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#central kind of figure
themyscirah · 8 months
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I think that comic creators should be forced to read the entirety of Ostrander & Yale's Suicide Squad run before they even THINK of using Amanda Waller in anything actually
#its like oh my god. read that book#i swear to god she is complex and has so much going on ans just like you NEED to read that book if you want the slightest CHANCE of doing#suicide squad justice#but then ofc ppl just care abt having a mean boss character they dont actually care about HER#i said comic creators bc its the writing and the art both#bc they dont do her character justice with the writing but then they also dont draw her anything like she looks like#like she is called 'the wall' for a reason guys she is NOT skinny as a twig like cmon#and shes not young either the woman is middle aged shes like 40s/50s#anyways. forcing ppl at gunpoint to read good suicide squad comics. instead of just slapping harley quinn on a team with some random#villains and calling it a day#also the suicide squad is supposed to be a MIX of heroes and villains!!! theres supposed to be varying moralities there! and waller isnt#evil guys istg- shes ambitious and kind of mean and p much ALWAYS stuck between a rock and a hard place but shes not evil!!!!#like cmon guys. its a book about heroes and villains on a team together doing off the books missions. its gonna have nuance esp in the#central kind of figure#godddddd ive been wanting to reread suicide squad SO bad these past 2 days#ever since plastique and waller showed up in nu52 jla im just like ahfiahdsuehdvdjc SUICIDE SQUAD#but i must stop myself. bc whenever i start reading multiple things at once THATS when shit hits the fan#and i go into a slump where i don't read comics for like 8 months and never finish the books im reading#so we're not going to do that but man am i tempted#maybe what i should do is watch the suicide squad movie. the james gunn one. maybe that would fix me actually#viola davis amanda waller goes sooooooo hard actually. casting choice of the century imo#and also they had rick flagg leading the team there which i respect. hes no ben turner but its something#especially since nu52 jla tried to turn steve trevor into a bargain bin rick flagg jr which was... certainly a choice#anyways <3333#also rip my stats this is a loss for feminism geoff johns just knocked kim yale out of my no 5 comic author spot on the tracker app 😔😔😔#im so sorry kim i didn’t mean to do you dirty like that ma'am#blah#suicide squad#dc comics#amanda waller
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ultrainfinitepit · 1 year
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Moon Cycle 2 - a redraw of this piece.
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ruporas · 1 year
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#but onto this comic... i think and talk a LOT about vash's loneliness bc trigun is just. kind of central on that for a good while! esp in#the original manga he was alone for a good portion of it and he tends to keep others away like how he ran away from meryl and milly when#they tried to tag along. and he was kind of bothered when he realized ww was following him around Too. at the core even though he loves#humans and he loves deeply the people he does know -- he isnt really much of a people person and i think thats been the case since he was#young considering his initial doubts towards humans... with the exception of kids bc kids dont give him moral conflicts. so suddenly#here comes wolfwood!!! his guide. someone TRULY affixed to him until he has to get to knives. someone who isnt budging and someone whos#really good at following him around and even seems like he goes like 5 steps ahead to make sure vash doesnt run on him#in one way its - i don't want you to follow me bc i don't want to burden you and i don't want you to kill the people i want to save.#in another way its - i like this companionship. i like waking up to you and i like ending the way with you. i like talking to someone who#knows my world. i like being in your space and sometimes i enjoy talking about our day#theyre just living together. like. roadtrip buddies or theyre also under the same roof because they're going everywhere together.#trimax they mainly spend their mornings together and if they had personal business attend the other person would usually know and itd only#be during the midday. anyway bc of this kind of companionship i figure that vash eventually grew accustom to it and he really. cant go back#to the kind of loneliness from before. it's harder to imagine and it'd be harder to withstand. esp after 2 years with lina and her grandma.#ruporas art
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buckttommy · 2 years
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I don't think 9-1-1 is in the business of killing off mains but I get the feeling something catastrophic is coming Buck's way and it's not going to be the car incident
#Time is a central theme that unites and binds Buck and Eddie but it is a theme that has been attributed to Eddie for the most part via#dialogue/context/circumstance/etc.#But last night Lev specifically mentions the concept of time in relation to happiness; not to Eddie this time but to Buck#in a way that simply cannot be mistrued or extrapolated or taken to mean or be associated with anyone else#Kind of makes me wonder about Buck's mental/emotional trajectory as well. Last season he clung to Taylor because he was afraid#of being left again. Understandable since he lost three key people in his life within a matter of months.#But they came back. And then Taylor was gone. And Buck's not clinging anymore but he's not happy either#so why the connection between Buck and Time? It's been so effectively established but why establish it at all?#Does he feel like Taylor was his last chance at the life he wanted? Wife. Kids. Happiness#(or at least some approximation of it)#That would put Lev's words into an even greater perspective: how he had this Thing that Buck actively desires and craves and it still#wasn't enough.#This thing that leaves Buck wondering 'if he had it all and it wasn't enough what will be enough?'#The question is: does he have the time to figure it out?#Because Buck might feel like *his* time js running out in the same way all human beings feel like there is never enough time#to heal the way they want to heal / achieve what they want to achieve / be who they want to be...#But Buck is a character trapped within a narrative he has no choice but to dance to#and that narrative is feeling so. Damning these days.#He feels like he doesn't have time but I'm willing to bet he has even less time than he thinks he has.
