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#don't read too deep into it
sop-soap · 4 months
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TMA begins with a lure, but TMAGP begins with a warning.
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egophiliac · 3 months
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CROWLEY SSR THOUGHTS
there is zero basis for this, but I can't get this thought of my head
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I don't know why I decided to draw it this way
#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#(these will be relevant in a moment)#this isn't going to happen. but WHAT IF.#anyway i didn't get him (damnit birdman come home) so i had to look up his story#and let me tell you friends my findings were SHOCKING#crowley canonically likes vegetables which means that the crowley is revaan theory = BUSTED#crowley is sailor venus = CONFIRMED#(i know 'whip of love' is a saying but that's where my mind always goes)#DISCLAIMER: this is (mostly) a joke please continue to hold whatever theories and headcanons you want#but look. c'mon. look over here at this whiteboard i've covered in red yarn.#revaan being a picky eater has come up multiple times and there is an entire whole bit about how much he hated jerky and refused to eat it#and now they've made a point of talking about how crowley will eat almost anything and loOoOoves wild game meat especially#it's SO stupid but i can't help but read way too much into it#(this is tumblr if you don't want to see incredibly stupid overanalysis of anime guys then why are you HERE)#and i gotta hold on to something because otherwise whenever malleus and crowley are onscreen together i just keep going 'same hair color...#unless this is like. some kind of deep cover thing.#lilia doesn't recognize him because he saw him eat a green bean once and revaan would NEVER#crowley's secret is safe for another day#(serious hat on: i do think they're probably connected in some way)#(but there's something deeper going on that we're just not clued into yet that will hopefully explain things)#man forget revaan what if crowley whips off his mask and it turns out he was meleanor this whole time#wait hold on meleanor loves jerky. IT ALL FITS...
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lazylittledragon · 5 months
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THERE'S GARLIC IN THE KITCHEN YOU'RE GONNA GIVE YOUR VAMPIRE AN ALLERGIC REACTION
if anything it's probably just like hayfever it's FINE
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anonymouspuzzler · 10 months
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everyone has been so darned kind about the update!! to everyone who has taken a peek at our work, explored the site, shared it with their friends, drawn fanart, done ANIMATICS, MUSIC VIDEOS, everything and anything - thank you, thank you, thank you!!
also here's a lot of little doodles i found i did during production that i completely forgot about until now. the last little comic is a True Story that happened when i was hosting the exhibition
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[Image IDs/transcripts under cut!]
[Image 1 ID: A full-color, digital drawing of a puppet version of Puzz lifting up Wally on her right hip. Wally is smiling gently and waving with his right arm. There is a light green and blue gradient behind them, and rainbow text above their heads reading "THANK YOU!" with little heart symbols in several colors. End ID.]
[Image 2 ID: A photo of Puzz and the Wally puppet, with a caricature of Puzz's face drawn over where her head would be. She is wearing read heart earrings and has her hair in a curly updo similar to Wally's pompadour. She is smiling with her tongue sticking out, looking into the camera. Wally is also smiling into the camera, one arm resting behind Puzz's back and the other hand on her arm. There is an arrow pointing to Puzz with handwritten text reading "PUZZ!" in blue colored pencil, and various yellow- and blue stars drawn around the image. End ID.]
[Image 3 ID: A black-and-white digital ink drawing of Puzz sitting at a messy L-shaped desk. She is wearing a baggy black t-shirt over a striped long-sleeve shirt, a grey skirt, and tights with a swirly pattern. There is a laptop to Puzz's right, a takeout container and cup of pens to her left, and a monitor right in front of her. There is a close-up image of Eddie's smiling face on the monitor. Puzz leans in close with an intense, thoughtful expression, going "hmm...". End ID.]
[Image 4 ID: A black-and-wite digital ink drawing showing Wally watching in horror as Puzz, spinning in circles with a vapid grin, ascends into the sky with a giant box balanced on top of her head. Her tiny top hat is in turn balanced on top of the box. End ID.]
[Image 5 ID: A black-and-white digital ink drawing of puppet Puzz and Wally. Puzz is standing in front of Wally, back facing the viewer, with an empty grin. Wally, who is about a full head taller, looks down at her with dumbfounded horror, apparently unable to comprehend someone being smaller than him. There are several question marks above his head. End ID.]
[Image 6 ID: A black-and-white digital ink drawing of Wally. He is leaning against a surface holding a phone, staring at the viewer with a gentle smile. He is holding the phone to his ear with his left hand and twirling the cord around his finger with his right. End ID.]
[Image 7 ID: A black-and-white digital ink drawing of Frank and Barnaby. They are recreating the meme image of two men in the snow, with Frank looking off to the right holding a small snowball in his hands, while Barnaby jumps up behind him holding a huge snowball, grinning widely and prepared to Dunk. End ID.]
