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#how about that season 2 ending?
alexpression · 9 months
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Gays really love running away instead of being vulnerable with each other, huh?
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b-dwolf · 6 months
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i just think it is sooo interesting that the scene where loki is standing in between mobius and sylvie and then he goes after sylvie is clearly trying to make us think he chose her, but then we get to the actual conversation they have and it is so obvious that he chose mobius.
like idk i just think that scene was so purposeful…
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I have a new essay for everyone its called "OFMD S2 is an insult to Con O'Neill both as a person and his legacy in his acting career as a queer man"
Like, this man did not spend his ENTIRE FUCKING CAREER playing almost exclusively openly queer or heavily, heavily coded queer characters to be treated like this??? In fucking 2023??????? He got better, more queer happy endings in the 80s and 2000s, the fuck?
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I think it's incredibly telling that David felt like he had to hide what he was doing with Iz' character arc from Con till it was too late in filming. Hey, hey David? What did you think he was gonna do if he knew beforehand what was happening?? David? David do you think he would've walked? Do you think he would've used his leverage both as the fan favorite and integral part of the story to demand BETTER from you and everyone else writing the show?
Con has been making queer art since the fucking 80s when he was in his 20s. He has openly talked about trans rights and the fight against homophobia that we have been fighting for years and decades. I can't imagine what kind of push back he had to deal with to get all the gay shit he was doing to come to fruition. I can guarantee that at least part of the reason he doesn't have as big of a career as he absolutely deserves is because of how openly queer he has been since the start. I think if Con had been allowed to have some input in the direction of Izzy's character that something like this wouldn't have happened, at least not this messily and uncompassionate.
I legit can't imagine how fucked he must've felt after being given the genuinely very beautiful Unicorn scene and then be casually taken aside and told "lolol anyway Izzy is gonna die now, without love and without the acceptance he had already been given". But at least he was given a cuddle????
Anyway watch Dancin' Thru The Dark. Its on YouTube and it's about an openly genderqueer/bi man who goes on a sad but fun music adventure and it's actually really really good. Con sings and its a fucking bop AND he doesn't die at the end or watch Bedrooms And Hallways, it's a fun romcom about a found family of all queer people doing stupid gay shit. Also you can see Hugo Weaving's entire dick and balls in one scene and if that's not better gay rep then ofmd s2 then idk what is
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bright-omens · 9 months
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Crowley: My angel is better Beelzebub: Fuck you, mine is *Aziraphale and Gabriel in the background* Aziraphale: That's really not how you're supposed to organize the books Gabriel, organizing the books by the first letter of the first sentence again: You let me do it when I was Jim Aziraphale: *Internally screaming*
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beaulesbian · 9 months
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Good Omens s2 - Crowley & heartbreak 💔
2x1 "The engine won't have properly warmed up by then." || 2x6 "Good luck."