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babygirltangerine · 1 year
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thinking about the headcanon i hold that it was tangerine who ushered them into this business. tangerine, who values the material, feels that he can provide for lemon via monetary success, a belief based in selfish insecurities ("selfish" said without the negative connotation - i just mean that his beliefs are rooted in on his own feelings, independent of how lemon feels). lemon doesn't think of money the way tangerine does, doesn't need it to prove himself (the way tangerine does) but he goes along with tangerine's wishes because he loves his brother and he values the emotional, and he can provide this sense of stability for tangerine.
tangerine thinks money can fill a void in himself. but lemon is emotionally smarter and able to see what tangerine really needs, which is love and companionship and control. by giving tangerine the space to be a control freak, he is also, simultaneously, being a provider, and this is why i see him as an older sibling - i think this kind of love is very responsible and knowledgable, and lemon is generally more level-headed and wise.
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ujipocky · 7 months
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Day 14 - Childhood
presents (that were never meant for you)
Hrothtober 2023 Prompt List
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elluminis · 4 months
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I can’t get behind zolu as any ordinary romance because like…would they die for each other? Yes, absolutely. But luffy is also aroace as hell, and so I think if they’re in any sort of relationship it’s a qpr. But zosan has me by the fucking jugular, I think because I love the interesting dynamics they both have with gender and put them together and they’re two dumbasses with weird-ass genders. Like I eat that shit up.
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padfootastic · 11 months
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James dies fifth year. Oh no. Tell me everything 😈
hellooooo 💜💜
so. its an itty bitty oneshot with the potential to be more where im basically trying to explore an AU where snape’s sectumsempra (that he used on james in swm) does more than just create a gash. we know it’s a dangerous spell, what if it did to james what say, harry had done to draco? or snape to george’s ear?
what if it killed him?
now, snape is not that important here. he fucks up, kills a classmate yes. but what about sirius, the other half of james’ soul? how does he deal with the aftermath of something like this? especially considering this is 5th year when he’s already fucked up wrt his family and everything—probably the peak of his hormonal emotions and all as well. he already has a low opinion of snape and this incident would just tip it into blind rage, no?
idk. just. interested in a world without james for sirius and how that would affect him (after all my soapboxes on how i think james and his unconditional acceptance was extremely important to sirius’ growth arc, and making his rough edges smoother etc etc)
(a lil snippet here!)
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awheckery · 1 year
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DEATH TW and mentions of murder so if that is triggering for you don’t read, but if it’s not then i’d like to ask if you’ve heard of forensic genealogy? while i am uneasy at the prospect of using it to find suspects, it can also be used to find the identities of unidentified decedents, who die of accidental causes or are murdered, and often it’s the only hope to identify those who have been unidentified for decades. the dna doe project is a nonprofit that’s mostly volunteer run, and i think that your research skills could be useful there or somewhere like there. i know this is kind of a random ask to receive, identification of unidentified remains is my special interest but i don’t have the time or training to get better at researching beyond a few tricks here and there.
I feel like we've read the same articles recently; did you see the tumblr post (and linked articles) about Joseph Augustus Zarelli, the Boy in the Box?
