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#he's not nice but in that way he is kind
vegaly-art · 6 months
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"I will not judge you for what you are. Just as I will not judge you for what you've fashioned yourself out to be. Or what you've lost in pursuit of that."
"Rest Easy. Your soft heart is safe in my grasp."
"I am born of cruelty but that isn't all I am"
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heartorbit · 8 months
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holy quintet looks kind of different
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dykedvonte · 13 days
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The Ghoul: Ain’t ya tired of bein’ nice? Don’t ya wanna go ape shit?
Lucy, going ape shit mind you: No! I’m tired of everyone being so mean all the god dang time!
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kagoutiss · 22 days
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pelican town, ‘72
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ruporas · 1 year
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the song of humanity will continue to be sung
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puppyeared · 8 months
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axolotl
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canisalbus · 8 months
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gothic lolita machete came to me in a dream
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shopcat · 11 months
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i think in the hamster wheel of my mind a big part of where people go wrong with eddie and his shitty garage band as an extension is that they for some bizarre reason think he's gene simmons metal when he's jack black metal. heavy metal. he's tenacious d metal. he's school of rock. he's stoner lord of the rings metal he nearly wore blue jeans and plaid. jack black literally in real life once said eddie was the best character bc he's heavy metal like him. LOOK AT THIS
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#🍦#answer it's bc people think he's some mishmash of all alternative scenes without any actual knowledge of where the mashing occurs 😭#eddie is . a heavy metal guy. A cool one. a nice one even. he likes rock and roll#it's so funny when ppl try and describe it and they've never heard the stuff he actually listens to in their lives for some reason#literally so much of the appeal of eddie's character within his subculture is that its theatrical and dramatic but its still grounded#he's very alternative and Out There but he's still just some guy. he's not wearing spiked leather jackets#in fact he's not wearing any of the other kinds of leather jackets i've seen people say he would ... TO ME#sts#if u haven't seen the clip he then proceeds to air guitar the MoP melody then shouts heavy metal is everywhere#i don't even know how to explain this bc it's like ... okay#the general .. VIBE? aestheticsm? is kind of similar to what people sometimes portray but they're missing thst it's tongue in cheek#like it's like that buff poster of him being this anachronistic homage to heavy metal album covers#fire and satanic imagery and skulls and lightning and big drama and ROCK AND ROLL#it's rock and ROLL man...#and people r making him this weird sanitised dork LOL 😭 when he's a dork in a different more fun way.. imo#and it's not that those types of people don't exist and that they're not cool in their own way cuz they are sure but that's not THIS GUY#he is an 80S METALHEAD... and yeah i try and ground him in thinfs and poke and prod at it until it fits my own understanding of alternative#scenes better but that's bc i've had a hand in the punk scene for years and years#i dunno sometimes i feel like ppl r just not doing the full potential and then going way too hard in this super specific direction#and he ends up first of all usually just a massive douchebag not sure what that's about. But a guy who he would in canon HATE 😭#YOU ARE MAKING HIM A POSER. is what i'm saying#he is alwyas some guy before he's anything else and before he's that he's a 20 year old loser#you need to reflect this... You need to bottle it. ugh. ugh#so much of this reminds me of the time someone was like he would never wear PLAID#like are you kidding me. are you actually kidding me rn#ppl have this weird arstheticised mostly modern and mostly literallt just eboy Idea of what he'd wear it's crazy to me sorry#also it's ugly#i also think. this is so long lol . anyway . i also think going too ''authentic'' in the 80s metalhead direction also lands u w different#problems. my advice to people trying to write or draw alternative characters is they are People. before they are anything else#🍏
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poorly-drawn-mdzs · 1 year
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Feeling Fruity
[First] Prev <–-> Next
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ddeck · 4 months
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cause of death: thought about commander cody a bit too hard
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kelordi · 3 months
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the oliver family reveal scene is such a character defining moment for felix. it reveals how deeply self serving he is as a person. ignoring that oliver is lying, since felix isn't aware of that at this point, felix is forcing his seemingly deeply traumatized friend back into said traumatizing environment because he feels the need to play the savior. "i'm not taking no for an answer. you have to fix this" why is felix insistent upon involving himself in these deeply personal family matters? to the point where he's bringing oliver there against his will? answering his phone and talking to his mom for him? as venetia said, he's known ollie for around six months. he couldn't truly begin to understand a family history that complicated and so opposite of his own in such short time, yet he's made himself an authority on mending this broken relationship between an abusive addict mother and her son. by deception. on ollie's birthday!!!!
the attention is taken away from this aspect of the dynamic very quickly since yknow, we find out everything is a farce anyway, but felix imposed himself like it was nothing. he has no concept of boundaries or overstepping- he cannot handle the word no. you can tell it's not the first time he's said "i'm not taking no for an answer" and it wouldn't be the last. and it wasn't ever even truly for ollie's sake, it was another part of felix's fantasy. it's another part of the role ollie plays for him. felix is a damsel that doesn't understand he's the damsel. he thinks he's the knight. and when his damsel isn't actually in distress, the illusion falls apart. suddenly, felix is the one actually in danger and the whole play is ruined.
