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#different kind of post haha
blonde-and-cat-suc · 23 days
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saw a post about spop where the person said that “spop haters became the catra they swore to destroy”
… i’m sorry? so i guess disliking or criticizing a show is the same as being a war criminal and an abuser. good to know that the internet brainrot is not going away anytime soon.
Hmmm,
This is... going to be a different kind of response to this kind of ask. Um. To be honest with you? After all this time of running this anti C//A blog. Well. I just don't care about the stans anymore.
I will admit that I did at some points of this hobby/journey (not to be dramatic or anything, you know what I mean). I was young. I still am young. Have I ever told you guys I'm 20 years old? I've figured out I'm asexual (greyace). I've lost a lot of friends. I made a lot more. I used to be vegetarian until I started eating fish again, and then I started to eat chicken. I don't miss red meats. I got my wisdom tooth removed in March.
I have a life. I don't care what the stans are saying about us anymore. I care about you guys and making sure we all get through what we're getting through, talking, creating, sharing art and ideas. I care that when a new SPOP fan (or an older one) figures out that there's a community of people who treat C//A the way that we do, they feel welcomed here. I care that someone discovers things about themselves (sometimes their relationship, sometimes romantically and sometimes with friends, sometimes it was something they dealt with years ago and are only now processing). I care that I'm here to talk with everyone and everyone is here to talk to me. I care about my writing (even though it takes LONG hahahah). I care about being here to represent.
I don't care about what the stans are saying. I'm completely unbothered. And I think you deserve to be, too, Anon. Peaceful and unbothered. You know you're not a "Catra", you don't need me to affirm this to you. None of us are.
. . .
So. With all the love. And this is a Public Service Announcement for everyone who has read this far... These types of rants concerning the standom. Well. This is the kind of response I'll give, nine times out of ten. I’m not saying don’t send them. Do whatever feels right.
/ / /
P.S.
If we DID become "the Catra's we swore to destroy", we still wouldn't be half as begrudging as Catra herself, I'd bet LMAOOO
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inkdemonapologist · 2 days
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My BatDR Take That Used To Be Hot But I Left It Out On The Windowsill To Cool So You Should Be Able to Eat It Now Without Burning Your Tongue
its not actually that hot, is what im saying
Anyway my BatDR hot take is that BatDR's story is not fundamentally worse than BatIM with one exception; an exception that, for BatIM, covers a multitude of sins:
BatIM has a theme.
I can't presume the intentions of the creators, but if I had to write an essay on the themes in BatIM, it wouldn't be hard to pick one out: the cost of obsession, or even just, the ruin Joey brought on the studio. In the very first chapter, Henry asks "Joey, what were you doing?" and every single thing in the rest of the game revolves around that central question: what WAS Joey doing? Each audiolog is a snippet of the studio's path to this messed up state; each character you meet is someone ruined by Joey. The major antagonists echo Joey's flaws -- obsession with Bendy as more than a cartoon, obsession with perfection, obsession with fame and greatness and legacy -- but even without that, they're also each a picture of how the lives of people caught in the path of Joey's dream were ruined by it. Bertrum, for example, doesn't match the concept of rubberhose cartoons, but as yet another person screwed over by Joey, he fits the central question of the story, so he feels like he belongs here. Ultimately, in a narrative sense, the Ink Demon isn't the story's monster -- Joey is; the Ink Demon is just the consequence of his reckless ambition.
But what's the theme or central question of BatDR?
You can... try to pick out a theme. There's some promising options, because it feels like the story WANTED a theme, stating its emotional intentions more overtly -- "there's always a choice" to leave the darkness and chose hope; family and the struggle of living in a heavy legacy's shadow; or even just good old mewtwo-brand The Circumstance's Of One's Birth Are Irrelevant, It Is What You Do With The Gift Of Life That Determines Who You Are.
I think, even WITH the clumsy execution of Joey's "arc" and Audrey's lack of real choices, any of those could work about as well as BatIM. But unlike BatIM, the majority of the game doesn't tie in. Joey's tour can be considered relevant -- a picture of the family legacy and the "darkness" that Audrey doesn't yet know she's inheriting -- but like, the audiologs and hints and environment of BatDR are mostly teasing the question of What Is Gent Up To, and the takeover of Gent is detached from Audrey's choices, her family, her legacy, and Gent never really becomes a relevant threat to those things in this game. The Cult of Amok and the Ghost Train have nothing to do with any of these ideas. It might've been neat if Audrey had ever considered, "Did my father really drive all these people insane?", a hint of actually having to wonder about the darkness in her past. Even Wilson only barely brushes against these concepts; he doesn't like Joey and he also is trying to escape his family's heavy legacy, but it doesn't really reflect on his actions and we don't find that last part out until he's about to be dead.