Which is to say, yes, I am aware of forensic genealogy and the DNA Doe Project, because like many white American women, I'm a true crime junkie.* My big Thing is investigative procedure tho, so I'm also deeply interested in plane & train crash investigations, medical mysteries, archaeology, anthropology... basically 'what happened, and by which processes and methods do we figure out what happened?'
So far as getting into the game myself, I dunno. I assume there's probably some sort of required formal training, along with the expectation of reliability and sustained effort, and I'm a chronically ill autodidact with ADHD. I'm the research equivalent of a sprinter; investigative genealogy requires a marathoner, because there's so much exhausting, grinding work involved.
Something I've never seen brought up before in any investigation is how many extant family trees are just wrong. Genealogical sites make it too easy to crib notes from other users, and all it takes is one person deciding 'eh that's probably the right guy' for dozens of other amateur researchers to make the same mistake, and then somebody ties that erroneous information to their DNA profile. I don't know how the forensic genealogists deal with that.
You also have to take into account how many people throughout history have just gone missing, or otherwise fallen off the historical record. Just because someone's date of death is absent doesn't mean something nefarious happened to them. (Just because someone's date of death is present doesn't mean it's correct.) People emigrate. They marry. They change their names. They die alone and unknown in a ditch**, or they die somewhere that doesn't make those records public***. Paper records can burn or flood out, and family stories rarely make it down more than one or two generations. History is messy.
I've only done serious research into my family background for two years, in fits and starts interrupted by illness flare ups. Half the time it feels like I find more questions to ask than I get answers. I've found a pair of illegitimate daughters and a handful of adoptees. I've found some two dozen 'missing persons' who may as well have disappeared into thin air, for how suddenly they dropped out of the historical record. I've found a murder victim and a (maybe) would-be murderess.
And four months ago, I found the answer to another family's 150 year old missing person case, and it changed everything I thought I knew about my mother's family.
This is how.
Five months ago, I thought I knew everything there was that could be known about John Robert McDowell.
I knew he was born July 1st of either 1868 or 1869, in Belfast, Northern Ireland. According to his naturalization petition, he came to the United States in April of 1883, when the absolute oldest he could have been was fourteen, and at the time of his naturalization in 1896 he claimed his nationality was English, presumably due to anti-Irish sentiments at the time.
I knew John's handwriting was idiosyncratic: he wrote the J in his name with a rightward upper loop that scooped up again before curving back around the center staff, and his uppercase R was a mess of curlicues. I've never seen the like before or since.
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I knew that despite living in America for ten years longer than he'd lived outside it, John still had an accent in 1908 when his second son was born. Spelling is incredibly inconsistent across historical records because up until very recently, it was the practice of the record keepers to write down their best guess at what they heard, and in 1908 a midwife heard and recorded John's surname as McDoul.
John's life was actually remarkably well-documented, in comparison to his contemporaries. I bought myself access to Newspapers.com along with my Ancestry subscription, and he made semi-regular appearances in the Newport News Daily Press for the better part of thirty years as a Navy veteran, successful entrepreneur, and president of a labor union that later became the United Steelworkers Local 8888. (A seemingly throwaway notice in the Daily Press was the only record I've yet been able to find for his divorce, which eventually led me to find out whatever happened to his wife, which is another saga entirely. Pauline, you dirty rotten cheater.)
I knew that John was in and out of the hospital with thyroid cancer, but he was such a tough old bastard it took the better part of fifteen years to kill him, and he died in 1954 at the age of 86.****
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According to John's death certificate (and the U.S. Government records at the VA hospital where he died), his parents' names were Thomas McDowell and Isabell Rabb (or possibly Robb, the Accent strikes again.)
This is the only record linked to either of them on Ancestry.com at all.
I have most of a history degree, so I wasn't surprised. There are next to no records of the 1890 census of the United States, and that was down to a fire in the National Archives. Ireland was dragged backwards through hell by the ankles for centuries by a succession of British monarchs and governments, and Belfast was in the prime of especially conflicted territory for much of it. No census records from John's lifetime were kept, and the likelihood his parents would show up in the surviving fragments from 1841 and 1851 was slim to none.
There were transcribed indexes from birth and marriage records available, at least, and I scoured them through, looking for a John McDowell, and there wasn't a single damn one born to a Thomas or Isabelle McDowell in a decade on either side of 1868. There wasn't any record I could find at all of a Thomas McDowell marrying an Isabelle Rabb until well after John left Ireland.
