#faith suggests gifs s3

[vidavalor]

The *Original* Original Sin Theory or... why Aziraphale's "I forgive you"s really mean "forgive me" and just why he wants Crowley's absolution...

Will this break your heart in a good way and make the end of S2 hurt less? more? both? idk let's find out...

I want to talk about what the Before the Beginning scene does to the Eden scene and what all that suggests about Aziraphale and Crowley's relationship... because it might be enough to upend what we think this relationship is quite a bit, at least from Aziraphale's POV, if it goes in the direction that I think they are hinting at in S3, which I'm basing off of where they took it in S2 in these scenes.

This also contains an analysis of That Scene from 2.06 that ties into lots of other scenes and some other meta related to the show and it's a bit long-- like, the mother of all metas-- but there are pretty gifs and I brought snacks? Just letting you know it's a long post but tuck in with some tea if you're in the mood and thanks for reading. :)

Under the big cutty thing...

Before we get started, a couple of quick warnings: I curse a bit in here. It's in the show itself but just letting you know it's here a bit, too. I also mention *very* briefly suicide ideation in the characters and also very briefly (one sentence) Satan's mind-control of Crowley in S1 in a way that might be sensitive for a sexual assault survivor. There is general mention of religious trauma and abusive relationships (not Crowley & Aziraphale's relationship) all over this. If you are okay with the show, you should be more than fine reading this but just wanted to let you know up front. If you're okay with that, read on...

So, the Before the Beginning scene contains a twist, in that we learn that pre-Fall Crowley is naive to Heaven while Aziraphale is the one who is wary of it. This is especially interesting because, best we can tell, no angel has Fallen yet. There aren't *explicit* consequences for asking questions yet, as Crowley doesn't think it could get him into trouble to do so... but *Aziraphale* does. Heaven in S1 and S2 is shown to be basically a fascist state full of bullies jockeying for power where the ones on top dole out all sorts of abuses to maintain a sense of order among the rank and file. We see the emotional and even physical abuse they dole out to Aziraphale and how little they tolerate any sort of dissent, even from an archangel, based on what they ultimately do when Gabriel doesn't want to do arma-bloody-geddon anymore. Heaven is basically The Kremlin. Toe out of line and they'll toss you off a high-rise while telling everyone how sad it is that you recently had a spell of depression and heart troubles as a way of scaring everyone else into submission, right? What's surprising to us is that Aziraphale knows this *absolutely* Before the Beginning and he's terrified on Crowley's behalf, since this place functions as a kind of mafia state.

This implies something really kind of dark which is that Aziraphale knows enough to know how to toe a party line and keep quiet about any doubts he has. He knows how to survive in a way that then-innocent Crowley did not. He tries to tell Crowley that questioning things is going to get him angel-killed but Crowley has a faith in God that's different than Aziraphale's was even before the Earth was fully created. Crowley believed in Her more than Aziraphale does. He doesn't think anything will happen to him. Aziraphale knows what will and this implies knowledge of the abuse of the system and it completely changes our perspective of Aziraphale throughout the rest of the series. We often think of him as either willfully naive or just desperately optimistic regarding Heaven's goodness but, in reality, he's neither of those things. He's something else, entirely. His actions are not expressing naivete or desperate optimism or anything else.

They are expressions of guilt.

And the Eden scene tells us why he has that guilt.

The Eden scene introduces us to Crowley and Aziraphale and the series itself and it has Crowley posit the central question of the show regarding the nature of angels and demons:

Objectively, when you watch this scene, you think this is about the tempting of Eve and the flaming sword. It is... but it's also not *just* about that. Because Crowley and Aziraphale are watching Adam & Eve venture off beyond the Garden of Eden in this scene. They're still within view so the flaming sword situation happened a matter of minutes earlier. Yet, when Crowley posits that central question of which one of them actually did the good thing and which did the bad thing, Aziraphale reveals that it wouldn't be funny at all if what Crowley is saying (that Aziraphale actually did the bad thing) is true. He's distressed about it and so Crowley, somewhat dryly, reassures him that he's an angel so he couldn't have done the wrong thing. (Crowley, of course, being a literal former angel punished for doing the wrong thing lol and that being the joke but also in there is also the layer of Crowley genuinely liking Aziraphale and trying to tell him that it's all okay and meaning it.) Aziraphale is relieved and this is the key bit here-- he says oh good "because it's been bothering me."

The tone of this is that this central question of whether or not he did wrong or right by Crowley and whether or not Crowley was wrong or right in his actions *has been bothering* Aziraphale and he phrases it in a way that implies he's been losing angelic sleep (so to speak) about it for a little while now. If this was *just about Adam and Eve* then Aziraphale's reaction here makes absolutely no sense because the camera also then cuts in their conversation to in front of Crowley and Aziraphale *to show us Adam and Eve still visible in the near-distance* fighting off the lion with the flaming sword. They literally *just left* so how could Aziraphale be all in knots for awhile now over whether or not he made the wrong call? He's not. You can argue that his decision here in Eden to help Adam and Eve by giving them his flaming sword-- by standing up and doing something in the face of God to help out other beings he secretly thinks might have been treated unfairly-- *is a direct response to what he failed to do back in Before the Beginning*...

... which was to stand up for Crowley.

Meaning: Aziraphale doesn't need to see Heaven's files to find out what happened to Crowley when Crowley fell because he was there. S3 is going to be about preventing the Second Coming and so plot allusions to the crucification (which had its own Crowley & Aziraphale scene in S1) will likely abound. Aziraphale was there when Lucifer and The Gang were tossed out of Heaven. To be fair to Aziraphale, there is basically nothing he could have done to prevent this and the best possible situation is that he didn't even have the chance to. The worst possible situation is that he's literally Judas and sold Crowley out, out of fear of being tossed out of Heaven himself. I tend to think it's more that he just didn't stand up and say anything in support of Crowley to prevent himself from being seen as on the side of the eventual demons. Still, just as Crowley thinks the punishment for Adam and Eve was harsh, Aziraphale thought that asking questions and being curious wasn't enough to send Lucifer and everyone around him to Hell to be damned for all of eternity but it caused an obvious existential crisis in him that he still struggles to totally resolve.

If he disagreed with the decision to cast out the suggestion box-happy angels, he was as "bad" as they were. If he agreed with the decision, he was condemning them and that didn't seem angelic, either. How to be a good angel, which is the only thing he had ever tried to be or knew how to be? He did what he thought must be right-- to follow what the other, more powerful angels said the word of God was-- and if it was Her will, then it must be what was right, even if it was *extremely difficult* to see how this lovebug here was really an evil, demonic creature of Hell...

Not to mention that Aziraphale was in love with WhateverHeWasCalledPre-Crawly!Crowley. (We will just call him "Crowley" for this whole meta, because that is the name he chose for himself.) And maybe Angel!Crowley went after the more glamorous, daring guys. Heaven honestly seems like both a fascist state and high school at once (is there really a difference? lol). Crowley describes how he wound up falling in S1 as that he "hung out with the wrong crowd" and Aziraphale in Before the Beginning honestly seems like he's been flying around watching Crowley make stars for ages, trying to work up the nerve to or find an opportunity to introduce himself to the beautiful hot cool arty science-y guy who barely looks at him when his other option for a view are nebulas... or Benedict Cumberbatch's Lucifer/Satan, whose "stroke of demonic genius, dahling" bit in S1 and dark assault on his fave Crowley while Crowley was driving had a real "Angel!Crowley went for the bad boy who were so bad pre-Fall that they wound up fucking Satan afterwards and friend-zoned angels like Aziraphale" vibes. Alternatively, maybe he didn't totally? Before the Beginning seems to be the first time they met and maybe after that, Crowley and Aziraphale became close. It's just that Crowley canonically also wound up sitting at the cool kids' table because they were the only ones questioning things and he wound up damned for eternity for it and Aziraphale?

Aziraphale blames himself for it.

He has blamed himself for Crowley's Fall for six thousand years.

When they speak in Eden, Aziraphale is being confronted for the first time with what has come of his nebula-joyous, freshly baked blueberry muffin of an angel. He calls himself "Crawly" now-- or that's the name he's been given-- because who he was is dead. His eyes are yellow. He's now a snake. He's maybe a bit sarcastic, a bit dry, and a lot more guarded and aloof but Aziraphale sees flickers of Angel!Crowley in there. He's *kind* to Aziraphale. He's still inquisitive, in spite of it being what damned him to Hell. Aziraphale, God help him, is still wildly into him and, ugh, maybe even *more* so, in spite of everything.

And 'everything', for Aziraphale, includes Crowley being a demon being Aziraphale's fault.

They don't talk about it. Ever.

They don't talk about it because Aziraphale thinks that Crowley doesn't remember. Crowley's memory loss of a lot of his time pre-Fall is canon in S2-- something we, the audience, will need to understand the whole picture when/if we end up getting this revelation in S3 of Crowley's Fall and that Aziraphale feels he's at least partially responsible. What's even harder for Aziraphale is that because Crowley doesn't remember his time as an angel, he doesn't remember their full history together. He doesn't remember how they met and protecting Aziraphale from the first celestial shower and all the times they chatted after that and if they were in love back then, Crowley doesn't remember it. Eden then becomes, to Crowley, the first time they meet... but then look at how while Aziraphale seems to think that Crowley doesn't know him while Aziraphale knows Crowley-- the moment that he pauses so Crowley can introduce himself-- *Crowley* seems a little bemused. Why?

Because what Aziraphale has failed to consider is that the one memory that the demons are allowed to keep, most likely, is their Fall, which means that if Aziraphale was there when Crowley fell, Crowley actually *does* remember him. At minimum, he remembers Aziraphale being there and looking stricken by what was happening so even if he can't remember more than that, he knows he's safe with Aziraphale and that Aziraphale cared about him, which would explain why he risked going to talk to with him on the wall in Eden. He knows they were friends and that Aziraphale is good and he can trust him. It's also theoretically possible that if Crowley remembers his Fall and if Aziraphale was there, it's a trigger to him being able to remember all of his and Aziraphale's time before Crowley fell. Aziraphale might not know this and because these two idiots do not know how to talk-- and especially don't talk about this-- Crowley hasn't told him. In part because Crowley can't go back and he doesn't want them to dwell on Angel!Crowley when Crowley is who he is and if that's a demon, it's a demon, and the whole system can go fuck itself anyway, as far as Crowley's concerned.

Aziraphale, though, is still back on "it's my fault". He thinks he literally took goodness from the world; that he participated in the murder of his friend and the love of his life. He has never. In six. thousand. years. lol. told Crowley that he feels like this because he still thinks that Crowley doesn't remember Aziraphale betraying him and he is terrified that if he told Crowley he did-- if he told him that he was responsible, in part, for his Fall-- that Crowley would hate him and Crowley is Aziraphale's only friend in the universe and Aziraphale is madly in love with him. He couldn't bear the loss of him. He can handle their occasional spats and disagreements, knowing that Crowley always comes back, but this? If Crowley knew that his Fall was Aziraphale's fault? Aziraphale thinks Crowley wouldn't come back from that and he'd never see him again.

In reality? Crowley either already knows this and has the whole time or suspects it or if he found it out, would forgive Aziraphale for it. If he knows, he already has. His counter-argument is, like, what were you supposed to do to save me, exactly, angel? You alone versus all the hierarchy of Heaven and God Herself? I'm *glad* you didn't do something stupid and get yourself tossed into a pit of boiling sulphur. You don't deserve that.

Thing is, though, because they've never had this conversation because they DO NOT TALK lol, Aziraphale thinks he *does* deserve that. But look at what's happened since he made the decision not to save Crowley from falling...

...nothing.

Nothing has happened to Aziraphale. He didn't fall for it himself. He didn't fall for betraying the angel he loved and he wonders every. single. day. why he didn't and the only thing he can come up with is that he must have done the right thing. *It must be* that Crowley did the bad thing and Aziraphale did the good one because Crowley was damned to Hell for all of eternity and Aziraphale is still an angel of Heaven, six thousand years later. It's not for Aziraphale to question God. Her will is ineffable. It's ineffable because he cannot begin to understand how any of this can possibly be just and that just keeps happening over and over and over and over throughout the years to come in every situation he and Crowley find themselves in, from Job to The Flood to Wee Morag and Elspeth to Arma-bloody-geddon, right?

Aziraphale begins to lose count of how many times he's gone up against God at this point. Gives away his flaming sword to Adam and Eve. Saves as many as he could during The Flood-- *with* Crowley. (You know they did.) Lies to Gabriel's face in the eyes of God to save Job and Sitis' children... and learning that Falling was political, really, in the process. Nothing happened to Aziraphale for Job's kids. He suffered no consequence for lying to Heaven and God because Crowley was willing to lie for him-- to protect him from Falling, where Aziraphale couldn't protect Crowley himself ages before-- and nothing happened. Falling, suddenly, didn't seem totally God-ordained it it could be tossed aside by something as simple as having a demon just choose not to toss you to Satan. Crowley didn't take him to Hell because he didn't feel like Aziraphale belonged there. It wound up all entirely within Crowley's control, which then made Aziraphale begin to question if God was even really behind the Fall of Lucifer and the Gang or if it wasn't just the thugs in charge of Heaven who decided to toss them out... thoughts he was terrified to think and didn't dare voice aloud, at least not then.

In another era, Aziraphale and Crowley stood there together to witness the torture and murder of Jesus Christ in the name of God, in a parallel to the Fall. What happened to Jesus? He was betrayed by his closest friend, then tortured and murdered by those in the government who thought he posed a threat to social order. Heaven as Pontius Pilate. Aziraphale as a kind of Judas, in Aziraphale's mind, anyway.

Jesus as Crowley.

Time goes on and he and The Demon Crowley form friendship in their own right, regardless of what Crowley might remember from before his Fall. They form their Arrangement off of that and Aziraphale learns even more that, often, no one is really paying attention to what they do. That no one seems to notice if Crowley performs an angelic miracle or if Aziraphale performs what has become termed a 'demonic miracle'... because, really, *they're the same*, though that's not something Aziraphale can fully admit. He cannot allow himself to believe that demons *are angels* because if there's nothing different between demons and angels than Aziraphale doesn't know anything at all.

Anything at all... He doesn't know what being an angel *is* and it's what he supposedly is so it means he doesn't know who or what he is, really.

He doesn't know what God wants or if he truly believes in Her.

He doesn't know what the purpose of all of this is-- why Crowley had to suffer, why demons in general have to, why the *humans* do. Why it all has to be destroyed eventually. To what end?

Aziraphale has the same questions Crowley does and sometimes, late at night, often a little drunk, he'll dare to ask them with Crowley, and every morning that he still wakes up and sobers up and finds himself still an angel when Crowley Fell for so much less than Aziraphale has ever thought or done, he wonders just *why?*

Why is he still an angel when he, really, is no different from Crowley? Why Crowley is damned? Punished for all of eternity for curiosity and innovation and imagination, while Aziraphale is still an angel, doomed to only have until the clock runs out on Armageddon before losing him for the rest of fucking *eternity* but, until then, stuck suffering watching him suffer while remaining an angel? Is being an angel at this point, really, his punishment for failing the apparently foul fiend he adores?

Does Aziraphale ever have any answers to these questions? Good God, no lol. He's six thousand years into this and he's in the same spot as Amnesiac!ArchangelFuckingGabriel in 2.01:

...would be okay if you could just be one near particular person?

Of course Aziraphale knows what this feels like. Of course. We know he does. And that's why he hasn't been able to make a real move in six thousand years-- because it's his fault, as far as he's concerned.

Crowley's damnation is his fault. Crowley cannot really love him, or couldn't if he knew. Not because he's a demon, though Aziraphale might have thought that at one point but he definitely was cured of it by events in 1941. The more time that goes by, the more Aziraphale knows that Crowley loves him-- that he's *in* love with him-- and the worse it all gets for Aziraphale because every day that he hasn't told Crowley that he didn't prevent him from Falling is another day within the last *six thousand years* of them falling in love and the betrayal seems to get worse and worse to Aziraphale. The time to have this conversation was on the wall in Eden and it still hasn't happened. Still, over time, he starts to realize that Crowley, if ever knew, would forgive him.