There's also the question Wilson poses of "real" people versus ink creations, and what counts as valid "life." It would be an interesting theme with a lot to build off of in this setting, it ties into Wilson more as Wilson seems to represent the opinion that Inky Things Aren't Really Alive, which could've tied to Audrey (as an ink-person who has yet to accept that part of herself) and maybe given Wilson a reason to think it's fine to sacrifice her, it could've even tied to Gent (who don't even seem to value human life) -- but after Wilson asks the question, it doesn't tie into the direction things go. He smooshes a little Bendy, we see hints of his disregard for Betty, and then everyone continues with their plan to destroy the Ink Demon without any further moral quandaries about inky life.
The thing is, when you compare an element like, say, audiologs, there's a lot of differences you can point to -- but I don't actually think Lacie Benton's audiolog is notably better, taken on its own, than Grace Conway's or Kitty Thompson's, and yet tons of people were intrigued enough to flesh out Lacie. None of them are big plot points or compelling characters on their own; Lacie and Grace both give us a little note on what it's like working in the Studio, and Kitty shares a little bit on how Gent's expansion is affecting people. But when Lacie talks about Bertrum trying to make a creepy animatronic, that ties back into Joey's ill-fated schemes that are the point of the whole story. The question we're asking through the whole game is "what happened here?" so the fandom is interested in who Lacie is and what her life was like and extrapolates a whole person out of a couple sentences. But that's not the question in BatDR -- what has Wilson done to the Cycle and the Demon? Why? Who is Audrey really, and why is she here? Telling us new things about the Studio's fate seems strangely irrelevant to those questions, just an attempt to create a Mystery To Speculate On like the previous game did... but what question you're asking and how it fits into your story's main theme, like, matters. I absolutely believe that one clock animator guy would've been in EVERYONE'S crew if he'd been introduced in BatIM, but the context makes a difference; fleshing him out feels less relevant here.
The explanations of how and why Wilson did everything he did are baffling and handwavey, but in and of itself that's not a worse problem than anything else in the franchise -- I STILL don't understand why the Ink Machine needs pipes in the walls or even how it works, there's no good reason for Sammy to believe the Ink Demon will "set him free," most of Alice's motives don't make sense, etc etc etc. But the thing is that in BatDR, the wibbly bit is the closest thing to a central question we have! Wilson, what were you doing? The theme doesn't really explore or connect to that question, so the explanations that are finally tossed our way feel lacking in a way that BatIM's handwaved elements don't. There's a lot about Joey's motivation in BatIM that we can't know, but the heart of it resonates -- Joey wanted something, he was willing to exploit people to get it, and he became obsessed and prioritised that dream at any cost. We'll weather a thousand logistical inconsistencies if it's got heart.
But all of that said.... to be honest, I don't think Lacie overtly fits that theme anyway. Even, like, Sammy is iffy -- we don't really know what happened to him, only that he didn't used to be made of ink and worship Bendy, and now he does. We assume Joey's nonsense had something to do with what happened to him (though the books later assert his influence was indirect at best), because when there's a pattern, we can fill in the blank. So many fan creators found a place for Lacie, Grant, and Shawn in the cycle as butcher clones or lost ones, so many people imagined that Wally must be the Boris we meet, because that would've fit the pattern, the idea that the point of what we're seeing is the downfall of the studio. It's not actually that BatIM did a great job tying everything together -- it's that BatIM gave us a compelling idea and that was all it took to make everything else SEEM like it could find a place to fit. This is what I mean when I say BatIM's theme covers a multitude of sins. There's a LOT of characters in BatIM that don't make sense. There's a lot of inconsistencies and things that just sort of happen without any real reason. Characters don't really have "arcs" so much as different states they happen to be in at different times. But because there's a central question and the story doesn't wander away from it, our pattern-loving human brains will slot in all the pieces and do all the work to make the story feel at least somewhat coherent.
The things that happened in BatDR aren't a whole lot less coherent than BatIM imo, they just don't tie into a bigger theme or any of the questions the story's asking, making "how do they fit into all this" feel irrelevant, making it easier to forget entire sections and harder to get invested in audiolog characters. I think a lot of the other criticisms people have for BatDR's story are very valid, but I also suspect that if BatDR had a more successful theme/central question, then a lot of its flaws would be easier to overlook -- just like BatIM.
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kanrix · 2 months
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Sometimes (all the time) I'm grateful that I'm aromantic because I think I'd make a horrible boyfriend and most definitely a terrible husband. Why does everyone keep trying to date me
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marblerose-rue · 6 days
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got asked to draw two of my old wc rp ocs :-) left is cicadahop, right is scallopstar
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genericpuff · 5 months
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Hi! Maybe this is a difficult question with no answer, but as a fan of Rekindled who might want to start their own comic, what do you suggest to avoid burnout? Do you start wiht writting the script right away, you doodle a bit,..? Thanks for reading, I love how you draw big noses, makes me more comfy with mine!
