Interviewer: Avatar Aang, why did you run away from home?
Aang: I was told I was the Avatar at like 12, and the pressure got to me so I childishly ran away. :( Ironically that ended up being the right choice, but that's a diff story.
Interviewer: Fascinating. Did you take anyone with you?
Aang: Of course! My best buddy, ol' pal Appa! :D
Appa: Moo
Interviewer: Avatar Korra, why did you run away from home?
Korra: Well the first time- I don't want to talk about the second time- it was because those jerks wouldn't let me BE THE AVATAR! So I ran away to do my duties!
Interviewer: Fascinating. Did you take anyone with you?
Korra: Of course! Only the best girl ever, Naga!
Naga: Woof
Interviewer: Avatar Kyoshi, why did you run away from home?
Kyoshi: After witnessing the death of two of my loved ones. I swore to escape my sifu's control and to get revenge by any means necessary.
Interviewer: Fascinating. Did you take anyone with you?
Kyoshi: Of course! I took my totally 100%, platonic bestie Rangi! Mmmhmmm just friends, totally, ONLY friends. Haha. No secret longing feelings here, no siree.
Rangi: Platonic???? Not by the end of this trip, not if I have anything to say about it!
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you know. i have noticed a lot of people who like aelwyn seem to be there for adaine & aelwyn. which is incredible and they're correct and i love that for them. but i think it also puts me in a weird spot a little, because i am more so here for aelwyn & fabian and i don't think as many people are doing that, at least in the way i am
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how do you write a story where the protagonist dies?
not one where the protagonist is fighting you every step of the way- not one where she is begging you to spare her life. I feel like that's easier, because you just set fate in motion, and hey, for the story you want, you can't interfere. it was always going to end like this. like yes I'm mourning you, but the laws of this world I've built dictate that your death is inevitable. Sorry. It will be over soon. Then we can rest.
but what do you do when your protagonist wants to die?
not because of suicidal ideation, because that, too, would be easier to deal with. you show her that life is still worth living. you show her kindness, and love, and even if she still constantly wants to die at least she can see that she might need to work on that, and you can at least promise her that things will be okay. it got better for me, so it's really just common decency to make sure it gets better for you.
but what if your protagonist has lived too long? What if there isn't any getting better because this is better, this is as good as it's going to get, and to live is to repeat a thousand years of illness and stasis?
The win state's long since been reached. She's loved and lost and longs only to go home to the place her mother and her mother's mother and her grandmother's mother has died.
how cruel am I, then, that my first instinct is to deny her?
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To be honest,shitty anon.We don’t care about your opinion.
no bc i literally don't give a single shit bc ive seen worse crap on here. like i get it, for some reason some people want to be constantly mean to me, but what upsets me so much is that i'm already very fucking insecure about my work these days and constantly try my best to not lose this community and literally don't need anyone shitting on me and my inbox just for the sake of it
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I'd like ophelias character more if they leaned into either making her an awful piece of shit or a massive hypocrite more. It feels like they very clearly set her up as this cold blooded killer and then sorta yanked her back and im not talking abt her tragic backstory I genuinely like how she can't seem to be kind 2 the people luo yan saved instead of her boyfriend but I wish they just went with that instead of having her see this woman dying and going "wow that is sad :( I'll lie to comfort her" and aparantly in a bounty story of hers she was like playing with kids??? Anyways she was on top of Zora's hit list and I feel like the writers went "ok ignore that" even though Zora is the best character-
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