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#i'm all about the gith and illithids
void-within · 4 months
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eeldritchblast · 11 months
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Ethel's Vicious Mockery Analysis
(Major thanks to Aloija for the Dialog Parser and Roksik for doing the parsing, from the Down by the River Discord Server!)
I love when Ethel uses vicious mockery in the game, because I feel like it gives insight into the character’s insecurities, you know? So let’s further dissect that mockery.
WYLL
“Oh, look! It's daddy's regret.”
“Fraud of the Frontiers!”
“Do you think losing that eye made you a hero?”
Wyll wants to be seen as a hero so badly… and I’m starting to think that has a little something to do with daddy issues. This “daddy’s regret” line from Ethel, matched with one of Wyll’s desires when confronted by the secret laboratory mirror being his father’s forgiveness, certainly says there is something unresolved there…
GALE
“I can smell what's under those bandages, wizard. You're all rot and ruin.”
“Come to greet death early? You'll be a lovely spectacle.”
“Who would be jealous of you, apprentice?”
The first two aren’t anything new—we’re already aware of Gale’s condition after all. But why would Ethel call him an apprentice? Is he lying about how great a wizard he once was? Or maybe it’s just because he’s lost all his powers, and she’s teasing him about that.
SHADOWHEART
“You're so far up Shar's cake you can't see straight.”
“Why would Shar love you when no one else does?”
“You're no complex puzzle. Just a sad little girl.”
These to me, at least, speak of an undiscussed bubbling crisis of faith Shadowheart may be undergoing. And I am very interested in the second line above. Shadowheart is the type of person to keep everyone at arm’s length, and yet at the same time, it seems from this, desperately wants to be loved? That matches up with her “she took me in when no one else would” answer when asked why she became a worshipper of Shar in the first place. So it seems to me, like Shadowheart experiencing compassion from another person, possibly for the first time in her memory, is leading her to question her faith in Shar.
LAE’ZEL
“A toad with a tadpole! How fitting.”
“Your people will never take you back - illithid scum.”
“Do you miss kissing Vlaakith's feet, gith?”
Lae’zel’s biggest desire is to become kith’rak – we know this. But more to that, I think her biggest desire is to be accepted and revered by her people. Ethel saying that she will never achieve this is probably Lae’zel’s greatest fear.
ASTARION
“Is there still rat stuck in your teeth, slave?”
“Deep down, you like being leashed, don't you?”
“You're one thirsty night away from betraying everyone.”
Okay, okay, okay… the first two? Ethel just being a top tier bitch. But the last one… The last one suggests that Astarion actually does have some care for his travelling companions, if he’s concerned about hurting them. I think that brings a lot out of his character, because it confirms he’s not just a one-dimensional jerk. The glimpses of his nice side are just as genuine.
KARLACH
“Let's pull your strings, infernal puppet.”
“Happy to sell everyone's soul but your own, aren't you?”
“When I'm done, even the Hells won't want you.”
We don’t know a lot about Karlach, because she isn’t available as a companion in Early Access. But what little we do know, adds up with what Ethel says here. We know she was caught up in the Blood War as essentially a slave to Zariel. And judging from this mockery, it seems that’s left her with questioning self-worth.
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rinriya · 9 months
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BG3 ending (spoilers)
I finished BG3. And I.. I'm so devastated right now. Not in terms of relief or "oh, such a good game has come to an end, idk what to do next", I just don't understand what happened. I am disappointed. I need to speak out. Otherwise I feel like I can burst into tears because of indignation.
And I beg DON'T READ THE POST FURTHER if you haven't reached the end. There will be plenty spoilers. DON'T READ IF YOU HAVEN'T FINISHED THE GAME.
So. Is this really the end? Is this… what we've been so actively waiting for 3 years? Maybe there will be DLCs no less than another full-fledged act? Otherwise, I cannot understand what was the point MC to do all of this?
I.. damn, this is hard. I waited so long for this game, but now I criticize it. Okay, phew. I'll get myself under control. Phew. Sorry.
We were promised different outcomes, different endings, many choices. But what did we actually get? You either save Orpheus (the Emperor becomes an enemy), or help the Emperor (Orpheus dies), or you/your companion turns into an illithid. And like.. who cares if you continued to refuse the powers. It's unavoidable in any case. You cannot form an alliance, you cannot win without a tadpole. You are linear in your final choice.
Your companions?
Wyll leaves to Avernus. Karlach returns to Avernus. Astarion can no longer stay in the sun, he begins to burn and therefore runs away. That moment… it broke my heart. My MC romanced him, couldn't he followed Star? Was it not possible to add some extra scenes? It doesn't matter to anyone. He ran away? Well meh who cares. Only Shadowheart says something like "oh, how sad, he can no longer walk in the sun."
I wanted to help him damn it! Both him and Karlach. And Lae'zel too, but game not allowed me to do so, forcing to choose: either the giths fate, or your ally. Choose.
I wanted my friends to live happily even without tadpoles! Why the hell I was saving the world, if my companions can't be happy? For the sake of a good ending, I should have let Stari to perform the terrible dark ritual? Or turn Karlach into a squid? Minsc and Jaheira are just fanservice for old fans. More or less good end has Gale (still with bomb inside him), Shadowheart and the Emperor himself.
And what about all my decisions? Where are their consequences? What happened to the vampire spawns? With a grove? With the forest? With Hell, where we killed a mighty devil?! With the Ironhand clan, who now have a new leader? Larian Studios, was it really so hard to write at least in text about everything that happened? Like in DOS2 at least? Or about our companions future life. At least about them!
It feels like even if I decided to play as pure evil.. there would be no difference, because I just don't know what my actions led to. But I can't play evil, I just can't hurt anyone. Yes, I'm boring person who loves happy endings and when everyone doing great.
BG3 received its fame, glory, attention. Obviously will receive a bunch of awards, because its ratings beat all records, but inside me.. there is just emptiness. I can headcanon a happy ending with Astarion, truly free Lae'zel, who will be no longer chased by Vlaakith's servants and Karlach with repaired heart. But it will all be in my head. Not in the game. Baldur's Gate 3.. is like a beautiful (really beautiful) wrapper, but the candy inside turned out to be simple and not very different from the others.
I'm sad. Very sad. And I'm sorry for this flow of words. I had to speak out. Now I feel a bit better. I really want to hear your opinion, because now I'm mentally hurt. I obviously triggered the high expectations for this game and get a painful kick for that.
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des-no9 · 1 month
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Des' Githyanki Genitals HC
Hey and welcome to another lore dump of Des' githyanki HCs!!! As usual, we're all about sex and fucking in here, and githyanki are aliens. So we gotta make their bits fun.
Also, they lay eggs now (never used to apparently, we'll get to that). So I've accounted for that in their genitals.
Also!! I'l got different HCs for the Older generation githyanki -think Voss and Orpheus age- as I HC the githyanki that were alive during their rebellion, and not long after it, differ somewhat to modern githyanki like Lae'zel, and one of my OCs who will be modelling, Tuj.
Gonna go chronologically here, and start with the oldies. Voss is my model for this (obviously).
This is a long post btw lol. Also disclaimer: I'm only talking about the githyanki mostly. Thinking about the githzerai and their reproduction is a whole other beast LOL. Enjoy <3
Obvious TW for talk of slavery, breeding, eggs, violence, rape, lots of genitalia talk and art by yours truly
Older Generation Githyanki Genitals - during ensalvement to early Vlaakiths.