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no fr my dark secret is that i've been experiencing burnout with my main original project that I've spent the last decade working on for literally a year now. this isn't the first long hiatus i've taken, the longest one i've ever been on has lasted two years, and it's undoubtedly not the last i'll experience because the lump of salt and fat and tissue that is my brain often overworks itself into exhaustion like a big dummy
rekindled has been my reprieve from the burnout. it has been my vacation from years of working on the same project, meeting the same deadlines, drawing the same characters, over and over and over again since before i was in college.
if there's anything working on rekindled has made clear to me, it's that i'm still capable of drawing comics. the comic-making isn't the problem. it's just that when you work on the same project for years and trap yourself in an uphill battle, eventually your climbing gear is bound to break.
if there's another thing that rekindled has opened my eyes to, it's the insanity that i put myself through prior to rekindled that led to my burnout in the first place.
i get people telling me that they couldn't imagine doing what i do, that even before i had my assistant helping me out, i was still able to put out 30-40 panel updates every week.
but before that, i was putting out 70-90 panel episodes of my original work. every week. full color. full spread action scenes. no assistant. very little financial gain aside from a couple patrons on patreon and one dedicated viewer on twitch, which i was also streaming on 2-3 times a week.
and now that i've been working on rekindled and even finding myself often crunched for time with that, i have zero clue, no idea, a complete lack of comprehension of how i pulled off 70-90 panels a week for months on end. there's a reason it resulted in burnout and i know that now. this comparison is not for the sake of a flex - this comparison is to make it clear that much of what i do isn't the norm and isn't exactly a healthy standard. case in point, i sneezed while sweeping up yesterday morning and it caused a muscle strain in my lower back/hips and i've been working out of my bed since, i'm in a lot of pain and it might mean i don't make any money this week if it's not better by the time i have to do my appointments at my day job on thursday. my need to create my personal passion projects is often at odds with my bad habits of not taking care of myself 。゜゜(´O`) ゜゜。
when it comes to tackling burnout, your guess is as good as mine. really it just comes down to rest. when burnout - real, true burnout - hits, it's not just "man i'm bored of working on this", it's "i can't even think of looking at this thing let alone working on it", it's basically akin to depression and it's an awful thing that i wouldn't even wish on my worst enemy (even with Rachel, I don't want to psychoanalyze her mental health but it does seem like she's possibly been experiencing burnout with LO for years now and that really sucks for her if that's true). so the solution is just as complicated as the cause, it's not something that you can just rest from for a week and come back from, it takes real long-term healing.
when I found my way out of that 2 year hiatus, it was in spring of 2019 and I decided to just work on a random comic page that wasn't even in the comic I was working on. and then suddenly it was like a switch flicked back into the on position and i didn't even finish what i was working on, i just went back to my original project and i kept working on it until it was finally finished at the end of 2021. as suddenly and randomly as it had set in, it was gone. but i can't just do the same thing this time, it just doesn't work that way.
that said, through all this, i've learned that my need to create is not restricted to any one tangible thing, i'm not doomed or designed to stick with the same words, the same faces, the same ideas until the end of time. while i do try to keep up healthy routines for myself to ensure i'm looking out for my future self and their deadlines and their upload schedules, sometimes the heart wants what the heart wants. and in my case, the heart wanted to take a break from the self-reflective psychological analysis dark fantasy weebo stuff and just draw some pink and blue characters a little less ugly. the self-reflective weebo shit will still be there when i'm done with the pink and blue stuff, and i'll surely have loads of new things to unpack through it once i return.
there are still times when i'm working on rekindled and i'm feeling the creeping hand of my routine destruction digging its claws into my back. the reality is that 30-40 panels is still a lot for someone like myself who's doing this entirely for free, but my definition of normal for a while was so insanely inhumane that even what's still considered a lot by most people's standards feels sane and normal to me after what i put myself through.
i've learned to be more gentle with myself, and to loosen my own expectations of what i'm capable of to ensure i don't do anything like that to myself, by myself, again. i give myself room to create without expectations or the pressure of eyes watching when i can, and i remind myself that even if burnout rears its head again, and again, and again, the will to create is not gone. it's just tired, and resting, and growing, and healing as i am.
anyways that turned into a self-reflective essay post, to answer your question about making stuff ahead of time, i find that's more helpful with just like, planning out a structured story (so you don't write yourself into a corner) but whether or not it helps with burnout kind of depends. because it can just as also easily be the cause of the problem because constantly seeing the stuff you wanna be drawing so far away can be just as much of a morale killer as a motivator. some of the stuff i'm super psyched to write and draw with time gate is years away and that timeline grows longer the more the burnout goes on which makes the struggle feel even more overwhelming and pointless and defeating. so plan ahead, but keep it all within your means if you can. i find what works for me is planning out just general beat-to-beat plot structures (to ensure i at least have a plot skeleton going on so i know where i'm going) then i leave the finer details to when the actual episode i've planned gets closer to fruition and i can get myself in the headspace to write it fully.
also remember that just because you're really excited and motivated to work on your comic doesn't mean you should work yourself into exhaustion - it's a good thing if you're going through the mundane of your daily routine and the whole time you're hyped af to work on your hobby/personal project/etc. because that's what will keep you moving forward, so don't spend all that hype in one place by working and working and working until you're exhausted, because that hype is REALLY hard to get back after you've spent it all.
long post over! hope that helps! best of luck in your projects! ( ´ ∀ `)ノ~ ♡
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averlym · 6 months
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,,, sun-dappled sheets...