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lunarharp · 9 months
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if i just told you i love you would this world change
#witch hat tag#orufrey#these kinda suck lol i feel like i cant draw right now *irritated sigh* BUT I FEEL EMOTIONS !!!!!!!!!!!!!!!!!!#if you are gay go watch good omens season 2 right now. NO YOU DONT KNOW THO!!!!!!!!!#i know being this affected by good omens is probably cringe. I dont care any more. the last 1 minute of good omens season 2 was#some of the most affecting acting i've ever seen in my life. sometimes someone acts with the force as if their entire career led to that#like during the credits part the very end im not even talking about before that. holy god#aziraphale i know everything about you. i know what you are feeling right now. i can see everything on your face. we're going to make it#ER.... NOT THAT THIS HAS ANYTHING TO DO WITH THIS POST. IT'S NOT SPOILERS !!!!!!!!!!!!!#I JUST FEEL THOROUGHLY CHANGED !!!!!!!!!!! SHIT GETS REAL FROM NOW ON.. LIKE IN GENERAL! IN MY LIFE!#tormented gay love tormented gay love TORMENTED GAY LOVE TORMENTED GAY LOVE !!!!!!!!!!!!!!!!!!!!!!!!!!!!#btw the first 3 images were drawn earlier with an entirely different feeling and an entirely different mood.#Why do you keep pulling away from me?#It is because i love you that i do this#the lyrics from one of my japanese orufrey songs (A SONG THAT THE CREATOR LISTENS TO!!!!) led to feelings#“あなた��知らない私を残さず見ててほしいの” but i'm not translating it cause it just sounds weird. if with his eyes oru's asking “WHY don't you want#to let me in? to see all of you?“ those lyrics are like ”I actually want you to see every last bit of the parts of me you don't know“#oru you have no idea how much i want to lay bare my whole soul for you#maybe it's an alternate version of chapter 40. to me#i need to draw something really fucking good or i'm not going to forgive myself. i will not rest in this life#until i have made the orufrey that fully satisfies me nor until i have seen what the manga is leading to#NO STORY MEANS ANYTHING WITHOUT TORMENTED GAY LOVE AT THE HEART OF IT. THATS THE HEART OF THIS WORLD!!!!!#........... so Hi im normal :) haha *goes and finally makes breakfast*
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So...let me get this straight again once and for all because I can't believe this isn't just a very, very bad fever dream.
After horribly killing him off in Infinity War, they decide to bring him back as a complete caricature of himself, basically making him an incompetent bumbling fool, to let their insufferable Mary Sue shine who shits all over him with the rest of the other characters for a whole damn season and then they reward him, after all this unnecessary additional torment, with the responsibility to fix the mess caused by Mary Sue, holding the timelines together for all eternity, doomed to be alone forever...something they also made him say he is the most scared of, multiple times.
How very fucking lovely
I can't believe I'm actually saying this but I wish he would've just stayed dead after IW
Also I hope everyone responsible for this, steps on Legos multiple times a day for the rest of their lifes
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freakadr0id · 2 years
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ROTTMNT Charater Fighting Style Analysis - Part 5: April O'Neil
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Oh, would you look at that? It's finally here! After three weeks, multiple rewatches, and several pages of notes and drafts in Word, I've made it to the final individual character* analysis.
This is a continuation of my series of posts analyzing each of the Turtles' (+April's) fighting style, their strengths and weaknesses in a fight, and how Rise uses that to highlight different aspects of their character. I highly encourage you to read the first one (Leo's) before hopping into this one for full context. There is a bit of a TL;DR at the end.
[Part 1: Leo] [Part 2: Raph] [Part 3: Mikey] [Part 4: Donnie]
Last, but ABSOLUTELY not least, is our Girl with the Plan and President of the Dorky Pals for Life Club…
April O'Neil: The Scout/Jack-of-all-Trades:
My analysis for this one might be a bit of a surprise for some, considering a few people have said they already have an idea of how I might categorize her. Going into my analysis, I too thought I had a pretty solid understanding of the way she fought, but by the end, I found that there was so much I missed - I ended up coming to a conclusion that was quite different than what I was expecting.
Fighting Style:
Dynamic and Precise
April is a very strong, energetic, and multifaceted fighter, which allows her to hold her own in battle, even when she's the only human present. She is a primarily offensive fighter with a diverse skill set that she is able to utilize in almost any situation. With her bat, April demonstrates a surprising amount of physical strength as her weapon requires a significant amount of force in order to be truly effective. She also has gymnastic skills that make her a notably agile fighter, giving her an advantage in both speed and maneuverability. She approaches battles with great enthusiasm, amplifying her overall movement and attacks.
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In this sense, April's fighting style is rather similar to Mikey's, as they are both quick, nimble fighters that excel offensively while implementing acrobatic movements to deliver quick attacks and make up for a defensive disadvantage. However, she distinguishes herself with a weapon that is very different from Mikey's and by having a larger, more practical set of skills that require unique tactics. Instead of mystic powers, she has a wider range of general skills that end up being incredibly beneficial in battle. She has a fluid fighting style that undergoes the most changes in the show as she learns new techniques from both her allies and enemies and incorporates them into her method of fighting.
