I love your headcanons!
Why do you think Tommy has a difficult relationship with sex and how does that show?
Also do you have any more ideas about the emergency contact one? Like the first time they get a call from the hospital...
Yessss thank you so much for asking about those headcanons! I’ve been wanting to talk about these.
I actually just got another ask about the emergency contact and I’m going to go super in depth for that, so stay tuned!
But why do I think Tommy has a difficult relationship with sex? I’m so, so glad you asked. This is one of my biggest headcanons.
However! Please read with caution. TW: for a form of self h*rm involving sex, self hatred, and internalized homophobia.
Tommy was extremely closeted for most of his life. When he was at the 118, he couldn’t even accept himself. But at some point, he stopped being able to ignore it. For me, this might be when he realized he liked Sal (see my other post).
Now for some people, exploring your sexuality includes a *ahem* wild phase. To me, Tommy had two parts of this phase. The first one was…not great.
Tommy was a self loathing closeted man. He hated himself for being gay. He wanted to be “normal”. So when he stopped being able to ignore it, he thought he could “get it out of his system”. So he went to bars outside of LA (he wasn’t risking bumping into anyone he knew) and hooked up with any man who showed interest. He wasn’t picky. He was just more focused on getting out of this “phase”.
So he hooked up with a lot of men. And he didn’t care about himself at all. In fact, he out right hated himself every time. So it devolved. If something didn’t feel good, Tommy leaned into it because he saw it as punishment. He used sex to punish himself and to hurt himself.
I’m not quite sure about how he pulled himself out of it, but we’ll go with this. My idea is that he had a sexual partner who caught onto what was going on, that Tommy secretly hated something happening but refused to stop on his own. The partner shut down the event and when he called out, gently, Tommy on what was happening, Tommy broke down. The partner held him and listened to his garbled story and talked him through it. Instead of the hookup, they spent that night just talking, with the partner trying to get Tommy to see what was happening and get him out of the slump.
And it didn’t fix it. Tommy continued this pattern for a couple more hookups, but he started to get discontented and uncomfortable. Around this time maybe, the 118 got Bobby Nash and the dynamic started changing. Sal was gone and working with Hen, an openly queer firefighter, started to shift how he looked at himself.
So Tommy stopped the hookups and started working on himself. He couldn’t quite face himself still, but he worked on liking himself outside of his sexuality. He started laying down boundaries when he hooked up. And then he left the 118 and started therapy. He was ready to start over. He was tired of the pain and the self hate and the cycle he’d been stuck in for so long. He wanted what he’d seen others have. He saw Hen with her wife and he wanted a bond like that and he knew it could never be with a woman.
Skip forward all this time and he’s learned to be gentle with himself. He finally loves himself. He has embraced his sexuality. Maybe he’s still friendly with that past partner or maybe they never spoke again, idk. He’s had some relationships but nothing’s really stuck. Then he meets Evan Buckley.
He meets Evan Buckley and he feels the sun for the first time. And Evan is still figuring himself out and Tommy not only really likes him, but also wants to make sure Evan doesn’t make the same mistakes he did.
Does that answer the question? Let me sum it up.
Tommy used sex to punish himself and those were his first real experiences with guys. So even now, in healthier relationships and with better mindsets, he doesn’t do the hookup game anymore and is very shy of having sex too soon. He doesn’t have sex without knowing and trusting the person.
Y’all I have no idea if this made sense, but this is literally the premise of a story in my brain.
53 notes
·
View notes
No but serious. Dungeons & Dragons is one of the least flexible systems out there. So whenever I hear someone asking, "Why can't I do X in DnD?" or "How would I do (thing that the system is totally ill-suited for)?" my first response is just "GURPS."
For those of you who aren't familiar, GURPS stands for "Generic Universal Role Playing System." I always say it's like the Linux of ttrpgs, in the sense that it's less a system and more a framework that you can use to do whatever you want with.
And I really do mean whatever you want. You want high fantasy? Done. You want gritty realism in a dystopian world? Got it. You want superheroes? Good to go. Super tech space opera? Oh boy we got you there. You want magic systems that aren't based on spell lists? Go for it. Horror games where character death is a constant and very real threat? Sure thing.
