a lot of stuff I don’t like.  ( @sundaynightnovels I hate sparkling water, too, you’re not alone!)
What is your ideal writing environment? Comfy seating, a chair with no arms (stupid elbows), alone, plenty of chosen beverage within reach, headphones.
Favorite line from your WIP? So far, it’s this one!
Favorite quote from a book? Oh, man. There are so many. From recent memory, here are a few: “’Give it time,’ she replies. ‘It won’t be a story forever.’“  and “Everyone has heard stories of women like us, and now we will make more of them.” (both from The Ladies Guide to Petticoats and Piracy) “When he smiled, the skin at the corners of his eyes crinkled like a leaf held to flame.” and “I lean forward and our lips land clumsily on each other. They are like the fat bodies of bees, soft and round and giddy with pollen.” (I could write a goddamn essay about the imagery in this scene.) (It is quite possibly my favorite description of a kiss ever. And the metaphor extends through the rest of the scene so artfully ugh.) (both from The Song of Achilles) “The thing about a story is that you dream it as you tell it, hoping that others might then dream along with you, and in this way memory and imagination and language combine to make spirits in the head.” (from The Things They Carried)
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curly-q-reviews · 5 years
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ROAD TO THE OSCAR MAYER WIENER AWARDS 2K19
The Ballad of Buster Scruggs, 2018 (dir. Joel Coen, Ethan Coen)
Nominated for: Best Original Song, Best Costume Design, Best Adapted Screenplay
SPOILER ALERT THAR BE SPOILERS AHEAD ME HEARTIES BE YE WARNED
wowee what a cool film!!  i went into this not knowing much about it except it was directed by the Coen brothers (directors of Fargo and The Big Lebowski) which set real high expectations for me.  these guys are real masters of storytelling and what immediately come to mind when i think of movies that know how to effectively use dark humor.  i also love the kinds of stories they tell in general, how they take subjects and settings that seem kinda mundane and just give them this little extra spark. 
so is this newest film just as good as their other work???  well id say yeah for sure!!!  it reminds me a lot of a film they did shortly after The Big Lebowski called O Brother, Where Art Thou?, because theyre both period pieces AND because they both feature a myriad of eclectic and interesting characters.  the one thing that makes The Ballad of Buster Scruggs really stand out from their other films however is the fact that this is actually an anthology made up of six different stories, all set during the same time period in The Wild West.  its also worth mentioning that this movie was made to premiere on Netflix, which is something ive started to see more and more as the streaming platform becomes the new go-to source of media content.  its very exciting to see such prolific directors go the Netflix route and have great success with it, because it means that the platform really is capable of creating high-quality movies and TV shows and working with big-name talent.  im sure the big hollywood production companies are all quaking in their lil booties cause this means big BIG changes are on the horizon
ok so ive reviewed anthology series before, notably Black Mirror, and with those reviews i ranked the short stories in order of least to most favorite.  so i guess in this case ill do the same, although its hard to really rank these cause i truly enjoyed all of them in different ways.  there was one however that didnt really tickle my fancy much, which was “Near Algodones”.  this one stars james franco as a bank robber who seems to have met his match in a fiery (probably crazy) bank teller.  he gets caught and hung from a tree by the town’s sheriff, but nearly manages to escape death when a Native American tribe swoops in and kills the sheriff and his crew.  james franco is saved by a cattle driver, only to be caught again by the next town’s sheriff for allegedly trying to hawk the cattle (which was not the case at all).  right before they kick the chair out from under him at the hanging, he sees a beautiful woman in blue, who at first smiles at him but then looks unnerved as he stares back at her. 