So the vague general consensus in the lore seems to be that the gith originally descended from humans in the very beginning, and this makes me think that their genitals early on during their enslavement and early in their freedom were closer to what we know our human genitalia to be.
But, then we have the illithid's experiments and how that changed their physiology quite vastly over the X number of years.
I HC that many of the illithid colonies varied, and so therefore so did the githyanki (shall be using githyanki to refer to them then even if that wasn't their name then). Some colonies were more focused purely on the numbers, breeding, breeding to send to other colonies for X purposes in their slavery. (I HC Vlaakith I was a branded breeding slave). So would have efficient genitalia. Maybe very little sexual dimorphism. Maybe closer to the modern githyanki like now with asexual breeding.
Some other colonies (like one I HC Voss came from) were bred purely as soldiers, attack and guard dogs. So they refined their physiology very strictly to breed the best, the strongest. Bearing in mind the need for the best warriors and breeders, so therefore keeping their genitalia tucked away and protected when not in use was essential.
It also makes me think things about some of the illithid colonies essentially neutering the githyanki in gestation and only keeping a select few breeders (much parallels to modern githyanki lol) basically to stop their slaves having sexual desire for each other or anything else, cutting it off and only having necessary urges. But I digress.
Basically during this era and the early years before they started breeding through eggs, I HC there was MUCH more variance in their genitalia (and probably some of their other physiology honestly) before it started to become much more streamlined through their eggs and no doubt the Vlaakiths interfering with their breeding to create the best, supreme, unified race in the one Vlaakith's vision.
So, I sketched up what I imagined Voss' genitals to be (obviously). I HC he has a slit where his bits are protected during fighting, since he was bred to be a fighter/attack dog for the illithid.
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NOTE: his slit extends further down.
Notes and important points if you can't read my writing:
cock (easy word to use for it) sheathed inside slit
slit widens and gets wet when aroused, and the skin inside is rough, but is usually wrapped around to protect the cock even if the slit widens on arousal
cock can be pulled out from its sheath manually and how it sits soft
so, Voss' is a little different to the rest of his colonies would have looked purely because it's scarred to shit (from his hubris) They mostly all had two dicks, but the scar tissue healed his together (don't worry, he gets them separated again :>) and they can stick together as one if you want during arousal, or can be used as two For Their Pleasure :tm:
the tip can move independently. Very sensitive.
can come through slit and cock
slit gets wet and easily over stimulated
can come from slit stimulation alone
I think his colony bred more 'traditionally' how we know it as humans. Voss was a traditionally bred and live birth baby to me (Orpheus too). I think a lot of the early githyanki were traditionally bred as we know it, but some with varying ways of conception, birth lengths, delivery, even incubation
I like to think that maybe little spikes come out of the ridges on his cock to embed into whoever he's fucking if he wants to, to hold them in place, for some extra pain and usual githyanki sadism. This was specific to his colony and maybe one or two others, and maybe appears again in some modern githyanki.
I HC Orpheus has a slit too, but is maybe a little more in the human camp to what we know genitalia to be like since he's also ancient and a traditional non-egg baby. Closer to the ancestors they came from. I just like to HC that because he IS a little more....gentler, rounder, smooth, 'humanised' than a lot of the other githyanki we see. I love thinking about the little differences that set Orpheus apart from his people, even though he IS his people, the lifeblood of them. The blood of their Mother. Anyway, I digress.
Basically, for the oldies I think there's a LOT of freedom to be creative and almost do anything, using the illithid experiments, that they're aliens and so much unknown as our excuse. Also don't forget the most important - fun, and shoving all our kinks onto our fictional loves 24/7.
Modern Githyanki Genitalia HCS - egg time
So, the shift to egg laying and apparently it's asexual. I have a LOT of thoughts about this. With this happening thousands of years ago and also with them transitioning from NOT egg laying (putting in the assumption of live births here) to egg laying, there would be some sort of accommodation and change in their physiology for this, right?
Also this doesn't happen quickly. Magic can help yes! Also, they're aliens. Aliens can defy everything and anything we know as humans. I try not to press too much of our human and earth knowledge and experience onto alien races because who is to say their experiences and such are like ours. And also it makes it more fun for me to step away from the known into unknown and other possibilities. But anyway.
Lae'zel says the transition happened to egg laying after they were freed from the illithid and under Vlaakith's power. Now, I like to HC that Vlaakith kind of has this under her control (and therefore, all the subsequent Vlaakith's control). It's kind of like, a mass population control, sterilisation, selective, experimental and controlled breeding to try create her own perfect race in essence.
The execution is flawed, of course. Probably changes over time with all the (over 100) of Vlaakiths and leadership changes, in-fighting, evolution of the githyanki from the beginning of their enslavement to now. But the idea is there. And it sticks.
Okay so. As above I mentioned I HC there was a lot of differences between the githyanki in their genitalia from the different illithid colonies. And at first, transitioning to egg laying was probably a slow process as the first generation probably died out, or through their own ghustils, technology, psionics, they started to try to change their own bodies to accommodate egg laying. Some failed, some managed it. It was a difficult process that also in essence weeded out the weak for Vlaakith too.
And then once the eggs started laying, hatching, they probably still tinkered with them. Making sure the hatchlings that were born would be able to breed more and were born right, strong, and the proper future of their people. There were still probably live births happening at the very start during the transition, but magic and psionics probably sped this process along - even if it was probably very traumatic for a lot of newly annointed githyanki. Jumping from being experimented on by illithid in slave colonies to experimenting on yourself, and by your ghustil on order of your Queen? Fantastic. Just brilliant.
Fast forward to now and the githyanki genitalia are mostly uniform I think. Much more so than when they first gained their freedom and called themselves githyanki.
I think there's probably still some differences. Like genetic anomalies. And also that the atmosphere/plane etc of long-term creches can have influences on their hatcheries/eggs. Say a creche on a completely different material plane to Faerun's, or it's near like somewhere with intense psionic or void energy. I think things like that could (and do in canon!) have definite changes on physiology. (NOTE: I also like thinking about this in regard to things like skin-tone, texture, spot pattern, hair colour, face shape, accent.....the list is endless lol)
Okay. So. Without further delay here is my OC Tuj'da to model his bits for you :3
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Notes:
some githyanki have less/more slits. Less is much less common as three is standard for efficient egg-laying.
all sexes can lay eggs
their shape and layout can look unique/different. eg, longer, smaller, more protruding. Think like different penis and vulva shapes. (Note: I took a lot of inspiration for the shape of their genitals from Art Deco shapes and style lol)
much like the older generation githyanki slits if they had them, they widen when aroused, and also when carrying eggs and to lay them
some githyanki are more sensitive in their smaller/egg slits than their main slits
their is sexual dimorphism between their genitals usually, but that can only be seen when aroused.
their cock positioning can be different too from where it comes from, and folds up and inside the githyanki. Lots of githyanki can control the length of their cock by using their psionics, but does require significant concentration and skill
very sensitive at the middle of their cock so some of them like to shorten it to cover that bit up to last even longer sometimes
they can be fucked with their cock tucked inside. It's uncomfortable for some, for others it's the best thing on the menu.
very short refractory period, if at all
they cum a lot. It tastes kind of sweet.