Five months ago, as far as I knew, John Robert McDowell was probably a bastard, who'd either been left out of whatever records were taken at the time, or he was one of the unfortunate ones whose birth record had been lost.
Four months ago, I realized that the record indexes on Ancestry included film numbers, which meant there were pictures of those records to be found somewhere. If they were organized chronologically, I could try to find his birth registration that way. Googling "ireland civil registration records" brought me to the Civil Records search page of a genealogy site run by, of all things, the Irish government's tourism department.
Once again, there wasn't a John McDowell born to the right parents during the right time period, so I went looking for his parents' marriage. And found it.
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If they married in 1872, John would probably still technically be a bastard, but I had a point to start from. Once I clicked into the actual scan of the record I nearly snapped myself in half sitting upright in attention, because Thomas McDowell's father's name was Duncan, John named his eldest son Duncan, Isabella's father's name was John, I had to have the right two people, this couldn't be a coincidence.
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And then I noticed Isabella was a widow. Isabella was a widow.
Who was your husband, and when did he die, Isabella? I searched again, and found her marriage to a Thomas Logan July 30th, 1866. No men named Thomas Logan died in Belfast between 1866 and 1870, which meant he was probably still alive when John was born. It meant I had been looking in the wrong direction the entire time.
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John Robb Logan came into the world on July 1st, 1868, in the Ballymacarrett district of Belfast, the second child of four born to Thomas Logan and Isabella Robb. Once I knew what I was looking for the rest came easy.
John's early life was riddled with tragedies. His younger brother Joseph was six months old when he died in March of 1870. His father died of smallpox in December of the same year, exactly one month after the birth of his sister Mary. Three months before his fifth birthday, his first half-sibling Bella died, at just five months old. And in 1879, his older brother William died after a long, miserably drawn-out illness from spinal tuberculosis.
(As an aside, god, poor Isabella. She had four children with Thomas Logan, and a further nine with Thomas McDowell, and before her early death from a long respiratory illness she buried a husband, two sons, and two daughters. How do you go on after that, how are you not forever shattered?)
If I hadn't been sure I'd found the right family, I was after William died. Thomas McDowell was the person who reported William's death to the registrar's office after sitting by his deathbed. The registrar recorded William as a "child of [the] baker" that Thomas was by profession; Thomas McDowell claimed his stepson as his own.
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Duncan McDowell, John's step-grandfather, had a family burial plot in Ballygowan, and he named William Adam Logan as his grandson, with no qualifiers, when they buried him.
All the evidence suggests that the McDowells loved John Robb Logan and his siblings, and he loved them back every bit as much. You don't choose to take on the surname of people you hate, and it seems very much the case that John chose to go by McDowell when he came to America. I'm honestly not sure there was a way for Thomas McDowell to bequeath his name to his stepchildren, given John's brother William died a Logan and his sister Mary married as one.
John Robb Logan disappeared from history after his baptism, and John Robert McDowell made his first confirmed appearance in the historical record in 1883, but I was certain they were one and the same. The problem was proving it to my mother, because McDowell was her family name. She'd grown up with it, as had her sisters and her dozens of cousins and her father and his siblings and her father's father; I only had a paper trail arguing the name she knew didn't belong to any of them by blood.
So I went for blood.
I refuse to give my DNA to Ancestry.com on a principle born from paranoia and ethics concerns. It's absolutely not happening, ever, like hell do I expect a corporation to do the right thing with my genetic material. My mother doesn't share my concerns, either now or four years ago, when she bought an Ancestry DNA kit and then did absolutely nothing with her results besides marvel at the unexpected Swedish heritage in her 'Ethnicity Estimate' because doing anything else looked like too much work.
It took a few days to figure out how to hook my mother's DNA results into the tree I've built, and a few more for all the features to populate, but all told it took less than a week between learning the truth about my great-great-grandfather's parentage and proving it irrefutably with DNA, via several descendants of his full-blooded sister Mary and a grandson of his half-brother Wallace.