i think with this one the ending really didnt do much for me, i kinda didnt get it.  i did understand the whole irony behind surviving punishment for a crime he DID commit but getting hanged for a crime he never committed, and the bank teller was pretty hilarious, but everything else about the segment was just ok.  james franco didnt really blow me away (he never really does but thats besides the point), the rest of the performances were fine, and the story just kinda zipped on through.  maybe ill give this one another watch to see if the ending makes any more sense to me, or if theres any sense to be made from it at all
next up for me would be “The Gal Who Got Rattled”, and this segment i have mixed feelings over.  its about this brother and sister who set out on the Oregon trail so that the brother can get his sister to marry his business partner in Oregon.  the sister seems like a kind of wishy-washy, subdued character who just kinda goes along with whatever her brother says without giving much of her own opinion.  i gotta give credit to zoe kazan (who starred in The Big Sick) cause she does a great job with this character, totally spot-on performance.  ok so turns out the brother is a fucken HORRIBLE businessman who screws up all his business deals all the time, and he tragically dies like two days into being on the oregon trail.  he has this annoying-ass dog that barks all the time and everyone else on the caravan is sick of it, so when the brother dies the sister just lets one of the trail leaders put it down.  turns out the sister like did not like her brother at all but was always too afraid to say anything.  now getting back to the bad businessman thing, apparently he had promised the helper boy that is helping move their covered wagon a large sum of money, half of it halfway through the journey and the rest when they get to oregon.  problem is, the sister doesnt have the money, so it was either left in the brothers pocket when he was buried or there wasnt actually any money at all and he lied, y’know, like a bad businessman does.  the trail leader who put the annoying dog down offers to help her, and the two start to get close.  so now its like a pseudo love story thing.  except it ends pretty tragically (the sister dies its a long story and pretty ironic just watch it if u wanna know)
so uuuhhhhh this one was long as shit, like a lot longer than the other segments when it didnt really need to be???  like it just kept  going and going, and again the ending didnt really make up for how long it was.  i really liked zoe kazan in this, but otherwise nothing to write home about. 
number four on my list would have to go to “All Gold Canyon”, which basically just follows the story of a gold miner in the mountains trying to get that money honey.  this segment is the simplest one out of the bunch, but i gotta say its absolutely gorgeous.  what beautiful scenery and cinematography.  it provides a nice contrast to our disheveled, run-down gold miner who is just tearing up the beautiful grassy fields trying to get to this gold.  there seems to be a theme in this one of man’s relationship to nature, and how the gold miner does put in effort to respect it but still takes advantage of it for his own benefit.  and i guess theres a broader theme of greed, or the ruthless and endless pursuit of wealth which can drive people to do crazy and desperate things.  i definitely really enjoyed this one, especially the gold miner character played by tom waits.  but otherwise it didnt stand out as much to me as the other segments im gonna talk about
SPEAKING OF WHICH heres number three!!  “The Mortal Remains” is right up my alley, and has some more mythical elements to it than the other segments ive talked about so far.  so we have a wagon full of passengers all going to this hotel for various reasons, and its a really diverse cast of characters: we have the older wife of a prolific religious lecturer, a rich Frenchman, a trapper, a foppish Englishman, and a cheery laid-back Irishman, the last two seeming to be companions of some sort.  they all get on the topic of the true nature of mankind, and the three characters opposite of the strange pair all have something different to say.  the trapper believes that all people are inherently the same, with the same basic needs.  the older woman disagrees and insists that there are two kinds of people, upright and sinning.  and then the Frenchman says that both of them are wrong, that human existence is much more complicated and nuanced than that; no one persons life is exactly the same as another’s.  and then we have the Englishman and the Irishman, who turn out to be bounty hunters of some sort (is heavily alluded that they are grim reaper-type figures).  they explain their method of completing their kills, and talk about how they enjoy watching their victims “try to make sense of it all” in their death throes.  these two clearly have a much more cold and sinister idea of the nature of mankind, and the rest become very unsettled all the way to the hotel.  no one else even dares to step out of the carriage while the bounty hunters drag their latest victim through the front entrance and up the stairs.
oh man this segment was great!  i think the reason its third on my list is cause i really wish there was more to it, like if the Coen brothers spent more time on this one instead of “The Gal Who Got Rattled” it would be perfect.  Jonjo O’Neill and Brendan Gleeson as the bounty hunters were so enthralling, and i loved watching them play off of each other.  hell, i couldve had a whole movie featuring those two.  and the screenwriting really shines in this segment too.  this segment almost feels like a fable or something, which is really fitting for the time period.  makes me wonder if they had based it off of an actual fable.  but anyway yeah this ones awesome!