(after Vlaakith's sterilisation and population control is dissolved) fertilisation often requires psonics of some sort
I'm undecided on this, but for such a violent race that rape and also enjoy consenting sexual violence, I think maybe they'd also evolve/keep/develop the small spikes in their ridges that they can make pop out at will to embed into their partner. These ALSO come out from the ridged skin inside the sheath, not just the cock :>
their skin in general is rougher, tougher than other istik races so can take a much rougher fuck, and I think a willing istik's first time with a githyanki partner, there might be a bit of adjustment for...soreness lol
I haven't got many HCs for their actual fertilisation, their eggs, pregnancy etc as pregnancy etc can be a bit of squick for me, but most other things around it and eggs etc are okay. So I haven't thought too much about the actual way they GET egged up, lay them, fertilised etc. Maybe that's for another day.
For now, hope you enjoy these HCs! Some of them may change/I may adapt them as I continue to write the githyanki, but I feel like I'm happy with most of this!
Feel free to use any and all if you enjoy them <3! Thank you for reading and getting this far, hah. I just love the githyanki so much, they bring me so much joy. And I hope they do to you too.
-Des
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calypso707 · 6 months
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Astarion x Fem!Tav bard : Fruit of The Poisonned Tree
Intro : Every day, she longed for his touch, his lips against her skin, his voice in her ears, his whole being.
Tags : 3rd pov for this one because i'm more comfortable with it, few chapters comings, this story will be mainly romance I guess, risk of spoilers about Astarion, ascendant form coming..
I hope you’ll like this first chapter, enjoy ! ~
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Chapter 1 -
She missed her home at Baldur's Gate deeply. Although the majority of the inhabitants were humans, she had always felt at home there, with the river Chiontar within easy reach. For a bard, she had risen quite successfully and was well liked by the populace and the local lords, often performing at balls and other festivities. What she missed was practising her music on the riverbank, singing to the Blushing Mermaid from morning till night without her vocal chords weakening. She missed the simplicity and comfort of her past life. Quite simple. And in just a few days, it was all gone.
She had been kidnapped by mindflayers, had an illithid larvae inserted behind her eye, survived the crash of their ship,had fought gnolls, goblins and other creatures and now she was sleeping under the stars surrounded by odd companions. A few details aside, that was all. Normal people would have spread this over several months. She was still trying to figure out how she had managed to survive this far.
She looked towards her companions who were surrounding the campfire a few metres away. She had isolated herself, as she like to do, to be alone with her thoughts. Her eyes passed over each of her companions, starting with Lae'zel, a gith she had met aboard the nautiloid. However grumpy her nature was, she had shown unfailing loyalty and was a great ally. She had also crossed paths with a cleric and disciple of Shar by the name of Shadowheart. Then she met Gayle, a magician, in the funniest possible way. Wyll, nicknamed the Blade of Frontiers, son of the Grand Duke of Baldur's Gate who had made a strange pact with a devil, Karlach, a tiefling with a fiery temper and, finally, him.
Astarion.
Tav finally focused her gaze on him, comfortably seated on a wooden chair by the fire, his feet resting on a log. In his right hand he was holding a steel cup, and she could easily guess that the inside was some old brandy, the liquor he enjoyed the most. In his other hand, he was holding a book, he seemed to be absorbed by his reading. From time to time, Karlach teased him to include him in the conversation with the others. The bard tilted her head slightly and squinted her eyes to read the title engraved in gold on the cover of the book, "The Curse of The Vampyr". She held back a smile at the irony of the situation and wondered about the veracity of the tale. Did he see himself in what he was reading? She was curious to know exactly what the manuscript was about - was there anything new she did not already knew?
Her gaze followed the curve of the vampire's arm to focus on his face. His perfect face lit by the dancing light of the fire in front of him. She caught a glimpse at his fangs as he silently read parts of the book, her eyes detailing his perfectly shaped nose before finally coming to rest on his eyes. It was as red as the blood itself, and it pierced her soul every time he looked at her. She felt her heart skip a beat - she had never imagined herself becoming allied and close to such a creature. She had never seen anyone like him. He was dangerously charming and eloquent beyond compare. He was quick-witted, mischievous, teasing and delighted in the misfortune of others. He had a penchant for manipulation, lies, expensive alcohol, art and poetry. And she cursed herself for being drawn to him. Because she knew the influence he could have on her. He was the devil on her shoulder who drove her to commit terrible sins.
It took all her strength to stop staring at him like that, and she returned her attention to the violin at her feet, her fingers brushing the strings. Music was her magic, but it was so much more: it was also a sign of power. A power that could keep battles alive, make heroes eternal, but also shatter reputations and turn cities to pieces. She took a deep breath, as if to restore her own self-confidence, and picked up her musical instrument to return to the others. As she approached the campfire, she realised that everyone had already gone back to their occupations, except Astarion. The vampire looked up from his book to examine the young woman for a few seconds; she could not tell if it was the firelight that was having that effect, but a strange glint shone in his eyes. He stopped reading completely as he closed the book and locked his hands against his chest, still looking at her as she awkwardly sat down at the opposite of him.
"Interesting book? Did you learn anything new?" asked Tav, grabbing a half-full cup from the ground at her feet. Bringing the cup to her lips, she took a big gulp and immediately regretted it, repressing the urge to wince. From the strong aroma of the alcohol, she guessed that it was Chultan Fireswill.
"Surprisingly, no," he sighed. "I was expecting to learn something unusual, so I must admit I am a little disappointed," said Astarion, shrugging his shoulders.
She smiled at his answer, her eyes glued to the flames waving in front of her. The fire was blocking her view of Astarion and it was no bad thing, given how easily she lost her composure when she was alone with him and he liked to take advantage of that. She was glad there was this barrier between them.
"Now, darling, are you trying to run away from me?" asked Astarion. She was able to guess the mischievous smile on his lips. She barely had time to reply when she saw him rise from his chair, walk around the fire and come to her side. He held out his right hand, the other resting casually on his hip.
"All this brandy and small talk whetted my appetite. Shall we ?"
Tav lost herself in his crimson eyes for a few seconds before finally grabbing his hand to get up, leaving her violin on the bare ground. The vampire quietly led her to his tent, which she entered. It was not the first time she had entered it, but the smell wafting through the small space made her heart throb every time. Brandy, rosemary and bergamot. She looked over her shoulder at Astarion, who was closing the entrance to the tent with his agile fingers before returning to her. His fingertips grazed the crook of her neck, a shiver running through her body. He gently wrapped the long braid around his arm as he positioned himself behind her, applying gentle pressure to tilt her head back.
"I have waited for this moment with great patience," he said hoarsely.
Tav tried to calm her breathing, excitement and apprehension gradually taking over her body. She hated as much as she enjoyed the effect he had on her. Astarion tugged gently once more on the braid to tilt her head to the right, exposing her neck completely. He lowered his head, inhaling the scent she gave off before placing a chaste kiss on her sensitive skin. He slidded his other hand up her stomach before touching her breasts, grasping the lace of her corsage with his fingertips and pulling it with a calculated, disconcerting slowness to reveal the birth of her breasts. She half-opened her mouth, her breathing getting heavier and heavier.
"Stop playing that little game," she said. "Be very, very quiet, darling. You do not want to wake up the others" he answered, teasingly.
