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#i love sanji because i feel his character in later chapters just got so far from what it was but like
bleedstatus · 11 months
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lrb people saying succession & iasip on there is scaring me. i haven’t stepped a foot into those fandoms i just talk about it with my girlfriend. what’s wrong with you people.
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kaizokuou-ni-naru · 3 years
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The Voyage So Far: Water Seven
east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)
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i’ve mentioned several times before that the davy back fight is one of my least favorite arcs, mostly because i found it very dragging and tedious when i was reading it, but there are a couple things i really like in it, and, perhaps unsurprisingly, most of them have to do with zoro. i really like his moment here with chopper, and it also showcases his ability to act as more of an authority figure to the crew, which is something that makes a substantial return after enies lobby with the matter of usopp’s return. 
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zoro and sanji’s match in the davy back fight is far and away my favorite part of the entire arc. it’s just really fun.
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like i said, this arc isn’t a favorite of mine, but i do definitely understand why it’s important to the saga and greater story in a couple different ways. one of them is that it’s just an easy, lighthearted detour that both gives the audience a chance to breathe and the strawhats a chance to showcase just how much they love each other and work well together- which turns into a fucking sledgehammer to the skull in the next arc when that unity is directly threatened. and the other reason this arc is important...
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...is because of aokiji.
aokiji’s introductory scene is a brutal showcase of absolute power, and a very clear reminder that the strawhats are still very much little fish in a very, very big pond. all of the strawhats are impacted by this to some degree- it’s how badly they get curb-stomped here that leads luffy to come up with his gears as a way of closing the huge power gap he’s just learned about.
most important, though, are robin and usopp. for robin, this is a stark reminder of the fact that the government will never stop hunting her down; for usopp, who’s less obvious, it’s the seeds of the full-blown inferiority crisis that will later explode with the news about merry. both of their arcs throughout water 7 and enies lobby, essentially the twin emotional backbones of the saga, start right here.
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i really like that the other strawhats all fell asleep waiting for robin and luffy to wake up. it calls back to them doing the same when nami was sick before drum, and also it’s just so fucking sweet. 
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water seven is my favorite island, full stop. if i was going to live anywhere in one piece’s world, i’d want to live on water seven. it’s just so creatively designed and visually great, with the canals and the tiered city and the massive fountain in the middle. the supporting cast are still one of my favorites, and the culture feels very real and authentic. i just love water seven a lot.
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i just said it but it bears repeating- the water seven supporting cast is really good. iceburg, the galley-la shipwrights, franky and his family, kokoro and chimney are all really memorable, and most of them are really likable, too- and cp9, with all their eccentricities, fit in perfectly. water seven’s cast is very interconnected, as well, and their relationships all feel very believable.
all of which, of course, only makes the later treachery hurt all the more.
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the atmosphere of water seven is really, really well done. the bad starts slow, with the news that merry is unfixable, and then continues into an accelerating downwards spiral of hopelessness: usopp and luffy’s fight and usopp leaving the crew, robin’s seeming betrayal, the assassination attempt on iceburg, the city and galley-la turning on them as a result, and the agua laguna- it just gets worse and worse and worse.
and then, after they’ve been stomped down about as far as they can go and come out alive anyways, they pick themselves back up again and go to save their friend, because that’s what the strawhat pirates do.
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i just really like getting to see these four going feral on the franky family, it’s one of my favorite scenes in this whole arc. in general, i tend to love the moments where luffy specifically gets properly angry, and we get a lot of them in this arc. 
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even though the fight between luffy and usopp is genuinely very tense and  fast-paced and would probably be exciting if it were any other two characters fighting, it never really feels anything other than melancholy. i think that’s a testament to just how good oda is at setting the mood of the scene. it’s made very clear, especially through the reactions of the other characters- merry ‘crying’ is fucking heartbreaking- that this is nothing less than a tragedy. 
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:(
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i think it’s kind of interesting we aren’t shown franky’s face until about halfway into water seven. prior to this, we’re given pretty much only reasons to hate him, with his theft of the strawhats’ money and the franky family beating usopp to shit. but just after this point is when we start getting our first humanizing and sympathetic moments for him, starting when he gets worried and a little frantic when he hears about the attempt on iceburg’s life.
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i just really, really like the way some of these water seven action sequences are depicted. they feel very tense and desperate, which matches the general mood of this part of the arc perfectly.
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this panel of usopp working on merry always reminds me of the shots of the klabautermann doing the same during skypiea. i’m not sure if it’s even intentional, honestly, but it’s an extra little bit of heartbreak either way.
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one piece has a lot of amazing spreads, but this might be one of my favorites for sheer impact. cp9, watching as the city they’ve lived and worked in for years burns down in a fire they set, satisfied by a job well done. it’s almost all in black and white with very little grey, which creates some fantastic contrast, and their pitch-black silhouettes against the nighttime inferno are just striking. 
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this entire scene between usopp and franky, as usopp works on the merry and franky gives him advice and tries to make him see its hopeless and they kind of awkwardly, accidentally bond, is probably my favorite in the whole of water seven. it was also the scene that singlehandedly made me love franky as a character.
they have a really good, really enjoyable dynamic, and at the same time the conflict between them is real and understandable, and brought about because they’re both trying to do the right thing.
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tom’s workers are one of my favorite little groups of characters in the whole of one piece’s story, and they deserve more appreciation. they’re family!! a little family of broken pieces who worked together to build something really, really amazing. and they still care about each other in the present, even though they got shattered apart so badly and none of them ever really recovered. 
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this is a tremendously under-appreciated chopper moment. not only did he carry two full-grown men out of a fire, he even managed to get zoro’s sword and iceburg’s hamster. extremely cool of him.
this is also the exact moment the strawhats’ collective luck begins to turn: chopper saves the day, and nami learns that robin did what she did to protect them, and sanji gets aboard the sea train, and from there it’s a no-brakes train from their very lowest low straight to the triumph at enies lobby.
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i love all the shenanigans sanji gets up to with the sea train, i think the whole sequence is absolutely one of his shining moments. it’s always a delight to see sanji get up to Sneaky Bastard Bullshit, and the whole thing is just so fun, which is a dearly needed breath of fresh air after how relentless this arc has been until this point.
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robin’s little smile when thinking of luffy and when she joined the strawhats... :( i’ve noticed it’s a recurring trend for strawhats who try to leave the crew to flash back to when they joined as they do. usopp has it earlier this same arc just before leaving, and sanji does it in whole cake island in the sanji vs. luffy chapter. 
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i really like how much everyone comes together at the end of water seven leading into enies lobby. after how fractured and fraught things have been throughout the arc, both within and without the strawhat crew, it’s great to see them not only all united again for a common goal, but with a huge group of allies at their backs. 
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these three are SUCH a hilarious team, and i would love to see them work together again like this sometime. they’re literally just clowning on the marines all the way up the train, it’s fantastic. 
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factually i understand sanji’s aversion to fighting with his hands and his fighting style is very unique and cool and also meaningful to him because he learned from zeff, and also if i remember right it’s implied he learned how to swordfight from the vinsmokes which makes it very reasonable he would want absolutely nothing to do with that skillset 
but speaking purely in terms of stupid idiot lizard brain i think sanji should fight with knives more
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this is another of my absolute favorite spreads, and i think what makes it for me is the casual confidence- luffy tells zoro to cut the train, and zoro does, both of them with no doubts at all about zoro’s ability to do so. it really goes to show how far they’ve come from back in east blue when zoro couldn’t even cut luffy out of a metal cage.
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there’s something very impactful about the fact that of all the strawhats, robin gets this speech from usopp. usopp, who’s had the worst falling-out with luffy in the series to date, is the one who tells robin: you haven’t left the crew yet, you can’t leave the crew yet, luffy is coming to get you. believe in him. 
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franky’s “existing is not a crime” line is one of the most memorable and iconic lines from this entire saga, and for good reason. it sums up one of the main themes of not just this arc but also the series as a whole- the very same idea will come up again for ace during marineford, and in law’s backstory as well. it’s never a crime to just exist, and people should not never be persecuted for their blood or heritage. one piece doesn’t fuck around with its theming, it really doesn’t. 
to be continued next time, with enies lobby!
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frobin · 3 years
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Okey serious question here. How much do you actually believe that Oda ships Frobin? Like do you think he actually have like doodles/sketchs of them in a pairing kind of way? like for the strong world film riding the motorbug? (Personally i would love it to be true but he has stated one piece isn't about romance in that way)
Hey there anon! Thank you so much for your question and I hope I can answer it seriously enough. Also once more sorry for the late response. I felt like a question like that needs some research and that is what I did these last few days.
So... I think I'll start with the tl;dr because that way people can read that and ignore the rest.
So, long answer short: I 100% believe that Oda has one or more sketchbooks with drawings of his characters that are absolutely self-indulgent. I am 98% sure that he has drawn Franky and Robin in a romantic way at least once (and supported the ship). I am 80% sure he still is shipping FRobin.
Little disclaimer: I actually have no idea if any of this is true. I pull everything in my arguments out of my own experiences and knowledge and since I'm not a 46 year old Japanese Mangaka my perspective might be WAY OFF.
argument - reason- example - conclusion... behind the cut (or in the google doc)
So, why do I think that Oda has a secret sketchbook?
Simple answer is that he is an artist. He is drawing a lot and no artist will publish everything. That can have multiple reasons like imposter syndrome or because the artist thinks it’s not good or interesting enough or they just forget. There are even more reasons I forget and every person has their own.
For Oda I can imagine two big reasons as to why he would keep secret sketchbooks.
First: He is a horndog. You can skip this part if you don’t want to read about it, to the second reason.
Anyway, we know thanks to answers in the SBS, the way he likes to draw big-breasted women and how some of his characters are classified as perverts that he can be considered one too.
Let me show you a few of a few lewd SBS questions he likes to answer in a funny way:
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Chapter 228, Page 46
D: How are ya, Odacchi? I know how much you like getting butt-naked, so this must be a favourite season for you. <3
O: Yes, yes. I just LOVE getting completely naked. In the summertime, after I take a bath I just run STRAIGHT OUTSIDE!! And when the girls' softball team running on the sidewalk looks over at me, they say, "Yup, it's really summer now!!" ... AS IF!! I'D GET ARRESTED!!!
(x)
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Chapter 433, Page 68
D: If Lady Robin can use her Hana Hana Powers to make any part of her body sprout somewhere else, does that mean she can do it with her ample bosom as well? "Nyurin-zaki" (Breast Sprout) Boy, I'd like to take a hit from that sometime... P.N. Ero Ero no Mi Devil Fruit User.
O: "Ichirin-zaki" (Single Sprout) "Nirin-zaki" (Double Sprout) "Nyurin-zaki" (Breast Sprout) Very clever!! NO IT'S NOT!! STOP THAT!! I'm sure she CAN do it though ♡
(x)
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Chapter 798, Page 64
D: Oddachi, I'll give you a pornographic book, so please answer my question. Sanji won't allow anyone to waste food, but what will he do if a woman does so? P.N. Smoker's Cigar
O: I think he would grab the plate and eat it up. Now please give me the pornographic book.
(x)
Nowadays I’m sure there is a focus on those lewder questions compared to the beginning because that is what 13 year old boys laugh about and we all know that is Oda's main demographic (of course).
I think a very good picture of that is given by Tekking101 in his breakdown video of SBS Volume 100.
youtube
“Let’s get diving into these questions (...) now, this is a huge moment. I mean, not many Manga manage to reach 100 Volumes, Okay? Now I know Oda usually starts these off with questions relating to boobs and things that don’t really… you know, aren’t really relevant but you know, this is a big celebration so we’re gonna dive right into it. I bet the most important things that we need to know about the One Piece Story are right here in these pages, okay? I printed them out. That is how important this is. So let’s start off, shall we? Epic voice, Barry!
‘Mister Oda, there is a UFO over there with huge big-breasted beauties on it. That memorable 100 Volume of the SBS is about to begin.’
[pause] Yeah, like the first five of these are all related to boobs in some way. You know what Oda? Sticking true to your guns! Godspeed, Sir Oda. Godspeed.”
(end at around 2:30)
So, Oda is a man who likes beautiful women and who draws.
Coming to the conclusion that he will draw his own characters in suggestive poses, naked and even doing adult stuff is not hard.
Obviously he would not show these sketches just around. He would probably keep them in a secret sketchbook that he keeps at a safe location. Maybe his wife and some close friends know about it? Maybe it is his and only his little secret.
I don’t think it would be unlikely to learn about this years into the future, maybe the next generation of Anime Fans will hear about this.
And it would not be the first time that something like this happened.
Not that long ago the daughter of Osamu Tezuka - groundbreaking Mangaka, known for his works of “Astro Boy”, “Kimba the white lion” and many more - found his adult Furry art. Source; Japanese article;
It’s a fact that many Mangaka did indeed start their career with art of the more risque kind and/or as doujinshi artists.
So again, I have no doubt that Oda, a known pervert, has one or more secret sketchbooks with „the p0rnography“ in it. Is there only hot stuff in there? Not necessarily.
The second reason to keep a secret sketchbook would be to collect information in there, that could be considered canon but he is not willing to use it in the Manga. Maybe they are not important enough or will be used later.
What am I imagining here? Anything that could be considered too weird for the normal sketchbook but isn‘t too risque. Funny things that might still not be „appropriate.“
Like a sketch of the male Strawhat ding-dongs with the sizes beside it. All the lewd jokes the fans did about Luffy's stretching qualities? I’m sure Oda thought about them too and drew that in the past if he had the time and it made him laugh enough.
But also maybe there are scenes in there that never made it in the Manga. The Strawhats interacting with each other in their daily lives, ideas for colorspreads and maybe chapter-titles. Oda probably has noted/sketched down a lot of unofficial stuff somewhere.
Another example, even an artist like Oda himself would have needed to exercise drawing two people kissing. Why not use Characters he thinks that might work out together?
Why not Franky and Robin? I would imagine he sketched up a few panels of Franky and Robin having a romantic date, going shopping together in Dressrosa, having a conversation that we never got to see because it was too on the nose.
Which brings us to the second point of me being very sure that Oda had drawn FrankyXRobin at one point.
I’m sure in those sketchbooks there is at least one drawing of them doing anything couple-related together. Again it does not have to be downright nasty but it could be them holding hands, kissing or even just Robin leaning onto Franky while reading, like all those fanarts that exist out there.
It’s not hard to imagine. Even for other Characters I think that is possible
And there might even be proof for that idea. The sketch of the Strong World movie you also mentioned, anon. The one movie that can be considered canon is Strong World. It was basically written/directed by Oda. Shiki the antagonist had an appearance in the Manga.
This sketch is drawn by Oda. Robin is holding onto Franky.
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Can it be read as romantic? Yes. Can it be read as Robin holding onto Franky because there is nothing else to hold onto? Also Yes. But couldn't she just have used her power to keep herself secured on the bike without holding onto Franky? WELL YES. Could Oda never have thought in these circles like I do right now? I hope he did not because I hate it and I don’t wish it upon him.
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In the movie Robin is NOT holding onto Franky. Now the really interesting thing - that is neither proof pro nor anti FRobin - is that we can see the sketch provided by Oda as a “between the scenes”.
In the movie Strong World the old trio is collecting information at the Pirate assembly. The next time we see them they use the Batta GT-7000 to slowly approach the destroyed village, which had been ravaged by the animals, and start to look for their friends. No need to hold onto Franky and no need for Brook to lean back. They are looking around.
The sketch is clearly not the same scene as the one we see in the movie.
In conclusion the drawing is indeed a between the scenes drawing. And yes if there exists one, who is to say there aren’t more?
Talking about Animal-Bikes...
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Is there any meaning about the fact that in the opening scene (that is part of the talked intro after the opening ‘We Go’ - a huge thanks to antiherofangirl, ccb0nnet, JFL_Estudios and Maems, over at twitter!) Franky and Robin build another grasshopper-based vehicle? Maybe not but I still feel like it’s quite a callback.
Where did the idea to put this in the beginning come from? a) an editor had the idea inspired by Strong World; b) maybe it’s another sketch that Oda provided.
Neither seems very far-fetched in my opinion.
So yes, I am very sure that Oda has drawn things that we would consider FRobin.
Now to the last point (the first being Oda having a secret sketchbook, the second me arguing that Oda might have drawn FRobin).
As I said in the beginning I’m very sure that at one point Oda did and kinda that he still does ship Franky and Robin. Because even though every Interaction of two characters can be depicted as romantic or platonic, Oda used ROMANTIC TROPES with Franky and Robin.
They have never kissed on screen but we had
finishing each other's sentences
coordinated clothes
one using the others lap as pillow
hand on cheek caressing
and we can’t forget that Robin had answered Franky's invitation to ride on another animal-themed bike with a heart.
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Edit: I didn‘t say anything about „no romance in OP“ so ask again if you want me to talk a bit about that. Sorry!
Those are things an author of Oda's level would not write or draw without being aware about how teasing this is. He has to be aware that every single line he draws will be analyzed to the end of the universe and back. People earn money by saying their opinion and interpretations about the Manga on Youtube.
These interactions are not something outlandish like “There was once an Anime Scene in which Robin was wearing something blue and exactly 28 episodes later Franky was wearing something violet and then 39 episodes later they both stood beside each other for exactly 69 seconds.”
Whenever I think about these facts, things that are not about interpreting but are factual, black ink on white paper but also about the little things, about how Frank and Robin help each other to become better, how they support each other… I want to say YES! ODA IS 100% on board! While in reality I’m 80% sure and 20% of me is wondering if I’m not actually analyzing too much into it. If maybe he really is abandoning ship. Maybe I will become the person who will curse his name and throw my Mangas and fanfictions in an active volcano?
I don’t know and it’s impossible to say what is going to happen.
And with that I've concluded this answer, and it only took me around 2k words and four days.
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alkhale · 5 years
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Locked Here for Forever (1/6) Dark!Sabo/Oc/Dark!Ace
(quick note before y’all come at me with torches)
This was a side project I’ve been playing around with while working on updates (THE UPDATES ARE COMING I SWEAR, I SWEAR) I was kinda... possessed? to write this and when it kept coming back to me, I realized I needed to get it out of my system. Doing that made me realize how big it was going to end up being so it’s divided up into parts. 
I’ve been wanting to explore a different variety of things. We can say “darker” themes, but I really just wanted to try my hand at playing with characters with honestly manipulative and sociopathic behavior. I’m not going on a limb to say yandere because that term is loose and often made to be thought of with stabby-stabby, stalky-stalky--but I think it can encompass a lot more? Possessive behavior, controlling, but I wanted to really go into manipulative behavior. Sociopathic because it’s not psychotic, it’s functioning and cold and hmm.
(Btw, to each their own, fantasies, kinks, we don’t shame here. But if anyone is ever putting you through what Hoku is going to be put through here and manipulating you into basically mind controlling you and this and that, it is not a healthy relationship and they are scum and you deserve better, drop their ass like a hot fucking potato.)
I decided to use Hoku because this idea originally came from another AU for Memos. (I’m sorry Hoku) Loosely based on the premise from the BL comic, “Points of Three”
It’s here on AO3, if you just want to read there too.
Rating: NSFW
Pairing: Sabo/Oc/Ace (Past! Kid/Oc), Dark!Ace/Oc/Dark!Sabo
Warnings: Explicit Sexual Content, Manipulation (Psychological and Emotional), Past Assault, Past Trauma, Possessive Behavior, Unhealthy Relationships, Use of Aphrodisiacs, BDSM, Dubious Consent, Controlling Behavior, Stalking
Chapter One: Points of Three
“From three points, it can’t ever end. They’ll always pull at one. One is always pulled between them. One point is always trapped between the other two.”   
Hoku shoved a pancake into her mouth.
“That’s the idea at least.”
The twenty-four hour breakfast diner was only half busy. A dingy place with wallpaper peeling in places but always clean and friendly. Cozy. The booths had tears at the seams, patched together by other patches. Establishments like this weren’t too popular all throughout their town, but the diner’s all-you-can-eat pancake and breakfast option did the job for their group’s ridiculous appetites.
Crumpled papers were splayed out on their table. Luffy had spilled a bit of syrup onto one of his math packets and it was in the middle of being patted down with water and dried to be somewhat presentable.
Her best friend’s face was currently in the middle of short-circuiting. His attention was waning thin. Luffy’s lips pursed, eyebrows furrowed as he hunched over the papers in front of him, one fork in his hand with syrup dripping from a soggy slice of pancake.
Hoku continued to chew, sick of these studies herself.
“So the answer,” Luffy said slowly. He rubbed the scar beneath his eye. A dumb thing he’d gotten trying to impress a man beyond both their leagues. “Is nothing.”
Hoku snorted. “It’s infinity, dumbass. It never ends.”
“Are you sure?” Luffy said, squinting. “You’re pretty dumb too. I think there’s just no answer. Hey, hey, let’s just leave it blank and then—”
“If you don’t do your half of the group project, Nami’s gonna kick your ass and then she’s going to come after mine,” Hoku said, looking a bit pale at the idea as she slumped forward onto the messy table as well, using her mouth to grab the edge of a pancake off her plate and slowly chew through it. “Dun cwah meh duhm, duhmash.”
“Shishishi, but you are!” Luffy snickered, kicking his feet out and mimicking her position. “We’ll just pay Nami money not to kick our ass and we win!”
Hoku groaned around a pancake at the dangerous word. She made sure strands of her white hair weren’t getting caught in stray puddles of syrup, lazily tugging it back up into a bun. “We’re broke, dumbass. She might be willing to take an IOU, but she’ll collect someday and…”
Hoku whimpered, wishing she could shove her face into the stack of pancakes beside her. “I need a jooooooooob.”
Luffy chewed in front of her, shoveling more pancakes into his mouth. Unbothered. He usually got off on the occasional odd job and Luffy always just had this… way of making things work out when they shouldn’t.
The diner was cheap. So it’d been her source of nutrition the past couple of weeks—aside from Sanji’s loving meal preps and Nami’s fruits constantly being brought back to her dingy apartment. The horrible, cold truth was that her funds were low. Financial aid covered for her classes and materials fine, but existing outside of school came off her savings and odd jobs or freelance work she picked up here and there.
“Maybe I shouldn’t have taken two years off,” Hoku said, squinting at her stack of pancakes as Luffy reached over and started eating them. “Might’ve landed me a better job…”
“Nah, you needed it,” Luffy said simply. “‘Sides, you had tons of fun. You don’t regret it at all.”
Hoku whimpered once more. “Ugh, you’re right.”