#the sapphics got to me okay. portrix real#it's so cute how they go from falling asleep tgt at the presses to having a room to share#adamandi#portia elizabeth harper#beatrix valeria campbell#it was a doodle and then i was like i want to make it softer so i painted it over and in the process rendered it somewhat#it's still quite sketchy akdhfj but u get the vibes!! ++ tried out using a Lot more noise than usual#so that's like the New Art Takeaway from doing this.#;;; i feel like every time i draw wlw fluff it's stepping back deep into my comfort zone haha but yes. soft cosy comfy etc.#my brain was not processing enough to figure out casual wear so this is kind of just the stripped down costumes akdhdjdh but yeah#bonus side note here is i was like hehe wouldn't it be fun if beatrix hand + portia ribbon. as like a nod to contrast how#previously it was strings on their hands instead. and now she cut them off bc portia and also smth smth about the difference#between tying (the strings) and choosing to hold (ribbon) and sjdhdhfhfh ue.#*incoherent noises* it's about the softness. the touching. the idea of choice- but less afraid of losing it- smth smth inherent trust also.#knowing tomorrow you'll still be there..#<- sorry there's a silly little conceptual thing in every adamandi thing i make i think#i would love to say this was For Adamandi Week but i do very badly with timed events so the truth is just. i woke up and saw#@/regret-repentir 's post (which is so so lovely actually) (credit where credit is due) and then spent the next 1.5h drawing portrix#the prompt was post graduation i think? but seeing as i didn't really respond to the prompt itself#it doesn't rly count in my head as a prompt response for the event. idk#it technically works. but also it feels like false advertising...#<blinks> fun times include this being the first time i've drawn adamandi characters entirely without reference. they have been blorbo-ified
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ssreeder · 1 month
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I'm so looking forward to iroh and zuko properly talking and seeing irohs reaction to zuko being gay.
Like we all know he doesn't agree with the fire nation rn but how will he react?
Will he not support him cause sokkas a guy? Will he not support him because it's SOKKA? Will he accept him? Will he reveal he's known for years zuko was gay?
Especially with everything that happened with zhao, regarding to what jee said to bato on their date. (Which is a very understandable perspective, zuko just got out of this very sexually traumatising situation and almost immediately starts a relationship (his first relationship) with sokka, but then again it is a very unique situation)
One thing I love about some atla fics is how they portray the FNs thoughts on queerness, cause on one hand they were one of the only country's (I think) that treated men and women the same but then again it's also the fucking fire nation.
And I also think zukos whole canon arc can be very comparative to queerness,
His dads an asshole and after speaking out against him he throws him out, and zuko try's for 3 years to regain his father's love and acceptance, and then faced with the opportunity of regaining it takes it immediately regardless of who or what he may hurt (iroh, his own morals etc) but once he makes it back home realises how fucked up everything is and eventually confronts his dad and openly tells him he doesn't agree with him then runs aways.
I also wonder if iroh secretly knows jee is queer it doesn't seem that likely to me but it also is iroh so who knows.
<3
I do think Iroh’s reaction will be a big moment for not only the story but for Zuko’s character development. Right now, Zuko’s technically still a prisoner, holding himself there by assuming Iroh will not understand or judge him when in reality he’ll never know what his uncle is thinking until they TALK ABOUT IT. (Which the FN royal family is just sooo good at healthy communication I don’t understand why this is so hard for them lol?!)
I do agree that the suddenness of the relationship combined with the intensity from both zuko and Sokka is very alarming for people looking at it from the outside (I mean we all totally get it cause we were there but others are like uhhhh hmmmm ok this might be concerning) so I get them gossiping and wondering if this is truly real or what the fucks going on with those boys.
I love Zukos canon arc because there’s just so much about zukos story that can be relatable no matter who you are and I think that’s why he is a fan favorite (it doesn’t explain why we torture him the way we do but ehhhh it’s fine haha)
Hmmmmmm does iroh know Jees gay? Depends on how saucy those music nights got ;)
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babacontainsmultitudes · 10 months
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always always thinking about your post that was like “normal has a very high threshold for being loved that is nearly impossible to meet and he will do *anything* to feel validated” and then today in the discord during the part where willy reveals it could’ve been either normal or scary, will said “willy fucked up normal would burn the entire world down for the tiniest crumb of validation” and just. screaming screaming forever about this boy’s inability to ever feel loved enough, he is every webweaving post about always devouring and never feeling full from love, this boy is RAVENOUS and it’s hard to understand how the oak good-boy morality can even supersede that, he has every trait imaginable to become a villain and it feels like the only thing preventing that is the desire to be good, bc tbh I don’t think he wants to be good more than he wants to be loved
SORRY FOR TAKING ALMOST TWO FUCKING WEEKS TO ANSWER THIS ANON!