Despite the energy she brings into battle, April is surprisingly meticulous in the way she approaches her fights. Instead of running wildly into battle, she is actually quite deliberate in when and how she attacks. April doesn't blindly attack enemies and only goes in for a strike at opportune times, aiming to deliver a few quick, accurate hits that efficiently damage her foe. This gives April the ability to participate and contribute to fights as a human without putting herself at unnecessary risk or becoming a liability.
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Strengths and Roles in a Fight:
Jack-of-all-Trades
April is the generalist of the team. While the other members of the family tend to stick to one type of technique or a particular style of fighting, April has knowledge and experience in multiple fighting techniques, skills, and occupations that make her an adaptable fighter. This makes her perfect for "rounding out the team" by providing some extra strength and making up for any weaknesses that may be present in the team. Because of her dynamic fight style and ever-growing list of skills and techniques, April occasionally fights with an amalgamation of the other turtles' roles and fighting styles. April is seen acting as the Wild Card by keeping enemies on their toes with fast movements and nontraditional weapons; a Bruiser/Pummeler (a slugger, if you will) by delivering multiple hits in quick succession with her bat; or even a Striker by going for those accurate, singular attacks. If there's a role that needs to be filled in a fight, odds are April can deliver.
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April also has the largest set of practical skills on the team, thanks to the experience she has gained from her numerous (former) jobs. In situations where a very specific set of expertise is needed, April can usually provide that to some degree. This makes her a versatile asset to the team in ways that even Mikey can't be, particularly with battles set in urban or unconventional environments. One of April's greatest strengths as a combatant is her ability to use the environment around her to her advantage - that comes with her dynamic fighting styles. Granted, that applies to all members of her family, but because of the considerable variety of knowledge and experience at her disposal, she has more options when it comes to utilizing her surroundings. Some of her skills are incredibly hyperspecific, however, usually limiting which ones she can use at any given point.
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The Scout
April also acts as the team's Scout [No - I'm not just saying this because she happens to have a bat]. She is the one that usually goes ahead of the others before, or at the start of, a battle and gathers information about the enemy and their movements. This typically involves April disguising herself in some way and infiltrating the enemy from within, but there are times when more conventional stealth is needed. She is small and quick enough to sneak past enemies and through different environments, giving her multiple options for her investigations. April also provides information to the team during battles, as she can still apply her "stealth" abilities and use her agility to move around the battlefield quickly and mostly unnoticed.
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April's precise fighting style also plays into the Scout role as she can quickly get in and out of fights when needed, which is beneficial both when she is by herself or in a group. A scout needs to be fast, precise, and agile to make up for their lack of defensive capabilities - this fits April's fighting style and abilities to a T. The Scout role plays directly to her strengths as a combatant and decreases her risk of harm as a human in chaotic mutant battles.
Utility:
As a fighter, April is particularly well suited for individual, one-on-one battles. Her primary weapon, a bat, is a generally short-range melee weapon that requires a good amount of accuracy and is limited by its small reach and defensive capabilities. Her fighting style incorporates this by focusing on accurate attacks and accurate timing while utilizing dynamic movements to increase her optimal attack range. When combined with her established proficiency with her bat and adaptive creativity, April becomes a formidable opponent in fights with a small number of opponents. Even without her bat, however, April's ingenuity, agility, and large skill set make her an extraordinarily capable fighter one-on-one.
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However, due to her overall lack of mystic powers, limited defensive strength, and the natural restrictions of her weapon, April can struggle in fights with more enemies. Not only is she at greater risk of harm with so many moving parts, but it also doesn't work as well with April's fighting style - she simply doesn't have the range or attacks needed to affect a wider area. That isn't to say she isn't able to handle herself in group fights (she very clearly can), but it just isn't her strong suit.