Hoku only stood at twenty-one, two years older than Luffy—but after her third year of high school, she’d chosen to leave Japan after her graduation ceremony and head back to her hometown, a small place in Hawaii. She’d decided on a two-year gap, getting in touch with old family friends of her late parents who were essentially relatives and just taking some time to herself after everything and doing a little self-searching but…
Hoku had come back and managed to enter back into college without much of a hitch. She and Luffy were now on the same pace to graduating with Nami and Usopp—if he or she didn’t fail in the meantime—Zoro was going to school part-time for police academy training, Sanji doing the same for his culinary school and full-time position at his father’s restaurant and at least all her buddies were still in school aside from Robin and Franky and Brook.
To be honest, her life was going pretty well so far, aside from finances. It’d been almost a year now since her break-up and the two of them were still on amicable terms and checked in with each other regularly, her friends were healthy and in her life, Shanks and his team were out exploring some new island and there’d be an interview on it soon they could tune into…
Hoku was happy.
But school aside—she was still unemployed and poor. No new jobs had been coming her way as of late and even Law helping her land that job with designing that new program promotion his residency had needed was gone to her rent in a blink.
“Why don’t you ask Torao to help you get a job at his hospital?” Luffy said loudly. “You can be a nurse or something.”
“I’m too dumb to save people’s lives,” Hoku said flatly. “And I’m an art major. That’s like… Telling a cat to go fly.”
Luffy opened his mouth.
“Never mind, stop there,” Hoku shoved her face into the sleek table, smelling the old wood. “You also need credentials to work in a hospital, Lu. Should I find a campus job? There’s gotta be an opening somewhere… Maybe I can see if the amusement park needs caricature artists or something--”
“But you hate that kinda stuff,” Luffy complained. “It’s boring. You’re never supposed to do the boring stuff ya hate.”
“But I’m broke,” Hoku said pitifully. “Maybe my pride can suck up being poor…”
Hoku turned so her chin was flat against the table, looking thoughtful. “Maybe I can gamble my way to being rich…”
Luffy chewed with a little more thought, making a constipated expression—he was really thinking about something.
Her phone vibrated with a little jingle on the other side of the booth. Hoku turned it over, making a little happy noise. They could worry about money later. She hated thinking about this kind of stuff. “Zoro’s out of class. Let’s meet up with him and Usopp for that movie.”
“I feel like I’m forgetting somethin’,” Luffy said, making a face. “Oh, man… what was it…”
“Answer your damn homework and let’s go,” Hoku said, stuffing her leftover pancakes into her mouth and waving her hand to the owner for a check. “Cuh mown.”
“Nothing, right?” Luffy said, about to press his pen in.
“Infinity,” Hoku said flatly, grabbing his pen and scribbling the horizontal 8 in for him. “Never ends. That point is always stuck. Kinda like insanity.”
“Like how you’re crazy.”
“You’re crazy, crazy, now c’mon. Let’s beat Usopp and make him pay for snacks.”
Luffy stuffed all the pancakes into his mouth, rushing out the door with his cheeks full. Hoku slapped their money onto the table and ran out after him, shoving extra napkins into her backpack.
.
.
Hoku stared at the last page of her canvas sketchbook with a reluctant frown, a small sigh slipping past her lips.
She’d tried to be as conservative as possible with all the negative space—but this was it. She went through sketchbooks faster than her small funds could afford, but she couldn’t help but always put aside a bit for her work—it’s what you love.
The rest of her art classmates were packing up their things for the day. Stools squeaked across the smooth floors. Easels or clipboards sliding back into place. The model at the center stood up, stretching her arms over her head as their professor instructed them on what to work on this weekend and to finish last assignments up. They’d just finished another open studio and there’d be a big project coming up soon enough… She was going to need to buy the new canvases and oil paints for that… Shit.
Her fingers twitched. Hoku couldn’t help but smile.
She loved what she did.
Even if you’re bad for my wallet.
“Looks like you finally need a new book,” Hoku’s smile dropped, fingers stopping at the edge of her book. The girl beside her leaned over, smiling, “You’ve been needing a new one, haven’t you?”
I don’t even remember your name. Hoku hadn’t bothered. She made a fair enough effort with remembering the names of her classmates, but this one in particular had made it clear where she stood. Wanted to be some high end artist—was on her way, probably, since she’d been showcased in several galas but—
The hidden hint behind her words was clear every time she spoke to Hoku. Blatant. A teasing curl of her lips.
“Don’t you think that’s sad?”
“You’re always using the front and back of each page,” she laughed. “I mean, the drawings are great, but you can afford a new one or two, right? I’ll donate one if you’re that prudent.”
A few eyes glanced over at the easy confrontation. Hoku kept her face even. After this semester, you won’t even matter.
“You can afford the tattoos right,” she continued with a light laugh, tapping the corner of her left eye where Hoku’s heart shaped tattoo was inked in around her eye, smeared at the end. “Just save a bit for a new sketchbook and some supplies while you’re at it. Got to keep up with your studies, you know?”
“I’m sorry,” Hoku said, it was actually starting to bother her now. “What’s your name again?”
Someone’s pencil dropped behind them. He stooped down to pick it up, hiding his face.
Her classmate’s face flushed red. Her eyes flickered, back and forth, assessing the reaction of the people around them. Barely anyone was watching—who cared? They were all here to learn and to hone their skills. No one needed more drama.
Hoku’s lips pulled into a polite smile, revealing baby canines.
“Come on,” she said, laughing with a titter, “It’s been half a semester. It’s—”
“HOOOOOKKKKUUUUUU—” Thin but muscular arms wrapped tight around her shoulders. Hoku floundered for a second, almost tumbling back over her chair at the added weight. The smell of the sun washed around her and Luffy’s hair tickled her cheek, pressing in close as he jumped around, almost ripping her from her seat.
Warmth pressed into her back. Hoku’s shoulders relaxed, everything cleared. Her lips turned upwards into a wide grin.
Luffy was a destructive, bumbling dumbass most of the time—but he could always turn a mood into a better one.
Shanks rubs off on you too much. She thought fondly, a bit of stupid smile curling over her lips. Maybe that’s a good thing.
“Hoku! Hoku! You won’t believe this—come on! Let’s get lunch, I’m hungry. I’ve got awesome news! It’s gonna blow your mind and—”
“Calm down, dumbass!” Hoku snapped. A few of her classmates looked on in amusement. The girl from earlier had already retreated, saving face. Wiser ones started to move their things out of the way. “You’re going to break something again!”
Her professor didn’t mind friends coming in and visiting or sitting in on lectures. But Luffy’s regular presence barreling through the art department was considered a public menace and had to be dealt with accordingly. “I’ve never seen anyone launch themselves off the second floor and bounce around the way he does, so for the love of god please keep him away from the ceramics class—”
“Did you just finish class?” Hoku said, adjusting herself to account for Luffy’s added weight. She walked with a backwards slump, leaning as Luffy dragged along the floor hanging off her while she gathered her supplies.
“Yup! Nami went to go get a table!” Luffy said happily. “Come on, come on, let’s go eat! I’m starving!”
Her stomach rumbled in agreement. Hoku pressed a warning hand to her stomach, using the other to shove her backpack over her shoulder and purposefully shove into Luffy’s cheek. “I’m hurrying, but what were you saying earlier?”
She shoved her stuff into her bag as quickly as she could, flipping her sketchbook closed and turning toward the door. Luffy was starting to clamber up her back and she wasn’t sure she could support him if he decided to test if she could give him a piggyback ride.
“Oh, yeah!” Luffy said, cheek squished against her knuckles. “I think I found a job for ya! And it pays!”
“You found me a job—”
Hoku’s foot tripped over the other, sending them both toppling to the floor in a massive heap of one screech and Luffy’s monkey-like laughter. A student quickly grabbed his easel, jerking it out of the way as they smashed into the ground.
“Shishishi, you’re such a klutz.”
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“If it’s Luffy, it’s probably some weird job throwing yourself off a cliff for fun,” Nami said warningly, neatly filed nails digging into the tangerine in her palm as she peeled it. “You guys are always talking about that explorer—what if it’s doing something illegal or—”
“Throwing yourself off a cliff and getting paid is fine,” Zoro said. He ran a hand through his spearmint colored hair, light catching off his golden earrings. “Just make sure you’re not secretly being employed for some kind of drug smuggling. You’re both idiots, so it’d happen.”
Luffy didn’t even look the slightest bit bothered, simply grinning stupidly to himself as he shoveled food into his mouth. Hoku—a little calmer and more sensible after stuffing her face with the cafeteria’s economically wonderful meal sets—gaped at the two of them in disbelief, blatantly offended.
The four of them were gathered in one of Grand College’s many cafeterias. Usopp was cramming last minute for another exam and should be running over any second. Hoku crossed her arms over her chest, shoving another forkful of pasta into her mouth. Nami leaned forward, setting a peeled tangerine down and smacking Luffy’s grabbing hands away as she set to work on another.
“I would not get involved in something like that without knowing,” Hoku grunted. Turning to Luffy she added, “If it’s drugs, I need to know how much it’s going to pay first.”
Zoro put her in a headlock, pointedly shoving her face into his chest where his nametag from his police training could smash into her cheek. Hoku’s arms flailed around, smacking into his cheek.
“Nah, it’s way better than any of that!” Luffy said, throwing his arms out in excitement. He stopped for a second. “Hey, wait, that sounds kinda fun—”
“Get on with it,” Nami and Zoro chorused.
Luffy grinned, turning to Hoku—who popped her head out over the top of Zoro’s tightened arm—with shining eyes. “Ace and Sabo are looking for someone to help them with this project!”
“Ace and Sabo?” Hoku’s eyes went round. A little box of memories peeled itself open, idle moments, pleasant laughter, warm memories wrapped around little flashes of awkward teenage encounters.
Hoku had known Luffy since she was a kid when his grandfather, a marine, had been stationed over in Hawaii at the time. Hoku’s parents had passed away a few years before that and after moving around, she’d spent some time with Mihawk until Garp swindled her into being looked after with Luffy…
She’d met Ace and Sabo young. When she was nine and they were ten--she remembered fighting all the time with Ace and Sabo being the genial, grinning mediator and those summers and years had been a great time and then she’d left to go live with Mihawk and eventually set up her own place. Their meetings were scattered in between coming to Luffy’s house with the three of them there after school—she and Luffy had gone to the same school for as long as she could remember—it’d gone on until high school, where meetings between them happened on occasion and then Hoku had left.
The two older brothers were great people—amazing even. Funny, easy to be around, always looking after Luffy first and foremost. She and Ace still butted heads and he could flip from a dotting older brother to an absolute menace but it’d been almost three years now since she’d last seen them.
Bright, golden blonde hair. Soot black waves. Hoku huffed over Zoro’s arm, resting her chin comfortably in the crook of his elbow. I wonder if they look any different… I think Luffy posted a picture not too long ago and they seemed well… She’d just never ended up getting in touch with them with everything she’d had going on.
It might be nice to see them again.
“I haven’t seen them in ages,” Hoku said thoughtfully. Luffy nodded his head so hard it almost snapped off. “How’re they doing?”
“They’re great!” Luffy said excitedly. “Never been better, and when they heard you came back into town forever ago, they’ve been saying they wanted to get in touch or somethin’ but they’ve been busy!”
“Your brothers?” Nami said, looking curious. “Isn’t Sabo working for that big designing company right now? The one that works with revolutionary protests through some of their lines?”
“Something like that,” Luffy said. “I never remember the name.”
“You never remember anything,” Zoro corrected. “I thought Ace was working part time as a firefighter. What kind of project would those two need help with? A fire proof line of clothes?”
Hoku looked interested. “That sounds kinda cool.”
Luffy nodded. Nami smacked the back of his head, urging him to continue. “Well, Ace does all kinds of stuff, but he models for Sabo’s work sometimes too. They’ve been doing a specific kinda work for some people.”
Luffy tipped his head to the side. His brows furrowed, crossing his arms over his chest in thought, “I think Sabo said something about… se… celery taste from one of their clients!”
“Selective,” Nami provided.
“Yeah, that! Anyway, one of ‘em wants something special done and Sabo remembered how good Hoku is with drawing and art and stuff!” Luffy said brightly. “I said you’re poor and you need a job—”
“Why’d you gotta say it like that, Lu?”
“And they were super excited and hoping you could help them out!” Luffy said. “See? It’s easy!”
“I’m not going to make your brothers pay me for something like that,” Hoku said, shaking her head in between Zoro’s arm. “They’ve done a lot for me before—they treated me like family when I was always bumming around at your place… I’ll just do it for free, what do they need? An ad? A—”
“Nono, dummy, they said they wanna pay ya because it’s a big job!” Luffy said. “It’ll take a lot of work or something and—ah! I almost forgot!”
Luffy grinned, shuffling around his pants’ pocket before he pulled out a crumpled, balled up paper. He handed it to Hoku, who reached around Zoro’s still loose and comfortable grip to fold it. “Sabo and Ace gave me this last week! It’s their numbers. Said to give them a call or text them if you were down to do it!”
“A week ago,” Zoro snorted. “Nice.”
“But I said we should all get together cause it’s been so long!” Luffy said cheerfully. He grinned, swinging his legs back and forth over the bench. “We can throw a party! Oh, man, we can make it huge and—”
“No parties until after midterms,” Nami said dangerously. “And whatever you decide, don’t forget we’ve got a girls day with Robin next week, Hoku!”
“Right, right,” Hoku said absently, staring at the two differently scrawled numbers—one in neat, even print and a more slurred, harder to read script. Ace and Sabo. “Well, I’ll text them and let them know I don’t mind helping out however. It’s the least I can do since it’s been so long.”
Hoku slumped, throwing herself half over Zoro’s lap. He shot her an unimpressed look and Hoku mimicked a limp fish.
“Maybe I’ll just work in the cafeteria,” Hoku said thoughtfully. “I can sneak meals and they’ll probably feed me too.”
“Sure,” Zoro said. “Like they’d let a klutz like you become a lunch lady. It’s bad enough that eyebrow freak cooks for anyone.”
Hoku made strangling motions at his neck. Zoro just shoved her face back into his lap, folding his arms on top of her head and yawning as she let out muffled screeches.
Luffy snickered. Nami finally relented and offered him a peeled tangerine. He popped it into his mouth and grinned, teeth shining and excitement bleeding into all of them.
“Oh, man, it’s been so long—this is gonna be great!”
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“Contributing to society yet, you unemployed bum?”
Hoku’s face shot up from the second helping of curry she’d been about to shove into her mouth without further consideration. Her face twisted, grumpy and angry—but only in the kind of way that came off as entirely defensive because the words thrown at her were blatantly true and painful, damn it.
“Hey, you jerk,” Hoku snapped, waving her spoon at the asshole in front of her. “When I start making it big, you’re going to eat those words.”
The currently sitting definition of tall, dark, and handsome. Changed out of his hospital gear and classical surgeon attire—because being a heart surgeon with an emphasis in being able to do surgery on just about anything else because he was a genius called for a lot of hours—and dressed in easy jeans and a black turtleneck. The fluorescent lighting of the homey curry restaurant caught off his slender piercing. His dark tattoos peeked out from the rolled up sleeves of his cuffs, the neatly printed letters staring back at Hoku as he held his too large cup of coffee—black as sin because he still had a shift tonight.
Hoku always had to wonder what his patients thought every time they saw DEATH staring back at them on the hands of their doctor before going under on the table. She got away with the snow white hair and tattoos because she was an “artist” so no one bothered her much.
Probably shit their pants. Or just cry.
Doctor Trafalgar D. Water Law did not look impressed.
“Maybe,” he said dryly, “if you don’t eat everything else first.”
Hoku flinched back as though she’d been struck. She shoveled more curry into her mouth, glaring hard at him from across the table.
“I keep asking myself why I hang out with you,” Hoku said. “You’re always taking your time and then when I think we’re going to have a nice time, you find some way to cut me open again.”
Law took a sip of his coffee, “You do it to yourself. And I hang out with you. Not the other way around.”
“That’s bullshit,” Hoku said around her spoon. “And ya know it, Torao.”
The two were about as far from each other on the spectrum as possible when it came to a small world. As a doctor and about three years older than herself—there could’ve never been an excuse for their paths to cross. It just happened one day that her art club had been assigned to help remodel and work with the children of their local hospital and overseeing the entire thing had been Hoku the klutz from her art club and Doctor Law, resident bachelor heart surgeon.
“You can’t paint monsters in the child ward, it’ll literally scare them to death.”
“Are you even listening to the kids? They want a wall of creepy and fun stuff so they can tell stories to each other.”
“You’ll give them all nightmares and it will reflect poorly on their health.”
“I’ll give them all a reason to run and they’re going to be dancing out of this hospital from how fit they are.”
And then there’d been a celebration party for finishing the joint project and Hoku drank a little too much—or maybe she’d just eaten something bad—and then she was throwing up on Law’s shoes.
Hoku had also been the reason why one of his buddies, Penguin, had managed to graduate in their shared anatomy class. Law was also fairly good friends with Kid—fairly because they always talked shit about each other but still hung out—and there’d never been a reason not to know each other anymore.
Besides, even if she told Law he was a bastard and this and that, she genuinely enjoyed his company. He was looking out for her here and there in his twisted, clinical, at times cold-hearted way.
“But no,” Hoku admitted bitterly, slumping back into her chair. Law leaned back in his own, satisfied as he threw one arm behind the chair next to him and watched her in silence. “It’s been months now and I’m just barely getting by on any project I can… Did you know I was thinking about working at the amusement park? Or the pier? I hate water. Why would I even want to spend more time there—”
“You’re afraid of water, you don’t hate it,” Law corrected. “It’s called aquaphobia.”
Hoku mimicked him.
Law kicked her knee under the table. She jerked it back in, nearly jostling their small little booth. Hoku and Law both grabbed their drinks to steady them.
“I mean, I’m not that bad,” Hoku rubbed her chin, shaking her head. “I think I’m one hell of an artist actually… I can go back into mechanics and pick up a job engineering for a while but…”
Hoku let out a small sigh. “No, that won’t work. It’s gotta be drawing after all.”
“Eustass-ya is coming back into town,” Law said, knowing what—who—mechanics made them think of.
Hoku looked up. Her face was neutral, amiable. “Oh, yeah?”
“Mentioned it,” he said. “Don’t know when.”
Hoku hummed. She played with a carrot on her plate and shoved it to the side. Law scowled. She grudgingly scooped it back up. “I’ll give him a call when he arrives. Maybe we can grab lunch or something.”
Law watched her over the rim of his cup. Hoku waved a hand at him. “We still check up here and there. I mean, when it’s not angry texting—but that’s all in good fun.”
Law’s brows creased in a suit-yourself sort of way.
“You can shift gears a bit,” Law said. “Get a teaching degree and why don’t you apply as an art teacher? You’d still get to do what you loved while working on individual projects. Quit when you’re ready.”
Hoku lowered her arms onto the table, her face a little more sober. “That’s… That’s probably the best idea, isn’t it? But I dunno… me? Teaching?”
Hoku laughed. She rubbed the back of her neck, dragging her fingers down the side and staring hard at her warped reflection on the metal table.
“I don’t think…” she said and stopped. Hoku shook her head, “I don’t think any parent would want someone like me teaching their kids.”
Law’s eyes flickered. His expression loosened, brows a little less furrowed, face a little easier to approach.
“Hoku-ya—”
“But you know what,” Hoku started up again brightly, eyes flashing in determination as she grinned, “there was this girl in my class today—making digs about this and that and just wait. I’m going to pick up an awesome job and come in with my regular gear because I’m not an idiot who blows her cash on fancy materials!”
Hoku’s chest puffed out in pride. She grinned, proud as a peacock and tipped her chin high in the air. “Long live homemade art materials!”
“You’re the only one who can get away with that,” Law said. “Barely.”
“I’m so confident I’m going to get a job,” Hoku said. “That I’m paying for dinner tonight.”
Law looked vaguely amused. He let his chin rest on his palm, watching her.
“So if I went ahead and ordered the deluxe beef curry set—”
“I,” Hoku said, using her best bluffing face, “wouldn’t even blink.”
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Law ended up ordering the set to-go. And paying for the meal—he simply stepped over Hoku’s embarrassingly fallen form when she tripped on her way to the cashier—and handed the food to her after dropping her off in front of her apartment before he took off for his night shift.
“Eat,” Law had threatened, rolling up his window and ignoring her cursing and ranting like she were no more than a fly at his car. “Skip meals and I’ll check you into the hospital myself.”
Hoku threw up both her middle fingers, stomping all the way to her apartment door for emphasis. Law’s sleek car waited in the parking lot until her door opened pointedly wide and closed before pulling off.
“I never skip meals,” Hoku muttered, shrugging her shoes off and hobbling into the living room after setting the food down on the counter. “I love eating.”
Her apartment wasn’t a grand thing, but it was a little more spacious for the great price she was paying. Banged up. Creaky pipes and floorboards—but it held, sturdy and true.
The two bedroom apartment had been shifted so one was her actual bedroom while the other was her studio and guest room—she usually ended up sleeping there when she was working late into the night anyway. Photos were thrown up left and right. Stacks of papers and sketchbooks were scattered all over the apartment. A massive poster hung over her bed of a certain red-haired explorer’s greatest and her favorite excursion.
A small television set and coffee table. A sectioned off kitchen with an island countertop. Her sleek, comfy leather black couch which was a gift from Mihawk—
Hoku flopped down onto the couch, sinking deep into the cushions. She let out one long, low groan.
I’m such a loser. Hoku pressed herself as deep into the couch as she could, willing it to swallow her whole and never let her see the light of day again. You were supposed to come back from those two years and be different. You haven’t done anything.
Her phone vibrated against her ass and Hoku lazily tugged it out of her pocket, half-throwing it toward her face.
“LETS TRY THIS PLACE IT LOOKS GOOD!!!!!” Hoku snorted at Luffy’s text, a smiling touching her lips and scrolling down. Usopp sent a photo of Zoro asleep on their couch. Training must be rough. Nami texted her a reminder to make a reminder in her phone for her date with Robin and the three of them. A notice from her professor about the material list for class next week.
“Heard things are turning up for you. Keep me posted.” Robin.
Hoku’s hand shuffled through her jacket pocket. Her fingers closed around the crumpled piece of paper and she carefully smoothed it back out, staring at the two numbers.
Honestly… she only really had good memories of Sabo and Ace. Well, when she and Ace weren’t butting heads or strangling each other about something. Luffy loved them as much as he could love anyone, so they’d always been important people to her too.
