CREATIVE CULTURES & CONTEXTS 237230 ⋆ Citations of Life
WORKS CITED
Apollo 17. AS17-148-22727. Photography, Dec. 1972.
Artbreeder, 2019.
“Biography of Charles Frederick Goldie.” Museum of New Zealand Te Papa Tongarewa, https://collections.tepapa.govt.nz/topic/945.
Blundell, Sally, and Rob Brown. “Set in Stone.” Living World, New Zealand Geographic, May 2010, https://www.nzgeo.com/stories/set-in-stone/.
ChatGPT, 2023.
Emerging Technology from the arXiv. “Iris Scanner Can Distinguish Dead Eyeballs from Living Ones.” MIT Technology Review, MIT, July 2018, https://www.technologyreview.com/2018/07/24/141323/iris-scanner-can-distinguish-dead-eyeballs-from-living-ones/.
Eria, Migoto. “The Mana of Taonga and What It Means for Museums in Aotearoa.” Museum of New Zealand Te Papa Tongarewa, Sept. 2018, https://blog.tepapa.govt.nz/2018/09/12/the-mana-of-taonga-and-what-it-means-for-museums-in-aotearoa/?cn-reloaded=1.
Grivina. Business Topics - Client Calls Stock Illustration. Digital, Dec. 2020, https://www.istockphoto.com/vector/business-topics-client-calls-gm1291576186-386650780.
Iti, Tame (Tūhoe). “Mana: The power of knowing who you are”. YouTube, uploaded by TedxAuckland, 17 July 2015, https://youtu.be/qeK3SkxrZRI
Larson, Gary. Cow tools. Print, Oct. 1982.
McCarter, Reid. “Abandon All Hope and Gaze upon This Deeply Cursed Image of Unidentifiable Objects.” The A.V. Club, Apr. 2019, https://www.avclub.com/abandon-all-hope-and-gaze-upon-this-deeply-cursed-image-1834239839.
Minjun, Yue. Execution. Oil painting, 1995.
Mirzoeff, Nicholas. How to See the World. Pelican, 2015. 1-27. https://stream.massey.ac.nz/pluginfile.php/5343965/mod_book/intro/Mirzoeff_How%20to%20see%20the%20world_Intro_Chapter%20notes%202015.pdf?time=1677378163695.
Mirzoeff , Nicholas. Visual Thinking in Dangerous Times. NYU Prague, Dec. 2019, https://www.youtube.com/watch?v=sBEKGtTgox8.
Pin Art Wall. Partyworks, n.d.
“Police Seeks Help to Identify Dead Body.” Kashmir Life, KL News Network, Apr. 2018, https://kashmirlife.net/police-seeks-help-to-identify-dead-body-172290/.
Rauwerda, Annie. “Why Does Gen Z Love ‘Cow Tools,’ a Nonsensical Comic from 1982?” Inverse, Input, Jan. 2022, https://www.inverse.com/input/culture/cow-tools-far-side-gary-larson-cult-gen-z.
Rosenberg, David. “How One Photographer Overcame His Fear of Death by Photographing It.” Slate, Aug. 2014. slate.com, https://slate.com/culture/2014/08/walter-schels-life-before-death-includes-portraits-of-people-before-and-after-dying-photos.html.
Ruthie. Directed by Amy Winfrey, vol. Season 4 Episode 9, Netflix, 2017, https://youtu.be/JKRNKYdvFIo.
Schels, Walter. Life Before Death. Photography, 2004.
Schorch, Philipp, and Arapata Hakiwai. “Mana Taonga and the Public Sphere: A Dialogue between Indigenous Practice and Western Theory.” International Council of Museums, International Journal of Cultural Studies, 2014, https://icom.museum/en/news/mana-taonga-power-to-the-people/.
Semiotics Diagram. San Diego AMA, https://sdama.org/knowledge/semiotics-in-marketing-research-gaming-changing-marketing-research-3/semiotics-diagram/.
Smith, Huhana. “Mana Taonga and the Micro World of Intricate Research and Findings around Taonga Māori at the Museum of New Zealand Te Papa Tongarewa.” Sites: A Journal of Social Anthropology and Cultural Studies, vol. 6, no. 2, Dec. 2009, pp. 7–9, https://sites.otago.ac.nz/Sites/article/view/126.
Student-Staff Forum on Generative Artificial Intelligence at Sydney. Directed by University of Sydney, Educational Innovation, 2023, https://www.youtube.com/watch?v=5b8Op64v7Pc&ab_channel=EducationalInnovation.
Sturken, Marita, and Lisa Cartwright. Practices of Looking : An Introduction to Visual Culture. 2nd ed, Oxford University Press, 2009.
“Victorian Era Post-Mortem Family Portrait of Parents with their Deceased Daughter.” n.d. https://blog.history.ac.uk/2013/02/memorial-photography/
White, Anna-Marie, and Kate Brettkelly-Chalmers. Kaihono Āhua - Vision Mixer: Revisioning Contemporary New Zealand Art. The Suter Art Gallery Te Aratoi o Whakatū, 2014.
Williams, James. Understanding Poststructuralism. Acumen Pub, 2005.
BIBLIOGRAPHY
Apollo 17. AS17-148-22727. Photography, Dec. 1972.
Artbreeder, 2019.
