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#it just would've been nice
lazylittledragon · 4 months
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god i wish there was a midpoint between my two ADHD settings, "grey wasteland with a lingering fog" and "someone just took a blowtorch to my neurons"
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rainbow moon :]
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Okay I started this waaaaaaaaaaaaaaaaaaaaaaay back right after Episode 10 launched. Yeah. Ages ago. I actually finished it around probably 1-2 months ago??? I've just been slow to uploading it ^^;; Back then I was... not necessarily theorizing??? But had fun indulging in an idea like this xD
-NO ROMANCE INCLUDED-
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aq2003 · 7 months
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really love how throughout a lot of smith and jones martha is really skeptical and apprehensive towards ten (+ one of my favorite exchanges between them - "what, people call you 'the doctor'?" "yeah?" "well, i'm not. far as i'm concerned, you've got to earn that title."), not taking everything he says at face value, even doubting the fact he's an alien until over halfway through the episode.. And like. i really truly think the thing that wins her over isn't him kissing her or any of the other insane mixed messages he manages to send, it's this scene here, where he /earns that title/ in her eyes:
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(+ david's bit in the commentary, where he says: "[the doctor] has actually sacrificed himself, and - i would say, that that final act of selflessness is what finally, eventually, welds martha to him. [...] and she now returns it. she returns that act of selflessness.")
this is what their relationship is built on. it isn't about martha being the second-best replacement to rose or a rebound or whatever. bc it isn't really about rose. it's about doctor-in-training martha meeting someone (quite literally, "the doctor") whose ideals she aspires to, and doing her best to be the same person to him as he is to everyone else. it's about ten in return admiring her intelligence and inquisitiveness and how she cares for human life, recovering his compassion, letting himself lean on her for support - and then remembering at the most inopportune moments that he's supposed to not need anyone and be on his own forever. And around in their little nightmare loop they go where they save each other over and over until one of them breaks
i've seen ppl look at martha and go "why she does she admire/why is she so in love with ten if he acts like that to her?" or something along those lines and like. it's not just the fact she's in love with him (in fact i'd argue she actively tries to push it aside post-gridlock). it's the fact that she knows he's the kind of person to put everyone else's lives/well-being over his own. she trusts him to save her when she's in trouble even though it's been like two days at most that they've known one another bc she recognizes that same "deep all-encompassing drive to help others" in him. and she also recognizes, much much earlier than him, that he needs someone to save him, especially when he's unwilling to save himself. and yeah for a bit she thinks he returns her feelings and is just playing hard-to-get, but she realizes pretty early on that this probably isn't the case, and i think that realization fully solidifies here:
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(this is when she's listening to ten talk abt gallifrey). And idk it might just be me but i think this expression isn't just her empathizing with his loss. it's also guilt, for wanting something from him that he's clearly unable to give when he's wracked with so much grief. (and you see it in the next episode, where tallulah asks if they're together and martha says for certain that they're not, and that he doesn't know about her feelings for him. she keeps everything to herself bc she now knows that when he shut her flirting down at the end of 3x01 it was the genuine reaction of someone who a) isn't interested and b) is scared of getting close with someone else again)
freema described their dynamic as "she's keener than him" and i think about this all the time. martha doesn't really take what ten throws at her. what she does instead is constantly poke holes in his already-failing front of "i will show someone the wonders of the universe so i can ignore what is wrong with me". what she does is stand up and fight him when he tries to go off on his own. what she does is put aside her well-being in favor of helping someone - just like what she saw him do for the people in the hospital when they first met. tldr, that's the doctor and his doctor and rip martha you would've loved who's gonna save u now by rina sawayama
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yuviur · 8 months
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Beloved little gremlin boy Taylor!!!!! I care him
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beif0ngs · 2 years
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CRYING, SOBBING, WAILING!!! 😭😭😭
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thank you Marco for voicing all our thoughts 😢❤️
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jiiyawns · 2 years
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rereading archie gave me a disease and the disease is shadow the hedgehog
just smth for fun . wanted to keep the panel layout and dialogue the same but change the drawings as i saw fit... the og is a lot more dynamic imo but i liked the expression practice i got
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july-19th-club · 1 year
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i know for a fact i have made this post before but for me it's very important that bbc merlin is a pointless tragedy. it wouldn't be good (it's frequently not good anyway but it would be a lot further away from good) if it wasn't a pointless tragedy! it's simply not arthuriana if it doesn't go past the high point of the heroic/legendary/high medieval romance stuff and end with detailed rundowns of exactly how everybody got betrayed and died like that is what makes it real arthuriana to me and not just a silly show about a wizard