Some of April's numerous abilities that give her the title of "Jack-of-all-Trades" can be incredibly situational and require a specific set of circumstances and environmental conditions in order to be utilized. While she still has these skills to use to her advantage, not all of them can be used at one time, although at least one of her skills will probably be applicable in any scenario.
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How it Plays Into Her Character:
As a member of a family full of mutants and magic, it is only natural for April to want to contribute to the team by participating in fights - but as the only human in a family of mutants, this also means she is left at a bit of a physical disadvantage in comparison to the others. Most people would likely feel a sense of inferiority or weakness in the face of such a disparity, but not April O'Neil. One of April's greatest strengths as a fighter and as a character is her persistence and clever thinking, which is seen in her fighting style. Instead of getting discouraged at her apparent disadvantage to her brothers, April persisted and found ways to use her own natural abilities to her advantage. She may be physically weaker than the turtles, but by implementing a fighting style that relies on precise attacks and her agility, she is less likely to get hurt while still doing a significant amount of damage to the enemy. Her dynamic and precise fighting style embodies April's ability to adapt and persevere even when things are against her.
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April's role as a Scout is indicative of April's intelligence while forcing her to dial back on her impulsive tendencies. It is essential for anyone acting as a scout in a battle to be intelligent and clever to be able to acquire information and make observations that are actually useful to the team. April demonstrates her intelligence and quick wit by always assisting the team with the knowledge that is essential to their success, and constantly observing different elements of a battle, even when not formally acting as a scout. The Scout role does, however, expose a potential challenge for April when it comes to impulsive actions. As a whole, I wouldn't say that April is an impulsive character - she is certainly the most level-headed of the bunch - but as the oldest sister to a bunch of teenage boys, it is only natural for some of that to wear off on her from time to time. April is usually pretty tactical about when and how she goes into fights, but there are a few times in the show where she can rush right in if she's especially passionate about something. In order to fully be effective in her fighting style and roles, she has to be sure to not give into those impulses and keep a steady head throughout the fight.
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In a Team Fight:
In a coordinated group attack, April is best suited for an initial or follow-up attack. Her speed and agility mean she can get in and out of a fight quickly and her precise fighting style creates a perfect combination to provide a solid initial set of strikes to weaken or disorient an enemy. This doesn't provide much in the way of setting up the next attack, but it could be followed up with an equally quick attack from someone else. Her fighting style also lends itself to a quick follow-up attack and is particularly effective if the opponent is disoriented prior to her attack. April's quick movements and attacks can add to the enemy's confusion and deal significant damage at the same time.
However, April does not do well in a position that requires her to set up for the following attack, nor is she fit to go last in a team attack and deliver a final strike. Since her attack style implements a small number of precise hits to damage an enemy, she does much better at targeting specific weak points on an opponent rather than worrying about how someone else could further add to her attack. Her physical limitations and lack of mystic powers also restrict her ability to deliver the last attack (at least, not by herself). While it doesn't mean she isn't a strong fighter, being the final attacker in a team attack doesn't work well with her physical strengths and the advantages she has with her fighting style.
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[TL;DR: April is a Dynamic and Precise fighter with very fluid and adaptable fighting techniques and a tactical and accurate approach to her attacks. Her large, diverse set of practical skills and flexible fighting methods give her an advantage by acting as a Jack-of-all-Trades. April also operates as the team's Scout by using her intelligence and precise fighting style to gather information and make quick, opportunistic attacks on an enemy. These all demonstrate her tenacity, perseverance, and creativity by presenting it through her adaptive fighting methods and approaches to battle.]
I have a feeling this one may be a bit divisive... I'm pretty happy with what I've come up with here, but it took some serious self-persuasion to get past the titles and categorizations I already established for her in my brain prior to my analysis - and I think that will be the case with a few others. Hopefully I’ve managed to make my case well enough.