He then began to place another kiss behind her pointed ear, before placing another one against her neck. She felt something cold brush her skin, she guessed it was his fangs. This was followed by a stabbing pain that radiated throughout her neck. It was not the first time he had fed on her, but each time the ache surprised her. She leaned her back against his chest and placed her hand on Astarion's, which was resting on her breasts, intertwining her fingers with his. She listened to him feed, closing her eyes. Each of his sips, each of his breaths sounded like a melody to her ears. For her, this kind of moment was just as sensual and intimate, it brought them closer in a different way and that was what she enjoyed. Every day, she longed for his touch, his lips against her skin, his voice in her ears, his whole being.
﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏
thank you so much for reading this first chapter, i hope you liked it! I've published the rest on Ao3 : Fruit of the Poisonned Tree. I'll mainly be posting my OS on Tumblr!
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podcastenthusiast · 7 months
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Astarion/Karlach. Act 1 conversation after some questionable choices.
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Someone approaches you at camp. You're a little on edge about this, tense despite the growing bond with your companions. The memory of the gith's sword against your neck is still fresh.
"Hey, soldier. Got a minute?"
It's Karlach. You relax.
"For you, my dear, of course."
She sits down beside you. You can feel the apprehension and ambient heat radiating from her skin. She picks at a loose thread on her shirt; you wonder if she's going to ask you to repair it for her. She always gets distracted mid-stitch or sets the fabric alight.
"You seem different," she says. "Since we've been here. Since you, uh, consumed that tadpole. Not sure I like who you're turning into lately."
"Worried I might be at risk of sprouting tentacles? Darling, I didn't know you cared."
She reaches out as if to playfully punch your arm, but catches herself, sparing you a nasty burn.
"Shut up. No, it's not that. It's just... You enjoy it, huh? The power it gives you. Power over other people. Toying with them."
You do, honestly. It feels good to be the one giving the orders, for once. And you need every advantage you can get with the odds stacked against you. You need to understand and control your new Illithid abilities before they control you, or Cazador does. An army of crazed cultists could be a useful asset if it comes to that.
But Karlach doesn't sound so happy about these developments.
She shouldn't have let you into her (figurative) heart. All you know how to do is break them.
"Well, how could I not? It's so easy to manipulate those brainless goblins. And we both know I detest hard work."
She frowns. "Nah. See, I think there's more to it. Getting your way and having a little fun at their expense--that's one thing. But I watched you torture someone, no tadpole required. So c'mon. Real talk, Astarion."
Ugh. You're starting to hate when she uses your name instead of a silly moniker. It means she's serious. Or cross about something. Or both.
"Fine. It makes me feel strong, all right?"
"Well yeah, I figured as much. Dig a little deeper."
Karlach will be the death of you, you think. Maybe that one will stick and she'll cry at your funeral. Good. It would serve her right for prodding so much. Trying to see you, and not just what you want everyone to see, either.
"I haven't felt anything even close to this strong in 200 years. You don't know what that's like. Suddenly I have authority. I can impose my will over others, force them to obey. With Cazador, I was so...powerless. Now I'm not."
She shifts uncomfortably. "I mean, that's great and all. But is that what you really want? To be like your old master?"
You bare your fangs. "I am nothing like Cazador!"
She raises her hands placatingly. "Whoa, hey! At ease, soldier. Didn't mean to hit a nerve. I'm sorry."
She looks at you a bit like you're a wounded animal. It makes you want to lash out even more. Instead you take a few deep breaths, the way Lae'zel once showed you during a sparring session. Harness your body, and the mind will follow.
"Finding that druid Halsin. Seeking the hag's help. Githyanki purification. The search for a cure is what brought our merry little band of freaks together, isn't it."
"...Yeah, I suppose," she says slowly, not quite sure where you're going with this.
"What do you suppose happens to me if we do find a cure?"
"I don't know. Who can say where any of us will be?"
"Take a guess. Lae'zel returns to her queen, Shadowheart completes her mission, Gale goes home to his beloved Waterdeep, Wyll carries on saving kittens from trees or something. And yours truly?"
"You could always come with me," Karlach says, a sentiment as absurd as it is sweet.
"No parasite means no freedom," you tell her. "Nothing to stop Cazador taking me back."
"That's where you're wrong." There's an intensity in her eyes. Not the familiar fiery explosive battle rage, but a calm controlled burn. "You helped me at least thrice over. Even if we never find a way to cool down my engine... Said I wouldn't let anyone hurt you, and I meant it. Your demons are my demons."
You look away, your throat suddenly tight, a confusing mix of fear and gratitude swirling in your gut.
"You don't know what he's capable of. You'd be a fool to do that for me."
"Psh. Who says it's all about you anyway? Maybe I just personally want to set the old bastard on fire. Sounds like he has it coming."
You laugh, and your chest feels lighter than it has in days.
"Right you are, Karlach."
"And for what it's worth, you know...I think you're pretty damn strong no matter what."
You don't agree. But it's a nice thought all the same.
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invinciblerodent · 2 months
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today I spent a good two hours or so on making everyone little personalized pouches of "sentimental" items :)
(I don't think this game was intended to be played the way I play it)
the first is Iona's, that's a bit of an.... eclectic collection: I like to decide on one or two things the PC might collect as I play them, for her it ended up being sentimental jewelry and love letters (Petyr collects poems and songs, and Arvid collected romance novels)
Astarion, I have carrying a few poetry books and "novel drafts" (the saucier and more embarrassing for its author, the better- I think he'd be far more interested in the handwritten, horrible, ridiculous porn than any of the legit, published smut we've found), some of the texts from Cazador's mansion, Chessa's practice sword, Mamzell Amira's hand mirror, and a vial of blood (as, like, a lover's favor bc it's the SENTIMENTAL pouch, we're SENTIMENTAL here)
Jaheira has her husband's letter (she's wearing his amulet), the Harper pin from her home, and a couple books on the Bhaalspawn crisis, the Harpers, the Guild, and Nine-Fingers- I like to think that she's kinda "all business" about it
Halsin has his own journal, the Shadow-druids' letter to Kagha, the carved staff we found on a dead druid in the Shadowlands, a book on illithid anatomy, and since I don't have his pipe in this playthrough, I just. let him have all the drugs we've found
Gale has every book I've kept on Karsus, the Weave, the different schools of magic, and all the other powerful and/or mysterious books I could find that aren't quest items (except for the Annals of Karsus)
Karlach has a little regiment of stuffies, a hand-drawn treasure map (Adventure! Yay, X marks the spot!), all our infernal stuff, and a book about pub crawls in the Gate
Shadowheart naturally has all the Dark Justiciar- and Selunite stuff we've found (a prayer book, the spear, Aylin's brooch she never asked for back, and a Selune idol I've been holding onto since act 1)- I sold the Sharran stuff and the Shar idol to the first merchant we found in act 3, might get her a diamond to put in there too
aaaand Wyll has his dad's diary and cudgel, a book (and some dirt) on patriar families, the toys from that one vault in the Counting House (which, I mean, might as well be his), and a dagger called "Worgfang" that gives advantage against goblins (because MAN he's bloodthirsty against goblins in act 1).
I haven't gotten Lae'zel back or gotten Minsc yet, but I've put aside all my gith-specific weapons and armor for Lae'zel :) (I dunno what I'm gonna give Minsc. Maybe he'll just get some cookies or something, I don't know)
Are these a useless waste of carryweight? absolutely. do I nevertheless find it very necessary and delightful? also yes.
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blackjackkent · 1 month
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The guards inside the creche entrance round on them with startling rapidity the moment they show their faces.
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"Sentries! To arms!" one of them snaps. Her eyes fix on Rakha in a sharp glare like that which she has often seen in Lae'zel's expression. "Istik. State your purpose - quickly."