[Image 8 ID: A black-and-white digital ink comic about Puzz and Wally at the Playfellow Exhibition. Puzz, wearing a N95 mask and dressed up like Wally, holds the Wally puppet on her left. In front of them is a woman with a short bob haircut and striped shirt, holding the toy phone receiver up to her ear. In the first panel, the woman says, "this is your voice?", to which Wally nods and Puzz looks on. In the second panel, the woman cheerfully adds, "you have a sexy voice!", to which Puzz and Wally both look shocked. The third and fourth panels shows Puzz and Wally looking at each other, then back at the woman. The final panel shows Wally covering his face with one hand and ducking his face into Puzz's shoulder in embarrassment, while Puzz and the woman both laugh good-naturedly. End ID.]
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uncanny-tranny · 4 months
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I jokingly thought before that reading Junie B. Jones as a kid turned me into a feminist, but unironically, it kind of did.
I honestly think it comes down to the fact that Junie B. was not only allowed to be "weird," but her character arc never concluded like other girl characters would. In other media featuring "weird girls," the girl always ended her arc tamed - by force or convince, she would be prettied up, she would smile and be polite, and she would never speak out of turn. She would be perfect then, and would shed her veneer of individuality with the freedom that is conformity. As a kid, I noticed that girls weren't permitted to be "weird" like boys were. So when I read Junie B. Jones, I loved that she was frankly just fucking weird. She said things out of turn, she was rambunctious and imaginative and she was a realistic portrayal of a little girl. I loved reading those books because the narrative taught her lessons without punishing her for being weird, if that makes sense. So often, narratives punished weird girls for the crime of being a socially unacceptable girl, not for any true wrongdoing like lying.
Anyway, I just think it's interesting, because I watched and read a ton of books and shows and movies featuring girls and women, but none of them truly empathized with (or even tried to empathize with) weird girls on their own merits and capabilities and terms, or embraced the idea of a "socially inept/unacceptable" girl without punishing her in some way for her supposed ineptitude.
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soldier-poet-king · 10 months
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Thinking abt body horror as romantic. Body horror as intimate recognition of the self and the other and the other as the self. Body horror as an encounter with the divine.
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bluebobatea · 19 days
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if sasuke was the main character then he probably would've been a LOT more sympathised with than he is now (which is to say rarely). like the narrative wouldn't even need to change to show his pains or 'his side of the story', bc it does that plenty. it's just that he is not the main character. and idk what it is about our human minds but we tend to sympathise with main characters automatically (unless ofc you go off the rockers insane and do something like obliterate almost everyone from the planet *cough* eren yeager *cough*)
an instance that comes to my mind where this does happen is with lelouch from code geass. while i don't agree with his character motivations, people generally do sympathise with him as he is the mc and as viewers we know he isn't inherently evil. sasuke's goal towards the end is slightly similar but ofc people love to hate him so they don't even try to understand where he is coming from.
my point is, most people while engaging with the naruto story don't read between the lines and so don't see how traumatised and in pain sasuke is and hence don't understand his character motivations. heck, they don't understand a single bit about him and so they automatically hate him, as he is supposedly going against the main character's goals.
which is really sad given all that he has been through.
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rotzaprachim · 1 year
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i don’t want to be overly essentialist or talk outside my cultural lane but... there is something so intensely not anglo-’murican about the way the way andor treats death and it’s so fascinating and refreshing. like on one level this is a show profoundly about death from the very structure of its narrative, but it’s about how you live knowing you will die rather than the glorious death-from-martyrdom-death-as-redemption narrative, and therefor, inversely, about the profound interconnections between the dead and the living and those on the liminal in-between. now we have maarva’s death, and the very introduction of her death comes through the assembled chorus of communal voices who have come to clean her house and take her to rest. (i also love the fact that maarva died, explicitly, of old age and so many of the other related issues. i don’t think you can make the case that the empire *wasn’t* involved because she’s someone so utterly and clearly destroyed by its actions, but i do like that this was a so-called “ordinary” death, because of the thematic purpose that even “ordinary” deaths are heartbreaking and awful and worth remembering.)
andor makes it canon that there are communal aid organizations- i immediately think chevra kadishas! though many cultures have their own organisations and social structures for how to support the grieving and honour the dead- which is just one of the ways it highlights community and the complexity of interpersonal relationships. the daughters of ferrix are introduced an episode earlier, and i realised on a rewatch with my family that the daughter of ferrix - keezy maybe?- introduced at the beginning of the episode is also mentioned by bee in the first episode as being someone who helps maarva with her dinner and medication. we don’t see maarva’s body go alone, we see her transported through the streets by the women of ferrix. andor makes the case of elder care as communal connection and antifascist work, AND that it is done by the same people as those that bury the dead. and the way that andor is building up t having the season finale be the funeral, the thing that drags cassian home and into the line of fire being his mother’s funeral, the storytelling possible about funerary customs and memorialisation as acts of cultural resistance and aggressive rehumanisation... i’m too verklempt to say much more but i think the way this thematic arc is so intertwined with cassian’s time in narkina 5 and the scene with him and melshi at the end of the episode like! no one is lovingly honouring every one of those men with two-day funeral ceremonies through the streets. NO ONE remembers but cassian and melshi. two episodes earlier ulaf died, but the closest thing he had to the daughters of ferrix was the doctor, the fellow prisoner, who refused to learn his name and quietly euthanised him in the hallway. until we know more there were nearly five thousand other deaths. and the episode ends with melshi saying, it’s our duty as survivors to carry the weight of memory so that other people will know and remember this. they are also carrying the weight of mourning those whose time it was not to die. fuck. this show guys. it has me 
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accirax · 1 year
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Nene’s Role in Wonderlands x Showtime
The release of The Miniature Garden’s Coral seems to have confirmed some things I’ve recently speculated might transpire in future Wonderlands x Showtime events-- namely regarding Nene and how she may actually be the most important member of the troupe-- so, let’s talk about them! I’ll be using zui’s lyrics video for my translations, so hopefully they’re accurate.