Because his Crowley has the kindest of hearts. He really does, and that wasn't taken from him when he Fell and Aziraphale finds every opportunity he can to delight in seeing that and making Crowley reveal it.

It goes against everything Aziraphale is supposed to believe.

Demons are not supposed to be good-- if they were, they wouldn't have Fallen. Yet, Aziraphale knows Crowley is. He never has truly believed that Crowley isn't-- even when he could have, at least at the start. He worried, maybe, that he had helped create a monster out of the most lovely being he'd ever known but Crowley just kept proving him wrong about that, time and time again. *Crowley* doesn't believe it about himself, really, because that's his own trauma from his Fall but Aziraphale believes it about him and that's often good enough for Crowley.

But, really, this is why they still haven't gotten together in six thousand years. This is why Aziraphale seems like he can never get beyond "I'm an angel and you're a demon", no matter what Crowley does or how he proves that there are shades of gray and also, that the entire system is bullshit. It is not that Aziraphale doesn't *know* that it's bullshit-- it's that if he admits that it is, if he stops believing in Heaven (even if he doesn't stop believing in God), then he's left with nothing but the crushing weight of guilt that he has for all the pain that Crowley has been through.

If he tells himself that Crowley Fell *for a reason* and that he (Aziraphale) was *right* to not interfere, to not try to thwart God, even if it would have likely failed, just on principle, to stand up for his friend... then Aziraphale doesn't have to deal with the fact that he made what he really considers to be a colossal mistake and that it has caused the continued pain and torture and eternal damnation of the being he considers his soulmate...

...which is why everytime that pain comes to the surface in something Crowley says or does, Aziraphale *cannot handle it at all whatsoever* and reverts to You'reADemonI'mAnAngel!Mode.

Example: Crowley's religious trauma on display in their bandstand argument:

Crowley owns this, even if he's still traumatized by it. He's saying it sarcastically, making a joke on a song Aziraphale probably barely knows, if he knows at all ("Unforgettable"-- Nat King Cole). Aziraphale *aches* at Crowley saying this-- because it reminds him that it's partially his own fault. And he can't. Do. Anything. About. It.

He's an all-powerful *angel* here but he can't change this for Crowley. He can't stop his suffering some six thousand years after his Fall. He's looking at sexy goth Crowley here and he's thinking about curly-haired, beaming, ball of light! Crowley and that they are *the same person* and Aziraphale *does* know that. He knows it and he loves him passionately and desperately and he is one of the most powerful beings ever in existence and he's standing there looking at the man-shaped-being he adores talking about how he still aches from the betrayal of his fellow angels and his mother God and *there is no way for Aziraphale to fix it* when he can mend broken bones and heal the sick and let their be light! all over the place. He can do proper magic and still, he cannot take away Crowley's pain.

This is Aziraphale's Hell. He didn't Fall but he's been in Hell anyway.

So when Crowley's religious trauma and pain comes out, usually in an argument like in the bandstand scene, Aziraphale does the only thing he thinks he *can* do, right? He's an angel. Still. Somehow. He's an angel and there must be some reason for that and an angel is not a demon-- an angel is a purer being, a healer-- and so he says "I forgive you". He doesn't mean it to be patronizing, even if it is. ("I am a *great deal* holier than thou," as he told Crowley at one point and that was the point, right?) He is trying to say "I am still of Heaven and if it's absolution you need, I can give it to you."

He is trying to say: You are not unforgivable to me.

The real lyric of the song Crowley parodies in the bandstand is what Aziraphale means, whether he knows that song or not...

Unforgettable/That's what you are...

*Crowley*, though, doesn't know about Aziraphale's inner turmoil because *heavy sigh* FFS TALK, YOU IDIOTS *breathes* lol, so *he* hears:

I still think I am better than you and you are Fallen, so you're not worthy of me. I can't love you, not the way you want. I love all beings because I'm an angel and I you know I'm in love with you but I can't *allow* myself to be because it goes against the nature of an angel and I've only done eleven thousand things that should have made me Fall over the years but letting myself be in love with you is the rubicon I won't cross, apparently...

Crowley knows by the time they're having the bandstand argument enough about Aziraphale's general religious trauma (not necessarily about how it pertains to Crowley's Fall but about it in general) to know that he spits out hateful garbage when he feels cornered and how to just call it bullshit and move on. ("I don't even like you."/"You doooo.") But he understandably walks away when Aziraphale pushes him away past a point he can handle-- and Aziraphale knows how to do that. He does it *intentionally.* The "I forgive you" is sadness because it's all he has to offer Crowley but he also knows it'll piss Crowley off enough to end the argument, so he says it intentionally to get Crowley to go away. In this scene (which parallels the end of S2 quite a bit, as many have noticed), Aziraphale is trying to deal with it all on his own, right?

He knows where the antichrist is. He's just not telling Crowley yet. He's trying to deal with it to keep him safe. He's doing it because he thinks he should-- that maybe, when it's something of this level of importance, that his job should be as an angel first, above his side with Crowley. (It's also worth mentioning here that Aziraphale is straight up terrified of Falling, not even just for being damned to Hell but because then, if he's no longer in Heaven, he has exactly zero power to even *try* to protect Crowley.) At the end of S2? With The Metatron?

Aziraphale does the same thing as with the antichrist for a time in S1, really.

The beginning of S2 shows us that Aziraphale has known that Heaven is North Korea since Before the Beginning so now marry that with its last scenes and see the arc that connects them-- Aziraphale does what he does out of guilt over what happened to Crowley to *protect* Crowley. He didn't want to do any of it without Crowley and when The Metatron finally offers that carrot, Aziraphale is suspicious as all hell (pardon the pun) and here we have this moment where part of him *wants* this to all be real, right?

Times change and sometimes, your parents who traumatized the living fuck out of you and didn't approve of your boyfriend, grow the hell up a bit and try to repent and mend fences. Maybe the trust is broken but maybe it can be healed and *as an angel*, Aziraphale is a being of goodness and hope and optimism. He's pure of heart, as Crowley put it to Nina. He *wants* that to be the case... but he also knows it likely is not.

Still... they can't run. There's nowhere that Heaven won't find them. It's no life for them-- no life for Crowley, in Aziraphale's mind, no matter how many times Crowley tries to get him to run away with him. "We can go off together!" begs Crowley, over and over, and Aziraphale's only really ever found that Crowley will only slither off if he's ticked off enough and only "I forgive you" ever really does that enough to work lol. He *means* I love you endlessly but you know this is impossible, you bloody maddening, gorgeous serpent! Will you stop reminding me of what we could have when it can never happen?! but that's not exactly how Crowley's taking it.

In the end, to Aziraphale, Aziraphale is an angel and Crowley is a demon and they are doomed to spend eternity apart and Aziraphale thinks he has no one to blame, really, but himself. If he had somehow saved Crowley six thousand years ago-- or had somehow been brave enough to stand up for him and Fallen alongside him-- they could have been together forever.

But he wasn't then and now The Metatron is here and it's time for Aziraphale to go back to Heaven and he knows, as he sits there drinking coffee with the being whose posse sent Crowley in a free fall into a pit of boiling sulphur, that Crowley will never, ever, ever, EVER go back to Heaven.

But he also knows that Heaven is here to collect Aziraphale and they are making it clear that there is no escape. There's nowhere to run. Everyday, it's been getting closer for six thousand years and going faster than a roller coaster for the last handful but a love like Beez and Gabe's will surely never come his and Crowley's way now.

It was always going to end like this. Nothing lasts forever. He told Crowley that, Before the Beginning. Six thousand years. That was all the time they had before the end of Earth, the place they'd come to call home. They found a way to borrow a few more years at the end of it since S1 and he got to dance with Crowley, their fingers brushing, and that is going to have to be enough because they're out of time.

The Metatron never needed say it directly but it was evident: they wanted Aziraphale to go to Heaven and they would say or do anything to get him up there and Aziraphale may have bought it for a moment but he's definitely figured out by the end of S2 that they need him up there not to become the Supreme Archangel but because his time as an angel is now over. The threat to Crowley is unspoken but omnipresent.

The Metatron makes it sound like he doesn't care if Crowley comes back up to Heaven with Aziraphale or not and he really doesn't and why would that be? Why would he be eager to have the two most troublesome beings in all of Heaven and Hell teaming up and getting in the way of his Second Coming plans, which he absolutely *knows* they won't support? Because they won't have jobs waiting for them up there. Crowley will not be restored to full angelic status.

They're going to kill them. Aziraphale knows it. He's known what Heaven is since Before the Beginning, even if he's been in denial about it for almost as long to try to assuage his own guilt over participating in it.

And it's a lot easier a goal for Heaven to accomplish if they separate them and just Aziraphale goes up to Heaven. If Aziraphale goes alone-- if he keeps Crowley from following-- then Crowley is not a threat to them if Aziraphale is gone.

They aren't as powerful apart.

Aziraphale knows that if Crowley comes to Heaven with him that they will kill him and Aziraphale thinks okay, this is it... this is my moment of redemption.

Six thousand years since Crowley Fell and I can finally make up for not saving him by saving him now.

I can go with The Metatron and let Heaven kill me and know that they will not threaten Crowley if they do because what they are threatened by is both of us together. One of us, alone, is less of a threat and the only problem here is that if I go... Crowley will follow me.

If I just go without telling him what The Metatron said and I don't come back right away, he'll go to Heaven, worried that something happened to me, and they'll kill him when he comes looking for me. He'll find out they've Book of Life'd me and do something stupid and my sacrifice to keep him safe will all be for nothing.

So what's our tortured angel to do?

Bandstand 2.0, right?

He's got to piss Crowley off enough that Crowley won't follow him.

He's got to piss Crowley off so much that Crowley *will never come back* and the worst part is that Aziraphale knows *exactly* how to do it.

He makes his own plans and if things get drastic enough, he'll blow up that damn halo, metaphorically-speaking this time. To save Crowley, he will break Crowley.

It's darkly romantic, really. He'll sacrifice himself for Crowley but to be sure that Crowley will be safe and not follow, he'll have to break his heart a bit first-- to further their misunderstandings in a season based on "I don't think your exactly is my exactly exactly"-level miscommunications.

So Aziraphale accepts The Metatron's offer and lets The Metatron think he completely believes that the offer is legit and maybe a part of him is still hoping that it is but he knows it's really not and that this is a suicide run. This is Aziraphale's Holy Water arc...

...and speaking of Holy Water... that arc from the perspective of this being Aziraphale's mentality... Crowley, tortured by Hell for what he did while with Aziraphale in 1827, then refusing to talk about it, showing up with a cane, sullen and depressed, asking Aziraphale for the one thing that would kill him and Aziraphale's unwillingness to understand that it wasn't completely suicide ideation on Crowley's part but as a way to *protect Aziraphale* and keep him safe. Crowley wanted what could kill a demon not to kill himself but to kill one that might come after Aziraphale. All Aziraphale could see, though, was Crowley's physical and emotional pain, that he could barely keep hidden in that era, and how Aziraphale couldn't make it better. All he could see was how he failed him and led him to this suffering. All he could see in a note begging for "holy water" was Crowley wanting a suicide pill, wanting to destroy himself, unable to take any more, in so much pain that he'd leave Aziraphale forever to make it stop. Aziraphale is blinded entirely by guilt and fails to see what Crowley is really saying, which was, ironically, the last time Crowley began to try to tell Aziraphale how he felt, which was:

I've been thinking-- what if it all goes wrong? (What if I lose you? I'm terrified of losing you. I love you. I wake up from nightmares of you being destroyed by the demons who just spent a couple of decades after 1827 not that long ago torturing me. I didn't know for sure if you were still alive during any of it.) We have a lot in common, you and me. (We're a team. A... group of the two of us.) What if it all goes pear-shaped? I need you to get me the magical demon-killing stuff so I have a weapon against *my own fellow fallen angels* that I can use in case they come after us. I would kill another demon and send every legion of Hell after me to protect you.

Aziraphale: I like pears.

(My God, they are so stupid. Please. I can't take any more lol.)

So, yeah... it's Aziraphale's turn for the holy water suicide run here only with an actual suicide run...

It takes the books in The Blitz for Aziraphale to really understand what Crowley was asking for and what he meant by asking for holy water and by 1967, he gives Crowley the holy water, in the one moment when *they actually talk*, as much as they can, about how much they love one another, that exists prior to the end of its parallel-- the end of S2.

So, yeah, Aziraphale "goes to tell his friend the good news" with a look on his face like he's marching to his death *because he is* and he knows it. His last moments with Crowley, in some of his last moments in existence, he already knows will be spent upsetting the man-shaped being he loves. He's got it all planned out. Not exactly the picnic of his dreams but it'll redeem him and save Crowley and that's all that matters to Aziraphale in this moment.

He will sound naive to the threat of Heaven and because Crowley doesn't remember pre-Fall, he won't remember how Aziraphale warned him against taking on the brass in Heaven so Crowley won't be suspicious, he'll be *frustrated*, like he was in the bandstand. He'll get angry. Aziraphale's goal is to get him to storm out-- but it has to be a really, really, bad relationship-ending storming out.

He can't come back after he drives The Bentley around the block like he did back in 2.01 and say "okay, fine, I'll help you" and Aziraphale knows that if he plays this right, he can make it so Crowley won't because helping Gabriel was one thing but asking Crowley to become an angel with him and pretending like they can go fix the broken system of Heaven is going to be Crowley's bridge too far. It's *the only thing* that Aziraphale believes is Crowley's bridge too far where Aziraphale is concerned and isn't that heartbreaking as hell? That Crowley loves him this much? And they never got to be together the way they wanted? That they were just beginning to get close to trying to figure that out?

That, hours ago, Aziraphale was asking him to dance and trying to ignore the signs of trouble around the corner, desperately wanting more time with him? That they are semi-immortal beings that always somehow seem to be out of time?

Truer words have never been spoken, Crowley. Little did you know, poor demon...

So Aziraphale goes into the bookshop and Crowley looks all worked up and wants to say something and some part of Aziraphale begins to hear warning alarms going off in his head because Crowley *never* looks like this-- is never this flustered, never this uncomfortable, never this nervous, never in a rush to say something-- and Aziraphale thinks no, can't be, we don't talk about this... even if, ironically, all of S2 shows that Aziraphale has been trying *for just that*. It was just a few hours ago that he was trying to Jane Austen a ball for them to use as a pretense to discuss their feelings because, in the height of ironies here, right?

Aziraphale was ready.

They'd had some time without Heaven and Hell breathing so much down their necks, even if the threat still loomed, and spent every day together and it was perfect and it was lovely and he knew Crowley would forgive him and Aziraphale was almost there, right, he was *almost* ready to tell him. He was almost ready to tell him he loved him and that it was him, all those millennia ago, who could have done something and didn't and he's so, so, so sorry and can Crowley ever forgive him? Is there any way that Crowley could ever forgive him after what he didn't say and didn't do when he should have? For all the times since that he's said things in anger when, really, he was madly in love and just full of his own issues to sort out? (Damn, Aziraphale, we're beginning to see your affinity for Austen heroes here...)

But he's out of time so there will be none of that now. Now is his karmic payback. Six thousand beautiful years with the being he loves and feels he doesn't deserve have led to Aziraphale's redemption being that he can sacrifice himself to save him. He can leave the world they love with Crowley and Crowley's *goodness* in it, as it should be. So when Crowley says he needs to say something, Aziraphale cannot-- CANNOT-- let him speak because he cannot bear it.

He suddenly fears that of course-- OF COURSE-- the one moment in all of these trillions of moments they've lived through where Crowley is about to directly say he loves him for the first time is the also the same fucking moment when Aziraphale has to destroy their relationship to save Crowley's life and Aziraphale will be dead after this and he cannot bear hearing what his life could have been. He can't hear Crowley say this right now or else he worries he might lose his nerve. He *wants* to hear it but if Crowley speaks first, Aziraphale might cave, he might be weak again like he was when Crowley Fell, he might fail him again, and he can't. Not after all this time. Not when he loves Crowley so much.