Grade school, middle school, high school… Hoku rifled through the mess of memories. Coming over to their house. Running from their grandfather. Crowding by a television. After school runs to the best food stalls… all just classic, simple memories.
Hoku pulled up an empty message, typing in both numbers into a new group chat. Her fingers hovered over the letters, contemplating the kind of greeting that should’ve fit a gap this long… They couldn’t have changed too much, right?
Hoku typed, deleted, re-typed for several minutes before finally hitting send and dropping her phone onto the rug, rolling over and burying her face between the couch cushions. A minute, two, her shoulders went slack and she finally fell asleep.
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Another minute. A beat.
Her screen flickered to life with a response. A calm ten minutes later.
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Hey, Ace, Sabo!
It’s Hoku—haha, it’s been awhile, huh? Sorry for being so shitty at staying in touch. Hope you guys are doing well! Are you still holding the three of you guys together? Ace haven’t lost his head yet dropping dead somewhere? Lu says you guys have been busy.
He finally gave me your numbers and mentioned you had a project you needed help with. Don’t worry about paying or anything, I’d be happy to help out! You guys are like family, y’know? I don’t know how much I can do, but let me know. Let’s catch up. :)
Changed at all?
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Hoku,
It’s so nice to say your name again after so long! Took Luffy long enough. It’s been ages, hasn’t it? Ace and I are better than ever, well, trying at least. I’m so glad to finally speak with you again after all this time. I hope your trip was everything you needed and now you can enjoy a long stay back home. I could go on forever, but let’s save the rest for in person, shall we?
Yes! I’m not sure how much Luffy told you about it, but we’d love to discuss with you further. Face to face. When is the soonest you can meet? Ace is asleep right now, but I’ll let him know as soon as he wakes up. The lug.
Hope to be in contact with you soon,
Sabo.
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Two minutes passed and a second message was sent, accompanied by a warm, smiling face.
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Haven’t changed a bit. Missed you, Hoku.
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Shit. Hoku exhaled, adjusting her tote bag over her shoulder—Luffy had bought it for her on a random splurge, dotted with stars. Her head tipped to the side, as though looking at the beautiful building would change what she was seeing.
A few people walked past her, offering strange looks.
The dessert restaurant was famous. Newly opened, lovely. Two floors with nothing but booths overlooking the city and cozy cafes where people could gather to enjoy all kinds of sweets—for those not as inclined to sugar, they had an array of sandwiches and anything to all varying tastes.
Hoku had been eyeing this place for months now, enviously searching through images online or drooling into her pillow as she scrolled through food bloggers. She and Nami and Robin were supposed to finally try it next weekend when Robin came back from her latest trip…
Lucky me. Hoku whistled, shaking her head as she stepped up to the patisserie and opened the door with a gentle jingle of the golden bell on top. Now I get to go twice.
She’d woken up, creases in her face from where she’d shoved herself between the couch cushions, to several new messages. The only one that’d stood out, neatly typed in a way most people would never text like a letter, and addressed with his name since she didn’t have his number already saved—
Sabo.
Hoku had stared at the message with wide eyes, not quite believing what she was seeing, drool dried to her chin. Hoku’s eyes had brightened and she’d quickly responded, getting even a little excited because—it was Ace and Sabo—they were good friends. I missed them.
It was supposed to be nice--reconnecting with people you hadn’t seen for a long time.
Hoku’s eyes searched the crowds of people gathered together, focusing on the host stand. A host stand for a bakery, damn. Hoku seemed to be on the lesser scale of dress—high waisted shorts with her halter top tucked in—but I’ll be alright. The entire first floor could be seen from the second story where people could make reservations for secluded booths to enjoy their sweets and tea. We should be on the first floor...
Hoku stopped short. She stood there in the middle of the bakery, face calm.
I mean they… Hoku’s eyes slowly scanned over the crowd one more time, doing a thorough comb over. They can’t be… that different right? Am I crazy?
She stopped at every blonde and black haired male, craning her head, shuffling around the bakery and trying to peek around to get a look at different faces. Trying and failing to be as discreet as possible. No freckles. No scar on the left side of his face. Nothing.
Hoku shuffled through her bag, fishing out her phone.
Right time. Hoku checked the message thoroughly. Right place. Meet here… there aren’t any other instructions. Am I just first?
If she remembered right, Sabo was always so punctual… Hoku made a face, turning around on her heel. Should I just go get a table? I’ll just go get a table—
“Excuse me miss, are you looking for your party?”
Hoku’s phone slipped like butter through her fingers. Her foot shot out, trying to catch it and she almost toppled over completely, grabbing the nearest chair and steadying herself.
The host who’d approached her looked horrified, as though he’d almost witness an apocalypse occur right before his eyes.
“Hi,” Hoku said. A few people were looking. She bent down to grab her phone, shoving it into her bag. “I—what?”
“Your party,” the host repeated kindly. “With a Mr. Sabo, correct?”
Hoku stared at the host with round eyes.
He smiled, “He told us to look out for you. He’s already waiting at the table if you’d like to follow me, miss.”
“Oh,” Hoku said dumbly. She straightened out, staring at the host like an idiot. “I… I didn’t see him. Where is he?”
“This way, miss,” the host gathered up a menu and began his ascent toward the steps.
Hoku stared at the stairs. Stairs led to a second floor. The second floor was a fancy floor.
Hoku pressed her hand into her mouth, staring.
Maybe it’s the wrong Sabo?
“Would you prefer the elevator, miss?” the host said, looking worried. “Forgive me—”
“No, no, no, stairs are fine!” Hoku quickly scampered after him. The host smiled, leading the way up the winding staircase the short distance to the second floor. “I just—I thought he was on the first floor. Sorry. Thank you for your time.” Stop talking, you dumbass.
The host continued to smile, leading them past a narrow walkway of several private rooms and booths. You can see everything from here. Hoku eyed the bottom floor, wondering if anyone had watched her flailing around like a mouse. Or a fish. Or just an idiot in general.
They walked a short distance, coming close to where part of the second floor was sectioned off against the railing of the top floor. The other half of the floor opened up with wide glass windows, showing the entire city and the bay across the distance.
This is so nice. Hoku glanced around in disbelief. I can’t imagine the price tags up here, gotta tell Nami and Robin.
A single booth sat at the end of the walkway, pushed to the back. A perfect vantage point of the entire first floor and the breathtaking view on the side—
Golden blonde hair fell a little longer now. It still had its wavy sort of curve, kissing the sculpted, angular line of his jaw. His eyes still had that soft little light to them, curious as he surveyed the menu in front of him. His skin was fair, a burn scar over the left side of his face, around his eye. There was a larger one hidden beneath the neat, cream dress shirt he wore inside a dark, navy blue sweater.
He looked older—more mature, a redefined version of himself, as though someone had simply adjusted the resolution of a good photo, complimenting what already was. Dapper and gentle and charming all at once—
But still, maybe, the same after all.
“Sabo!” Hoku’s eyes went wide, an easy grin touched her lips and she strode forward. Hesitancy lined the back of her steps, careful. Even if we got along fine and were pretty close, it’s still been awhile and—how do you do stuff like this again?
His eyes flickered upwards immediately, finding her with perfect ease. They went a little round, brightening in an instant. His lips turned upwards into one bright, warm smile.
Some small part of Hoku quieted. His eyes were warm, almost hot. He was looking at her like finally, finally, something had fallen into place and it was all right—
Hoku balked for a second, uncertain. Her heart warmed at the sight, a flood of pleasant memories and—
And what?
“Hoku!” that’s really his voice. It’s been so long. Sabo stood from his seat, stepping around the table into the walkway. The host behind them set the menu down, backing off so they could be alone. Hoku almost reached out to grab his arm and ask him to stay, just to have another person here because—why would you do something like that, you’re so weird, it’s just a reunion with someone you haven’t seen in awhile—
Sabo’s shiny loafers stopped a few feet from her. His arms had been raised for a second, but his face quickly shifted with obvious hesitation, waiting uncertainty. His lips pursed, waiting in that dorky expression of his. Brows a little furrowed. Hoku stood there like an idiot, telling her mind to shut up and—
Hoku let all other thoughts melt away. It was Sabo. She knew Sabo. She knew him when he was missing a tooth. This is Luffy’s brother. He’s practically family. She gathered her footing beneath her, steadying.
Hoku stepped into his embrace, meeting him the rest of the way. Sabo’s entire face lit up, eyes warming.
It was a ridiculously...nice feeling, to be looked at like that.
Her arms came around his middle and Sabo’s arms instantly wrapped tight around her in a bear hug, wrapping around her shoulders and holding her snug. He almost lifted her off her feet. Hoku laughed, patting his back as Sabo held her tight for a moment, the smell of his cologne washing over her, smelling like something expensive and roguish. He laughed back into the crown of her hair, air ghosting past her ears as he moved his head to the side then, right by her ear.
“Hoku!” Sabo said. “It’s been so long! It’s so good to finally see you-—look at you! You got taller!”
“Says you,” Hoku snorted, pulling back a bit so she could crane her head up to his face. Her ear twitched. Sabo laughed, loosening his grip around her so she could shift more comfortably in his arms. “Look at ya—who said you could grow this tall, you jerk?”
“You look absolutely wonderful,” Sabo said graciously. Hoku stiffened in surprise. She shuffled a bit backwards and Sabo quickly released his hold on her, letting her back out of the hug. “You do! You let your hair grow out—it looks beautiful.”
“No, I just,” Hoku stopped, pressing a hand to her mouth in surprise. “I forgot how you were. You’re always saying stuff like that—caught me off guard, ya bastard.”
“With a compliment?” Sabo laughed, a warm, breezy kind of sound. Hoku’s lips pulled up at the corners. “You deserve dozens more with how long it’s been.”
“You look great!” Hoku punched his chest lightly with a fist. Sabo grinned boyishly, beaming down at her. “All dressed up too—couldn’t beat that royal look out of you, could you?”
“Decided to embrace a different kind of style,” Sabo chuckled. “I’m not missing any teeth this time, right?”
The image of a beaming, grinning blonde boy with scuffed up shorts, a creased hat and a gap where his tooth was missing—Hoku’s smile widened. Yeah, that’s right. This is Sabo.
Sabo took a moment to look at her, as though he were seeing her again for the very first time. Hoku’s nerves rattled for a second, a chill racing down her spine. You’re just nervous. Calm down, you dumbass. His face visibly softened. The chill disappeared. Eyes warm, he clasped his hands together in front of him.  
“I’m glad you’ve been well,” Sabo said softly, smiling. “It really is nice to see you again, Hoku.”
“I’m sorry I was so bad at staying in touch,” Hoku said, brows furrowing. “I should’ve called once or twice to check up on you guys… Luffy told stories every now and then and I guess that always seemed enough.”
“No, we should’ve made more of an effort on our part,” Sabo said. He guided her to the table and Hoku slipped into the seat in front of him. His fingers gently glided over her arm, over her skin, smoothly taking her bag and hooking it over the back of the chair. Hoku blinked, realizing she hadn’t even known that he’d been getting her bag—
For a brief moment, Hoku stilled. A force of habit. It only lasted a second, anyway.
Sabo’s frame towered over her. One hand resting on the edge of the chair where he was releasing the bag, the other steadying himself on the table but—
You’re boxed in.
And then Sabo was gone and she was free and Hoku relaxed even though she never should’ve been tense in the first place.
“I’m sorry Ace couldn’t come, he wanted to see you too,” Sabo said, pulling away with a frown. “He had an important shift today so he couldn’t get off.”
“We can definitely meet up again,” Hoku said surely. “With Lu next time too, catch up like old times. I want to see more of you guys for sure.”
Sabo smiled at her—it almost made her feel as though she were being praised for something. She’d said the right answer.
“Things just got so busy with work and you were in your third year,” Sabo said. He took a seat beside her, brows creased apologetically. “You were seeing someone at that time too, weren’t you? Relationships, school, it all gets so hectic.”
“That’s… yeah, that’s right,” Hoku blinked in realization. Sabo folded his hands together on top of the table, expression soft. Understanding. Kid and I were together and I was focused on spending time with everyone before I left and then….
Had she just forgotten about Ace and Sabo? Enough to not even give her best friend’s brothers a proper goodbye—
“That’s no excuse though,” Hoku said, brows furrowing. Had that really been what happened? Holy shit, Hoku. They’re like family—how could you do something like that? Kid had taken up a lot of her time sure, but she’d wanted to spend that time with everyone because she was going to be gone for so long. “Shit, I’m sorry Sabo—”
“Don’t even think about apologizing,” Sabo said, shaking his head sternly. Hoku’s lips pursed. “We could’ve called you just as easily as you could’ve called us. It’s a two way street. No one needs to apologize here.”
Even if you say that, I’m still going to make it up to you guys. Hoku huffed, leaning back and crossing her arms over her chest in thought. “Doesn’t mean it didn’t suck.”
“Maybe,” Sabo said, a light chuckle. He looked so happy. It was hard not to keep staring at him, to feel happy herself. Infectious. A waiter came and swiftly left behind two steaming mugs and Hoku looked up in surprise. “Sorry! I took a guess at the menu—I’ve never been here before and I got what they recommended and looked the best…”
“No—you’re fine!” Hoku pulled the mug closer to her, eyes growing wide. She instantly grabbed for some sugar cubes and Sabo looked amused. “This is their apple tea, right? Ah, I’ve been wanting to try this, nice call.”
“Thank goodness,” Sabo seemed to deflate in absolute relief, melting down into his seat. Hoku snorted, staring at him in disbelief. “Sorry, I got worried for a second I ordered something awful--still like apples, huh?”
“Enough,” Hoku said. “My favorite is still—”
“Longan,” Sabo said.
Hoku blinked in surprise, looking up from the steaming cup in her hands.
Sabo smiled. He pulled his cup—coffee or an espresso by the smell of it—closer toward him. Sabo reached for the sugar jar. “I always think about you when I see them in stores—it’s such a weird fruit to choose to eat on your own, so I remember the time you had us all try it and—”
“Lu choked on the seeds,” Hoku’s lips curved fast into a grin, “I know what you mean. I always remember random things because of people too. You start to link people up with the stuff and places in your life.”
“Exactly,” Sabo said with a warm smile. He dropped a cube in, picking up the small spoon and starting to stir, slow and easy. “Come on, tell me all about it—how was everything? Luffy said it was something like a… soul searching experience?”
“Sort of,” Hoku laughed, pushing her hair back over her head and holding it there for a second. The apple tea smelled amazing. “I wanted to get in touch with some old family friends, help fix up the town I was born in… just spend some time there. It’s home, you know?”
Sabo looked openly curious, taking a sip of his coffee. “Are you thinking of settling there?”
“Oh, no, nothing like that,” Hoku shook her head, rubbing the back of her neck. “Settling is a tentative word anyway. I love it here to much and all my friends are here, you know? I like my apartment and what I’ve got going fine.” Just minus a steady income.
“That’s true,” Sabo said, looking thoughtful. “There’s just so much here… It’d make more sense.”
“Mhm,” Hoku said. “But it was nice. I needed it. It helped me with a lot of sorting out and growing, I think.”
“The growing I can agree on,” Sabo said warmly. Hoku made a face. “You’re lovely, Hoku. You’ve always been.”
“Stop,” Hoku laughed, wrapping her hands around the cup. It warmed her palms. “I mean, I can talk about my trip and stuff, but what’s been going—”
“Wait,” Sabo said, looking surprised. “You said apartment—are you living off campus?”
“Yeah, like Lu,” Hoku said. “They’re apartment was too crowded, even though they offered a room, so I found my own place.”
“Ah,” Sabo said. He dropped another sugar cube into his coffee. “With your boyfriend?”
Hoku smiled softly. Her eyes dropped down to her tea, staring at the murky red color. Nowhere near the bright, flaming red— “Your hair’s like hot cheetos.” “Keep talking and I’m going to shove you out of my car.”—“Ah, no, nothing like that. Just me. We actually broke up about… a year ago now?”
Sabo’s face shifted instantly. His brows creased, spoon pausing in the air. Apologies flooded his eyes, mouth opening in quick understanding that he’d just asked something like that—but Hoku waved him off, shaking her head and hand in turn. “No, no, don’t even start. We parted on good terms. I was supposed to only be gone a year, but I decided to stay longer and we had a bit of a falling out and yada yada.”
Hoku smiled, earnest, “But we’re still good friends. No drama or anything.”
“Still,” Sabo said, brows creased, looking ashamed. “I’m sorry for asking so insensitively like that. You don’t just go barreling through past relationships—sorry, Hoku. I didn’t mean to bring up any bad memories—”
“There aren’t any,” Hoku said.
Sabo dropped his spoon into his coffee, starting to stir again, slow, “That’s good. It seems like you both handled it well, then.”
There really weren’t. Even with all their fighting and butting heads, they always sobered up and acted out of each other’s best interests when it came down to it. He’d wanted her to come back—come with him—and she hadn’t known what she was looking for—
Don’t think about that now. Hoku shook her head. This is a different occasion.
Hoku’s mouth opened, eager to shift gears—
“Why’d you decide to stay the extra year?” Sabo questioned, stirring absently. Hoku looked up. Her tea was starting to cool enough now so that it wouldn’t burn her tongue.
“I just realized a year wasn’t enough to find what I was looking for,” Hoku said. “It got hard, making the decision cause I missed everyone so much, but it was a good one. I think it helped.”
Her gut twisted. Had it? She might’ve had a great time—gotten to see Shanks with his surprise stay, Mihawk came and they explored the island her mother had loved, her friends visited—but had it? Here she was now, still moving through life, still going about things but had it—
Changed anything?
Hoku thought about the lack of jobs. Thought about Law’s suggestion to switch gears. Am I even doing things right? Kid slipped into the back of her mind. Yeah, they hadn’t ended on bad terms, but had her decision even been a right one? Had there ever been a reason for them to—
Quiet black gloves, a soft underside of leather, touched her hand. Hoku jumped, eyes dropping down and realizing she hadn’t even noticed Sabo’d been wearing gloves. That’s new. Her eyes flickered back up and she realized his face was creased in worry, eyes watching her openly. “Hoku?”
Shit. “I’m sorry,” Hoku said, pulling her hands back. Sabo’s hand dropped onto the table and he glanced to it for a moment before looking back to her. Hoku used one hand to grab her cup, the other pushing her hair back out of her face from habit. “Got lost in thought—what’d you say?”
“I’m just glad you’re back,” Sabo said. He pulled his hand back, letting it rest in his lap as he brought his cup back to his lips. “Hopefully to stay. Have you had a chance to do everything you’ve missed since coming home?”
“Oh, plenty,” Hoku said, slumping in relief at the change in topic. Think happy. Think Sabo. Don’t worry about the other stuff. He doesn’t need that. Or deserve it. “The lot of losers has been making sure I do.”
“I can imagine with them,” Sabo said, looking amused. He let his cheek rest onto one hand, using the other to twirl his cup. “Luffy always talks about you guys when we meet up. Took him long enough to finally get us in touch again.”
“That’s right!” Hoku clapped her hands together. Sabo blinked. Smiling like a lost puppy. “The whole reason for this—Lu said you guys needed help with a project right? What is it? I don’t know how much I can do but I’ll try my best—”
“So you only came today because of that?” Sabo mused, tipping his head to the side, resting on his hand. Strands of wavy blonde fell a bit onto the side of his face. “I thought we were catching up.”
Hoku paled, her jaw went slack. “No—oh my god—no. You guys don’t have to pay me—I won’t let you pay me. I just wanted to help—”
Sabo’s laugh broke through. Breezy, curling past her ears. Hoku stumbled over her words, stopping as his gloved fingers hid only parts of his bright smile. “I’m sorry, I’m just teasing. You’re still so easy to tease.”
Hoku’s mouth opened and closed like a fish. She settled back into her seat, rubbing the top of her head. “Ah, jeez. You’re awful, Sabs.”
Sabo’s smile widened behind his fingers. His eyes were impossibly warm and Hoku stopped, staring. “What? You keep looking at me with that dumb smile—”
“I was wondering if you’d call me that again,” Sabo admitted, eyes softer now, still so, so warm.
Hoku blinked. She laughed, “You could’ve just asked. I’m sure other people call you that too. You’re so weird.”
“Maybe,” Sabo agreed, looking amused by her choice of words. “Hoku, what have you been up to aside from—”
“No, wait,” Hoku waved her hands, halting him.
Her eyes were on the table. Sabo’s eyes flickered briefly. He pulled his hand away from his mouth, adjusting his comfortable position to sit back in his seat. Hoku glanced back up to him to see a patient smile. It’d felt like the poor guy had to direct this entire conversation, Hoku didn’t even realize how much he was guiding it.
“The project,” Hoku said. “That first. I keep getting all twisted up with you. There’s too much to talk about. Let’s do that first.”
“Alright then,” Sabo said, a little laugh to his words. “It’s… Well, it’s less of a project and more of a personal request from a client of ours for a… specific piece of artwork.”
“That seems simple enough,” Hoku said, her hands curling around her tea to finally take a sip. “But last I heard, you and Ace are doing different kinds of work—is there a reason why they went to you?”
“There is,” Sabo said with a nod. He reached a gloved hand out across the table. Hoku blinked, curious, but Sabo waited patiently.
Hoku pulled her hands away from her tea. She limply poked Sabo’s gloved hand. The blonde laughed, shoulders shaking with the motion. “No, see, I’m not sure if you’re familiar or if Luffy told you, but I’ve been working with a designer company for a long time now. A close coworker and friend of mine designed these.”
“Oh, that’s right!” Hoku said, feeling a little stupid. The brand was labeled neatly, tucked away to not be too flashy on the inner seam of the glove. “Liberator, right? So the client met you two from this?”
“Catching on quick,” Sabo praised. Hoku’s cheeks flushed a bit and she rubbed the back of her neck. Sabo smiled warmly, “Sure enough, both of us are nowhere near a more… artistic sense of experience. I’ve been working and Ace models from time to time, but our client approached us from that line of work. We’ve been helping them out with their requests and they had a more specific one this time. They wanted a portrait. Or a series of them, to keep.”
Sabo sighed, leaning back in his seat. He laced his fingers together over the table. “It had us both stumped for awhile, to be honest. It seemed doable, but we didn’t know who to go to for something of this nature—but then we remembered Luffy mentioning you were back and town and he said you’ve been running into awful luck with work—”
Hoku sank lower in her seat, “How much did he say about that?”
