what was even the point of gojo being sealed if gege was just going to kill him off right after being unsealed like do not piss me the fuck off omg
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literally where can the zelda franchise go after totk. this is it. we've reached it. the pinnacle of video game entertainment. the whole dev team should just pack their stuff and enjoy a long and comfortable retirement. whoever decides their team has to follow-up on that with the next zelda game should answer for their crimes at the hague. what the fuck. I haven't even beat the game yet but what the fuck.
and how are AAA video game devs everywhere not losing their minds. how the hell did nintendo do any of that? and on that console?? you mean to tell me I can stack 15 differently shaped objects on top of each other and they don't vibrate violently into the skybox?? you mean to tell me the physics engine gladly accepts whatever I throw at it and holds it all together without dropping a frame while running on a machine that was outclassed two generations ago??? this is not witchcraft it's a grandiose demonstration of mastery over every aspect of game development that casts an immense shadow over every other AAA studio. fuck. fuck!!!!
everything about this game is crazy to me. the visuals are crazy. the soudtrack is crazy. the complexity of all systems and how they interact is crazy. the sheer amount of non-repeating content, NPCs, quests, dialogue, puzzles, environment variety - all crazy to me. every time I boot up this game I am humbled by the monumental effort and obvious love that went into every facet of the resulting experience. no cut corners anywhere. mirror-perfect chrome polish.
it's so rare we get something like that, in any field. I'd understand if nintendo never made a zelda game ever again because how do you follow that. god I hope everyone who worked on this game got the fattest check and the sloppiest head. I'm so happy I get to live in shigeru miyamoto's world
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persona misogyny is so fucking wild. ignoring literally everything else about the entire rest of the games, every single s.link with a female character is like “entirely for having been born a woman i have had to work twice as hard for a fraction of the benefit. even now, i am stripped of my agency in a position i never wanted in the first place” and/or “i’m put on a pedestal by the people in my life because of my looks. men see me as an object to be conquered, women hate me for ‘stealing’ ‘their’ men. if i’m withdrawn i’m a bitch, if i’m friendly i’m easy. because of this, i’m alone” and/or “because of my personality or hobby or lack of cooking skills, i feel like i’m failing at femininity. if being a woman is something i can fail at, then where does that leave me? i’m scared at the loss of my identity and place in society”
like very consistently they present female characters with complex thoughts towards their place in society as women, femininity as a whole, and facing issues stemming from misogyny, and then the payoff is always “my problems were entirely my own fault. i wasn’t strong enough, i was a coward. but now, i’m gonna work hard to be exactly what society expects me to be (which is what i want to be)! i’m gonna do better at femininity (which is still something tangible i can fail at)! i’m going to try hard at making friends (which was my fault for not doing)! all my problems are solved through personal responsibility (that im totally culpable for), effort (which i previously was not putting in), or you, a man! i am Happy and Satisfied with this outcome, can i be Your woman?”
and like hello? why are we here. what the fuck are we doing. why do we keep doing this every single time. can we not do the constant lukewarm attempts at criticizing misogyny so you can jerk off to your own thoughtfulness, while ultimately reinforcing patriarchal systems and brushing off any deeper misogyny-bred issues as a lack of deference to one’s rightful place in society? like maybe don’t do that? for fucking once? just an idea
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i still cannot fucking believe the audacity of ludinus da’leth to see that bells hells has some of his old shit from molaesmyr, realize that this means they must have done some digging on what he did to molaesmyr (aka BLOW UP THE ENTIRE CITY TRYING TO USE IT AS A GOD KILLING BATTERY and fucking up so badly that it CORRUPTS THE SAVALIRWOOD FOR CENTURIES AFTERWARD), and then say, with his full chest, “good you’ve done your homework surely you know i’m based as hell and we can stop fighting :^)” like sir WHAT do you mean. they fought a GIANT WORM WOLF. it was MELTED TOGETHER. like a fucking GUMMY WORM. YOU DID THAT! WHAT DO YOU FUCKING MEAN, MY GUY!
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Hey guys!
Anyone else got the email from Instagram about objecting to them using AI on your account? They want me to fill out a form and it sounds very much like my reason for why I don't want them to use AI on me needs to be considered valid in their opinion.
Anyone know if "I don't want you to steal my art" is a reason they consider as valid?
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why is kon so op. kryptonian powerset but also telekinesis powerful enough to dismantle every single gun in los angeles when he hasn't even grown into his full powers yet. he isnt even done cooking yet and he can do that. adult, fully-realized kon is literally going to be the most op guy on the block. motherfucker unlimited. thats a juggernaut and a half. what the fuck
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i'm so wincestpilled but seriously the last like. 10 minutes of do you believe in miracles has completely melted my brain. what's up with that whole "i lied" thing anyway. it's so deranged on every level.
in 9.13 sam tells dean that given the same circumstances with reversed roles (on the brink of death with the only option being angel possession), he wouldn't try to bring dean back from the dead. aka, he wouldn't strip dean of his free will and autonomy just to keep him alive.
but sam lied. not just about what dean thought he heard—that sam wouldn't do everything in his power to bring dean back. no, sam lied about exactly what he meant.
because when dean's life is actually, tangibly on the line, all those promises he told himself go out the window. he'll look for a spell, sam says. he'll defy destiny yet again to keep dean alive.
he even disregards dean's wishes and will to die. dean is becoming something he doesn't want to be; he wants to die, to stop that from happening. but sam won't let him. "don't worry about the mark," he says, because he doesn't care what dean turns into as long as he's alive. and he doesn't care what dean wants or doesn't want, because he needs dean to live.
and then dean dies, and sam brings him back to the bunker, and he tries to summon crowley to make a deal and bring dean back to life. sam lied—he doesn't value dean's right to choose death any more than dean values sam's.
and for possibly the first time, sam is completely honest about this: to himself, and to dean. he tells dean that he needs him, that he'll go to the ends of the earth for him, that he'll do anything for his brother, just the same as dean would for him. no more lying, no more hypotheticals. the cards are laid out on the table for everyone to see, and sam is fundamentally the same as dean. this much is obvious, to anyone but them; it's not sam's first time doing completely unethical and unhinged things to keep dean alive. but now the facade has been torn off, and they can finally both see each other for what they are (psychotically, irrationally, erotically codependent on each other).
between this and sacrifice, they've both now obtained the stifling, all-encompassing, possessive love they desperately wanted from each other, like the sick fucks they are. how am i supposed to be normal about this? hello?
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