i had a hard time choosing between “The Mortal Remains” and this next segment for second place cause i liked them both equally, but in the end “Meal Ticket” gets #2 purely because of the utterly fantastic performance by Harry Melling, who plays a quadriplegic actor in a traveling show run by liam neesons character, an irish traveling entertainer.   the story itself is really simple, we just see this disabled actor be carted from one town to the next, doing the same stage show which is basically just him reciting famous prose throughout the ages.  meanwhile liam neeson is trying to get as much money as he can out of the audience members.  he doesnt interact much with harry melling outside of feeding him and helping him piss and get dressed.  u get the sense that he doesnt really see his disabled actor as an actual person, but more of an entertaining object or a pet.  and this becomes even more apparent when the irishman gets some competition from another traveling entertainer who has a chicken that can do math.  he sees this chicken getting more money than him, so he buys it off of the other guy and takes it with him.  and finally, the poor limbless actor is literally and figuratively tossed aside for the next best thing.
man oh man what a great segment!  harry melling blew me away with his performance, the fact that he was able to get such a nuanced range of emotion out of the few lines he was given (basically he had to recite the same shit over and over again) was so impressive to me.  and his non-verbal communication was really solid too.  liam neeson did really well in his role too.  and again the story itself is really great, simple but effective and really gets the point across without having to beat the audience over the head with its message. OH YEAH ITS REAL GOOD LOVE IT
and finally we have my #1 pick, which i think the directors knew this was the best one out of the bunch too cause its the first segment as well as the title of the whole movie.  “The Ballad of Buster Scruggs” has that signature Coen brothers wit and dark humor that i love, it plays off of typical Western movie tropes and is very tongue-in-cheek and i ate that shit up.  tim blake nelson as the titular buster is just so fucken perfect for this role, he really shines in this and its kind of a shame that its one of the shorter segments cause it really is the best one and he knocks it out of the park.  we got some great music in this segment too, which is where that Best Original Song nom comes in.   this one also has some strong fable-y vibes to it, like this story could be amongst the likes of American folklore like Paul Bunyan and Johnny Appleseed.  i wont get much into the plot of this one but i highly recommend watching it, even if you dont wanna see the rest of the segments. 
the segments fit together pretty well overall, although the tone of each of them differs slightly the fact that the setting and time period are the same is enough to firmly knit all these stories together.  its a really unique idea for a movie, and is so far the best attempt at an anthology movie that ive ever seen purely because the stories really all make sense together and play off of each other well.  in other anthology movies ive seen like The ABC’s of Death the segments usually dont have much at all to do with each other, except that they all fall in the same genre.  so overall id say give this a watch, especially if ur a Coen brothers fan, cause theres some real good stuff in here.
well thats all i got for now cowboys!!  i watched Roma the other day and CRIED REAL HARD so get ready for me to kiss that movies ass in a review that should be done in the next few days.  until then go uuhhhhhh lasso a cow or something.  chew some tobaccy.  fondle a barmaids titties.  die of dysentery.  y’know just old west things~
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antiques-for-geeks · 5 years
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Game Review : Beach Head
US Gold/Access / 1985 / Originally £5.95 / Commodore 16 & Plus/4
Access were in at the start of the home computing revolution. They’re one of those companies that you probably know the games better than the company that made them; Raid over Moscow was one of theirs, as well as Leaderboard and later, Links. Before any of those arrived though, there was Beach Head.
The game was based on some classic World War II style Pacific Ocean theatre action. Everything about the game suggested it; the cover art bathed in the imagery with it’s fighter planes strafing the beach as the landing craft deposited their human cargo ready for the onslaught. The map that greets you at the start of your campaign could be of any Pacific atoll. You can almost hear Douglas MacArthur shouting “I shall return”.
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General Douglas MacArthur, yesterday.
