Tumgik
#crystallisation
savagegood · 10 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
“Did you see the way that little girl looked at me? Kids. Little kids. They grow up believing that they can be a hero if they drive a sword into the heart of anything different. And I’m the monster? I don’t know what’s scarier. The fact that everyone in this kingdom wants to run a sword through my heart or that sometimes I just wanna let ‘em.” “We have to get you out of here. Over the wall. We won’t stop until we find some place safe, okay? We’ll go. Together. No matter what we do, we can’t change the way people see us.” “You changed the way you see me... Didn’t you?
NIMONA (2023), based on the comic by ND Stevenson, who came out as transgender in 2022
69K notes · View notes
thefourpillars · 2 months
Text
11 Ajmak 4 Tz'apin Q'ij - The Final Closing Day
11 Ajmak 4 Tz'apin Q'ij - The Final Closing Day - completes these days of introspection and retreat. Whilst this is the day when we can see the dawn of the new year coming, it may also be the most difficult day. It is the day when we start the process of emergence from the chrysalis.
The final closing day completes these days of introspection and retreat. Whilst this is the day when we can see the dawn of the new year coming, it may also be the most difficult day. It is the day when we start the process of emergence from the chrysalis. The energy of the day 11 Ajmak brings an essence of forgiveness and acceptance. This is not a simple or straightforward forgiveness, this is…
Tumblr media
View On WordPress
0 notes
ninjautistic · 4 months
Text
Tumblr media Tumblr media
I don't remember this but HOLY FUCKING SHIIIIIITT LLOYD WAS CONFIRMED TO BE AT LEAST 9 YEARS OLD HERE AND HE WAS ABLE TO DO THAT??? JESUS FUCK
1K notes · View notes
Text
Big fan of how the writers seem to be forgetting that Lloyd is part dragon
"Dragons can be ninja??"
Lloyd:
"They're not dragons ):<"
Lloyd:
And also "If anyone should be trained by a dragon it should be ME I'm basically half dragon" you know who's actually half dragon wyldfyre?? YOU KNOW WHO??
Like if the dragons in s9 can smell the oni on wu then surely these dragons can smell the dragon on Lloyd
299 notes · View notes
garden-bug · 4 months
Text
Tumblr media
400 notes · View notes
artschoolglasses · 6 months
Text
Tumblr media
Death and Crystallisation, Edvard Munch, 1909
91 notes · View notes
r0bee · 6 months
Text
Seen people talking about how Lloyd and Kai fans are winning with Dragons Rising but barely anyone is talking about Nya fans. As a Nya fan I need to acknowledge that I'm winning so hard rn my girl is finally getting the screen time she deserves
88 notes · View notes
communistkenobi · 1 year
Text
conversations about representation have always felt so navel-gazing to me, in part because those conversations tend to remain at the level of individual characters. the focus is on representing individuals as meaningful examples of the groups they belong to - to have “good” representation is to see some component(s) of your social identity reflected back at you by a character without those being the only traits of those characters. To measure representation you first look to see if there are visual or descriptive markers of identity - skin colour, gender, sexual attraction, ability - and then, once that evidence is established, one looks at how characters interact with and contribute to the narrative. does this gay character have a romantic partner? does this black character have interiority not related to their relationship to white characters? is this woman character motivated by something other than a desire to impress men? The goal is to avoid stereotypes, to be an anti-stereotype.
And so you ‘solve’ representation through the adequate presence of these characters. But I think this is an inherently individualistic and anti-liberatory way to approach representation, because it views minorities as individuals who can be cut from the social fabric of real life and transported into different fictional universes while leaving their identities fully intact. The presence of a disabled character does not also require the inclusion of structural ableism in the narrative, their individual presence is enough to represent disability. And so their presence in the narrative seems to emerge from nowhere - you don’t judge representation by looking at how the narrative represents and thinks about historical structures of race, gender, ability, you judge it by the amount of characters who contain those social markers. It means social identity exists primarily within the individual. There is no historical perspective given to characters, no acknowledgement of the fact that identity is dialectic and socially mediated. to paraphrase Gramsci, history impresses upon you an infinity of traces without leaving an inventory, and I think when discussing representation, people judge the quality of representation by those traces - race, gender, ability, sexuality, religion, etc - but ignores the inventory, the origins of those things, the social processes that produce race, produce gender, constantly and everyday. And so you get these characters that feel dislocated, alien to themselves and other people, because they express an identity that appears to have no origin point in the fictional world, no social backing. They are essentialised to what they “are” deep down inside. Characters are not made racial, not made gendered, not made disabled by the universe they exist in, they simply “are” those things.
