post/734733274896809984/do-you-ever-worry-your-own-writing-might-come-off that makes sense. i was asking because i'm afraid of accidentally writing misogyny myself and i kind of admire what you do
Hmm... I wish I had better advice to give you on this front, but honestly, the only thing I can tell you is to consider the perspective of your female characters.
Women are people. They have thoughts and feelings of their own, so like... just let them have their own arcs. A lot of the worst misogyny in WC comes from the way that the writers just don't care about their girls (or, in the case of tall shadow, actually get undermined and forced to rewrite entire chapters), so they're not curious about their lives, or WHY they feel the way they do or what they want, or any direction for their character arcs.
Turtle Tail as an example. She'll often just end up feeling whatever Gray Wing's plot demands. She's gotta leave when Storm dumps him to make him feel lonely. She shows up again to love him in the next book. Lets her best friend Bumble get dragged back to Tom the Wifebeater, but is sad enough about her death to be "unreasonably angry" with Clear Sky, and then calms down and accept Gray Wing is right all along.
And then she dies, so he can have his very own fridge wife.
In this way, Turtle Tail's just being used to tell Gray Wing's story. They're not interested in why she would turn on Bumble, or god forbid any lingering negative feelings for how she didn't help her, or even resentment towards Clear Sky for killing her or Gray Wing for jumping to his defense. She isn't really going through her own character arc.
She does have personality traits of her own, don't misunderstand my criticism, but as a character she revolves around Gray Wing.
So, zoom out every now and then, and just ask yourself; "Whose story is being told by what I wrote? Do my female characters have goals, wants, and agency, or are they just supporting men? How do their choices impact the narrative?"
But that's already kinda assuming that you already have characters like Turtle Tail who DO have personalities and potential of their own. Here's some super simple and practical advice that helped me;
Tally the genders in your cast. How many are boys, how many are girls, how many are others?
And take stock of how many of those characters are just in the supporting cast, and compare that to the amount you have in the main cast.
If you have a significant imbalance, ESPECIALLY in the main cast, fire the Woman Beam.
It's a really simple trick to just write a male character, and then change its gender while keeping it the same. I promise women are really not fundamentally different from men lmao. You can consider how your in-universe gender roles affect them later, if you'd like, but when you're just starting to wean yourself off a "boy bias" this trick works like a charm.
Also you're not allowed to change the body type of any girl you Woman Beam because I said so. PLEASE allow your girls to have muscles, or be fat, or be old, or have lots of scars. Do NOT do what a cowardly Triple A studio does, where the women all have the same cute or sexy face and curvy body while they're standing next to dwarves, robots, and a gorilla.
Or this shit,
If you do this I will GET you. If you're ever possessed by the dark urge, you will see my face appear in the clouds like Mufasa himself to guide you away from the path of evil.
Anyway, you get better at just making characters girls to begin with as time goes on and you practice it. It's really not as big of a deal as your brain might think it is.
Take a legitimate interest in female characters and try not to disproportionately hit them with parental/romance plots as opposed to the male cast, and you'll be fine. Don't think of them as "SPECIAL WOMEN CHARACTERS" just make a character and then let her be a girl, occasionally checking your tally and doing some critical thinking about their use in the story.
(Also remember I'm not a professional or anything, I'm just trying to give advice)
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i couldnt fall asleep and spent the last few hours watching tiktoks of people pretending to be wolves so i probably cant articulate this well rn but i think theres something deeply sad about how much of not just fandom but life in general is done with ironic detachment nowadays. a kind of plausible deniability of feeling anything at all. and i catch myself doing this too!! its just a lot easier to not be vulnerable and earnest online. baring ur soul in front of anyone is terrifying because ur always giving them the opportunity to hurt u when u do it
like even with this post a part of my brain is going ok its not that deep omg but like. maybe it is that deep. maybe the things we do and say and the way we navigate the world matters even in an online space about a sitcom. maybe everything can have meaning and we should be careful of what we are saying and listen to other people and try to be nice to each other because theres already plenty of cruelty in the world
and again i have the internet socialised part of my brain screaming at me that this is cringe and nobody cares but again thats stupid. like thats stupid. nobody is being held at gunpoint to read my dumb rambles and if people mock my words thats their personal failure and not mine. u just have to kinda not listen and be earnest anyways and be comforted by the fact that this mindset of self denial isnt healthy for anyone. u cant be detached and happy those two things are mutually exclusive and irony is a thing that can genuinely poison you. like im speaking from experience i literally have the same kind of brainrot and i think that most people have it, especially gen z since we grew up on the internet and started curating the way people perceive us online way too soon. like yeah theres a point where u only know the self that exists to be perceived and that sucks i think.