"What's that lovely human expression?! 'Hold that thought!'" he blurts out, in a callback to, of course, the moment Crowley saved him in 1941-- to that night where Aziraphale really realized for the first time that Crowley wasn't just capable of good or capable of being friendly towards him but that Crowley *loved* him and that he loved the Demon Crowley, whether or not he should. ("But somewhere in my wicked, miserable past," sings Frances McDormand as the Voice of God, from her apparent favorite film lol, "I must have done something good.")

Ah, yes. Played for suckers. Here is where it's important to note that in 1941, Aziraphale had no idea that Rose was really Greta and that he, in fact, was the one being played for a sucker. By the end of S2, though, it could be argued that he very much knows that The Metatron is Fraulein Greta Klauschmidt-- someone who presented herself as Captain Rose Montgomery, an agent of anti-fascist good, who approached Aziraphale in his bookshop and told him that he could be an agent of change, too. He could help save the world and stop the global rising tide of fascism represented by the Third Reich. He could even do so using his books. They plotted a sting together, in which he'd bring his books to a church and seem to give them to Nazis to give to the Fuhrer, only for agents to surround them and arrest the Nazis. Aziraphale, desperate to *do* good and to *be* good, falls for this-- he fails to see that Rose is really Greta, a Nazi agent who fools him into working for the enemy and getting him to help destroy the world in the process. Pretty obvious to see here that Greta is The Metatron in S2... but it's likely that Aziraphale knows it and is playing along because it's his turn to save Crowley, unlike what happened in 1941, when Crowley saves him and his books.

Crowley, in the bookshop back at the end of S2 in our present time, stops speaking at the "hold that thought", looking like he's about to be ill, and has to also be thinking of 1941 and the church now that Aziraphale has referenced it. Maybe, in some way, it's an unconscious effort on Aziraphale's part to convey to Crowley that this is a charade-- that he doesn't mean this, that it's an act-- but he really doesn't want Crowley to figure that out. It would defeat his goal. But he also doesn't want to hurt him because he loves him but this is the only way that Aziraphale can see to save him. So he starts gushing about his coffee with The Metatron, right? We all remember this pain lol.

Maybe I've misjudged him. (Aziraphale, we suspect you know that he tossed Crowley into hellfire and stole Gabriel's memories so honestly, the worst part of all of this is that you're so traumatized that Crowley is *buying* what you're saying here...) And guess what?! He wants me to be the new Supreme Archangel! And he said you can come! And you can be an angel again! It will be so fun! We can have a slumber party, Crowley, after days of doing good, and braid each other's hair!

Crowley is like jfc fml are you even serious right now? Which, of course, is what Aziraphale *was going for.* It's the "I don't even like you" and the "we're hereditary enemies" and the "I'm an angel, you're a demon" way of trying to intentionally push Crowley away but the new version of it because none of that flies with S2 Crowley-- most of it barely flew with him in S1-- because Crowley *knows.*

He knows that Aziraphale loves him. And he knows that Aziraphale knows him, which is to say he knows how to hurt him, and that's what this is but also Crowley just sees it as how much Heaven has hurt them both. How much they've hurt Aziraphale. Because just as Aziraphale looks at Crowley in the throes of his religious trauma-- "Unforgivable. It's what I am", etc.-- and wants to help and save and protect him, Crowley feels the same way in return when Aziraphale is like this. Frustrated, sure, but in just as much pain at how much pain Aziraphale is in and feels powerless to stop it but will do whatever he can to try to, yeah?

For Aziraphale, this is all going fairly well (it's miserable but in terms of goal, it's working) through "tell me you said no" but the problem is that Crowley is still pleading. He's still trying to work through it because they're an *us* now and also ironically of course this is when Crowley's been trying to do better with storming out lol so he's trying to couple-solve this. He's not just *leaving* like how Aziraphale had hoped. He had been trying to sell to Crowley that he could pick Heaven over Crowley and Crowley is just kinda... not believing it so much at first and, instead, is trying to approach it like a problem for the two of them to solve together, instead of as a decision that Aziraphale has made for his life that he's stating that Crowley can take or leave.

Which calls back to this scene in 2.01 at the start of this arc, when Crowley calls their life *his* life and Aziraphale counters with that he thought *they* had carved out a life for themselves *together* and Crowley answers: "so did I!" Because they haven't had a discussion about what they are, exactly, at that point, Crowley still cautiously calls *their* life *his* life, retaining a sense of autonomy, as if he's only making decisions for himself when, in reality, they are a couple who are trying to make a life together and have been doing so consciously since S1. Crowley calls that life "precious" and "peaceful" to Aziraphale-- beautiful, lovely things that they both treasure and want and find with one another-- but also "fragile". The threats to them still loom large in the background and they are still so afraid to go much further in their relationship because, in part, of those threats and how terrified they are of losing one another... which just makes the end of S2 even more brutal, really.

(*mantras* cottage in the south downs cottage in the south downs...)

So back in That Scene later in S2, Aziraphale is then just kind of stuck trying to figure out how to get Crowley to be so angry with him that he storms out and never comes back in the face of Crowley trying to very much not do that and then Crowley starts saying that he needs to say what he was going to say or he never will and Aziraphale *knows*, ok? He knows what Crowley needs to say. He just literally cannot believe this is going to happen right now. He honestly can't believe it's happening at all but right now?!

He knows before Crowley begins speaking. He probably knew when he told him to "hold that thought" a few moments before but he *really* knows now. Crowley has no idea that Aziraphale has planned for this to be the last time they ever see one another and to go sacrifice himself to Heaven for whatever they want to do with him to keep them away from Crowley. Crowley looks like he's about to pass out from nerves and can barely speak and just...

...six. thousand. years...

...I know we have all looked at the heartbreak of this scene from Crowley's POV here every which way to Sunday, okay, but just imagine you are Aziraphale, who has loved this being since before the literal beginning of time, and you blame yourself for his pain and suffering, and he's standing here, braver than you've ever been with him, looking into your eyes and telling you that he knows that you love him and that he loves you and he knows you both have known this for basically the entirety of your existence together and he can't pretend anymore. He doesn't want to pretend anymore. He knows things have changed over the last few years between you and he wants more of that. He wants to be with you.

The two of you are not even human, just human-adjacent beings who have gone native from the stars and clouds here, who live and love like humans, who know that maybe the angels and demons have it backwards and God's great creatures are the humans-- that it should be the good in them that you should be trying to emulate-- and Crowley had never been more beautifully, impossibly human than while he's standing there looking ready to pass out while asking you if, after six millennia, it might be alright for him to not hide how much he loves you.

How many times has Aziraphale imagined this by this point? A million? How many different ways? There's at least half of them when he imagines that he's the one who gets up the courage first but there are so. many. Crowley. fantasies. Ones in every time period. But always *a fantasy*, at least up until maybe very recently. Why?

Not even just Heaven and Hell and the threat of being caught but the fact that Aziraphale believes that Crowley doesn't know Aziraphale didn't save him during The Fall and how could he ever really love him if he knew? How could Aziraphale ever go to him like this and give Crowley everything he knows Crowley has desired for so long without telling him the truth about Aziraphale's role in Crowley's Fall-- but then, Aziraphale assumes, he'd lose Crowley forever? So this has always been a pipe dream for Aziraphale-- fantasies from a world where they ever stood a chance of being together-- never really something that could be reality and here it is, starting, happening *now*...

...after six. thousand. years. of living with this guilt and in the last moments in which he will ever see Crowley before he heads to his likely death, with no time to tell him the truth and beg for his forgiveness, no time to ever know what their lives might be like if they could be together.

As Crowley, unbeknownst to Aziraphale, mused dramatically, if not inaccurately, earlier in the season... it's always too late.

It's punishment, in Aziraphale's mind. That's what Crowley's proposal, his confession, is now. It's his Fall, whether he falls or not when he leaves the bookshop for Heaven. It's karmic retribution-- it's God, finally saying something, and what she's saying is:

Look at what you've done, Aziraphale...

Look at how he loves you.

He was never unforgivable.

You are.

Aziraphale might be erased from existence once he gets to Heaven and he knows that's a possibility but he basically is dying here. Crowley is killing him. Crowley has pointed that silver bullet gun straight at his head and fired but he's missed and the bullet isn't in Aziraphale's teeth, it's gone through him.

Crowley, here, tears in his eyes, asking for whatever time they have. An eternity? Impossible, unlikely. Angel and demon. One day, the war will begin again-- another war to end all wars, like all the ones they've fell more and more in love during throughout history-- but it might be the one where Heaven or Hell wins and they're doomed to spend eternity apart. Crowley has said before he thinks the real war is humanity versus Heaven and Hell and that sounds like he thinks there's a chance they could survive it but who knows? They don't know. They're immortal beings who live like humans and that's, of late, included a sense of mortality. They don't know how much time they have left and Crowley is asking for all of it. He is asking for whatever time they have left to be spent together, openly loving one another, and what he doesn't know is what Aziraphale knows:

That they're already out of time.

Crowley is proposing marriage unaware that Aziraphale is dying. It's always too late, Crowley had stated earlier but had hope that maybe it wasn't but it is. And Aziraphale?

Gah. Aziraphale...

He's never loved him more. He's never wanted him more. He wants to tell him that he wants that, too, that they can have it, that Crowley can have anything he wants, but it's not true. It's not true because they could run out the back door of the bookshop now and hop in the Bentley and end-of-Grease it up to Alpha Centauri and Heaven will still find them. Heaven and Hell will still be after them. Running away solves nothing and Crowley always, ultimately, anyway, comes back and this time-- this time-- for Crowley's own good, to save his life, Aziraphale needs him to leave the bookshop and never come back.

And the moment that Crowley confesses that he loves him and that he knows Aziraphale loves him in return and that they've both known this, forever, and asks him if he can be allowed to just love him, Aziraphale loves him so much in return that he'll break his heart to save him from dying.

Dying is... not on, as High!Crowley put it in 1827 lol, but suicide-ish attempts are, if it's Aziraphale's turn this time.

So he twists the knife. He hides the goats as pigeons and he looks at Crowley and does a bit of this:

...only with the exact opposite intent. In the Job minisode, Crowley cannot speak aloud his true intentions. (Something he can finally do in the S2 finale, when he declares his love for Aziraphale.) He cannot tell Aziraphale outrightly that he had zero desire whatosever to kill Job's kids and animals and doesn't plan on actually doing it and, in fact, is actively engaged in a bit of bait-and-switch to make it look like he's doing what he's supposed to be doing as mandated by Heaven! this time as well as Hell (a nice little extra bit of paralleling to the end of S2 and Aziraphale, there.) He wants Aziraphale to believe him enough to allow him to pull it off because saving the kids and the pets (and protecting Aziraphale from any harm that might come to him if he gets in the way of what Crowley's been asked to do) matters more to Crowley than Aziraphale believing him...

...and believing him here means believing *in* him. Believing that they are on the same side and it's their own side and they're in it together. Crowley has to lie to him here *and it works for a moment*. It's really important to note that *it works*. Aziraphale believes that Crowley can do this and that he wants to-- that he not only can but he *longs* (lol) to "kill the blameless kids of Job"-- but it's all in Crowley's wording. He isn't *actually* lying. He *does* long to kill the blameless kids of Job like how he killed the blameless goats of Job-- because he "killed the blameless goats of Job" by turning them into pigeons. So he's really saying to Aziraphale that he longs to *fake the deaths* of the blameless kids of Job and plans to in the same way that he did the goats. In that moment, though? It didn't matter if Crowley was lying or telling the truth. There was only one goal--

--to get Aziraphale to walk away.

To get Aziraphale to leave, for his own safety, and let Crowley handle this. Better that he misunderstand Crowley and be disappointed in him and think him a lost cause than to get himself into trouble. Crowley out here loving Aziraphale that much in the days of Bildad the Shuite. (This poor mfer. Six. Thousand. Years lol.)

So what caused Crowley's plan to save Aziraphale in the Job era to not work?

One of the pigeons bleated, right?

Aziraphale heard it and realized that Crowley hadn't been lying so much as he had been trying to protect Aziraphale from his plan of subterfuge against the Almighty and Satan. The difference is that there are no bleating pigeons in the S2 finale... there's just *a whole certain famous other kind of damn bird instead* and its *absence* from the scene is the big emotional gut punch moment. And we all know it but I'll gif it anyway since this is already a depressing meta (cottage in the south downs cottage in the south downs...)...

...and that *is* the point. Because unlike back in the Bildad the Shuite days, there is no bleating pigeon (at least, not yet) to make Crowley realize that all is not what it seems and that Aziraphale is trying to lie to him and get him to leave to protect him from Heaven.

As Aziraphale is like mortally wounded here by Crowley's confession of love and is so not going to recover from this, he's now got to not only get Crowley to leave feeling like Aziraphale rejected being their own team for Heaven, he has to now do it with all of it out in the open-- with Crowley having openly confessed love for him, with him having asked for them to be together. He's not just going to have to frustrate Crowley more than he ever has before and get him to leave more angry than he was before, he has to, instead, smash into little tiny bits the very beautiful, very passionate, beating heart of the being he has loved since he met him *making the stars* in the bloody sky here...

The only way to get Crowley to go now is to make Crowley think he's rejecting the idea of loving him. Aziraphale honestly can't even sell the idea that he *doesn't* love Crowley because Crowley won't believe it-- he knows Aziraphale does and he's said as much in his whole marriage proposal here. So it has to be that Crowley thinks Aziraphale chose Heaven over loving him. Chose being an angel. That he really meant all of those 'hereditary enemies' and 'you're a demon' moments and to sell that, he sells it.

(You're a dark horse, Mr. Fell, Nina said of him in 2.01... the same turn of phrase Crowley uses when surprised by the secret skills and narrative power of Jane Austen later on in the pub.)

Aziraphale does love himself a bit of theatre. A bit of a disappearing act. The West End, The West End...

...our Nefertiti-fooling fellow...

He sells it with:

Well, of course you said no, *you're* the bad guys...

Come with me... I'll run, it you can be *my second-in-command*...

We can be together. *Angels*. Doing *good*...

...oh, Crowley... nothing lasts forever...

For his final act, The Marvelous Mr. Fell will saw his ineffable husband's heart in half by spewing a litany of everything he can think of to say that will piss him off enough to make him leave the bookshop broken-hearted enough to never come back.

Only someone put a miracle blocker on here because, try as he might and good heavens (pardon the pun), Aziraphale is *trying* here...

...this turnip is not turning into a damn inkwell.

Crowley finally starts to go-- it's looking promising. Finally, Aziraphale thinks, this misery might end. Six thousand years of wanting to speak of all of this between them and hoping for some happiness when-- if-- it could maybe someday arrive, if it even could-- and it's the worst moment of Aziraphale's existence and he knows it is the same for Crowley.

Crowley stops and the "do you hear that?" And no, Aziraphale doesn't hear anything, he just has never been more upset and Crowley needs to just go because Aziraphale can't handle another moment of this, how could it possibly get worse?

Nightingales. Of course.

A call back to S1's "no more world-class composers/little restaurants where they know you/gravalax and dill sauce/old bookshops" but this time, it's "no nightingales". There's Armageddon coming that neither of them know about in this moment. It's still a 'someday, they'll try again' concept to them in this scene, not an extremely immediate threat, as Aziraphale doesn't learn about The Second Coming until after this. So the end of the world that Crowley references here is the end of *their* world and that means no nightingales. No romance. No *them*, together. Worth remembering that Crowley thought, up until maybe what? Five minutes ago? That they were headed to breakfast at the Ritz together. They should have been sitting there together *in this moment*, is what he's saying. Miracling the pianist to play "A Nightingale Sang in Berkeley Square" and gazing at one another over teapots and mimosas and croissants.

That's gone, since you chose Heaven instead, is what Crowley states and Aziraphale knows it because, God help him (no, literally, GOD HELP HIM! WHERE THE HELL DID YOU GO OFF TO THIS SEASON, FRANCES?!), it's what he's *trying* to make happen.

You idiot, says the once-Bildad the Shuite, who thought he was taking his beloved to the ox rib special this morning and not getting dumped for an old floating head and the cinematic world's most contentious to-go cup of coffee, we could have been... us.