And if narratives do tackle those histories, they tend to represent them primarily through misery. You know a character is gay because they get called slurs. You see a black character experience racism. You recognise a character is a woman by the fact that she is sexually assaulted. The history of their identities is represented as individual acts of violence or trauma, as if misogyny or racism are narrative objects themselves that occasionally collide with the characters to remind the audience that the authors take history very seriously. If an author is especially serious, they will get individual sensitivity readers to confirm or deny the authenticity of the social identity being expressed on the page; much less often you will hear of authors who rigorously consult, for example, books like Orientalism to ensure the structure of their work is not reproducing Western (and ultimately racist) conclusions about the world they are creating. Representational politics begins (and frequently ends) at the level of the individual. And so you get queer characters who endure homophobia or transphobia, but whose ultimate wish is to enter into a monogamous marriage and reproduce the social unit of the nuclear family, or the black character who finally finds community in a group of all white people that aren’t racist to their face. That’s not tackling history, that’s just allowing these character to be momentarily exempt from it. the historical norms and hegemonies present in the narrative are disconnected from the characters themselves. this is why you can have “good representation” in stories that are fundamentally racist or misogynistic or heteronormative (see: ofmd). If representation is only housed in your characters, if you view representation as a discrete trait that you can add more or less of, you are not thinking about the social identities that you are representing in a systemic way - you are, in effect, producing tokens.
And I think that sense of dislocation is part of what motivates people to cringe away from stories primarily billed as having “a diverse cast” or filled with “queer characters” or whatever, even when they are otherwise desperate for those things (excluding from this discussion the people who dislike the mere appearance of characters who are not strong white men, a perspective that is not worth entertaining). I do not want to watch stories that smash characters and identities together like barbie dolls, that treat race or gender as something to “tackle” in a B plot or a “police brutality episode” like you get in a show like Brooklyn 99. I do not want a character creation screen. Identity should, ideally, be part of the structure of the narrative, not a thing you merely choose to “include.” Which is much more difficult, of course - it requires a robust political imagination, but it’s a problem that is possible to solve.
180 notes · View notes
nicolloyd · 5 months
Text
short comic based on skywalker syndrome by @lloydskywalkers! (tw for blood, dismembered arm and choking under the cut)
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
ok this took SO long but i finally got it done so i hope you enjoyed it! i recently read this fic (i know im late to the party) and it was just way too good so i had to draw it, seriously tho if you havent already plspls check out lloydskywalkers their fics are just sooo good ive read almost every single one
you can kinda see where the quality dips on this but nevertheless i hope its still alright, its a miracle i stuck with it throughout honestly its only my second time drawing an actual comic and its like 30 drawings long
if you have any criticsm pls share it with me! ive been trying to get better at expressions so i know i have room to improve!
60 notes · View notes
lloyd-007 · 18 days
Text
Firebound au
I love these kinds of aus so much, like the whole idea that one of the ninja can be lost to there elements is so interesting to me but heartbreaking for everyone around them. Like just imagine one day there here and the next they’re gone well technically they’re still there but not at the same time.
In my au so far it’s more focused on the aftermath, how the ninja handles what happened to there brother and filling what I feel the show missed out after what happened in seabound like we barely got to see how the rest of the ninja handled it like all we had was a time skip to a whole year later when they had mostly accepted what happened ( well not Jay). How would it had been if it was someone else and not Nya? What if it was Kai instead, how would this affect the team? Most importantly Nya and Lloyd? What about Kai and Nyas own parents?? And can’t forget about Skylor , how would this affect the team and overall what about Kai?
Tumblr media
In my opinion Nya wouldn’t waste the chance to get kai back like that’s her brother, the one that literally raised her. He’s isn’t  just a brother he’s literally a parent to her and Same with Lloyd. The ninja would probably go down a different state of grief, Lloyd without a doubt would be depression, Nya would be denial, it takes them longer to accept what happened to Kai and Lloyd starts to lose control of his powers a little. They both lash out at people who want to help, but just as Nya starts to accept what happened to her brother something happens to Lloyd ( no spoilers).