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"Stand down, gish," Lae'zel snaps back, equally sharp. "Is it not Vlaakith's command to welcome her faithful?"
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"I expected no visitors, faithful or otherwise," the guard says coolly. "Why have you come?"
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Rakha's eyes narrow warily. The antagonistic tone sends a flicker of irritation through her, something that could easily spiral into something more. But for Lae'zel's sake, she keeps her tone even with an effort of will. "I was infected by an illithid," she says. Little point in dancing around the subject; Lae'zel has made it clear that this is something the gith know of already - along with how to deal with it. "And was told to seek a githyanki creche."
She waits for the gish to direct them - but instead, the other woman's eyes widen and her mouth sets in a thin line.
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"You are infected?" She spits the word out like a curse. "A ghaik thrall is something to eradicate, not reason with."
Her hand is already going towards her sword, and Rakha feels her pulse start to thump in her temple with the sense of impending battle. But Lae'zel's voice cuts across the moment, shattering it.
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"The faithful may be purified!" she snaps. "This is Vlaakith's protocol!"
(A/N: I remember being a little baffled by this on my first playthrough - that Lae'zel seems so confident about this while it seems like literally every other githyanki clearly already knows the score. It makes sense for Voss to be like 'nah actually you're gonna die' - he's already rebelling against Vlaakith - but even this random guard goes straight past the cleansing concept and straight to 'time to eradicate this thrall.'
I find it kind of interesting tbh.
On the one hand - clearly this is partly a manifestation of how young Lae'zel is under all that confidence. The implication seems to be that yeah, it's hammered into you in your training that you need to report to a ghustil and get "purified" if you're ever infected, but that once you're actually out on duty it becomes an open secret that "purification" is just another word for death; Lae'zel just didn't happen to get that far before the nautiloid picked her up.
However - this leads to other questions. How are there not more rebels, if it's common to reach a point where you realize the purification lie is nonsense? What is the party line within these more adult units? Alternatively - is K'liir unique (and uniquely cruel) in framing it as a salvation, and every other creche treats it like a necessary sacrifice on behalf of the greater group?
IDK, I'm getting rambly here but it's intriguing to ponder. The whole creche sequence, if I'm honest, isn't always entirely clear in its writing, but if some of the minor holes are extrapolated I think it gets kind of interesting. :D )
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The guard stares at Lae'zel for a long moment, reading her expression very carefully. Then she nods slowly, her lip curling with evident disdain. "Chk. Fine. Let the ghustil carry out your fate. Report to the infirmary at once."
Her eyes move over Rakha and the others briefly, then back to Lae'zel. "And step carefully. Creche Y'llek watches you."
-----
"She did not expect us to request purification," Rakha mutters matter-of-factly as they walk on further into the creche.
"I know," Lae'zel says curtly.
"You said it was a protocol. A standard procedure."
"It is," Lae'zel hisses. "That she did not honor it is no fault of mine."
"Voss also did not."
"Voss is a traitor. Should I find him again, I shall feed him pieces of his own skull."
Rakha tries hard to ignore the way the beast in her head shivers at this mental image. "But why do they deny it?"
"I don't know!" Lae'zel snaps at her; her voice whips out like a weapon, sharp as the blade on her back. "These inane questions serve nothing. Let us find the ghustil and finish matters."
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tobeconsumed · 1 month
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I don't think I'll ever stop thinking about how day one of this illithid mess, Lae'zel (raised in gith society and extremely anti-mindflayer) gets a fucking mindflayer parasite in her brain that will TURN HER INTO ONE and (in her mind) is now responsible for getting not only herself, but also the rest of these idiots/unlucky victims to a githyanki crèche so they can be un-mindflayered (whether she's actually the leader or not) and nobody is listening to her. Also her people just want her to kill herself bc of it. It's literally the worst day of her life.
Astarion, however, basically woke up (hundreds??[of] I'm not an expert on Faerûn geography) miles away from his abusive master with a neat little thing in his head which makes it so he is no longer under said abusive master’s control, can control other people, and also he can do a bunch of shit he couldn't do before. Crossing running water? Entering establishments/homes? Going out in the sun? Drinking from "thinking creatures"? No problem at all. This is the best day of his life.
And I do not ship them or anything but I do think it's hilarious that they are the only two that will just fuck each other if left to their own devices.
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cellphishthekaiju · 4 months
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Crackpot Theorycrafting: Prince Orpheus is the son of Gith and Zerthimon
I know I'm quite 'late' putting this out but I needed to let it ruminate for a while longer. To preface, there's very little evidence in Baldur's Gate 3 and even Dungeons & Dragons lore, as a whole about who Orpheus's father/sire was... so this theory is almost entirely conjecture and brainrot.
Don't take it as anything solid, this is just the ramblings of a lunatic with nothing better to do with her time.
Also, (obvious) spoiler warning cause it mainly uses stuff from Baldur's Gate 3's story. Most information is sourced from The Forgotten Realms wiki as it's the most 'decent' source of D&D info for me to find relatively quickly and be accurate.
Anyway, on with the show.
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Baldur's Gate 3 establishes some 'certain' things about Orpheus's connection and role within the githyanki lore (and D&D lore) as it is nowadays.
For those who are not in the know, the 'gith' were a slave race to the Illithid Empire but thanks to the strength and collaboration of Gith, Zerthimon and Vlaakith, they fought and gained their independence and brought the Illithid Empire to its knees but were soon wrecked by a civil war, called the Proclamation of Two Skies, that tore the gith race into two distinct factions/culture; the Githyanki (gith who followed Gith and Vlaakith) and the Githzerai (gith who followed Zerthimon).
The first time you meet Orpheus, some interesting things are immediately noticeable about him, starting with the gith himself(ignoring the infernal chains, that's a different story). Orpheus exhibits attire, body art, and a beard that is characteristic of the Githzerai and even his in-game class is that of a Monk (as well as his honor guard). What's this have to do with his relation to Zerthimon?
Githyanki don't look and dress like this and, to be honest, Orpheus's whole 'drip' looks more like Githzerai 5e art than Githyank art.
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However, Orpheus identifies himself, quite confidently, as a Githyanki (and BG3 gives further 'evidence' of this through some of the endings, when he departs on a red dragon), so I suspect he never actually spent time with the Githzerai yet has chosen to embody the philosophies of an important role model... which had to be Zerthimon, before the civil war. Very flimsy proof of fatherhood, I know, but it makes sense in my deranged mind.
But Lae'zel says githyanki reproduce asexually. Sure... as far as she knows. We have no real 'facts' if the information Lae'zel was taught (all controlled by Vlaakith, mind you) was right, wrong, or only partially correct. Perhaps they can but if that was their 'primary' form of reproduction, I feel like the githyanki would be nowhere near as diverse-looking people as we see them... but that's just applying logic for the sake of my own headcanon.
Anyway, given that we have no real confirmation of event timelines, I also assume Vlaakith I is the one who imprisoned Orpheus in the Astral Prism after he rebelled against her in retaliation for trading Gith to Tiamat. (a slate inside the prism itself states Vlaakith I was the one who commissioned it's construction and, assumedly, the shackles as well, given their infernal design), which would suggest Orpheus was around/existed before or during the civil war, at least. There's not reason I can think of Vlaakith, any of the Vlaakith's would permit him to persist to threaten her reign plus his useful ability served her greatly.