Thank you so much for all your support on this little "series." You have no idea how much it means to me to have people actually read these, much less receive such positive responses to them. I'm thrilled that many of you seem to enjoy reading these posts almost as much as I enjoyed making them. DON'T WORRY - THIS IS NOT MY LAST POST FOR THIS SERIES. I have one more kind of "Wrap-up" post planned after this as an overview of their collective team dynamics, miscellaneous thoughts/"corrections", a brief explanation as to what inspired me to dedicate hours of my life writing these silly things, and (if you guys are interested) a small breakdown of my thought process and approach towards my analyses. I don't have a fully planned time to release that, but know it will be coming at some point in the near future.
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stromblessed · 1 year
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Joel thinks he needs to be the ultimate protector, but doesn't realize how invaluable he is to Ellie as a provider and a nurturer
I keep thinking about how Joel goes through aalllll of that in ep 8, the torturing and the killing and the tracking, thinking he's on the warpath, probably thinking he's either gonna rip some bitches apart right in front of Ellie or simply avenge her -
Just for the end goal of simply being there for Ellie. He doesn't even get there in time to pull her off of David, or to guide her out of the burning restaurant. He's only in time to be someone safe for her to hug and hold onto.
Joel is forever stuck in this place where protection is the one thing Sarah needed from him on outbreak night, that he couldn't give her. On day 1 with Ellie, he defaults to the trauma of failing at being that protector, and throws himself at that FEDRA guard, tells Ellie to be careful, etc.
But he does not provide for her - Marlene provides, for a bit. He definitely doesn't nurture her - Tess does, however briefly and gruffly. Joel thinks he's just there to be a trigger finger and a pair of fists. And he WILL use those things to protect this little girl - the absolute bare minimum that he failed to give to Sarah. To prove he can. That he won't fail like that again... until he does. Over and over again.
But I wonder - does Joel ever think about how he was able to provide for Sarah? Working a blue-collar contractor job to support her as a single parent, give her a home, posters on her wall, cute clothes, money for fixing broken watches and eating eggs for breakfast? Working so hard that he forgets to buy a cake on his own birthday?
Does Joel ever think about how he was able to nurture Sarah? He was emotionally available. He made her smile and laugh. He was a tough man's man who still hugged and held his daughter and talked to her and apologized to her and teased her and carried her in his arms. She could tease him back and scold him and go through his things without fear of him snapping at her or stonewalling her. They watched bad movies and took care of their neighbors together.
I love that Joel eventually taught Ellie to hunt. How to keep watch and be alert and keep herself alive. He probably thought that needing to transfer his skills to Ellie means he's already failed at protecting by default, but he SUCCEEDS at providing! Where so, so many other characters in this show fail!
To Joel, the happy fun times with Ellie - however brief they are, just little bright spots in a few episodes - are probably detours, little distractions he allows himself, but he's there for her again and again. Apologizing to her. Making her smile. Giggling at her stupid jokes. Teasing her. Asking her about herself. Telling her stories. He's not all the way there yet, but he's been there enough that Ellie CHOOSES him. Even when Joel may not be the best choice - the best protector.
And now at the end of ep 8, there's ultimately nothing Joel can do. But he goes through hell - to nurture her, in the end, after Ellie spends weeks protecting him and providing for him. But that nurturing, loving nature is what Ellie needed the most, the one thing Joel thought was worth the least, and I am. Unwell.
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shegoesbyjoy · 8 months
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collecting images of lu guang's smile from this season like they're precious gemstones
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nat-without-a-g · 2 months
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Lowkey terrified that the oak twins are going to end the show with nothing but each other and ultimately that might be the worst if not most suiting horrific twist of fate
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bleaksqueak · 1 month
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While i work I've been listening to an LP of the Telltale Walking Dead Games (the ones with clementine, I do not care about the others lmao). Ages ago when I played these I was well aware/amused that part of season 2 takes place in Parker's Crossroads/Parker's Run because I grew up right next to it and the detail stood out to me. But I never caught the line of "We'll head to parker's run. It's just up the road from here" until just right now. So I had a sort of "wait, where the fuck are they supposed to be right now?" (search)
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ARE YOU SHITTING ME LMAO So by process of elimination, since it's the only city with anything even remotely resembling a large home supply store, that would mean they're in my literal hometown. My tiny hometown in the middle of nowhere that's never in anything that barely anyone knows of. How in the fuck lmao
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wizardnuke · 5 months
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important aspect of shadowgast To Me is that caleb thinks it's cute when essek's being a bitch and visa versa
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wilhelmsbee · 9 days
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one too many years, some tattooed eyelids on a facelift, (thought you might want to know now.) mind over matter is magic, I do magic.