Eheh, firstly *thank you* because this message is very sweet and made me extremely happy. The post you’re talking about took a good while to write and came with a lot of anxiety so it’s very nice to hear that you’ve kept fragments of it with you, I really do appreciate that!!! 💜
I’d debated for a bit on answering this privately to be honest with you, as not every fire I’ve sparked is one whose flames I wish to fan, so to speak, but everything you wrote is just so on-point and well-articulated that I couldn’t resist. Otherwise. *Ahem*. I know it's very very silly to respond to a response about an essay with what is essentially another essay, but you see, in thinking of how to answer your message, I got a little caught amongst many other things that have been on my mind... And I've seen some takes that have annoyed me for one reason or another and couldn't decide how to address those and. Well. Ultimately I decided that the stuff I wanted to talk about was connected *enough* to the stuff brought up in your message (as well as in my original post) that I could put it all together, soooooooo if you'll entertain me rambling once more~
Let's start by saying that, I recently saw a take going around stating that “Scary’s internal issues caused her external issues while Normal’s external issues caused his internal issues” (among a number of other statements that I frankly found pretty questionable), and I must say, for reasons that I hope to explain, I disagree with this assertion on both accounts!
In Scary’s case, this statement completely erases and undermines the trauma of her dad walking out, and what that does not only to her confidence and sense of self-worth, but to her relationship with her mother as well. And the degree of the impact of this external trauma on her internal view towards and treatment of herself is clear as day just by looking at the stark contrast between Terri and Scary. Scary (Terri) is someone who once had confidence in herself and could find validation and motivation internally, most recently evidenced by Terri's words of encouragement to Scary whilst under beacon of hope:
But then her dad leaves, and things get harder at home, and Scary starts to fight with her mom (her mom who she once called her best friend!!!), and she starts to feel worthless and unlovable- something that only gets worse with time as Willy alienates her from the rest of the group, case in point with this revealing exchange:  
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No one’s told her they’re proud of her in a long time (sound familiar??),
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her teachers at school shut her down when she tries to speak her mind or otherwise dismiss her behavior as “acting out” seemingly without any sort of intervention or attempt to actually check in with her,
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[the above teen fact is from episode 31]
Only then, in response to her diminished sense of self-worth does she begin to cut herself off from the rest of the world and from her former self, most importantly quitting soccer (which we know matters a lot to her!),
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and those things leave her even more vulnerable and supportless and ashamed. Not to mention all the mixed emotions she must feel when Terry walks into the picture, between actually liking him but not being able to see his love as genuine due to her relationship with her bio dad and all the frustration and shame she must feel as a result.
This is not to claim that Scary’s internal struggles do not inform a lot of what happens to her and the people around her over the run of the season- of course they do! (In fact some of the later things mentioned above are examples of that- I guess I got a bit carried away). But Scary’s major internal struggles that affect her throughout the course of the adventure are preceded by a slew of important external events that negatively affect her psyche and are in many cases out of her control. Scary’s internal struggles did not originate in a vacuum, and I absolutely would not say that they “caused” the bulk of what she has been through.
Unlike Scary, Norm’s excessive dependency on external validation to feel like he’s worth anything begins when he is very young. [Emphasis on “excessive” here, since obviously everyone requires validation from others to some degree, the point being just that this trait is so very pronounced in Normal and, as I argued a bit in the post anon is referring to, usually the most important factor informing his courses of action, superseding (but not implying the absence of) any desire to be good and help those around him. Will’s statement (the one which anon quotes) seems to corroborate this.] We know that things go so far back from Sparrow’s account in episode 17:
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It’s important that this is about Normal’s kindergarten experiences too, because it tells us that Normal’s predominant internal issues go back farther than this and hence were not caused in and of themselves by his peers- instead being perhaps more fundamental to who he is as a person.
This is not to say that external events do not exacerbate the state of Normal’s psyche. In his youth most notably, we can infer that he interpreted Hero’s treatment (which of course he did not understand at the time to be her training) as favoritism, and I think it’s pretty clear by this point that his resentment of her is tied to the degradation of self-esteem that he experienced as a result.