Ancestry doesn't tell you when new DNA matches are found, or when someone adds you to their tree (and thank god for that, my mother has somewhere in the neighborhood of twenty thousand matches). To those descendants of Mary Thomasina Logan, the handful of John's descendants who've shelled out for Ancestry DNA kits could be any random person. Frequently the relationships between matches aren't clear, because of all the folks like my mom who never add a tree to their results, or those who don't try to go any further back than their grandparents.
As far as Mary Logan's descendants know, the sons of Thomas Logan dead-ended his line, and when I do find John in their trees there's never more than a birth year and a blank space where there would usually be a year of death. (They all have the wrong Isabella Robb too, but I don't really blame them; apparently Isabella was one of the most popular names for girls for well over a century, and Robbs weren't exactly thin on the ground.)
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Someday soon, I'm going to reach out. People who study genealogy do it because they're looking for something: long lost relatives, answers to questions asked too late, or even a better, more personal understanding of history by learning about the people who were there when it happened. Every family has its mysteries and this one, at least, could be solved.
John's story doesn't end here. Here is where it begins.
~
*I'm aware of the problematic nature of White Lady True Crime Brain Poisoning, but I'm gonna have to pull the 'I'm not like other girls' card. I'm incredibly discerning about my crime shows, I hate the fucking cops, and I'm realistic about how unbelievably low my chances are of ever being the victim of a violent crime. I'm white, I'm broke as shit, I'm built like a running back and walk like the Terminator, and most importantly, I'm single and planning to stay that way for the rest of my life. The only way I'm getting murdered is if I happen to get caught in a random mass shooting, which isn't outside the realm of possibility because America.
**In case anyone's gotten this far and is still interested, there's strong evidence that the mystery of the Somerton Man was finally solved last year. At some point I'd like to take a look at the tree the forensic genealogists built tho, because I have some Doubts. There was only one person in that family that fell off the map in the 40's? Just one? I was lightning-strike kinds of lucky enough to find John's real parentage, but I dug up more unanswered questions with it, because two of his half-brothers dropped out of the records after 1901. Completely setting aside the possibility of infidelity in the Webb family and how common inbreeding has been (both historically and in recent memory) in populations of European descent, I have a hard time buying that Carl Webb was the only person who could be the Somerton Man. It's still cool as shit that they have a strong possibility tho.
***Maryland and Kansas specifically can blow me, if somebody died in either of those states I have to find an obituary or a tombstone to get the mcfrickin' date, and I have to either pay money and prove a relationship to see a death certificate, or show up to an archive in person to search on their intranet, MARYLAND WHY DO YOU NOT WANT ME TO KNOW WHEN MY GREAT-GRANDMOTHER DIED. (Being fair, I don't know if she died in Maryland, that's just a great-uncle's best guess, because she ran away from her family in 1949 and nobody ever saw her again after the early 60's. Helen, where the hell did you go?)
****One of the big reasons why I got into genealogy in the first place was to see if I could find how far back the predisposition to early deaths and autoimmune disease went in my family. What I hadn't expected to find was a predisposition for extreme longevity on all sides. Longevity as in 'skewing the life expectancy bell curve' kinds of longevity. As long as someone didn't come down with a freak illness or make a looooooooong string of poor life choices, they were apparently immune to death, which honestly explains a few things about Crazy Grandma, god damn.
#genealogy#forensic genealogy#research throwdown#storytime with stella#long post#I'm seriously not kidding it's a long goddamn post#image heavy#all images described in alt text#I don't think I did a particularly great job communicating why I shouldn't get into this professionally#this took a long goddamn time to figure out#I think most people want answers quicker than *checks back of hand* seven-ish months?#fwiw my mother took it remarkably well#our big family mystery has always been What Happened to Helen?#that was probably the central question of my grandfather's life: not knowing what happened to his mother#so that was my mom's big question too#and luckily we had other weird familial circumstances as precedent#me: 'heyyyyyyyy uh so great news yr great-grandfather wasn't a criminal on the lam OR a bastard child. he was kind of adopted?'#mom: 'adopted??? huh. like your grandpa with the mudds?'#me: '....actually. yeah. almost *exactly* like that. but like if grandpa changed his last name and then never told you he'd done it'#tho I still have no idea why john changed 'robb' to 'robert'#my theory for a long time was that he was just REALLY leaning into the scottish heritage; the guy named his sons duncan & bruce#then I learned about irish naming conventions and while that answered some questions it just wound up leaving me with MORE questions#I went through all 8 stages of grief a year ago when I figured out john's presbyterian funeral meant the fam married into catholicism LATER#and thus were probably scots colonizers to the plantation of ulster instead of former gallowglasses#I don't love the idea of my ancestors being unionist kiss-asses#which the naming scheme kinda supports#but john was a LABOR UNION ORGANIZER#he left well before the clearances in the 20's but labor activism was synonymous with catholicism & nationalism for aaaaaaaages#he had to have picked that up from a parent. two of his half brothers (who also emigrated to the states) were union members too
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volivolition · 2 months
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what's the theme you're fucking going for here voliiii!!! what are you fucking getting at!!! what are you trying to say, what's the point??