Well, I hope ya'll enjoyed my insane rambling. If you'd like more, just let me know. I'm always open to suggestions (doesn't even have to be BG3 related).
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vikintor · 3 months
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Notes about my character design: confessions, how and why Githyanki influences my work, personal experiences, silly ideas, My games, and more I guess
If you don't follow me and just found this I have something to say first: Be welcome, hope this text doest sound pretentious, I'm Vikintor, I made some obscure games (Teocida, Tamashii and Estigma), they're available on Steam and consoles as well.
You might notice that my "original" character designs are being heavily influenced by the Githyanki these days, especially their "classic" designs from Fiend Folio to "Rise of the Githyanki" published in Polyhedron and "Knights of the lich-Queen" in Dungeon Magazine, and of course, mixed a little with what I call "modern" design (I also like how the Githzerai give me Jedi vibes, yes, Jedi from Star Wars). The less human it looks while maintaining some human proportions, the better. And that's why I love the old "classic" alienish designs the most.
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Why D&D Gith's?
Confession time; I never really cared that much about Dungeons & Dragons before I discovered the Githyanki, and they're the only race in D&D that I actually care about, especially for the storytelling and roleplay possibilities based on their lore. As someone who favorite character designs ranges from D'vorah from Mortal Kombat, Undyne from Undertale, to Lilith from Diablo, liking the look of the classic Gith was easy for me, and boe they are rad.
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Quick context on who they are (you can skip if you know them or don't care):
Githianky are a D&D race know as humanoid creatures (mostly gray, green and yellow skin toned) with a rigid militaristic background. Raised to serve their Lich-Queen and destined to die for her (and by her, but some don't know that part). They were slaves of an illithid empire in the past and after being led to freendom by Gith (A woman named Gith, there's no Gith races before her), their race was splited in two; The Githyanki believes they are the real children of Gith and the Githzerai believes the Githyanki still slaves, not from illithid but the queen. plus: Githianky live in cities build on the corpses of fallen deities (that's metal).
Most of the Githyanki are considered evil, as some go on raid campaigns to steal from another planes (they love precious stones and gold, and they can be seem as pirates, but instead of ships they ride red dragons thanks to a pact made with Tiamat). Their complexity creates a bunch of What-If scenarios that I'm interested in: like; did you know that religion is forbidden to the Githyanki (Only Lich-Queen Clerics are permitted), but many of them secretly worship other gods. And how crime and punishment works on their society (kinda don't works at all, so a lot of them are afraid to look for justice), and how Githyanki monks exists in their society but faces prejudice (Githaynki monks are often seem as Githzerai spies), And you have stories about the Gith rebels that believes the Githyanki and Githzerai can be unified as only "children of Gith", as the same time their leader is way too controvertial and self-centered, and how some of these rebels befriend humans (which is a taboo), or how their society hates every non-Githyanki but are polite and refined among their own kind, which is often confusing and complex as they are known for their aggressive propaganda among themselves and how they kill each other during their insane militaristic raising. They also often do parties, play and write songs and have fun, there's also half-Githyanki/half-dragons superwarriors created in a secret experiment led by the Lich-queen (those don't care about the Githyanki society and aren't friendly to them), and them you still have the Githzerai (neutral Gith monks that despise the Lich-Queen and have their own society and traditions) and the Githvy (rogue Gith's that aren't Githyanki or Githzeray, who often tries to live among other races).
Ahh?
Of course I don't know everything about them and maybe there is some misinterpretation on my part, some of the content was created over the years and unfortunately most of it was never published or translated into my idiom, so I have to translate it myself, but I'm not writing this to convince people to like them as much as I do. I'm sharing this to bring out what and how it inspired me.
So, what this have to do with me?
As someone who likes weird ambiguous characters and enjoys fantasizing with what-if scenarios; discovering that lore on D&D made me realize how much prejudice I had with D&D. If you say to me "This rpg race is totally evil or totally good" I can only answer: "Impossible. Individual characters are more complex than that, I want to explore the exceptions". If all are evil, I want some trying to discover what means to be good, and want some to fail miserable, and want some to learn something from that experience, if they're all serious, I want some to be silly and weird.
I'm far from a real writer (whatever that means), but I like fantasizing about atypical situations and writing about them, which is why I wrote neutral demon-like creatures for Tamashii and Teocida in the first place, even when I still lacked more maturity for that. I'm also interested in these exceptions in rpg lore and improving those aspects as I write about them, which is why D&D Githyanki inspired my current design.
But how it inspired me:
Just like many fantasy stories were created during sessions of tabletop RPG campaigns, I became interested in Gith-exclusive games thanks to discovering content like Fiend Folio and "Rise of the Githyanki" and "Knights of the Lich-Queen" (both Gith centred games focused on Gith players, with few exceptions), which is why I became way more obsessed with them. And damm, a videogame like BG3 having Githianky as a playable race is everything I hoped for (I'm not interested in BG4 if there's not a single playable Gith race. I just want to keep creating weird Gith girl characters and make them break things and form a band named Githgang), but I'm not here to talk about BG3, sorry.
So Gith's was my first inspiration to write my own RPG races with their own language, traditions, dogma, taboos, and designs. I think about how something like this could happen in the universe I've been working on since Tamashii. But I'm not going for something complex, but rather thinking about characters that I would create for my Gith campaigns could be another type of character if I create them in another position, another world with different laws, instead of just roleplaying as Githanky forever.
As I can't write Githyanki characters without it being some sort of fanfic (my fault for not going for something more common like wizards, orcs and gnomes), I still at least being inspired by them.
After reading a bunch to roleplay as Gith characters or just to fantasize about it, their personalities, and how they react to the world still something that is organically created while I'm assuming that character and playing around, this doesn't need to be bound to a specific lore. I'm being redundant at this point, but you get the idea, that's how the brazilian character Ozob was created in the 90's (He was a character created during a Cyberpunk tabletop RPG session, and then became an original character with books and merchandize in Brazil until CD Projekt Red got the rights to put him in the Cyberpunk 2077 for real)
Therefore, I can say that part of what may come in the future is the result of my experiences and inspirations with D&D mixed with all my other inspirations, such as H.R Giger, biomechanical horror, Screaming Mad George's style body horror, esoteric/exoteric references, industrial music and atmospheric, creepypasta, etc. It might be weird, or not, maybe a little silly or edgy as always, but I don't know what to do besides accepting the results, keep moving forward, and have fun in the process.
The first character as an Avatar:
"Astral of Latanael" still a working name for the first character I made inspired by Gith. The draft for her is: She is a Mhold'eze, a zombie-like servant bonded to her preceptor, a necromancer who serves as her mentor. Mhold'ezes inherit part of their master's powers and are often used as an extension of their master's will where they cannot be present, always receiving an important task, or mission as soon as they are born (like Feucirl and Pleroma of Teocida, except that Pleroma is not a necromancer). This is the first draft of the original character that I'm using as an avatar, but I do plan to work more on this silly lady and Latanael (her Necromancer) to include them in my game, or games, or more than that. It depends of what I decided.
Ok, just a quick look on how Astral looks right now, before I made more changes.
Congrats if you read until here, I'm surprised if you really read more than 1500 words of some weird dude talking about why silly D&D "pirates" inspired him to keep creating more silly weird angry girl characters.