Then of course there is the dance. Sparrow’s words to Normal during the dance obviously consist of a very pivotal moment for Norm within the context of the season, but I think it’s important to remember and not erase the fact that Normal’s internal issues with validation do not begin at the dance, as established in the kindergarten case but also further exemplified by Norm’s primary motive in becoming the school’s mascot in the first place (to get everybody to like him). I think it’s important to remember this in part since it informs so much of Normal’s reaction to what his father has to say, immediately afterwards but also throughout the whole rest of the season. No kid wants to hear that their parent isn’t proud of them, but the severity of the response to this sort of statement is going to vary drastically depending on the person, and in Norm’s case, given his natural disposition, it’s devastating. [and I swear there’s a teen talk moment where Will says basically this but I can’t find it for the life of me rn damn it lol maybe I’ll edit in the clip later if I do]
Of course in this specific case, one can still mostly say that the problem stems from outside of Normal, and that his preexisting issues exacerbate his response but are definitely not the cause of it. Outside of this instance, however, this is not always true! In fact, Normal’s excessive dependency on external validation and related rejection sensitivity (negatively) inform a large amount of his interactions with those around him, particularly Lincoln and Taylor (imagine me underlining “Taylor” several times as I say this). Truthfully that’s a whole ramble on its own, but with respect to more recent events, I have to admit that I was genuinely quite irked to find a lot of people blaming Taylor and Lincoln for Norm’s response to their uh. mech shenanigans in episode 37, choosing to frame this as an act of moral failing or even malice on their part, rather than a reflection of Normal’s own issues and room for growth. Lincoln and Taylor were simply focused on the mission at hand, and there was no good reason realistically speaking to have expected them to be aware of Normal’s emotional state at that point in time (or in general, to be aware of the jealousy their bonding moments evoke within Norm- particularly when Normal consistently fails to communicate and address those emotions with them in a manner that is direct and not passive-aggressive). Lincoln in particular is very clearly stated as not even having fun in that moment, very understandably being focused instead on the fact that his friend Scary is around his father, who he just witnessed, you know, murder someone. This is not an instance of the world going against Norm for no good reason other than to put him through it, this is a very clear example of Normal’s internal issues affecting the way he perceives external events in a manner that is not actually very reflective of the reality of the situation, and which of course feeds in further to his cycle of self-loathing (and I won’t go into it here since I sort of did in the post anon is responding to- but Normal’s negative reaction to Lincoln breaking the pick to gain Scary’s trust is another important example of this [tbh all the more so now coupled with the hypocrisy of how he handles the anchor in Goofs but that’s a tangent]). As aforementioned, Norm also struggles a good chunk of the time to actually explain his feelings in a manner that is direct and does not rely on blaming others for not picking up on his dejection, as exemplified in how this discussion goes with Lincoln in the most recent episode:
The treatment from fandom of this whole instance being reflective of a reoccurring issue I tend to have with a large chunk of the fandom, wherein the collective memory of canon tends towards getting warped to account for Norm’s mental state. Sometimes that’s hailing him as some morally-perfect, emotional reincarnate of Henry (as though the pride layer didn’t happen, as though Goofs didn’t happen, as though all of Norm’s relationship with Taylor isn’t what it is- …I feel like I should stop implying stuff about the significance Taylor and Norm’s relationship and not elaborating but it really is an essay in and of itself LOL), other times it’s just downright turning everyone around Normal into a villain, a persistent phenomenon which I sort of illustrated in the above example but also touched upon in an earlier essay (arguing that despite the fandom’s quick jump to villainize him- Lincoln breaking the guitar pick would prove to be an act of love). Sparrow also takes a good brunt of the damage from this. Sparrow saying he’s not proud of Normal gets turned into Sparrow not loving Normal (despite an abundance of proof in canon to the contrary), his apology for what he said and the support he shows for Norm in light of his alternative plan on dealing with the Doodler are completely ignored by most of the fandom, as are any other demonstrations of emotional availability and shows of growth that he displays throughout the course of the season, and the true motives behind Sparrow’s insistence on Normal living a “normal” life- to protect him from the childhood that he but also that Hero had to undergo- is somehow framed as Sparrow actually holding some kind of favoritism for Hero. It’s as though there is a complete inability on a larger scale within the fandom to see Sparrow as separate character outside of the filter of Norm’s emotions, and the other teens (including Hermie) get a similar if less pronounced treatment.
[Actually, I would argue that to some degree all of the kiddads except Terry (and Lark since he’s not officially a dad) tend to be perceived and criticized predominantly through the noise of their respective child’s emotions/behavior. In Grant’s case, Lincoln 1. spends a good part of the earlier half of the season asserting that his dads are the best dads in the world despite everything going on and 2. has a very unfortunate tendency to compartmentalize and push down his negative emotions as much as possible- in typical Wilson fashion- so the complexity and severity of Lincoln’s issues with his dad generally go understated, and only now that Lincoln has begun to be more vocal and upfront about his issues has some of Grant’s parenting finally begun to come under fire, and even then mostly only his more recent transgressions. In Taylor’s case, Taylor’s emotional security/stability and general fondness for his dad mean that Nicky is being hailed by many people as “the best dad” where in fact Nicky- while certainly helping the teens out in many ways and perhaps even acting as a friend to them- has done just about jack shit for Taylor as a *father*, and really if Taylor has anyone to thank for being as well-adjusted as he is now, it’s definitely his mom! But I digress.]
