all those interviews are fun even with hardcore stans speculation but god i wish they kinda stopped.
like, stop having stans interviewing actors in the first place, what do you mean they talk about couch theory? are we even serious right now? it’s obvious people are going to create even weirder hc after all these interviews.
I understand the interviewers (to a degree) bringing up b*ddie and baiting Oliver and Ryan to “leak” information or address how they are defenders of the ship, as it obviously makes dramatic headlines, which causes engagement, which advertises the show and by extent the website/reporter that did the interview.
Just a bit off topic but it has to be said: most of the interviews are borderline unprofessional. Not just with the aspect of bringing up b*ddie when the recent storyline has nothing to do with eddie but also relying their questions on stereotypes about the queer community (someone unironically asked Oliver who’s buck’s favorite pop diva now that he’s queer. Like wtf).
Anyway, going back to the mess haha. I’m not surprised the stans are acting this way (I’m very new to this fandom but not to fandoms and their discourses). I’m sometimes very invested in media and there are times I do extrapolate and need to touch grass. Sometimes I feel like people who are this invested in a fictional relationship that’s not even canon just need to find a different outlet for intense feelings, and not rely on things that are out of their control.
Of course fan reaction can influence a story being told, however fans have to also know how to approach it while being respectful. In all honesty, if I were writing a show and I finally went with a storyline I wasn’t allowed to write before because the network previously denied, and that was how the fans of a ship reacted, I would be pissed. I think I would not have b*ddie be a thing out of spite.
The bi!buck/bucktommy storyline is a huge step forward for a tv show in this scale. In fact, I can’t remember other procedurals that have as many queer main characters as 911/911 lone star. It’s been said, but a story about this very masculine man that has been known as a womanizer figuring out he’s bisexual well into his thirties and in the seventh season of a very popular show that is not part of a specific niche is important and should be celebrated on its own, regardless of ships or whatever the fans have to say about the partner choice.
But let’s be real for a second as I end my little essay here. If you know a single thing about writing, you know you can’t just throw a love story without buildup and as hard as it is to accept, the interactions between buck and eddie seemed to have always been ambiguous on purpose, and buck being maybe into guys was more played off as a joke. I know the fans want the ship to happen, but if they want this love story to happen, they gotta be patient. Just commenting “we don’t like this. We want buddie!” on an ig post about tevan won’t make the story suddenly turn into that direction.
What I’m saying won’t change anyone’s mind but whoever reads until the end, I want yall to know that unfortunately every fandom is like this and we gotta try our best to stay out of the discourse cause in all seriousness: none of this matters. It’s a show and arguing about it, bothering the actors, commenting annoying things on ig won’t change anything.
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For those of you not aware, X-Men 97 pulled an asshole move of completely excluding Lorna from what happened on Genosha.
This matters because in the comics, she worked with Magneto (before she knew he was her father) to build up Genosha and is one of the survivors of the genocide. Her story was one of failing to save everyone but having to relive the nightmare endlessly by replaying its final moments with her powers until the X-Men got her out of the ruins. Her history was also respected here in the Wolverine and the X-Men cartoon, which gave her great episodes and depictions - the only good ones she's had in cartoons to date.
There seems to be a common thread behind this genocide erasure in Lorna's history: nostalgia for Havolaris and how Lorna was treated in the 90s.
Jordan White was clearly trying to force each of these things while senior editor. At the same time, he had the X-Men books acting like Lorna had no connection at all to Genosha. This went so far that even an event where Kitty Pryde (Jordan White's favorite character, I've been told) did a big thing with Genosha had Lorna's appearance relegated purely to helping Kitty's plan and complaining about a lack of coffee. No acknowledgment she was a survivor of the genocide.
Then we have Beau DeMayo and X-Men 97. To date, the only references we've seen of Lorna were exclusively images of her with Havok and 90s X-Factor. One in opening credits, one in a photo in Forge's place. She's nowhere to be found whatsoever around Genosha in X-Men 97. The show even had X-Factor characters like Multiple Man show up to check things out, but no mention or presence at all for Lorna.
Here's where we stand right now. For a long ass time, I've said that I think there's a path to a relationship with Lorna and Havok eventually being a good thing. I've said it would take work and time where Lorna as her own character is restored and treated properly. I've never said getting the pair back together and it being a good thing was impossible.
This pattern of blatant, deliberate disrespect toward Polaris and her connection to Genosha is seriously making me reconsider that stance. If Lorna surviving a goddamn GENOCIDE can't be respected all because of some nostalgic assholishness, then how in the hell can Lorna make ANY progress or have ANYTHING good so long as the cause of this problem has any play around her? How can Lorna be treated as more than some stupid weakling supporting character girlfriend only there to kiss Havok's ass and jill off over his costume if something as essential as SURVIVING A GENOCIDE going to be ignored in service to sticking her in a toxic relationship with what is increasingly looking like a character that is just irredeemably toxic for Lorna to be around at all?
Up until today, I've said very up front that I seem a path of redemption for this pairing. X-Men 97 is changing my mind on that. I'm very seriously starting to think now that there is no redeeming this pairing and turning it into a good thing. Not when people like Beau DeMayo will erase a genocide from Polaris' character history for the sake of his personal fantasies.
I've said this elsewhere. But in closing, I'm going to be making a very deliberate effort to avoid everything having to do with Beau DeMayo because of his actions here. It's too late for me with the two Strange New Worlds episodes he did. But I already took Witcher and The Originals off my watchlists. And if he steps his toes into anything else I care about in the future, I'll be making it very clear why he shouldn't be involved in those things.
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what's penpal about?
okay so [claps]
short version: penpal is the story of a man who is slowly realizing that he was stalked and potentially almost murdered when he was a child.
long version: penpal is the story of an unnamed narrator who, on a whim, decided to explore some childhood memories that never fully made sense to him looking back, because he never got the bigger picture.
he asks around and tries to learn more about his past, and as time goes on he becomes more and more aware of the fact that, when he was a child, he was actively being stalked for a significant portion of his life, and no one ever told him even after everything was resolved (b/c unfortunately, penpal does not have a happy ending, and there's never any justice for what happened).
i like penpal because the story is presented as an unrelated series of events at first glance, but the more you think about it the more things start to make sense and connect together.
it's very much like... a story about the loss of innocence, the unreliability of our own memories, and how good parents will do anything to protect their children. and it's fucking emotionally devastating on SO many levels.
however, it's fucked up and dark and sad and i don't recommend reading it if any of what i described here sounds like it'd be triggering or upsetting for you. while i think penpal is significantly more respectful in how it handles its concept than a lot of horror i've seen, i also DEFINITELY think it's not for everyone. it's bleak and sad and there's no justice or happy ending.
ok sorry to ramble a bit ASDFJK;L i just remembered like... this book fucked me up but i also do think it's super well-written.
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