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mongoose-bite · 5 months
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She's so beautiful. And yeah, I got her the Blood of Lethander, despite it taking ages, cause I couldn't find a battleaxe until someone told me there was one in front of the guardian. I had Gale use mage hand to grab it. Got the mace, left, remembered we'd used Shadowheart's mace to solve the puzzle and had to go back and retrieve it. I play BG3 like I play minecraft; constantly forgetting to pick up shit.
That gdilf dragonrider gith showed up again, and then a genuine celebrity, Elminster! In a rare moment of unity, I truly love how the entire party's reaction is 'fuck that,' to Mystra's plan. Even Asterion, which is a relief. Faye doesn't need him to like her, she's content with him making friends. Everybody loves Gale. I suspect he's been giving everyone magic lessons, and good for him. Although, does he offer to do so if you're a wizard too? That would be very condescending.
We went to the shadowlands and Asterion said he wanted to make a deal with the devil. I left him at camp and when I came back to fetch him, having located said devil, he'd come up with another brilliant idea; to rule on high as tadpole monarchs. He does raise a good point about the sheer number of potential infected, and Faye will accept living with it in her head is preferable to dying or tentacles, so she'll humour his wild theory for now. He clearly finds this atmosphere intellectually stimulating, but I kind of wish he didn't as each idea seems worse than the last. If he mentions crypto I'm kicking him out of camp.
He disapproved (of course) of humouring the half-spectre kid in the abandoned house. Just shut up and bear with it; we're lucky no one got possessed or followed back to camp. Not that we could avoid it forever; now we have a new-minted orphan hanging around, although Withers seems to be taking care of her? I guess he never leaves.
Speaking of failing to avoid awkward situations, Wyll invited Faye to dance, and she had to disappoint him. He apologised the next day, using almost the exact same words as Faye did to Halsin. They're good now and Faye can go back to spending hours trying to figure out he dream-friend. He's so chill and relaxed and wants hugs now, but she knows she wears her heart on her sleeve; you can literally read her oath in a book. Saying the right things to her is pretty easy and she knows it.
So. The artifact is gith, if it's an illithid inside, why didn't they just say so? The implication from the gdilf is it's someone else, probably the prince. Is the dream visitor not in the artifact at all, and just taking credit for it? but if that was the case surely we wouldn't have been sent right to it by whatsherface? It makes our heads hurt. What has Shar got to do with this? Maybe it is a weapon against the Absolute, which seems to be the biggest threat here. Illithids = Absolute? Divinity doesn't seem their thing. 
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Halsin finally joined us, and Thaniel isn't actually a real kid, so he can hang around camp for a while. The party seems to be divided into two camps on our newest recruit: woof he big, and Shadowheart. Maybe he ate her cheese or something.
He's so nice? So calm? Doesn't guilt-trip you when you leave him in camp. Polite and grateful for all you've done. I need to get him some gear though, and figure out how to druid. Faye is very happy to have him around.
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I'm really curious about why you don't like freeing Orpheus, actually. Most people I see talking about this choice always does it
from a meta pov, pretty much anything that's good for the githyanki is going to be absolutely terrible for every other sapient species in the realms. they're (mostly) space faring fascists, raiders, and slavers with little to no regard for any life but their own. vlaakith is an evil tyrant, but her biggest pre-occupation is her own power and immortality, which means she culls her own strongest warriors - orpheus would see those warriors put to better use. after all, mother gith intended to conquer all planes of existence after defeating the illithid empire. with that in mind, i personally don't see an incentive to free orpheus at all unless i was playing gith or romancing lae'zel. i think i would have found the choice more compelling/difficult if perhaps the emperor did somehow betray you or turn out to be much shadier than he was, or if we saw a different (non-lae'zel) side to the githyanki that was anything but "it's slaughterin' time" and industrial strength racism. i found the writing a tiny bit lacking in terms of making it a tough or interesting choice.
from my main tav's pov, who may or may not be *ahem* easily swayed by the emperor, it's a nonsensical choice from every conceivable angle. firstly, every single gith bar maybe lae'zel and to a less extent voss has been wildly antagonist, from slaughtering refugees/fists/civilians indiscriminately, to hunting the relic, to the purification fuckery - all of it just awful, terrible, etc. there is absolutely no way on god's green earth he'd even think for a second to was a good idea to betray the person who has demonstrably been 1) protecting the gang and 2) working with the gang towards a mutual goal, just to free some fuckin random dude you've heard nothing but vague propaganda about (from both sides). a free orpheus might help, or he might just kill everyone like his kin have been doing the whole game. he might help, and we all get squidded anyway because something happens to him. like, the emperor is right there and has been "trustworthy" thus far, so why take the risk? evil insane space frogs oppressing each other is NOT his business, no matter how much he loves lae'zel. that's my main tav's thinking, anyway.
of course none of this is to say it's wrong or bad to free orpheus or to favour that choice, it's really just a matter of preference in the end.
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gothyanki · 6 months
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choose your fighter
By which I mean I am choosing which incredibly self-indulgent BG3[-adjacent] fic I want to continue writing once I'm further ahead with current research work:
Gith/Vlaakith I fic about their first [pyrrhic] victory against the illithid empire (in which everything is awful, especially them and their relationship);
Vin/Karlach fic where they are learning how to play with power dynamics and also how to stay in bed for a little while after waking up;
Vin/Voss githyanki power play inappropriate-use-of-psionics fic ft. authority and control issues all over the place.
All of these will get written, for my sake if not for anyone else's. But what do next?
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des-no9 · 7 months
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on Gith, Vlaakith 1 and Zerthimon
My mind's been whirring a tonne about the og trio the past several days because of @gothyanki and @nothingimportantanywhere so this is all thanks to them, their ideas and I just need to write some of this down.
It mostly stems from our desire to make more of Gith, of Vlaakith 1 and why she did what she did rather than the classic FR evil because evil.
However, thinking more on my githyanki language of love and affection and how too that impacted on their culture, and how they could have been, once, a more family, emotionally connected and caring within eachother, race.
During the uprising and gaining their freedom from the Illithid, I HC that Gith, Vlaakith and Zerthimon grew close and worked together for their people, becoming these revered figureheads for everything they achieved.
Gith the charismatic, powerful, furious leader; Vlaakith almost devotion to her, initially. A quieter presence of the three, but intelligent, scheming - close to what the githyanki of today see as gish (assassins and spies). Where Zerthimon was a balance between the three. Strategist, speaker. And they were all messily in love.
They formed (what they thought) unbreakable bonds between the three of them from the strife, the pain. Enduring slavery, breaking their shackles, and becoming their own people.
And then once freedom, the purpose of gaining that freedom that bound them all together is no more and changes. It's something else now. Survival; beginnings; hope; creation; domination; power; celebration. Whatever it means, not all three of them end up sharing the same vision. Because going through something like that changes you, irrevocably.
And some point through it all, there was Orpheus.
And for me, I think he could have been a catalyst for a lot of the breakdown of the three.
I like to HC that he's the son of Gith and Zerthimon, and initially while gaining their freedom, he was raised between all three, but when they saw he'd inherited his mothers powers too (they'd desperately hoped. I think this is a big reason maybe why Gith had a child. A failsafe, just incase the worst happened to her and there would be someone else to carry on where she left off) Gith and Zerthimon started to train Orpheus to hone his skills and powers so he could be the heir Gith wanted.
And Vlaakith watched most of this from the sidelines, feeling more like an outsider everyday. Resentment building that she wasn't, and couldn't truly be part of Orpheus in the way Gith and Zerthimon were.
