well then LET'S SEE IT!
HUH?
KICK MY HEAD!
COME ON
KARATE CHAMP
i wanna see you
kick
above
your waist alright
show me that r o u n dhouse
show me that SWEEPING CRANE KICK
that your KUNG FU MASTER taught you
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9 days of not writing a single line makes me think... The last big gap was when he wrote "I know now the span of my life."
Now it's after writing that he no longer has paper, money, identity or clothes. He stops writing about anything when faced with hopelessness.
It's like when he had a panic attack with the locked doors and said he was too crushed to speak of the beauty of nature outside like he wants to. The bigger the despair, the fewer the words.
It's surprising every time, even when you read it a second time, how the horror in Dracula doesn't come from the monsters, or the vampires, or the supernatural; the horror in Dracula comes from the mundane.
Subtle threats on the person, violation of boundaries, abusive behavior, restraining of freedom, loss of privacy, every single thing that happens to Jonathan could still have happened if the Count was a regular human.
And Jonathan feels so much, sometimes his emotions seem to be too intense for his mind. Jonathan wrote before even if he knew it was pointless because he had to document what happened, for the sanity of his own mind, and for whoever could be the next victim after him.
Then Jonathan knows the span of his own life, and not a single letter is put on paper.
After that Jonathan's entries change, they are methodical, straight to the point, still as detailed as before, but the details are now different. Gone are the descriptions of landscapes, food, and Dracula's rambles, and now every single line is dedicated to document every single thing that happened.
Now Jonathan has nothing, only his travel journal, with all of the remaining unused pages staring at him back.
And the now familiar hopelessness comes back stronger.
That horrible feeling of despair ate Jonathan's hope, how can he trust himself to write, to waste pages on his feelings when there are still many things to document.
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Thinking ab Liu Kang… thinking about a god who thinks he has lived this new life well, has learned the rises and falls of divine existence and knows what to expect, only to remember he is just a boy given too much power when he reaches a present he cannot control. Faces he used to laugh with, people he has seen grown old, different and changed, but so much the same. Events he thought he had avoided repeating themselves, his timeline slipping from underneath him for the first time possibly in millennia. What is a god meant to do when he cannot escape his own mortality, cannot escape the ghosts yet to come, the blood he must prepare to have spilled at his feet? What is a god meant to do when he cannot fathom his own power? When he is still just a boy so scared to be champion, but must now hold the weight of the universe on his shoulders?
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it's actually so fascinating to me that Brennan has created a character that maintains a pretty relaxed and mild-mannered demeanor and has said multiple times that the absolute Core of her is "FEAR" and how often we see this Fear manifest specifically in Avoidance; it really nails a relationship to that mentality where your brain fully Stops recognizing the emotion properly out of like, sheer self-defense from the stress of having to carry it all the time
I think this is also perfectly showcased in the way we tend to see Tula swing so suddenly from 'level and steady' to 'snarling Panic' and then back again - Just because your brain has detached itself from the Conscious Recognition of the emotion doesn't mean it can Actually stop itself from experiencing it. So the Fear is always there and always acting as a stressor, but because of that inability to Identify it there's no way to recognize or address it before that final straw hits and your bodymind jumps Straight into Full Meltdown Mode; but then once again, once you drop even a Little bit below that Peak Terror your brain ceases to process the emotion; it's like the most exhausting form of Poor Object Permanence in the world
And even if Tula is aware of this happening to her, that doesn't really make it any easier to deal with / address. Even if you're able to spot the symptoms Around the emotion -- chest pain, irritation, nausea, whatever -- because the Emotion Itself is basically impossible to find, you can't really Successfully Pin Down what the problem is OR a way to cope with it. If you can't figure out That You Are Anxious, then figuring out What Is Making You Anxious is impossible, which makes Find A Way To Make Peace With That incomprehensible. That's where the Avoidance comes in: you can no longer identify what might be a Dangerous Situation, which means that Anything New has a big potential to be Really Bad in a variety of ways (ranging "I don't Feel Good" to "Fully Lashing Out bc you've entered Fight/Flight and can't get out of it" to "Actual Outside Danger This Time") and that means the Only Way you know how to be Safe is to just Avoid Doing Anything New and Only stick to Familiar Situations, because anything unfamiliar is a monster of a gamble you don't know how to prepare for or cope with
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