Inger Stevens / during production of Gene Kelly’s A Guide for the Married Man (1967)
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Inger (fra Randers) (1962)
Sven Dalsgaard
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Men's Voices
by Inger Christensen
tr. Susanna Nied
Men’s voices in the dark
— once in a temple —
men’s voices in the sun
— once I was caryatid
number nine —
men’s voices in the park
— I was a statue
untouchable naked
with no other mirror
than the fingers of the air
yielding to thought after thought
with no other sadness
than the rustling of leaves —
men’s voices in the park:
why did they waken me?
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Harry having the apricots-Dora-peaches of immortality-Dolores Dei visceral trauma response to the cover of the inframaterialism book (even though we have also pointed out it’s abstract kimharry with the green and orange and he doesn’t react to Kim’s orangeness or apricot empire in Suzerainty)
is one of the few scraps of evidence for my fanon birth name for the apocalyptic shrike: Nils Ingerlund
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Inger Flood (Norwegian, b. 1918), Varmt, 1959. Oil on canvas, 44,5 x 34 cm
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5.
early fall exists; aftertaste, afterthought;
seclusion and angels exist;
widows and elk exist; every
detail exists; memory, memory's light;
afterglow exists; oaks, elms,
junipers, sameness, loneliness exist;
eider ducks, spiders, and vinegar
exist, and the future, the future
Inger Christensen, Alphabet fragment
(based structurally on Fibonacci's sequence)
trans. by Susanna Nied and Pierre Joris
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When Christine's Hannibal "Slavegirl" bodice is extra +++
Be it the tailoring, the GOLD, the beading or just overall style. For example the super low cut and gold of the early European versions, the US ones in general and Sarah Brightman's original Broadway bodice in particular, the extra gold on the newest South Korean ones, and the pretty insane hourglass shape and all the gold of the German ones... aaaah.
Luzia Nistler, Vienna
Marika Lansen, Scheveningen
Inger Olsson Moberg, Stockholm
Ali Ewoldt, Broadway
Sarah Brightman, Broadway
Son Ji Soo, Daegu
Colby Thomas, Hamburg
Raquel Paulin, Sao Paulo
Lori Broderick (?), Hamburg
(original design by Maria Bjørnson)
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URL moodboard
I got tagged by @corporalicent Thank you!
Mystery (murder mystery in this case) + Vampires (a few of my favourites)
Tagging: @cssnder @cosmicwritingg @ivaspinoza @willnotshutupaboutgoodomens
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Inger Stevens-Clint Eastwood "Cometieron dos errores" (Hang´em high) 1968, de Ted Post.
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Inger: Truth or dare?
Garreth: Truth.
Inger: How many hours have you slept this week?
Garreth: Dare.
Inger: Go to bed.
Garreth: I don't like this game.
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Inger Stevens and Harry Belafonte on set of Ranald MacDougall’s THE WORLD, THE FLESH AND THE DEVIL (1959)
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