of ten’s companions, if the doctor couldn’t handle losing them and crossed his own timeline to trick them into traveling with future!him instead of past!him so that he’d have a little more time with them:
rose would do it. first because bless her but she has the situational awareness of a rock, and legitimately would not realize this isn’t her doctor until his facade starts to break down and he starts bleeding grief-laced love for her at every turn. but once she does realize it, she’s both deeply sympathetic and a little scared that she could make him into this. it’s a lot to be confronted with having that much power over someone, to break them so thoroughly. rose would try to get back to her doctor, but while she’s with the future version, she tries to do what she can to ease his pain. (she also tries to figure out a way to subvert her fate. she fails.)
i think martha would be harder to trick. she can smell desperation on the doctor like a bloodhound. she is so tapped into the fact that this man wants to off himself so bad and that she’s 90% of his self-restraint, so present her with a doctor who is lacking that and she’s onto him immediately. however, assuming he gets her to come with him, explains why he’s doing this, there’s like. a minute where she’s kind of. not flattered exactly, but surprised, giddy with the realization that he’d come back for a little more time with her, especially if this is early season 3 martha. which would all come crashing down around the time that he reveals that he wasn’t pushed to this by losing her to some tragedy or her death or anything- but that she chose to leave. that is the point at which martha goes ‘oh i need to get the fuck off of this tardis right now’ and ghosts the past!doctor that she was also traveling with because holy shit, man.
donna, like rose, is easily bamboozled into following the wrong doctor home, provided that he shuffles her along into his tardis too fast for her to argue. but she catches on far quicker than rose does. like, three minutes tops of watching the doctor move through the tardis in a way that’s definitely not enthusiastic piloting and looks more like guilty panic. and then she yells at him for lying to her. and she yells at him for kidnapping her. and then she stops yelling because he’s gone sort of still and quiet and his eyes are just broken. and he doesn’t explain himself, he confesses. donna is going to try to stay with him after this btw. because how do you go back to looking your best friend in the eyes when you know he’d take everything you’ve become away from you, even to save your life? and this is still the doctor, he still did that to her, but he regrets it. regrets it so much that he can’t live with it, he’s breaking time and space just to hear her say his name again. and donna doesn’t want to lose him anymore than he wanted to lose her.
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Quick little Herobrine and Steve WIP. Will do more soon. Might be done by tomorrow??
The style keep changing but that’s bc I’m a dunce so
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killed a big wolf spider in the bathroom a few hours ago and i just went in there again and there was ANOTHER SPIDER!!!!!!! and as i was leaving back to my room youre not gonna believe what was trying to crawl under my bed . thats right. Another Big Spider . someone help me.
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kindof funny to imagine my pre-existing ocs being in wbg... fucking dean pryor playing wbg. what a thought. WOULD HIS MOTHER BE HIS PRIZE? OR HIS DAD? oh if it was his dad he wouldnt even need the fourth challenge he'd kill that man on his own. no actually probably someone from his time working for blu....... interesting thought. oh no do NOT give pryor free access to time travel he'd immediately try to monopolize it. and also get fucking rich. oh my god he could fuck over so many people from his past... MAN. dont give the worst guy ever access to time travel its going to go disastrously. MAN.
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venom is such an interesting dynamic because of how insular they are. like, two beings sharing a mind and body, they have a whole internal world that nobody else is privy to. it's something i adore about the early comics, where the symbiote doesn't ever verbalize anything, and even we the audience aren't privy to their internal monologue - both we the audiences and the other non-venom characters receive the same amount of information about it, that is, the amount of its thoughts that eddie decides to externalize, whether by outright saying "my other thinks this" or just responding to whatever it says in his head. they are so insular that not even the AUDIENCE gets to see inside!
so to me, venom as a whole story, is one that has to be small. because it hinges around this small internal world of eddie and the symbiote, and so the external story can only really work too if it's similarly small
the whole lethal protector era was so good because it NAILED that. just one city, living in the fucking sewers or an underground city the entire time, cut off from the rest of mainstream society both because of their alliance with the underground city and also because of their... very existence as venom. like nobody else wants to be around them. and that's fine, they're fine alone, together. the whole world can be against them but as long as they're together it's all okay.
this dynamic is so great and then add it along with the general villain -> anti-hero arc, and the inherent tension to being the Lethal Protector at all balancing the, well, Lethality, with the Protection. it's so fucking great
and then the future comics just like. keep upping the stakes. they go back to new york. they go back to being a villain. they split up. eventually somehow eddie becomes a literal fucking god. like it's just insane. this is not the venom i started reading. lol
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