“Biography of Charles Frederick Goldie.” Museum of New Zealand Te Papa Tongarewa, https://collections.tepapa.govt.nz/topic/945.
Blundell, Sally, and Rob Brown. “Set in Stone.” Living World, New Zealand Geographic, May 2010, https://www.nzgeo.com/stories/set-in-stone/.
ChatGPT, 2023.
Emerging Technology from the arXiv. “Iris Scanner Can Distinguish Dead Eyeballs from Living Ones.” MIT Technology Review, MIT, July 2018, https://www.technologyreview.com/2018/07/24/141323/iris-scanner-can-distinguish-dead-eyeballs-from-living-ones/.
Eria, Migoto. “The Mana of Taonga and What It Means for Museums in Aotearoa.” Museum of New Zealand Te Papa Tongarewa, Sept. 2018, https://blog.tepapa.govt.nz/2018/09/12/the-mana-of-taonga-and-what-it-means-for-museums-in-aotearoa/?cn-reloaded=1.
Grivina. Business Topics - Client Calls Stock Illustration. Digital, Dec. 2020, https://www.istockphoto.com/vector/business-topics-client-calls-gm1291576186-386650780.
“Interview with Walter Schels.” A Closer Look, Artsper Magazine, Sept. 2013, https://blog.artsper.com/en/a-closer-look/interview-with-walter-schels/.
Iti, Tame (Tūhoe). “Mana: The power of knowing who you are”. YouTube, uploaded by TedxAuckland, 17 July 2015, https://youtu.be/qeK3SkxrZRI
Larson, Gary. Cow tools. Print, Oct. 1982.
McCarter, Reid. “Abandon All Hope and Gaze upon This Deeply Cursed Image of Unidentifiable Objects.” The A.V. Club, Apr. 2019, https://www.avclub.com/abandon-all-hope-and-gaze-upon-this-deeply-cursed-image-1834239839.
Minjun, Yue. Butterfly. Oil painting, 2007.
Minjun, Yue. Execution. Oil painting, 1995.
Mirzoeff, Nicholas. How to See the World. Pelican, 2015. 1-27. https://stream.massey.ac.nz/pluginfile.php/5343965/mod_book/intro/Mirzoeff_How%20to%20see%20the%20world_Intro_Chapter%20notes%202015.pdf?time=1677378163695.
Mirzoeff , Nicholas. Visual Thinking in Dangerous Times. NYU Prague, Dec. 2019, https://www.youtube.com/watch?v=sBEKGtTgox8.
Pin Art Wall. Partyworks, n.d.
“Police Seeks Help to Identify Dead Body.” Kashmir Life, KL News Network, Apr. 2018, https://kashmirlife.net/police-seeks-help-to-identify-dead-body-172290/.
Preciado, Paul B. Testo Junkie: Sex, Drugs, and Biopolitics in the Pharmacopornographic Era. The Feminist Press at the City University of New York, 2013.
Rauwerda, Annie. “Why Does Gen Z Love ‘Cow Tools,’ a Nonsensical Comic from 1982?” Inverse, Input, Jan. 2022, https://www.inverse.com/input/culture/cow-tools-far-side-gary-larson-cult-gen-z.
Rosenberg, David. “How One Photographer Overcame His Fear of Death by Photographing It.” Slate, Aug. 2014. slate.com, https://slate.com/culture/2014/08/walter-schels-life-before-death-includes-portraits-of-people-before-and-after-dying-photos.html.
Ruthie. Directed by Amy Winfrey, vol. Season 4 Episode 9, Netflix, 2017, https://youtu.be/JKRNKYdvFIo.
Schels, Walter. Life Before Death. Photography, 2004.
Schorch, Philipp, and Arapata Hakiwai. “Mana Taonga and the Public Sphere: A Dialogue between Indigenous Practice and Western Theory.” International Council of Museums, International Journal of Cultural Studies, 2014, https://icom.museum/en/news/mana-taonga-power-to-the-people/.
Semiotics Diagram. San Diego AMA, https://sdama.org/knowledge/semiotics-in-marketing-research-gaming-changing-marketing-research-3/semiotics-diagram/.
Smith, Huhana. “Mana Taonga and the Micro World of Intricate Research and Findings around Taonga Māori at the Museum of New Zealand Te Papa Tongarewa.” Sites: A Journal of Social Anthropology and Cultural Studies, vol. 6, no. 2, Dec. 2009, pp. 7–9, https://sites.otago.ac.nz/Sites/article/view/126.
Student-Staff Forum on Generative Artificial Intelligence at Sydney. Directed by University of Sydney, Educational Innovation, 2023, https://www.youtube.com/watch?v=5b8Op64v7Pc&ab_channel=EducationalInnovation.
Sturken, Marita, and Lisa Cartwright. Practices of Looking : An Introduction to Visual Culture. 2nd ed, Oxford University Press, 2009.
“Victorian Era Post-Mortem Family Portrait of Parents with their Deceased Daughter.” n.d. https://blog.history.ac.uk/2013/02/memorial-photography/
White, Anna-Marie, and Kate Brettkelly-Chalmers. Kaihono Āhua - Vision Mixer: Revisioning Contemporary New Zealand Art. The Suter Art Gallery Te Aratoi o Whakatū, 2014.
Williams, James. Understanding Poststructuralism. Acumen Pub, 2005.
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