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With the past couple of WxS events in mind, it’s easy to see that this 3DMV is also about endings. While the MV begins in a sunny blue afternoon light...
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...the characters and set eventually bask in a beautiful sunset orange, signaling the end of the day. The lyrics even mention being “between the end of the blue sky and the beginning of the night sky,” further emphasizing that we’re in the middle of the story. When the sky is blue, the troupe expresses uncertainty: Rui mentions that he feels lost, and Tsukasa, scared. But eventually, Nene admits that, in this beginning period, she was “spoiled by the sound of the waves,” AKA that the commotion surrounding WxS’s formation led to a troupe that became a source of comfort for all of them.
Once the sun sets, there are a lot of “even ifs.” Nene sings about how she’ll continue to sing this song, even if things are starting to look unsteady and she’s not sure if she should proceed. However, by the end of the song, she resolves to "still sing this song” while keeping up a smile.
I think that the fact that Nene says she will sing this song is incredibly important, because, as established, this song is about endings. Meanwhile, back in Mr. Showtime, Tsukasa firmly didn’t want WxS to end, and was holding out until closing time. Rui’s What Sort of Ending Are You Wishing For? and Emu’s Starry Sky Orchestra seemingly both acknowledge an ending as well, but it’s not at all easy. Rui seems to fall into a resigned depression at the thought, keeping a whimsical facade up when the very thought of separating kills him inside. The thought haunts him, MV riddled with hourglasses that he can’t get out of his head. Emu can only tolerate taking the first step towards a breakup with tooth-rottingly sugarcoated promises of eternal togetherness and literally holding hands as they go (I love her btw this is not Emu slander). She never even says the word “end,” only “tomorrow.”
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Rui, Emu, and Tsukasa are basically Denialx3. Rui tries to deny his emotions regarding disbanding, Emu tries to deny that the ending is coming at all, and Tsukasa tries to deny that there’s nothing he can do to keep them from inevitably drifting apart. And that’s where Nene comes in again.
Rui’s dream is to perform technically complex shows that will resonate with an audience. He can do that from Phoenix Wonderland. Emu’s dream is to keep the Wonder Stage up and operating forever. She has to do that from Phoenix Wonderland. Tsukasa’s dream is to become the number one world star and make everyone smile. While this would likely take him away from the park, in another story, I could see it being possible that, in the end, Tsukasa decides that making the people in his local community happy is more important than trying to change the entire world. Thus, he could also follow his dream from Phoenix Wonderland, even if it’s not ideal.
But then there’s Nene. Her dream is, and always has been, to perform in Broadway musicals. Broadway is a live performance in New York City. There is no possible way for Nene to get what she wants while staying in Phoenix Wonderland. And that is possibly why Wonderlands x Showtime’s ending is the easiest for her to process.
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Now, I’m not trying to say that Nene doesn’t love her friends. She adores them. Her three previous commissions have proven that. It’s the amount of love she has for them that will propel her to make what is actually the best choice for their dreams. Nene is the little mermaid, both when swimming freely the oceans with a beautiful, unstoppable song, and when enduring pain herself to stand with and for the ones she loves. Her friends, in this situation... are coral.
Remember that coral, “blurred” and uncertain in the water and “stained orange by the setting sun”? The miniature garden is Phoenix Wonderland; the coral is Emu, Rui, and Tsukasa; and that coral is stained orange by its desperation to keep rereading the final chapter instead of closing the book for now and putting it away to revisit in the future. Coral, while a beautiful living organism, is also completely static.
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Static like stone statues which, at least by my interpretation, is what the rest of WxS turns into at the end of the 3DMV. The three of them (and Kaito) are paralyzed with the fear of the suffering an ending would bring. Only Nene is alive and human to be the one to show the group the benefits it can bring as well.