Sabo’s face didn’t hold a hint of judgement. There was a fond sort of pity and understanding, he winced on her behalf, “You seem to be struggling quite a bit financially is what we got from it.”
Hoku grumbled to herself. Damn it, Luffy and your dumbass, big mouth. “Listen, it really isn’t that bad—”
“Don’t worry,” Sabo said, “I won’t pry. I want to. But I won’t. It’s not fair to come barging into your life after all this time and tell you whatnot just because.”
“I know you guys wouldn’t mean it like that,” Hoku said, feeling horribly touched at his words. And… relieved. He’d said exactly what she’d been hoping to hear. “You just care. You guys have always been sweet on those you care about.”
Sabo rubbed the back of his neck this time, looking sheepish. “It’s nothing like that—”
“No, no, it is,” Hoku said. “But anyway, forget about money. Keep goin’.”
“Well, it still has to do with money, actually,” Sabo said. “We both wanted you instantly because we love the way you draw—you’ve always been amazing at it, no matter what it was.”
Hoku’s chest flooded with unrestrained pride. She sank lower into her seat, covering her forehead with one hand and biting her lower lip. “I—I still have a lot to work on—”
“Hoku, look at me.”
Hoku followed the instruction, startled.
Sabo’s face was stern. His eyes held her in place, brows creased in that little way to show how earnestly he meant what he was about to say. “Hoku, you’re an amazing artist.”
Hoku grabbed her tea cup. Sabo opened his mouth, eyes flickering quickly with something—but she already brought it roughly to her lips, a bit sloshing over as she took a long, hard sip—it was delicious—and swallowed.
A bit dripped down her chin. Hoku laughed, a little too loud, flustered and embarrassed and yeah, it’s nice to hear all that but it doesn’t make it any less—I dunno. She was always shit at stuff like this. “Okay, I get it, you like the drawings—what’s the job—”
Sabo’s expression looked lost for a moment. Hoku blinked, realizing he seemed entirely zoned out. His eyes were following something on the corner of her chin and Hoku stopped, quickly rubbing at the tea that’d spilled down her chin—
“I’m sorry,” Sabo said, blinking back into focus. He ran a hand through his hair, pushing it out of his face for a moment and then smiling at her. “I didn’t catch that. I lost my train of thought this time.”
“No, you’re fine,” Hoku said. “We’re even now.”
Sabo stared at her for a second before he said, a bit soft, “You’re awful at listening to directions, aren’t you?”
“A bit,” Hoku said. Sabo’s fingers curled around his cup.  “Keep going about that client. Needed an artist. What’s next?”
“Ah, yes,” Sabo folded his hands back together onto the table. “Well, we figured we were killing two birds with one stone by asking you. Help you out with your situation, and secure the piece we needed for this request. We’ll need you twice a week for an entire month, starting as soon as you can. It’ll only be in the evening, and we can work around your school schedule, but when you come in, how long it runs for may vary each time. We can supply any materials you’ll need, canvases and all, and all you’ll have to do is just draw.”
“That sounds…” Hoku said, “Really well-thought out.”
Sabo smiled, “We tried to be thorough with our planning to make sure everything went smoothly.”
“I… I don’t see any reason why not,” Hoku said, blinking. “You just need me to draw specific pieces—what is your client looking for? It sounds like there’ll be a model or a specific scene in mind. And honestly, Sabs, don’t even worry about the payment—I’d just like to help you guys out.”
“I have to insist you take the pay,” Sabo said, shaking his head. “It isn’t coming from Ace or I, honest. It’s directly paid from the client. And I have to say, they do pay rather handsomely.”
“Then you guys should keep the money,” Hoku protested. “I really can’t—”
“You’re the one doing the work,” Sabo said. “I have to insist.”
“But if they’re a friend of yours, I don’t want to make them pay,” Hoku said. “It won’t be too much trouble. I might not even be up to their standards—”
“Our business is strictly professional,” Sabo reassured. Fingers folded neatly together, sitting on top of the table. “You can take the pay, it really isn’t—”
“I’m not going to do the job if you guys are gonna pay me.”
Sabo stopped. Hoku’s face was set, stern. Sabo stared at her for a long, long minute, hands still folded so neatly in front of him and eyes quiet—
Sabo smiled, his face was playful, “Still as stubborn as ever.”
“Enough about money,” Hoku said. I’m sick of thinking about it, honestly. “What are they looking to have drawn? It doesn’t sound like it’s something off the top of my head. What’d they have in mind?”
“Ah, well,” Sabo looked a little thoughtful this time, contemplative. He seemed to be working through his words before he faced her evenly, an air of professionalism coating his friendly demeanor. “I don’t doubt your skills in the slightest, Hoku. I remember you’ve always been fond of drawing people too…”
Hoku waited, holding her cup in her hands. I’ve been taking forever to drink this thing. I keep getting distracted.
“I have to ask though,” Sabo said, “are you well acquainted with drawing anatomy?”
“Sure,” Hoku said, the cup at her lips. She’d assistant taught an anatomy drawing class. “All ranges. You’re right, people are usually my go-to for focus.”
Sabo leaned forward onto his elbows. His hands were interwoven together, placed over the lower half of his face. His expression was neutral.
“Nude models as well?”
Hoku nodded, not missing a beat. She’d dealt with the initial embarrassment of drawing nude models years ago from earlier classes. At the end of the day, it bled into a kind of intrigue to figure out how well you could draw people, at their rawest, at their most bare—it was intimate, and you wanted to make it beautiful. They all had the same body parts at the heart of it—when it came to her pencil and paper, there was nothing else to think about except the drawing. No strings attached.
I mean, Hoku felt an inch of heat creep up the back of her neck. It colored the top of her ears. It’s not like I’ve never been naked with anyone before… either…
Sabo watched her over the top of his fingers.
“I won’t scream or run out of the room if I see boobs or someone’s junk,” Hoku said flatly. Sabo’s lips turned up at the corners, holding back a laugh. “I’ve done nude shoots plenty of times, so don’t worry about that.”
“That’s good,” Sabo said, “See, our client is looking for something of a more… intimate nature.”
When you’re undressed like that in front of anyone, it’s already something intimate. Hoku nodded, following along.
“It’ll be an entirely private affair,” Sabo said evenly.  “Closed quarters. Our clients are trusted people. Strictly business. You won’t have to worry about having your name attached to anything either, unless you’re particularly proud of a piece and want to use it for anything.”
His reflection in the dark cup of coffee couldn’t be seen, less than half full. Hoku’s reflection warbled back against her tea.
“You’ll only have to draw,” he said. “The time frames will range though, forgive me on that.”
Hoku shook her head, “You really have nothing to apologize for, honestly.”
Sabo smiled over the top of his hands. “There won’t be any given cues. They’re looking for something… natural. Whatever catches your eye in the moment it all happens, you choose what you’d like to draw. Whatever stands out to the artist should be worth something, after all.”
Free reign. Hoku nodded thoughtfully. She’d done some works like this before—almost like hiring a photographer, but looking for someone to draw it instead.
Sabo let out a loud sigh. Hoku looked up, curious. His shoulders had slumped, face visibly relaxed as he offered her a sheepish smile. “I’m sorry. Working this out with you has lifted a huge weight off my shoulders. You have no idea how much you’re helping us out with this. We… we really needed the help.”
I’ll do my best. These guys have always been nothing but kind to me. Hoku straightened.
“When do you think is the soonest you can start?” Sabo questioned.
“Whenever!” Hoku said eagerly. “I’m in school Monday through Thursday, but classes end way before the evening. I’ll let you know if anything comes up.”
“Today’s Wednesday,” Sabo pulled out his phone, opening up his calendar. “Will Friday be too soon? The timing is perfect since it’s the first of the month…”
“No, that’s totally fine,” Hoku said, nodding. “I can do Friday.”
“I’ll text you the time and address then and further information,” Sabo said cheerfully. He turned his phone over face down onto the table, focusing back on her. “You can send me a list of anything you might need and we’ll have it ready.”
“I have a lot of my own supplies,” Hoku said. “Maybe just let me know if there’s specific size or style your client is looking for. Charcoal, ink, graphite—”
“Classic pencil should do,” Sabo said easily. “They’re not too picky.”
“Will the client be the model?” Hoku said.
“Ace, the client, and myself,” Sabo answered cleanly. “Poses will range. The entire thing will be a bit like… a simulation, if you will. If there was a moment where something stood out and you couldn’t capture it, we have cameras recording in the room on all sides, so just let us know after it’s done and we can send you the tapes.”
Ace and Sabo… Hoku’s brows furrowed. Her gut shifted a little. That… That might get a little weird, won’t it? Drawing them naked is kind of weird.
“We really needed the help.”
“Will any of that be a problem?” Sabo asked gently, brows furrowed in worry.
Hoku’s stomach twisted a bit more.
You’ve drawn your friends in all kinds of ways before. Hoku reminded herself. You helped your classmates with their own projects—you’ve drawn people you know really well nude and different and all kinds of different things—it’s just that. No strings attached. It’s not really intimate at all.
“None at all,” Hoku said.
It was just another job. Pencil and paper. Nothing more.
“And Hoku?”
She looked up. Sabo’s face was earnest.
“If there’s ever a moment where it’s too much, you want to quit, or you just don’t feel comfortable,” Sabo said gently. “You can leave whenever you want. We understand. If you can’t handle it, don’t worry. It’s completely up to you.”
“Can’t handle it?”
“I’m sure I can handle it,” Hoku said, ignoring the old, bitter memory. The tightness around her throat. The sound of water rushing all around her. “Don’t worry.”
Sabo smiled.
.
.
.
Hoku flopped down onto the train seat, knocking her head back on the reinforced glass. The business man beside her didn’t even look up, eyes falling heavy with sleep. Same, man, same.
She shouldn’t be tired. The rest of the meet-up went… amazingly. They stopped talking business and just caught up like old friends. Hoku laughed a lot, ate a lot, constantly being fed this and that as Sabo ordered with reckless abandon—“But it all looks so good!” and when she’d tried to run to the cashier to pay because that’d been her plan all along—she was left staring at the smiling host from earlier as he held up Sabo’s sleek black credit card.
To be honest, she’d felt completely and utterly spoiled. A feeling that always had her on edge and made her feel funny because—I don’t deserve shit like this. Sabo had kindly offered to drive her home, but she had to put her foot down there—and even then that’d been a fight until Hoku had just booked it to the station, waving over her shoulder at a laughing Sabo left behind.
“We’ll meet up before the session starts on Friday with Ace to finalize some things.” Hoku lazily tugged out her phone, scrolling through the new messages. “Give you guys plenty of time to catch up and then get right to work.”
One month. Hoku pulled up her calendar. Aside from school and the impulsive or random hang outs with everyone—ah, gotta drop off food for Law—she had nothing planned. Because you’re an unemployed loser.
She could do this. It seemed easy enough. The only thing that didn’t sit right with her was the nature of how Ace and Sabo would be, but it was possibly they wouldn’t even be nude. Maybe someone wanted a beautiful drawing with two handsome men—yeah, I can do something like that.
It gave her something to do. Keep herself busy. Even if she didn’t take the pay, at least she’d be working.
A notification popped up and Hoku paused for a second before sliding it open. The photo opened up from the art platform she used to post new works and keep herself posted with—
This month’s. Working on the next.
His work was edgy. As always. The sleek slabs of metal had been made to look a chrome silver—they caught off the light, reflecting back the opening jaws of a monster made of his own creation but—
It was awesome.
Hoku stared at the new project. The train rumbled beneath her feet, shifting occasionally.
“Stick to your cars.” Hoku typed out finally, posting the comment with a face. She looked forward, the train fairly busy with other people all heading home from long days and late shifts.
She needed to get moving too.
Her phone lit up in her hands. Hoku smiled, pulling up the message. Luffy’s eager voice through the texts bled through instantly.
“HOW DID IT GOOOOOOO????”
“GREAT.” Hoku typed back. “GONNA HELP THEM ON FRIIIIIIDAAAAAAAY.”
Incoherent, misspelled words came back. Hoku stared, waiting for something to understand until a video was sent. She glanced around, lowering her volume in case and opening up the video.
The camera was violently shaky. Luffy was obviously running—his feet the only thing in view. The phone lifted up to where Zoro and Usopp were lounging on the couch and it looked like Sanji was in the kitchen—
“GUYS!!!!” Luffy’s voice shouted. The man beside her jumped. Hoku winced. “HOKU’S GETTING A JOB! SHE’S NOT A LOSER ANYMORE!”
Hoku slapped a hand over her mouth to stop her laughter. Usopp fell off the couch, startled from his doze. Zoro tipped his head back. “Bust out the booze.”
Sanji popped out from the kitchen, looking hurt. “Hoku honey, I said you could work at our restaurant—”
The video cut out with Luffy shoving a thumb up into the camera.
Hoku smiled, staring at her screen for a long time, holding it in front of her.
She could do this.
She had to.
.
.
.
“We’ll meet an hour before the session starts.”
Hoku stepped into the sleek, polished elevator. The apartment complex was unnervingly nice. She remembered muddy hills. Dangerous forests. Creaky houses and three loud boys. This—one of the clearly nicer apartment buildings in their city—wasn’t what she was used to seeing. Ace and Sabo were clearly doing really well.
“We’ll be doing this at our apartment. This is the address and the code. We have a… studio of sorts for this type of work. Everything will be prepared beforehand so don’t worry about having to arrange anything.”
Hoku adjusted the collar of her blank white t-shirt, tucked into the waistband of her light washed jeans. She pulled her bomber jacket tighter over herself. Her bigger canvas bag was slung over her shoulder, all her supplies shoved in.
“Is there a certain way I should dress?”
“Perhaps nothing too… flashy? Just make sure you’re comfortable. No real dress code. You’ll be working for what might be several hours.”
Hoku’s fingers reached out, pausing at the button. Ninth floor.
Nine wasn’t a really lucky number by her books.
“Our client has already been informed, so don’t worry about anything. You’ll need to stay on the quieter side though, if that’s alright. Your station is positioned nicely in the room so you can move and get whatever angles you need.”
Hoku hit the button. The floor numbers lit up as the elevator lifted her to the apartment.
“We’ll start officially at nine.”
The wall gave way to glass. Hoku glanced to the city lights, flickering and shifting across the streets.
“You can have a moment to do anything you need before we begin. We won’t be able to stop once we start.”
The doors to the elevator slid open. Hoku stepped out, realizing with wide eyes that the entire floor was reserved for a single apartment. How big is this place?
Double doors waited at the end of the hallway.
Hoku shifted her bag and walked toward it, humming a bit to herself. Wonder if Ace is still annoying.
“We’ll walk you through anything else before we start. Answer any questions.”
Hoku stopped in front of the pearly white doors. She stared at it for a second, the tune dying on her lips. Something churned in her gut. A funny feeling.
It’s just another drawing session.
“Thank you again, Hoku. You don’t know what this means to us.”
Hoku knocked firmly against the door. She waited, shoving her hands into her pockets. This’ll be good for you. You need this change of pace. And besides, you get to do it with two good friends—
“You’ll be helping us, a lot.”
Hoku heard muffled footsteps on the other side of the door. A lock, two, slid out of place. The door opened inwards and Hoku looked up.
Eyes like charcoal. A little gray—almost silver in linings. A constellation of light freckles dusted over his cheeks. Sun-kissed skin. Soot black hair that framed the sharp line of his jaw and the familiar smell of something smoldering—like burning pine or with a little more bite to it—
Still a little roguish looking, wild. Still had that grumpy crease to his brows—
Portgas D. Ace.
Ace stared at her for a second and then promptly shut the door in her face.
Still a little piece of shit—
“What’s the password?” Ace said, muffled behind the door.
Hoku snorted. She kept her hands in her pockets.
“I guess I’m not wanted for the job,” Hoku answered. “Thanks for the interview anyway—”
The door swung open. Ace’s hand shot out, grabbing the back of her jacket just as she was turning. Hoku choked, arms flailing as she was roughly tugged back into the entrance of the apartment.
Ace’s bare foot shot out around her, kicking the door closed and twisting one of the locks between his toes—what the fuck you actual monkey—and then he was turning her around to face him.
Hoku spat her hair out of her mouth. Staring.
He had a shirt on for once. Tucked into a pair of black jeans.
That stupid, boyish grin split across his face, showing his always oddly sharp canines and making crinkles show up around his eyes. That dumb, happy, dorky grin—
Hoku’s heart did a funny thing, the kind of thing that reminded you just how much you missed someone and hurt you for not making an effort to see them sooner because—
“Hey, shooting star,” Ace said, voice deep and light all at once, clearly filled with mirth, “How’ve you been?”
“Hey, dumbass,” Hoku said, unable to stop the wide smile on her lips and not even trying to. “Been awhile, huh?”
Ace’s face soured at the name. He grabbed the back of her head, shoving it straight into his chest. Hoku let out a muffled squawk. Her hands shot out, smacking at his arms, but Ace promptly clamped them down firmly in a bear hug around her and lifted her off her feet. “I think you forgot who you’re talking too. Who said you could get that cheeky, huh?”
Hoku let out muffled curses against his shirt, getting a mouthful of cologne and cotton. Ace turned around, about to haul her out of the entryway until Sabo’s head peeked around the corner.
“At least let her take her shoes off,” Sabo said. Ace looked down to where Hoku was already struggling to shove her sneakers off with the other foot despite her constrained form. “You know how she is about that.”
“I have to make up for two years worth of contact,”Ace said simply, without any regret. “It starts now.”
“Make sure you let her breathe first,” Sabo said, amused. “Or you’ll lose her before that.”
Ace relinquished his hold. Hoku almost fell back, tripping over her shoes still half on her feet. Ace grinned, a deft finger sliding through one of her empty belt loops and stopping her from falling onto her ass. He tugged her back onto her feet and Hoku shot both hands out, steadying herself. Her eyes darted around, frazzled and flustered for a second before her face shifted into a deep scowl.
“I don’t miss any of that,” Hoku said darkly. “No wonder I never reached out to you.”
“No, you’re just awful,” Ace said. “Look at you. You look like you’re about to cry. Should’ve called if you were going to miss us that much, shooting star.”
“I look like this because I almost died from cotton suffocation,” Hoku snapped. Ace used one finger to dig something out of his ear, turning away from her. Nope. Didn’t miss him at all. Not one bit.
Hoku thought about tumbling down hills and climbing up trees and their stupid faces popping into classrooms and--
She sniffled. Nope. Not one bit.
“You’re still as grumpy as ever,” Ace said. He yawned, shoving his hands into his pockets. “Sabo said you got nicer, guess he was wrong.”
Hoku tossed her shoe at the back of his head. Ace yelped, turning around with wide eyes and grabbing the back of his head in pain. “You hit me!”
“I’m about to kick your ass too,” Hoku said, waving her other shoe.
Ace’s lips split into a wild grin. He turned, raising his hands to tackle her. Hoku readied her shoe, taking in the healthy, lively look in his eyes and the bright teeth and—
Her shoulders couldn’t help but slump a bit. Her brows softened. “You look good.” I’m glad.
She and Ace had always butted heads the most. Fought the most. Tousled with each other the most—but Ace had also been the one she couldn’t help worrying about from time to time because he’d been such an angry brat as a kid and—
Ace looked as though she’d slapped him silly. He stared at her, jaw stupidly slack and then his cheeks flushed a dark red. He slapped a hand over his mouth, stumbling back one step and fumbling for his words as he rubbed the back of his neck furiously.
“You can’t just say stuff like that,” Ace said hotly, “Aw, jeez—you’re cheating—”
“You’re such an idiot,” Hoku laughed, dropping her shoe and stepping into their apartment.
See? Hoku let any lingering, stray doubts fade away. Easy and comfortable. You’re going to be fine.
Immediately the space opened up to a massive living room. A shining coffee table in the center, sleek and new. Windows opened up to a massive view, curtains currently pulled open to showcase the entire city. A long, comfortable looking couch and a separate recliner. A book shelf, neat and organized. Sabo. A shiny new television screen and set and the space opened up to a massive island that shifted toward a giant kitchen—
“How much are you guys making?” Hoku squawked. Sabo chuckled and Ace grinned, crossing his arms over his chest with a puff of pride. “What the hell happened to leaking ceilings and broken drywall—did you rob a bank while I was gone?”
“Being awesome pays,” Ace said with a cocky grin.
“Our work leaves us comfortable,” Sabo said. He appeared at her side, clad in a navy blue turtleneck and black pants. He set down a pair of house slippers for her and smiled up at her. “Seems like you two are already catching up like you’d never left, and I hate to interrupt…”
“Ah, shit, it’s already almost time,” Ace glanced to his watch and back to the door. “Good thing we got everything set already.”
Sabo nodded. Hoku stepped into the slippers. Nice fit. The blonde offered to take her bag, but she waved him off. He curled his fingers back to his chest, looking amused.
“Do you want anything to drink?” Sabo offered kindly. “Take a seat on the couch, we can go over last minute details before we start.”
“No, I’m fine,” Hoku said, swatting Ace’s hands away when he playfully tried to herd her toward the living room. Sabo’s eyes flickered above her head toward Ace and Hoku made her way gingerly toward their living room. “Thank you though.”
“Take your jacket off if you’d like,” Sabo said. “The room might get a bit warm.”
Her jacket was making her a bit more comfortable, if she had to be honest. Purposefully not doing it seemed a bit rude to a second kind request from Sabo though. Hoku dutifully started shrugging it off and she almost jumped when two hands came on either side of her arms, pulling her jacket away from her with a gust of warm skin and heat.
“Still as jumpy as ever,” Ace said above her, teasing.
“Think I can’t take off my own jacket?” Hoku said, pointedly shoving her arms the rest of the way past his fingers.
Ace snorted. “You trip over air.”
Hoku scowled, turning away as her fingers slipped from her jacket sleeves. Ace pulled it away, watching her back.
He handed it to Sabo, who took it with nimble fingers, folding it once and laying it over the back of one of the dining chairs.
The long, leather couch was tempting, but Hoku wisely opted for the love seat placed in front of the coffee table beside the gas powered fireplace. Ace took a seat on the couch, throwing one arm casually behind it and getting comfortable while Sabo walked over to the two of them, taking a seat beside his brother as he set two water bottles down.
“I brought my bigger sketchbook,” Hoku said. “Just in case. But Sabs said you guys had the drawing table set up so I’ll work directly onto the paper and just let me know if your client wants it finalized on a better sheet.”
Ace took one of the bottles, unscrewing the cap. His eyes turned sideways to Sabo, “You two already went over everything, right?”