The game was a hit, and was picked up for distribution in Europe by US Gold, conquering this side of the Atlantic. Players who didn’t have a Commodore 64 or Atari home computer soon wanted in on it so US Gold commissioned conversions from other developers, with Ocean notably handling the well received Spectrum version. That sold well too.
So when the Commodore 16 and Plus/4 came along in 1984, US Gold decided to treat owners of those systems to their own version of the game. Beach Head was given to Anirog to convert, who were gaining a bit of a reputation as platform specialists. The game arrived in 1985, two years after Access had released the original.
Firstly, the developers had their work cut out. Anirog had to contend with a target machine with far less resource than the other systems Beach Head had been converted to. Compromise was inevitable.
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Just missed ‘im. This happens a lot.
On other systems, Beach Head is made of four stages - you start with a fleet of eight ships and from a map screen you can choose to take them through an underground cavern, threading your boats between mines and torpedoes to make the later levels easier to complete.
This is then followed by the first shooting gallery section; your fleet has been intercepted by enemy ships and you must launch a defence against incoming bombers who will eventually sink your ships if you don’t shoot them down first. Once the enemy is out of fighters (or just bored, it’s never clear which) this then turns into a second shooting gallery round where your attention passes to trying to sink the enemy’s fleet of shops.
Do that and it’s back to the map screen and charging your ships towards the beach and unleashing your tanks over an obstacle course so they get a chance at the fifth level - destroying the big gun at Kuhn Lin in another shooting gallery level. Inexplicably on this level, the enemy gun takes a long time to aim at you and bizarrely, you have to shoot targets at the base of the weapon. This is what causes the gun to blow up - maybe this is what happens when “we’re tired of experts” extends into the military.
Anyway, can you start to see where this is going?
On the Commodore 16, Gone is the map screen and the underground cavern where you thread your way through mines and dodge torpedoes to bring your boats through. Most significantly, the final level is truncated, removing the tank advance, which was a favourite for many players. Anirog focussed on the three which shared the most in common. What remains is still the core of the game however - protect your fleet first from incoming planes, sink the enemy fleet before they sink you, take on the big gun.
Being so significantly cut down was of course necessary for the small memory of the Commodore 16. It could have been done as a multi-load, but then the flow of the game would have been compromised. Plus/4 users, with their 64k of memory get the same thin gruel as everyone else, the size of that market unable to support two separate versions. It could barely support one, but that is for another time.
With the reduced footprint, it is still not enough.The graphics measure up to the C64 original, the sound is serviceable, but there has been a significant compromise in terms of playability.
Your gun turret - your main interface with the game is incredibly difficult to control. You can aim it just fine, adjust the height just fine and a fire just fine. But not all at the same time.
On other versions, combining actions was taken for granted. Sink a ship in the sea-battle level and you’re already moving across the screen changing your weapon’s angle as you go. It’s part of the game. Every fraction of a second counts. However here, try combining things and the turret just stops. Then there is the disappearing turret; when this happens, you really don’t have much idea of what is going on. It’s like conducting a war via seance. Except you’ve not got the plant in the room banging the table leg with their foot when the fake medium wails “is there anybody there”.
This bizarre situation just about works with static targets once you get used to it, but when defending the fleet from incoming fighters and taking on the big gun? It just doesn’t work. You end up just resigning yourself to keeping the gun in one position and elevation and keep firing, hoping that the planes fly into your shots like a blundering toddler into a set of closed patio doors. The element of skill is removed from the game completely and it becomes a weary battle of attrition with you hoping that you don’t lose too many ships to make it to the later levels.
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The fighters gone, a ship starts shelling me. God knows what is going on. Press fire and hope for the best.
Why there is a such a glaring hole in the game is inexcusable and smacks of the kind of half-arsed platform exploitation that US Gold were infamous for. Compare this to literally any other game on the Commodore 16 and it really feels like an unfinished budget title rather than something crafted and worthy of your £5.95.