There are a lot of aspects of this song and Nene’s entire personality that lead me to believe that she will be the one to bring about change in WxS. First, she most often “has the braincell,” so to speak. I don’t think it’s a coincidence that she performs this song with Kaito, the most mature of the WxS vocaloids, either. During April Fool’s 2023, she was put into the Solid Heart class. One might think that troupe leader Tsukasa should be the Solid Heart, and that shy Nene should be the Cautious Heart, but they (accurately) sorted it the other way.
Nene is a very strong-willed person. In other stories, it might be seen as a negative that Nene is always the most hesitant one to get into shenanigans, or that she would even dare to be the one to suggest a WxS split in the first place. What an ungrateful wet blanket Nene is, willing to throw away her friends for the sake of her own selfish dream. But in this story, staying at Phoenix Wonderland isn’t really what will make Rui or Tsukasa happy, and even Emu may have to graduate to focusing on the entire company instead of just one stage someday.
Nene’s friends brought her out of the darkness and into the light of day, and she is so grateful for that. She knows how amazing they are, which is how she knows that they can make more friends and continue to do even more amazing things in the future if they can bear to leave their high school part-time jobs behind and enter the real world, just like her.
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So, Nene’s role is to be Wonderlands x Showtime’s guiding light. She’ll tell Rui what sort of ending she’s wishing for, and then console him when he can’t repress his tears. She’ll be the one to hold Emu’s hand while they take that next step into tomorrow. Her three best friends helped her to grow from the loner who operated a robot from the theme park bushes, and she’ll help them step out of that theme park and be who they truly want to be.
There is one other thing I wanted to mention, though...
Tsukasa.
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As I mentioned previously, while all three of Rui, Emu, and Tsukasa are in denial, Tsukasa is the most actively in opposition to an ending. He’s also the troupe leader, and the sole creator of the Wonderland Sekai. If someone is going to actively try to stop Nene from suggesting separation, it’s definitely going to at least start with him. But as Nene has already stated in The Miniature Garden’s Coral, despite any opposition that makes her question whether or not she should proceed, she already plans to continue singing her beliefs about a bittersweet yet timely goodbye.
And, their conflict is something that’s basically been foreshadowed from the beginning too, right? Nene has always roasted Tsukasa, giving a counterpoint to his blindingly bright worldview. In upcoming chapters, however, I believe that may start to transform from simple fun banter into a genuine conflict with clear sides drawn...
And THAT’S why ColoPale gave them Childish War.
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Nenekasa nation get ready, ‘cause I don’t think this is the last Nene and Tsukasa fight we’re going to see.
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eddie4bat-president · 10 months
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I'm not a writer but i had this thought so- bear with me, yeah?
For months Eddie hears all about how cool and badass Steve Harrington is, yeah, but you know what he also hears about? How Steve and Robin are made for each other and how cool and pretty Robin is and how stupid it is that they're not a couple for some dumb reason, like Steve not wanting to be with a band geek and still clinging to high school hierarchy. And in all of the things Dustin says about Steeeve Harrington, that last part is the only thing that fits into the Munson Doctrine, so obviously everything else Henderson is saying is what's skewed in his little shrimp world view.
Steve Harrington thinks he's better than a band geek and that's why we won't look twice at a girl that would be perfect for him (according to Dustin Henderson, so... still questionably trustworthy information). Eddie probably assumes Dustin is talking up how close Steve and Robin actually are, just how he's exaggerating how close Dustin himself is to Harrington (like that would impress Eddie and the rest of Hellfire??? He really doesn't know how to get through to the little sheep that his worship of Hawkins' most notorious square is a detriment to his character and not something Eddie would find impressive. If it was real. Which it obviously isn't. Anyway-)
Turns out? Steve Harrington? Actually a cool dude. Not cool as in popular but cool as in "holy shit did he just bite that thing's head off???? Oh and he's not even gonna brag about that, it's just nbd, yeah sure, cool cool cool be fucking cool Eddie, oh god he's talking to me why is he talking to me" and just, chill to hang out with. After the whole shit show went down. Who would have fucking thought, huh? (except for Dustin Henderson, yeah yeah yeah, shut up)
So now Eddie has to reevaluate some other assumptions he made. Maybe Dustin was right and Steve actually is cool and badass, and he and Buckley actually are as close as he had said (and they really fucking are! He has seen them give Keith eerily matching bitchy looks for trying to schedule them on opposing shifts and basically bully the guy into changing the schedule around so they can spend as much time as possible in each other's presence. It's enough to make a guy question his own friendships when sometimes a few hours of band practice are enough to make him want to never see any of those chucklefucks again. Of course, that feeling abates but seriously, how are those two never sick of each other??)
So if they're as close as advertised but not a couple (and after meeting everyone Steve cares about and they're basically all nerds so the "Harrington thinks he's too good for a band geek" thing can't actually hold true-) what is the hold-up? Why aren't they a couple? And somehow, somehow Eddie comes to the conclusion that Steve is in love with Robin. Steve is a serial romantic (emphasis on romantic) and while his love life isn't the talk of the town post-earthquakes as it would have been before, people do still talk about the fact that he hasn't taken out a girl since it happened.