#still working on this drama chapter in Swept Up. they're. confusing to work with? from an empathy standpoint at least.#skill who is trying to honestly understand the other skills VS skill who is just always lying and putting on an act.#and then theres the whole thing that im not going to spoil yet but the dynamic. fuck man. i dont even know what im trying to say here#lying is bad? no i dont care about that. honest communication is important maybe? i feel like i need a central theme for this.#and i dont want the theme to be ''empathy good'' because low-empathy people are also good and i love them!! and also:#empathy is a flawed character!! i try to portray this. i dont like moralism/centrism which empathy believes in and is the main skill for#empathy you stupid centralist (affectionate) i know this is just because you don't know how to make everyone happy. who can fix this?#you dont think you can fix this! you feel too much debilitating sadness to make meaningful change!! responsibilite to others more capable#still. i do depict empathy as often kind on a small level because i think that's in character. empathy just helps you understand.#i guess this fic is also a ''empathy doesn't mean kindness. kindness is a choice you can make afterwards but empathy just means empathy''#but that's not a centralizing theme that all the chapters share. its also about vulnerability and the mortifying ordeal of being known#urgh. i'll think about it some more. knowing me its probably another ''love (in all forms) is the meaning to life'' type story lmao <3#i need to make a skill chart for this harry. all i know is that Volition is his skill signature but Empathy is his highest stat#hyper-empathetic harry with the rsd that comes from adhd!! haha!! suffering. everybody fucking hate you. this is based on me btw lmao#i was working on voli's chapter which has a flashback and child empathy! new to the mindspace looking out through harry's eyes and crying#the world is full of sad people and it's just too much for a lil guy! the backstory i have planned for this like. huh okay. wild. anyway!!#oh shit ive made a fucking breakthrough with the drama chapter. its not a theme but its something i figured out at least. we stay winning!!#chemi chats#task: swept up
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shrikeseams · 11 months
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In an AU where Maedhros still has significant military and political wherewithal after the Nirnaeth (don't ask me how that happens), I think he goes full Klaus Wulfenbach semibenevolent dictator on Beleriand. Doriath can play England's role, god-queen and all.
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death-rebirth-senshi · 11 months
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I love just abandoning Elden Ring playthroughs I'm just like "okay that's enough" and start a new game...I've been playing Elden Ring almost nonstop (with a little mass effect break) since I got it in November and it's now June. And I'm still like...hm I think I'm done with this strength/int endeavor I want to try blasphemous paladin again
#I just love roleplaying a sad paladin learning their oath is kind of shit#and trying but failing to abandon it and instead striking a balance where they redefine their oath for themselves#which isn't. *really* a paladin. In the DnD sense. There's Consequences to breaking an oath there isn't it? which is very fun actually#but this isn't DnD#me vs elden ring#I'm always captivated by the concept of what it means to have faith in the world of dark souls#where objectively factually the things you have faith in are failing/have failed and fallen#and the figures central to your religion turn out to be flawed and human#and yet at the same time miracles are tangible things and your faith allows you to heal and defend yourself and spread blessings#what is 'faith' in this scenario exactly? Faith in what?#I can never make a dumb faith build who just walks forward with entirely blind belief I always have to angst it a bit#in dark souls I always lean back towards it being faith *in* the miracles. The tales of the gods you recite to receive their blessing#or copy their abilities with lightning spear etc.#Elden Ring is especially funny of course because faith allows you all kinds of incantations. And I think the fact that you have all kinds o#incantations. MOST of which are kind of blasphemous and have nothing to do with the Erdtree itself#and yet you can cast them just the same as any other incantation#is an interesting concept to me. For a character to struggle with.#Alongside the whole 'Marika was the one who shattered the Elden Ring' thing.#I also like making devoted faith knights who swear oaths and are secretly really repressed gay boys.#what if I wielded a blasphemous blade of unholy flame and you wielded a sliver of a cold dark moon and we were both boys
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romanceyourdemons · 1 year
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my latest writing project is inspired by bbc merlin and the cohort of western han dynasty general wei qing, but i am NOT including an analogue of huo qubing because he annoys me. take THAT soccer boy. i’m taking your accomplishments and giving them to gongsun ao, how do you like them apples
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schwarzwaldcr · 1 year
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Lore Canon 003
Midwinter Night is one of the biggest celebrations of the year throughout Schwarzwald.