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the-mononoke-facade · 18 days
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Thinking about Kayo's fear in Umi Bozu again and what it means for her character
How the fear of missing out she rattled off was an idealized version of the general life path that's open to her as a young peasant woman of her time, and that she is probably scared of missing out on that ideal, but not in the sense of not getting married at all, but in the sense of doing that whole song and dance but ending up trapped in a marriage to a terrible man, or giving birth to children who are going to get caught up in the cycles of violence she was abruptly made aware of with the fall of the Sakai clan (either as the one doing the violence or the one suffering under it, or both, creating a monster regardless)
How, if Kayo's meant to be taken as a character with her eyes to the future, that the bakeneko incident shook her certainty in it in a way that she had never had a reason to question before, having her beliefs of being a fairly ordinary person rattled to see what atrocities the "ordinary people" around her helped to commit, atrocities that very well might never have come to light without the divine intervention that was the mononoke and the medicine vendor coming to slay it
Anyway, just contemplating Kayo tonight
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artharakka · 1 year
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On aivan kuin vihreää näkyisi enemmän kuin eilen. Sen täytyy olla omaa mielikuvitustani. On vielä liian varhaista. Vaitonaisena Maa kiipeää korkeammalle, virheetön, pyöreä vesipisara, jossa on kaikki: jokainen mennyt päivä ja tuleva. Tältä etäisyydeltä siinä ei näy ainuttakaan arpea. Minusta näyttää, että jos ojentaisin käteni, voisin silittää sen pintaa, silittää sen uudelleen uneen. Sormiini jäisi veden ja maan himmeä hohde, joka viipyisi, kun myöhemmin nukahtaisin huoneessani käsi posken alla. Kenties herättyäni löytäisin häiveen siitä kasvoiltani, kuin muiston, tai kuivuneen kyyneleen. — Emmi Itäranta. Kuunpäivän kirjeet
* * *
It is almost like there is more green today than there was yesterday. It must be my own imagination. It is still too early. Silently, Earth is rising higher, a flawless, round drop of water that holds everything within: each day past and future. From this distance, there isn’t a single scar visible. To me it seems that if I reached out my hand, I could stroke its surface, caress it back to sleep. The faint glow of water and earth would remain on my fingertips, and it would linger there, when I would later fall asleep in my room my hand under my cheek. Perhaps, when I would wake up, I would find a trace of it on my face, like a memory, or a dried tear. — Emmi Itäranta. The Moonday Letters. Quote tranlated by me (unofficial)
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lloydfrontera · 1 year
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tfw when you write an entire novel with two protagonists that spent the entire plot getting closer to each other, becoming best friends and eventually both of them deciding they would rather die than allow the other to not live a long, fulfilling life, their friendship carrying most of the emotional weight of the entire plot and the emotional climax being one of them sacrificing his life so the other can live and then the other crossing literal universes to find him, a tearful smile in his face as he confesses how much he missed him. which is the scene you wanted to write and show the most because, again, this is the pay off to the slowburn you've been writing in the entire novel and what everything has been building up to since the very first chapter. and then you end the novel by having them share a smile, finally confident they'll be able to have a happy future.
but you also just gotta have one of them marry offscreen because everyone knows you can't be happy if you're not in a het marriage with kids lmao it's whatever it's okay i'm fiNE-
#i talk a lot <3#the greatest estate developer#lloyd frontera#this post was going to be so much more bitter this is me being nice akjshdkahdk#i just....... i'm sad alsjdsjkal#and i don't think i'm wrong to be. like i'm not disapointed bc i don't actually expected lloyd and javier to be together#i'm not that optimistic lmao#but i did have the hope tged would have no romance#because lloyd and javier were already doing so much in the emotional and relationship development front of the plot#that adding romance just feels. awkward. like an aside. an add-on that affects none of the plot and is just there to make sure#no one accidentally gets confused and think those two are in love#and guess what! most of the romance does happen in literal side stories! literally an add-on that does nothing for the plot! i hate it!#it's the heteronormativity and amatonormativity of it all :/#do i think it would've been cool for llojavi to be canon? absolutely! do i think it was necessary for the plot? nope!#they were already perfect the way they are! their friendship is the core of the entire plot and their relationship to each other#is what ultimately moves much of the plot in the latter half!#which is the way relationships should work in fiction! not just have them for the sake of having them!#lloyd didn't need a romantic subplot because the plot was already working perfectly without it!#also what's the point of having a character constantly think about what their idea of 'happy life' is if you're not going to challenge it#it's about the hero's journey of it all!!!#i have things to say dang it!#javier asrahan#tged
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canisalbus · 11 months
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What do you think would have happened if (somehow, idk how but somehow) Machete rose to the rank of pope?
