"I will not judge you for what you are. Just as I will not judge you for what you've fashioned yourself out to be. Or what you've lost in pursuit of that."
"Rest Easy. Your soft heart is safe in my grasp."
"I am born of cruelty but that isn't all I am"
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the oliver family reveal scene is such a character defining moment for felix. it reveals how deeply self serving he is as a person. ignoring that oliver is lying, since felix isn't aware of that at this point, felix is forcing his seemingly deeply traumatized friend back into said traumatizing environment because he feels the need to play the savior. "i'm not taking no for an answer. you have to fix this" why is felix insistent upon involving himself in these deeply personal family matters? to the point where he's bringing oliver there against his will? answering his phone and talking to his mom for him? as venetia said, he's known ollie for around six months. he couldn't truly begin to understand a family history that complicated and so opposite of his own in such short time, yet he's made himself an authority on mending this broken relationship between an abusive addict mother and her son. by deception. on ollie's birthday!!!!
the attention is taken away from this aspect of the dynamic very quickly since yknow, we find out everything is a farce anyway, but felix imposed himself like it was nothing. he has no concept of boundaries or overstepping- he cannot handle the word no. you can tell it's not the first time he's said "i'm not taking no for an answer" and it wouldn't be the last. and it wasn't ever even truly for ollie's sake, it was another part of felix's fantasy. it's another part of the role ollie plays for him. felix is a damsel that doesn't understand he's the damsel. he thinks he's the knight. and when his damsel isn't actually in distress, the illusion falls apart. suddenly, felix is the one actually in danger and the whole play is ruined.
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so, apparently the finale is called “so long, farewell” which has so many layers and connections i can’t deal with it. firstly it’s another musical lyric as a title (this time unedited from its original text unlike the la cage episode) and we already know that ted loves a musical.
secondly it brings back the julie andrews conversation in episode three which was possibly one of my favourite interactions of the entire season.
but thirdly and (possibly most importantly??) the entire plot of the sound of music is that maria is sent somewhere she originally doesn’t want to go, she gets there and feels instantly out of her depth. the team children try to force her out and the adults don’t take her seriously but gradually, through her unwavering positivity and gentle care she makes an impact on every single person. kids and adults alike, all changed for the better because of her guidance. but then!! maria falls in love, thinks she is no longer needed and she Leaves. she runs, goes back to the convent where she feels safe but then, after a honest conversation and a realisation of her own purpose and the importance of being true to her heart she Returns! she comes back, her role slightly changed but still just as important and involved.
all this time I’ve been worried that ted will be like mary poppins and leave when he is no longer needed, when he’s served a purpose. but this episode title has me feeling (hoping) that maybe he’s like a different julie andrews character after all..
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[ID: A Naruto comic. Sarutobi stands in a bright white void and says, "Mm, so this must be the after--" He looks forward and sweats. "... life." Looming in front of him are Minato and Kushina, fists in palms and their eyes shadowed but expressions coldly furious. Sarutobi says, "Ah--" End ID]
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‘I promise to take care of Naruto.’ He said before ditching a four year old pariah alone into an apartment, tossing some money at him, and telling him to figure it out.
It’s a love/hate thing with the Third Hokage when it comes to me.
My art
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What was the point of Scrooge's trip with the Ghost of Christmas Yet to Come? On a structural level, it makes sense--three is the fairy tale number, and you can't visit the past and present without also including the future--but on a character level, it doesn't quite seem necessary. Showing a man that he'll die alone, unloved, and unmourned seems like the strategy you take as the last-ditch effort to convince a guy that he needs to change his ways. But that situation doesn't apply to Scrooge. He started softening immediately after he first arrived in his past. By the time he finished with the Ghost of Christmas Present, he was fully onboard with the need to reform, so the Ghost's vision of his future seems like unnecessary cruelty. Why show him all this when he was already planning to change his ways?
A few things come to mind. One is that this vision of the future wouldn't have affected Scrooge unless he had already changed his ways. A cold, hard businessman could have seen his lonely death as just the way of the world, might have viewed the people who stole the clothes from his corpse as just people doing what's practical in this world. He needed to relearn the value of the intangibles--human connection, respect for others--to see the true horror of the lonely death and the vultures who defiled the dead man.
But why the horror? Can't he reform without being threatened with doom? It's possible--but it's also possible such a reform would be temporary. After all, Scrooge started as a friendly, loving young man, but retreated into himself and his business out of fear of poverty and fear of the way the world looks down upon poor people. Even if a reformed Scrooge started on a course of Christmas charity, there was always a chance that the enthusiasm would fade, and the worldly fears would start creeping back in. The only way to beat those fears is to give him something to fear that's even worse than poverty. He needs to see the horrible end that his selfish ways would lead to, so he won't be tempted to slide back into them.
There's also the fact that seeing his death makes him ecstatically happy to find that he's alive after the Ghost is gone. Had Scrooge been spared the vision of his future, he might have been happy to find himself on Christmas Day, but his joy would have been nowhere near the manic glee he experiences after coming back from the future. Now, he doesn't just get a new start--he gets a second chance. Coming back from his own grave makes him mindful of his death, but it also makes him hyperaware of the fact that he's still alive. He isn't in the ground yet. He still has time to do good and make connections with others so he doesn't die alone.
Seeing the past reminded him of the innocence he'd lost. Seeing the present reminded him of the people whose lives he was missing out on. Seeing the future reminded him that death is waiting, so it's important to live virtuously while we can. All three are important because all three brought him outside of himself and taught him to value the wider world, just in time to live through another Christmas Day.
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