But! Bill Herd who designed the Commodore 16 and Plus/4 said they were never intended to be games machines. They were meant to be more basic machines that extended at the top end into the business market. They were meant for text editing. Give Anirog a break! Oh yeah? Played Trailblazer?
Buying it today
From what we can make out, it does not seem to appear that often so does have a certain uniqueness to it. The C64, Atari and Spectrum copies are ubiquitous but other platforms a lot less so. It was re-released on the Americana label, though this seems to be rarer than the full-price version. Expect to pay anything up to £10.
Commentariat
Tim : Sad to say, but Beach Head has not aged well. While not a bad game, it is very much of its time regardless of the system you play it on. The game is a nice walk down nostalgia lane and in some ways is one game you yearn to return to, but when you do it’s not as good as you remember. This stands in stark contrast to Raid over Moscow...
Liking this version is doubly hard. The cut-down nature of the game I can understand, being fundamentally unable to play I can’t. Don’t waste your time or money unless you are a completist or masochist or both.
Score Lord : How did you get my number? Don’t call again.
Meat : Back during Christmas 1983, my next-door neighbour’s big present was a Commodore 64. He and his brother were given the machine and also had two games, Gorf which came on cartridge and was great for a quick blast and Beach Head which came on cassette which to begin with, they couldn’t play. Their Dad having only seen a Spectrum and thought he’d save a few quid using by a household tape recorder instead of the necessary Datasette. The idiot.
When we finally got to play it, we loved it. So much so that the following Christmas I got the Spectrum version for my poverty-spec gaming experience.  Imagine my surprise when I found out a version of Beach Head existed on the equally poverty-spec Commodore 16.
After eagerly loading it, I was hoping for a smart conversion that played to the strengths of the machine. The reality could not have been further from the truth. Disappointed was not the word. Just for comparison I checked out the Spectrum version again and yeah, the problem wasn’t rose-tinted glasses.
Between them, Anirog and US Gold had managed to take a decent game and make it both uncontrollable and dull. Send for the Inspector, a crime has been committed.
Score card
Presentation 5/10
You get the full-price experience for the time, which is quite nice. At least this is an area where they could be arsed.
Originality 2/10
Coming in 1985, the novelty factor of the original was two years passed. With the compression of the game, it’s lost even more in these stakes. It’s now basically just a shooting gallery game, with the fun sucked out of it.
Graphics 4/10
Not going to win any awards, but tidy enough. Hold on, are those blobs supposed to be ships?
Hookability 1/10
You can’t really play it effectively.
Sound 3/10
There isn’t much, but what there is has been done satisfactorily.
Lastability 1/10
No hook into the game, no point in playing.
Value for Money 1/10
Not worth £5.95 of anyone’s cash in 1985 and certainly not worth that today.
Overall 2/10
A conversion so wretched that at the time you’d have been better off putting the money towards a second-hand C64 and picking the title up on budget. Today, it’s for the collector only.
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tumblunni · 7 years
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HEYO! oh man now my friend helped me get all inspired again for working on my Cathedral Tower Defense game so WOO lets have another long post of miscellaneous ideasies for storyness! may not be very coherant tho cos i am super tired and ill! but happy!! THANKS SUMMON-DAZE FOR BEING MY ULTRA BESTIE
* Okay now I am super sure that I’m gonna let you choose the gender of the protagonist! And I wanna keep it so that their name is Amity either way, cos that’s kinda stuck in my mind. Surname Amity, player gets to decide the first name, but people will still be calling you Amity a lot at first cos you start off all awkward and formal with everybody. You’re a newcomer to this cathedral town and nobody knows whether to trust you, from their perspective you’re this dangerous person theyre forced to accept just because they need you to help protect them, whether you’re good or bad. They’re all worried what price they might have to pay for this, trying to figure out how to minimize the damage if you turn on them... and its not like they’re bad people for being untrustworthy, they’re just scared people huddling in a church and trying to keep their families safe at any cost. So try and prove your worth to them, and help them learn to protect themselves too, and make this ramshackle settlement into a real home! ....anyway, where was I? Oh yeah, gender selection is a good! And it could be relatively easy to impliment too, cos of the situation. Doesnt even necessarily have to be a menu or anything, it could just be like sir amity/lady amity/master amity. Cos you’re this paladin knighto, itd make sense for them to ask for your title. And it could just be like a shot of protagonist’s badass silhouette in the gateway of the cathedral and then you get the dialogue choice to pick your identity, and its all Super Cool~!