To be perfectly honest? I think most realistically he would've ruled maybe six months at best and then keeled over from stress and exhaustion.
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raticalshoez · 8 months
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MY FAVORITE GUY !!!!
Started off as a doodle, ended up actually shading 💀
CLOSE UPS:
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dolokhoded · 1 year
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my one season 4 complaint is Where The Fuck Was Aneesa
#never have i ever#i really wish her and fabiola had stayed together them not working out didn't rlly serve any purpose to the plot for the new season#fabiola's new relationship was barely rlaborated upon. as expected.#and aneesa was basically written out she was barely even part of the group#plus that scene of them at the staircase talking about fab's robotics team. they still have so much chemistry and they were literally just#talking about robotics#i understand she's not a major character and she can't have a separate plotline to herself but she wasn't even involved in anyone else's#her and fabiola were cute together and she would've at least been part of the plot if they were still dating#allison was barely a character what was the point of writing some random new partner for fabiola when she already had a perfectly good#love interest#it just doesn't make sense to me. whi decided it would be a good idea for them to break up#was it just an opportunity to shove in a nonbinary character who had no personality and was just there as someone's s/o and call it#representation#cause there are Many better ways to have nonbinary rep than this#but ofc mindy kaling wouldn't give a shit about this.#n e ways for this support my nonbinary aneesa hc . it's real.#fabiola torres#aneesa qureshi#OR AT THE VERY LEAST SHE SHOULD'VE GOTTEN WITH PAXTON. SHE HAD THAT NICE HOT JOCK LINE AT THE END OF SEASON 3#im fabneesa 4 life but i would honestly be haply with her dating paxton. they're both cool and they'd be fun together. and she deserves a#nice hot jock boyfriend.
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nguyenfinity · 1 year
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[slams this on the table] HAPPY MOTHERS’ DAY
Extra:
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leupagus · 2 months
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BRB giving all the Lannisters a way more satisfying story arc than the one the show foisted on them
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The wedding celebrations for Trystane's brother Quentyn and his new bride Desmera Redwyne lasted for nearly a fortnight, with dancing and feasting and even fireworks set off over the bay at the Water Gardens. Every noble in Dorne (and half the nobles of the Reach) had come; even Prince Doran had attended, and it seemed to do him good. His pain-lined face had been wreathed in smiles and he had sat at the head of the table at nearly every meal, coming out from his seclusion for the first time in ages.
Trystane noticed, too. "I don't think I have ever seen Papa so happy," he whispered, leaning toward her during the feast on the last night.
"It's because he has got rid of one troublesome son," she teased him, tapping her finger on his nose. It was true enough: tomorrow, Quentyn and Desmera would travel back to the Arbor where they would take up their duties as heirs to Paxter Redwyne.
Trystane scrunched his nose and moved closer to her on the bench, sliding his arm around her waist. "Soon he will be got rid of another," he murmured in her ear, kissing her gently on the cheek, then the neck.
"Ah, ah, this is not your wedding yet, little brother," warned Arianne as she briskly tapped them on their shoulders, pushing them firmly aside so that she could sit between them. "Room enough for the Mother, if you please."
"You're my sister, not my mother," Trystane grumbled. "And there isn't enough room for your backside!"
"Trystane!" Myrcella protested, but Arianne had it well in hand.
"If I were Mama, I would spank you on yours," she told him, and swatted at him anyway. Trystane yelped and hit her back, and their end of the table erupted into chaos as brothers and sisters, cousins and friends all shrieked and jabbed at each other, tickling and pinching as one can only do to those one truly loves.