Sabo nodded, crossing one leg over the other and folding his hands together on top of his knee. “For the most part. You remember everything I told you, right Hoku?”
“Read it over a couple times just in case,” Hoku said. She ticked off her fingers. “Quiet as a mouse. I’m no more than just an observer after all, right? Pick a shot that stands out the most to me and draw that. There won’t be any guidance. Keep it all confidential for the client’s and your guys’ sake. Comfy clothes…”
She’d already silenced her phone. Pulled her hair back into a ponytail to maintain an air of professionalism for their client…
Sabo smiled, lids a little low, pleased. “Good job, Hoku.”
Hoku smiled idly at the praise. “Nothing to give me credit for—it’s a job. It’s the least I should do.”
Yeah. Hoku thought resolutely. You can do this. You’re helping a couple friends out.
Ace watched her over the top of his water bottle. His eyes traveled down the half-heart tattoo over her eyes, dipping to where her t-shirt showed a bit of her collarbone where a smattering of petals were tattooed over her shoulder.
“Any new tattoos?” Ace questioned curiously. Sabo glanced to him, pausing mid-way to grab his bottle.
Hoku didn’t look up from checking her materials in her bag, “Maybe one or two. You still got that gang of yours on your back—”
“Our client should be here in a few minutes,” Sabo turned to Ace. His brother’s expression shifted briefly before settling, head dipping a bit in a nod. “I know you’re a bit behind on catching up, but that is your fault for forgetting to call off.”
“It was last minute!” Ace complained.
Sabo glanced to the expensive looking watch on his wrist. He slipped a thin, flat looking box out of his pocket and casually pressed a button, watching it for a moment before he put it back into his pocket. Ace’s eyes flashed back to him briefly, but his attention swung back to Hoku, whose face had turned a bit constipated as she held up her phone.
“Sorry,” Hoku said, a bit sheepish. “Uh, blame Luffy?”
Ace grumbled without real menace, folding his arms across his chest. Sabo smiled well-naturedly, turning his focus back to Hoku.
“As I said, we already briefed our client on everything,” Sabo said. “So don’t worry. She won’t be surprised. You’ll be in your space and we’ll be in ours and you just have to do what you need to do. Don’t worry about anything that happens either—t’s all been discussed. Just focus on what you’re doing.”
Hoku felt the curiosity from earlier stir. She set her bag down on top of her lap. Ace tipped the bottle back, taking a long swig as his adam’s apple bobbed with a swallow. A bit of water dripped down his chin, past his throat.
“You said it was like a simulation,” Hoku said. Sabo waited, listening, “Is it… Is it going to be like acting something out? Like a play or a scene she’s looking for?”
“You want to see for yourself?” Ace questioned absently. Dark eyes watched her over the top of his bottle, clashing with his light voice—
Sabo shot Ace a chiding look, lined with a bit of bemusement. Ace shrugged.
Hoku’s eyes were on her memo book, scribbling a note to herself in. Look for a good moment. “Hired an artist, not a model.”
“Mmm,” Sabo rubbed his chin, curling his fingers beneath it as his eyes flickered in thought. “Acting something out… You could say it’s something like that. As I said before, it’ll be on a more intimate affair, so I hope you won’t be startled—”
“I won’t,” Hoku promised. She’d already braced herself by going over old sketches of different poses and angles in her nude studies and drawing sessions—she was expecting some of the ‘worst’ in a sense, and reminded herself that it was just—
Another drawing.
Even if you know these guys like brothers, she thought a little limply. Just wash it out of your brain later.
“Perfect,” Ace said simply. “Then there shouldn’t be anymore problems, right? Let’s get started.”
Sabo shot him an amused look. Ace clapped his hands together, locking them behind his head in an easy posture. Hoku nodded, gathering up her bag. “Lead the way—”
“Hoku?”
Hoku stopped. She looked back up at Sabo. “Yeah, Sabs?”
Sabo’s lip twitched. Something flickered through his eyes, concealed beneath gentle amusement and a hint of fondness. He leaned forward, making sure their gazes met.
“I just wanted to remind you again,” Sabo said, warmly, he seemed to wait a bit. Hoku turned fully to face him. He continued, “If any of this seems too much for you or gets too uncomfortable—we can stop. We don’t want to ruin anything or make things weird if this makes you uneasy—”
“I’ll be fine,” Hoku said, smiling brightly. “Don’t worry.”
“If it does get too much though,” Ace added. “Maybe hold off on saying anything till after. I dunno if Sabo told you yet, but it’s hard to stop once we get started—”
“Don’t worry,” Hoku repeated, shaking her head. “It won’t.”
“Then,” Sabo said smoothly. He stood up to his full height and Hoku adjusted her bag. Her eyes dropped to his hands, realizing he was wearing gloves indoors—for the drawing session? “Any other questions before we start?”
Hoku ran over all the instructions twice. This whole thing seemed a little more edgier than she was used to, intimately professional. But it was just another drawing session at the end of the day, right?
Sabo walked around the coffee table, even steps stopping beside her. He lowered a hand to her back, guiding her toward the hallway politely. Ace remained on the couch, watching them with half-lidded eyes as they turned toward the specific hallway—
Hoku snapped her fingers, looking up at Sabo. The brothers turned to her curiously.
“I know you said I had free reign,” Hoku said, eyes wide with realization. “But is there a specific… I dunno, look she might be going for? A moment in this whole thing I should pay attention too or keep an eye out for…”
Sabo tipped his head to the side, considering his answer. Ace tipped his head onto the back of the couch, fingers laced behind his head.
A slow, lazy smile curved over his lips. His canines peeked through. Ace’s expression was satisfied and amused all at once—as though he’d just told the greatest joke in the entire world.
“Probably,” Ace said, “the climax.”
.
.
.
The room—the studio—was massive.
The entire room fitted like a master bedroom. It seemed the entire apartment had several different rooms, using up the large amount of space granted by being the only room on the entire floor of the complex high rise.
Fitted with only two doors—the one they’d entered through and another door on the right that seemed to lead into a bathroom. The room itself was wide.The walls were wood and dark in color. Low, warm colored lights were fixed into the ceiling.  Sleek wooden floors fitted with a nice looking rug right in front of the main attraction.
A single bed.
A big bed. King sized. Plush, neatly folded duvets and silk sheets. It was a dark red in color, not too bold or flashy, prominent. It didn’t stand on a classic bed-frame, instead, raised up from the ground with a wooden step that went around it, making the bed seemed fixed into the floor. A dark, leather cushioned headboard sat behind it, tucked beneath heavy pillows.
There was a lounge chair in the opposite corner, a fancy looking recliner. Night stands were nestled on either side of the bed. One more beside the chair.
Paneled sliding doors to the left promised a closet. Hoku was still taking in the entire show of the room because—it was kind of daunting, really. She tried picking out with a more eager eye good angles, the colors contrasted darkly and richly, so she’d have fun with shading and contrasts but—
Intimate. Hoku thought about Sabo’s description. Definitely seems to be the right word.
She couldn’t help but wonder if this was the classic go-to for all their shoots. She kept calling it a room in her head because it’s what it looked like—but Sabo had said it was studio. It was possible they moved it around and changed it to whatever they needed to fit their client’s demands.
Her work station was nestled in the corner of the room. Almost it’s own little world. It was quite a good distance from the door. Sleek desks arranged for maximum workspace, though humbly recluse from everything else in the room. There were folded up light fixtures and equipment Hoku recognized for photoshoots propped up in case she wanted to change anything. Her work space was a very, very nice looking drawing table, fitted with a light and grooves for her materials, a slot for the paper and—
Hoku stood behind the desk, setting her things down. She played with the back of the chair—it was a roomy thing, arm rests. Wheels on the bottom so she could spin and move it around—
“Perfect view,” Hoku realized, staring at the bed from where she’d be sitting. Of everything.
She glanced up to the ceiling, noticing what looked like paneled boards. Light fixtures behind them? Hoku turned her head, noticing the reinforced hook fixed into the center of the bed’s ceiling. They must move things around after all for different shoots—
“Are you all set up?”
Hoku jumped, nearly knocking into the desk and falling over it. Her head snapped over her shoulder and Sabo blinked in surprise right behind her, pressing a few gloved fingers to his lips. “Oops, sorry. Didn’t mean to scare you.”
“No, you just—” Hoku shook her head, laughing a bit as she tugged a quick hand through her hair. Sabo’s eyes followed the action briefly. “You’re like a ghost. I didn’t even hear you.”
“Ah,” Sabo’s lips turned upwards in amusement, lowering his hand beneath his chin. “I know what you mean. Ace and Luffy are always so loud, it makes you seem quieter than you are.”
“You look comfy,” Hoku said, eyeing the dark navy robe Sabo had changed into. Kept the gloves on though.
“I’m used to this,” Sabo said with an easy smile.
“Seems like it,” Hoku agreed, taking a seat in the chair. She adjusted it briefly, spinning it around once. Sabo’s brows quirked, looking as though he were trying to hold back a laugh. “Neat studio you guys have set up here. You’ve got a whole thing going, huh?”
Sabo hummed, playing with the back of her chair. “When it became apparent we’d be doing this fairly often, we figured it was wise to make the investment.”
“Private modeling sessions,” Hoku mused, leaning back in the chair. Sabo crossed his arms over the back of the rest, leaning his head onto them as he watched the top of her head. “You know, considering how good looking you guys are, I bet companies would be paying big bucks to have a couple sessions.”
“How much would you pay?” Sabo questioned behind her.
Hoku pursed her lips, pretending to think deeply on the subject. “I doubt I could even afford an hour.”
Hoku laughed, smoothing out her paper and leaning forward toward the desk. She tugged out her pencil case, flipping it open. “My art teacher would kill to have you sit in for a class—”
Her chair shifted. Sabo had pushed it forward a bit. The desk came close to her, not touching, but keeping her nestled tightly between the wood and the chair behind her. Hoku’s hands instantly shot for the edge of the desk, catching herself briefly—
“For however long you’d like, whatever you’d like, a session for you,” Sabo said, his voice was light, breezy. Easy. Not a hint of anything else. There would be no reason for there to be anything else.
“Would be free.”
Sabo’s shadow was light against her desk. Hoku stared at it for a moment, feeling strangely, quietly—was that feeling even really there? Did she really feel that for a second? No, no you didn’t. Why would you feel like that when—
It’s just them.
“So then,” Hoku said, turning her head over her shoulder with a grin. “I could have you two dressed up however and in whatever ridiculous pose I wanted—”
“I do look better in colors that compliment my hair,” Sabo said cheerfully. “And I like—”
“Navy blue,” Hoku jutted a pencil at his robe.
Sabo’s smile was so bright it almost hurt to look at. Something funny twisted in her gut. “Ace will be coming in with our guest in a second, remember everything I told you?”
“Mhm,” Hoku nodded. “You won’t hear a peep out of me. Won’t even be here.”
Sabo fondly ruffled the top of her head, “Good girl.”
Hoku scowled, swatting at his hand. Sabo chuckled, pulling away from her chair while giving it a bit of a spin as he walked from her station toward the bed. Hoku couldn’t help but hope he at least had something on under that robe because—
Luffy, this might be one of the weirdest things I’ve ever done but I swear to god I’m washing it out of my brain when this is all over. Hoku turned her eyes to the paper, already starting to sketch out the design of the room since she’d be aiming for something to take place on the bed. I’m going to do everything in my power not to have to draw your brothers’ dic—
No, don’t even worry about it. Hoku shook her head. No other thoughts. They’re just bodies. You just draw. There’s nothing else involved in it.
Easy.
The door clicked open.
Sabo turned slowly, standing directly before the bed.
Hoku looked up.
She was lovely.
Long, dark hair curled into waves against her back. Her nails were neatly done, manicured and colored like wine to match the tight, form fitting cocktail dress that showed off all her curves in all the right places. Her skin was a light, healthy tan. Her body was nice. Hoku could see what angles she should draw from immediately from how well her legs moved, long and lovely beneath her dress that barely hit her mid-thigh—
Her lashes were long and curled. Her lipstick matched the color of her dress. She looked older—probably somewhere around Law’s age. Ah, but his type is far away from women like this—
She stepped further into the room. Hoku realized she was still wearing her shoes—black heels, strapped up to her ankles. Her head held high. She walked with purpose. Hoku instantly felt a clear wall erected between them—Hoku was Hoku—this lady, this woman, was exactly what girls aspired to be. Beautiful, mature, seductive.
Sabo offered her a warm, polite smile. The woman’s eyes lowered, half-lidded and dark. Hoku watched her throat quiver with a swallow. Her pretty nails tugged at the hem of her dress briefly. Sabo hadn’t even moved.
The air in the studio shifted. It felt heavy.
Hoku held her pencil loose in her grip, uncertain for a moment, waiting.
“You’re late,” Sabo said, politely, “Hotaru-san.”
Hoku only froze for a brief second. That weird flinch you did sometimes when you thought someone was about to say your own name.
Hotaru’s lips pursed. Full. She bit her lower lip, eyelids fluttering and then her gaze turned quickly to Hoku.
Hoku flinched, gripping her pencil. Should she introduce herself? Thank her? Greet her? Her eyes darted to Sabo in a moment of panic, but he hadn’t taken his eyes off Hotaru.
“You don’t have to speak to her. Or interact with the client. Just do what you need to do.”
Hotaru’s face shifted. Clearly unhappy. A pout followed on her lips and Sabo looked amused as she strode further into the room. Heels clicking against the wood. Hoku waited with her pencil ready, a little nervous until she spotted Ace stepping into the room right after her, still in his clothes from earlier.
The door closed behind him with an audible click. His fingers smoothly twisted a lock into place.
Hotaru shuddered at the sound, breathing a little heavier.
Hoku swallowed. She hovered over her paper. Ace’s dark eyes caught hers from her station and he offered her a small smile, throwing her a wink.
Her shoulders slumped in relief. Hoku forced herself to relax. That’s right. They said it was like acting—they’re just models. You’re just drawing. Don’t worry about anything else. It’s just a job.
What are you getting so nervous for?
“You didn’t say she was going to be a girl,” Hotaru said finally. Her voice was high, her lips pursed in annoyance. Hoku’s eyes went round in worry. Sabo tipped his head to the side and she strode forward toward him, hands on her hips. “I told you how I—”
“You didn’t even take your shoes off,” Sabo said. Hotaru stopped completely in her tracks. His voice was even. Calm.
It could be heard.
“She was that eager,” Ace said behind them, walking forward with his hands in the pockets of his jeans. Hotaru’s face flushed dark in embarrassment, mouth opening and closing. “Came rushing right into the apartment.”
Ace stopped right behind her. He kept his hands to himself. “Why don’t you tell Sabo what you asked me to do when you came in, hmm? How I took off your jacket. Where you wanted to do it because you couldn’t wait.”
Sabo took a seat onto the edge of the bed. It’s risen level still left him lowered, but it didn’t feel that way at all—
A throne.
Hoku’s fingers twitched. This is a good shot—should I draw this? Her eyes flickered to her paper, ignoring the sweat that had gathered at the back of her neck. The nervousness that tugged at her fingers despite how steady she held her pencil.
It’s like acting. It’s a roleplay. They just need to get in character. The client must want something like this—
Hoku swallowed.
How… How far is this going to—
Sabo set his gloved hands on either side of him, leaning back onto his hands as he watched Hotaru in silence.
Hotaru bit her lower lip. Her cheeks were flushed a dark, cherry red. She turned her head to Ace and then to Sabo and she quickly spat out, “Fine—Fine, I don’t care. I just—Sabo, please—”
“Take your shoes off.”
Hotaru flinched, looking desperate. Ace didn’t move an inch, face set into an easy, uninterested look. Sabo didn’t seem interested in repeating himself a second time. Hotaru floundered for words.
Sabo smoothly slid out a thin, rectangular shaped box from the pocket of his robe. Hotaru shuddered, eyes growing round and fixed entirely on that little box.
Sabo set it calmly at his side, moving his hand from it.
Hotaru bent down. Her fingers quickly worked at her heels, tugging desperately at the straps and chucking her heels into another direction of the room. Ace looked amused behind her and Hoku’s eyes followed the heels, sketching them into the corner of the image. Giving herself something to do.
“You just have to watch.” She paused at the memory of Sabo’s words. “Closely. Pick which scene you think will be the best.”
Hoku’s brows furrowed and she hesitantly looked back up.
“There,” Hotaru said. She took a few steps and then she hit the floor on her hands and knees. Hoku stared with wide eyes. The woman crawled forward, her tight dress hiking up higher on her thighs with each movement. “I did what you asked, Sabo.”
Sabo remained silent, perched on the bed in front of her. Hotaru crawled up onto her knees in front of him and Hoku darted back to the paper. This isn’t a bad shot. Shows power and an attempt to overthrow. But Ace isn’t doing much in it—
“Look at you,” Hoku looked up at Sabo’s clear, resounding voice. It was directive. Her eyes dropped to Hotaru who bit her lower lip, eyes needy as she gazed at Sabo.
He kept his hands at his sides. Those blonde locks fell a bit into his eyes, framing that sculpted angle of his jaw.
He looked completely and utterly—
In control.
Hoku held her pencil tight, chanting a mantra in her head.
No one is even naked yet. She reminded herself. You’ve drawn worse before. This is some… powerplay or something. It’s an act. Calm down. Why are you—
“All worked up?” Sabo questioned lowly.
Hoku flinched for a second before she relaxed. He’s not talking to me. I don’t exist right now.
He raised a hand. Hotaru’s eyes followed every movement eagerly. Gloved fingers curved beneath her chin, raising her head up to look at him. “You normally put up such a fight. I could touch you and you’ll just roll over, won’t you?”
Hotaru’s eyes flashed. Her cheeks flushed but her hands rushed forward and Sabo’s eyes darkened. She fumbled for the bind holding Sabo’s robe together, pushing forward on her knees toward him. Her breasts pushed up against his legs.
Sabo simply watched in silence, as though he were watching a child try something in vain. A hint of amusement in his gaze. It was—
Condescending.
“Aren’t you the same though?” Hotaru said hurriedly. She tugged Sabo’s rope free and she pushed aside the folds of his robe. “You’re acting all calm and collected—but, but you want it too, don’t you? Look at you!”
Sabo’s chest opened up. Taut muscles. A defined ridge. Hoku’s eyes couldn’t help but move to the inch of his side that was exposed. His scar peeked through. Her heart clenched for a second at the memory of how he got the horrible burn—
His muscled abdomen dipped. Hotaru was almost panting at this point, eyes desperate as she fumbled around, licking her lips and the folds of his robe moved apart and—
Hoku’s eyes dropped down and she balked.
She’d drawn people nude dozens of times now. She knew what belonged where. She wasn’t—she wasn’t a virgin. She wasn’t bumbling and stuttering and a blushing idiot when she saw these things—usually when the pencil was in her hand and the paper beneath her—her mind even became almost clinical. It was another limb. Another part to draw—
Memories rushed forward. Her throat went dry. Hoku’s cheeks flushed red with embarrassment and her eyes instantly trained themselves hard on her paper, refusing to budge.
But this was—but he was—that—
Her gut twisted sharply, unsettled. Hoku’s throat went dry. She kept her eyes on the paper, on the paper—
“You won’t get freaked out or anything right?” Hoku flinched. But this is different. This feels—
Wrong. Weird. Private. Intimate. Imposing. Intruding.
She… She knew Ace and Sabo. She’d played with them as kids. Had funny, weird, awkward moments when they were teenagers—seen them with missing teeth and dumb grins—
But this is different.
“See?” Ace’s smooth voice, teasing, flooded the room. “She can’t even handle it.”
Hoku’s head snapped up instantly. Her cheeks hot but—No, no, that’s not it. I’m sorry, I’m not freaking out—
Hoku froze. Ace’s eyes were on Hotaru, a smirk on his lips. Sabo looked vaguely amused, leaning back on his hands as Hotaru panted on her knees in front of him, hands on his thighs and—
It’s just a drawing. Hoku said. She shut her mind down. Shut everything else out. You took this job. It’s not weird. It’s human. It’s intimate. It’s a scene. It’s like a play. Just draw the scene. Just draw. She gathered her footing back beneath her.
Hoku turned her eyes fully onto the scene unfolding in front of her.
Sabo’s length stood out from the folds of his robe. Hard. Erect. Revealing the muscled, toned top of his thighs. Hoku refused to study it in any more detail, keeping her eyes trained on Hotaru’s face. Hotaru shuffled forward, pressing herself flush between his legs. Sabo’s expression didn’t even flinch or shift. Neutral.
Professional.
There. It’s just another… Hoku’s neck felt hot. She felt a little queasy. Don’t think about whose that is. It’s just another body part.
“See?” Hotaru said breathily, lashes fluttering. “Look at you, baby. Look at how hard you are for me. This did something for you too, didn’t it? You liked this.”
Sabo watched her. Expression void. His eyes were dark and Hotaru pressed a kiss to his thigh. “Normally I have to work so… so hard to get you like this for me… I knew I did something for you. Aren’t I a good girl?”
Hoku’s gut twisted.
Sabo’s erection was hard. Swollen at the tip. Ramrod straight. Hotaru pressed another kiss to his inner thigh, as though seeking permission. Sabo didn’t even flinch despite the physical reaction, expression calm and collected. His lids were lowered, eyes dark and unreadable from where she was.
“You’re so big,” Hotaru said. Hoku’s ears went hot. Please stop. Oh my god. “So thick. You’re perfect, Sabo. I want it so bad. Please, let me make you feel good—”
Her hands inched up his thighs. Sabo watched in almost cold silence.
“What did it?” Hotaru panted. “The dress, baby? The shoes? The hair? I tried to do everything you told me to—was I too bad? What’s getting you off this time? What’s turning you on that I didn’t do before—”
Ace’s hand shot out like a snake. He fisted a handful of those thick, curly locks, tugging back sharply.
Hotaru yelped. Hoku jumped, almost hitting her knees into her desk. Her heart raced in her chest.
“Look at you,” Ace chuckled, dark, throaty. Hotaru moaned, hands flying up to where Ace held her by her hair. “Who said you could run that filthy mouth of yours? You’re so desperate, aren’t you? Crawling all over him like that—you’re dying for it.”
“Please!” Hotaru pleaded. Her cheeks were hot. She tried to turn around to Ace, hands flying to the button on his jeans. “Please! Touch me—anything—please! I’ll be good. I’ll do whatever you want—”
Ace let her get far enough to unbutton them. She unzipped his pants, trying to pull him free from his confines.