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brittlebutch · 1 month
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actually it's kind of funny how people will say Alex's fatal flaw is that he 'doesn't ask for help' and that it's his determination to handle things on his own that leads to his deterioration and eventual death when his whole introduction to the present-day timeline was a very literal cry for help that simply went ignored
#N posts stuff#like even if you think alex was lying throughout the entirety of season 2 and he was waiting from the Moment jay showed up#JUST to kill him (Which again i don't think makes much sense when he could have killed Tim & Jay immediately instead of#breaking Tim's leg. anyway) EVEN IF alex spent that whole time lying it doesn't actually change the fact that he would have at least#been Pretending to Ask For Help and if he wasn't lying then he was Literally Asking For Help and it doesn't Actually matter#what intention Alex had because the text is Ambiguous about Alex's honesty during season two; what isn't ambiguous is the way#other characters (specifically Jay) respond to him; like yeah - S2 Brian/Tim were never in one million years going to help Alex with shit#so sort of any argument that brings up Tim as someone who asks for/offers help is borderline meaningless in this era of the series#Jay had the 'opportunity' to help Alex (and i'll get back to that in a sec) but DIDN'T - Jay wasn't Interested in actually offering Alex#'help' bc Jay is ultimately curious about Answers and 'Offering Help' and 'Getting Answers' are two Wildly conflicting goals#Jay thinks Alex has answers and when Alex doesn't Offer these 'Answers' to Jay on a silver platter Jay gets pissed off and paranoid#and starts Stalking Alex bc he thinks it's 'Suspicious' that Alex won't give him the Answers (that Alex probably doesn't Actually have)#ANYWAY. ultimately this post is about how it's absurd when people argue#that individual character choices could have made a difference in the way this series played out - specifically wrt Alex#because EVERYONE in this WHOLE series are being affected by influences outside of their control ; including Brian Tim and Jay#so it's silly when people are like 'if ALEX had just made a different choice For Himself this could have all been avoided' WRONG.#bc Ultimately there's not really a way to 'help' someone else out of this situation - Tim tried and failed Repeatedly#the comics proved he even failed with Jessica - like MH isn't a horror situation where you can kill the big bad#'getting help' is a meaningless argument - what would successfully helping or getting help even look like? anyway.#the sub argument of this post is that Alex's biggest 'sin' is that he doesn't perform emotions the way other people want him to#like Alex is a character with a kind of flat affect - instead of LOOKING scared or grieved he LOOKS bored or angry#and everyone judges him based on that - so Alex is 'Suspicious' he's 'Lying' he's 'Guilty' but all of these deductions are predicated#on the belief that Alex isn't reacting to his circumstances the way a 'Normal' person would - so it MUST all be an act and so he's guilty#so everyone treats him like he's guilty until the end of season two when he's like 'Fuck it FINE i'll be guilty then' and so it goes#not a self-fulfilled prophecy but being Cornered Into a prophecy and then Blamed for it - SAD. anyway
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seriowan · 1 year
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my trust issue with star wars is so bad that i just know episode 13 was super sweet and comforting for a terrible reason. i was suspicious the entire time because no way is there so much domestic fluff and safety in one episode without having to pay the price later. all this sweet fluff? the price is definitely going to be something absolutely heartbreaking.
i'm trying to mentally prepare myself but i just can't stomach the thought of any one of them getting hurt or dying — and i know we all know who i'm talking about but i refuse say it for my own peace of mind.
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