Which brings us to a day in summer, maybe fall, after Eddie has seen Steve look wistfully at a young couple with a baby, that he shows up at Robin's door step.
"Eddie? Hey what's up?"
"Good, good, how are you? Uhh can I... can I come in?" There's a nervous energy around him that is immediately infectious and she leads him to the living room where he immediately starts walking back and forth in front of the couch. She watches him for a moment, hands fluttering through different motions trying to find one that might calm him down before giving up on that. Instead Robin swerves around him, clambering onto the couch and wrapping her arms around her right leg, putting her head on her knee. She follows Eddie's path with her eyes and decides to wait before quickly realizing that she can't, actually.
"As riveting as it is watching you walk a groove into my parents' rug, do you maybe want to say something? I mean I can definitely talk enough for the both if us if that's what you want it's just that I have the slight suspicion you've got something you need to get off your chest" Eddie stopped walking halfway through her monologue and starts nodding.
"Yeah. Yeah yeah yes you're right it's just- I haven't a hundred percent made up my mind about saying something", Eddie has one arm wrapped around himself and uses the other to alternately play with his hair and gesticulate at her, "because on the one hand it's a little bit driving me crazy, maybe, but on the other hand this is none of my fucking business" And Robin who was worried at first just because Eddie is nervous, then for a second because she was scared he was going to confess to a very ill-advised crush on her, is stumped. What the fuck is this about and why did it bring him to her of all people?
"Just say it you weirdo", is what decides to comes out of her mouth but it doesn't even matter because half of her sentence is layered with his "Are you aware Steve is in love with you?"
[here we're facing the issue of me not actually being a writer and pretty much running out of steam but we also haven't reached the part that sparked this whole thing yet, which is wild - let's just pretend I wrote a very funny dialogue between those two in which Eddie confronts Robin for stringing poor Steve along ]
There's a moment when they're both silent and there's a moment when they're both talking and then there are steps coming down the stairs. They make a smirk grow on Robin's face that is starting to worry Eddie when not a parental figure but Steve Harrington steps through the doorway. He's wearing sweatpants and a shirt that might be Robin's and there's a headband pushing his hair away from his face.
"Don't yell at me for coming downstairs, you took forever and the first layer... is... dry....", he stops in his tracks the moment he looks up from his bare toes and sees Eddie. Then he very quickly rips off the headband and slings it somewhere to his right into the unknown of the hallway.
"Hi Eddie. What's... up" Eddie is going to sink into the floor and never come up for air again.
In the meantime Robin stood up on the couch to sit cross-legged on the back of it for a better vantage point and is steepling her fingers in front of her face. Eddie is getting the distinct impression he's missing some crucial information here.
"Stevie, babe, platonic love of my life-", Steve nods for her to go on, "you know how we decided I get a veto on your romantic life because we realized droves of suboptimal dates actually make you miserable so we're going for quality over quanity for the first time in your small-town Casanova life?" Steve has that cute little crease between his eyebrows while he's looking back and forth between Eddie and Robin, trying to figure out what's going on but he rolls his eyes at the end of her sentence, back in familiar territory. "Yes, Robin-"
She interrupts: "And you know how I also reserved the right to give a shovel slash molotov cocktail talk to anyone we deemed worthy of being a potential future partner?" Steve's face somehow shows an emotion that can only be encapsulated by "?!" as he glances to Eddie before shifting back to Robin with just the "?" remaining.
"First I have to say I'm personally very pro, I loved this experience; Eddie here really made a fool of himself, very worried for your delicate sensibilities and how I'm breaking your sweet little heart." "...what...?"
"So: what's the verdict on a potential future partner giving me the shovel talk?"
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utilitycaster · 6 months
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I don't begrudge anyone their campaign preferences, and I think there's plenty of valid reasons to like Campaign 3 the best and this is not directed at people who are genuinely having a great time with it, but it feels like virtually all the nostalgia and wishful thinking I see surrounding Campaign 3 is screaming "you guys want Campaign 2." You want more slow travel and downtime and interparty conversations and slow-burn romance? You wish their main focus was fighting governmental corruption? You want a party that only semi-settles down at the end and keeps adventuring and remains very close? You're frustrated by how everpresent and overarching the moon plot is? You miss when they were just fucking around in a city? I genuinely believe you want Campaign 2, or at best you love a specific ship or a character from Campaign 3 but aren't happy about basically anything else, and would vastly prefer the tone and events and plot of Campaign 2. And I don't really care if you watch Campaign 2, or if you think I'm being annoying here; I simply genuinely believe you'd be happier watching Campaign 2 than Campaign 3 and are so deep in a sunk cost fallacy well you can't see it.
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curiosityschild · 16 days
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I did a Deaf Chell Portal playthrough (no sound and no subtitles) and it totally works.
My two questions were 1) would it be plausible for Chell to survive to the end of the game? And 2) would Chell have any idea that GLaDOS even existed at all?