Not really a part of the theory here, just the observation that Crowley's confession/proposal begins with him unable to say "a couple", in case this all goes pear-shaped and he needs to have never said something that romantic, so he says instead "a team", "a group-- of the two of us". He says it without saying it. But, by the end? He just says "us." He *present*-tenses it. He's like forget everything else, angel, we could have just kept on being us because we both know what we are. We don't need to find the right turn of phrase or even the most specific human word for it. We are just *us* and we could have kept on with that but you chose the mentality of your abusive family and asked me to be what I'm not and I still love you because I *know* you but I can't be with you like that and *you* know that.

And he kisses him. Because Franny McD says you ain't suffered enough yet, Aziraphale lol. Should I just gif it while we're miserable? If you've read this far, a month has passed and hopefully, you've taken breaks and I do apologize but I'm gonna gif it because yeah. Here we go, folks...

God, make it stop, pleads Aziraphale to literal God and here comes Crowley with the S1 wall slam parallel, all dammit, angel, I know you've wanted us to snog for centuries and this is our last chance.

I know people have opinions about this kiss and I know we're all posting them here, obviously myself included, but while I've seen a lot of like... 'Crowley knows it's the only time they ever will be able to because Aziraphale is leaving him for Heaven' and 'Crowley wants to remind Aziraphale what he's giving up and could have had' and 'Crowley tries the kiss to see if it'll change Aziraphale's mind' takes-- and I agree with all of those things and think they're all right-- I've not seen a lot of 'Crowley kisses Aziraphale *for Aziraphale*' and I think that's a big part of it, too.

Crowley really isn't stupid. Not when it comes to Aziraphale wanting him. It would be honestly hard to spend a zillion lifetimes on Earth and not get it after like...

And Crowley understands Aziraphale's particular brand of religious trauma more than most, since he has a variant version of it himself. He understands that where his whole thing is that he's very much *not* an angel anymore, that Aziraphale's identity is wrapped up in being one and the conflicts he has with Heaven and while Crowley is not yet quite hearing what Nina said-- that she just got out of an abusive relationship and that she's not yet ready to be with Maggie and needs time-- and marrying that to Aziraphale and Heaven (especially because Aziraphale is showing exactly zero signs of trying to get out of his relationship with Heaven lol), Crowley wants Aziraphale to have had what he (Aziraphale) wanted, even if it was for only a moment. He can't go with him. This is the *one* scenario where Crowley cannot follow where Aziraphale goes, where he can't come to him and rescue him, because Aziraphale has said he doesn't want him to. Aziraphale wants to go and do this and the only way he'll take Crowley is if Crowley wants to become an angel again, which Crowley will not do.

And damned if there isn't a part of Aziraphale that thinks that if The Metatron can really be trusted, wouldn't that be something? That if he gets up there to Heaven and he really is made Supreme Archangel and if Crowley changes his mind, if he comes back, like he always does... if he storms out and leaves but then misses him too much and takes the elevator up... then maybe Aziraphale could make him an angel again and while Crowley hears in Aziraphale offering that you aren't good enough as a demon-- you're not good, period and even if he doesn't totally believe that Aziraphale really thinks that but knows Aziraphale has enough religious conflict that it's a problem for their relationship, what Aziraphale *really* means is... I could fix it.

I could go back and un-Fall you. I could take away your pain. I could stop your suffering. I'd have the *power* to do it when I don't right now and it kills me, every day. I could right the wrong I did, the sin I committed-- the real Original Sin-- six thousand years ago when I betrayed you, when Heaven betrayed you.

I could do right by you, the way She never did.

I am going to Heaven to either have the power to do that or to be obliterated into non-existence and I don't totally know which, though surviving is not looking promising, but all I know is that it's too dangerous for you to follow me right now until I do know so I'd rather hurt you than see you dead.

You want to be with me and I am afraid it will lead to your destruction so I need to say anything to put the breaks on your attempt and make you back off. To a lesser extent, I've done it before. Can do again.

Only this time, no hope of the possible, future picnic, I'm afraid...

It really is the worst possible Aziraphale nightmare here like... everything he's ever wanted. Six millennia of wanting to pull Crowley close and he has to reject him or Crowley could die. Fanfic season here said Coffee Shop AU and also a reverse-Fuck or Die for the ages. People complaining that it's awkward? YES. It's supposed to be. Crowley has no idea that Aziraphale is facing a round of sudden death here and was just hoping for his one fabulous kiss and vavoom. Even if it didn't change anything-- he wanted *Aziraphale* to feel that. To know how much he's wanted this for so long and to have it, even if they can't again. The intent is terribly romantic, as is Aziraphale flailing in the middle of it and giving in because he is made of strong, halo-exploding stuff here but he's wanted this forever. He goes up on his toes, he leans in, his hands flail around and he touches Crowley's back. He *shouldn't* do any of this if he's trying to meet his goal of getting Crowley to leave because it gave Crowley hope. It might have even been what motivated Crowley to stay outside and not go right away, or at least a part of it. But Aziraphale had to because he loves him and he couldn't help it.

Then, *sob*, The Michael Sheen eviscerating all of us here...

For anyone who might still be saying that is an "I didn't want his kiss" face... hard, HARD, VERY HARD disagree. That is "I didn't want *this* kiss, like this, right now." That is a man-shaped being who was just kissed by the love of his life for what may have been the first time but, at minimum, is for what he believes will be the *last* time. (I'm still out here holding out some hope for Blitz, Part 3-- a nice first kiss after they kill some Zombie Nazis with Chekhov's derringer in the bookshop but I digress...somehow, even if this entire long meta is one long digression, I digress lol...)

It's the face of a man gutted by the fact that this, in his wildest dreams, was not supposed to happen like this and he's been alive for damn ever at this point so he's had *all* the wildest dreams. And a lot of them, let's be real, have centered around Crowley doing just this. Exactly this. Crowley ain't wrong with the 'grabbing him by the collar and kissing him senseless in the middle of the bookshop' thing. He's wanted to do it for centuries. And the middle of the bookshop bit? That's important, too. This is their home. It's *their* home, even if Crowley is technically homeless. It's safe for him in here and Aziraphale has made it so. It's where they've spent thousands of hours together, happy and safe in each other's company, and here they are, bouille-bouile-bouile-baby-ing finally and it's a complete and utter, unmitigated trash truck dumpster fire.

Honestly, this was a better kiss than in S2 lol. S1 laying down though how long they've been dreaming about it (and having Crowley start listing animals that are in Aziraphale's nonsense magic spell, like he flashes back to 1941 when thinking about the end of the world and kissing Aziraphale in the bookshop... so you can see why I'm moderately hopeful that maybe they did kiss then, once, before then trying to never again until Crowley kisses Aziraphale in 2.06.)

I'm going to bring this back around now to the comparison I made above with Crowley and Jesus and talk about how 2.06's end scenes are also like the last temptation of Christ. Good Omens makes it pretty clear that Aziraphale is the tempter, really, of the two of them, in their relationship. Crowley can't say no to him and Aziraphale has learned it and loves to puppy eyes Crowley into anything he wants.

Crowley knows it and is fine with it. He's smitten and happy to be wrapped around Aziraphale's finger. Crowley has tempted Aziraphale and we see that in S2 with the ox rib. He is, himself, just by existing, tempting to Aziraphale. But in terms of temptation carrying with it a bit of manipulation and *that* kind of tempting being what's demonic in nature? Then Aziraphale is, and always has been, the demon of the two of them. This is true into the end of S2, as while there is almost nothing that Crowley would deny Aziraphale, there is really only one thing and that's to change who he is for him. To become an angel again, to work for Heaven again, after what they've done to him and Aziraphale. So the end of S2 is then Aziraphale's temptation-- it's a test, of sorts, for Crowley, even if Aziraphale doesn't intend for it to be. Crowley resists the temptation. Even for Aziraphale, he won't follow the path of darkness for himself and become something he's not. Crowley-Jesus. (Aziraphale-Satan S3 incoming lol.)

And if you've been reading all of this right then you know what happens next and what it means from the POV of this guilt-ridden Aziraphale...

I honestly don't think Aziraphale is really that angry *with Crowley* at this point-- I think he's just angry. He's reached his limit and then some. He has a lot of simmering, under the surface rage on a good day that only bubbles over when he's stressed by a situation he can't control and here is the ultimate one, really. He's a little mad at Crowley because they've waited countless years for that and in an argument, while ironically probably kind of perfect for them, is not really how *either* of them wanted it to be... but, mostly, Aziraphale is just angry that he can't have any of those moments at all. That they're out of time. That they had all this time and they never really could be safely together and that he's been haunted for six thousand years of the image of his fluffy cloud of redheaded sunshine, bloodied and stricken, and then tossed to Hell while Aziraphale was powerless to stop it. He's never seen those eyes since and he loves the snake ones. He loves all of Crowley with all he has but he's never been allowed to *have* him and never felt safe enough to try and now it's all over. And he still has to make Crowley fucking leave this bookshop for his plan of self-sacrifice to fucking work here so...

...I forgive you. It's the worst thing he can think of. The thing Crowley always hates. The thing that he knows makes Crowley feel lesser and demonic, even if Aziraphale has always, always meant it as an I love you. He even spits it out to Crowley with an almost self-deprecating, referential tone to it-- like "here we go again-- you say you love me and I say 'I forgive you' because I can't say anything else, can I?" The anger is laced underneath it and all the pain but he's intentionally referencing how this this the thing he says whenever Crowley says they can be their own side. He's trying to claim that nothing has changed in all of these years, when they both know that everything has changed since S1 and the bandstand. That's what makes it hurt both of them even more. Aziraphale chooses to say "I forgive you" because he knows that Crowley has never heard it for how Aziraphale means it and Aziraphale is a little bitter about it and lets it show in the moment, since Aziraphale's I forgive you always really means...

I can't stand to see you in pain and if there's any power in me as an angel to stop it, then I will do that so I forgive you and may that make it easier, may that make it all okay, even though I know it won't.

And just before saying I forgive you, Aziraphale's mouth works and he almost-- almost-- says I love you instead... what Crowley would really give anything to hear.

You can see the 'l' forming there, the beginning of "love", what he *really* wanted to say... what Crowley himself didn't even actually explicitly say. Crowley said it without saying it. He called them a couple without saying that word, asked for eternity without fully asking for it, said he loved him by acknowledging that they had both been pretending, but Crowley was terrified and so he said the things in a way that made it obvious what he was saying and asking for but, so unused to not speaking in code are they, that Crowley didn't say he loved Aziraphale, not directly. He did say it. He just didn't say it in those words.

And for a second, Aziraphale almost does.

He can't stand that he's breaking Crowley's heart. He can't stand that Crowley has kissed him and Aziraphale only briefly kissed him back, only barely touched him, when he really wanted to go at him like an ox rib and never let him go, and he starts to say the truth because no part of him really *wants* to be lying like this to Crowley. But he stops. And not even just because he needs Crowley to leave the shop to save his life but because, in the last four minutes, Crowley has confessed love and proposed and they've kissed and Aziraphale, pretty sure he actually died somewhere in the middle there and he's now stuck somewhere in one of Dante's worst circles of Hell lol, just cannot *also* have this be the moment where he says "I love you" to Crowley.

It's not even false hope that maybe they'll somehow have more time. With Heaven breathing down his neck in the form of The Metatron, Aziraphale has no real hope of that. He just always dreamed of telling him and not like this. He doesn't want Crowley to hear it like this, either, not as a part of a rejection. The anger, instead, surfaces, because why can't he and Crowley just *have* this?! How the hell did Gabriel and Beezlebub get to fuck off to Alpha Centauri after dating for ten minutes when he and Crowley have spent bloody eons in queer pining hell over here? What did they ever do that was so wrong to deserve this? Why was Crowley asking questions so terrible? Why have they had to spend thousands of years pretending not to love each other as if love-- the epitome of the angelic-- was unholy? Why, Aziraphale is wondering, now that they are out of time, did he ever spend so many years terrified when, in the end, it all ended tragically anyway?

How many of those years could Aziraphale have spent loving Crowley the way they ought to have been able to have and denied themselves of for so long?

And then Crowley finally does it. Tells him "don't bother" about the forgiveness-- about the love, as Aziraphale has always meant it-- and he leaves. It worked. The anger and pain and saying "I forgive you" after that kiss... it worked. And Crowley leaves and Aziraphale, alone, is a complete mess of broken and furious and broken some more.

Crowley, as we know, doesn't get to see this moment. Muriel does! Great for fic! Hilarious by show standards that the new angel who is literally being ordered to take over Aziraphale's home against his will is who witnesses the aftermath of the intimate moment our angel has been craving, oh, just since before the dawn of humanity over here.

He touches his lips, his hand trembles... have you all noticed that Aziraphale is literally fucking *tasting and eating* what of himself Crowley left in his mouth here? He's pulling every bit of Crowley to his tongue from his teeth and *swallowing*, like he knows it's all of him he'll ever again be able to consume, like he's committing how he tastes to memory for the last like, who knows, ten? fifteen? twenty minutes? of his own existence that he knows he probably has left...

Jesus fucking Christ, Michael Sheen...

This is all without yet mentioning the single most under-analyzed line in S2 that calls into question a ton of stuff, which is this beauty from Shax, right off the top of 2.01:

"Beezlebub's put some of the lesser demons on half-rations."

What does this have to do with Aziraphale consuming Crowley's kiss like it's the most scrumptious thing he's ever tasted (because it is) and being furious that it'll be their last?

Because that Shax line casually confirms that demons eat. Do they eat human food or some sort of demon food or both? Who knows, really, but they're *supposed* to eat. Ok, but is it just a demon thing? No, because it ties to Crowley's comments in S1 about how he complained that the food wasn't really that good lately when hanging out with Lucifer and The Gang, which then implies that, at least back then, *angels* ate, too. Eating was a normal thing. Over time, though, we know that the higher angels have come to see eating as human and pedestrian and not something befitting of an angel. Some demons eat-- even Crowley eats, if less than and differently than Aziraphale-- but the angels think it's beneath them and if we have confirmation via Shax in S2 that they are supposed to be eating and basically only don't die because they're immortal beings and not human, even if they have human corporations, then the show is saying that all of these angels are fucking starving themselves.

They're doing what they're told and denying their own nature and their own needs in the process.

S2 also shows that with the ox rib, right?

Aziraphale went *at* that thing. He'd never eaten at all in a couple thousand years after being told it was un-angelic and so when he tasted food for the first time, he went so overboard that he's been Mr. Prim and Proper with his napkins and table etiquette ever since out of embarrassment over Crowley watching him food orgasm once-- and that's the metaphor there, as we've all figured out. Our show that has a sex worker named Mrs. Sandwich is all about its ongoing food-as-sex metaphor. S2 even opens with the hilarious turnabout from S1 as a "thank you for my pornography", "why do you consume *that*?" Gabriel shows up at the bookshop-- naked-- and has a food orgasm trying hot chocolate for the first time.

Gabe, babe, Aziraphale does not need the play-by-play here....

Mah point is... mah point is that Tumblr is maxing me at 30 images per post and so you'll just have to picture Crowley slurring "dolphins" while I get to my actual point here...

Mah point is while this is a whole separate analysis almost and one that many of you have already done in different ways re: food & sex on the show, my point here is that starving yourself of food in Good Omens is analogous to being touch-starved or love-deprived and before someone yells at me about how angelic beings don't necessarily need sex or are by nature not into sex unless they make an Effort, I agree with you and Neil Gaiman. I'm just also saying the show is suggesting that they all have human corporations and that many of those human corporations are not sex-averse so for those of them that are not, they're literally out here touch-starved and/or sex-starved here in different ways. But, you say, maybe Crowley is hungry (goodness knows, Crowley *is hungry* lol) but Aziraphale eats all the time!

Yeah. Aziraphale eats *food*, all the time. But he isn't touched all the time. He doesn't have sex all the time. He isn't kissed all the time. The 2.06 scene shows him *physically* making that metaphor of food and sex real for us-- we watch him *consume* what remains of Crowley's kiss--showing that he's desperate for it and deprived of it. He's starved for it, to a point of trembling hands and rolling every bit of Crowley's lingering taste around his mouth like he's taking on every last bite of the best crepe he could ever imagine in all his days...