(I need to be inside your son the way you are, my lover, but can never be. Vlaakith a little unhinged. Gith and Vlaaktih the original toxic yuri write that down)
She helped train him too, but Orpheus preferred his fathers skills and ways, and what psionic power Vlaakith had paled in comparion to Gith's. She was a shadow to so many, but she never expected she'd start becoming one to the two most important people in her life.
(re Orpheus knowing about both his parents: I'm unsure how explicit I want them to be about that with him or how much he or they cared to tell him the specifics of his dad. I think it's pretty obvious, but the significance of them being a 'unit' rather than just, Zerth being an imporant 'figure' in Orpheus' life idk. I'm fully on board with (fuck) Boy Prince Orpheus era where he's a little high on my power and status lording over all you losers. But that comes more once Gith's ascended the throne)
Anyway. So post-freedom, post Gith on the throne and Vlaakith becoming her right hand, Zerth doing his thing and they kind of....really started to fracture in their ideals and ways.
Gith became obsessed with never being a slave to anyone again. That fear drove her almost mad, I think. And so did Zerthimon turning away from her own vision, especially since they shared a son. He was the future, the security, the power and promise of their people, of her vision, and freedom.
She saw it as a betrayal. As him lying down and quashing that rage he should feel after all they'd been through. Why aren't you angry, why don't you want to rage across the endless and all after what happened to us and rip apart the planes which are now ours?
He tried, consistent at her side to sway her. But the uprising had changed her. Broken her in a way he'd been too close to see. Now stood back, the cracks were like maws.
Vlaakith stood fast by Gith during the civil war. If she doesn't want you anymore, Zerth, then she'll only have me. But Vlaakith's jealousy over Gith's power, how the people revered her, Orpheus - fucking Orpheus - and once more, Vlaakith was the shadow, the second glance, third.
(Orpheus' thoughts on the civil war are for another post because hoo boy that'll be a long one too)
Everyone wanted Gith. An audience, honour to view, to speak to witness their breaker of shackles.
Everyone took a piece, while Vlaakith was losing hers.
Obsessiveness consumed her to the point that 'if I can't have you anymore, no-one else will'.
So fast forward to their visit to Tiamat, and Gith being the offering for the dragons, and Vlaaktih sitting upon Gith's throne, becoming her.
I can't have you, so no-one else can-
I can't be you-
I can be you, watch me.
Then, with Oprheus, it's only sensible to her that she imprisons him. But that takes time. Patience. The shadows she's so used to, and ultiamtely, sealing Gith's power in a neat little box until that day she figures out how to consume Orpheus and his power for her own, and there will be nothing left for Gith then, but her.
Then from Vlaaktih, broken and bitter and twisted by so much, this bleeds and breeds and spreads and beats into the githyanki culture and the githyanki we know today, with so much less love, no family, empathy-
-just paragons of rage, power, hate, I take what's mine, I keep it, I am what I say I am, i conquer worlds, I conquer you.
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probablyevilrpgideas · 9 months
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I started thinking about Boris' story from the isekai I was posting chapters of here and what that story might be. Starting with who the necromancer who created him was.
I pretty much immediately decided it was a necromancer character i created awhile ago, and got a short chance to play, Kerila/Nisharven. They have a very distinctive appearance I created by melding together visual cues from xenomorphs, Yzma, The Sassomancer (props to @kadabura for such a cool character), and then added some of my own "way overthinking things" to, like how they actually style their hair like that. While Nisharven didn't have a particular race when i created them, Kerila was a githyanki.
I had recently watched a video talking about the Gith (tho i strongly disagree with Pointy Hat's taste, but then I'm an avowed xenophile, so), and decided i definitely wanted to use some of the Gith/mind flayer lore in Boris' backstory.
There's a small problem with that, but a fairly easily surmountable one- WotC claims the Gith and mind flayers as "Product Identity." Which is bullshit, because neither of them originate from D&D. The Gith were created by Charles Stross for a White Dwarf article, and the name was pulled from an old GRR Martin story. Mind Flayers are just starspawn of Cthulhu with the serial numbers and wings filed off. The Gith/Illithid war takes from a book by Larry Niven. So, I personally consider them fair game, since they represent a history of artistic theft. I just need to call them something different and make a few differences.
And given that I actually think about how fantasy species and cultures function, that's easy to do.
Which is a long ass prologue for what I actually am making this post to talk about:
How To Create Truly Alien Cultures
Mind Flayers are described as utterly alien in mind and body. They see themselves as the apex of life, superior to all other life, and as destined to rule the multiverse, creating order under their rubbery grasp.
They see "lesser" lifeforms as only fit to be food, brainwashed thralls, or, essentially, breeding stock. They believe that they are giving these creatures "a gift" when they eat their brains.
These two things don't fucking compute.
This "we are superior to you, and true order can only be found if you submit to our rule" bullshit is all too fucking human. If this is your take on illithids, they're not alien, they're Nazis with squids for heads and slightly more complex justifications.
But, I read up on the canon, because there's this inherent tension between "we eat brains" and "we reproduce by putting our larva in brains." I wanted to see what the existing lore was to see if I needed to square that circle. I don't. A mind flayer only *needs* one brain a month because they actually primarily subsist on the psionic energy of the brain. A mind flayer who can might eat one or two brains a week, but in general they eat a brain every couple weeks, along with other things, such as organs other than brains, which are like healthy snacks to them since they contain the non-psionic stuff their bodies need.
But the lore also contains the seeds to actually start making them genuinely alien.
Let's start with the thing I remembered and didn't need the lore to refresh my memory on- for an Illithid, the Good Ending of life is for their brain to be put in their home elder brain's pool to become one with it. Every Illithid, no matter their personal goals, unless they've gone rogue or something, is aiming for an afterlife where they become one with the ruler of their personal community. That is Illithid Heaven.
Now, the things I needed the lore to remind me of-
When an Illithid consumes a brain, they receive the memories, personality, etc of the person whose brain they eat. The mind of the victim is absorbed into the Illithid's own mind.
There is one major point of lore I discard, the idea that illithids have no gender and instead individually lay one or two clutches of eggs in their lifespans. Like, I'm here for genderfuckery, but if we're going to make aliens, let's fucking make aliens. Have the tadpoles spawn directly from the elder brain through budding.
This is how you make the "brain consumption is a gift" thing work from the mind flayers' perspective!
The Cycle of One and Self
Ok, so, first you have to step into the webbed, two-toed feet of a mind flayer. You value your individuality, but also long to return to the elder brain which spawned them. For you, your individual life is but a short time in which you serve as a node of the community, to accomplish its goals away from the pool.
Further, you absorb non-illithids into your number when you eat. You don't see the act of consumption as an end of that person, you see it as helping them ascend to be part of a greater whole, which you likewise wish to ascend to. Your brain and mind is a way station for those who were not spawned from the Great One and are not destined to become extensions of it through ceremorphosis.
Now, we can understand this way of thinking, from an academic sense, but it's substantially non-human, in a way that "you are lesser beings and must be controlled by us superior beings" isn't. It gives the illithids a philosophy and a pathos that a person can almost sympathize with, but not, because to accept that perspective, one must sort themselves into "food."
This isn't a whole genuine alien mindset, but it's a good start. A much better start than, say, "look they just do things that seem random, but that's because we don't understand them." There's a logic, however abhorrent or frightening. It actually makes internal sense and isn't just "this is a thing we don't like to think of historical human actions, so it seems alien to us."
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