And the answers are 1) Yes and 2) No.
Basically, Portal is a very good game with very well designed puzzles. At no point do you need any verbal instruction from GLaDOS. All the information you need to progress is given by the actual design of the level itself. For instance, the companion cube level. I was initially worried that this level would rely very heavily on GLaDOS's dialogue. I was thinking that it probably wouldn't be obvious to Chell that she had to destroy the cube to move on and that it probably would take her some time to stumble upon the correct course of action while trying whatever she could. But no! The fact that you have to incinerate the companion cube is made very obvious. There's literally a couple of those hazard warnings on the ground in front of the incinerator that tell you to throw the cube in.
IMO it would be pretty apparent to Chell what she needed to do and how to move through the facility. She may not understand WHY but she would know what to do. Even the end of the formal testing part where she is about to be incinerated. I don't know if Chell would know if this part was purposeful or accidental but regardless, she would be able to escape. The long and short of it is at any point in the game Chell's only option is to move forward and there's only ever one way forward.
There is basically no indication of GLaDOS's existence if Chell is Deaf. Here are the clues you get:
-no other humans in the facility
-once or twice the door to a level doesn't open until she's done monologuing at you (Chell of course has no idea she's being monologued at)
-one of the scribbles in Rattmann's hideout says "She's watching you" (Chell would not be too surprised by this. The cameras and observation rooms are obvious)
That's it. That's all you get up until you open the door to GLaDOS's chamber.
And even then! Even then the conclusion she's going to draw won't be more complex than "this computer must be the thing keeping the facility running and it is currently trying to kill me".
Now the GLaDOS fight itself is probably the biggest stretch of plausibility. At first, before the neurotoxin, GLaDOS does nothing that indicates she wants to hurt you. A piece of her falls off. It's pretty obvious that you can pick it up and put it in the incinerator (again, level design) but why? Just to do something? This is the weakest moment in the whole theory. AFTER that though, the continued destruction of GLaDOS makes more sense. Chell sees the countdown timer. She sees the neurotoxin even if she doesn't know what it is and she probably feels it too. There is now one of those eyeball turrets shooting at her. It is reasonable for Chell to draw the conclusion of "this huge robot is controlling the facility" at this point. And if the robot is making things shoot at her it makes sense to destroy the robot.
So she does. And she gets spit up onto the surface with absolutely no idea that GLaDOS had spent the entire time insulting her or even that she was sentient in the first place.
Which is very funny.
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akakris10 · 9 days
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Jin Yuichi World Trigger auuuuuggghhhh.... This guy..... He's so everything..... He's the single most crucial agent in Border because of his ability to see the future, he's carrying the safety of the city on his shoulders via his foresight and preparation, he was previously one of the only 2 S-rank in all of Border, he's part of old Border and has watched many of his former peers either die or retire, his family has been killed twice-over counting both his mother and Mogami, he has an unhealthy diet of pretty much only fried rice crackers on a day-to-day basis, is constantly in his Trion body(which is rumoured to cause sleeping problems) even moreso than any other character in the series, and he was carrying around the weaponized memento of his dead teacher/guardian-figure around for several years prior to canon. Oh And He's 19.
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andthebeanstalk · 8 months
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the average person doesn't expect you to be a perfect ethical consumer, that's not possible for the vast majority of us. but what youre saying is it's better to do nothing at all and choose the worst possible options (sweat shops, overseas shipping waste, idea/product theft, all wrapped up in SHEIN) than to put even the tiniest effort in where you can.
[they are referring to this post]
What I said was "some people are doing literally everything they can to survive and have no extra bandwidth to spend extra time and money on their purchases, and it is cruel and therefore un-punk to gatekeep punkness and add additional shame to these people's lives based on that fact."
I think it's still a good thing to try to ethically consume; I literally never said it wasn't. I had never even heard of SHEIN before. Rather, I am much more concerned about what I saw as arbitrary gatekeeping based on ability and income.
And frankly how dare you claim that I am supporting sweatshops and abuse by saying that this additional work you are demanding (in this case, presumably, vetting every clothing company you buy from) is not always possible for people. It is not a light accusation to accuse me of supporting abuse.
"How dare you say we piss on the poor", Etc. 🙄 this isn't Twitter. You are determined to enforce moral purity, but you are failing to see the nuance.
Because when I say "no extra bandwidth," I mean no extra bandwidth. This is not the "car shows it's on E but actually secretly it has a lot of gas left" situation that abled people constantly assume disabled people mean when they say they are at their limit.
This is "the car has stopped moving, and to move it I'd have to break my body pushing it." This is "at a certain point, people will hit a wall in terms of money and time and energy, and any energy spent after that comes directly out of their life force."
So the argument "okay but just spend a little more time money and energy actually" is not a valid one.
And the argument "if you are not able to do this specific task, then it means you're not doing anything else to make the world a better place" doesn't exactly impress me either. You said yourself that it is impossible to be a perfectly ethical consumer for most people.