You can set up your game to be anything from a complex data driven grinder to a cinematic rules basically optional flight of fancy.
You can play characters who are anywhere from realistically squishy humans to god-like super beings.
Characters personal flaws and strengths can have a direct impact on mechanics. Character species can have a direct and serious impact on mechanics.
The existence of so many options can make GURPS seem overwhelming at first glance, but if you are willing to put in a bit of effort, it's actually a very simple system to play. Most of the hard work is front-loaded into setting and character creation. Once play starts it runs as smooth as can be.
It's totally possible to play it with just the two core books, BUT there are dozens of books that are nothing but tips and advice for how to build a particular type of world or a particular flavor of campaign.
And the books, while not nearly as pretty as DnD books, are laid out in a way that makes it incredibly easy to find exactly the information you want.
Some more mechanical things that I particularly like about it (under the cut):
Characters are created on a point-buy system, but you don't just buy your basic stats, you also buy your skills, advantages, and secondary stats. And you can gain points back by dropping stats below average or taking disadvantages.
The advantage/disadvantage system. This is sorta the core of the character building, and it is *so* much fun. See, rather than pick out a class or species, you have a list (selected by your GM from a much larger list) of things you can buy that will have mechanical impacts on you in the game. Basically, an advantage is anything that opens up more possibilities for you in-game, and a disadvantage is anything that closes off possibilities. They can be superpowers, species traits, cinematic plot armor, personality traits, or things like chronic illness, bad temper, physical or mental disabilities, or being doomed by the narrative.
Simple dice system. To play a GURPS campaign you need three d6. That's it. All checks and saves are done by rolling 3d6 (low rolls are better than high). This has an additional advantage over the d20 system in that there is a probability curve. You're more likely to roll numbers in the mid-range, which makes both critical successes and critical failures rarer, and therefore more satisfying.
Your target roll is adjusted, rather than adding/subtracting from the roll itself. Say you're trying to, idk, hack a computer. Your skill level doesn't affect your dice roll, it affects the number you need to roll in order to succeed. This makes things a lot simpler on the player's end, imo, because there's less they need to keep track of. (You're trying to roll under the skill check, so whatever the base difficulty is, the GM just adds or subtracts your skill level from that).
The basic stats are on a much tighter scale, and they make a lot more sense. Human average is a 10 in everything. When you make your character you can buy higher stats or take lower ones and get more points to spend on other things. All stats cap out at 18, because that's the highest number you can roll. At a 10 strength you are a normal person. At 18 you're basically Superman. You'd have to roll a critical failure not to succeed in a strength check, and remember: critical failures are far less common than in a d20 system.
I could keep going ad infitum here, but instead I'll just close with:
Come with me boy, play my games! We'll have cowboy times in space!
29 notes
·
View notes
⬛⬛⬛ was seven years old when his mother died. He remembers being sad, mourning her sudden loss in the way children process death. He stayed by her bedside as she took her last breath, holding her hand and crying, begging her to stay. She loved him. She had spent her last moments making sure he knew that he wasn’t alone and never would be, as long as he could keep her in his memory.
He remembers crying out as her casket was closed for the final time, lowered into the ground. Something snapped in him and he was begging her to stay again, begging them to not take her away.
⬛⬛⬛ didn’t come out of his room for weeks afterwards. He sat in his room, cradling a photo of his mother in his hands. His father would leave food for him and he would eat it, never taking his eyes off the photo.
So when his father came home after only two months of his mother being dead, ⬛⬛⬛ was not what one would call happy. Even though he’d started going back to school a few weeks ago, he wasn’t ready for someone else to take her place. Nobody else could ever be his mother.
He got into an argument with his father that night. At seven years old, ⬛⬛⬛ decided that he couldn’t bear to live in a house with a man who could so easily replace the woman he claimed to love. He didn’t know where he was going but he took the clothes on his back, the photo of his mother, and some cash he’d been saving up and just walked out.
He made his way to the bus stop and got on, thinking about where he would even go. He wasn’t sure he could make his way to his mother’s family on his own, as they lived on the other side of the country, and he definitely didn’t want to see his father’s family. So he stayed on the bus as long as the driver would let him stay.