Normal and Scary are very similar, but the way fandom treats them is very different. People (mostly) seem to be able to acknowledge that Scary, in spite of her mistakes and flaws, is a scared, tired kid with a good heart who is capable and deserving of love. In Normal’s case, I just can’t seem to shake the impression that the fandom (in general) would rather strip Norm of all the things that make his character complex, and nuanced, and flawed, reducing him to an utterly uninteresting husk of a character before depicting him as anything other than a perfect goody-two-shoes who has never hurt anybody in his entire life or daring to acknowledge the fact that “Normal has been through a lot, is hurt, and deserves a good support system and emotional validation” and “Normal can at many times be his own worst enemy, sometimes makes mistakes that affect those around him, and has room to grow emotionally” are notions that can and should coexist. Or at least, that's my two cents on the matter.
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legendarymapmaker · 10 days
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I saw a post about swim forms and got the idea to sketch this really quickly
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Callie: "Aw! They're so cute together!" Eight: "Like that you should carry me."
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Agent 3: "You're too heavy! I'm setting you down!" Eight: "I not am weight that much!"
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Marie: "To be fair... we weigh just as much in swim form as we do walking form."
This was a quick sketch. Had more ideas for it, but I am tired today and cannot draw the double quantity of panels my original idea required, haha. I hope you can at least enjoy what I did make.
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wholesomepostarchive · 8 months
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the most wholesome thing is seeing that the wholesome post blog runner is probably one of the nicest people ever :3 i’m generally Terrified of sending asks especially to a blog that Does Things like this but seeing you talk in the tags instead of just reblogging and moving on makes you seem very friendly and approachable !!!! and i hope u know i appreciate that :] i hope you have a wonderful day and both sides of your pillow are always cool and that if you see a random cat on the sidewalk it won’t run away from U ♡
woah, META-WHOLESOME!! thank ya for the compliment, i try my best to carry out those kinds of traits i value!!!!! i’m SUPER super glad that ya did!!! THANK YOU THANK U!! always appreciating how much of an impact this lil blog has on top of appreciating u for sharing as much with me :-)
it’s always a TRIP getting to hear that something i do that i wasn’t even really mindfully doing makes all the difference?? i’m just really, REALLY grateful for all the different kinds of posts that get sent my way and seeing cool + uplifting + sentimental + OVERALL WHOLESOME posts that i express my thanks + ramble a bit in the tags haha !!
i ALSO hope you have as terrific of a day as you’re able to! and i hope you’ll enjoy seeing more posts pop up!
AND YOU’LL NEVER BELIEVE but i got new pillow cases like a week ago THAT DO JUST THAT! AND THERE’S A NEW CAT ON THE STREET WHO HANGS OUT WITH ME SOMETIMES (i’ve been planning to see if he has a microchip, but i know for a fact that the neighbors who feed all the stray cats on our street already have a cage + are well-versed in TNR, so i’ve been thinking about asking them first because the thought that someone could be out there looking for their pal is enough for me to “do it scared”) !! SO THANK U NOT ONLY FOR THE SWEET SENTIMENTS BUT ALSO FOR THE UNEXPECTED HILARITY OVER THE FACT THAT THEY’VE COME TRUE???
#and i get it!! running a gimmick blog (as i’ve heard it be described) is v v different from the other blogs i’ve got going!!#ik i’ve said it in the past but i genuinely think what makes for the lack of ambiance is the fact that i didn’t really? start this blog out#as a gimmick blog in mind?? it was kind of just for me to ‘archive’ Solidly Wholesome posts in one place#by the dates i saw/read through them + let them flow over me. because there’s already a timestamp ya know?#but the Vision was that i’d go through this blog + see that a year ago on a particular day was Important#which is still something i do when i have the the time BUT now i ALSO get sent wholesome posts!!! which WOAH#became a collective effort whether you’ve mentioned me in one post or climbing up to the triple digits now haha!!! i appreciate them all#TRULY :-)#and i’ll also admit that i don’t really remember if i kept the ask + submission channels open because i thought ‘hey maybe i’ll get one#or two someday from someone?’ or if i kinda forgot to close ‘em because i think i only block Anonymous automatically for all the blogs#i’ve got?? THAT will probs be a mystery for a long time to come if not forever BUT am glad it’s all worked out in ways i never saw coming!!#also APOLOGIES FOR NOT ONLY RAMBLING IN THE TAGS BUT THE ASK!!#Apple Pie is defs a priority for me rn and i’ve done some research + talked to my neighbors about TNR being the best bet in our area#last we spoke anyhow which was some time ago#also my parents apparently got into taking stray cats to a TNR program a few cities over so i’ll ask ‘em too probably???#BUT FIRST THING’S FIRST: checking for a microchip#10/13/2023#asks#wholesomepostarchive
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jamiethebeeart · 1 year
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personishfive · 1 year
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can i ask for your thoughts on all of the phantom thieves ?