Arianne and Myrcella had been thick as thieves when she had first arrived at Sunspear, still dreadfully homesick and afraid. Uncle Tyrion had promised her that the people of Dorne would treat her well; but though everyone had been kind, it was only Arianne who had truly been a friend at first. She had sneaked into Myrcella's room and hid behind drapes or under the bed to jump out at her, shown her the sights of the Water Gardens and Planky Town alike, even encouraged her to speak with Trystane, who at 15 had been terribly spotty and sulky.
Then Arianne had gone to visit her mother and her family, in far-off Norvos. It had been planned for only a few months, but the time had stretched on and on, and only Quentyn's marriage had brought her back at last. Myrcella had missed her even as she had grown closer with Trystane, and part of her dreaded their marriage that would take her away from the drowsy warmth and comfort of Arianne's company, even as it would deliver her back to her family at King's Landing.
Later that night, Myrcella crept into Arianne's chambers and hid inside the great wardrobe, keeping the door half-open as it had been already. (Arianne was shockingly untidy for a princess, and refused to allow any servant in her quarters to deal with the resulting mess. She used to drag Myrcella to her rooms once a month or so and make her sit on the bed, while Arianne picked up the clothes strewn about the floor or flung over the backs of chairs and complained about her own bad habits. Already, Myrcella thought, Arianne could do with a good cleaning.) A short while later the door to the chamber opened and Myrcella readied herself to jump out, just as Arianne had done to her so often.
But Arianne was not alone.
"—Yronwoods aren't pleased by the match," someone was saying. "Lord Anders thought Quentyn would marry Gwyneth, after being fostered with them for so long."
It was Ellaria Sand. She hadn't been seen overmuch at Sunspear since returning from King's Landing two months ago, Lord Oberyn's body in tow. Since then she'd avoided the court, instead spending time with Oberyn's daughters. The few times Myrcella had seen her, Ellaria had been as warm and friendly as before, but with a knife-edge to her smile that Myrcella recognized all too well from the courtiers in the Red Keep. She'd had taken care not to be alone with Ellaria, nor with the Sand Snakes, since then.
"Then Lord Anders is a fool," said Arianne in her sing-song voice, "and should be regarded as such. Gwyneth is a lovely girl, but she is far too little for a Prince of Dorne. The Arbor is a more valuable holding and the Redwynes far more valuable allies."
"And once Trystane is married to his blonde bastard girl, you will have both your brothers safely out of Dorne," said Ellaria. There was the sound of clothing being moved about, and Ellaria sitting down. "Really, dear, you ought to have someone clean in here. There could be mice, for all you know."
Arianne laughed, as though Ellaria had only insulted her housekeeping. Myrcella's hands clenched into fists. Was this what Arianne truly thought of her? And in Dorne, of all places! Where Ellaria herself, and all her lover's daughters, carried the last name of Sand! Ellaria had made much of the Dornish saying that bastard children were born of love and passion, and thus as trueborn as any child conceived by wedded parents. But clearly she held Myrcella in as much contempt as any of the rest of them would back home, if they knew the truth.
They never knew King Robert, the man who'd never once looked at her or her brothers but with resentment and bitterness. None of her mother's children had been loved, not by that oafish lumbering stag who saw them all as shackles that tied him to the Lannisters he hated so much. What shame was there in knowing her true parents, at least, loved each other? And loved their children, even if only one could dare show it? Myrcella wanted to burst out of the wardrobe and declare that she would gladly call herself Myrcella Waters — Myrcella Lannister — and dare anyone to judge her for it. 
But she huddled further into herself and listened, to hear what else Arianne might say.
"I've stayed away too long," is what she said, "if you're this comfortable calling poor Myrcella such names. She's done nothing to you—"
The scrape of a chair signaled that Ellaria had risen once again. "Her family murdered your uncle, who you seemed once to love—"
"—and yet I have been informed of a certain present you sent to Queen Cersei just a few days ago," Arianne overrode her. "A snake, with Myrcella's pendant in its mouth. Hardly subtle, my dear."
Ellaria did not answer, and Myrcella put her hand to her mouth to keep her own silence. Her pendant had gone missing during the wedding celebrations, she had thought a victim of one of the more energetic dances on that first night. But Ellaria had got hold of it somehow? And sent it to Mother as a...threat, it seemed. Or a warning.