Eventually though, he did have to get off. It was sprinkling out, not enough to make him uncomfortable, but it was a sign of heavier rains to come. ⬛⬛⬛ made his way from the bus stop to a restaurant that looked like it was about to close, but still had the lights on and maybe they could give him some shelter from the rain, at least for a while. He stepped inside and stared at the workers cleaning up the dining room. They looked…concerned that a child his age was alone at night, especially in this part of town, one would say.
They asked him what he was doing out, if he lost his parents, if he was from the area. It’s not safe out here for kids like you, they told him. He doesn’t remember responding, but he must have because they shuffled him to the back of the restaurant to their boss and asked what to do with him. None of them could really afford to take a child in but he hadn’t told him where he was from or where his parents were. They suggested calling the police, but ⬛⬛⬛ started crying at the suggestion, not wanting to get them involved. I can’t go home, he told them, my father is a bad person.
The restaurant manager agreed to allow him to stay for a bit, giving him a meal on the grounds that he’d leave by the end of the week. ⬛⬛⬛ agreed, scarfing down the food like it was the best thing he’d ever eaten.
Over the next few days, ⬛⬛⬛ bid his time by doing dishes, greeting customers, learning to read from the menu. The staff treated him kindly, but they felt distant, unsure of what to do with him, though by the time the weekend came, he hadn’t figured out where he wanted to go. A few of the staff pointed him towards an orphanage in town, but one of the cooks slipped him a one way train ticket to a few cities over, somewhere he could get out of that area, a note attached with directions on where to go to meet someone who would take him in.
He held the ticket in his hand, scanning it as he walked through the station to the loading area, the note clutched in his hand. ⬛⬛⬛ was practically shaking as he entered the train by himself. A few adults asked if he was okay, if he knew where he was going. Yes, he said, I’m just not used to traveling by myself, but my uncle is going to meet me at my stop. That was a lie he’d rehearsed on the way there but they let him be. He had to fight himself to keep from falling asleep and missing his stop, but he must have succumbed to it at some point, as one of the adults next to him gently shook him awake as they approached his destination. He thanked them and hopped off his seat, getting ready to depart the train car and start his new life.
He stepped onto the platform and was greeted by a bustling crowd. It was overwhelming to say the least, so many strange people just going about their day. ⬛⬛⬛ made his way to the staircase where someone came up from behind him, introduced himself as the person who would be taking care of the young boy. He could call him “Priest”, as his true name was of little importance. He asked if the young boy had a name, which the boy muttered under his breath. When asked to repeat it, he said he wished to give up his name, as he no longer wanted to be associated with the person who gave it to him. The Priest agreed with him and said they’d find a suitable name for him soon enough. There were many names in the world, but for now he’d be referred to as the Prodigal Son, or simply the Son for short. The Son found this amicable and agreed to the change. He remembers wondering what that meant, as he had never heard of the word “Prodigal” before, but he would come to understand it in due time.
The Priest taught the Son many things, reading, writing, the history of Japan, things that he remembered being taught in school before his mother passed, but he also taught the Son many other things one would never find in a normal school. The Son learned the art of disguise, impersonation, how to manipulate his voice. Some day, the Priest had told him, he’d be called upon to use his gifts for the greater good. The Son, not knowing any better, accepted this and that his skills would be useful in the future.
The Son went through many identities in his time studying under the Priest. His hair had been cut, extended, dyed and bleached, his eyes were a dozen different colors and none of them. He could mimic any voice after observing the speaker for ten minutes. He went by many different names, though he always came back to the Son. In due time, he forgot his father entirely, but he carried the last photo of his mother with him in his pocket wherever he went. It made him feel at ease, as if she were watching over him from the afterlife still, protecting him from the harsh realities of the world. The photo had faded with time, the wear and tear on it having almost removed her face entirely, but the Son could still picture it perfectly. It had been burned into his mind on the day he watched her take her last breath.
The Son started University at age 17, younger than many of his peers in Japan, and he graduated at age 20. It hadn’t been easy, but he had honed his skills and developed them on the stage, playing off his talents as being simply that, talent and skill, not something he had used to bring about political upheaval in the past and likely in the future.