How do you know what else people are doing to resist oppression? How many hours per week until your standards are met?What if someone works 3 jobs? Does that mean it's harder to be a good person if you're poor?? Why do you get to decide what specific avenue of bettering the world is the most morally repugnant or acceptable? What kind of proof of goodness and effort would make you satisfied enough to lay off on the shame?? Who are you helping??
Clothing is a fundamental human need, and some of us have to buy cheap fucking clothes quickly. Billionaires are buying their seventh yacht this month. The people who own fast fashion companies are abusing their workers and putting local affordable clothing stores out of business - and this applies for basically every company with price points that low because governments are failing to regulate corporations to enforce basic human rights.
I have $300 to spend on a new wardrobe as my old clothes have fallen apart or become too small. Do you have a way for me to get a new winter coat, 3 flannels, 10 shirts, 3 dress shirts, new sandals, 10 pairs of pants, 5 bras, 12 pairs of socks, and 10 pairs of underwear within that budget and also definitely 100% ethically sourced, with free returns in case it doesn't fit? Or will I simply have to use the cheap stores?
I have about an hour to spend on this per week. Should I continue to wear small and tattered clothing until I have the time, money, and energy to meet your standards?
Did you know there are more empty homes in this country than homeless people? If I decide to splurge on only 100% ethically-produced products, and I can't make rent, and I become homeless, are YOU going to be there for me?? Or are you too busy litigating the endless tiny shames of poverty in your own community?
So I ask you again, are you SURE this is where you want to direct your punk energy? Because there are a whole lot of rich people relying on people like us punching down and to the side instead of up. Because energy and time, as it turns out, are limited resources. And I would never expect you to secretly have more than you claim to have.
#original#punk#hopepunk#cripplepunk#i swear to god#reading comprehension website#how dare you say we piss on the poor#jfc 'what you're saying is we should do nothing' - what I'm saying is YOU are doing nothing by enforcing this boundary#you have to give people more credit than this. i believe you want a better world too. and it would be cool if you used your energy to#instead ask 'how do i fight for the people in my community to be clothed and have the time and income to shop ethically?'#or 'how do i support activism that pushes for regulation that could control these companies?'#monitoring how poor people spend money is a supremely Republican thing to do. as is demanding clear moral purity from every scenario.#you want a better world too. you want to demand your peers do better. - fine. good.#but you need to be asking if you have remembered and included everyone's needs when making statements like this.#capitalism is all for forgetting about poor and disabled people and refusing to believe their limits.#shame is a necessary weapon in fighting greed but it IS a weapon. be so careful where you point that shit. enough shame can kill a person#and a lot of us are already defending from it from all sides.#shaming a person who is already at their limit for not doing more is an act of cruelty. think very carefully about what that means please.#i literally don't even know what SHEIN is lol i just know classism when i see it#but I've had friends whose clothes were visibly falling apart with no income and so much so shame so deep in their hearts they were dying#and if they had seen that post it would have made them even sicker and gotten them no closer to the dignity of being properly clothed#shame is a weapon and /you need to be careful!!!!/
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cryptiduni · 9 months
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…i just saw this poll and my unevolved brain gel wriggled inside my cranium like a feral fish:
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idk how you look at his official art and call him conventionally attractive. my man looks like a wet dog and has eyebags for daysss. face full of pox scars, skin pale af, and those shaggy ass hair & a rugged beard hanging from his flat long face.
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he is pretty *to me* but like dude???
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—not exactly a heartthrob boy band material is he?
obv I wouldn’t call him “misunderstood baby uwu” if we are talking a little more seriously —but to be fair jean is having possibly the worst week of his life. the car? fucking sunk. case? unsolved. not to mention his close partner (who is also an ass mind you) doesn’t even remember him, already running around with a new one.
yeah he is absolutely foul and aggressive and degrading harry but like i said before (in my tag essay lol) judit also makes ableist comments and i don’t see people hating her because she’s outwardly nice—
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and respects harry as her superior. her BOSS.
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(also a friend with benefits? /nope, it’s just him harassing judit/ as well but not as a complicated relationship compared jean and harry’s brötherbund. only a few months of acquaintanceship.)
plus it’s highhlyyy likely that harry is not the only one substance abuse. —look at jean’s rudolf-looking-red-ass-nose. a drunkard’s sniffers. probably had few lines with him late at night… when your lifetime partner is an alcoholic it's hard to say no.
about the left for dead thing, they left because harry told them to fuck off. tbh harry is nightmare to work with esp pre-bender. (and am saying as a pathetic little unmedicated neurodivergent woman.)
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but when the second time they left revachol was not jean’s fault, and it was judit’s suggestion anyway. the squad probably thought that since harry had someone a little more responsible looking after him. it will be fine when they come back. the tribunal was absolutely unaccounted for.