Happening around the winter solstice, when the days are shortest and the nights are longest, Zoners and stalkers alike tend to come together to celebrate the turning of seasons and a new year going forward with each others’ company. The only time of the year that all active hamlets are seen from the lofts of the Crags, as bonfires, light strings, and lanterns are in vast quantity and light up the darkened canopy through the holes above them. Each hamlet celebrates it a little differently, of course, but the feeling of togetherness in the darkest times is universal. Whether it is with big feasts or flamboyant cultural expression or daring feats of equestrian prowess with trained Fracture Eaters, the feeling of having family and friends close makes the longest night seem shorter.
Central, of course, is the largest of the celebrations, held for nearly a week leading up to and the week after Midwinter Night. Featuring food and drink and culture from all around the Zone, it hosts the coming and settling of the Merchant’s Guild, leading into the holiday season of Merchant’s Mass. The climax of their celebrations include a local dancer’s corps accompanying a flock of brilliantly-lit musically-trained Ships in the harbor as part of their Dance of Lights, a very loud request to bring the day back against the night.
All celebrations lead into the new year with a different and more somber tone, however. While gift-giving to friends and family is not an intrinsic part of the Midwinter Night celebrations in the same way other winter holidays do outside the boundaries of their Zone and more toward personal preference, it is customary to give the best of goods as thanks to the Schwarzwald herself for continuing to keep them safe and secure, for providing for them throughout the year previous and asking the same for the coming year.
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I had a minor insight into my writing process. It seems that when it comes to developing a story with any kind of depth, my development process goes
Plot
Theme
Character
Usually, I have to start out with an image of something that happens, figure out a couple more plot beats that shape it into a story, and then develop the people who do the things that bring about those events. But I've just realized that theme is the important, almost unnoticed middle step. While I'm figuring out the What and the Who, the Why of the story is what tells me I'm choosing the right pieces. What lessons does this character need to learn? How do they change? What truth am I trying to tell from this story? Theme is the skeleton I have to hang all the other plot and character beats from if I want to have a coherent story, so Theme is what has to guide me in my writing choices.
#adventures in writing#i came to this realization while developing a back-burner plot bunny#a rrh retelling with a twist on the central story beat that i was rather proud of#but i couldn't connect to the pov character#then i thought 'ok she doesn't have much agency here. maybe i'll age her up.'#which helped#but she still didn't have a personality#this wasn't her story she was just sort of there doing things#the question of 'who is she and what is her story' didn't come until i hit upon the theme#aging her up gives this the potential of coming-of-age#even loss of innocence#and since i hated both of those themes in high school i was intrigued by the possibility of doing those themes in a way#that lines up with what i've come to understand about that process#we have a girl on the cusp of adulthood who strains against parental restrictions#'i'm almost an adult let me do what i want' kind of stuff#only to learn that real maturity requires taking responsibility for your actions#even for the huge mistakes#choosing right from wrong on your own rather than just blindly following rules#and suddenly her character and the plot arc just snap into focus#i've still got to figure out the ending bit#there has to come a point after the lowest moment#where she's like 'ok i've learned my lesson now i have the chance to act in accordance with what i've learned'#but i don't know exactly what that is yet#because the plot beats still have to make sense in a real-world way#and i'm not sure what the real-world fallout from that point would be#but maybe putting the plot down on paper will make something come together#and that would be fantastic because i'm really coming to like this girl and this story#and i would like to finish something meaningful one day
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that's me in the corner, that's me in the spotlight, trying to write a post about last kind words
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