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smuby · 10 months
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my hcs for the medics. emesis blue kinda fucked up my perception of blu medic
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dancingbycandlelight · 11 months
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so, apparently the finale is called “so long, farewell” which has so many layers and connections i can’t deal with it. firstly it’s another musical lyric as a title (this time unedited from its original text unlike the la cage episode) and we already know that ted loves a musical.
secondly it brings back the julie andrews conversation in episode three which was possibly one of my favourite interactions of the entire season.
but thirdly and (possibly most importantly??) the entire plot of the sound of music is that maria is sent somewhere she originally doesn’t want to go, she gets there and feels instantly out of her depth. the team children try to force her out and the adults don’t take her seriously but gradually, through her unwavering positivity and gentle care she makes an impact on every single person. kids and adults alike, all changed for the better because of her guidance. but then!! maria falls in love, thinks she is no longer needed and she Leaves. she runs, goes back to the convent where she feels safe but then, after a honest conversation and a realisation of her own purpose and the importance of being true to her heart she Returns! she comes back, her role slightly changed but still just as important and involved.
all this time I’ve been worried that ted will be like mary poppins and leave when he is no longer needed, when he’s served a purpose. but this episode title has me feeling (hoping) that maybe he’s like a different julie andrews character after all..
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n4rval · 5 months
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the stalker
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its-an-art · 1 year
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[ID: A Naruto comic. Sarutobi stands in a bright white void and says, "Mm, so this must be the after--" He looks forward and sweats. "... life." Looming in front of him are Minato and Kushina, fists in palms and their eyes shadowed but expressions coldly furious. Sarutobi says, "Ah--" End ID]
——
‘I promise to take care of Naruto.’ He said before ditching a four year old pariah alone into an apartment, tossing some money at him, and telling him to figure it out.
It’s a love/hate thing with the Third Hokage when it comes to me.
My art
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fictionadventurer · 5 months
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What was the point of Scrooge's trip with the Ghost of Christmas Yet to Come? On a structural level, it makes sense--three is the fairy tale number, and you can't visit the past and present without also including the future--but on a character level, it doesn't quite seem necessary. Showing a man that he'll die alone, unloved, and unmourned seems like the strategy you take as the last-ditch effort to convince a guy that he needs to change his ways. But that situation doesn't apply to Scrooge. He started softening immediately after he first arrived in his past. By the time he finished with the Ghost of Christmas Present, he was fully onboard with the need to reform, so the Ghost's vision of his future seems like unnecessary cruelty. Why show him all this when he was already planning to change his ways?
A few things come to mind. One is that this vision of the future wouldn't have affected Scrooge unless he had already changed his ways. A cold, hard businessman could have seen his lonely death as just the way of the world, might have viewed the people who stole the clothes from his corpse as just people doing what's practical in this world. He needed to relearn the value of the intangibles--human connection, respect for others--to see the true horror of the lonely death and the vultures who defiled the dead man.
But why the horror? Can't he reform without being threatened with doom? It's possible--but it's also possible such a reform would be temporary. After all, Scrooge started as a friendly, loving young man, but retreated into himself and his business out of fear of poverty and fear of the way the world looks down upon poor people. Even if a reformed Scrooge started on a course of Christmas charity, there was always a chance that the enthusiasm would fade, and the worldly fears would start creeping back in. The only way to beat those fears is to give him something to fear that's even worse than poverty. He needs to see the horrible end that his selfish ways would lead to, so he won't be tempted to slide back into them.
There's also the fact that seeing his death makes him ecstatically happy to find that he's alive after the Ghost is gone. Had Scrooge been spared the vision of his future, he might have been happy to find himself on Christmas Day, but his joy would have been nowhere near the manic glee he experiences after coming back from the future. Now, he doesn't just get a new start--he gets a second chance. Coming back from his own grave makes him mindful of his death, but it also makes him hyperaware of the fact that he's still alive. He isn't in the ground yet. He still has time to do good and make connections with others so he doesn't die alone.
Seeing the past reminded him of the innocence he'd lost. Seeing the present reminded him of the people whose lives he was missing out on. Seeing the future reminded him that death is waiting, so it's important to live virtuously while we can. All three are important because all three brought him outside of himself and taught him to value the wider world, just in time to live through another Christmas Day.
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