Her work stationed seemed miles away and still not far enough. The room was hot—the air was heavy.
Should I be doing this?
Her eyes dropped to her paper.
“We really needed the help for this job.”
Job. It’s just a job. It’s an act. Job. Job. Job—
“Look at me.” Hoku’s pencil almost slipped against the papers. Sabo’s voice left no room for disagreement and she glanced up.
He’d thankfully readjusted the folds of his robe. Leaning forward with one elbow on his knee. His gloved hand covered the lower half of his mouth, holding it there as he watched Hotaru in heavy, shuddering silence.
Hotaru watched him, chest rising and falling with each breath.
“Are you in any place,” Sabo said softly. “To be making demands?”
Hotaru shuddered.
“We’re all here to do this for you,” Sabo said. “And you go and run your mouth like that… is that anyway to repay us?”
Hotaru shook her head desperately, eyes wet. Her cheeks were such a dark red, panting heavily.
Sabo had complete hold over her.
Absolute control.
Sabo reached over for the little box. His thumb hit a button softly.
The reaction was instant.
Hotaru tossed her head back, writhing with her hair still in Ace’s loose grip. Her legs shuddered, jerking this way and that. Hotaru moaned, back arching. She bucked into the air once, twice. Ace and Sabo watched in silence as the low hum filled the room.
Hoku pressed a hand to her mouth. Her eyes were wide at her paper. Her face flushed red in embarrassment and she folded in on herself. That’s—That wa—Earlier—
Suck it up, you wimp. It’s just a—
Sabo hit a second button.
“Oh, god!” Hotaru cried. She panted, chest rising and falling and her entire body twisted about, lashing this way and that as she tried to find some kind of purchase, any kind of relief for the pleasure coursing through her body from the little device. “Please—oh, please! Let me come, Sabo. Please, please—”
Hoku filled her head with any other thought. It’s just—this is just porn! This is literally just porn—Usopp! Usopp and—that time you walked on Usopp in the shower—
“You think she deserves it?” Sabo questioned curiously. Looking at Ace over the top of his fingers.
Hotaru’s pitiful moans filled the entire room. Ace gave her head a little pat, watching her squirm. “Why not?”
“Please!” Hotaru gasped, back arching sharply. Hoku flinched. “Sabo! Ace! Please! I’m so close—”
Sabo hit the controller. Hotaru moaned. Her feet skidded across the floor, the humming cutting out completely. She whimpered, hips bucking upwards uselessly as the convulsions ceased and Sabo leaned back onto his hands.
“Take it out.”
Hotaru’s eyes snapped open wide. Hoku choked. Isn’t that a bit harsh—
“Some people are into that.”
Hotaru’s lips trembled. She looked up at Ace pleadingly, but he merely carded his fingers through her hair, offering her a low smile. His canines peeked through. Hotaru whimpered, spreading her legs open as she lowered her hand down to her tight dress. Sabo watched her, hand resting over the lower half of his face, eyes shaded darkly.
Hotaru’s fingers disappeared beneath her dress. She tossed her head back onto Ace’s thigh with a moan, spreading her legs apart. Her eyes kept themselves on Sabo, seeming to hope it’d get him moving.
Sabo remained motionless.
Hotaru let out a little whine. Her fingers tugged and then a ribbon and a thin cord came out, followed by the egg shaped vibrator—
Hoku focused on her paper. She had the entire room sketched out in vivid detail. Shaded in and everything. She had enveloped forms but no real figures. No pose—
“Good girl,” Sabo praised. Hotaru shuddered, watching him hopefully. “Now on your feet.”
Hotaru’s lips parted in desperate protest. Sabo’s face was cold. Unrelenting. Her mouth fluttered shut and she whimpered, slowly gathering herself on wobbly knees and walking toward him like a newborn fawn.
Ace followed behind her, stopping at her back. His fingers dipped into his back pocket, pulling out a foil package. He handed it to Hotaru over her shoulder, slipping it into her hand.
The proud, confident woman that had walked into the room just moments ago was nothing like what she had been. Her knees quivered. Her hair was disheveled. Her lips wet and red from all her biting and Hoku could see the slick shine to the inside of her thighs where her dress had hiked up almost completely and revealed she wasn’t even wearing anything beneath.
She was at their mercy.
Hoku’s eyes flickered to the door and back to her drawing. The events transpiring were leading to one finale. I shouldn’t be here. I shouldn’t be seeing this—
“It’s just a simulation of sorts.”
Too raw. Too vivid—
“Sabo—”
“Alright,” Sabo said. Hotaru’s eyes brightened, a kind of desperate Hoku had never seen on anyone before. Not in a situation like this. So… pitiful? “If you want it, then you do the work.”
Hotaru’s lips quivered. She looked about to protest for a moment and Ace stepped closer, hands coming around her sides and dipping low where Hoku couldn’t see.
Hotaru jerked. She moaned, nodding her head rapidly. She struggled with the condom for a second, ripping it open and then she quickly stepped between Sabo’s legs. He shifted further onto the bed, the first move he’d made in what felt like ages. Hotaru followed after, unrolling the condom. She placed it between her lips and her head ducked down.
Hoku turned back to the paper, starting to sketch out the forms onto the bed. There. That’s it. You don’t have to watch the specifics—get the feeling of it.
Hotaru’s lips fell over Sabo’s heavy tip. She licked a long stripe up the side of his length, following a heavy vein and finally moving the condom back between her lips. She took his head into her mouth, moaning just at the fact that she was finally, finally getting closer to what she wanted. Sabo looked almost amused above her, robe pooling down around his elbows as he leaned back and let her work, not moving a finger.
Hoku’s eyes landed on the vivid scar against his left side. The way it carved up his ribcage to his shoulder. She drew that part carefully, softly, on the form that was starting to give more shape to Sabo. She thought about the scar. Focused on that.
Hotaru moaned around him. Wriggling her hips impatiently. Ace knelt on the edge of the bed. He swiftly pulled his shirt off. Muscles rippled across broad shoulders, traveling down to almost slender hips.
His hand reached down, tugging his pants down lower on his hips. He pulled his cock free from its confines, hard. Precum gathered at his tip. Heavy, hot in his hands. His finger dragged across the slit, moving around the heavy head. His slickened hand dropped down, starting from the base and slowly working his way up.
Ace’s head tipped back, barely breaking a sweat. His eyes seemed focused on something else, working almost lazily at his own. Sabo watched Hotaru continue for a second longer, the condom fully sheathed over his length as she pressed kisses to the tip and bent lower—
“That’s enough,” Sabo said. “Go on.”
Hotaru eagerly clambered forward. She panted, reaching up and struggling to unzip the top of her dress. Ace seemed to take pity on her for a second, tugging it down swiftly and she tugged it low, letting her heavy breasts free as she groped desperately at herself. Hotaru twisted one of her nipples, rolling her breast and gazing heatedly at Sabo.
“Am I doing it right?” Hotaru begged. “You like this, right, Sabo? Tell me, please.”
Sabo leaned back on his elbows, calm and collected.
Hotaru groaned in desperation. She readied herself, lining up with his tip and she shot him another heated look, lips quivering, waiting.
Sabo simply blinked, watching in silence.
Hotaru turned, cheeks flushed. Hair clung to her cheeks, to her lips as she let her back face Sabo and she faced Ace. His hooded eyes watched her, inclining his head as he worked at his cock and Hotaru whimpered.
Hoku didn’t watch. Couldn’t watch. Her ears burned.
Hotaru’s blissful, desperate moan flooded the entire room like a siren as she sank low onto Sabo’s length. She took him in entirely, taking him all the way to the hilt as she slotted her hips over his and braced herself on his thighs.
“Oh, oh, oh,” Hotaru repeated. She lifted herself up and slid back with a lewd slick. Hoku winced. “Yes. Yes. Finally—Sabo! Sabo, you feel so good. Baby, you’re so big—so big, so hard, so good. Come on, help me—ah. Sabo, help me—”
Hoku realized just how much a prude she must be after all. Even—even during sex, she’d never been able to utter anything like that-—
Sabo shut his eyes for a second. He tipped his head back, golden strands shifting around his chin. The most of a reaction Hoku had seen so far. She focused on that, ignoring what was transpiring in front of her and how—
Intimate this is—
She remembered every sensual thing she’d ever drawn. She’d drawn sex before—intimate depictions of models—it’s just that. It’s just people.
But no matter how hard she tried—isn’t this too much? She’d never done anything like this before. Panic seized her. She’d never witness something so personal like this where it was happening before her and making her feel so, so—
Uncomfortable.
Hoku froze.
“If you ever feel uncomfortable—”
“If it’s ever too much—”
“Can’t handle it?”
She swallowed. Her throat went dry. Hoku’s eyes hardened and she shoved her pencil to the paper. No. No it’s not. It’s not too much. I’m not uncomfortable. You can do this, Hoku. You have to. So what if it’s new—it’s just different. You wanted to change and try new things—
“Why don’t you put that mouth to use?” Ace said huskily.
Hotaru’s eyes fluttered open and she crawled forward eagerly. Ace was on his knees, hand slipping from his cock and sliding back behind Hotaru’s head. She lifted her hips desperately, bringing them back down onto Sabo’s over and over again, chasing the feeling each time.
The sound of skin on skin. The air heavy.
Hotaru opened her mouth obediently. Ace’s grip tightened on the back of her head and he pushed forward past her lips. His head tipped back, eyes shutting at the feeling before he rolled his hips back and thrusted forward, fucking himself with her mouth.
Hoku couldn’t help the wince. I don’t think I could ever—
Hotaru moaned. Pleasure lined every crease of her face. She worked desperately with her mouth, letting Ace fuck himself as he liked while she moved, Sabo not lifting a finger as she rode herself on him as fast as she could. It was rough, it was desperate and almost pitiful and yet she looked so pleasured—
Hoku’s fingers twitched. I could draw that. Ace was in the picture now. It was obvious the client wanted something like this depicted—it’s just like people who write harlequin novels or direct porn. Just draw it.
You’re not involved.
The single sentence seemed to free Hoku from every other thought. That’s right, you’re not involved. She wasn’t part of the picture. She was safe here behind her station. Look at it from perspective. She had no reason to feel anything else but—
Professional.
Hoku pressed her pencil to her paper, ready, at ease. The faces started to blur and sharpen. She saw bodies. Movement. A scene unfolding.
That’s all it was.
Hoku’s pencil started to move rapidly. She watched the scene less and less, glancing up and down back to it. She had her mold now. She didn’t need to think about anything else. Her mind focused on the drawing and nothing else. The sounds fell deaf around her ears, the actions—
Hoku drew.
Dark eyes watched her from beneath blonde waves. His gaze was heavy, dark. Sabo’s lips twitched and he let out a small sigh through his nose, leaning back onto his elbows as he watched Hotaru get off, riding him with reckless abandon while she took Ace in all the way to the back of her throat, moaning each time.
The perfect picture of nothing but carnal desire. Lewd. Filthy. Raw. The vivid fantasy of any man’s dreams.
Sabo’s eyes narrowed. His lids lowered. Not even watching the moving body riding him like her life depended on it. His gaze remained trained on the only figure out of his reach.
For now.
Ace’s eyes flickered up at the soft sound. His fingers were threaded through Hotaru’s hair, meeting his brother’s gaze over the top of her head.
Ace glanced to the side, watching the way Hoku worked, glancing to them with unfocused eyes and back to her work from beneath his hair. She was seeing them but not seeing them. Watching but not watching. Zoned out as she drew.
Disconnected.
His brows creased slightly. Ace’s grip on the back of Hotaru’s head tightened. He thrust forward with a little more force and she moaned. Loud. Shameless. She worked herself desperately, chasing her high as she came down over and over again on Sabo’s length, grinding her hips, twisting this way and that.
Hoku felt the drawing start to come together. She worked on the details around Hotaru’s face, shading in softer areas, trying to capture the look. Her body curved, meeting both Ace and Sabo so she didn’t worry about anything else. Hotaru was the most exposed.
Ace watched Hoku. His fingers threaded harder. Hotaru moaned desperately around him. His lids lowered. He watched her eyes flicker to and fro, watched her mouth move soundlessly, followed her lips, the way her tongue peeked out as she worked harder at something on the paper—
Ace shut his eyes. He grit his teeth. Heat pooled, fast and molten in his stomach. Hotaru worked faster, bobbing her head up and down while she sloppily lifted her hips to come crashing back down.
Hotaru popped off suddenly, lips bruised and swollen. She panted out desperately with a keen, “Come for me, Ace—”
Sabo pulled her down hard onto his length, driving himself deep into her. Hotaru’s voice cut off with a high, stuttering moan. Her eyes went wide, face flushing with pleasure and Ace grabbed the back of her head, muffling her moans as he thrusted back into her mouth.
Ace’s breathing quickened. His eyes darted back to the desk. More labored. Sabo’s eyes flickered to him. Ace bowed his head, thrusting faster and harder into Hotaru’s mouth without mercy. Tears peeked out from the corners of her eyes, moans punched out with every shift of his hips.
Hoku adjusted his expression based on the sound. Already far, far away from what was unfolding in front of her. Focused on the drawing. The room slipped back into a studio. The bed another prop. The people forms to draw.
Sabo sat up. Hotaru moaned around Ace’s cock at the shift, moving her hips erratically to chase the deeper feeling he’d done just seconds ago, trying desperately to imitate the pleasure he could give her—find it for herself—
Useless.
Sabo’s gloved fingers slid around her waist. His fingers found the swollen nub, working it fast and quickly between his fingers. Hotaru’s eyes went wide and she keened, swallowing around Ace’s thick cock as he fucked her mouth and tears and drool dripped down her chin—
Hoku barely blinked, figuring everything was starting to come down. The room would slip from its high. Her hand worked faster at the drawing. Almost there. Finish up.
You can do this.
Hotaru’s entire body shuddered. Her eyes rolled into the back of her head. Sabo’s textured fingers rolled a few more times expertly over her clit, stroking it as her hips jerked. She clenched hard around him, trying to tug him over the edge with her. Not knowing how far back at the starting line he still was.
Sabo’s eyes were hooded. He let her ride it out with another sloppy jerk of her hips and then gently, sweetly, patiently guided her twitching hips forward and off. His cock slipped out, still fully erect. It pulsed, heavy and hard. He felt each hot throb beneath the slickened condom and he sat up further as Hotaru fell forward toward Ace.
Hotaru choked. The muted sound muffled as Ace grabbed the back of her head and held her there. He let out a low, ragged breath, barely a groan. He shut his eyes tight, bowing his head low as he came.
Hot spurts filled her mouth and Hotaru’s throat bobbed rapidly, working to swallow it all as she shut her eyes tight. Her hips twitched. On her hands and knees as the bitter taste flooded her mouth.
Hoku erased a part of Sabo’s expression. It didn’t quite fit. She reworked at his eyes, focusing on finishing.
Ace’s fingers unthreaded her hair. He sat back on his heels with a breathy exhale.
Hotaru’s lips slid off him with a wet pop. She breathed, ragged. Her face was flushed a dark red with pleasure. Sweat rolled down her neck, past the swell of her breasts. Her hair disheveled, clinging this way and that. Dress creased. Her entire body shook with effort. A bit of thick white trailed down the corner of her mouth.
Hotaru weakly looked up, eyes wet and hazy. She started to turn over her shoulder. “Sa… Sabo… let me… help you—”
Ace’s large hand slid over her eyes. Hotaru shuddered, letting herself be pulled back into his lap and flush against him. Ace’s free hand snaked around her hip, slowly running a teasing trail right back down to her throbbing, wet heat.
Hotaru sucked in a sharp breath. She moaned loudly, tossing her head back. Eyes covered by Ace’s hand. “Ah, baby—again?”
Sabo leaned back against the cushioned headboard. His fingers nimbly tugged off the slickened condom, tossing it to the side of the bed. He pulled his glove off with his teeth. His hand tugged a small bottle off the nightstand with familiar ease, popping the cap and lathering up his fingers.
The blonde exhaled a long, heavy sound. Sabo relaxed back, slowly wrapping his fingers around the base of his cock. It pulsed beneath his slick fingers, throbbing.
Hoku glanced to his expression for a second and burrowed down into the desk, not even watching any further. It sounded about done—I’m almost done here too.
You can do this.
Ace slid two fingers with ease into Hotaru. She moaned, writhing in his lap, legs opening shamelessly despite the stimulation. Ace kept his hand over her eyes, nudging her legs open a little further as Sabo slowly started to stroke himself, watching.
“Want to help him get off?” Ace whispered by her ear. He nipped at her neck and Hotaru nodded desperately as he continued to pump his fingers in and out of her, working her to a second high. “Repeat what I tell you to say like a good girl.”
Sabo’s fingers slid from the base to the head, shifting. He ran a thumb over his slit, eyes following the soft top of white hair flickering in and out of his view. Pinning her in place.
“Sabo,” Hotaru said, listening to Ace’s heatedly whispered words. She gasped, breathy. “Sabo, I missed you so much.”
Sabo let out a heavier exhale. His teeth worked at his bottom lip. His hand tightened around his cock.
“I’m sorry I was gone for so—ah—so long,” Hotaru panted. “I’m sorry—” Ace shoved his fingers harder into her, hitting home. “I’m sorry! I won’t—Ace! I won’t… I won’t leave again!”
Sabo groaned. Hoku worked faster. His most… The most reaction from him this entire time.
She blocked everything out. No other sound slipped past. Completely in her own world.
Deaf.
His cock throbbed harder. Sabo shut his eyes, letting his head roll back as he worked faster, harder, pumping himself over and over again. His lips moved. His teeth ground together.
Ace whispered into her ear, thrusting his fingers up.
“Ah! A-Ah… Please,” Hotaru repeated. “Please… I wan… I wanna feel you. Missed you. I-ah-I’ll be good… so… so… teach me!”
Sabo’s breath quickened. His hand worked faster and faster. He screwed his eyes shut tight, muscles growing taut. Sweat rolled down the side of his chin, past his neck.
“I’ll do whatever you say,” Hotaru babbled. “I won’t ever leave again—oh, god, please—”
Ace shoved his fingers, hitting Hotaru’s spot repeatedly and she cried out the heated words whispered into her ear—
“I’m yours, Sabs!”
Sabo stiffened. His back arched. He tossed his head back against the headboard and shuddered, a low, sweet groan escaping his lips.
Hot spurts of come splattered onto Hotaru’s thighs. Painting them white. She panted, chest rising and falling rapidly as she sank back into Ace’s grip. Ace casually slipped his fingers out of her, wiping them off on the bed sheets as he pulled his hand off her eyes.
Sabo struggled to catch his breath for a second. He reached up with his other hand, pushing his hair back from his face. It slicked over the top of his head, remaining there. He inhaled and exhaled slowly before his eyes fluttered open, glancing to Ace as he watched his brother set Hotaru down on her side, a panting, blissed out mess.
Their gazes met. Ace and Sabo watched each other for a moment before their gazes swung to the side of the room.
Hoku stopped. She stared at the drawing that had finally come to life in front of her. Her eyes went round in disbelief, almost in awe.
For a moment—everything else fell away.
The studio, the people—she’d done it. You did it! Hoku, you did it! You finally made something new—
You handled it.
Pride flooded her chest, desperate and unbidden. The small achievement. This strange, harrowing finish line in the midst of something she didn’t realize she’d started—but you did it. See? You just needed to tune everything else out—
You’re moving.
Ace brought one leg up, resting an arm on his knee. Sabo tipped his head to the side, his hand covering the lower half of his face, hiding his mouth and the way his lips were turning—
Hoku touched the drawing. You did your job. You did it. You’re moving again.
The circumstances wild, crazed. She couldn’t think about anything else except that it finally felt like she was moving again and out of this rut.
Two pairs of eyes, hooded and smoldering stared back at her from the drawing, mimicking the pair watching her just over the top of her desk. Across the room.
The path beneath her feet started to shift. Hoku happily ran forward, eager to be moving.
She didn’t notice the fences sliding up on either side of her.
Didn’t notice the signs pointing where to go.
Didn’t know where she was going. Just happy to be going. Happy to have a destination again and not knowing—
There was no escape.
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526-528: "Undersea Volcanic Eruption! Drifting to the Fish-Man Island!", "Landing at the Fish-Man Island! Beautiful Mermaids!" and "Excitement Blow-out! Sanji's Life Under Threat!"
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HOORAY! :D:D:D
Will this be one of those arcs that’s filled with sympathetic villains? The kind of characters who... well, you get where they’re coming from because they have a cast-iron reason for their villainy and you feel conflicted about cheering for the heroes? Or will it be more complicated than that? 
I hope I like this arc. Ever since Arlong Park, since I learned about the Sun Pirates from Hachi and the racism Fishmen experience I’ve been hoping Oda might dig deeper into the theme. It’s early days yet, but from what I’ve seen in this episode, I’m quietly confident he’ll deliver.
Cthulhu Is... Friendly?
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Must admit the Flying Dutchman action was a bit of a let-down. I thought Captain Vander Decken would be the next villain (or at least the henchman of the next villain). It was built up so well. The creepy “Dead men tell no tales” speech, Brook confirming he was the Real Deal, that the legend told of how the captain lost his mind, killed his crew and cursed the gods (who got their revenge by cursing him to drift forever).
I thought that might make a good plot line (that was before Hammond appeared and the Real Plot kicked in).
The Kraken coming back and sucker punching the Sea Bonze was so worth it. I laughed like a drain and could not believe I was cheering a Kraken like it was Hell in a Cell. Top it all off, Luffy, Zoro and Sanji came paddling back in a single bubble. And Luffy had made the Kraken his pet and named it Surume! Only Luffy can get separated from his crew and return with a pet Kraken. And laugh about the fact that he almost died.
The volcanic eruption action scene was fun. The Flying Dutchman crew and the Kraken would not mess with nature. The water glowed an ominous red and before Luffy gave any orders, Surume the Kraken was already checking out. Nami made the call for them to leap into the deep trench ahead to avoid the pyroclastic flow (is that even possible underwater? I have no idea.)
Usopp got to show off some of his skills by shooting a net-like plant weapon that stopped the debris from the eruption from smashing Sunny to pieces. (Could be good in combat for subduing bad guys.) I liked how Luffy was a good captain and praised Usopp and his cute Kraken pet for doing a good job. There’s that leadership shining through.
This was just before a stray rock bonked Surume on the head and the Strawhats woke up... ten thousand meters under the sea?
But... how? I thought. 