The Son had kept his distance at University though, going by another fake name and only attending the bare minimum of classes and extracurriculars that were required of him by the Priest. He had begun proper vocal training to learn how to sing, something that he had been told would be useful soon, though he had not been given the details, and further developed his voice by participating in several musical performances, though he still remained rather distant from the rest of the cast and crew, exchanging only the bare necessities of pleasantries and making excuses to get out of bonding time outside of scheduled practice hours.
The Son was a lonely man, and he knew this. He knows this. He is a lonely man. He was about to turn 23 when the Priest finally told him about his newest mission. Do you remember your father, the Priest had asked over the phone. No, replied the Son, not more than I need to, anyway. So you remember you had a father, and he had another wife after you left, the Priest continued. The Son hummed in agreement, Yes I ran away because of her, you know this. Of course I do, but I just wanted to make sure, Anyway did you know he had another son with her? What do you mean by another son? I mean that you are an older brother, and your younger brother needs help. I do not want to speak to anyone else related to that man. Oh but you’ve been training to help your brother, haven’t you, he dreams of being an idol, someone who sings and dances on stage like you. Theater performances and being an idol are two different things. Yes, well it wouldn’t exactly be easy to get you to train to be an idol with no intentions on debuting, so we had to make do. Why should I help him? Out of the love in your heart for your own flesh and blood. I do not consider that old man my father, nor that boy my brother. He has a secret he needs to keep, something I’m sure you’re familiar with of course. What secret? All in due time, Son, will you help him or not?
The Son refused to meet his brother in person for the first few months, preferring to instead communicate only by phone. He had been studying at Reimei academy, he told him, as part of the idol course. His mother loved idols, loved them so very much and it was the only memory he had of her. The Son understood his brother on that level. During their phone calls, the Son learned about his brother’s rival at the school, a boy by the name of Tatsumi Kazehaya who happened to be in the year above him. Tatsumi Kazehaya was perfect in many ways, something that his brother found infuriating. Why couldn’t he be like that? He lamented in one phone call. The Son told him that some people are simply born with talent, and Kazehaya was one of them. His brother relented and continued to update the Son on his progress.
Despite the Son knowing his brother’s name, Kaname Tojou, his brother did not know his, instead choosing to refer to him only as “Onii-chan,” a word that grated on his ears. He was not a cute older brother to be looked up to and in fact he’d rather be doing anything else than be there, and yet. He stayed calm. Once Kaname debuted and got on his feet, the Son would fade back into the background as if he never existed. That was the plan, anyway. The Priest had told him that he would be free to do as he pleased away from his watchful eye if everything went according to plan.
After a year of guiding his brother in the ways of being an idol, the Son wanted to see how he was progressing. Kaname hadn’t said anything about a performance, but since the Son was very good at keeping an ear to the ground, he had found out about a performance between Kaname and Tatsumi to be put on for the entire school. He wasn’t entirely sure what the purpose of that was exactly, but it would be a good time to gauge Kaname’s progress and how well he had followed the Son’s instructions. The Son made his way through the crowd, finding a spot near the front but not where Kaname could see him and he watched the empty stage, waiting for any sign of life.
The projectors came on and a video began playing, a video about the exact secret that the Son had been safeguarding even from his brother. It was a video about Kaname’s mother and how she had ruined the career of one of the best idols that had ever existed in Japan. The energy in the crowd was agitated, vibrating with anger as they waited for the two aspiring idols to take the stage. The Son wanted to run backstage, warn his brother of the impending danger, but could only watch in horror as the curtains raised and the crowd rushed forward. The Son looked on as the two young idols were yanked from the stage, a scream lost to the noise of the crowd, unable to do anything.
When it was over, he had found himself in the hospital waiting room, pacing the length of it as he went over the potential outcome of the surgery. His brother had suffered greatly, that much was obvious to the Son as they loaded the two boys into the ambulance, but how much damage was done had yet to be seen.
Someone approached the Prodigal Son while he was pacing and placed a hand on his shoulder, stopping him in his tracks. Thank you for coming home.
13 notes
·
View notes