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yet despite all of these things, he will try to come back to make sure he is ok and accommodate harrier to the best of his abilities which is wearing very thin. look at him trying to make up to our harry boy:
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anyways am incapable of writing coherent thoughts (even though i want to talk about it for hours) that make sense so go look at sygneth’s jean psychological analysis instead. it is an excellent read. please go read.
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This. This. This entire conversation with Morrigan actually makes me want to sob. She and my Tabris always becomes close friends over the course of DAO; that, paired with the fact that my Tabris always romances Alistair, makes everything about this hurt so much more when you take DAO's ending into account.
Her confusion over why my Tabris didn't send her away. Why she didn't abandon her after they learned of Flemeth's plans. Why Tabris went out of her way to slay Flemeth and bring her the true grimoire. She asks Tabris why, and is baffled when the answer is, "I did it because I'm your friend," as if it's that simple.
The way Morrigan looks at the warden, the way her voice cracks when she says, "I want you to know that while I may not always prove... worthy... of your friendship, I will always value it."
She knows how this will end; Flemeth sent her with the wardens with the end goal of stopping the blight and obtaining the old god soul through the dark ritual. Morrigan knows that Alistair and Tabris are the only Grey Wardens here, and assuming they don't find more, one of them will have to die defeating the archdemon unless they agree to do the dark ritual.
With that context, her asking Alistair, "And what if a Grey Warden has forced to choose between the Warden he loved and ending the Blight? What should his choice be?" suddenly has so much subtext weaved through the words that I'm gonna start foaming at the mouth. She's practically telling Alistair that a warden has to die. She's scrutinizing his reaction to find any hint that suggests he would agree to the dark ritual in order to save himself and the woman he loves. And when he doesn't choose, she has her answer.
Morrigan made comments to Tabris about him, almost hopeful that their relationship was just a physical thing between them and not actually riddled with feelings... and then gives disapproval when Tabris says she loves him.
She doesn't want the warden to die; hell, she doesn't want Alistair to die, either; whether because she does actually care about him or because she knows it'll break her friend's heart if she loses him, or both!
Things would be so much easier if the only two Grey Wardens left to defeat the blight didn't fall in love, wouldn't they, Morrigan?
She knows that in the end, no matter the outcome, she will lose the woman she called sister and it's devastating.
Morrigan, who has never known true friendship. Who grew up isolated in the woods with an abusive mother and terrible implications for her future. Who discovered said mother planned to take over her body just as she did with her other daughters. Who doesn't understand kindness as it was rarely given to her without a catch. Who isolates herself from the others in camp. Who finally has a companion she cares about... and in the end, if her plan works and the dark ritual is completed, she'll end up pregnant and alone and wearing Tabris' resentment like a tender wound on her heart.
Or Tabris will reject the ritual, and will die to the archdemon.
Or her lover will.
I just- the dynamic between the warden, romanced Alistair, and Morrigan is so good and painful and rich that I'm gnawing on furniture as we speak.
#dragon age origins#dao#alistair theirin#dao alistair#dao morrigan#dao tabris#warden tabris#i'm replaying dao right now in case my recent written posts haven't made that obvious#the relationship dynamics the warden has with each of the companions is so so soooo good like there isn't a companion i dislike#i play into the slow burn with alistair's romance but it's not even just the romance aspect it's also their friendship too#playing dao and not romancing alistair would feel wrong at this point for me it's so crucial to the entire story and its development#and i love morrigan's friendship with the warden and how gutted tabris is when she comes clean about everything and offers the ritual#and then bails once everything is over and tabris is torn between hating her and feeling hurt and not wanting morrigan to be alone again#i talked more in depth about morrigan and the ritual in a previous post but it's a lot... especially when it comes to the witch hunt dlc#oh and then there's the friendship between tabris and zevran like don't even get me started on that sksksks i won't be able to stop#even a character like oghren who is the last person you'd think tabris would ever become friends with since he's y'know *oghren*#but i'll go on the record and say there's more to oghren that gets overlooked and overshadowed by his glaring flaws#and i don't wanna talk about leliana... she makes me too sad like ever since my last playthrough where i accidentally triggered her romance#while i was deep in alistair's romance i have a really hard time not reading into the things she says to tabris#in my last playthrough i dunno what i did but she confessed to tabris even though she was fully aware that tabris and alistair were togethe#and it was a *mess* okay like it really felt like we killed marjolaine and leliana was in a vulnerable position yet was hardened enough#to be like 'i know she and alistair are together but i'll take my shot anyway and attempt to break them up' like.... noooooo leliana D:#and the rest of the game it felt like she was bitter and still in love with tabris and i felt *horrible*#i just said i don't wanna talk about it but hhhnnngggg i'm taking extra precautions to not have a repeat of that this time#excuse my tag ramblings i'm just very passionate about dao and the companions okay#also want to note that this is my interpretation of morrigan's motivations based on how i play the game and my warden#so others might view this reaction and the warden/romanced alistair/morrigan dynamic differently and in that case#i would be interested to hear that different interpretations because those are always fun to read
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