...and then being, understandably, full of rage that this is the only time he's going to ever have Crowley-- and all he's ever going to have of him, when Crowley just offered all of himself-- forever.

And then The Metatron comes back and is Aziraphale ready to go to his death now? And, Friends, Aziraphale...

...is absolutely not.

He's turned away from the door, barely containing tears. When the door opened and he turned, he half-hoped it'd be Crowley but it was grr That Bastard instead. He looks out the window and Crowley is still out there...

...he left but he didn't really *leave*... and it somehow then still isn't over and will someone please just take Aziraphale out back and angel-shoot him? He can't take any more of this.

What about the shop? he asks, in a moment of desperation and terror over what's to come and some blind, stupid hope that he can somehow get out of all of this with him and Crowley still alive and The Metatron, who anticipated this, tells him Muriel lives here now. Aziraphale looks around the home he's made for him and Crowley for the last 223 years and his favorite books and possessions. Crowley's hat from 1941 is on the hat stand, the horse statue is where Crowley put his glasses back when he trusted him, back when he let Aziraphale see his pretty yellow eyes whenever Aziraphale wanted in recent years... before he just put his glasses back on now and closed himself off again.

Aziraphale is never going to see those eyes he loves again. He didn't even get to kiss Crowley without the sunglasses on before it was all over.

Even Gabriel had something to take up to Heaven with him to remind him of the demon he loved but Aziraphale goes to Heaven and to his death empty-handed because he pushed Crowley away to save him from all of this and, in the final push, he looks at Crowley standing there by The Bentley, all that secretly optimistic, beautiful, romantic hope about him still in him from the angel Aziraphale first met, all the awareness there of Aziraphale-- the only being who really knows him-- and so he's still waiting, still hoping. It goes back a few hours to the ball.

I'll be back. I won't leave you on your own.

But it's Aziraphale's call now and he gets into the elevator. The Metatron wins because Aziraphale's love for Crowley wins. He'll die before he lets anything happen to him, even if he wants to run to that car and to him but where would they run *to*? There's no place to go. Crowley has always been wrong about that. They can't go off together. There's no place safe from Heaven for them.

So Aziraphale gets into the elevator at The Dirty Donkey, leaving Crowley alone in the street once again, just with less hope this time than in 1967.

So Aziraphale leaves the bookshop this time, instead of going into it like he did in S1, when he left Crowley in the street, standing beside The Bentley, while clutching a different book this time-- Agnes Nutter's prophecies in his hand versus The Book of Life and its threatened erasure hanging over Aziraphale like the specter that it is. What was predicted about the future versus erasure from the past and all time. Nothing to see here, Crowley! Everything is as it's seems.

Everything is tickety-boo!

Tickety-boo?

Yes, which is also what Aziraphale-as-Crowley said... when he was kidnapped by Heaven and Hell in S1, remember? When he was taken from Earth to be sentenced to death... along *with* Crowley.

This time, Aziraphale is shutting Crowley out again. Telling him 'mind how you go' again, this time a bit more, uh, emphatically lol. And on their heels, again, the end of the world. Arma-bloody-geddon 2.0: The Second Coming.

Aziraphale heard The Metatron saying that was the plan-- as, of course, our villain walked away and meant for it not to be totally heard, further implying that they have no plans to really make Aziraphale the Supreme Archangel and that this is all a remix of Fraulein Greta Klauschmidt. That then makes this all somehow *even worse*... because now Aziraphale gets in the elevator to ride up to his death to save Crowley but now he knows that it was all for nothing.

War is coming. The planet they love will be destroyed. Crowley, if he knows him well enough, will likely die trying to save it. When he does, he'll still be damned to Hell for all of eternity while Aziraphale thinks he likely won't exist at all once he makes it upstairs and Michael finally gets to Book of Life him. Let the other angels think he's been played for a sucker. Better they think him a fool than that they come for Crowley.

He doesn't want to Fall and doesn't wish for it. If they take his memories as punishment, and they almost certainly will, he won't remember any of the moments he spent with Crowley and even if they could have eternity together in Hell if the world is destroyed, he wouldn't wish Crowley the pain of being around him when he didn't remember anything.

Aziraphale only finding out about The Second Coming in the moment before he gets on the elevator-- *after* everything happens with Crowley-- is a million times worse because now Aziraphale is riding to his death knowing that everything they've done in six thousand years doesn't matter and that the events of S1 didn't matter because all it did was delay the inevitable end of the world and everything Aziraphale loves is about to be destroyed.

That, apparently, was God's ineffable, Great Plan.

All of that is what is on Aziraphale's face on the ride up to Heaven in the final splitscreen.

In that splitscreen, Crowley, for what it's worth, is visually echoing the driving back from Tadfield bit that leads to the "tickety-boo" moment of Aziraphale lying to him by omission. He looks close to a parallel to the S1 moment where he suddenly yelled:

"DUCKS!"

They're what water slides off of. In this context? They were also the thing itching at the back of Crowley's mind-- the not quite right thing, the puzzle he couldn't quite figure out, the question he coudln't yet quite answer... until he could. That's positive, actually. It means there might be something for him to realize, even if that realization might come too late in the short term. (They will solve everything and be fine, memory-intact, immortal beings in love who go off together by the end of it. This is all just until then.)

Ducks are also, sort of, the be all and end all of Good Omens. Crowley knows how to take care of them, after all, when others do not. You feed them frozen peas-- they are good for them and they love them, too. (Don't feed him coffee, you Metatron idiot! He only ever drank one mug of it in S1 and it led to the *points above* see: tickety-boo Aziraphale lying to Crowley paralleling sequence of scenes.) [The "do you have one, single, better idea?" scene is Aziraphale drinking coffee, for reference.]

So, yeah, by comparison here... Aziraphale, you are a duck lol. You have been fed bread by idiots for far too long when, really, you need to be eating frozen peas. Crowley knows this and he knows how to take care of you. With any luck, he's about to have his duck-moment-paralleling epiphany any moment now, though I fear you're already going to be memory-wiped and fallen to Hell when he does. That's okay, though, because this is the main scene that still needs a go-around in paralleling and we know Crowley knows where the dungeons are down there from unfortunate, personal experience.

Cottage in the south downs, cottage in the south downs, cottage in the south downs, cottage....

Notes: Hi! If you have made it all the way here, thank you for reading. I hope it was worth the read for you. You all write such great stuff that I felt inspired to put my lit and film studies and psych background to use and jump in a bit. Thanks for indulging me. I also wish to note that there is a gif above that is by @fuckyeahgoodomens but for some reason, the credit was not working properly so I just wanted to make sure you knew who was providing us the visual joy.

#ineffable husbands #good omens #crowley x aziraphale #good omens meta #long post #good omens theory #i am not kidding you this is kinda long but there are gifs and jokes and i brought snacks? #aziraphale #crowley #good omens 2 #good omens 2 spoilers #gabriel

[honest-moth-of-silver-grove]

Could I ask for some yandere alucard post season 3 with a s/o that isn't human or only part human? Like being half fae, nymph or siren. I just think the dynamics of that relationship would be quite different then say if the object of his obsession was human given his lack of faith in humanity in season 3s aftermath

A/N: I LOVE this question! It was so interesting to think about all the different ways the MC could be half-human and have that connection with Alucard. I did end up going with a mermaid/siren sort of creature as the original asker did send in an additional ask clarifying how they could picture this abused mermaid girl feeling kinship with Alucard because of his current distrust of humans, and I liked that element. I also chose a siren / mer create as they have abilities to manipulate/hypnotize their prey, an ability Alucard probably has as well with him being half-vampire. I ended up writing a very long outline in bullet points but felt that it didn't quite flow for HC, so I instead broke it up into smaller scenes below. I hope that’s ok. Sorry, it took so long. I was sick with some weird virus for weeks (lowkey feel like it’s mono or something), and could only handle work and family crap, like I barely had any motivation to live. And then when I started writing this, it sort of took on a life of its own lol. (What can I say? I love me some Alucard.) 

Anon also suggested I check out this manga- it’s called Becoming the Villain's Family and it’s about a siren who goes back in time and makes a marriage pact with a devil to prevent their untimely fates. I’m not a huge manga reader, but my sister is, so I’m going to recommend it to her and maybe we can read it together. 

Yandere! Alucard (Post-S3) w/ A Half-Siren S/O 

The fair creature did not see quite how it happened, for it had all transpired too fast. A deep guttural growl echoed from past the tree line, well beyond the corners of her vision as the very ground beneath the wagon’s feet began to shake violently. As swiftly and silently as a flash of lightning, the wagon she resided in was sliced in half, the metal cage that kept her prisoner acting as her only guard against an elongated talon from some sort of monster. The cage was tossed sideways, skittering along the dirt ground as the poor mer creature inside flipped over violently, her dehydrated human form and lack of clothing sending her soft, nearly translucent skin into the square welds hard enough to form bruises. 

“Retrieve the asset!” 

“Don’t let her escape!” 

“Are you crazy?! Fuck the asset!” 

Around her, a flurry of mixed male voices shouted out contradictory directions. With only the setting sun for light, it was difficult to make out who had yelled what. 

Then came more growls in addition to all the shouting. Then the shouting turned into screaming. And a handful of those screams turned into cut-off cries followed by loud squelching. A flurry of slices and swings from blades and swords interrupted what must have been the creature's onslaught, but it would certainly not last long. There would be more torn flesh, and more final yells- a final symphony of bloodshed to follow. 

Kneeling into an upright position, the fair mer creature pushed and pulled frantically against the metal door of her cage. The hinges had warped in the fall, bending just so, that if enough force was applied…

With a metallic screech, the young water maiden could kick her cage door from its battered hinges. Fortunately enough for her, none of her captors seemed to notice her imminent freedom, the lot of them busy battling hideous creatures beyond any comprehensible amalgam or imagination. 

Unfortunately for her, her sudden movement did not go unnoticed by one such creature. 

A smaller, fiendish-looking thing, with the body of a lizard, but the head of a vulture, and the tail of a scorpion mawed loudly at her, its stinger striking warningly at the ground. 

Not needing to be told twice, the young maiden leaped up and made a mad dash for the treeline on the other side of the clearing, opposite the line of creatures. 

As she made it past the treeline she watched as one of her imprisoners struck successfully at the rear of the small fiendish creature with the sharp end of a spear. It cut roughly into the monster’s backside, turning the horrid thing’s attention away from her back onto her captors. 

Pausing for a mere second, she took one last look at the few men still alive, fighting for their lives against the horrible creatures. Even if they were to win the fight, she swore it would be the last time she saw them. Beasts or no beasts, she was never losing her freedom again. 

✧ ✧ ✧

The bottoms of her feet stung with every step, and her calves burned worse every time she jumped over branches, landing on uneven ground. Her thighs were practically numb from the midseason cold, and her time forced to rest on the cold metal bars of her prison certainly did not help. But she refused to stop running. Even if she was unfamiliar with the practice of traveling upright on two extremities, she perished the thought that her inexperience might slow her down. She could not fail. She could not yet rest. Whoever won the fight between her captors and the creatures was certain to follow after her once the battle was done. She could not waste precious time. So despite pain and exhaustion, she pushed onward. 

After what felt like an eternity, although, if she were to judge by the moon, it must have only been a few hours, she found her legs could no longer support her weight, as her knees buckled beneath her, slipping on the soft embankment ground. 

‘Embankment?’ The maiden, feeling a final surge of hope, strained her neck to get a better look. It did appear that she had made it to a river bank, although it was a rather small one at that. Still, the sight felt like a miracle. It had been too long since her body was submerged, snug, within her element’s embrace. And given the choice between breathing her last breaths on the cold dry forest ground, or under a river’s soft current, she’d choose the river, any day. 

Using her arms to pull herself into the cold water, she breathed one final breath of chilled night air before slinking into the river water. Closing her eyes, the young maiden had but one thought: 

‘If this is to be my final resting place, then so be it.’ 

✧ ✧ ✧

The next morning started the same way all mornings do: the sun rose in the sky, the birds and bugs began their daily chirps, and a very forlorn-looking Adrian Tepes, known currently as Alucard, son of Dracula exited his castle in search for food, his usual basket in hand. Unusual however were the two corpses that greeted him as he passed the castle steps. 

Alucard paid the bodies no mind, he didn’t once glance in either of their directions. He kept his eyes forward, locked onto the foliage and wildlife hidden within the forest line choosing to pretend the bodies were no longer there. Yes, he knew they were there. Of course, he knew. He was the one to string them up after all. But if he were to acknowledge the corpses' presence, then he would also be required to acknowledge the circumstances that led them to be staked there, and that was something not even the great slayer of Dracula could do. So instead Alucard did what he could: he adjusted the basket in his arms and began mentally preparing the meal he would make. 

Coming to the river bank, Alucard felt something was off. He sensed another presence nearby. Kneeling down to the water, he kept his ears open for any movement within the trees but did not hear any. 

‘Odd.’ The dhampir waited for a spell before resuming his usual activities. He methodically removed his boots, before rolling up the ends of his pants, as he prepared to wade into the river. He had found a comfortable position, balanced on the river rocks below his feet when he noticed another oddity. 

“Where have all the fish gone?” 

The river, once teeming with fish, ones even brave enough to stick around as he waded into the water, were nowhere to be seen. Besides the rushing of water over the river bank, Alucard could not hear them swimming around within the water below. 

Turning his head, he found a single glint of scales reflecting the morning’s rays a few meters from where he had been standing. But just one fish? Or perhaps, a damn of some kind was preventing them from moving freely. Alucard made a move to investigate closer. But then, just as he turned to do so, what appeared to be an incredibly large fish leaped out of the river, and flopped onto the bank. It writhed around, flopping this way and that before rolling over to face him. It was at that moment Alucard realized why all the other fish had disappeared. There was no damn, no net. It was because of this… this creature. 

✧ ✧ ✧

The young mermaid awoke with a start, the deep echo of footsteps underwater had vibrated her awake. From where she lay, her vision was obscured, but she could make it out that the being was human in nature, standing on two legs, with only two arms to boot. It did not possess any claws or animal characteristics like any of the night creatures from the night before, nor did it appear to resemble any of the men who had taken her. 

The maiden stayed as still as stone, hoping this new strange human would grow bored of waiting for a meal to catch, turn around, and go home. But luck, as it had proven time and time again as of late, was not on her side. 

The man made a move towards her position, and she found she could not help the fear that bubbled up from inside her chest. The river was too small for her to swim through. More so, moving within the water would only create splashes to further catch this stranger’s attention. If she wanted to get away, she’d need to shift back to her human form and make yet another run for it on foot. 

Using the strength her long waterlogged rest had given her, she propelled her body out of the water, onto the river bank. As soon as her full body was on land, she writhed and wriggled, doing all she could to shake the excess water from her body. 

Her earlier set of legs had once again merged into a fishtail, strong and thick, with grooved fins to match. Her abdomen and chest were plated with scales all up the sides. And as she shook herself dry, several of those scales slid off her body into the dirt. Her ears, previously flesh and pointed more like an elf’s, had pulled back, with loose tentacle-like fins spouting out around their outer shell. In the daylight, she knew there was no mistaking what she was. But if she was to change her form quickly, it was a risk she needed to take. 

Despite the morning's warm sun, her body did not dry as fast as she had hoped. The maiden used her arms, and her now-clawed fingers to pull herself up further, finally gaining purchase on one bark of a tree, as she did her best to twist around and face this stranger head-on. 

Letting out a hiss, she bore her fangs at the strange blonde man standing before her. Only the man did not seem intimidated, nor shocked to see a creature such as herself. If anything, he appeared, at ease. Was this perhaps a trap? She hissed again but found herself on the side of surprise when the seemingly human man bared his own set of fangs and hissed back. 

✧ ✧ ✧

‘A mermaid?’ Alucard watched, amused, as the young creature did her best to appear menacing to him. If only she knew, how instead of fear, Alucard felt a rush of reassurance at the sight of her inhuman features. 

‘Humans,’ he thought bitterly. It was two humans who had hurt him most of all. Not even his own father’s war on humanity had harmed him the way those two did. His father left him for dead paled in comparison to the shame and torment he carried with him from that one night.  