It was bright. There was natural light and vivid colours. How? 
Because it was Fishman Island! :D
Cannot lie. I was excited to finally see it. I wonder how it was for manga readers then to see that place brought to life after so long. I mean, how many chapters was it since it was first mentioned in Arlong Park until now when it was animated. I mean, it was huge! And there were entire massive trees inside the bubble. I still have no idea where the natural light was coming from, but pffft, did I care? It was FISHMAN ISLAND! :D
Then the Border Patrol Arrived?
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At least, that’s who I thought they were at first.
And they brought Plot, which, let’s face it, is always good.
Three shady-looking Fishmen rode up on massive Sea Kings. They were so tough, they spoke to Surume the Kraken like it was a disobedient pet. Or... more accurately, as if it was a race traitor. “Why are you obeying such fools as humans, Kraken?” Surume fled the scene (obviously scared of these guys).
They recognised the Straw Hats too. I love how Luffy said, “Who are you? How do you know about us?” Um, Luffy... everyone knows about you now. xD
But these guys went way back. Much further than Alabasta, Enies Lobby, Impel Down or Marineford.
“You are the ones who foiled the Arlong Pirates’ plan. You stood up for Hachi and knocked out a hateful Celestial Dragon, just like Fisher Tiger, the hero of Fishman Island.”
They claimed they were the New Fishman Pirates and demanded the Strawhats enlist under their banner or be sunk.
Hammod did most of the talking but two others tagged along (Hyouzo and Kasagon). 
Nami and Franky knew Luffy would say no (and possibly put them in danger because they couldn’t fight back). They took a huge gamble and spent the last of Sunny’s air crashing through Fishman Island’s protective bubbles.
The dramatic tension when the coating shrank, pinning all the Strawhats to the deck was great. But it really ramped up when the first bubble ripped off the coating and the second one turned out to be full of water. I didn’t expect that twist.
Was that the closest the Strawhats have been yet to almost dying? 
Camie to the Rescue!
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Luckily, they have a friend who was sort of expecting them. Luffy, Usopp, Chopper and Sanji woke up at none other than Camie’s place! (The others were separated. Franky, Nami and Robin are together. I have no idea where Brook is and Zoro is on his own.)
Turns out she works at a Mermaid Cafe on the sea floor of Mermaid Cove. The dorms are more affordable on the sea floor, as opposed to the ones higher up with more natural light. I liked that Oda has imagined an entire class system here. Mermaid Cove seems an okay place. Pappagu the starfish is in the fanciest district: Fishverly Hills (lol!) and is a famous designer. Hachi lives in Fishman District, which Camie said was a ‘rough place’. Luffy still thinks Pappagu is Camie’s pet. I don’t think Luffy completely gets how Fishman Island works yet, but Camie was nice and didn’t say anything. Hammond also hinted at another Fishman Island faction: Neptune’s Army, who were introduced later but I don’t know which side they’re on yet, so they seem like a neutral third party so far. 10/10 world building from Oda there.
Camie showed them around. They took a cute turtle elevator up to the “surface”, where there were clouds, blue sky, trees and rainbows. Luffy mentioned reuniting with Jimbei because “when Ace died two years ago, I didn’t lose heart thanks to him” (yes, Luffy. I’m glad you realise just how much Jimbei did for you!)
But Jimbei was not on the island. Camie seemed to hint the War in Marineford caused a bit of trouble in Fishman Island. She didn’t go into it, damn it.
Then, the royal family’s Fish Boat swam into view, heading straight for them, carrying the Neptune Princes (Fukaboshi, Ryuboshi and Sanboshi). The mermaids hid the Straw Hats, in case they were arrested for illegally entering Fishman Island. One mermaid made the mistake of holding Sanji... let’s just say a little close to her chest.
And Lots of Beautiful Mermaids
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You know what, I didn’t want to say but over the past couple of episodes, Sanji’s weakness had been annoying me. Not really badly. Just that the joke was getting a bit thin because it’d been played so many times for laughs.
Now I know why.
Does Oda do nothing without a purpose?
He had to set up all the blood loss stuff because blood transfusions are a central tenet in the hatred a lot of Fishmen have over humans.
When Sanji had his Vesuvius Moment, Dr Chopper bravely came to the rescue. Just as the Princes seemed about to take the Strawhats (though they didn’t want to arrest them. Still not sure what their deal is), Chopper placed himself in harm’s way and shouted, “Stop! I’m a Doctor! Can anyone donate S RH negative blood? If Fishman blood is the same, would anyone be willing to donate?”
Chopper unwittingly referenced an Old, Highly Politicised Grudge.
Fisher Tiger: The Hero of Fishman Island
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Hammond, who had been lurking, waiting for an opportune moment to catch the Strawhats, couldn’t stay quiet at that point.
“No one on this island would give blood to lowly humans,” he scoffed. “If anyone did, they’d risk punishment from the Dark Night, from human haters. The Old Law in the kingdom states that donating blood to humans is prohibited.”
When the Strawhats protested, Hammond fired back with some Context.
“You humans set that rule first! You people have a long history of fearing us. Didn’t want your blood mixed up with ours. That’s how the hero, Fisher Tiger, died. He risked his own life to free slaves of all races. But after a bloody war, he died. He could have lived if he had a transfusion. The heartless humans refused to give their blood to him.”
I was gobsmacked by that. Honestly. What a great twist, in terms of both plot and morality! How are the Strawhats going to fight against years of racism, abuse, toxic politics and the veneration of a martyr-like figure who means so much to the people of Fishman Island? 
This is going to be a wild ride.
Usopp dismissed the old law. He begged someone, anyone, to help Sanji. Hammod tried to take Luffy by force but severely underestimated how much stronger he’d become (that Haki, honestly... it is so badass).
Camie hijacked the Royal Fish Boat (the royals here seem pretty laid back because if that was real life, you’d be in your local Impel Down faster than you can say, “But I need a blood transfusion!”)
And it seems something is rotten in the state of Fishman Island. Not only are the Strawhats the first human visitors in a while, the Princes were unable to deliver a message to Jimbei.
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I wonder if it’s anything to do with this shady character?
This is the guy who wants to see Luffy. The one Hammond calls “Boss.” Hordy Jones, I think his name was? And here we have a shady face, not entirely revealed, sharp teeth and a good voice actor? This has happened before with Moria and Crocodile. Could this be the villain? Is this Hordy Jones, or is he higher up the chain?
I hope so. Was blue-balled with the Flying Dutchman stuff. Don’t want it happening again, haha.
Also, who or what is Noah? Was confused as to whether it was a location or a person.
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*insert Rocky Theme tune*
60 notes · View notes
kingcocoabutter · 6 years
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The Hero’s Dilemma and The Illusion of Choice.
Unlike many fans I have been dismayed with the Whole Cake Island arc in One Piece because, expectations aside, it feels like the first real moment in the series that Oda’s glaring weaknesses and biases have prevented him from telling a truly exceptional story. And the core of this weakness lies in his treatment of Sanji’s character arc. Sanji has been one of the most static characters in One Piece and much of my disappointment with WCI stems from my feelings on how Oda has presented us with the illusion of character growth and development. And it really all stems from his use and misuse of what I like to call: The Hero’s Dilemma.
It is one of the most prolific and valuable tool in a writer’s arsenal notable for its apparent simplicity. Essentially what it boils down to is this: the hero of any story must, at some point, face the choice to either change or die. In my opinion the one film that exemplifies the masterful use of this technique is Christopher Nolan’s The Dark Knight.
In any story there are several key traits/characteristics all antagonists must share:
1)    They must be powerful. As John Truby says in “The Anantomy of A Story”:
“Create an opponent…who is exceptionally good at attacking your hero’s greatest weakness”
 I highly recommend that everyone watches Lesson from The Screenplay’s video on why the Joker is the ultimate antagonist for a detailed breakdown of how that character excels at this, but to put it simply the Joker is not scared of Batman. There is nothing the latter can do to the former whether it be through physical violence or intimidation that can cause the Joker to stop terrorizing the city except killing him. Something Batman won’t do. (This will be explored later on in the editorial)
While I have said that I don’t like the WCI arc overall, I recently did a readthrough and upon doing so I noticed that Oda had actually masterfully set up the conflict at the start of WCI.
Zou had just been ravaged by Jack’s forces and the Minks were in no condition to fight. Bege’s Castle powers allowed him to outflank the Straw Hat’s and trap them in his “castle”. Sanji couldn’t refuse the wedding invitation because a) Capone was holding the other SH’s hostage and b) Vito whispered something to Sanji (I’d say Zeff being held hostage but this seemed to surprise Sanji later in the arc so who knows) that left him with no choice. Then when Sanji actually arrives on WCI he has exploding cuffs locked onto his wrists (another weakness in that a Chef can’t cook without his hands) and he is told that his mentor/father figure Zeff (whom Sanji literally owes his life) will be killed if he attempts to leave the island or in any way interfere with the wedding. Oda masterfully sets up the scenario leading Sanji to the moment where the second characteristic comes into play.
2)    Pressuring the Protagonist into difficult choices.
 “TRUE CHARACTER is revealed in the choices a human being makes under pressure – the greater the pressure, the deeper the revelation, the truer the choice to the character’s essential nature”
In the Dark Knight the Joker does this in a number of ways from: declaring that a person will be killed every day that Batman doesn’t reveal his true identity to forcing him to choose between saving either Harvey Dent or Rachel.
And this is where Oda’s weaknesses become apparent. As I said before the Hero’s Dilemma requires the hero to either change or die. Throughout WCI the choices Sanji makes all depend on him “sacrificing” himself and his happiness to try and protect the people he cares about most: Zeff and the Straw Hats. At this point Sanji has essentially made the choice to “die” because he feels like that’s the best possible course. And thus we get to the fundamental disconnect behind the Hero’s Dilemma.
The moment a hero chooses death over change their story ends. If Sanji were the lone protagonist in this story plot progression would grind to a halt. I would describe it as the moment the hero of story comes to a fork in the path. On one lies change and the other death. On one path there is an infinite number of other forks leading to other paths and the other leads to dead ends. So if a “hero” comes face to face with a dead end then how can they continue forward? They can either backtrack and choose to walk down the other fork in the road or another character can light a new path for them.
That moment for Sanji happened with the Pudding reveal. All throughout the arc Sanji had convinced himself that he could be “happy” with Pudding as his “consolation prize”. In his imagined “death” he would have married her and lived out the rest of his days in misery as the SH’s continued on their merry way on to new adventures. But then he finds out that not only is Pudding not whom he imagined but that she was planning on killing all his siblings at the Wedding (the Game of Thrones influence was strong on Oda). Thus do we come to the tipping point of the entire arc.
Chapter 852: Germa’s failure was where I personally felt that Whole Cake Island went downhill and Oda started backtracking on the idea that consequences mattered and that character growth matters. As a quick refresher in this chapter Sanji reveals Pudding’s plans to Reiju and tells her that he’s conflicted because he doesn’t know what to do. Reiju then reveals that Sanji’s bomb cuffs are fake and that since Big Mom has no interest in Zeff, once Judge is dead, the threat to Baratie will be gone and so Sanji can leave WCI without worrying.
I. Hate. This. Chapter. Oda had written himself into a catch 22 situation which meant that Sanji literally had no way of removing himself from the situation without an ex-machina scenario. He removed all responsibility and agency from Sanji and gave him an easy out. Hence my complaint that he only presented the “illusion” of having a “difficult choice”. He never really had one in the first place nor was he ever expected to make one. This was failure #1.
After his heart-to-heart with Reiju, Sanji goes off to find Luffy and he gives him a non-apology apology where he “admits” that he was “wrong” and that he wants go back to Sunny. He also admits that despite everything his family has done to him he still wants to save them. Here again we’re given the illusion that Sanji is facing another Hero’s Dilemma. He can either leave his family to die or he can save them. Given what we know of Sanji the choice to abandon his family would signal his “death” because even though he would be “justified” in leaving them to their fate, as he later tells Judge, he couldn’t do it because he would feel like he was letting Zeff down.
This would have been an absolutely perfect moment except for one niggly little detail. Remember chapter 852? Reiju reveals that she feels like she deserves death because Judge has “augmented” her and she cannot disobey him. She says that her hands are stained with blood and thus she too should be wiped out along with Germa. This is so problematic for reasons I won’t get into here, even though it may have plot relevance later on, and I will posit a theory in which it could mean several characters get some key development/growth.
There is no scenario in which deciding whether to rescue/abandon a “damsel in distress” would ever be a tough choice for Sanji. Fans know exactly what he was going to do the moment Reiju’s agency in the matter was taken away. Again Oda has presented us with the illusion that Sanji is facing a dilemma when really there never was one in the first place. Which brings me to the biggest failure of WCI and why I personally find this arc so lacklustre and disappointing: Sanji’s “chivalry”.
Ever since Enies Lobby fans have been disappointed with Sanji because it appears Oda didn’t know what to do with him. So he made him into a gag (another problematic issue that needs to be addressed). Each and every arc Sanji’s “chivalry” was played up for laughs and it continued to worsen his character and his popularity. So when WCI came around and the “Year of Sanji” was declared many fans, myself included, very ecstatic to see the return of the Sanji we all loved. And that’s exactly what we got. Oda gave us back the Sanji from Baratie frozen in time. Sure we got some extra tragic backstory, but it failed to shed any new light on Sanji’s character. As for the ONE BURNING QUESTION fans wanted the answer to (i.e. why won’t Sanji hit women)? Oda gave us an answer. And in my mind it was the single worst moment in the entire series so far. Sanji won’t hit women because Zeff told him not to.
Why doesn’t Batman kill villains? It’s a noble code for sure but wouldn’t it be so much easier and couldn’t so many more deaths be avoided if Batman just killed the Joker? In my opinion this is where and why The Dark Knight succeeds as a story. Batman WILL NOT kill a villain. His parents were killed in a street mugging as a child and that experience has not only scarred him but also informed his values. He WON’T kill a villain because in his mind that would make him exactly like them.
So in the Dark Knight the Joker tests his resolve by instigating chaos and killing people to try and force Batman to make a choice: reveal his identity or have the blood of innocents on his hands. He then does it again by forcing him to choose to either save Rachel or Harvey Dent. And in a brilliant subversion when Batman goes to save Rachel he finds Harvey.  The Joker knew who he would save and so he deliberately fed him misinformation. And at the end of the movie, Batman decides to arrest Joker rather than killing him cause choosing the latter would mean “death”. Well how has he changed then? All the tests the Joker put Batman through changed his perspective on what his limits are and where his *true* values lie. It also strengthened his resolve to commit to being Batman because he acknowledges that he is the only one that can do it. So where does the Dark Knight succeed that Oda doesn’t? It’s in the reason why they hold those values.
Upon re-reading the WCI arc there was a certain scene that stood out to me cause it showed me a new perspective on Sanji’s character. It’s during the fight with Judge where Sanji is having a “conversation” with his past self to question why he still seeks Judge’s approval or considers him family. As I pointed out before, Sanji’s “chivalry doesn’t stem from his respect for or relationship with the women in his life. It stems from a respect for Zeff and the idea that breaking this rule would mean disrespecting his mentor. Therein lies the problem. Sanji has never QUESTIONED why hitting women is wrong. He’s blindly following something Zeff told him cause he desperately wants his approval. That’s the difference between Sanji and Batman. It could also be the deciding moment for Sanji’s character in WCI.
I have consistently stated/theorized that at some point during WCI the cake Sanji/Pudding/Chiffon are baking for BM will become poisoned. Judge would order Reiju to do it as revenge for BM’s betrayal of Germa and I’ve been of the mind that it would either be a partnership between Reiju/Chiffon or Reijj/Pudding that carries out the “assassination”. The one thing I had never considered was how would Sanji react upon finding out that the cake has been poisoned?
There are two codes that Sanji lives by: Food is important (and thus should never be wasted and anyone that is hungry should be fed) and Never hit a woman. Throughout the series of One Piece Sanji has NEVER once held a woman responsible for her actions. He has always been willing to forgive them easily cause he never doubts that they have had good intentions or have undertaken “evil” actions of their own free will. So how will he react upon learning that a WOMAN POISONED a cake and thus ruined it? Especially if at least one of those women or the sole woman who undertakes the act is his sister.
Here is the scenario I imagine.
At some point BM is going to eat a poisoned cake and start going on a rampage. She is already apparently losing weight and energy at an alarming rate and she will need to refuel on something soon. If she CANNOT eat that cake then there is only one other potential source of energy she can eat: Souls. BM is going to go on a rampage on WCI and she is going to be killing her children left and right and eating their souls if they DO NOT give her the cake. Sanji is going to confront Reiju and ask her why she poisoned the cake. Remember Chapter 852? It’s interesting to note that despite Reiju saying she CANNOT disobey Judge, she was able to switch out Sanji’s bomb cuffs for plain ones. So obviously there are loopholes around Judge’s “augmentation”. This means we could potentially face a scenario where Reiju had the CHOICE not to poison the cake but CHOSE that course of action. Sanji will then be forced to face the fact that his sister CHOSE to poison the cake because she didn’t believe in Sanji and she violated his CORE VALUE.
Now as much as I want Sanji to hit a woman during WCI I can acknowledge that it won’t happen. But I do believe that his Food code is on the same level as Batman’s won’t kill code. So I want Sanji to pull back his fist or to at least ACT like he is going to hit Reiju. He’ll then stop and put it down and then coldly tell her that she is dead to him and he no longer considers her his sister before walking away. Here’s the kicker.
Oda could easily take this down another route and have Sanji direct all his hatred towards Judge and absolve Reiju of any responsibility. But to mean this would mean the death of Sanji’s character. Having him confront Reiju about the idea that she can choose her own fate and she should choose her own beliefs and values and not blindly follow orders should be a wake up moment for Sanji. It should make him reconsider how he’s approached his “chivalry” and the lessons he’s learned from Zeff and how it makes him any better. He needs to make a moment towards deciding that he needs to stop looking for someone else’s approval and instead become a man he can be proud of. It would not only be an important moment for Sanji but also one for Pudding and Reiju as well. Both characters have absolved themselves of any responsibility for their own actions and by the end of the arc both of them need to acknowledge the consequences of their actions.
Sanji may have had good intentions but his actions on WCI will have led (at least temporarily) to him hurting his captain, hurting his crew, the (temporary) death of Pedro and countless Charlotte family members and WCI citizens. BM is also part of this but I think you get the point.
I think by now all One Piece fans can acknowledge that the cake is important but I don’t think they realize exactly how important it is. The actions Sanji take’s upon learning what happened to the cake will show us his “essential nature”. It will also show us whether we’ve seen the limits of Oda’s storytelling. As they say: The proof is in the Pudding. Or at least cake in this case. 
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recentanimenews · 3 years
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FEATURE SERIES: My Favorite One Piece Arc with RogersBase
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  I love One Piece and I love talking to people who love One Piece. And with the series going on 23 years now, there is a whole lot to talk about. As the series is about to publish its 1000th chapter, a true feat in and of itself, we thought we should reflect upon the high-seas adventure and sit down with some notable names in the One Piece fan community and chat about the arcs they found to be especially important, or just ones they really, really liked.
  Welcome to the inaugural article in the series "My Favorite One Piece Arc!"
  My first guest in this series is RogersBase, a Nintendo Brand Ambassador. For my chat with him, he chose the Zou arc, in which Luffy and his crew head to an ancient civilization that sits upon the back of a giant elephant.
  A note on spoilers: If you haven't seen the Zou arc yet, this interview does contain major plot points. Watch the Zou arc starting RIGHT HERE if you'd like to catch up or rewatch!
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    Dan Dockery: In one sentence, could you sell me on Zou?
  RogersBase: Okay, here we go — Mystery, romance, and a little bit of the Mammoth Boyz. I think that’s the perfect way to describe the best story arc in the post time skip era of One Piece.
  The best? Really?
  Yeah, by far. For me, at least. 
  Yeah, I feel like post time skip has been a certainly interesting array of storylines. I think my personal favorite is Whole Cake. So much of the back half of it as soon as the wedding goes awry is great, and the entire Katakuri fight is a masterpiece. 
  I think Whole Cake is a totally reasonable answer, and I think you probably like it for the same reasons that I like Zou: the characterization and the drama that isn’t centered around the characters saving a kingdom. The kingdom of Zou has already been destroyed. There’s no saving it at this point. The only thing they want to save is Raizo. So you don’t have to deal with the villain hierarchies and families of say Dressrosa or Wano. And the nice thing about it is that since it’s a shorter, condensed story arc, it really hammers home the motivations of the characters and gives us this terrifying villain that’s not even present for most of the arc.
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    I really like Jack. He only appears in a flashback for the most part and he’s a scourge of the kingdom. And then he comes back, only to be hit by that elephant. And that’s one of those things at the beginning of the arc, when I saw this massive thing, I thought “Aw, man. I wanna see what that elephant can do. I hope it hits something” and then IT DOES. I flipped out. It was so satisfying. Did you know that Zou would be your favorite when you finished it?
  Yeah, I think I did. All the arcs up to that point had really high highs, but some of it just didn’t land with me. So to have Oda move away from these long story arcs that end in big one on one fights and go to this shorter, mystery-focused arc: What’s going on with these minks? What’s atop this elephant? Is Raizo still alive? What is The Voice of All Things? What connection does Luffy have to these giant creatures? And with so many great designs and characters, too, with the Minks. It’s really fascinating, and you have bits and pieces that lead up to it, but there’s so much here. 
  I feel like the Minks might be Oda’s purest expression of side characters because he’s playing with all of these animal figures that are both interesting to look at and emotionally evocative. It’s him flexing his muscles as a character artist. And the landscape of Zou as well - It’s beautiful to behold. 
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    Especially when you think about the amount of content that’s there in a short amount of chapters or episodes. There’s so much that’s told about the overall world, the Road Poneglyphs, the relationship between the Minks and the Kozuki Family, the Beast Pirates, so much gets touched upon that will expand in later story arcs. There’s beautiful, immediate payoff there and later. 
  It has such a comparatively goofy start, too. They’re climbing this giant elephant on the back of a cartoon dragon that Robin thinks is adorable. And I’m glad she gets a little bit of focus here because, with the Poneglyphs, Zou is a really big set-up arc for Robin. So her role in One Piece’s endgame has exponentially increased. 
  Also, the focus on characterization. In earlier, post timeskip arcs, you have these epic clashes that take down kingdoms, but here you get a cute moment with Robin. It’s so refreshing to see her in a natural element where she’s comfortable.