"What do you want, Ellaria?" asked Arianne with more gentleness than Myrcella felt capable of. "The Lannisters have already suffered, even if not by our hand: their patriarch dead, their firstborn dead, their brother Tyrion probably dead and certainly dead to them. Even Casterly Rock itself is in dire straits, from what I've heard. You've spoken to my father a great deal of vengeance — but where will it end? Will it be satisfied with Myrcella's death? Or do you need every child of theirs to die, before killing Cersei and Jaime?"
"I—" Ellaria's voice was thick, and there was a long moment of quiet before she spoke again. "I do not know," she said at last, as if confessing.
"Well, I do know," said Arianne briskly, "and I will tell you, if you will listen."
"...I will," said Ellaria slowly. Myrcella hardly dared breathe.
"Good. I did not linger in Norvos for nothing, much as I love Mama. Do you remember Illyrio Mopatis, the magister from Pentos? We met him years ago, when I was a girl and you and Oberyn took me with you to Essos. You were pregnant with Dorea, I think, and Obella and Tyene followed you everywhere with pillows for your chairs. Illyrio then got you a litter and had you carried everywhere."
"Gods, yes," Ellaria said, chuckling. "And he had one to match!"
"Uncle Oberyn kept crowding out the litterbearer in the front so that he could carry you," Arianne said. "At any rate, I saw him — Illyrio. He came for a visit to Mama's estate, and we spoke at great length about certain plans he has been making."
Ellaria's laugh now was sour. "Ah yes, he and the Spider have been making those plans for nearly twenty years, haven't they? Put the Targaryen boy back on the throne with the assurance that this one is sane." She snorted. "They thought Rhaegar was sane, too."
"If by 'this one,' you refer to Viserys Targaryen, his sanity is a moot point," said Arianne. "He's dead. Has been for several years, apparently. But his sister Daenerys has survived. She's been making quite a nuisance of herself in Slaver's Bay. Along with her three dragons, Illyrio tells me."
"Dragons?" Ellaria scoffed. "Illyrio's always said a great number of things. That never made any of them true."
"Which is why I want you to go and find out what is true. Meet with this Daenerys Stormborn yourself. Take her measure. I could only discover so much in Norvos, with Mama's eye always on me. She doesn't approve of Papa's conciliation to the Red Keep, but stories of Targaryen princesses and their dragons aren't to her liking, either."
"Are they to your liking?" Whatever response Arianne made, it seemed to satisfy Ellaria. "Very well. I have two conditions."
"Only two?"
"First, I shall first go to Pentos first and speak directly with Illyrio. He never could lie to me, and if he is so sure Daenerys Targaryen is the true ruler of Westeros then he'll be willing to back that up with coin and supplies. Which we'll need, in abundance."
Arianne sighed. "Very well. Though if you venture so close to Norvos, Mama will insist you visit her."
Ellaria made a prevaricating sound. "Your mother always liked me best."
"She did. And does. What is your second condition?"
"Our daughters come with me. All of them."
"No," Arianne said flatly. "Aside from the fact that it will look strange to have all the Sand Snakes gone, Lorenza is barely seven years old. You would take her across the Narrow Sea to a slave city?"
"Better than leave her here, where Doran can fill her head with his witterings about peace and forgiveness," Ellaria snapped. "If she dies — if any of us die — at least we will not live like your father."
"Take Nymeria and Tyene," Arianne countered. "Obara, if you must. The rest of the Snakes are better off here. What would Sarella do in Meereen, or Astapor, or Yunkai? Those cities do not have a reputation for academic pursuits."
"She can bring her books with her. All of us go, or none. I want nothing of Oberyn left behind for someone else to take from me."
Arianne sighed. "I'll consider it. But I want you to consider, too. If this Daenerys Stormborn is what she is said to be, she will retake the Iron Throne 'with fire and blood.' Take care that it is not your blood, my dear."
They spoke for a bit longer, until the bells chimed the hour and Ellaria departed. How long until Arianne went to bed? Myrcella might stay here the whole night and then what would she do? Who could she tell? Who did she want to tell?
"You are thinking loudly enough to wake the entire palace, little lioness," said Arianne, and opened the wardrobe door all the way. Myrcella shrank back but it was no use; Arianne was looking down at her, shaking her head. "Let's talk, so that you might be a little quieter."
"Are you going to kill my brother?" she asked, not moving.