Had a human shown their face on his property, he’d… Well, Alucard was not certain what he would do should they refuse his order to leave. But whatever he decided, it would not be a fate any would enjoy, that’s for certain. 

Thankfully, with the very distinct mer-features of this individual, that point was moot. He did not need to threaten disembowelment or an eternity of torture as a spawn, Alucard felt no such need to. 

He took a step closer, taking in her unique features. Her eyes were large and dark, almost pure pools of black. He could feel the pull luring him in closer the longer he looked into them. Her skin was almost opaque, despite its color. At certain angles, rays of the morning sun seemed to shine through her body, as opposed to around it. And her tail, no doubt the most impressive of her peculiarities, glinted impressively, making her an almost otherworldly mirage against the browns and greens of the surrounding greenery. 

Of course, no sooner than Alucard could admire such an ethereal sight, her tail began to lose some of its luminescence, growing duller by the second. The previously shiny scales that overlapped each other began to flake off, one by one. Down the middle of her tail, from where her belly button would have been on her abdomen had she been a human, what scaled skin remained began to crack, viscously, like a deep fissure that would not heal. The fissure continued to grow in depth and width as Alucard came within feet of her. 

She hissed for a second time at his forward movement, but Alucurd was undeterred. Smiling a sort of melancholy smile, he paused before opening up his maw, revealing his impressive fangs with a hiss of his own.

At his revelation, the creature’s demeanor changed abruptly. Gone was the fear and hatred in her eyes, instead replaced by a much more benevolent wonder. 

She opened her mouth, the tentacles around her ears shriveling into themselves, her ears changing to a more elven point as they came to rest flatter against her head. Alucard watched as her fangs dissipated too, the sharp canine points rounding themselves down into very simple humanoid-looking teeth. The back of her throat opened and closed, but very little sound came out. If she was trying to communicate, it seemed a verbal conversation was currently off the table. 

“I am Alucard Tepes, son of Dracula and Lisa Tepes.” Alucard spoke, taking the lead for her. “And I am not human.” 

The mermaid closed her eyes as she leaned back against the tree bark, wincing once or twice as a very slime-covered, human-looking bottom half cracked free from the dried shell of her former tail. She used her hands to pull the husks away from her body, leaving every bit of her person on display. 

Alucard cleared his throat before deciding to remove his shirt and give it to her. He tossed the white shirt to the maiden who caught it in one hand. Bringing it in to smell, she sniffed it before looking back at him curiously. 

“If you wish to spend the walk back to my castle naked, I won’t stop you. But as I’m sure you’ve learned, people up here spend most of their life clothed.” 

She turned her head in the opposite direction as if to say, ‘So?’ before ultimately relenting, pulling the white top over her head. 

Making a move to stand, her legs wobbled, giving out underneath her. But before she could fall, by the grace of his vampiric speed, Alucard managed to catch her, one of his arms looping under hers around her shoulder. Upon noticing the sudden conflict, the mermaiden hissed again but made no move to shove him off. Making another choked-off sound, from the back of her throat, she tried speaking again. 

“Ghhank hou.” Frowning, she cleared her throat before trying again. “Thgank cou,” her voice was quiet, and yet deep and guttural at the same time as if she was holding back. 

“So you can speak,” Alucard commented as he helped her walk a distance, finding her balance. 

The young maiden nodded, before shaking her head. “Youg may naught want mee too.” She blinked her large, dark eyes at him, pointing to them, them down to her throat as she did so. “Sssighh-rhen.” 

Alucard paused his walking, staring his golden orbs back at her. In the light, the mermaid watched as they glittered and shined, an almost metallic color, reminiscent of pirates’ gold, lulling her into a sense of security. She gave off a warning growl, having caught on to the fact that she was not the only one with influential abilities. Alucard blinked twice, breaking off the trance. 

“As I said before,” he reiterated, leading the way back to his castle, “I am not human.” 

The mermaiden watched him, as an almost smirk graced her inhumanely beautiful face. “Gooodd,” she hissed out. 

✧ ✧ ✧

“That is how the castle came to be in my possession.” 

Alucard led the young mermaiden down the many hallways and corridors of the castle, telling her the story of how he, along with Belmont and Sypha, were tasked with defeating Dracula. He stopped to point out various rooms along the way, the ones he was the most familiar with, anyway. There was still much of the castle that felt foreign to him. It was as if he walked the rows of a graveyard, rarely stopping to notice yet another name on a tombstone. How many hands had helped build this place? How much of their blood was shed to gather all the infinite knowledge and wealth that was kept here? Alucard did not know. Nor was he certain he wanted to know. 

Walking past the various debris and carnage still left from their battle with Dracula, Alucard ushered her into his father’s former study, now his study. In the middle of the room sat one large rather ornate chair, placed before a cracked fireplace. In the chair was a crumbled blanket and pillow. On the small table next to it, a cold long-forgotten cup of tea. The items together suggested this chair was used in recent days for sleeping, not for sitting and reading or studying of any sort. 

The mermaiden narrowed her eyes at that. Surely, even with this battle, Alucard claimed had taken place within his home, there were bedrooms and living quarters left unbothered. Why would someone in possession of such a grand and luxurious home sleep sitting up in a chair? Or perhaps, was it a question of biology, not psychology? Did a being like Alucard require sleep at all? 

As the mermaiden contemplated, Alucard kneeled down to start a fire, but not before vaguely gesturing at the crack that ran up the front brick of the fireplace. “As you can see, the fight was not limited to one area or room.” 

“Bprokeghn,” the mermaid nodded before gesturing herself to the chair and blanket set-up. “Behd?” 

Alucard cleared his throat, as he stoked the beginning flames of the fire. “My room was… damaged, yes.” 

Seemingly content with that answer, the mermaiden turned her attention to other parts of the room. 

Off to the right there were various bookshelves and texts. And on the left? A modest oak desk sat under a large painting of a beautiful woman. Her hair was golden, almost appearing to glow under the warm hue of the fire’s dancing light. Her eyes were large and hopeful, and her size petite but strong. In her hand, she held a white flower, although its beauty paled in comparison to hers, it was a lovely touch against the dark maroon dress she was wearing. 

“Prehty,” she said, stopping to admire the woman in the painting. 

Upon hearing her words, Alucard looked up, a soft smile having formed on his face. “Yes,” he said. “She was beautiful.” 

Glancing back at the man, the mer creature noticed his hair was blonde and rather lovely as well. Not as gorgeous as her own siren’s locks of course, but that was understandable. She pointed to the hair of the woman in the painting before pointing to her own, and then finally, to his. “Prehty too.” 

✧ ✧ ✧

From where he stood in the kitchen, Alucard watched amusedly as the young woman tried taking a bite of her grossly undercooked fish using a knife and fork, stifling a laugh every time she would manage to grip one utensil only to drop the other. Her less-than-human approach to everyday things made Alucard feel at ease. She was not a lying, conniving human he had to watch out for, she was not biding her time waiting to stab him in the back. Quite the contrary: she was blunt and rather oblivious to human social conventions. 

She had very little reservations when it came to nudity, Alucard had come to discover. If it wasn’t for his polite, insistence, she would have continued to roam the castle naked. Dwelling deep underwater made her rather immune to things like catching a chill. Alucard was similar, he did not feel the cold the way humans did, although he was not entirely immune to it. He would surely suffer frostbite should he choose to venture outside in the dead of winter without any clothes on his back. However, unlike a human, and more like a vampire, it would take more than freezing exposure to do him in. 

It was almost comforting in a way, to share the castle with someone who’s biology was surprisingly close to his. She was more unhuman than human most days, her residual scales and sharp claw-like nails coming back once her body had returned to full-health. Her teeth had also increased in length, although Alucard suspected she could control their sharpness at will to some degree, her opting to keep her incisors short and squared, more human-like, whenever the two would talk walks around outside the castle. 

The mermaiden also had an interesting diet. She preferred her food cold, if not raw. Even things like fish and other meats, she refused to eat properly cooked. Alucard briefly recalled the first time he had tried to offer her dinner. He steamed her fish the same way he steamed his, and presented it to her, expecting gratitude. It was humourous now, but back then he recalled being rather dissatisfied with her indignant reaction. She hissed, and berated him for serving her something ‘burnt’, or ‘burrrnt’ as she had called it. 

Alucard discovered it was less of a preference and more of a requirement when he found her eagerly licking the blood from a freshly killed and skinned hare he had fetched for dinner. It seemed that she, like him, and like the many other supernatural creatures, had a penchant for blood that was born out of a necessity, and not mere cruelty. With her diet of raw and bloody food, her skin appeared healthier- still as shiny and translucent, but less gray. Her human form’s skin was less cakey and dry, and when she did change back into her tailed form, which was rather often given how much she enjoyed lounging in one of the castle’s large communal baths, her scales shed much less than they had when they first met. Upon her initial arrival at the castle, Alucard found she’d leave scales behind her wherever she walked, the same way a lover might lay out a trail of rose petals. Of course in this case, there was no intimate surprise waiting for him behind closed doors (not that he’d want one given his past circumstances, anyway), but a very brash and temperamental half-siren, usually impatiently awaiting yet another “useless” lesson in human conventions. 

“Naught fun-ie,” she hissed, under her breath, well aware of Alucard’s amusement. “No need for toools underwater.” She dropped both her knife and fork unceremoniously onto her plate before crossing her arms, looking like a wilful toddler. 

“There’s no one to impress here,” Alucard assured her. “Besides, even without a fork and knife I’m sure you eat like a magistrate compared to Belmont. The rodents outside have more manners.” 

“Belmonnt,” the fair maiden repeated, picking up her fish with her bare hands. “Frrend.” 

“Yes. Although, I haven’t seen him or Sypha for quite some time.” Alucard answered, just a hint of loneliness creeping into his voice. 

“Hadd frend wonss.” Biting into her fish, she tore a chunk of flesh off with her teeth, a satisfied groan leaving her body as some of the excess moisture dribbled down her chin. “Huumann too.” She swallowed her bite of fish down, not bothering to chew much at all. “Dyed.” She licked her lips in satisfaction. “Beectraaid.” 

“Wherever humans are concerned, such possibilities are never in short supply.” Alucard agreed, handing her a cloth napkin to wipe her chin. “It is their nature.” 

Choking down the rest of her fish, the mermaiden swallowed harshly again before asking, “Owtsighed?” Of course, the two giant stakes housing decayed corpses had not escaped her notice on their way inside. 

Alucard retrieved her empty plate, moving to place it in the sink. Closing his eyes, he desperately tried not to remember the feel of the silver cords burning his skin, the way he suffocating under Taka and Sumi’s gaze, how if it were not for his sword and the magical component of it, it’d be his body flayed and strung up outside instead of theirs. Despite not having had anything to chew or eat, Alucard swallowed hard as well. 

“Yes,” he finally said.  

✧ ✧ ✧

“Where are wee going?” The mermaiden asked, her vocabulary and annunciation having improved much over the last couple of weeks. 

Dressed in a relatively sheer nightgown and robe, the young woman begrudgingly followed Alucard, already dressed for the day, as he led her over to the remains of the Belmont hold. Upon reaching the cleverly designed pulley system, Alucard lifted the safety bar of the lift and gestured for her to get in. 

The young mer woman bared her teeth but did not hiss, a vast improvement of manners and trust on her part. 

“You may recall in the past, I’ve mentioned a man named Belmont, Trevor Belmont.” Alucard set the bar back down, clicking it into place, before pulling one of the levers to begin their descent. 

She nodded. “Friend. Miss him.” 

Alucard furrowed his brow. “I do not believe I’ve once said I missed his company.” 

The young woman shrugged her shoulders, a form of nonverbal human communication she had recently picked up on. “Still,” she wagged a finger, disapprovingly. “Can tell. No want to be alone.” 

Having reached the bottom of the lift, Alucard secured the platform before exiting, seemingly eager to remove himself from their current conversation. “I speak his name frequently because he has gifted me a rather large piece of his family’s inheritance for safekeeping. Without my permission, I might add.” 

Flicking a large switch on the wall, the mermaiden watched in awe as hundreds of blue flames suddenly sparked alight, illuminating an expansive cavern of towered rows and rows of books and other meticulously organized collections. 

“This,” Alucard extended his arm out, showcasing the vastness of the space before them, “Is the Belmont Hold. It possesses all the knowledge the Belmonts learned on creatures of the night, the collection starting generations ago. Everything any Belmont learned has been recorded onto paper, and stored somewhere within these tomes.” 

Temporarily blindsided by excitement, the mermaiden found herself quickly making her way down several sets of stairs, her balance thankfully having improved tenfold, as she ignored the darker implications of Alucard’s words. 

“So much boooks!” She cried out, settling on entering a random upper row of tomes, pulling one out of the shelf. “So much papper!” 

Alucard nodded, coming to join her. “I take it your people do not have much use for such records underwater?” 

The young mer woman nodded, running her clawed fingers delicately over the inked pages. “Runes. Maghik. No paper.” 

Carefully, Alucard took the book from her hands and placed it back onto the shelf where it belonged. Before the mermaiden could bare her teeth or hiss at him in irritation he had already begun climbing down a nearby ladder, calling for her to follow. “Come. The books are impressive, but they are not what I wish to show you.” 

Reaching the lowest level before her, Alucard smiled softly as his eyes were met with the familiar scene of a magic mirror, and open chest. How strange to think he and his friends stood on this very ground when Sypha successfully managed to summon the castle. How strange to think right there, under his feet, was where Adrian Tepes died and Alucard of Wallachia truly began. 

There was a time when Alucard believed he and he alone would be the one to ever stand upon this, practically hallowed ground. Belmont was not yet sure if he wished to resume the responsibilities of his namesake. And Sypha, well, Sypha had chosen to follow Belmont in whatever trouble he managed to get himself into. Who knows if they would be back, if they ever intended on coming back? At the end of their journey, there was Alucard, left alone to shoulder the burden of both their families’ legacies. 

Trevor had told him not to make the castle his grave, but to use it and the hold to… help people. Such a task seemed near impossible when you were one dhampir, isolated far away from the rest of the world. But then, Alucard reflected, along came Taka and Sumi, and perhaps, he had once thought, he would no longer have to be alone. 

They were so eager to learn, but they were also so eager to leave. They did not come intending to stay, Alucard knew this, and yet, he could not help the way he drew their lessons out, making sure to be as detailed as possible. If they must go, he supposed, he could make it so they did not leave for a while. It was foolish to think his desires would go unnoticed by the two humans. More foolish perhaps, to expect them to understand. Alucard had been wrong. 

They sensed he was less than forthcoming, Alucard could not deny that was true. But he never lied, not once to them. But in their humanity, in their hurt and in their pain and guilt and anger they felt they were deceived. Perhaps deception was so readily on their mind because they had arrived with a plan to play him for a fool all along. 

Either way, it was fatal on their part. Alucard may have wanted them to stay, but he did not need them. They alleviated his loneliness, but they were not necessary companions, not like Trevor or Sypha. They were far too different, far too divested from the line of existence Alucard walked to ever truly understand him. Being human, they ignorantly believed themselves to possess so many options of their own, but as fate had proven: they too were wrong. 

But this young woman, this siren, this mermaid, she was different. She did not come seeking him, rather their meeting was entirely accidental. And this time, the playing field was even: she needed him just as much, if not more, than Alucard wanted her. It was different this time. Here, within the Belmont hold and his castle, she was the outsider. And no matter how long she stayed with him, no matter how hard she tried, she would remain less human than Alucard. Next to her, he was not a monster or a beast, no. 

At her side, he appeared solely as Wallachia’s savior, Alucard, and he was neither human nor monster. 

Coming back to the present moment, Alucard watched silently as the mermaiden approached the glass display case of vampire skulls. He watched as her eyes widened, and her fists clenched, before she spun around, her fangs bared. “Exsplain, now!” 

“The Belmonts hunted creatures of the night for centuries. They came to Wallachia hunting Dracula and his army of vampires.” 

“You said Belmont friend!” 

“He is- was. As I have said to you before, he aided me in my journey to defeat my Father Dracula, to prevent him from securing the extinction of the human race.” 