And kai is there to help them but he’s mad at them he doesn’t understand why he’s even mad at them, he doesn’t even know them. Lloyd argues back, and something snaps in kai causing him to somewhat come back but he’s still stuck as his element, his minds is half gone half foggy he’s sometimes unsure of what’s happening around him but at least it can’t get any worse.. right.
36 notes · View notes
songjay-ay · 1 year
Text
Tumblr media
Tfw your girlfriend dies so you grow a beard and become an outcast and talk to her through glasses of water
278 notes · View notes
ninjautistic · 5 months
Text
LEGO UPLOADED A DREAMZZZ X NINJAGO VIDEO AND IT'S 22 MINUTES LONG, THE PROBLEM IS THAT ITS ONLY ACCESSIBLE TO WATCH IN FINLAND AND ITS FINNISH
Tumblr media
but someone uploaded the video already and I only watched it FOR HIM 💚💚💚💚💚
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
HERES THE LINK TO THE VIDEO (ITS NOT ENGLISH THOUGH!!)
UPDATE: Lego deleted the video, but luckily someone still uploaded it 💀
304 notes · View notes
theatlasrealm · 2 years
Text
If somebody says one more time that Kai deserved to not only get kicked but also beaten up by jay in that one fight scene in crystallized I will THROW HANDS. No, I DO NOT hate jay. But I DO HATE tommy anderson
we know why jay acts the way he does. we have information about his past. we have an entire season about him and how he perceives himself (sky bound). Nadakhan literally pointed out that jay uses jokes to cover up insecurity. His true potential showed that he was insecure about being himself (until nya talked to him etc). We got like three seasons of him being the hero and saving entirety of Ninjago.
We were given Information about Cole’s past. We saw his childhood with his gorgeous mom. We saw in his true potential how he desperately wanted to be accepted by his dad. We saw Zane’s past. We saw how he sacrificed himself for the Ninja, understanding and acting upon the same words Kai had told him, “it’s about family, not numbers”. The writers could dive into Zane more, but we got something. And we also got some Nya, why she’s a perfectionist, why she isn’t that verbal, why she’s Independent; Kai said so himself, after all. Even though I wish we saw her talk with Nyad more, we still got her. And the entire series is about our boy Lloyd. And even though every one of them could be explored so much more, we got something. And for a few ninja, we got a lot of something’s. But not Kai. Rarely Kai.
Kai’s true potential was protecting someone. And I loved that, I did. But that’s it. If anything, it literally points out that no, he is not selfish. We never got a season truly revolving around Kai’s childhood struggles/trauma. Why is he reckless? Why is he protective? Why does he never cry? While the other ninja have their spotlights, Kai never had his. He is such a complex character (that ninjago refuses to dive into) and that’s why I love him so much.
I know. I know Kai can be rude to Jay sometimes, and bully him, but if it came down to it, Kai would die for him. Because this is the man that makes his sister happy, because jay does mean a lot to kai. Kai doesn’t show it - frankly, he doesn’t show a lot of things. And I know this doesn’t entirely excuse the way he acted toward jay before, but why. I want to know why he acts like that. But the writers never dwelled on it. Jay is allowed to confront and express his feelings about how Kai for ‘bullying’ him, but not like this ( by the way, idk if I guys noticed but lately Kai has been complimenting/hyping jay up a lot now.)
And when jay, who is grief stricken, leads him self to believe only he loved nya in the entire world, kai is allowed to get angry. Kai is allowed to feel anger towards someone acting like no one else loved nya when Kai raised her. Protected her. Did everything for her. Just because we did not see as much of Kai grieving as we did of Jay, does not mean Jay was more upset. For all we know, Kai was dying on the inside. She was his sister for gods sake.
Kai did not “deserve” that kick. And if you genuinely think that, i honestly do not know what to tell you.
456 notes · View notes
garden-bug · 4 months
Text
Tumblr media
268 notes · View notes
winterwyrd · 9 months
Text
Experiencing the thing where you leave a concert and the fans flood the nearest station but it's the lord of the rings musical staged in the middle of nowhere and all of Newbury station is filled with people you recognise from the theatre, elf ears and all
40 notes · View notes
ice-emperor-zane · 2 years
Text
my funny little guy doing what might be his first smile in months 💖
Tumblr media
796 notes · View notes