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    What did you think of the Mink tribe’s living situation? The giant white whale tree and the treehouses and all. Do you have any favorite parts of Oda’s worldbuilding here? Not just as a story designer, but as someone who crafts actual places where races and species can live.
  It’s cool to see the animals he chooses for the Minks, and how he constructs the power structure and who controls the land at what time, with the dog during the day and the cat at night. The big pineapple trees and the ruins that you see in the Jack flashback, he created a full-blown, believable civilization. It’s always a pleasure to see Oda working in jungle vegetation-type areas. He really excels in this in Skypiea and in his color spreads. So it seems like Zou is something that he’s wanted to do for a while. And how much effort he puts into it is why you feel so attached to the Minks at the end.
  That’s really cool. There are a ton of anime side character animals, like Kakashi’s pet dogs and the little animals that hang out with Goku and pals, but Oda really lets loose here with a whole species. And as you said, we should’ve kinda seen it coming with all the work he’s done with anthropomorphic animals. But then, you have the big Jack flashback. And the stereotype of the One Piece flashback is “Oh boy, it’s ‘bout to get sad.” But Zou’s feels like an epic piece of mythology, and Jack is just this being of pure cruelty without any kind of sad backstory. How did you feel about it? Did it surpass your expectations?
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    Oh, absolutely! To see a character as violent and ruthless as Jack was something needed, I think. He’s an overall threat, not goofy. And his Devil Fruit is fascinating, as you finally see the return of the Prehistoric Zoan type fruit after you last saw it with Drake turning into an Allosaurus. So it’s cool to not only see that Jack can turn into a Woolly Mammoth, but it’s a Woolly Mammoth fighting on top of a giant elephant. And with the way he gets teased leading up to his appearance in the flashback, I remember thinking “How cool would it be if there was a Woolly Mammoth fruit!” and sure enough, there it is! Jack feels like a fulfillment of the promise of the New World — It’s not going to be a cakewalk. Your opponents will be devastating and Jack is so determined, coming because he knows Raizo’s there and then coming back because he STILL KNOWS Raizo is there. He’s like “You can tell me all you want that he’s not here, but I know, and I will crucify you and cut off your limbs. I don’t know why you’re trying to defend this one ninja, but I know he’s here.”
  Zou is kind of a double feature. We have Raizo and the Minks and the lore, but we also have the stuff that leads to Whole Cake with Sanj and Capone. Now, I see Sanji’s whole arc here sometimes referred to as Robin 2.0, because it’s a lot like Enies Lobby on the surface. Guy gets taken by the bad guys and is like “Don’t follow me because they’ll kill you, etc.” That’s always felt a little hollow to me because Sanji is not Robin and they don’t have the same motivation.
  No, absolutely. And I’m glad you mentioned it because it’s phenomenal how well Zou has aged. They manage to give these characterization moments to Robin and Sanji and the crew while introducing all this stuff and managing to make us care about all of it. There are people that are like “I can’t wait for Carrot to officially join the crew,” and it all stems from this story arc. 
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    In terms of characters that get done so well that even though their time with you is brief, they still stick with you for a long time, I think a good example is Pedro. He joins everyone and he’s this stoic, mentor figure, a character type that usually doesn't fare so well when it comes to surviving anime series intact. And obviously, RIP Pedro. But it’s a testament to what you’re talking about because he just joins the crew and you’re like “Yeah, sure. Gimme fifty more chapters of him.”
  He’s got this cool eye patch, he has a beef with Big Mom, he knows about the world. And he’s the one who’s sort of the most hesitant to trust the Straw Hats at first after the disaster with Jack and all. But by the ending, he knows that the Straw Hats are the guys that he’s been waiting for. This is the crew that will bring upon that new dawn. And we haven’t even talked about Pekoms yet! He has those ties to Big Mom and to Bepo and to Zou and to Pedro and to Capone, who shoots him. 
  What do you think of the Poneglyph system? It’s both indicative of the Straw Hat endgame, but it isn’t like this magic map. What do you think of it as kind of a quest marker?
  It’s great because you learn that there are a definite few that mean something and that they’re all being held at various places that are run by Emperors. So trying to find them gives you an actual reason to fight these Emperors of the Sea and heading into their territories. They don’t really need to be fighting Kaido in the grand scheme of things, but the Poneglyphs add to the direction of the series. 
  ONE PIECE LIGHTNING ROUND!
  Favorite character?
  Trafalgar D. Water Law.
  Favorite Straw Hat?
  I go back and forth between three, but Sanji.
  Favorite villain?
  Doflamingo.
  If you could live on any One Piece island, where would you call home?
  Dressrosa without Doflamingo would actually be pretty nice.
  Favorite One Piece fight?
  Luffy vs Lucci.
  One Piece moment that made you sob the most?
  “Raizo is safe!” I was so overwhelmed with emotion, seeing the resolve of the Minks.
  One Piece moment that made you cheer the loudest?
  Sabo getting the Flare-Flare Fruit in Dressrosa.
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      Stay tuned for the next installment of "My Favorite One Piece Arc" as we speak with Official One Piece Columnist for Shueisha and Toei Greg Warner about his favorite One Piece arc: Arlong Park!!
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      Daniel Dockery is a Senior Staff Writer for Crunchyroll. Follow him on Twitter!
  Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features.
By: Daniel Dockery
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creative-type · 7 years
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Chapter 218 is Amazing and Here’s Why (Continued)
So I had intended to finish my analysis of chapter 218 of One Piece in one post, but things were starting to run a little long and I split it in two. Here’s Part 1 for those who are interested. For the rest of you, let’s jump in where we left off
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I know I say this a lot, but I really like that panel. For one thing, Usopp is using a desk lamp. Knowing him, he probably invented it himself just for the occasion. 
On a more serious note, the entire feel of this scene is completely different than the last time the Straw Hats as a group interacted with Robin. I wrote extensively on chapter 114 here, but what I want to draw attention to now is how the tables have (supposedly) turned. Remember how Robin held all the power and was seated above the Straw Hats while tossing them around like a bunch of punks?
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Yeah, that’s no longer the case. Robin is surrounded by Usopp, Zoro, and Nami, the three Straw Hats who distrust her most. And while Usopp’s too much of a chicken to be intimidating, there’s no mistaking Zoro and Nami’s body language. They’re closed off, guarded, and Zoro at least has his weapons close at hand. 
At the same time, the way the speech bubbles are placed draw attention to Chopper and Luffy. You can barely make out a hand, and one might assume it’s Sanji’s, as he’s the only Straw Hat not visible. 
Which, of course, it’s not
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This set up is the impetuous for three hilarious pages where Robin one by one wins over the Straw Hats (except Zoro, because he’s a killjoy). I recommend reading the entire sequence to get the full effect. It’s classic Oda humor from start to finish that makes me smile every time I read it
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(especially this)
Now going back a bit, Robin tells Usopp that she’s an archaeologist from a long line of archaeologists and has been on the run for twenty years. Never once in this entire “interview” does she lie. In fact, I can’t recall Robin ever  lying in the entire series, except for when she didn’t give Crocodile Pluton’s location. 
There are a couple of different reasons for this. For one, it’s convenient for the narrative if the audience doesn’t have to second-guess everything the main characters say. On the whole the Straw Hats are pretty honest people - Usopp being the obvious exception. (Nami is also a bit of a wheeler and a dealer, but since Arlong Park is more prone to using her good looks and force of will to get her way over straight-up lying. That, or stealing what she wants outright.)
Secondly, Robin has had a bounty on her head for a long time. The Ohara incident was publicized around the world. There’s no reason to hide certain aspects of her backstory when it’s essentially public knowledge. 
Still, it’s interesting to note that the one Straw Hat who is known world-wide as a demon who has betrayed every group she’s joined tells the truth here. It’s obvious that in addition to winning the Straw Hats over, Robin is using her ability to direct the attention away from herself. One might even suggest that Robin tells Usopp she’s an assassin to rattle him enough to avoid more personal questions. She does a masterful job of using each of the Straw Hat’s weaknesses against them. 
It becomes more apparent later on that Robin is an incredibly private person. When Chopper and Sanji are looking for her on Water 7 they don’t know where to even to start, because there are no ancient ruins about, and that’s the only place they can think of where she would go. 
Now, this falls more into the realm of theories and head canons, but since Robin’s whole dream focuses around finding The Truth and since her whole life has been ruined by vicious slander and falsehoods, I would imagine that Robin hates lying more than the average person. She will misdirect, avoid questions, or tell bits and pieces of well-known information without giving context, but she won’t lie.
Moving on, Robin uses the same intelligence and playful nature that was established in chapter 114 to avoid any more of Usopp’s questions (consistent characterization, gotta love it) before having a private word with Zoro. I like how Robin doesn’t even try the same tricks she used with the rest, because I think she knows it won’t work. Instead she addresses him more or less as an equal.
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Assuming this is a nuanced and accurate translation, when Robin says “This isn’t that bad” we can make the assumption that she thought it would be bad. It’s understandable that she would think this way - the Straw Hats were her enemies not too long ago - but it brings up the point that Robin willingly stowed away on a ship she knew she wouldn’t be welcome because she had no place else to go. When Zoro affirms that the Straw Hats are basically a bunch of dorks, Robin smiles.
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Now Robin smiles an awful lot for someone who wants to die. It’s basically her default expression, and it’s nothing but a front to hide her real feelings. She even smiles when she’s just been stabbed and is about to be buried alive after living a miserable, meaningless life without accomplishing anything she’s ever set out to do. That’s one deeply-rooted defense mechanism.
This is the first time we see Robin really be happy, and her surprise at learning that the Straw Hat Pirates are fun-loving and cheerful even when traveling with a former enemy is the kick-start to Robin’s character arc.
Because make no mistake, the Robin who joined the Straw Hat Pirates was the same Robin who joined Crocodile. All the stuff at the beginning of the chapter helps flesh her out into a fully-realized character instead of a cardboard Vivi replacement, but at this moment Robin’s beliefs about the Straw Hat Pirates are challenged, and a character can’t change if they aren’t challenged. 
There’s a cute Zoro-pouty face to that ends this scene, and our focus swings back to the Straw Hats as a whole. An undetermined amount of time has passed because now they’re talking about the weather and Zoro is back to lifting weights
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I don’t know if you can have foreshadowing that’s paid off in one panel, but Oda doesn’t waste a beat with the little clacks of wood against wood. For the second chapter in a row there’s an amazing twist at the end that no one could have seen coming. I already shown this spread in my last post, but it’s so epic it deserves a second viewing
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I can’t remember if this is the only time Oda has used a real life quote in One Piece, but if not, it’s one of very few. And honestly, what could be more appropriate for a series like One Piece? The whole composition of this page is beautiful, and all the little details take my breath away. I really don’t get it when people say Oda’s art is ugly, because they’re wrong. 
Anyway, things get crazy for a couple of pages while the Straw Hats try not to capsize. Oda has this thing he does when he uses square or rectangular panels for his dialogue and uneven shapes like trapezoids for action scenes. I think that’s pretty standard procedure for comics (I’m by no means an expert) but here Oda helps sell the chaos by composing his pages so it feels like the panels are tilting with the ship
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There’s also a nice gag with Usopp that doubles as a character moment. Instead of grabbing hold for dear life Usopp sits and closes his eyes to pray, completely ignoring the problem in hopes that it goes away. It’s funny here when he gets a skeleton to the face, but it highlights a huge flaw that finally comes to a head during the Water 7/Enies Lobby arcs.
After that we get this sequence of panels
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Please forgive my horrendous edit, but I wanted to show how the speech bubble fits into curve of the wave in the second panel and leads the eye through the rest of the sequence even though the individual images don’t really relate to one another. Oda constructs this scene in such a way that we feel the chaos, but he does so in an orderly fashion. Each panel gets smaller and smaller - similar to the “fade to black” technique I talked about previously, and it leads directly the last splash panel on the page
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The chaos ends just as abruptly as it began. The Straw Hats are mystified, and, honestly, Oda could have ended the chapter here. It’s such a high note, a good dose of Grand Line craziness after so much focus on the crew. But Oda isn’t satisfied with stopping here. He ends the chapter with what I believe to be one of the best story hooks in the series, tied only with Zou for sheer “WTF, the Straw Hats are going where?” moments in all of One Piece.
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Skypea isn’t my favorite arc in the series. A lot of people say the same. But if you can pretend that you’d never read/seen what was coming next and take the end of 218 for what it is - and that’s pure hype - then you’ve got to admit that Oda has done his job.
So that concludes our look into chapter 218 “The Log Pose and Why It Is Round”. To summarize my thoughts on the chapter and why it’s amazing
Ships fall from the sky
Oda never forgets 
But he does lure us into thinking he does
Ships fall from the sky
Robin is established as a “protagonist” without necessarily being a “good guy”
Symbolism
Excellent page composition
Gags that reveal character
Consistent characterization with hints of further development to come
and last but not least
      10. Ships falling from the sky
(Thanks to everyone who has the patience to read this far. Next I’ll continue my Nico Robin study with chapter 253, specifically looking at Robin’s place in the Skypea arc and how Oda prefers stealth development over big character moments. See you next time!)
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dshanks-op · 7 years
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CH. 857 Initial Thoughts & Analysis
Soooo we got ourselves a nice chapter today  Lots of talk about what Nami said and vice versa, so I wanted to give my thoughts about it as well. I reread the chapter without shipping goggles and it makes it clearer to me what this all means.
So first thing is Sanji's attention to Nami, well I found it normal. I think Oda only did that because Nami is the only female in the group atm and is using Sanji's actions towards that female to show that our boy did not in fact change at all due to the situation with Pudding. We've seen a completely different Sanji up until now and I see this as a way of Oda reassuring the readers that Sanji will stay the same and still go gaga over every girl and that he is not drastically changing his character Second, Nami says she was put through the depths of fear because of Sanji and she's not wrong. Because since they went after him, she saw Luffy almost die on the ship, almost die against Cracker, almost die against Sanji, almost die against the army, and almost die in the prisoner book (well more specifically his arms). And she herself almost got killed in the forest, had to see Luffy beat up , and almost got tortured to death in the prisoner book while also having to witness Luffy ripping his arms apart. That sounds quite the hell to me. But another translation says incident, so that must mean when they reunited, which was when Sanji attacked Luffy ruthlessly after his fight with Cracker. If that's the case then it shows how strongly she was hurt to see Luffy get beat up by a crewmate right in front of her eyes. She was extremely fearful for Luffy's life. So much so, that she had to go straight to Sanji and slap him for what he had done. And then telling Luffy that he went too far, no matter his reasons. I see this as a big positive for Luffy x Nami because she shows that is still mad to a degree about what happened. 
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Because of this, she said she "will never forgive him" and it's not something that is permanent. She will forgive him later on, but it shows how she doesn't forget what she and Luffy had to go through just to get him back. She was happy to take him back when they first reunited, no sign of hate there, but after he turned them down harshly, Luffy almost died twice, and she almost got tortured to death.
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As we know, Nami is a very compassionate and forgiving character, she risked her life to get Robin back and felt strongly saddened when Usopp left the crew, so she is again relieved that Sanji is coming back, but at the same time she still has her feelings about the wrongdoings that he did. Oda wants to make it clear Nami is forgiving and loving with her crew mates, while at the same time, respects the position of captain and Luffy's life. If she forgave Sanji just like that then people would say "she is a bad crew mate she doesn't uphold the respect the crew deserves" If she wasn't open to him at all then she's "a cold bitch who is selfish" ( even though people still are saying that xD)
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thanatasia · 3 years
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Your the only mutual who’s seen demon slayer so I apologize if my ranting and raving is a little overwelming 🥺👉🏻👈🏻
So I’m finally getting around to Demon Slayer —mostly in part because I was waiting for the hype to die down but also because I was waiting for a streaming service that I had to grab it — and after binging 13 episodes, I can safely say that my favorite characters are The Demon Doctor Lady, The cute dude madly in love with her, Tarzan Pig Head who’s a little confused but he’s got the spirit, and Nezuko, because she gets all of the UwU’s
Crybaby Tanjiro is a decent main character but his inner monologue sometimes gets a little grading to listen to but he’s big of heart, dumb of ass sometimes so I’ll let it slide. Also he’s a big brother who absolutely adores his baby sister, so he gets brownie points for good, non problematic familial sibling love.
However, Zenitsu can literally walk off a cliff for all that I care. He’s like Sanji from One Peice but instead of being so annoying that he’s funny, Zenitsu is just annoying (also I’m very sorry if Zenitsu is your favorite but like, the screaming... the screaming...) and like, I get that being a wuss and screaming all the time is his character flaw and his arc is to become more brave as he gets confident in his demon slayer abilities, but like... can he not be so annoying about it please...?
Also Demon daddy Michael Jackson is pretty cool.
Another thing that kinda grinds my gears about this anime is the pacing. I feel like a lot of these demon fights and training montages can absolutely be cut down form three episodes each to like one and a half... maybe two at the most. I don’t know if you had the same problem, but to me it defiantly feels dragged out for the sake of getting the story to the 26 episode mark.
Hopefully the pacing gets better during the rest of the anime, but I’m not holding out hope. Time will tell I guess. And hopefully Zenitsu will learn that the power of silence can be a blessing.
But overall I am getting a positive feeling out of Demon Slayer. It’s not terrible by no means (trust me I’ve far worse) but it’s defiantly not the show-stopper that most people back during Demon Slayers time in the sun were screaming about. I personally, as of episode 13, give it a solid B-
or
a ⭐️⭐️⭐️⭐️ out of 5.
Also I’m sorry if this was too long to read 🥺
@simplysparrow14 don't feel bad about this long message. Reading other people's opinion on something I enjoy is nice!
I can definitely understand not wanting to get into a series that has a lot of hype, I kinda felt like that with BNHA in the beginning (I still need to catch up but I literally just look forward to Dabi lol)
Ahhh all those characters are so good! Lady Tamayo and Yushiro (I hope I'm right) I love them too. I love the scene where he calls Nezuko unattractive, literally his energy was funny.
Inosuke is fun! I enjoy him too. At first I thought I'd be annoyed with him but he proved me wrong. And Nezuko!!! I don't think there is anyone who truly hates her, I just want to hug her!
As for Tanjiro, I totally get being a bit iffy with him. I still enjoy his character but main characters are almost never my favorite characters in anime/manga because of how predictable they are (My faves are all side characters where anything is possible. And I really like the Hashira those character designs!!!). However, as you said, his big brother love for Nezuko is wonderful (I really like that this series has two siblings as the MC's and we see how far each would go to protect the other. We rarely see loving sibling bonds unless they'rerivals or they have grudges against each other) I also like that he's a sensitive MC. I've seen a lot of shounen anime and I like that Tanjiro isn't a Goku or Naruto (loud, obnoxious, the whole shebang). I feel like BnHA was my first experience of a sensitive MC in shounen.
No offense here about Zenitsu. It's funny I said I don't really like the loud characters but Zenitsu is the loudest one of Demon Slayer lol. I feel like comic-relief characters walk on the slippery slope of annoying af or well received. I noticed a lot of people want to see more of him fighting (because they can't stand awake Zenitsu lol) and I definitely want to see more badass, confident Zenitsu too!
OMG "Demon daddy Michael Jackson" I'm dying!!! We need to see more of him, especially being threatening.
As for the pacing (Right now I'm going by memory) I'm pretty sure the training sequences are dragged out. Usually I skip around if I'm bored, which I think I did or get distracted while it's happening. I wanna say the only training that I could see being dragged out, while making sense is the training Tanjiro did with Sabito and Makomo. One of these characters gets brought up again later (maybe the important detail was said but if you look carefully two characters have a similar haori). I'd also say it helps us to be attached to them since we later find out what happened to them. The old man (I forgot his name) meh if it went more than 1.5 eps I totally forgot because I can lose interest in training arcs lol.
I will say in future seasons (because I read the manga) some fights feel dragged out and there might be an arc that drags out but I honestly see it being at most 2 eps (the first being quick and comedic the second being more serious)
I feel like this 2nd season will be paced better because they (what I assume from the trailer) are animating one arc, "Red Light District" and I cannot wait because
1) The music I picture going alongside the calm, action and scenic moments. The trailer had a banger!
2) The fights. Something super cool happens
3) The comedy
4) ...Uzui with his hair down/messed up.... I always find a husbando in a series and it became him. (there's a joke I wanna make but after it's released)
Honestly, same. When you break it down "Demon Slayer" is your typical shounen anime that follows a lot of the tropes necessary for a series featured in big magazines like "Shounen Jump." But where it does separate itself from protagonists and characters such as "Naruto", "Bleach", "Dragon Ball", "Bkack Clover" etc, it does really well.
I wanna say this series has by far the most eyecatching character designs which is great because I can remember them a lot faster.
And I love their "breath technique" effects. Besides the first episode reeling me in, the effects kept me in (as well as characters). It's a visually appealing anime and the animation team did a wonderful job bringing these characters and this story alive.
I also like that the series takes place during an evolving/modernizing Japan, some places are modern for that time period/influenced time period (1900-20's fashion, trains!?!? I legit face-palmed at the end of season 1 because I forgot that this series wasn't taking place in medieval-ish era) Sometimes I forget that Demon daddy and Tanjiro live in the same time period because of how different their worlds are. (I'm very use to shounen being either just european medieval fantasy world, just medieval/edo fantasy Japan or in the rare case modern fantasy Japan. A mix of both if it's like Bleach but the difference was extreme and literally different worlds) In Demon Slayer, it was a work in progress, a set up perhaps. But I mean, countrysides still exists in more developed countries today but in most anime it was either or. Pre-modern or Present day modern.
And the character backstories are pretty intense. I wanna reread the series again to give a better review. But yeah, prepare to cry some things did catch me off guard and oh geez, I will be crying when certain chapters get animated.
I 100% agree with you on the rating a B- or ⭐⭐⭐⭐ is fair for "Demon Slayer"
For me to give an A+ or 5 stars, the series would have to really surprise me, main character wise (I've read so much that I can predict what will happen, kinda like my mom and horror movies)
Berserk is the closest to a 5 star but that's a Seinen series that goes by different rules and has a lot of dark and really messed up things (big big trigger warning) happen but when that big surprise came it literally took me by surprise the 2016-17 anime was a disgrace and don't get me started on that lol) and of course even then I would still critique it lol
Thank you so much for your ask! I don’t mind reading a bit more and as you can see I love writing...a bit too much. And I hope my rambles aren't too repetitive or boring.
I really do want to draw some Demon Slayer stuff, I really do love the characters in this series.
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