i feel like im being interviewed lol... and well i've completed p5(r) 3 times + i'm starting my 4th right now so clearly i have a lot of thoughts so i don't know how to boil it down into a sensible easily communicated response to a tumblr ask haha...
basically i love everyone...um. in short (p5(r) spoilers):
joker: the most trans in any direction character, stylish, fun, mostly-silent swag. i love protagonists. joker can hold multitudes. insert the behind the mask lyrics. i think about 3rdsembadend a lot. also "canon" names wise i prefer akira by a fair amount if that matters. keeping them unnamed in my comics is a deliberate choice though haha
mona: people need to stop being mean to him he's literally a cat. my brother loves him :) little guy... yeah okumura palace sucks but most of the others have shitty moments too...lol. he's literally a little guy what more do you want. ask me about my thoughts on his gender
ryuji: my best friend!! i think i enjoy him more and more over time he's so ride or die. just a swell dude. such a bro. simple in a good way. aftermath aside his moment in shidopalace is so iconic of him
ann: my second favorite 5 character i love her so so so much. maybe her relevance drops hard post-kamoshida but do i look like i care. she makes me happy :) and also she will forever be iconic for the whole "he can't suffer if he's dead" thing. there are types of characters that i like.
yusuke: okay. confession. the reason yusuke's barely showed up in gomics (he was in the background One time) is because i'm bad at drawing him and worse at writing him (i'm aware the standard of writing for these things is low (lol) but i just can't channel his vibe. being an artist and Like That doesn't even help). i love him though!! he's so funny and his confidant rules. etc. one of those characters that i don't think of 24/7 but when i do think about him it's like. explosion
makoto: she'll figure things out.
futaba: little sister obtained...!! she's my everything. like...dude. i don't know how to put it into words to be quite honest she's just so real. so real. so real!! her palace was good :') she's really fun and resonates so well emotionally... mental illness represent and stem kid solidarity (i do not have the capability of hacking into the government). iconic that they gave her the male velvet suit.
haru: she really needed more screentime i know that's not a new thing to say but it's true she gets overshadowed SO bad. i adore haru... it's. um. the like. reservedness? like she's been holding things back. and strength. and the "i am no longer your subservient puppet". it's interesting how she doesn't get proper resolution for her palace-related troubles like the others (read: dad got assassinated)...and yeah the gap moe of her capacity for violence also. #girl
goro: HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA. yeah. um. he's my favorite. anyway
sumire: i like her a lot, just more in theory than in practice if that makes sense... why did they put her hair back up and steal her glasses... i think her inclusion in sae's palace is kind of nonsensical but i get it i guess it's for returning players and all. love the cinderella thing she has going on. she's sweet. she has so little time to really shine which is a bummer. i like her. she's a good contrast to the other two in 3rdsem and funny also.
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cocotome · 24 days
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I'M BAAAAAAACCCKKKK!!
My account has been restored, so it's back to my Hirarin business as usual~
The Saturday stage for the Osaka Comic Con will be streamed on youtube! Hirarin will be a guest and while I'm not sure if his section will also be streamed, it might be fun to watch anyways. Hopefully they leave up after the stream is done so I can watch later too!
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kjzx · 3 months
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Ok trans people who say that the so called "transphobia" leads to the endangerment of their lives are, uh, ""valid"" or whatever it is that the youths say nowadays, but when are we going to talk about all the feminist biological females that die from hammer car explosions every year.
Like yeah sometimes women say things out of fear for the young girls worldwide, but you cannot convince me that a random "terf" (which is a slur jsyk) saying that "trans identified females tend to always regret brutalizing their bodies and that manipulating young girls should be a government regulated offense" worse than transgenders saying things like "if youre a terf you should explide severly if youre a transphobe I'll stab you like forreal". Sure let's all ignore what women were being treated like for centuries.
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puppetlooselystrung · 8 months
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i love how werewolves can account for so many things. trans allegory. mental illness/mental disorder allegory. probably could go for neurodivergent allegory too if you ask the right people who think it that way
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twistedmadara · 27 days
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i love this story, i love the history inspiration, i loooove the artwork, right now i especially love to see these characters grow. i love seeing the different directions their character arcs are taking them and at what stages they are in their personal development and that all characters get exposition, i love to see what events are impacting which characters which way, i love the lore, i love the gore and the intensity and that so many characters die dramatically (though at some point my heart might need a break), i fucking love everything about this manga right now and i am so glad that i am barely a third of the way through
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