The mermaiden tilted her head to the side. “Buut why? You vampire.” 

“Not entirely,” Alucard countered. 

The mermaiden’s eyes squinted. “What?”

“The woman in portraits you’ve so admired within the castle, she was my mother, Lisa Tepes, and she was human.” 

Enraged, the mermaiden’s face contorted into an expression of anger, her nostrils flaring with every huff of air she took. “Liar!” She accused him, making her way around the side of the cabinet, trying to move past the dhampir without encountering him directly. “You said humans betrayed! You said not like them! You lie!” 

“I did not lie. I never told you I was wholly vampire, nor did I once say I was not part human.” Alucard mirrored her movement, cutting her off before she could reach the stairs. “I aided humanity only to be betrayed by humans. I do not belong in their world, nor do they belong in mine.” 

“Nor in minesss!” She snarled. “You human. Not friend. Not anymoresss.” Shoving past Alucard she began up the stairs before she felt a hand on her wrist yank her back. Whipping around, she found herself face to face with Alucard, his expression angry, his fangs elongated and on clear display. 

“And where will you go? Your human charade may not disturb me but it is bound to alert others. There is no city, no town where you could travel that they would believe you to be one of their own.” His voice was deep, dark, and full of disdain. 

“Then I go home,” she retorted. “With othersss like mee.” 

“Do you think they will accept you now you’ve lived with a human, lain with a human?” 

“Half,” she spit into his face before sneering: “Half huumannn.” 

Alucard did not even flinch, entirely unphased by her vulgar action. “Human nonetheless,” he said, the ice in his veins offset only by the golden fire in his eyes. “Not even they would welcome you back now. There is nowhere you can go, no one who would welcome you. I,” he spoke, baring his fangs, “am all you have left. I am the only one who understands.” 

The mermaiden opened her mouth to speak, but could not find the words. She closed her mouth before opening it again, still hesitant on how to respond. If it was not as serious of a moment, Alucard would have laughed: she truly looked like a fish out of water. 

Careful as not to spook her, he slowly raised one hand, using it to wipe away a stray tear that had fallen from her eyes. How strange a sight to see a siren crying, awful yet beautiful at the same time. Like him, Alucard thought. 

“You are the only one who could possibly understand me. You need not ever leave.” Alucard used his other hand to take one of her own, and guide it, resting it atop his chest. “I do not wish to be alone anymore.” 

The maiden choked back more tears, shocked she was shedding them in the first place in Alucard’s presence. 

Prior to those horrible humans taking her, tears were not something the mermaiden had ever experienced. Living underwater, she was surrounded by saltwater. Even on the occasions she was consumed by great emotion, her eyes behaved no different, felt no different than they did being in their usual full-contact with water as they were everyday. But after she was taken, she found the ability to cry, something she despised. It burned the skin of her cheeks with hot shame, her throat felt too tight for air: the process of crying was foreign, and undeniably painful. She prayed it would not become a normal occurrence for her. She swore the moment she was free of her captors, she would never shed a tear again. And then she met Alucard. And he was…

Sweet. He was kind. He was not an ignorant, vengeful human. Surely, he would not give her reason to cry. They were of the same kind, she and him. He would harbor no hate for her in his heart. 

How foolish of the girl to think hatred was the only feeling capable of creating pain, of making remorse. Afterall, ‘love’ was just as powerful. ‘Love’ was just as dangerous. 

Deep down, the young siren knew the dhampir’s words were true: there was nowhere else she could go, there was no one else who would understand her, and care for her the way he did. 

In fairness, he was not fully human, he was half vampire, and his father was the great Lord Dracula to boot. He was not simple in the way other humans were. He was not stupid in the way people were. He was educated and well-aware of the fragility of egos, the slow passing of time… He did not look at the world through a mortal lens. The mermaiden knew she could do worse, in choosing someone to trust, in picking someone to rely on. 

Then again, he was half-human. She was wise to fear him, to doubt him. He may have meant what he said, when he told her she need not leave, but that did not mean she needn’t want to. But she was so far from home, so far from more of her own kind. Who else left in this region ravaged by night creatures and monsters would open their home to her the way he had? Perhaps it was wiser to stay. 

Did she even possess a choice in the matter?

Even withIn the arms of that former stranger, she felt more forsaken than she had when those evil traders first captured her. She felt so alone… Gods… 

She, too, wished not to be alone anymore. 

“Ssstay.” 

“What?” Alucard’s head snapped up at the sound of her words. “Truly?” He could not help the hope that seeped into his voice. “You wish to stay with me?” 

Before him, the mermaiden nodded, yet another human expression she had come to love over the past few weeks. “Yessss,” she hissed out, her voice still nasally from her earlier tears. “I ssstay.” 

A/N: Holy shit! Almost 8,000 words here. And to think I did it all while fighting the worst virus of my life! (See, THAT just goes to show you how strong my love for Alucard is. 

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#alucard x reader #alucard castlevania #adrian tepes x reader #alucard tepes x reader #yandere alucard x reader #yandere alucard #alucard imagine #adrian fahrenheit tepes #adrian tepes #tw yandere #tw: yandere #yandere #os #castlevania

[pixiedane]

I have been emotionally compromised by Star Trek Picard

MANY SPOILERS BELOW. Also rambling and rabbit holes into my psyche.

I've explained often that Ro Laren is the first Star Trek character that represented ME on screen. That the reason Voyager is my Trek is it's a whole shipful (and showful) of Ro Larens. And that is also why Picard owns my soul. From the beginning it's been ABOUT rebels who exist within and without the confines of Starfleet and how they navigate between the two.

I was told last April an appearance by Ro Laren was a likelihood in Picard S3 and since it had wrapped at that point, I believed it. I've been carrying around the potential for a Picard/Ro reunion for nearly a year and I got it and it was glorious. EXACTLY what I wanted from that scene, that conversation. It was painful and angry and yearning on both sides and could even be seen as shippy if you are a me. It was even perfect that it was in Guinan's bar.

And then minutes later she sacrificed herself. And I knew that would happen, too. Not because it was suggested to me, it wasn't. Because that's what happens to the characters I relate to the most. They are never the protagonists (I call myself after the manic pixie dream girl trope for a reason) and they never win. They barely ever survive and when they do they disappear, they are forgotten, or they turn into something unrecognizable from what I related to in the first place.

Ro gave Picard closure. She reminded him not to conflate duty with honor. She showed him he could be a good parent if he saw his child for the person they already are in addition to the person he imagines they could be. She connected his past to his present. And then she died because her purpose was fulfilled.

I actually quite like the idea of Picard as the deconstruction of the Great Man. It's more satisfying than the far more widely seen and (mis?)understood hero-turned-wise-mentor trope. JL tries to be a wise mentor but he fails at it more than he succeeds. And he hasn't given up being the hero. He hasn't given up being the rebel. He knows his name is in the title. He's still trying to prove himself to me. To me.

I sensed that Ro Laren was going to die the same way I sensed that Katrina Cornwell was going to die and I preemptively protected myself against my feelings about it by choosing not to feel. Kat died four years ago and to this day my main emotional reaction to it is the lack of an emotional reaction. I'm numb about it.

That said, Kat's death broke the narrative. It didn't make sense in the context of her character. Kat's entire arc was one of survival, the survival of self and the survival of Starfleet, and her sacrifice was a misread of that. It doesn't make sense. Katrina Cornwell is a survivor.

Ro's entire arc actually is about sacrifice. From introduction it was about the things she had to give up. Her father, her freedom, her faith, her ideals, her career, her mentor. She gave up everything over and over and over. I don't want her death and it was not necessary but it makes sense in the context of her character and in service to the reconstruction of Jean-Luc Picard. That second part may be a slap in the face but that first part is validation.

Was Ro Laren fridged? Yes. Am I happy about it? No. Am I angry about it? Intellectually yes, emotionally I'm numb. Do I hate this episode the way I do "Such Sweet Sorrow" and tbh the entirety of Disco S2? No. It breaks my heart but not my brain. The Picard/Ro scene is perfect. The part about being seen was a message to me, to the girl who wanted to be seen in/by her favorite show and wasn't until Ro showed up. With the exception of the death this episode is Anika catnip, Anika cocaine.

Jack Crusher is the most made for me character in the history of characters made for me or anyone else. The only thing different between him and every original character I've ever created for any reason is he's a boy and I love him so much I can't hold it against him. In fact, I see my boy mom relationship with my son in his relationship with his mom and I actually really needed that.

And Ro Laren was sacrificed for Jack Crusher in every possible way one character can be sacrificed for another. My emotions are literally everywhere.

#star trek picard #picard spoilers #my tags are spoilers stop reading them #ro laren #jack crusher #my girls #my boy #the gif is my favorite react of all time #but also i used one from ouat for a reason #manic pixie me

[juanabaloo]

OLD POST. Got better at Tumblr so Exhibit A no longer has to be in 2 parts!

Full post here. This was Exhibit A, part 2/2 - Your honor they love each other! 3.03 (fuffy)

This is a pro-fuffy BTVS rewatch. (Happy Pride Month!) Exhibit A is S03E03, aka 3x03, aka 3.03 Faith Hope & Trick. Long post

11. Their first patrol! Pre-fight Faith says something in your bottle needs uncorking and then suggests it's the Angel situation. Uhm hello, you literally met this girl like yesterday? Why are you so invested? Their first verbal fight escalates WILDLY. Buffy calls Faith F which is hilarious. Post fight Buffy is upset Faith didn’t help her, even though normally she patrols solo. (fuffygifs)

12. Faith tries to charm the motel manager. It is not working. Buffy shows up and he IMMEDIATELY clocks them, saying roommates are extra. (andremichaux)

13. Faith loses her shit when Kakistos is mentioned, the badass and charm facade crumbling. (haydenpannetieres) Buffy knows something is wrong and gets it out of Faith, being caring for a bit. We see Faith's first jump out of a window! Buffy follows. They work together, Faith even in her panic realizes they’ve been driven back to the lair and Buffy gives Faith confidence and eventually Faith gets the kill.

14. Post-Kakistos kill Buffy gives a little speech about how Faith dealt with a lot but got it behind her. Faith inspires her to be honest that Angel was cured when she killed him. And maybe Faith inspires Buffy to move on from her first real love to someone new. (The “show” wants you to think it’s possibly Scott Hope or maybe even Angel, but they could have picked Faith.)

15. Bonus Bangel thought: I know the arcs were already set, but watching the show it feels like this. Show: dang, Faith and Buffy had a lot of chemistry in their scenes. *uhhhhh start panicking about the queerness* Hmmmm, Angel? Angel? we need Angel back. And he needs to be.... naked. Yes! Insert weird naked Angel falling from the sky at the end of this episode. LOL silly show.

16. Personally I take Faith's stories with a healthy serving of salt. Scott calls them “tall tales.” It’s part of her charm offensive to tell these wild and entertaining stories.

Summary: They love each other rating: 0.5 out of 5. Buffy and Faith still have more chemistry than Buffy and Scott though! Buffy’s intrigued but repressing and Faith’s definitely interested or something. Per someone else this is one of the five especially Faith-focused episodes in S3. (Technically a second tier one.)

I had to include the gif of Faith, so hopeful that first night at the Bronze. She says to Buffy: "cuz you and I are gonna have fun, you know, watcherless and fancy-free."

Exhibit A has been submitted, the prosecution rests for the day.

#buffy rewatch #btvs #buffy the vampire slayer #fuffy #faith lehane #buffy summers #s03e03 #3x03 #3.03 #Faith Hope and Trick #btvs 3x03 #exhibit A your honor #long post #buffy x faith #chosen two #ep: faith hope and trick #btvs rewatch #your honor they love each other

[crashdcwn]

and in every life we fall like 𝒔𝒕𝒂𝒓𝒔 into each other's 𝒔𝒌𝒊𝒆𝒔 and we dream our way into each other's 𝒹𝑒𝓈𝓉𝒾𝓃𝒾𝑒𝓈.                     - ( butterflies rising )

#roswell new mexico #roswell new mexico spoilers #malex #forlex #alex manes #michael guerin #forrest long #rnm #my ediit #well folks #im not dead #heres a sad parallel via faith #faith suggests gifs s3 #rnm season 3 #my edits

[larenoz]

There Has To Be Three - Updated

---------------------------------

Originally posted as part of @rnmmarchformeta but updated to reflect some new additions. Only three eps in and already enough for an update!!

---------------------------------

From the very beginnings of the show, symbolism related to the number three has been present.

The most obvious example of this is the mysterious symbol seen throughout the show. We see it displayed in the town lights when the power returns after Max causes the blackout. It has recurred so often in their lives that both Max and Michael have it tattooed on their bodies.

It is initially described in terms of being a beacon. In 1.09 Songs About Texas, Max sees the symbol on the flyer for the Indigenous faith healer, Arizona. It’s here that Max learns about the way the symbol mysteriously forms near certain people, and its link to the silent woman on the reservation.

We later learn that in addition to its role as a beacon, the symbol is used as a lock. It is the Pod Squad placing their hands on their respective circle on the symbol that unlocks Mr Jones’ cell.

And again, we see the number three associated with a lock and key on the box used to house Tripp’s diary left to Patricia.

But is the power of the design intrinsic or is it what the design represents?

Does the symbol in fact represent an important cultural or biological concept for the race of aliens to which Max, Isobel, and Michael belong? Join me dear readers on my journey into the “aliens need to be in groups of three to form stable relationships and be happy” head canon.

Could it be possible that the aliens only function successfully when they form relationships, be they romantic, sexual, platonic, sibling etc when it contains three people?

We see many different groupings of people, that don’t seem to work properly until they are together or that when fractured, bad things happen.

Pod squad - Iz, Michael, Max

Science Bros - Liz, Michael, Kyle

Family - Liz, Rosa, Arturo

Family - Liz, Rosa, Kyle

Friends - Liz, Maria, Alex

Barn Crew - Nora, Louise, Roy

The Parents - Mimi, Jim, Jesse

Manes Men - Alex, Flint, Greg

In 2.05 we are given an answer by Max:

“The thing is, there has to be three. Okay. There’s always three. Until the end.”

“Cause it’s all broken without three.”

This is confirmation from canon that at least for the Pod Squad, three is the magic number.

The question then becomes was Max talking only about their specific situation or is it indicative of the wider cultural/biological alien imperative?

In terms of the Pod Squad, even though they are together physically, emotionally they are distant. The events surrounding Rosa’s death break the trust within the group and the closeness they had before that event is lost. It’s only once those secrets are out in the open and they begin to repair their relationship as a group, that they each start to heal their other relationships as individuals. Obviously, there are other events impacting their individual circumstances but the point holds.

Could this within its full cultural manifestation be that triads are the norm for the aliens? And that the 2.06 threesome is them unwittingly falling into the cultural norms of Michael’s society?

Does the threesome between Maria, Alex and Michael happen because they were already the most likely (basically people who are all outsiders in some way and therefore already breaking societal norms) to be open to unconventional relationship structures and therefore more open to acting on the drive towards a triadic group?

Originally posted by rosaortecho

Like for Kaliz, Kyle provides that balance, cause Max isn’t great at setting boundaries with Liz.

And even with Alex, Maria and Liz, their friendship was broken until they all came back together.

Even in non-romantic/sexual situations the characters tend to work better in groups of three. It isn’t until Kyle, Liz and Michael all start working together that they start making headway on healing Max and it’s only when they all contribute something equally (Liz regrowing the heart, Michael making the pacemaker and Kyle conducting the surgery) that they finally succeed.

I like that alien culture isn’t just a replication or mirror of our world. And that the differences provide a lens for us to examine our own cultural defaults. - eg monogamy (which historically hasn’t always been the default even in the West). Canon has explicitly questioned the assumption that the aliens experience sexuality in the same way as humans. Michael says in 1.11 Champagne Supernova:

“Oh, we are literally aliens, and you’re gonna hold me to some outdated binary of sexuality?”

And Isobel in 2.07 Como La Flor:

“I mean, what does an alien care about human gender constructs?”

It isn’t such a stretch to suggest that how their society structures its intimate and familial relationships is also different than humans? If aliens aren’t monosexual by default, it’s highly possible they aren’t monogamous by default either.

