There’s something horrifyingly beautiful about Tess’s final moments. In the midst of the most dire chaos, as she waits for her death to come rushing past so she can blow it sky high and give cordyceps a big fuck you one last time, one of the infected stops. It looks at her, really looks. Her own mortality is personified in this infected. It’s death that’s looking at her, and it sees her. She looks her own death in the eye, and the suspense is so high as it approaches. But then, it doesn’t bite her throat out like we all expect it to.
It kisses her. What’s more, it kisses her gently. And I think it was a brilliant choice on the writers part, because it reminded me that the infected aren’t supposed to be evil. Sure, they’re scary as hell, but really, they’re just trying to survive. They’re connected to one another, they can feel each other from miles away. They seek out and want to be close to their own kind, just like the human survivors do. And when they do find each other, they kiss hello.
And after so long apart from a loved one, someone you know and trust with every instinct in your body, wouldn’t you want to kiss them too?
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If this doesn’t make sense it’s 5am so blame that and my tears as I’m rewatching specific scenes
I think he tells her the story of his attempt before the hospital for the sake of getting it out there in case things go bad, like he mentioned on the roof about there always being something bad out there. He doesn’t just keep walking and tell her about it, they sit down and have this moment together, and Ellie knows he’s being serious. But he tells her all this, and his “it wasn’t time that did it” being his way of saying I love you right before they’re separated
He sits down to tell her all this to let her know he loves her in case they run into anything bad. In case things go south. And, even if they don’t go south, then she knows. Then he knows. They get to enter Jackson knowing. They get to live together knowing, without a shadow of a doubt. Having told each other that, and them both understanding it because of how they know how to communicate with each other and what the other means
I don’t know. The timing. The setting. The words. The meanings. The intimacy. It’s all so much
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fireworks
“You weren’t lying,” you said. Across the dark lake, the fireworks were reflected in the water. Your bare feet dangled off the dock and you leaned a little into Joel beside you, gazing up into the sky.
“No,” he said. “Don’t mean to start either.”
You were far enough away there was no noise with the explosions, just another cascade of sparkling light, brocade, crossette, peonies. Joel took your hand in his.
“Next year, we’ll bring the girls,” he said.
“Ellie’ll be too excited to watch,” you said.
“I’ll get a bunch of sparklers, we’ll tire her out,” he said.
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as much as kathleen pissed me off, i kept reminding myself that she’s doing the exact same thing as joel and ellie
other than the fact that she’s going after people who are just kids, her motives are the exact same as joel and ellie. obsessively hunting down henry is the same as ellie hunting down abby in tlou2, and saying she knows killing people isn’t what her brother would want but then doing it anyway (for selfish reasons) is the same as joel taking ellie from the fireflies knowing she wouldn’t want him to
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ppl who don’t think tlou2 was a game built purely around shock value, pls pls tell me why they’d have joel and ellie not speaking for two years (soooooooooooooooo ooc lmao) and then kill him off the day after they finally start to make amends/she comes out to him if not for shock value??
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