"No," Arianne said, with a certainty that Myrcella could not help but believe. "Nor will I let anyone else. We do not hurt children in Dorne." She held out her hand, and Myrcella took it.
They sat down on the bench near the window, the one that overlooked the whole of the palace and beyond that, the city of Sunspear itself. The stars here were clear and bright, even with the torches and lights from below burning merrily at this late hour.
"Tommen's in King's Landing, not Dorne," was the first thing Myrcella could think of to say. "And he's not a child anymore." Nor am I, she thought.
Arianne rolled her eyes. "So literal. I forgot this about you. You're right — he's a man grown now, and a husband soon, and already a king. But he is not to blame for the way things are now, anymore than Viserys and Daenerys were to blame for what their father and brother did during the Rebellion."
"My father always said Uncle Stannis should have killed them when he had the chance." She could remember that argument well, as it was one Robert made whenever Uncle Stannis irritated him — which was often. You had only to take them and drown them, and you couldn't even manage that! My brother the great tactician, bested by infants! 
"I very much doubt your father said any such thing," said Arianne tartly, "Though I am sure King Robert said it often enough." She tilted her head as she regarded Myrcella. "When did you first realize? About your parents?"
Myrcella hesitated, but it seemed silly to pretend ignorance now, of all times. "I've always known, I think. When the ravens came from Dragonstone, from Uncle Stannis, saying that we were bastard-born...it wasn't a surprise." Nor had she been surprised at her not-uncle's blunt declaration, cutting himself off from all claims of blood and family. Stannis had always been a hard man to love; she suspected he found it hard to love others in turn. Perhaps it had been as great a relief to him as it had been to her, to know there was nothing that bound them to each other after all.
"I am glad you know," said Arianne, "but that is one reason I wanted you to hear Ellaria's plans, as well as my own. She wants to hurt your mother and father very badly. Her rage has made her blind. My hope is that distance, as well as time, will allow her to see clearly again. But in the meanwhile it is best for everyone if you and she are far away from each other."
"But...those things you said, about Daenerys Targaryen. You want her to come here?"
Arianne sighed and took Myrcella's hands in hers. They were small and soft, dwarfed by Myrcella's long fingers. "Daenerys Stormborn is coming here. Nothing can stop that; sooner or later, she will arrive with her dragons, and she will take the Iron Throne. If your brother and your parents are to survive it, they must have somewhere to go. Someone who will take them in."
Myrcella stared at her. She couldn't mean Dorne; for one thing, Mother would never agree to live out her days here, strolling about the Water Gardens and bathing in the Summer Sea. For another, the Martells and the Targaryens had a complicated enough relationship; even Doran, even Arianne, wouldn't risk the wrath of a new queen by hosting the old king.
"Perhaps Highgarden—" but even as Myrcella said it she could see it for the farcical suggestion it was. She'd never met the Queen of Thorns, but she knew the Tyrells had sided with the Targaryens during the Rebellion; Olenna Tyrell would be only too happy to turn the Lannisters right back over to Daenerys should they put a foot wrong, even if Tommen's marriage to Margaery went through. Which left—
"Casterly Rock," she said, and felt ashamed that it had taken her so long to understand. "You want me to hold the Westerlands." It made sense: Jaime was still in the Kingsguard and likely to remain so, and Uncle Tyrion was long gone (and would be barred from inheriting anyhow, given the accusations that he had murdered Grandfather). Uncle Kevan and Lancel might have claims to it, but Tommen's last letter had mentioned Lancel's latest obsession with some odd religious sect that had gained popularity in the Crownlands. Which left...herself, of all the remaining Lannisters.
Arianne nodded. "Casterly Rock. You were raised to be the wife of a great lord. But I think you are better suited to be a great lord yourself." She lifted her eyebrows. "More importantly, little lioness, what do you think?"
All at once she wanted it more than breath: a home of her own, a castle, a people, a kingdom. A chance to be fair and kind and noble not just amongst the simpering painted faces of court, but in a place where fairness and kindness mattered. She could take Casterly Rock and make something more of it than the just golden bank of Westeros. Myrcella could feel a ravening hunger in her that she'd never imagined, that would take all of the Westerlands to sate.
Myrcella held on tightly. She could feel her fingers turning to claws, her hair a wild mane. "Yes," she said, her voice barely above a whisper but roaring louder in her head, in her throat, in her chest. "Yes."
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