While allegory plays an important part in the storytelling of the show, I wish that they would also take advantage of their sci-fi setting to explore other aspects of the aliens’ culture. Use the sci-fi genre to explore how they are different as much as how they are the same as humans. The story so far has given us so many elements that could be used as a what-if starting point for exploring different possible experiences. For example, how The Expanse has shown that as humanity expands into space different distinct culture develop. In the show, we see the exploration of a polyamous Belter family that Drummer finds herself in - the #PolyamBelterFam

Realistically, we aren’t going to see this. Even though hey even went as far as having portraying a canon threesome but stopped short of fully exploring the potential of this event by giving us a fully realised polyamorous relationship.

Nevertheless, I don’t think we’ve seen the last of the “three” symbolism and it’s going to be interesting to see if it gets developed further.

Update 11 Aug 2021 (Post S3 Ep 3):

So only three eps in and we already have new "There Needs To Be Three" content. Let's start with the most obvious!!

Our introduction to the home planet of the Pod Squad gives us this image of the night sky with Three Moons!! Which are sort of in the same configuration as the lock symbol?

In the dialogue of the show, Isobel actually uses the term "Triad" to describe the pod squad:

"Okay, you're right. We've all been hiding things from each other. And it has to stop.

We're not strong unless we're together. It's like you said; there has to be three. We're a triad."

(text courtesy of Saadiestuff transcripts)

In S3 Ep 3 we see Michael coming to possession of some enhanced turquoise. He ends up giving pieces to Alex, while Isobel also gets a piece. Both Michael and Alex use their pieces to boost or interact with some alien technology, while Isobel's piece enhances her empathic power.

This one is purely theoretical at this point, but what about the Lockheart Machine and Jim's Radio - is there a missing third machine to complete a machine/circuit?

#roswell nm #roswell new mexico #roswellnm #symbolism #michael guerin #alex manes #maria deluca #liz ortecho #rnm spoilers #max evans #kyle valenti #isobel evans

[cassierobinsons]

I posted 4,455 times in 2021

338 posts created (8%)

4117 posts reblogged (92%)

For every post I created, I reblogged 12.2 posts.

I added 2,768 tags in 2021

#destiel - 489 posts

#dean - 432 posts

#castiel - 421 posts

#fanart - 382 posts

#sam and dean - 306 posts

#spn blogging - 249 posts

#sam - 197 posts

#+ - 157 posts

#4x01 - 69 posts

#winchesters - 66 posts

Longest Tag: 139 characters

#you can't call castiel problematic because he's a queer femme coded gay. don't speak on his character unless you're gay yourself. yes he br

My Top Posts in 2021

#5

okay was anyone gonna tell me that the s6 blooper reel features the bit in 6x01 where lisa asks dean to come to bed but this time when he says he'll be there soon lisa pulls out a riding crop causing dean to gleefully leap out of his seat and follow her out of the room or was i just supposed to find that out from an anonymous commenter online

812 notes • Posted 2021-10-02 00:22:41 GMT

#4

Would you mind giving some examples of sera gamble's antiblackness? It doesn't surprise me at all bc *gestures at the show* but it all runs together in my memory and I can't place any eras besides kripke s1-4

yeah sure! the show in general is racist ofc, but i think her writing consistently depicts black men as menacing and villainous.

gordon walker's introductory episode is perhaps the first ep in the series that attempts to address the issues with hunting and how it's populated by predominantly white vigilantes with guns but it also uses a black man as dean's evil foil! again, predominantly white vigilantes but it just has to be a black man we see menace & hurt innocent white vampire amber benson while the winchesters look on in horror.

if bloodlust is bad, fresh blood in s3 makes things so much worse because at least with the aforementioned you can rationalise it as sterling k brown being the best actor who auditioned but fresh blood is. it's. well you get sam & dean decapitate harmony kendall in the first 5 minutes alone but then vamp!gordon decapitating a bunch of white blonde lady vamps is proof of how scary & evil he is. very obvious white woman who crosses the street to avoid black men vibes from that ep. oh, and vamp!gordon avoids drinking blood until he suddenly decides to pin dean against the wall and feed off of dean's neck (suggestively!) before sam & gordon fight and then sam fucking decapitates him with razor wire. i swear before i saw HOtG this was hands down my least fave ep.

if we're talking gamble era in general i'm thinking of raphael as the big bad of s6 but i also watched s6 more than a month ago and have forgotten so much i can't fully get into it. OH YEAH just remembered how the alpha vampire is played by *drum roll* a black actor! what's more is he's the ONLY alpha depicted as a child predator - he's not a sexual abuser, sure, but he canonically abducts children to feed off of as a ~delicacy.

the other examples i'm thinking of that aren't as bad but cannot take in good faith are:

sam & dean torturing a demon in a black vessel in 3x15/time is on my side

ruby temporarily possessing a black maid in 4x09/IKWYDLS and it being played for laughs

lisa's black boyfriend getting his neck snapped by demons in 6x21/let it bleed after 10 seconds of screentime

tl;dr idc how much people hate gamble for the magicians BYG, in the context of spn her anti-blackness is way way worse than her homophobia.

849 notes • Posted 2021-08-26 22:00:26 GMT

#3

tombstone emojis!

1525 notes • Posted 2021-06-28 23:54:09 GMT

#2

one day I'll write a poast about how kripke accidentally wrote deancas as a romance because he doesn't get that gay people exist

2190 notes • Posted 2021-04-07 23:59:24 GMT

#1

i think people tend to forget that dean is a gen Xer (a baby gen Xer, but a gen Xer nonetheless) whose home state had sodomy laws until uh, *checks* 2003 so there's this tendency to read any reluctance dean may have surrounding being out as him being cartoonishly repressed (or even cowardly!) instead of it being like, a normal reaction to have in response to the hideous homophobia of the 80s & 90s. it doesn't matter how safe a situation he's in now, you don't shake that kind of thing off easily. and while the above obviously lends itself well to repressed!dean readings, i think it's important to emphasise that it can absolutely coexist with if not perfectly complement aware-but-closeted!dean. you can know exactly who you are but still find it incredibly difficult to express due to the poisonous environment you grew up in.

2341 notes • Posted 2021-08-28 23:56:26 GMT

Get your Tumblr 2021 Year in Review →

#my 2021 tumblr year in review #okay i FINALLY got it working #lmao my longest tag #so true

[sunnydaleherald]

The Sunnydale Herald Newsletter - Sunday, August 2nd

Spike: Angel's dull as a table lamp. And we have very different coloring.

~~Dirty Girls~~

[Drabbles & Short Fiction]

For a Fistful of Drabbles (SPN crossover, Spike/Dean, T) by estepheia

Perchance to Drabble (Ethan/Giles, T) by estepheia

Scars - Old Habits Die Hard (Ethan/Spike, M) by estepheia

Excuse me? (Spike/Xander/Giles, NR) by Lisa Martin (LisaM)

The Good, the Bad and the Drabble (T) by estepheia

Through Dark Drabbles, Clearly (M) by estepheia

With This Demon Artifact, I Thee Wed (Buffy/Giles, T) by Anonymous

Hello Sisters (Charmed crossover, Buffy, FR13) by MirroredIllusions

[Chaptered Fiction]

to distract our hearts from ever missing them Chapter 1 (Faith/Buffy, M) by toyhdgehog

More Grimm Tales Chapter 8 (Buffy/Spike, NR) by wolf_shadoe

If I Gave You my Heart, Would You Break it? Chapter 5 (Faith/Tara/Willow, NR) by DisasterLesbean

Death Wish Chapter 12 (Buffy/Spike, M) by TheSigyn

Soul Swap Chapter 2 (Buffy/Spike, T) by ZombieLieutenant

Invasion of the Space Vixens Chapter 6 (Multiple crossovers, Buffy, T) by steeleye

Stupid Thing Chapter 3 (Buffy/Spike, E) by DrusillaFaithBuffy

In Every Generation Chapter 6 (Heathers crossover, M) by RamercyGriff

Sunnydale's Last Guardians Chapter 11 (Faith/Buffy, T) by RavenclawSlayer

May You Ever Return Chapter 1 (Spike & Dru, M) by Hannah

your best american girl Complete (Faith/Buffy, T) by atiredonnie

A (Mostly) Comprehensive Guide to the End of the World Chapter 6 (Buffy/Spike, NC17) by Annabellee

Rewrite Chapter 12 (Buffy/Spike, R) by hopelesswanderer

Do Not Read This Journal - Musings of a Vampire on Life, Love and (Un) Living on a Hellmouth Chapters 107 - 109 (Buffy/Spike, NC17) by IvoryPetals

Daughter of Aurelius Chapter 12 (Buffy/Spike, NC17) by Loup Noir

Princess Buffy's Choice Complete (Buffy/Spike, PG13) by zarryspolo

When all you've got is hurt Chapter 4 (Buffy/Spike, Adult) by Twinkles

Summer's Lease Chapter 14 (Buffy/Spike, NC17) by Iamblichus

Of Loves and Heroes Chapter 5 (Doyle, T) by JustAFigmentOfYourImagination

[Images, Audio & Video]

Artwork: Did I reach peak lockdown nerd yet? (Buffy) by joyhaharvey

[Reviews & Recaps]

Review Boom!Buffy, issue 15 by harsens-rob

Boom!Angel reviewed, Issue 12 by harsens-rob

Surprise (S2:E13) by Slow to the Show

Buffy S3 E10 ‘Amends’ by pass-the-bechdel

[Community Announcements]

Multifandom: FEARbuddies 2020: Signups Open

[Fandom Discussions]

Dawn pre-season 5 by tobrown92

Thoughts from a new watcher: Surprise (S2:E13) by ashwurq

Willow in "Triangle" by Garlicknottodaysatan

Buffy/Angel Watch Order Question by nfrenay26

Gonna make a Buffy-inspired baked good for r/52weeksofbaking in Sept (Week 38: Geekery). Thoughts or suggestions? by Anal_dumpling_69

A staple for all Buffy/Angel fans! by ThelastJasel

What is the most unintentionally disturbing moment in the show? by RDKC2005

One of the coolest and haunting scenes by Knicks1986

Such a heart breaking & well acted scene! by honestly___idk

Harmony, Buffy and Willow in Passion, and Research by comradesummers

[Articles, Interviews, and Other News]

Whedonverse Universal Slayer Theory Explained at Screen Rant

#buffy the vampire slayer #btvs #ats

[novachela]

Pick 5 shows, then answer the following questions. don’t cheat. tag 10 (or however many) peeps.

1. The 100

2. She-Ra and the Princesses of Power

3. Series of Unfortunate Events

4. The Magicians

5. The Outlander

1. who is your favorite character in 2?

Omg... That's harsh. Idk how I could ever pick. Maybe, Entrapta.

2. who is your least favorite character in 1?

I guess it's Abby cuz nobody else's death made me cheer xD

3. what is your favorite episode of 4?

Without a doubt, S3E5 A Life in the Day. I just. Goals.

4. what is your favorite season of 5?

Season 1 has my heart bc watching them fall in love is just everything. The finale is rough though.

5. who is your favorite couple in 3?

ESME AND OLAF.

6. Who is your favorite couple in 2?

Entrapdak is so cute I just can't.

7. what is your favorite episode of 1?

*starts ugly sobbing*

8. what is your favorite episode of 5?

Call me terrible but "Faith". I bawled like a baby, it's so well done and heartbreaking and I just. Ugh. It's so sad but touches me so deeply. I can't not.

9. what is your favorite season of 2?

There aren't many but S3 was LIT. They're all good though.

10. how long have you watched 1?

Damn idek. It's been a while. But I definitely didn't start when it came out. I think... Maybe I started after S3 came out? That's just a wild guess though.

11. how did you become interested in 3?

I saw a suggested article and flipped tf out and waited at the edge of my chair till it came out lol

12. who is your favorite actor in 4?

Oof. Probably Hale Appleman. Eliot is such a good character.

13. which do you prefer, 1, 2, or 5?

The 100 is my favorite show of all time, so. Yeah. She-Ra is a close second though.

14. which show have you seen more episodes of, 1 or 3 ?

I've seen all of both, but the 100 has more episodes so 1.

15. if you could be anyone from 4, who would you be?

MAAAAARRRRGOOOOOO

Or Kady but probably Margo.

16. would a crossover between 3 and 4 work?

Eesh. I don't think so. If it did it would have to be real quick, just *Eliot and Margo open a portal, peek in on Olaf and Esme in full octopus dress discussing some villainy on the submarine, look at each other, and go "nuh uh, nope, no way, not touching that." and then close the portal*

17. pair two characters in 1 who would make an unlikely but strangely okay couple.

Clurphy is trash but they cute

18. overall, which show has the better storyline, 3 or 5?

I mean, they're both awesome but in different ways. One is a kids show and the other DEFINITELY not. But they're both well done. I guess if I had to choose I'd say outlander, but really I like them both.

19. which has the better theme music, 2 or 4?

Bruh She-Ra got me bopping in the cooler at work so no contest.

Tagging:

I'm literally just gonna tag random people with the first 10 letters of the alphabet.

@animalsnaps @biggest-gaudiest-patronuses @chibird @doctorwho @everythingharrypotter @fowllanguagecomics @geyashvecova @hiltalksbeauty @incorrect-harry-potter-quotes @just--space

There ya go lol and anybody else that wants to do it, go nuts.

#tag game #The 100 #spop #series of unfortunate events #the magicians #outlander #This was fun

[scotsmanandsassenach]

Fan’s Choice Outlander Challenge: June 2019

Join us for the Fan’s Choice Outlander Challenge, where each day in June we propose an either/or scenario and challenge you to make a choice. The details are as follows:

The list of daily scenarios is attached below and how you make your decision is up to you. You might choose the character that makes you laugh the most, the scene that’s guaranteed to leave you nauseous or the location that you dislike the least... there‘s no wrong way to do this!

Share your choice in any way, shape or form that you like. Suggestions include personal stories, book quotes, visual edits, fan fiction, stick figure drawings, sculptures made out of candy and pet cosplay.

Days are relevant to your personal time zone. Simply try to post your response between midnight and midnight!

Use the hashtag #Fan’s Choice Outlander Challenge with each daily post so we can see and share the  choices you’ve made!

We are so excited for you to join us and see what choices you make!

1. Jamie Fraser or Claire Fraser

2. Outlander Books or Television Series

3. Lallybroch or Fraser’s Ridge

4. Joe Abernathy or Geillis Duncan

5. Jamie Fraser’s Sawny Snake or Faith Fraser’s Apostle Spoon

6. Roger Mackenzie or Fergus Fraser

7. The Wedding or Print Shop Reunion

8. ‘Black Jack’ Randall or Stephen Bonnet

9. Collecting Rent (S1) or Raising an Army (S2)

10. Mother Hildegarde or Adawehi 

11. Ellen Fraser’s Pearl Necklace or Claire Fraser’s Silver Wedding Ring

12. Laoghaire Mackenzie or Frank Randall

13. Cranesmuir Witch Trial (S1) or Comte St. Germain & Master Raymond’s Trial for Sorcery (S2)

14. Red Jamie or A. Malcolm

15. Boston General Hospital or L'Hôpital des Anges

16. Jocasta Cameron or Letitia MacKenzie

17. The Red Dress (S2) or The Batsuit (S3)

18. Murtagh & Claire or Murtagh & Fergus

19. River Run or Castle Leoch

20. Lord John Grey or Isobel Dunsany 

21. Wentworth Prison or Ardsmuir Prison

22. Claire Meeting Brianna or Jamie Meeting Brianna

23. Ned Gowan or Hugh Munro

24. Highlands on Horseback or Sailing the Caribbean

25. Angus & Rupert or Young Ian & Rollo 

26. Jamie vs. Black Jack Duel (S2) or Jamie vs. Bear (S4)

27. Mrs Graham or Mrs Fitz.

28. Mackenzie Gathering (S1) or The Scottish Festival (S4)

29. Jenny & Ian Murray or Fergus & Marsali Fraser 

30. Design Your Own (and drop it into your friends Ask Box!)

#Fan’s Choice Outlander Challenge #outlander #fandom challenge