mocking others vulnerability is fun and safe but it cant make you happy. the only thing that can is being genuine and open and vulnerable. its scary but its the only way. what im trying to say is that the live laugh love girlies were kinda onto something (minus the christian fundamentalism) and we are gradually spiraling into a world in which nothing is real and everything is a commodity and the only way to save ur soul is to be genuine and earnest with people u love and with the world in general. lets cling to our humanity as capitalism alienates us and keeps us trapped in a perpetual cycle of dissatisfaction so we can consume and be consumed forever and ever while giving just enough to keep the engine pumping. im not saying that actively trying to be earnest is the antidote for capitalism but i do think it helps salvage our humanity. and i do think its the only way to be happy
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Is there a 300 page essay about Murderbot's armor (specifically the opaque helmet) as a not-so-subtle metaphor for masking in a clearly neurodivergent character already? Because I need it.
The way Murderbot is unvoluntarily without its opaque armor in All System Red in front of the crew (i.e. unmasking) and appears surprised at its own strong facial expressions and other people's reaction to it? The vulnerability that comes with that and how Murderbot spends pretty much the rest of the book wearing or actively missing its armor which keeps it safe from the mortifying ordeal of being known (yet sometimes other characters suggest it might help for it to not opacify the helmet in order for others to see it as a person and to trust it (and in the end idk if it would have achieved the rewards of being loved by its humans and have had its needs met if it hadn't unmasked in this relatively safe environment sometimes)).
Also there's the whole avoiding-looking-directly-at-people-and-using-drones-instead thing which Murderbot usually hides using the opaque helmet, but whenever it doesn't have that people notice it and many react negatively/confused. I think that's a whole neurodivergent-applicable situation in and of itself? Like damn
And then Mensah encourages Murderbot not to wear armor on Preservation station since it would not need it there, Murderbot is hesitant but ends up not wearing any (like 4 books later when we finally get to that bridge) (going for the comfortable clothes it chose for itself instead, with very strong feelings about the whole being able to make choices thing that I cannot go into further at this point because I would absolutely end up BITING SOMETHING OR SOMEONE).
And I'm not going to advocate for unmasking all the time in any setting because hell no, sometimes it absolutely sucks and people are irritated by Murderbot's now visible quirks and are afraid of what they don't know, but many GET TO KNOW Murderbot better and because there are other people that make sure Murderbot is safe and respected and are willing to get people fired for it if they disrespect it (Pin-Lee my beloved) Murderbot can experiment with this situation without being exiled to some abonded part of a planet and other people are forced to spend enough time around ot to learn to respect it and even like it. I just....... It must be so scary and Murderbot is handling so much at once and in this essay I will
PS sorry this is a disorganized mess but so am I and I have so many Thoughts and even more Emotions and so little patience.
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Polls were honestly the best thing to happen here, happy 1 year anniversary polls 💕
I love scrolling past not only random polls about anything but also whole accounts dedicated to poll-based tournaments for pokemon, astronomy, colors, farming equipment…
Having opinions about inconsequential bullshit can be very fun
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I had some really lovely asks about the short Essek fancomic from a while ago, that I have already answered privately, but I just wanted to thank all those who sent me those heartwarming thoughts – they were so appreciated. <3
I am mentally in a really tough spot since a few months now and it's very difficult for me to stay positive, be productive and not feel exhausted. Art is really difficult right now because I barely have any mental energy left for it and more often than not I end up feeling like what I create is really pointless and meaningless, but the occasional kind interactions really make my day and I am super thankful for them.
If I didn't answer, I probably haven't thought of a good reply that seems worthy, but I read all the asks, comments and the (lovely and silly) tags that people put under my art, so thank you. 💜
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