* It also actually gives me more of an idea of what i could do for their design, like I dunno maybe they have some sort of face-concealing helm or headdress or something. I was just thinking of them being dressed like a generic nun or princess but maybe emphasize more on the knight aspect instead of the holy part? So like anyway, maybe they have a very all-concealing outfit and that could be the framing of the first scene instead, its like *pulls off the mask and you’re into the character selection screen* Orrrrrr maybe there doesnt need to be any magical setup for a gender selection and it can just be a menu before the first scene starts XD Or maybe you have a cool face-concealing helmet thing anyway, like all three gender options just have a different one, lol
* More random magical names i got via the cool name generator site summon-daze linked to me! Dunno if I’ll actually use any of these but im writing them down here so i dont forget. Berebath, Betnia, Amurziz, Jetre, Miemahl, Semdach, Batxahl, Sidefarch, Botolohn, Vausach, Thammoch, Droibhal, Lekonach, Zeidhal, Tieloch, Rabrohm, Maesur, Smoiroch, Baelbuhr, Axoth, Jige, Chushou, Hukru, Nejeget, Roucu,  Jinah, Aujus, Yekoth, Nugresah, Israfel, Jabriel, Tabris, Douma
* Also I’m remembering Jade Cocoon and how I liked that the different ‘families’ of monsters shared naming traits. Like how all those weird snake/slug cutiepies that i loved best were nushab, rashab, etc etc. And tamatoch and somethingtoch and so on. I think there was at least one where the modifier was a prefix too? I dunno why i’m talking about this, but there you go. I just think if i wanna do full original made up names for demon species then i wanna make em stuff that just... feels like that. I dont actually wanna make like five different elements of each one tho, i wanna have only one per element and then they have like two different higher level finalized forms. Like, the human characters can have two job classes each and the demons can have two specializations within an element. That helps me think about how to limit it down to four or five elements, if we can combine common fantasy elements together! And yeah I was thinking it’d be cool if the demon ‘job classes’ could have their own evolving appearances and new names!
* Thoughts for the ol elemental groupings! The only one I really have finalized is grass + poison = same thing. Florin, why u always the character that gets developed faster than everyone else XD And I’m thinking giving them their own made up names would make it easier! Like how in SMT you have spells being stuff like ‘media’ and ‘agi’ instead of cure and fire. But here (hopefully) it’d be easier to memorize cos its just the element names that’re fantasy words, and the attacks themselves would be a little more self explanatory. i just think it’d work cos like... the idea i had of rock and fire being one single demon type, you could just call that magma. But i mean, what can you call plant + poison? Except.. like.. plant. Cos poison is reasonably often a grass type skill anyway. And i mean, game creators dont often worry about making sense, what with how ‘grass’ is the common element name when thats just one plant in a million. I cant stop thinking about that now I’ve noticed it! I legit thought grass was a synonym for plant when i was a kid, i learned to read from pokemon yellow... ANYWAY IM GETTING OFFTOPIC AGAIN The other idea I had for groupings was fire + non-elemental together? I was just thinking like... aura. Non elemental/physical attack as a ‘magic’ could be fighting spirit! And thematically speaking it tends to be shown as fire effects in anime, i guess XD But then i couldnt put fire with rock and that means I’d have to redesign malachi again. his design ended up looking more firey than rocky :P Another idea is maybe darkness + non-elemental together? like, interpret non-elemental as ‘void’. Or light and dark could be together actually, that could be an interesting way to do it, instead of having them opposing. Like maybe the elements could be colours! Grey element, able to specialize into white or black but neither is any sort of ‘good and evil’. And then the rest could be like green or like.. instead of red maybe fire could be bronze and thats why it has rock skills too? or man, maybe rock and metal could be one element and fire could be grouped with something else. And would water and ice be too ordinary and boring? do they already kinda count as one element? should I throw in something else? GAHHHHHHH
* Ideas for the multiple religious groups aligned with each element! I’m thinking I want one of them to interpret the setting’s absent god as two deities. like, every perspective on this deity is a wildly different character, this one is just even more so! they’d see malahat (tentative name) as two people, but kinda more like a shared soul that can manifest as either a male or female form. But there’d be ambiguity and debates in the mythos over whether this is actually a genderfluid god, or if its ‘twins who were cursed to never exist at the same time’, or various other variations on the story. I wanna make it like real life, where even within (for example) catholocism, there’s different sects and different translations of the same text. And where there’s predjudice against minority groups and people like to twist their faith to ‘justify’ it, even when parts of the original tale could easily justify treating those people with kindness too. So there’d be some followers of the twins religion who are very openminded to LGBTQ people, and historically anyone trans was able to hold a unique position as a priest, being treated as someone blessed by god. But like in norse mythology, this wasnt necessarily a sign that society was 100% okay with LGBTQ people. Its kinda depressing to read about how trans women and gay men were considered the only people able to become a specific kind of witches, but also how you kinda HAD to take this one safety net in society to stop people from making you an outcast. It was like ‘make them fear me so they dont fuckin kill me’. You had to become a medicine person and at least claim to believe in these magic powers, you had to be blessed by the gods to prove you were like.. one of the good ones. Otherwise its like youre saying the gods made a mistake when they made you, or youre choosing to be a deviant against nature. i can only imagine how terrifying it must have been if you believed in that religion and had to like.. be forced to go against it and leave society, or be forced to lie about being chosen by a god for a higher purpose, while believing that any moment you might get struck down for lying. And then I read in other history books about how the concept of homosexuality was far different in that old society too, how male-on-male sex was accepted at sea as long as you were the dominant one and you were forcing something unwanted onto a lesser shipmate as punishment. Like ugh, rape being more socially accepted than consensual LGBTQ relationships! I guess the only solace is that we can never be 100% sure how much of historians’s theories are correct and what might have changed in retellings of history, but honestly I can believe the past is this fucked up when the present is already fucked up in different ways. BUT ANYWAY I wanna explore those themes in my story maybe. And I wanna do more research into the subject to make sure I’m doing it justice, even though its a very sad subject that might be quite stressful. Maaaaan, I remember how I used to obsess about researching norse myth as a kid, it was one of my first Special Interests and I really wanted to see all the different reinterpretations of Loki and write my own fanfic/adaptation/vaguely inspired original story about What If He Stayed A Good Guy. Man I had soooo much sympathy for the poor sod. I mean it depends on the retelling whether he was always evil or whether he was like a comedic neutral ally to the gods who just abruptly becomes evil and gets killed off without remorse in the final story. And gahhh he’s like the biggest LGBTQ bastion in the whole mythos, and how can I not feel sympathetic?? When we get all these stories about him being a literal genderfluid shapeshifter and giving birth to half of his children and just like seriously its like The Story Of the One Trans Man In Homophobic Transphobic Valhalla and he was probably meant to seem Bad and Funny and whatever but im gonna sit here and grumpily cling onto the idea that he was deliberately written as trans, or that if these gods actually do exist out there somewhere then Loki would support me. *pout* I just have a lot of good memories of how this was like the first sign of me realizing my own gender, back when I first learned about Loki in school and then devoured every damn history book about the dude. And got in a million internet pissing matches about how innacurate the marvel version was XD Also it sucks that we like to believe that modern times are always 100% more enlightened in every way, yet its modern adaptations that always censor out the bits about him shifting gender identities and getting pregnant once. ... man this has gone offtopic too much, im really tired but seriously its funny how teenage bunni had NO CLUE they were nonbinary, no clue why they got so obsessed researching gender-defying mythological figures and historians who created gender neutral pronouns in the 1800s. i was so supernaturally oblivious, holy shit...
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